Travel Down Sonia Leigh Musical Rabbit Hole with Mad Hatter

Travel Down Sonia Leigh Musical Rabbit Hole with Mad Hatter

Having heard Sonia Leigh play live in Bristol opening for The Broken Witt Rebels on a boat in Bristol. I was delighted to have the opportunity to review her studio album, Mad Hatter.  The studio Album is an Americana ride down a musical rabbit hole. Expect a variety of sound and textures as we taste the musical elixirs on offer across the eleven tracks. Some are edgy, others, nostalgic some are sad. Like any great tea party, it is the combination and flow of sounds that makes Mad Hatter a truly wonderful listening experience.

Mad Hatter starts with Waste The Day, energized sound that pumps out the energy and fun captured by the instrumentation, The first thing is the voice it is rough and smooth, low and fall of emotionally driven contours. As we Waste A Day again with Sonia Leigh. The sound is always rooted in country, country celebrating modernity and we love wasting a day at the Mad Hatter musical mayhem.  Now how to follow that let’s turn the corner swirl around 180 degrees with a journey in the Sky Submarine. The electro buzz burns through the country vibe as you stamp your feet and cheer on the dynamic vocal charms that capture the force that is Leigh.

No way will you ignore the title track Mad Hatter. It hits your listening senses from the off.  Sonia’s vocals have the cadences of Mary Gauthier. As she sings She didn’t wish me Happy Birthday this Year. Guess that says it all.  Then we go back in time the song tinged with sadness and regret. Time has passed but that friendship has never be rekindled. The story is told through Alice in Wonderland characters. Here again clever effects never overused but making a statement underpin the narrative of the song that is the purpose of the music.  This is a clever, edgy track everything a title track should be. We explore the narrative of losing your own sense of reality.

The songs have something to say Diamond in the Desert is sharp with use of violins it is country that intrigues and pleases. We are lost in the desert in the company of the wonderful vocals of Leigh. The country vibe is deep in Shelter with the whine of guitars and percussive beats. Again Gauthier’s vocals are r-kindled and shaped by Sonia’s tones. The singing across the album is personal. The narrative shared are for you to explore and relate to. AS we get lost in Leigh’s world at her invitation.

Then we have a scuzzy, fuzzy crescendo with Jack Is Back. This track works brilliantly live. The sign of a great number is when it fits in an album perfectly. Drink deep from this number it is dirty, grungy and full of vocal rawness as you join Leigh for a swim in the Tennessee River because Jack Is Back. This is down the creek whiskey-fueled rockier guitar speaking number.

Closing out this album that has taken you the Mad Hatter’s table. Sonia Leigh cloaks you in music that rests in the world of country/Americana. Then breaks out with rockier numbers, pop-infused ditties and music that is blended with pure talent. As we taste the last morsel with the Mad Hatter we have rap-infused Mind on the Prize.

This is an album that your mind stays in tune with every number. As you travel down Sonia Leighs Musical Rabbit Hole with Mad Hatter you explore her agony and ecstasy. The light and dark of her soul and above all the contained aggression gives determined grit from the first to the last note.

EIGHTpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Waste The Day
  2. Sky Submarine
  3. Mad Hatter
  4. Walking in the Moonlight
  5. Diamond in the Desert
  6. Acid Rain
  7. Shelter
  8. N.Y.C.
  9. Jack is Back
  10. Dead Mans Sunrise
  11. Mind on the Prize

Travel Down Sonia Leigh Musical Rabbit Hole with Mad Hatter

Front and Center as Beth Hart Announces Live Album

Front and Center as Beth Hart Announces Live Album

BETH HART RELEASES FIRST LIVE RELEASE IN 13 YEARS
‘LIVE FROM NEW YORK – FRONT AND CENTER’

CD/DVD set will be released on April 13th, 2018 via Provogue Records/Mascot Label Group

Watch Hart Perform “Tell Her You Belong To Me”

Switch of the phones, Switch off the world. The click play….  immerse yourself for six minutes within the emotional journey Beth Hart takes you on. Her masterful vocals wrap around the lyrics and pulling you deep into Tell Her You Belong To Me. This single from her forthcoming album Front and Center is Beth Hart immersion therapy for your soul. Leaving you both exalted and emotionally stripped bare. The forthcoming album promises to be an emotional rollercoaster.

On March 7th, 2017, the GRAMMY-nominated “powerhouse vocalist” (Rolling Stone) Beth Hart performed a very special, intimate concert at NYC’s Iridium Jazz Club, which featured songs from her latest album ‘Fire on the Floor’ and from throughout her career. Now, 13 years after the release of her incredibly successful live release, ‘Live at Paradiso,’ Hart is treating fans to a DVD/CD release of this standout performance with Live From New York – Front & Center, out April 13th via Provogue Records/Mascot Label Group. The performance is also featured on the Season 8 premiere episode of Public Television’s critically acclaimed concert series, Front and Center (airing now, check local listings).

Known for her visceral, soul-baring vocals and dynamic range, Hart is riding a creative tidal wave following the release of her critically acclaimed 2016 studio album, Fire On The Floor, as well as her just-released studio collaboration with guitarist Joe Bonamassa, Black Coffee. Leveling audiences with her incredible power and celebrated burnt-honey vocals for 20 years, Hart has just launched a 16-date coast-to-coast US tour, which will be followed by a European tour in April-May 2018.

Hart has had an incredible career, beginning with the release of a fistful of hit albums through the ’90s, then reigniting in the post-millennium as both a solo artist and the head-turning vocalist for guitar heroes like Joe Bonamassa, Slash and long-time collaborator Jeff Beck. But it’s in recent times that Beth has truly blossomed, selling out ever-larger venues in cities around the world, including New York, Los Angeles, London, Paris, Berlin, Milan, Amsterdam, and Copenhagen. She is recognized as one of the great live vocalists of our time, with a voice “reminiscent of Etta James and Janis Joplin” (Music Connection), topping Billboard’s Blues Album Chart and receiving numerous GRAMMY and Blues Music Awards nominations. Dubbed “the ultimate female rock star” by The Blues Magazine, the Guardian has praised her “daring, brooding performances” and The Times has called her “Extraordinary.”

‘Live From New York – Front And Center’ will be released as a 2-disc DVD/CD set, mixed in 5.1 stereo, featuring never before seen bonus material, including an exclusive interview with Hart. The audio from the performance will also be sold separately as a digital release.
Track Listing

CD
01 – Let’s Get Together
02 – Baddest Blues
03 – Jazz Man
04 – Delicious Surprise
05 – Broken And Ugly
06 – St. Teresa
07 – Isolation
08 – Tell Her You Belong To Me
09 – Fat Man
10 – Love Gangster
11 – Leave The Light On
12 – As Long As I Have A Song

DVD
01 – Let’s Get Together
02 – Baddest Blues
03 – Jazz Man
04 – Delicious Surprise
05 – St. Teresa
06 – Tell Her You Belong To Me
07 – Fat Man
08 – Leave The Light On
09 – Can’t Let Go
10 – As Long As I Have A Song

Beth Hart plus Her Band Tours UK/EU Spring 2018

DUBLIN VICAR STREET  – TUESDAY 10th APRIL 2018
VENUE BOX OFFICE: +353 1 775 5800
BOOK ONLINE: Ticket Master or Beth Hart Website 

IPSWICH REGENT THEATRE – THURSDAY 12th APRIL 2018
VENUE BOX OFFICE: 01473 433 100
BOOK ONLINE: Alt Tickets or  Beth Hart Website 

BEXHILL DE LA WARR PAVILION – SATURDAY 14th APRIL 2018
VENUE BOX OFFICE: 01424 229 111
BOOK ONLINE: Alt Tickets or  Beth Hart Website 

NOTTINGHAM CONCERT HALL – SUNDAY 15th APRIL 2018
VENUE BOX OFFICE: 0115 989 5555
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

OXFORD NEW THEATRE – WEDNESDAY 18th APRIL 2018
VENUE BOX OFFICE: 0844 871 3020
BOOK ONLINE: Alt Tickets or  Beth Hart Website 

FOLKESTONE LEAS HALL – THURSDAY 19th APRIL 2018
VENUE BOX OFFICE: 01303 228 600
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

CARDIFF ST DAVIDS HALL – SATURDAY 21st APRIL 2018
VENUE BOX OFFICE: 0292 087 8444
BOOK ONLINE: Alt Tickets  or  Beth Hart Website  

CAMBRIDGE CORN EXCHANGE  – TUESDAY 24th APRIL 2018
VENUE BOX OFFICE: 01223 357 851
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

BLACKPOOL OPERA HOUSE – THURSDAY 26th APRIL 2018

VENUE BOX OFFICE: 01253 625 252
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

HULL CITY HALL – FRIDAY 27th APRIL 2018
VENUE BOX OFFICE: 01482 300300
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

READING HEXAGON – MONDAY 30th APRIL 2018
VENUE BOX OFFICE: 0118 960 6060
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

PORTSMOUTH GUILDHALL – TUESDAY 1st MAY 2018
VENUE BOX OFFICE: 023 9387 0200
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

SOLD OUT LONDON ROYAL ALBERT HALL SOLD OUT – FRIDAY 4th MAY 2018
PLUS SPECIAL GUEST
VENUE BOX OFFICE: 0207 589 8212
BOOK ONLINE: Alt Tickets  or Royal Albert Hall
or   Beth Hart Website 

CHELTENHAM JAZZ FESTIVAL – SATURDAY 5th MAY 2018
TICKETS GO ON SALE FRIDAY 3 NOVEMBER 
VENUE BOX OFFICE: 01242 850 270 
BOOK ONLINE: Cheltenham Jazz Festival or   Beth Hart Website 

Ruhr Congress, Bochum, Germany – 10 May
Ziggo Dome, Amsterdam, The Netherlands – 12 May
Palais Des Congres, Paris, France – 14 May

 

 

Danny Bryant Always a Revelation and Yours For A Song

Danny Bryant Always a Revelation and Yours For A Song

I have been a long time fan of Danny Bryant since his early RedEyeBand releases. He is a consummate guitarist and listening to all of those albums again, his development and maturity have been a revelation. So highly regarded is he by his peers that Danny was honoured (and brave enough) to front Walter Trout’s band while Walter was recovering from all of his well-documented health issues.

His last studio album, Blood Money, was simply superb. His profile had grown so much that he was joined by Trout and Bernie Marsden on that recording. His last release was a bit different. A live album with a full horn section and keyboards brought another level to his performances.
In light of all of that, I was looking forward to his latest release Revelation. I was expecting another rocking blues album along the lines of Blood Money and, at first, was disappointed. This is a slower paced, moodier and deeper album. The horns and keys add a different dimension to nearly every track.

However, after a few listens, you can start to appreciate what Danny is trying to communicate… passion and a deftness in his playing which makes you appreciate him anew. Perhaps the man himself best explains this: “When I began writing this album, I knew that it was going to be one of the toughest challenges of my career. It wasn’t lack of material, it wasn’t a lack of desire, but I realised from the beginning that, if this record was to achieve the things I wanted it to say, I would have to go deep inside of myself with these songs and confront memories and emotions I didn’t really want to face.”

The first, and title song, illustrates this perfectly as, after a piano introduction he screams “Revelation” and it sounds torn from the bottom of his heart. The guitar riff stays subtle as the horns cut in, colouring of the middle section in an unexpected way. The vocal, in addition to his guitar prowess, points to why he was the perfect front for Trout’s band. Towards the end, we get a fluid, laid-back wah, wah solo.

Isolate drenched in emotion and features some beautiful guitar, both in the solo and as he underpins the melody of the verse. A slow-paced piece of genius. Liars Testament with the lyric “I believe in a life of resentment”, gives a hint of the darkness occupying a lot of the songs and gives us more guitar soloing and horn backing. This is drenched in the blues in every way and is one of many spine-tingling moments. Next up, is the acoustic Some Day The Rains Will Fall. This is the only let down for me on the entire album. Yes, the atmosphere Danny generates is palpable but it soon becomes a little repetitive.

Truth Or Dare lifts the pace up again, supplying a ‘traditional’ full-blooded blues shuffle. Here we get the horns and guitar sounding so natural together and then the bonus of a sultry keyboard solo. A nice call/response section leads to the concluding guitar solo. Shouting At The Moon is a slow, burning blues number, with lovely yet understated keys. The voice is straining at the high notes of the chorus but the solo arrives to make you lean back, close your eyes and listen to every carefully thought out, spacious note. Sister Decline has bass, drums and keys backing the verses before guitar and horns fill out the choruses. Another fluid solo, again proving it isn’t how many notes, more how they’re played and how they fit…they fit!

May I have A Talk With You is classic blues. The introduction is very familiar, before the horns, interspersed with illuminating guitar phrases, take the song into a pattern of its own. Yours For A Song wraps up the album. Another slow, classic and crafted blues. The gentle chord picking surrenders to a power chord or three and gives a Bonamassa kind of feel to the structure, but it is still all Danny.

A word has to be said for Alex, Dave and Stevie. The bass is so carefully pitched and played (particularly as it warms the backing of Isolate) and the drums are solid and so supportive of the music. The keys are never intrusive; always providing the right fills, solos and backing.

Revelation is a very, very good blues album by any and every definition. Danny’s voice occasionally doesn’t quite match the song behind it, but that is totally forgivable as the music takes you on a journey of light and shade, and it is a journey really worth making.

As I hinted at the beginning, do not be tempted to form an opinion on the first listen. This cultured album needs to be absorbed to be appreciated. Give it the time and the rewards are simply stunning.

NINEpawprint half inchdoodle paws out of TEN …

Track Listing:
1. Revelation
2. Isolate
3. Liars Testament
4. Some Day The Rains Will Fall
5. Truth Or Dare
6. Shouting At The Moon
7. Sister Decline
8. May I Have A Talk With You
9. Yours For A Song

The Band:
Danny Bryant: guitar, vocals
Alex Phillips: bass
Dave Raeburn: drums
Stevie Watts: keyboards
The Big Horns

Produced by Richard Hammerton

RELEASED FRIDAY 20th APRIL 2018 VIA JAZZHAUS RECORDS

AVAILABLE ON CD, DIGITAL DOWNLOAD AND 180 GRAM VINYL
“SISTER DECLINE” AVAILABLE AS INSTANT GRAT TRACK ON
ITUNESAMAZON AND SPOTIFY

For exclusive bundles and signed merchandise, visit the official
Danny Bryant “Revelation” store

 

Danny is touring U.K. May/Jun 2018  dates & venues can be found here

Danny Bryant Always a Revelation and Yours For A Song

Cameo The Bad Flowers Band Creating A Hurricane

Cameo The Bad Flowers Band Creating A Hurricane

Cameo The Bad Flowers Band Creating A Hurricane

Cameo The Bad Flowers Band Creating A Hurricane

The Bad Flowers have released their new single “Hurricane” taken from their debut album “Starting Gun” (released Friday, February 16)

Over at Bluesdoodles, we have rules but with a band this good stirring up the rock in our inner soul. As Bad Flowers Firing A Bouquet with Starting Gun they were blown out of the window – no wonder the latest single is Hurricane.

Read why we broke our own rules:-

Bad Flowers Firing a Bouquet With Starting Gun

 

The 3-piece band hail from Cannock, West Midlands. Have a listen this is rocking good music that blows away the cobwebs. The Flowers will play their album release show at Birmingham’s Asylum 2 on Saturday 17th February, – only a few tickets remaining.

Following the September release of their recent single Thunder Child, The Bad Flowers were named as one of Planet Rock Radio’s “Ones To Watch”.  Thunder Child, the first single taken from the Starting Gun, gained heavy airplay and was described by the station as “pure, dynamic, riff-heavy rock ‘n’ roll delivered with passion and prowess.”

HURRICANE – Single review

Bluesdoodles – says this about the Single – Track eight on the album –  musically heading for home. We are now in a for heavy weather with Hurricane. The opening bars of guitar in a hurry and then the vocals of Tome burst into the eye of the storm.  This is a love song that is fast loud and full of rocked up venom. Dangerous as a storm trying to get away from her love. This is a young band laying down the chords with the intent they want to be heard, they will be heard when they can invoke a Hurricane of musical delight.

With the album launched The Bad Flowers Head out on TOUR with Jared James Nichols and headliners Stone Broken. Venues, Dates and links to buy the tickets HERE

So learn the lyrics to sing along when the energy is unleashed at a venue near you!

THE BAD FLOWERS – “HURRICANE” – SONG LYRICS

I’m running, I’m running as fast as I can
I’ve gotta get away from you.
I’m screaming, I’m shouting at the top of my lungs I don’t know what else to do.

And try as I may, try as I may
I just can’t get, get away from your love.
From your love

Sweet little hurricane with your howling wind and rain
I can’t get, get away from my sweet little hurricane.

You took all the air from my lungs and now I can’t catch my breath
You turned my blood into stone and now my heart sinks in my chest.

And try as I may, try as I may
I just can’t get, get away from your love.
From your love

Sweet little hurricane with your howling wind and rain
I can’t get, get away from my sweet little hurricane.

I can’t get away from your howlin’
Your howlin’ wind and rain

I can’t get away.

The Bad Flowers Debut Album Starting Gun Announced

In Conversation with Tom Leighton

In Conversation As the Starting Gun Fires Up For Bad Flowers

Bluesdoodles knows the future is shining brightly for The  Bad Flowers they are blowing in on a Rock powered Hurricane.

2018 UK Tour Dates

 

Rocking The Globe RavenEye Headlines from Top of the Drum

Rocking The Globe RavenEye Headlines from Top of the Drum

Rocking The Globe RavenEye Headlines from Top of the Drum

 

Rocking The Globe RavenEye Headlines from Top of the Drum with support from SKAM & Dead Shed Jokers. With two acts before Headliners to warm The Globe on a cold Monday in February.  Local scuzzy rocking band Dead Shed Jokers always make a statement. Loud and mixing influences from Nick Cave to Black Sabbath via The Doors. Energetic vocalist Hywel Davies keeps the band on track. Though at times tonight the sound drowned the vocals and the rest of the quintet at times seem to be off track with each other. That said as the crowds grew they filled The Globe, Cardiff with a rocking vibe to get Monday night exciting.

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Rocking The Globe RavenEye Headlines from Top of the DrumSecond band on the menu from Leicester a powerful trio SKAM. With a new album that is attracting attention as we are all falling for the Hard Rock concept album The Amazing Memoirs of Geoffrey Goddard.  The Globe pumped up for the performance and the entrance by the trio did not disappoint. With Steve Hill upfront on vocals and guitar, and a hard rocking powerhouse of a rhythm section comprising bassist Neal Hill and drummer Matt Gilmore. Every track smashed through the venue with the sound that is glorious traditional hard rock power, with a very charismatic style from Steve up front. Stand out numbers were Between The Eyes from the latest album and from the past Holy City from 2014 album Peacemaker. This was a really up-front no holds barred performance with great timing and knew how to get the live effect from every studio number played. They are definite crowd pleasers as Fading Before The Sun was given the live and proud treatment. We no longer cared it was a Monday and work beckoned tomorrow this is music that you want to play on. With the current single getting lots of Planet Rock airplay we were overjoyed to hear it up close and personal as Take It or Leave It filled the speakers, one thing for certain no one in the audiences was leaving not a fan of SKAM. Closing out a dynamic set with a War Pigs rendition giving the crowd no excuse but to join in an excellent closing medley.

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Rocking The Globe RavenEye Headlines from Top of the DrumThen to close out marvellous Monday 6th February RavenEye back in Cardiff and we were hot to rock. The venue was packed for RavenEye the excitement rising as Oli Brown and the band always excite with performances that are energetic and full of rocking bounce. Having seen Oli mature from the early days singing the blues into a rocker that captivates the audience’s energy and distils it through his guitar and vocals. This is a trio of extroverts who come alive on stage bouncing off the speakers and bass drum literally during a mesmerising live performance. With Adam Breeze joining the pairing of Oli and Aaron Spiers on bass. This is a trio that is hard-hitting, the music punches you in the solar plexus and then spirals in a chaotic force as the rock courses through your veins. This is exciting live music. Fast, furious with scintillating licks and riffs from Oli’s six-string weapon of choice. Leftover from the days of blues is the ever-present thumb pick giving his guitar a sound that lingers long and hard. The threesome delivers real showmanship, as they use every inch of the venue from the top of the drum speakers and then Oli Brown was given a piggyback ride through the crowds on Aarons’ shoulders. This is not showmanship for effect, not a note is missed the music is never sacrificed for the show. Music is the show. They know how to entertain. And tonight they entertained so Monday becomes the new Saturday night.

Rocking The Globe RavenEye Headlines from Top of the Drum

RavenEye is no one-trick pony of loud and hard-hitting sound they bend and shape the sound as tracks from Nova show. Opening with Hate this is hard, heavy with a rawness that is the title in music and then towards the end the slower ballad Eternity no bass, no drums vocals and guitars as Aaron’s and Adam’s acoustics join Oli’s electric. Both from Nova the album that set down the parameters of the band.

Rocking The Globe RavenEye Headlines from Top of the Drum

Now, lead singers often take the mic from the stand. Not many guitarist/singers do. But the Oli likes to mix it up so he does playing the guitar left-handed and spitting the vocals down the mic held in the right. You have to pay attention as relax for a split second and an awesome action will be missed. The music is fast and so are the band members the music and movement changes in a split-second. We were told of the new app between Madeline and Oh My Love. Through the set, we step back in time as we visit the first E.P. Breaking Out, with tracks interspersed through the set including Hey Hey Yeah early in the set to the closing number You Got It.  By the end of the night, we certainly Got It we were on a rocking high and once a RavenEye song their strength means they always have a place on the set list. We also heard new music that just fits Oli’s amazing vocals and Turn The Lights Out the penultimate song promises that the new album due later this year is going to be another winner for RavenEye fans. We are already excited that soon there will be new songs to learn. Everyone left The Globe with that Monday feeling dispelled by hard rock that delivered with an energy that is uplifting and revitalizing. Cardiff says come back soon RavenEye.

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Cameo of Rainbreakers Live Performance Jaks Skegness 2018

Cameo of Rainbreakers Live Performance Jaks Skegness 2018

Cameo of Rainbreakers Live Performance Jaks Skegness 2018. Rainbreakers are back to set Skegness alight once again. This year they headline Saturday in Jaks; the stage organised by Blues Matters. The venue that is dark, moody hot had the venue that has seen amazing nights we all still talk about the night Larry Miller set Jaks ablaze with his music. The anticipation was high amongst the many who have heard The Rainbreakers play live before. Into the mix and those who just came to see what the fuss was about or party and drink into Sunday morning.

Cameo of Rainbreakers Live Performance Jaks Skegness 2018The band was on fire full of energy as the band from Shrewsbury blended the music to create a music fuelled party atmosphere. Having spoken to members of the audience many just popped in for five minutes and now determined to stay to the end. This was no surprise to me as having been captivated by the sound since I first heard and reviewed in 2015 Blood Not Brass. 

What is Rainbreakers sound? What makes then stand-out on a crowded circuit? They have stretched the blues from the Mississippi Delta, up to Chicago across to the sun-drenched West Coast and sound drenched in the seventies full of soul. Musicians ready to conquer the here and now.  A quartet mix power with subtlety. A rhythm section drummer Sam Edwards and bassist Peter Adams lay down the scaffolding of their brand of Blues-rock. Guitar work from Charlie Richards bending the notes as vocals are delivered by Ben Edwards. The unit is tight and the live sound electric.

Cameo of Rainbreakers Live Performance Jaks Skegness 2018Tonight in Jaks they came set-up and allowed their music to conquer. That is exactly what they did. Saturday in Jaks was a happy place to be as they played music that made you get up and dance, smile and be happy with tracks from the second EP; Rise Up. This is what Jaks as we all rose up as one and enjoyed the moments they played a storming set, to be remembered long after Jaks falls silent. The Rainbreakers were the last Saturday night headliners to play the small stage in Jaks.

Cameo of Rainbreakers Live Performance Jaks Skegness 2018

Bluesdoodles Reviews:

2015 E.P. – Blood Not Brass

2017 E.P. – Rise UP

In Conversation about 2017 UKBlues Challenge

 

Now on tour supporting, Wille and The Bandits, do not miss any opportunity to see this young band play live as we await the anticipated full-length studio album from The Rainbreakers

 

 

 

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Never In Exile Full Of Grace King King Back Touring

Never In Exile Full Of Grace King King Back Touring

Never In Exile Full Of Grace King King Back Touring

*WITH SPECIAL GUEST STEVE HILL

BOOK ONLINE: Tour Tickets

Huntington Hall, Worcester
Saturday 14th April 2018

Book Online: www.worcesterlive.co.uk/events
Facebook 
24 Chapel Walk, Worcester WR1 3LD
www.worcesterlive.co.uk

HRH Blues, Sheffield
Sunday 15th April 2018

Book Online: www.hrhblues.com/tickets
Facebook / Twitter
O2 Academy Sheffield, 37-43 Arundel Gate, Sheffield S1 2PN
www.hrhblues.com

The Lemon Tree, Aberdeen
Friday 20th April 2018

Book Online: www.aberdeenperformingarts.com/events 
Facebook / Twitter
5 West North Street, Aberdeen, AB24 5AT

www.aberdeenperformingarts.com

Darvel Town Hall, Darvel
Saturday 21st April 2018

Book Online: www.darvelmusiccompany.com/shop 
Facebook / Twitter
10-12 West Main Street, Darvel, East Ayrshire KA17 0AQ
www.thequeenshall.net

St. Mary in The Castle, Hastings
Thursday 3rd May 2018

*WITH SPECIAL GUEST STEVE HILL
Tickets: 01323 841414
Facebook / Twitter / Instagram
7 Pelham Crescent, Hastings, East Sussex, TN34 3AF
http://spyboy.co.uk/ / http://stmaryinthecastle.co.uk/

Muni Arts Centre, Pontypridd
Friday 4th May 2018

*WITH SPECIAL GUEST STEVE HILL
Book Online: www.seetickets.com 
Facebook Twitter / Instagram
Municipal Buildings, Gelliwastad Rd, Pontypridd CF37 2DP
http://muniartscentre.com

The 1865, Southampton
Saturday 5th May 2018

*WITH SPECIAL GUEST STEVE HILL
Book Online: www.seetickets.com 
Facebook Twitter
Brunswick Square, Southampton, SO14 3AR
www.the1865.com

Epstein Theatre, Liverpool
Thursday 10th May 2018

*WITH SPECIAL GUEST STEVE HILL
Book Online: www.epsteinliverpool.co.uk/events 
Facebook Twitter / Instagram
Hanover House, 85 Hanover Street, Liverpool, L1 3DZ
www.epsteinliverpool.co.uk 

Playhouse, Whitley Bay
Friday 11th May 2018

Book Online: www.thegigcartel.com
Facebook Twitter
Marine Ave, Whitley Bay NE26 1LZ
www.playhousewhitleybay.co.uk

The Grand, Clitheroe
Saturday 12th May 2018

Book Online: www.thegigcartel.com
Facebook Twitter
18 York St, Clitheroe BB7 2DL
www.thegrandvenue.co.uk

The Live Rooms, Chester
Thursday 17th May 2018

*WITH SPECIAL GUEST STEVE HILL
Book Online: www.thegigcartel.com
Facebook Twitter Instagram
1 Station Rd, Chester CH1 3DR
www.theliverooms.com

Brudenell Social Club, Leeds
Friday 18th May 2018

*WITH SPECIAL GUEST STEVE HILL
Book Online: www.thegigcartel.com
Facebook Twitter Instagram
33 Queen’s Rd, Leeds LS6 1NY
www.brudenellsocialclub.co.uk

The Picturedome, Holmfirth
Saturday 19th May 2018

*WITH SPECIAL GUEST STEVE HILL
Book Online: www.thegigcartel.com
Facebook Twitter
Market Walk, Holmfirth HD9 7DA
www.picturedrome.net

Cheese & Grain, Frome
Saturday 26th May 2018

*WITH SPECIAL GUEST STEVE HILL
Book Online: https://cheeseandgrain.ticketsolve.com 
Facebook Twitter
Market Yd, Justice Ln, Frome BA11 1BE
www.cheeseandgrain.com

Phoenix Arts Centre, Exeter
Sunday 27th May 2018

*WITH SPECIAL GUEST STEVE HILL
Book Online:www.exeterphoenix.org.uk/events 
Facebook Twitter / Instagram
Gandy St, Exeter EX4 3LS
www.exeterphoenix.org.uk

Robin 2, Bilston
Thursday 31st May 2018

*WITH SPECIAL GUEST STEVE HILL
Book Online: www.thegigcartel.com 
Facebook Twitter
20-28 Mount Pleasant, Bilston WV14 7LJ
www.therobin.co.uk

The Apex, Bury St Edmunds
Friday 1st June 2018

*WITH SPECIAL GUEST STEVE HILL
Book Online: www.thegigcartel.com 
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1 Charter Square, Bury Saint Edmunds IP33 3FD
www.theapex.co.uk

Rock & Blues Festival, Newport
Saturday 2nd June 2018

Book Online: www.newportbluesfestival.co.uk/tickets 
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The Neon, Clarence Place, NP19 0 Newport, Wales
 www.newportbluesfestival.co.uk

King King released their fourth studio album “Exile & Grace” in October 2017 via Manhaton Records. The album features the band’s singles (She Don’t) Gimme No Lovin’ and Long Time Running which have been big hits on Planet Rock radio in the UK.

Hot on the heels of King King’s January 2018 UK tour – including their biggest London show at the Shepherd’s Bush Empire to date – Britain’s No. 1 rock blues band announce their April – June 2018 UK Tour including shows at HRH Blues in Sheffield and the Rock & Blues Festival in Newport.

 

Special Guest Steve Hill is an act not to be missed –  When it comes to one-man bands, guitarist and singer extraordinaire Steve Hill has no limits. The truest definition of a one-Never In Exile Full Of Grace King King Back Touringman band; Hill performs standing up while singing and playing guitar, his feet playing bass drum, snare drum, hi-hats and with a drumstick fused to the head of his trusty guitar, any other percussion within reach. An overnight sensation 20 years in the making, Steve Hill is an ambitious and raucous force to be reckoned with.

Throughout his career, Hill has shared the stage with many of his musical heroes including Ray Charles, BB King, ZZ Top, Jimmie Vaughan, Hubert Sumlin, Jeff Beck and many others. Over the course of nine albums, he’s explored everything from hard rock, country, and stoner rock to folk music while always incorporating the essence of his first love, the blues.

 

Never In Exile Full Of Grace King King Back Touring

 

Bluesdoodles said, ” The music has the solidity of granite rock and definitely a new cadence to the vocals from our kilt-wearing Alan Nimmo.” Read the rest Exile & Grace Review

 

 

 

Never In Exile Full Of Grace King King Back TouringWith Four nominations for 2018 inaugural FORM, UKBlues Awards 2018 Exile & Grace is following in the footsteps of 2015’s multi-award winning “Reaching For The Light.”

King King nominated Categories are:-

  • Male Blues Vocalist
  • Blues Band of The Year
  • Blues Album of The Year
  • Blues Song Writer of The Year

Register to vote NOW! Voting Open 1st – 28th February

REMEMBER The Rules: UKBlues Federations states – Whilst it is appreciated that voters may not wish to vote in every category, voters are requested to cast votes in as many categories as possible. To avoid the possibility of the voting being ‘hijacked’ or unduly biased, the UKBlues Federation reserves the right to disallow votes from voters who have not voted in at least six of the nine main categories (1 to 9 inclusive).

 

Never In Exile Full Of Grace King King Back Touring
copyright Laurence Harvey

 

 

Tommy Emmanuel Joined By Superb Artists on Accomplice One

Tommy Emmanuel Joined By Superb Artists on Accomplice One

Tommy Emmanuel Joined By Superb Artists on Accomplice One

A full two years in the making, the brand new album Accomplice One from Australian guitar master Tommy Emmanuel finally lands on Bluesdoodle’s desk. Oh boy, it was sure worth the wait. This time around Tommy has opted to share centre stage with some heavyweight company – all 16 tracks of the album have guest artists featured.
Now it takes a great talent to complement a great talent, and with names such as Mark Knopfler, Ricky Skaggs and Jason Isbell joining Tommy, what we have here is a veritable aural feast.

Things kick off in style and the album mood is set perfectly with ‘Deep River Blues’. Four-time Grammy winner Jason Isbell joins Tommy on an exquisite Blind Lemon Jeffersonesque journey through a riverside blues lament. Exemplary vocals from both. Production is exactly as it should be, the twang of the strings could ruffle your hair and with each singers breath, it could be pulled back in place. Raw, but not ragged, slick when it needs to be, in the room and magnificent.

Ricky Skaggs appears next up, bringing his country storytelling to ‘Song And Dance Man’; surely an autobiographical cut from Tommy; a chronicle of a life lived on the road, town to town, striving for the next show.

Jefferson Airplane guitar legend Jorma Kaukonen and Nashville session harmonica king Pat Bergeson are next up on ‘Saturday Night Shuffle’. “You’re a bad ass cat man!” says Tommy on the intro, acknowledging the skills of both to come. This trio of talent certainly had a ball recording this track, as the shouts of appreciation and mutual respect bounce back and forth.

Up and coming blues/rock psychedelic J D Simo brings his lightning Don Kelley Band Telecaster back out for the first appearance of an electric guitar thus far on ‘Wheelin’ & Dealin”. Emmanuel’s Django acoustic sets the tone but firebrand JD has a few tricks of his own too. Fretboard fireworks to compliment, then up steps Clarksville born banjo legend Charlie Cushman with a searing last solo. Definitely one for the pickers and grinners out there.

What is clear and apparent throughout is that with all of the tremendous talents on show there is never ego, overshadow or dominance. Every track is born from mutual respect and healthy competition.

A cover of ‘Sittin’ On The Dock Of The Bay’ can be hard to do convincingly but Emmanuel, again joined by JD Simo present a reggae-tinged feel which doesn’t make you long for Otis, but rather sway from side to side in admiration.

The surprise standout track for this reviewer is a cover of Madonna’s early hit ‘Borderline’. The delicate country vocal and sublime violin of Amanda Shires expose this 80s dance track as the great song it really was all along. The 6/8 waltz time improves the original composition, it is truly magical.

A Mark Knopfler song and duet – ‘ You Don’t Want To Get You One Of Those’ is a tale of a favourite rust bucket money pit auto we’ve all had and loved. And miss. Delivered in typical Knopfler fashion, it’s so great to hear Tommy and Mark together on record.

There aren’t many good covers of ‘Purple Haze’ out there. Resonator magician Jerry Douglas assists Tommy in just about making it work, although this version resembles Yardbirds breakout hit ‘For Your Love’ a little rather than the Hendrix anthem.

Tommy’s love of gypsy jazz is always apparent, and what better way to take us to the Hot Club Du France than with virtuoso duo Frank Vignola and Vinny Raniolo, accompanying on ‘Djangology’, a delightful stroll down the Rue De Rivoli on a warm summers evening.

Suzy Bogguss duets with Tommy’s as always astounding acoustic on the beautiful album finale ‘The Duke’s Message’, a soft and gentle closing before the inevitable ‘play the whole album again’ urge kicks in.

16 tracks of majestic musicianship might get tedious for non-musicians, but interspersed between the jamming and fine fretwork are some gems of heartfelt beauty that any fan will appreciate. Guitarists, of course, will marvel but Accomplice One has enough taste to match the tones, enough subtlety to match the shenanigans and enough dynamic interludes to match the dynamite.

A wonderful piece of work from a fine musician.

Pendragon for Bluesdoodles gives Accomplice One a masterly

NINEpawprint half inchdoodle paws out of TEN …

 

Track Listing:

    1. Deep River Blues
    2. Song And Dance Man
    3. Saturday Night Shuffle
    4. Wheelin’ & Dealin’
    5. C-Jam Blues
    6. (Sittin’ On) The Dock Of The Bay
    7. Borderline
    8. You Don’t Want To Get You One Of Those
    9. Keepin’ It Reel
    10. Looking Forward To The Past
    11. Purple Haze
    12. Rachel’s Lullaby
    13. Djangology
    14. Watson Blues
    15. Tittle Tattle
    16. The Duke’s Message

Tommy Emmanuel –  Accomplice One – Mascot Label Group

Tommy Emmanuel Joined By Superb Artists on Accomplice One

Dan Patlansky Guitar and Vocals asks if Perfection Kills

Perfection Kills as We Talk to Dan Patlansky

Raw, authentic hot guitar like molten fire pouring around the mould created by lyrics that captivate. No-one needs to seek perfection under the aural hug of Dan Patlansky’s latest album Perfection Kills. Following on from a pair of critically acclaimed albums Dear Silence Thieves & Introvertigo; Dan needs no introduction. We have come to expect a guitar sound that stings and vocals that are a beguiling mix of melodic rock and deep down dirty as the vocals are spat out or become a melodic ballad. Then there is the third element, those deep dark slow blues that melt the Strat’s six-strings. If Perfection Kills as Dan suggests I say throw away the quest sit back and let the latest album wash away the day’s demands with the tracks that will delight from the first to the last note.

The opening phrasing of Johnny is gently melodic building with a crescendo that announces the mighty guitar of Dan Patlansky in the room. Followed by our first hit of vocals spat out by Dan’s distinctive vocalization, gruff, clear and melodic always in total control. Dan controls the number by stunning licks and vocals that just demand your attention. The first thing you notice is the warmth of tone it has a texture and tone that is vibrant, organic and a living being that Dan has shaped through his production of the album. Halfway through Johnny, the guitar is sharp stinging with Satriani inspired imploring as the six strings are made to sing with a melodic purity. Johnny’s challenging upbringing comes to the fore as the guitar tone and lyrical intensity ebbs and flows. Johnny has controlled volatility, summing up Dan’s amazing approach to Blues-Rock.

Like the last two albums, there is no title track, but a loose thematic flowing through the structure of the album. The theme being explored is our perpetual goal of finding perfection, in relationships, the work we do, and how we project ourselves through social media. As Dan says, Perfection Kills. The relentless pursuit of perfection always just around the next corner is slowly destroying the artistry within us all as humans. Captured in Never Long Enough; how time is catching up with us and the next departure is always too soon.

Slowing the tempo down with slow melodic blues. Mayday with the vocals softer, yearning drenched in a feeling of regret.  We are on a whirligig of daily demands as the refrain of the title over and over. Building the tension, the rush, and then the guitar cools the frenzy down. Focusing on the important things in life love, anger and frustration spills over into the guitar on Too Far Gone. A despairing wildness in the delivery of the vocals.  The question being asked can we turn the clock back and be more caring about the environment and can mankind be kinder, fairer and less stupid. The lead breaks have glimmers of hope with a cascade of notes combine with a harder edge questioning if we have any hope of taking this positive view.  Once again guitar and vocals add tonal layering to the lyrics adding more this is music to be heard, enjoyed and listened to. Not analysis for perfection but gaining a clear understanding of the question the album asks from the album cover to the last notes of Dog Day.

On Introvertigo, there was Queen Puree to his daughter. Now we have a song for My Dear Boy – his son and allows him to imagine with freedom and a sense of positivity as he imagines the life of his dear boy. The lyrics sit on top of stinging guitar coloured electric blue as the strat delivers the notes that make this outpouring of love and hopefulness into a melodic song that will leave live audiences demanding more.

Unusually the first single from the album is the final track and Dog Day hard-edged rocking your socks off with its booming bass line and once again Dan is challenging the stress we create that is, in reality, a first world problem. Self-absorbing, making us run faster-seeking something that cannot be defined. Yes as Dan Patlansky says Perfection Kills defining the sound and approach on his latest album. Dan may say Perfection Kills – one thing for certain very track is a Killer and who cares about perfection? We love the tone, texture, feel and organic energy captured by voice and guitar that define Dan Patlansky on every track he plays. Blues that definitely rocks perfection of its pedestal.

Dan Patlansky Guitar and Vocals asks if Perfection Kills

TENpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Johnny
  2. Never Long Enough
  3. Mayday
  4. Too Far Gone
  5. Judge a Man
  6. Junket Man
  7. Eyes
  8. Shake The Cage
  9. My Dear Boy
  10. Dog Day

Dan Patlansky chatted to Liz about making the album, the repair on Old Red and more check out what was said:-

Perfection Kills as We Talk to Dan Patlansky

 

 

Dan Patlansky Guitar and Vocals asks if Perfection Kills

Cameo of Rob Tognoni live Performance Centre Stage Skegness 2018

Cameo of Rob Tognoni live Performance Centre Stage Skegness 2018Cameo of Rob Tognoni live Performance Centre Stage Skegness 2018

Marmite of the blues from Tasmania via Germany Rob Tognoni gave the devils music a rocking workout across the Centre Stage. On Centre Stage heard and loved the range of blues of every hue across the weekend.

Joining Rob Tognoni on stage for the ultimate power trio a rhythm section that allows his trusty guitar to deliver.  A sound full of energy and tonal magic. The guitar may be travel-worn, battered and bruised the sound is addictive as he pulls you into the party-time rock n’ roll sound via influences from Rory Gallagher woven deep into the sound.  Rob, is no clone of Rory other influence pulled from playing Blues-rock live, loud and with vigour caught by your ear as a fleeting moment a soupçon of Hendrix, and curl of AC/DC and a huge dollop of his own effervescent style. Today has he hit the stage he was on sparkling good form in his shirt red, shiny and bright reflecting is wild personality.

His guitar is like a third limb connected with an invisible chord that electrifies his whole performance. He is the ultimate show-off with a set that delights and Dark Angel blow you away, allowing the trio of Rob, Mike Hellier drumming and bassist Gaz Rackman interact with each other with an explosive sound on a Sunday afternoon in Skegness.

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Read overview of the Great Rock and Blues Weekend over at Bluesdoodles

 

Cameo of Rob Tognoni live Performance Centre Stage Skegness 2018