Bluesdoodles In Conversation Across The Years

It is always fascinating, hence Bluesdoodles In Conversation Across The Years. Read about the thinking behind making albums, producing albums and who would be in their fantasy band.

Bluesdoodles Interviews – 2016

JD SIMO – SIMO
Eric Johnson
Fee Waybill – The Tubes
Paul Bowe – Federal Charm
Walter Trout
Debbie Bond
Sari Schorr
Coleen Rennison – No Sinner
Jared James Nichols
Joe Louis Walker
JJ Grey 
Wayne Proctor
Kaz Hawkins
Dan Patlansky 
Dan Reed 
JD Simo

Bluesdoodles Interviews – 2015

Laurence Jones – In Conversation February 2015
Dan Patlansky – In Conversation April 2015
Alan Nimmo – In Conversation May 2015
Julian Moores – In Conversation May 2015
Chantel McGregor – In Conversation October 2015
Erja Lyytinen – In Conversation October 2015
Rob Richings – In Conversation November 2015

King King turned up the Blues thermostat Live in Cardiff

King King turned up the Blues thermostat Live in Cardiff

King King turned up the Blues thermostat Live in Cardiff

 

Friday 13th bringing joy to The Globe Cardiff as Blues Rock drenches the packed audience with a medley of chords, lyrics and emotions. Special guest Broken Witt Rebels and the mighty King King turned up the Blues thermostat, the venue and the music was scorching.

Sold Out, music to the ears of bands, venues and promoters alike, as Cardiff gives a loud and enthusiastic shout out for the Blues Rock power that is King King with their special guests Broken Witt Rebels.

King King turned up the Blues thermostat Live in CardiffOpening the night, getting Friday 13th of to a rocking good start are the young band from Birmingham receiving lots of attention for all the right reasons. Having seen them play a festival set at Planet Rockstock 2016,  my expectations were very high. So do not let Bluesdoodles down! Did they No they did NOT… why the set was full of rock and roll sparkle the glints of razor sharp sapphire blue fused into the rocking foundation of the Rebels sound.

TheyOpened with Low, from the critically acclaimed EP Georgia Pine. This is a number that raises the temperature as the band took us on a musical journey with tracks from this and previous release Howlin.  The musical journey was a road of interest full of hefty licks, and gentler curves. The vocals of Danny Core are immense as he introduces a new number into the mix Bang Bang.  finishing with Guns, this is a band that is blazing a trail that you want to get on board. Many bands have potential, many promise so much. There is no argument that Broken Witt Rebels are a tight unit. The timing is impeccable, the warmth with which they thank the crowd is heartfelt. The stagecraft is mature and they have the hunger to rise to their promised destiny.  The quartet collectively making a sound that entertains are James Tranter, Luke Davis, James Dudley and Danny Core. The band’s exciting melding of styles, smooth and raw, smoky and intense this is music refusing to be bent into a genre just to raise your pulse. Now it is down to  Broken Witt Rebels; it is in their hands they have the energy, talent and drive to make it all the way.

King King turned up the Blues thermostat Live in Cardiff

There was an unplanned extended break due to technical gremlins. Well, it was Friday 13th, but thanks to the unsung heroes of a gig the sound man and King King’s roadie the troublesome lead was dispatched and the show was ready to start. Everyone in a packed Globe ready, waiting and eager to hear King King, and the voice of Alan Nimmo following the operation last year.

King King turned up the Blues thermostat Live in CardiffOpening the night with Lose Control, the opening track of the Live album we play when the band are not in town. The set list captured the essence that is King King. The d combination of Wayne Proctor on Drums and Lindsay Coulson completing the rhythm section and to the left of Alan –  Bob Fridzema, with is Hammond C and Piano. In Alan’s own words as King King kick start of 2017 with their first show of the year “this is going to be some gig!”. The crowd of fans hung onto every word and note sung, and those who were hearing the band for the first time live were enthralled.  His voice is back, full of emotional cadences and tone every word he sang with pure delight the smile said it all. Rush Hour, from Reaching For The Light,  was stunning!! The addition of a 300 strong choir sending a tingle down the spine as Alan conducted hearing the lyrics being sung to him. A magical moment, only being there in that moment really explains the feeling, Being in the company of people loving the music, celebrating the moment. Live music is made up of thousands of these special moments. Bob Fidzema’s dancing King King turned up the Blues thermostat Live in Cardiffhands brings Long History of Love to life, then More Than I Can Take, from Standing in The Shadows took the roof of the place. Then two songs played with a dedication. The first was recorded for Facebook live and was for Alan’s Mum who has not been well. Get Well soon shouted The Globe, hello Alan’s mum roared the capacity crowd and then You Stopped The Rain, what a song the emotional power hits everyone who listens to the number in a different way but always deeply personal. followed by Take A Look, not often played live and a favourite of Merch Man and Driver Mike. Alan as ever connects with the important things in a band’s journey. With the new remodelled voice giving Alan confidence and a vigour that spread across the room his excitement at King King playing on a stage again was infectious. Crazy, yes, the room went crazy with this perennial favourite. Then far too soon it was time for an encore Let Love In and another opportunity for Choir Globe to get involved.

King King turned up the Blues thermostat Live in Cardiff

What a night of Live Music. Stupendous. As King King turned up the Blues thermostat Live in Cardiff helped by Broken Witt Rebels.

 

The Tour Continues check dates Here King KingBroken Witt Rebels

 

King King 2017 Tour with Special Guest across the UK

 

Danny Core Shouting Out Broken Witt Rebels Music Message

Allphots credit Liz Aiken @Bluesdoodles.com

King King 2017 Tour with Special Guest across the UK

King King 2017 Tour with Special Guest across the UK

King King 2017 Tour with Special Guest across the UK

Photo credit Laurence Harvey

APRIL/MAY 2017 UK TOUR
PLUS SPECIAL GUEST

ALL TICKETS: £20.00
24 HOUR BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE 

APRIL 2017

Thursday 20th April 2017 Corby, The Cube

Tickets: £20 /24 Hour Box Office: 0844 478 0898
Venue Box Office: 01536 470470
BOOK ONLINE: GigCartel

Friday 21st April Tavistock, Wharf

Tickets: £20 /24 Hour Box Office: 0844 478 0898
Venue Box Office: 01822 611 166
BOOK ONLINE: GigCartel or wegottickets 

Saturday 22nd April 2017 Wimborne, Tivoli

Tickets £20 / Venue Box Office: 01202 885 566
BOOK ONLINE: GigCartel

Sunday 23rd April 2017 Bristol, Fleece

Tickets: £20 / 24 Hour Box Office: 0844 478 0898
Venue Box Office: 0117 945 0996
BOOK ONLINE: GigCartel

 

Thursday 27th April 2017 Basingstoke, Haymarket

Tickets: £20 /24 Hour Box Office: 0844 478 0898
Venue Box Office: 01256 844 244
BOOK ONLINE: GigCartel

Friday 28th April 2017 Bury St. Edmunds, The Apex

Tickets: £20 / Box Office: 01824 758 000
BOOK ONLINE: GigCartel

 

Saturday 29th April 2017 Dartford, Mick Jagger Centre

Tickets: £20 /24 Hour Box Office: 0844 478 0898
Venue Box Office: 01322 291 100
BOOK ONLINE: GigCartel

 Sunday 30th April 2017 Chinnerys, Southend

Tickets: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
Venue box office: 01702 467305
BOOK ONLINE: GigCartel

 

MAY 2017

Thursday 4th May 2017 Kendal, Brewery

Tickets: £20 /24 Hour Box Office: 0844 478 0898
Venue Box Office: 01539 725133
BOOK ONLINE: GigCartel

Friday 5th May 2017 Glasgow, O2 ABC

Tickets: £20 / Box Office: 0141 332 2232
Book Online:www.thegigcartel.com

Saturday 6th May 2017 Holmfirth, Picturedrome

Tickets: £20 / Box Office: 0844 478 0898
BOOK ONLINE: GigCartel

Sunday 7th May 2017 Nottingham, Rescue Rooms

Tickets: £20 /24 Hour Box Office: 0844 478 0898
Venue Box Office: 0115 828 3173
BOOK ONLINE: GigCartel or All Tickets www.alttickets.com

Thursday 11th May 2017 Newcastle, Wylam Brewery

Tickets: £20 / 24 Hour Box Office: 0844 478 0898
Venue Box Office: 0191 650 0651
BOOK ONLINE: GigCartel

 

Friday 12th May 2017 Glenrothes, Rothes Hall

Tickets: £20 /24 Hour Box Office: 0844 478 0898
Venue Box Office: 01592 611101
BOOK ONLINE: GigCartel

Saturday 13th May 2017 Inverness, Ironworks

Tickets: £20 /24 Hour Box Office: 0844 478 0898
Venue Box Office: 0871 789 4173
BOOK ONLINE: GigCartel

Sunday 14th May Aberdeen, Lemon Tree

Tickets: £20 / 24 Hour Box Office: 0844 478 0898
Venue Box Office: 01224 641 122
BOOK ONLINE: GigCartel

 

Thursday 18th May 2017 Leamington Spa, Assembly
Tickets: £20 / Box Office:  0844 854 1358
BOOK ONLINE: GigCartel
Venue Enquiries: 01926 311 311

Friday 19th May 2017 Harpenden Public Halls

Tickets: £20 / 24 Hour Box Office: 0844 478 0898
Venue Box Office: 01582 767 525
BOOK ONLINE: GigCartel

Saturday 20th May 2017 Southport, Atkinson

Tickets: £20 / 24 Hour Box Office: 0844 478 0898
Venue Box Office: 01704 533 333
BOOK ONLINE: GigCartel

Sunday 21st May 2017 York, Fibbers

Tickets: £20 / 24 Hour Box Office: 0844 478 0898
BOOK ONLINE: GigCartel

King King are on the road early 2017 with Broken Witts Rebel 

Re-scheduled 2017 UK Tour Dates

Cardiff  The Globe Fri 13th January 2017
Frome Cheese & Grain – Sat 14th January 2017
Norwich Waterfront – Fri 3rd February 2017
Southampton 1865 – Sat 4th February 2017
Exeter Phoenix – Sat 18th February 2017th
Fri Brighton Old Market – Fri 3rd March 2017
Bilston Robin 2 – Sat 4th March 2017
Aberdeen Lemon Tree Sun 14th May 2017

ALL TICKETS £20.00
24 HOUR BOX OFFICE – 0844 478 0898
BOOK ONLINE – HERE

Nothing To Lose Sings Red Butler

Nothing To Lose Sings Red Butler

Nothing To Lose Sings Red Butler

 

Let us all step on board with Red Butler as they say we have Nothing To Lose. Having listened to the ten tracks the British blues world and beyond has everything to gain. Red Butler have an energy that is barely contained throughout as they play British R n’B coloured and shaped by the past but never trapped in a time warp. With hints of Zeppelin, Blind Faith and many more this is a blues album with a rock steady base.

Following the success of debut album Freedom Bound, and performing live, winning awards and recognition as they represented UK at the European Blues Challenge. The experience of performing live to audiences far and wide has honed the guitar skills of Alex Butler, shaped the vocal delivery of Jane Pearce and tightened the rhythm section the combined enterprise of drummer Charlie Simpson and bassist Mike Topp.  Nothing To Lose produced by Wayne Proctor at Superfly Studios has the stamp of a House of Tone production, a sharpness of tone and energy controlled but never dampened the spirit of the blues flame is clear throughout as the Rock/blues quartet play the songs they love and many will have heard live.

The first track of the album influences the listener, Got To Make It is a question they are asking. Yes, they will make it, continue to gain recognition if they continue to deliver music that has listenability and struts and pushes aside those who want to box musicians in. This is Red Butler’s voice and they are making us listen to them as the music captures you and the lyrics draw you into the narrative. Closing with Never Go Back, a soulful track that is so true you have to move forward creating and giving music a freshness, Red Butler have definitely achieved this on the second album with the combination of Jane’s vocals that interprets every song to suit the mood and captures the last track perfectly added to that is a stunning Alex Butler solo.

The tracks in between shape the tone that is brand Red Butler, with a version of Sandi Thom’s Belly Of The Blues, starting with guitar that fills you with anticipation then the breath and Jane’s expressive vocals. Mesmerizing, and a track that will always shine whenever and wherever you hear it.  Their own compositions slot in perfectly strong and are full of emotive phrasing as they explore the lexicon of modern blues influenced music. Nothing To Lose enters the broad church of blues inspired music but the musicians are not boxed in. What does shine through is the quality of the musicianship, as ever Charlie’s drumming is huge the perfect punctuation marks that keeps adding tonal interest and shape. The interaction between Mike’s bass and the guitar of Alex is a duet that plays throughout competing for attention but never overwhelming the vocals. On the album the additional phrasing from guest Bob Fridzma on Wurlitzer, Hammond and Clavinet gives the studio versions of the numbers additional strength.

The highlights for me are Big Bad Wolf, this is an up tempo whirlwind that suits them and makes a real statement.  Say Hello (To My Little Friend) shakes more than a guitar nod to King King as the track opens, then Jane joins the party my little friends this is Red Butler through and through. Like many times before and in the future the shaping of a track reminds you of another band. Black Flies has a deep opening combo of bass and guitar and then as the guitar flies the drums and vocals join generating a measured number that brings in the different the music and turns the corner with a big rock infused chorus.

Nothing To Lose certainly puts Red Butler firmly on the map of bands that just keep giving and music lovers have everything to gain from the music.  As the rocky number You Only Live Once says, yes you do and make sure Red Butler experience is part of your musical journey as Red Butler sings you have Nothing To Lose.

EIGHT pawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Got To Make It
  2. Nothing To Lose
  3. Say Hello (To My Little Friend)
  4. All You Got To Do
  5. Calm Before The Storm
  6. Belly Of The Blues
  7. Big Bad Wolf
  8. Black Flies
  9. You Only Live Once
  10. Never Go Back

Rescheduled Tour Dates dictated by Alan Nimmo’s Vocals

Rescheduled Tour Dates dictated by Alan Nimmo's VocalsKING KING RE-SCHEDULE BULK OF NOVEMBER UK TOUR DATES TO 2017

Due to a recent vocal cord condition with lead singer and guitarist Alan Nimmo, the majority of King King’s November 2016 UK tour dates with special guests Broken Witt Rebels, have been re-scheduled to January, February, March and May 2017. The news follows the release of the band’s first ever live album ‘King King Live’ that went to #1 in Amazon’s Best Sellers Blues Rock Chart, and the upcoming release of their radio remix of their new single ‘Waking Up’.

Says King King’s frontman, Alan Nimmo, “I’ve seen my ENT specialist. He put a camera down my throat to look at what condition my vocal cords were in. Unfortunately, there’s still a good bit of inflammation and redness. I’ve been working with a vocal coach to build strength and stamina to aid my recovery.
“We will be re-scheduling most of the dates on the UK tour to January, February and March, however, we will commit to the remaining four shows on the November UK tour, beginning at Edinburgh’s Queen’s Hall (25 November), continuing through to the Live Rooms in Chester (26 November), The Grand Venue in Clitheroe (27 November) and wrapping up in London at Islington Assembly Hall (29 November).”

NOVEMBER 2016
Edinburgh Queens Hall – Fri 25th
Chester Live Rooms – Sat 26th
Clitheroe Grand – Sun 27th
Islington Assembly – Tue 29th

Re-scheduled 2017 UK Tour Dates

Cardiff  The Globe Fri 13th January 2017
Frome Cheese & Grain – Sat 14th January 2017
Brighton Old Market – Wed 9th February 2017
Norwich Waterfront – Fri 3rd February 2017
Southampton 1865 – Sat 4th February 2017
Exeter Phoenix – Sat 18th February 2017th
Fri Brighton Old Market – Fri 3rd March 2017
Bilston Robin 2 – Sat 4th March 2017
Aberdeen Lemon Tree Sun 14th May 2017

The band’s 2015 album, Reaching For The Light, was voted #1 album by Blues Rock Review.  In 2014, King King won a total of five 2014 British Blues Awards, includingBest Album and Best Band. The nods came from BBC Radio 2 presenter Paul Jones to Classic Rock’s The Blues magazine. Their support slot on John Mayall’s 2014 UK tour pushed the band to another level.

Rescheduled Tour Dates dictated by Alan Nimmo's Vocals

Tour Dates 2016/2017

EDINBURGH, QUEEN’S HALL – FRIDAY 25th NOVEMBER

TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE or Queen’s Hall – HERE
VENUE BOX OFFICE: 0131 668 2019

CHESTER, LIVE ROOMS – SATURDAY 26th NOVEMBER
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE or See Tickets – HERE
VENUE BOX OFFICE: 0871 220 0260

CLITHEROE, GRAND – SUNDAY 27th NOVEMBER
TICKETS: £20 / BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE

LONDON, ISLINGTON ASSEMBLY – TUESDAY 29th NOVEMBER
TICKETS: £20.00 / BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE
VENUE BOX OFFICE: 020 7527 8900

RE-SCHEDULED 2017 UK TOUR DATES

CARDIFF, THE GLOBE – FRIDAY 13th FEBRUARY
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE

FROME, CHEESE & GRAIN – SATURDAY 14th JANUARY
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
VENUE BOX OFFICE: 01373 455420
BOOK ONLINE: HERE or Cheese & Grain – HERE

NORWICH, WATERFRONT  – FRIDAY 3rd FEBRUARY
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
UEA BOX OFFICE: 01603 508 050 / VENUE TEL: 01603 632 717
BOOK ONLINE: HERE or UEA Tickets – HERE

SOUTHAMPTON, 1865  – SATURDAY 4th FEBRUARY
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
BOX OFFICE: 01273 673 311 /HERE or See Tickets – HERE
VENUE TEL: 023 80 222 605 / EMAIL: book@the1865.com

EXETER, PHOENIX – SATURDAY 18th FEBRUARY
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE

VENUE BOX OFFICE: 01392 667080

BRIGHTON, OLD MARKET – FRIDAY 3rd MARCH
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
VENUE BOX OFFICE: 01273 201 801 GIG CARTEL – HERE or TOM’S BOX OFFICEHERE

BILSTON, ROBIN 2 –   SATURDAY 4th MARCH
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE or ROBIN 2 – HERE
VENUE BOX OFFICE: 01902 401 211

ABERDEEN, LEMON TREE – SUNDAY 14th MAY
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE
VENUE BOX OFFICE: 01224 641 122

Bluesdoodles reviews and more:

Rescheduled Tour Dates dictated by Alan Nimmo's Vocals

Rescheduled Tour Dates dictated by Alan Nimmo's VocalsKing King – Live – HERE

King King – Reaching For The Light – HERE

Thunder, King King Entertain Colston Hall – HERE

John Mayall, King King Entertain St David’s Hall – HERE

Broken Witt Rebels – Georgia Pines – HERE

Rescheduled Tour Dates dictated by Alan Nimmo's Vocals
In the last six months, the buzz around self-released, Birmingham blues rock band Broken Witt Rebels has reached a deafening roar. So much so that the band have rushed out their latest single, Guns, to capitalize on fan-driven interest. The official video for Guns has generated almost 400,000 views on YouTube in less than 48 hours.

Chosen by the fans, Guns is now the second single to be taken from the band’s <strong>Georgia Pine EP. Produced by Tom Gittins (Robert Plant), the previous single, Low, was a featured track of the week on Radio X, and play-listed on Planet Rock, who are currently playing Guns.

GUNS pays homage to their hometown of Birmingham with a melody and energy that tears through you, with the refrain. “Born and raised where Guns are made, they burn bright like a cigarette.”

The Birmingham four-piece is comprised of James Tranter (guitar), Danny Core (vocals), Luke Davis (bass) and James Dudley (drums). Their bluesy southern swagger has drawn favourable comparisons with Kings of Leon, Alabama Shakes and The Black Keys.

Feeling Exhilarated at last a King King Live Album

Feeling Exhilarated at last a King King Live Album

Feeling Exhilarated at last a King King Live Album

 

 

 

Feeling Exhilarated at last a King King Live Album. We have waited, was it worth the wait… Yes, It was and we can shout across the land at last we can have on tap that Live magic that is King King.

Live, has captured everything a King King gig has to offer. We have the Alan Nimmo wit and the crowd’s warm heartfelt appreciation with ovations and cheers and then the silence of a mass of people listening intently. Recorded on the 14th May 2016 at Glasgow O2 ABC, in front of a home crowd with that added energy of a homecoming for Alan.

King King always exhilarates, they are a unit of musicians who build on each other’s emotional energy making as Aristotle said “The whole is greater than the sum of its parts!”

Feeling Exhilarated at last a King King Live Album
Photo Laurence Harvey

Opening the twelve track album with Lose Control, which is a certainty with King King’s music; this is a jump up and down number that will raise the temperature at any venue. Glasgow is on fine form as Alan thanks the audience before launching into a Fabulous Thunderbirds number that is always sublime when it receives the King King treatment Wait On Time is no different tonight. The guitar from Alan weeps and pulls at the rock n roll vibe that Wayne picks up with a clash of the cymbal as the guitar beguiles you and pulls you in to a Nimmo musical hug.

 

Feeling Exhilarated at last a King King Live Album
Photo Laurence Harvey

The opening keys from Bob need no introduction with Long History of

Feeling Exhilarated at last a King King Live Album
Photo Laurence Harvey

Love. Alan, sings  “…all I have to do is close my eyes….” and instantly I am transported to the front of the crowded venue and see the kilt, Bob’s smile behind the keys, Lindsey’s cheeky grin and Wayne behind the drums with stick raised with a purpose you can actually  smell and feel the atmosphere that is a King King live show.

 

Every track is a winner there are no favourites they all send that ecstatic musical shiver down the spine but as ever You Stopped The Rain dedicated to his brother Stevie and Frankie Millers, Jealousy raises hairs on my arms and I hold by breath so that every nuance of the numbers are not missed. Heavenly!

 

Feeling Exhilarated at last a King King Live Album
Photo Laurence Harvey

The tempo ebbs and flows  and as ever King King send you a little bit Crazy, as they pull out all the stops  to entertain with top-notch music.  Closing with Let Love In, once again we have entered their world they thank us for coming we thank them once again for keeping music fun and live.  The set list takes on a stroll from their current award-winning studio album Reaching For The Light, dipping into the back catalogue of both Standing In the Shadows and Take My Hand.

 

If you have been to a King King gig this is the whole event boxed and tied in tartan ribbon for you to enjoy again and again as we wait for the next tour to begin.  For a  glorious eighty-four minutes reality is suspended and you are transported into the land of rock-blues wow! Land with King King Live!

King King –  Live – Manhaton Records – Released Friday 21st October 2016

Bluesdoodles gives this CD TEN pawprint half inchdoodle paws out of TEN ….

Feeling Exhilarated at last a King King Live AlbumA Deluxe Edition 3-disc set, that will soon be available for pre-order, includes two CDs that captures the live energy of King King’s sold-out hometown concert at O2 ABC in Glasgow on 14th May 2016, plus a bonus DVD film of the band performing to a sold-out crowd at the Holmfirth Picturedrome on 13th April 2016.

Says King King’s lead singer and guitarist, Alan Nimmo, “We are excited about ‘King King Live’ because it’s the first time we’ve ever released a live album.  It’s a great testament to how our audiences drive us on to perform to the best of our abilities. The audience reaction to the live performances is amazing.  This release couldn’t have been possible without them.”

Live Album Track List 

CD 1                                                        CD2

Lose Control                                         You Stopped The Rain
Wait On Time                                       Jealousy
Waking Up                                            Crazy
Rush Hour                                            All Your Life
A Long History Of Love                       Stranger To Love
More Than I Can Take                         Let Love In

 

Live DVD Track List

Lose Control
Waking Up
Rush Hour
A Long History Of Love
More Than I Can Take
You Stopped The Rain
Jealousy
Crazy
All Your Life
Stranger to Love
Old Love
Let Love In

 

king-king-november-uk-tour-advert_hi-res

Back On Tour – November Brings Back King King

 

 

NOTE!!! King King DATES Re-Scheduled

SEE link HERE For New Dates

Due to a recent vocal cord condition with lead singer and guitarist Alan Nimmo, the majority of King King’s November 2016 UK tour dates with special guests Broken Witt Rebels, have been re-scheduled to January, February, March and May 2017. The news follows the release of the band’s first ever live album ‘King King Live’ that went to #1 in Amazon’s Best Sellers Blues Rock Chart, and the upcoming release of their radio remix of their new single ‘Waking Up’.

Says King King’s frontman, Alan Nimmo, “I’ve seen my ENT specialist. He put a camera down my throat to look at what condition my vocal cords were in. Unfortunately, there’s still a good bit of inflammation and redness. I’ve been working with a vocal coach to build strength and stamina to aid my recovery.
“We will be re-scheduling most of the dates on the UK tour to January, February and March, however, we will commit to the remaining four shows on the November UK tour, beginning at Edinburgh’s Queen’s Hall (25 November), continuing through to the Live Rooms in Chester (26 November), The Grand Venue in Clitheroe (27 November) and wrapping up in London at Islington Assembly Hall (29 November).”

NOVEMBER 2016
 Aberdeen Lemon Tree – Thu 24th
Edinburgh Queens Hall – Fri 25th
Chester Live Rooms – Sat 26th
Clitheroe Grand – Sun 27th
Islington Assembly – Tue 29th

Re-scheduled 2017 UK Tour Dates

Cardiff  The Globe Fri 13th January 2017
Frome Cheese & Grain – Sat 14th January 2017
Brighton Old Market – Wed 9th February 2017
Norwich Waterfront – Fri 3rd February 2017
Southampton 1865 – Sat 4th February 2017
Exeter Phoenix – Sat 18th February 2017th
Fri Brighton Old Market – Fri 3rd March 2017
Bilston Robin 2 – Sat 4th March 2017
Aberdeen Lemon Tree Sun 14th May 2017

 

Back On Tour – November Brings Back  King King

48-HOUR TICKET PRE-SALE WITH PLANETROCK.COM FROM WEDNESDAY 22nd JUNE

TICKETS ON SALE TO THE GENERAL PUBLIC
ON FRIDAY 24th JUNE (ALL PRICED £20.00)

24 HOUR BOX OFFICE: 0844 478 0898
BOOK ONLINE: www.thegigcartel.com

TOUR DOVETAILS THE RELEASE OF NEW DOUBLE LIVE CD/DVD ALBUM

ALL TICKETS £20.00
24 HOUR BOX OFFICE – 0844 478 0898
BOOK ONLINE – HERE

To coincide with the November tour, King King are pleased to announce the release of a new live album that will be released on CD and digital download in October. The album will include the full audio from a storming live concert in Glasgow, plus exclusive DVD filmed at the Holmfirth Picturedrome.

Back On Tour - November Brings Back King King

NOVEMBER 2016
 Brighton Old Market – Wed 9th
Norwich Waterfront – Thu 10th
Southampton 1865 – Fri 11th
Frome Cheese & Grain – Thu 17th
Bilston Robin 2 – Fri 18th
Cardiff Tramshed – Sat 19th
Exeter Phoenix – Sun 20th
Aberdeen Lemon Tree – Thu 24th
Edinburgh Queens Hall – Fri 25th
Chester Live Rooms – Sat 26th
Clitheroe Grand – Sun 27th
Islington Assembly – Tue 29th

Having scored three radio hit singles on Planet Rock with the songs Crazy, Hurricane, and most recently, Rush Hour, King King received a nomination for Best New Band at the 2015 Classic Rock Awards. King King followed up with a UK arena tour supporting Thunder that was highlighted at a packed concert at London’s Wembley Arena, and, as a result, won them over a raft of new fans.

The band’s 2015 album, Reaching For The Light, was voted #1 album by Blues Rock Review.  In 2014, King King won a total of five 2014 British Blues Awards, includingBest Album and Best Band. The nods came from BBC Radio 2 presenter Paul Jones to Classic Rock’s The Blues magazine. Their support slot on John Mayall’s 2014 UK tour pushed the band to another level.

 

Bluesdoodles reviews and more:

King KIng AlbumBack On Tour - November Brings Back King KingKing King – Reaching For The Light – HERE

Thunder, King King Entertain Colston Hall – HERE

John Mayall, King King Entertain St David’s Hall – HERE

Broken Witt Rebels – Georgia Pines – HERE

 

Back On Tour - November Brings Back King King

Back On Tour – November Brings Back  King King

Tour Dates

 

BRIGHTON, OLD MARKET – WEDNESDAY 9th NOVEMBER
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
VENUE BOX OFFICE: 01273 201 801 GIG CARTEL – HERE or TOM’S BOX OFFICEHERE

NORWICH, WATERFRONT  – THURSDAY 10th NOVEMBER
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
UEA BOX OFFICE: 01603 508 050 / VENUE TEL: 01603 632 717
BOOK ONLINE: HERE or UEA Tickets – HERE

SOUTHAMPTON, 1865  – FRIDAY 11th NOVEMBER
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
BOX OFFICE: 01273 673 311 /HERE or See Tickets – HERE
VENUE TEL: 023 80 222 605 / EMAIL: book@the1865.com

FROME, CHEESE & GRAIN – THURSDAY 17th NOVEMBER
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
VENUE BOX OFFICE: 01373 455420
BOOK ONLINE: HERE or Cheese & Grain – HERE

BILSTON, ROBIN 2 – FRIDAY 18th NOVEMBER
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE or ROBIN 2 – HERE
VENUE BOX OFFICE: 01902 401 211

CARDIFF, TRAMSHED – SATURDAY 19th NOVEMBER
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE

EXETER, PHOENIX – SUNDAY 20th NOVEMBER
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE
VENUE BOX OFFICE: 01392 667080

ABERDEEN, LEMON TREE – THURSDAY 24th NOVEMBER
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE
VENUE BOX OFFICE: 01224 641 122

EDINBURGH, QUEEN’S HALL – FRIDAY 25th NOVEMBER
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE or Queen’s Hall – HERE
VENUE BOX OFFICE: 0131 668 2019

CHESTER, LIVE ROOMS – SATURDAY 26th NOVEMBER
TICKETS: £20 / 24 HOUR BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE or See Tickets – HERE
VENUE BOX OFFICE: 0871 220 0260

CLITHEROE, GRAND – SUNDAY 27th NOVEMBER
TICKETS: £20 / BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE

LONDON, ISLINGTON ASSEMBLY – TUESDAY 29th NOVEMBER
TICKETS: £20.00 / BOX OFFICE: 0844 478 0898
BOOK ONLINE: HERE
VENUE BOX OFFICE: 020 7527 8900

Back On Tour - November Brings Back King King
In the last six months, the buzz around self-released, Birmingham blues rock band Broken Witt Rebels has reached a deafening roar. So much so that the band have rushed out their latest single, Guns, to capitalize on fan-driven interest. The official video for Guns has generated almost 400,000 views on YouTube in less than 48 hours.

Chosen by the fans, Guns is now the second single to be taken from the band’s <strong>Georgia Pine EP. Produced by Tom Gittins (Robert Plant), the previous single, Low, was a featured track of the week on Radio X, and play-listed on Planet Rock, who are currently playing Guns.

GUNS pays homage to their hometown of Birmingham with a melody and energy that tears through you, with the refrain. “Born and raised where Guns are made, they burn bright like a cigarette.”

The Birmingham four-piece is comprised of James Tranter (guitar), Danny Core (vocals), Luke Davis (bass) and James Dudley (drums). Their bluesy southern swagger has drawn favourable comparisons with Kings of Leon, Alabama Shakes and The Black Keys.

King King Reaching Spiraling Heights in Salisbury

Dan Patlansky supporting King King Reaching Spiraling Heights in SalisburyDan Patlansky supporting King King Reaching Spiraling Heights in Salisbury

King King Reaching Spiraling Heights in Salisbury

 

Tonight there was a very special buzz around City Hall, Salisbury. With a plethora of Thunder T-shirts through the years, a smattering of Satriani and many more King King Shirts. Both Dan Patlansky & King King, continue to be noticed for all the right reasons Blues that rocks your soul having toured with Joe Satriani and Thunder respectively.

 

Dan Patlansky supporting King King Reaching Spiraling Heights in SalisburySeats were filled and the lights dimmed and the music caught your breath as South African Dan Patlansky took control of the stage. This is the first opportunity to hear tracks live from his latest superb studio album Introvertigo. They sound even more exciting when you can see Dan’s magic fingers playing with the six-strings. The band was on fire providing a lusciousness of tone and sound for the guitar to soar up above with Dan’s vocals as hot as chestnuts heated over a brazier of firing blues.  Into the mix, this band is not messing around as they play Stop The Messin’. Then a change of guitar and slide for Heartbeat, drum’s pulling up the heat of Africa the beat resembling a heartbeat that is both fast and primeval. This track live is a fret teaser and the speed of Dan’s fingers is mesmerizing and the beating of hearts increased with the hot delights. The tempo changed and we had some slow blues as Old Red his preferred guitar worn with love entertained once again. With great interaction, Dan was warming the crowded venue for King King. The echo effect of Dan’s voice as he drew us in along with the melting and merging of tones contrasting and harmonizing this is exciting blues. Dipping into his previous album Dear Silence Thieves, via Backbite, the clock is speeding and Dan plays loud, raucous and always he has control of the guitar, holding by one string dancing up the fretboard and contending with an amp that just doesn’t want to play the game. Dan Patlansky excites, with is freeform blues-rock, with an instrumental that has the audience collectively holding their breath the guitar playing is phenomenal, Hendrix heart and soul has entered the building as Patlansky entertains, the audience is now hot with excitement.

 

King King WM-1209A short-break and the crowded venue fidgeting in their seats and then with a swirl of his red kilt and beaming smile Alan Nimmo sets the King King train underway in Salisbury tonight. King King’s reputation continues to grow as they tour making new friends on the way and always entertaining with blues that has special cadence unique to them. With a number of albums under the kilt we re-visited the earlier recordings and were entertained with songs for the acclaimed 2015 Reaching For The Light.  They may have opened with Lose Control, but everything was firmly under control for, Alan Nimmo fronting vocals and guitar, Bob Fridzema of keys and the powerhouse holding the rhythm Lindsay Coulson and Wayne Proctor. Glaswegian Alan, full of smiles and the vocals strong despite the fact this was the penultimate date on the tour and Alan waiting for what he calls his wee operation on his vocal chords. Everyone wishes him well though there are a few festival dates still to catch King King over the summer.  The studio version of Rush Hour is awesome, live it takes on another dimension of energy.  Why? It is the audience who participate picking up the beat set down by Wayne Proctor who builds the anticipated rhythm with style and flourish of the sticks Lindsay’s’ bass line fills in the gaps providing a rhythmic tempo allowing Alan to strut and swirl upfront. Two crowd stopping heart-searing moments in the momentous set were first Long History of Love and later in the set Jealousy. Bob’s Fridzema’s, Hammond combined with the whirling Leslie creates a sound that swells and grows filling every drop of air with sweet chords of Long History of Love. The music is so powerful you can taste it. Then add into the mix Alan Nimmo’s vocal and Fender the music is putty in his hands and we adore King King for playing music that hits our souls.  The emotion and inner tension of fellow Glaswegian Frankie Miller’s classic Jealousy is held in Alan’s hands from the first to the last note.  The warmth of the emotion, the agony of the pain jealousy causes are all captured in the guitar chord and the inflection of Alan’s voice. Wow! Who cannot be moved by this spine-chilling hairs on your arms raising performance? This is not the final number the tempo changes the audience fills with delight as the first notes of Crazy flow through the auditorium.  Then Alan’s party piece as he turns the volume down, down, down until you can hear the strings ping. The audience sits in respectful hush, the silence is deep and Stranger To Love wins us over again as the volume rises and the tuneful voice of Alan fills the hall again. Then they leave, and we want more but this is the last song of the night, the crowds stand in unison and cheer for more. With a smile and wave King King are back on stage for one last number the crowd-pleasing melodic Let Love In we sung, Alan sung we were all in harmony. The power of live music uniting us this is Blues-Rock infused with layers of tones and the deep feel of the blues.

 

Their status as performers extraordinaire was confirmed again with tonight’s no wonder King King are award winning, mega-popular and Reaching For The Light was the album of 2015 for many.  This is a night many will talk about do you remember when South African Dan Patlansky and ten the mighty King King took Salisbury by a Blues storm. Yes, King King Reaching Spiraling Heights in Salisbury tonight. Dan Patlansky opening raised the roof. Blues swirled with rock heartbeats with both bands fuelled by delicious cake from Cupcake Heaven enjoyed as part of a rocking afternoon tea.

This slideshow requires JavaScript.

Wayne Proctor talking Production House of Tone and King King

King King - Artrix - Nov 2015_0039l

Wayne Proctor talking about drumming, producing House of Tone and King King

 

BD: Firstly, a big doodles thank you for taking time out of his busy schedule to sit down and talk to Bluesdoodles about music and so much more.
We all unwrap that album, put on the stereo and listen, we love the sound, it often bringing back memories of a great night of live music. Have you ever wondered what goes into making the album you love to listen to?
Wayne Proctor is candidly unpacking the mystery of record making speaking as a musician, member of a band and a producer. Wayne has gathered up all these skills and more into a brand that is being recognised on many stylish albums as House of Tone.
The conversation flowed, starting off traditionally at the beginning and then… well read on to find out.

 

BD: Wayne have you always had the ambition to be a producer?

WP: Yes I think so, from a very young age. The drums were my third instrument I learnt, having started on the Piano at 4 and then progressing to guitar at 8. I could instinctively pick out singles on an album and recognize the best songs. I could hear the sound choices, the construction of parts and arrangement; the idiosyncratic production elements… just as an A&R man needs to when identifying a single to promote an album.

I have always been interested in production, starting from the first band I was in, where I was heavily involved in the arrangements of the songs, this was helped along by my dual knowledge of harmonics from playing the guitar and the rhythmic side of things from playing the drums. Producing was a logical step for me as part of my development as a musician. I wanted to have recorded what I could hear in the room and in my head so I needed to understand how producing and recording works. I realised I had a lot to learn, so with a mixture of teaching myself and observing the recording making process of albums I was making it all started to come together. My first time working with a world renowned producer was on Aynsley Lister’s self-titled album, his debut for RUF records that was produced by Jim Gaines. Jim has produced artists across many genres; this guy had won Grammy’s! I observed how he managed the session, the technical side of things and his people skills, I watched and listened to everything he said and did. I could see how he handled people and songs and what the engineer was doing.

BD: You have been really busy, how do you work with different artists sounds and styles

WP: Yes, It has got busier and busier thankfully, it’s great to work on different styles and work with different artists/bands, it really keeps things fresh and creative for me. Just recently I’ve worked on albums by Stevie Nimmo, Ben Poole, Red Butler and on a new album by Adam Norswothy. Adam’s is a more traditional song driven album and after working on the more blues-rock orientated material

I needed to make sure I came into Adam’s album with a blank canvas. Just like resetting a camera with white paper you need to reset yourself between each project. Luckily, I tend to be present from a very early stage in the recording process so I get to know what an artist can do, so you get excited about revisiting that artists musical character, it could be the voice, guitar playing, lyrics, melodies. I just do my best to find the heart of the artist or band and bring that more to the forefront, so the listener gets to see a much more potent version of that artist

BD: So what got you to take the leap to be a Producer

WP: Honestly? I got a bit sick of not hearing the quality on albums that I wanted to hear and that I knew an artist was capable of. Too many producers pressing record and getting the album done quickly for the record label, I understand budget plays a part but I do feel the quality of the content is compromised when an album Is recorded too quickly. When things are rushed you don’t maximize the potential that a song or album can have. I knew in the end the answer was to do it myself, and create a team of like-minded people with an overflow of ideas and a hunger for quality. I’ve been producing, mixing and engineering for just over a decade now, my first album I produced was for Sean Webster back in 2005. We had a great communication, (we have known each other since we were 12 years old, actually went to school together) and it just worked, that album was recorded at Superfly Studios or Bluewater Studios as it was known back then. I have travelled a long way since then creatively, my knowledge has really deepened and I have a much better understanding of how to make things work and solve problems when things aren’t working. Twenty-Six albums later and a bunch of singles and EP’s and any success I’m experiencing is just down to hard work, focusing on the details and establishing good communication between myself and the artist so there is mutual respect and understanding, so the artist knows you always have their best interests at heart.

BD: Once a song makes the Album is it farewell and on to the next?

WP: Yes usually but occasionally you get to revisit things, funnily enough I am coming to the end of re-mixing ‘Rush Hour’ from King King’s Reaching For The Light for a radio version. The new re-mix is for Planet Rock and it is sounding awesome… it makes me want to go back and re-do the whole “Reaching For The Light” album, it just highlights that producing and mixing is constantly a learning process. I have done a further six albums since “Reaching For The Light” and every album has taught me something new that I can being to the table the next time round. My hunger to improve and get better at what I do is pretty immense.

BD: What an experience touring with Thunder must have been

WP: Yes it was straight after King King’s visit to India to play the Mahindra blues Festival, which was an incredible experience. We landed in Gatwick after the India trip and drove straight to Nottingham’s Royal Concert Hall; it is extremely rare you get to experience so many amazing and special gigs in a row. Its been a fantastic reward for all the hard work we’ve been putting in, getting the Thunder tour was certainly a high point of what’s been happening for myself and the band. There is so much potential and so many new opportunities and doors opening for King King, it is beyond exciting.

BD: Now back to what do you, so what does Wayne Proctor bring to Production?

WP: Firstly, I like to give artists time and space to be creative, I work hard to build trust and try to break down their preciousness and preconceptions of how things “should” be and help make the music flow in a more organic way. Avenues of creativity need to be opened and kept open to build on an artists inherent natural talent, I want to push them above what they think they can do – see them blossom. To do this you need to make sure there is a good vibe and complete trust with the artist from the beginning. Albums take time, Ben Poole’s latest  “Time Has Come “ was three years in its gestation, lots of talking between myself, Ben and Alan Robinson (Manhaton Records) to formulize the album and get the right set of songs. It is not about going into the studio and pressing record straight away. An album needs to be worked on, developed, thought about and developed further. It makes such a difference to the end result. And when producer and artist are in complete trust at the start, ideas are free flowing, everyone feels comfortable. And of course as a producer you need to recognize how to get the best out of every artist you work with, find ways to make them feel at ease so the music flows out of them, give them an arena to overflow with ideas where all ideas are entertained

For me, pre-production is the key to how great an album can be, whether we have a few weeks or a month to prepare an album I always recommend some time gets spent on pre production. Working as House of Tone is all about trying out ideas, to find what does and doesn’t work, putting content with depth and meaning into the music. I have a very methodical brain so I am able to visualize the music and see how things can sit together and how that ultimately affects the end result. I am always pushing for all levels to be of a higher quality, the songwriting, the playing, the quality of recording, it’s about Investing time at all stages of the process. It’s vital you do this so you’re not just churning albums out like a factory line. The quality has to be maintained and kept at a super high level to really leave a musical legacy.

BD:I am sure people have heard the terms relating to stages of record production but many do not know what the differences are.

WP: Pre-Production: Is usually the artist/band and myself in a room shaping the songs, trying ideas out and seeing what sticks. Ideally you record this stage even if with just your phone, you listen back, tweek things, make more suggestions and develop the idea till it feels right. Pre-production is where the actual content of the music is first established and developed.

Record: The stage where everything that has been written gets recorded with confidence after all the pre production. You can track live as band and do overdubs, or you can build up from the drums and add each instrument. I tend to let the material dictate which recording approach is needed, in the end it’s all valid you just want the best way to make the songs sound the best. At the recording stage I like to get the sounds from the instruments as close to as they will be in the final mix, so its lots of moving microphones and auditioning sounds to make sure you’ve got some thing great and not just a generic sound. You want something you are excited about sound wise, getting great exciting performances gives you so much more to work with at the mix stage. It really is worth getting the musicians to dig deep and do that extra take to get that something special.

Mixing: The stage of clearing everything up so it can all be heard and you can pick out all the that has been recorded, so you’re getting all the details as a listener, so you can hear the vocalist breath, you can hear guitar to the left, keys to the right etc. Giving the music a balance and making the song feel like a journey of highs and lows. A mix should enhance all the hard work that has been done at the pre production and recording stages, enhance the dynamics make everything feel a lot more visceral.

Mastering: Is the final stage, It is giving the album a polish and a final sheen. It stage you make sure the volume and general EQ balance even across all the tracks has an even feel so nothing jumps out and things have a nice flow.

 

House of ToneBD: Tell us a bit about House Of Tone, Superfly Studios and Y Dream StudiosSuperfly

WP:  We are a complimentary package of production and studio. Half the recording gear in the Superfly Studio’s is mine and so it made sense to join resources with Andy Banfield owner of Superfly studios and to use this amazing space to record artists and then Y Dream Studio’s owned by Steve Wight is where the mixing takes place. So House of Tone Productions is the whole package: recording, production, mixing, mastering and artist development.

 

House of Tone is all about re-investing into the music scene/artists by giving the artist/band the opportunity and time to make their album something to be proud of. I want House Of Tone to be known as a quality brand across a wide range of genres. As soon as you see the House Of Tone Logo you know you are getting a quality artist, recording, production and mix where care has been taken to give you the most enjoyable listening experience you can have.

We must be hitting the mark as we had nominations for four albums at the British Blues Awards, Three for Bands and Two for solo artists. We are working hard to create a package that is easy for people to buy into whether it a band or solo artist. I really want artists and bands to House Of Tone as a brand of choice that they know they will get a superior quality album at the end of the creative process. In addition to album production, we can create websites, shoot videos, deliver creative artwork and artist development. We are creating a whole atmosphere. The artwork has to be as just good as the music. I studied graphic design before I went professional as a musician. I’ve actually just finished the artwork on the new Ben Poole album, it was a collaborative effort between producer, artist, label and management, all working towards a high quality end result. I really believe House of Tone can provide the full artist package.

 

BD: If you were putting together the perfect band with members from across the years (dead or alive) who would you have playing?

WP:

Drums: will definitely have two out of these three depending on style of the track –

Jeff Porcaro (Toto) – John Bonham (Led Zepplin) – Phil Collins (Genesis) – Steve Jordan (Eric Clapton)

Bass: Lee Sklaar (James Taylor, Phil Collins) John Paul Jones (led Zeppelin) Pino Palladino, Jaco Pastorious (Weather Report, Joni Mitchell)

Guitar: Steve Lukather (Toto) Scott Mckeon

Singer: Phil Collins (Genesis) Peter Gabriel, Jeff Buckley

Keys: Billy Preston

From a lyric and melody point of view it would have to be John Lennon, Jeff Buckley and James Taylor.

Bluesdoodles has been delighted to review Albums produced by Wayne Proctor, House of Tone, Superfly Studio combination.

King King – Reaching for The Light – Read More HERE
Stevie Nimmo – The Sky Won’t Fall – Read More HERE
Ben Poole – Time Has Definitely Come – Read More HERE
Adam Norsworthy – Rainbird – Read More HERE

Sit Back Enjoy Rush Hour with King King

Rush Hour-

Sit Back Enjoy Rush Hour with King King

From the stunning album released in 2015 Reaching For The Light we have a brand new Radio re-mix single RUSH HOUR.

Buy The Single, sit play and relax it is Rush Hour that pleases from the first breath to the last fading note. King King are mighty as a single There is a moment hesitation, then Alan breaths the vocals into the microphone hooking you into the music as Wayne Proctor’s Drums. Lindsay Coulson Bass and the keys of Bob Fridezma joins the mighty guitar and the quartet that is King King weaves their magic. You have the album, you have tickets to see the next show why buy Rush Hour as a single I hear you ask? This 4 minutes and 29 seconds of magic more than a marketing tool this is Rush Hour re-invented. Having played the number to the applauding crowds when opening for Thunder and then on a headline tour with Laurence  Jones. The band took time to go back into the studio to re-work shape and nail the blues-rock power that is a medium paced delight not a helter-skelter ride to the finish. Rush Hour.  Now re-mix the beauty of the lyrics the melodic unfolding of the tune honed to prefection with a new energy having played the song live.

The record label Manhaton have returned to Superfly Studios and mixed at Y Dream Studios, with Bob Ludwig from Gateway Mastering engineering a single that should be Number One for weeks. In days gone past this would have been in the charts and King King on Top Of The Pops! If you haven’t listened to King King download the single it is the perfect way of spending 79p. Download HERE and own a single full of soul and musical inner beauty. Re-mixed with love Rush Hour keeps you in the King King groove until you see them live in May.

 

The next tour is in place.
Planet Rock presents in association with The Gig Cartel and Manhaton Records

King King with very special guest Dan Patlansky

 MAY 2016 UK TOUR

King King Poster

ALL TICKETS £20.00

24 HOUR BOX OFFICE – 0844 478 08980844 478 0898 or book online HERE

 

Award-winning Blues Rock band King King announce in association with Planet Rock radio a new nationwide UK tour for May 2016. King King always deliver –  read here what we said HERE. In addition to the award-winning Blues Rock of King King, inviting special guest South African guitarist Dan Patlansky, to open for King King. Patlansky, has won many plaudits opening for Joe Satriani across Europe and the UK recently – read about this HERE.

photo credit Laurence Harvey
photo credit Laurence Harvey

King King with two recent radio hit singles on Planet Rock with the songs Crazy and Hurricane, and a recent nomination for Best New Band at this year’s Classic Rock Awards, King King are going from strength to strength.

Their third studio album, Reaching for the Light, has been championed by dozens of music magazines and is a firm favourite at Bluesdoodles why “King King have nailed it with this album of platinum proportions” – read the rest HERE. In the New Year the band will record a full electric session for Paul Jones Blues Show on BBC Radio 2.

photo credit Stephen Fourie
photo credit Stephen Fourie

Dan Patlansky has been winning fans in the U.K. where ever he picks up his guitar. April 2015, Dear Silence

Thieves was finally released in the UK, and Dan supported the release by touring the UK and was welcomed with open arms by the British rock and blues press with rave reviews and accolades including Bluesdoodles HERE.

Exciting follow-up album  to Dear Silence Thieves, INTRO-VERTIGO release date April 2016 just in time for this tour with King King!