Advent 22 Gig and Live Music Fun in Wales 2017

Advent 22 Gig and Live Music Fun in Wales 2017

Advent 22 Gig and Live Music Fun in Wales 2017

Festival and Gig Reviews  2017

Advent 22 Gig and Live Music Fun in Wales 2017

Steelhouse 2017 Simply Marvellous Mud Music and Mates

Steelhouse family came together on a Welsh Mountain united by rain, sun and MUD! The glue binding us was live music and the super glue the brilliance of Bernie Marsden not once, not twice but all three days on the stage entertaining.  We had dragon magic gracing the festival that you climb up slowly to the top driving up a rough track to the top of a Welsh Mountain above Aberbeeg.  Read More HERE … Steelhouse 2017

 

 

 

Advent 22 Gig and Live Music Fun in Wales 2017Kenny Wayne Shepherd plays a Halloween Treat at The Tramshed.

Opening the cauldron of fiery guitar curling around the blues, we have Laurence Jones Band. The lead breaks were scintillating Kenny certainly makes the Strat bend to his fingers demands as it weeps, curls around tones of joy and pain. Tonight the setlist was a mix of old and new with six tracks from his current acclaimed album Lay It On Down. Read more HERE

Kenny Wayne Shepherd with support from Laurence Jones @Tramshed, Cardiff – October 2017

 

 

Advent 22 Gig and Live Music Fun in Wales 2017Gov’t Mule Triumphant First Live Show in Wales.

Friday night was alive as the energy of the Mule filled The Tramshed in Cardiff with over two hours of music that fills your soul.  Read More HERE

Gov’t Mule @Tramshed, Cardiff – October 2017

 

 

 

Advent 22 Gig and Live Music Fun in Wales 2017

Blues Flowed up the Taff with Walter Trout Tonight

The Muni is back open for gigs. The crowds outside just show how popular the venue still is and the two acts on tonight Sari Schorr and The Engine Room opening for the mighty Walter Trout.  …. What a wonderful version of the mighty Albert Collin’s Cold Cold Feeling. Under Walter’s dexterous fingers he magic’s up a pure connection to the original whilst making this a pure gold classic Walter playing live moment. READ More HERE

Walter Trout with Special Guest Sari Schorr @ The Muni, Pontypridd October 2017

 

 

Advent 22 Gig and Live Music Fun in Wales 2017

 

The Night Siren Steve Hackett Charms St David’s Hall Cardiff

 

Tonight the last Friday of April the packed St David’s Hall was treated to a programme of two halves. A musical programme of two movements. The first Prog Rock modern, progressive and pertinent as Steve Hackett unveiled live numbers from his stunning album The Night Siren and dipping onto four of his many solo albums.  The second helping on this musical palette of delights was a revisiting of Genesis, the majority drawn from Wind and Wuthering celebrating forty years since its release. Read more HERE

Steve Hackett – St David’s Hall – April 2017

 

 

Advent 22 Gig and Live Music Fun in Wales 2017

 

With a sold out show, everyone was at The Globe to hear the unique Hayseed Dixie take on classic songs we love to hear. Before the main event up on stage was an unknown entity, on the second night of their first UK Tour, a young French band, Dätcha Mandala. Read more HERE

Hayseed Dixie with Dätcha Mandala – The Globe, Cardiff April 2017

 

 

Advent 22 Gig and Live Music Fun in Wales 2017

Advent 22 Gig and Live Music Fun in Wales 2017

April Roadstars Are
Broken Witt Rebels and Bad Touch

Spring sunshine warming  Cardiff pavements, but not as hot as The Globe scorching from the two rock n roll sets from rising British Bands 2017 Planet Rock Roadstars show; Broken Witt Rebels Bad Touch.  Read more HERE

 

The Roadstars: Broken Witt Rebels and Bad Touch – The Globe – Cardiff – April

Advent 22 Gig and Live Music Fun in Wales 2017

 

Inbound weather for Cardiff Thunder is in Town

Do not let the clear blue skies deceive you, Cardiff is in for a British rock invasion with the promise of stormy weather brewing under the mighty hammer of Thor as Thunder hit the stage with an array of cameras. The show was being filmed tonight which added to the eagerness to get the show underway. Opening the evening, Cats In Space filled The Motorpoint Arena’s stage with energy and ready to warm up an already excitable Cardiff crowd. Read More HERE

Thunder with guests Cats In Space – Motorpoint – Cardiff – March 2017

 

 

 

 

Advent 22 Gig and Live Music Fun in Wales 2017Once again we were the Third Level courtesy of Roots UnearthedSt David’s Hall, Cardiff bringing Acoustic Delights Martin Harley Daniel Kimbro a duo playing roots music with style. The roots are twisted and twirled as blues meets country and folk tales are re-told in new exciting arrangements. Read More HERE

 

Martin Harley & Daniel Kimbro – St David’s Hall – Cardiff – March 2017

 

 

 

 

Advent 22 Gig and Live Music Fun in Wales 2017

Sunday night, The Globe was buzzing with anticipation with Dan Reed Network back in Cardiff after 27 years. … The set was a Jukebox of live music as after the first few songs Dan Reed asked the audience to suggest the numbers. From the first album to the latest we were taken on a tour of DRN depth and breadth of music they deliver with energy and the pure delight of playing live music for an enraptured dancing clapping and definitely noisy and appreciative Cardiff crowd. Read More HERE

Dan Reed Network with Special guests Vega – The Globe Cardiff – March 2017

 

 

 

Advent 22 Gig and Live Music Fun in Wales 2017Black Star Riders Entertains The Tramshed Cardiff

Black Star Riders, attracted the rock fans of Cardiff and beyond tonight at The Tramshed. Tonight with a trio of bands would we have three jackpots in a row? Find out by reading on HERE

 

Black Star Riders – with Amorettes & Gun – Tramshed, Cardiff – March 2017

 

 

Celebrating St David’s Day The Globe Finds The Answer

Celebrating St David’s Day The Globe Finds The Answer

The wind was biting and vicious as we waited for doors to open at The Globe in Cardiff on St David’s night. The Queue was excited The Answer were in town as the long white tour bus parked outside confirmed. Before the mighty Answer would take to the stage with their distinctive blending of rock, with Irish folk to have us rolling with delight in the aisles, (we all wanted to hear our favourite tracks from Solas performed live for us)…. Read if we did HERE

 

The Answer – The Globe, Cardiff – March 2017

 

Advent 22 Gig and Live Music Fun in Wales 2017

King King turned up the Blues thermostat Live in Cardiff

Friday 13th bringing joy to The Globe Cardiff as Blues Rock drenches the packed audience with a medley of chords, lyrics and emotions. Special guest Broken Witt Rebels and the mighty King King turned up the Blues thermostat, the venue and the music was scorching.

Sold Out, music to the ears of bands, venues and promoters alike, as Cardiff gives a loud and enthusiastic shout out for the Blues Rock power that is King King with their special guests Broken Witt Rebels. Read More HERE

King King with special guests Broken Witt Rebels – The Globe, Cardiff – Jan 2017

 

Advent 22 Gig and Live Music Fun in Wales 2017

Gov’t Mule Triumphant First Live Show in Wales

Gov’t Mule Triumphant First Live Show in WalesGov’t Mule Triumphant First Live Show in Wales. Friday night was alive as the energy of the Mule filled The Tramshed in Cardiff with over two hours of music that fills your soul. Tonight with the recent release we were expecting tracks from Revolution Come Revolution Go but what else with the versatility of Warren Haynes would the band produce tonight? Joining vocalist & guitarist Warren drummer Matt Abs; bassist Jorgen Carlsson providing rhythmic grooves and the fourth member Danny Louis behind keys and with a trombone in reserve.  The Tramshed was buzzing with excitement many had not seen the band live and the anticipation was hot, as Gov’t Mule stood on a Welsh stage for the first time.

The show started with a series of revolutionary inspired musical snippets warming the stage as Warren picked up his twelve-string and started the night of a musical pleasure dome of a journey with Railroad Boy. What a powerful number to start the show we all knew as Warren asked how we all were that we were fabulous let the show take us on a musical adventure.  We were taken back to the second studio album Dose released in 1998 and forward to the latest in the first set.  The whole set was spell-binding the interaction between the band mesmerizing. The lead breaks from Warren sparkled with interest, meaty chords were sat next to delicate riffs as tones and textures mixed up. We never knew what was coming next, the only certainty in a Gov’t Mule live show. The whole set was a crescendo of highlights with fabulous instrumental breaks and vocals that pulled out the depth of the words being sung by Warren.

Gov’t Mule Triumphant First Live Show in WalesEvery number was stretched out and explored revitalised the studio versions with a raw energy. For me two numbers stood out Gordon James from the By A Thread album, the words have a ringing power. Personal and a story of a life sung with tonal passion and empathy.  Plus the title track Revolution Come… Revolution Go played powerfully full of revolutionary intent. Highly charged music that set The Tramshed on fire. Now we knew why there was a Trombone on stage as Danny added the sound of brass that vibrated across the venue. Now we were in the zone of the Mule from the front to the back of the balcony. The set closed with two more numbers from the album. As the first hour and a half in their company flew by, the last number of part one may have been Stone Cold Rage. No-one was in a rage we were all high on the mighty drug of music played live with verve passion and style.

Short break as friends caught up and celebrated set one and anticipated what was going to be the second helping. No-one was going to be disappointed as the next hour and a half in the company of Gov’t Mule got underway as Pink Floyd’s One Of These Days was given the treatment by the band.

Gov’t Mule Triumphant First Live Show in WalesThe second set upped the tempo, the atmosphere was growing the venue was hot.  Warren was true to this when he said this is our first time in Wales and we are going to give you a flavour of the Mule’s music. They did dipping into ten of their albums with some tasty covers and hints of other pieces as well. With Monkey Hill ending with The Beatles, I Want You (She’s So Heavy) Superb!!!

The inner rock of the Mule displayed in all its glory with Tastes Like Wine as the number starts slow and then builds and builds with guitar intensity and urgency.  We were rocking on a Friday night as we returned to the latest album with Travelling Tune.  We were travelling tonight on a journey as guitars were changed the tone developed and we explored the inner depths of the music. Next up Mr Man with the riff of Highway Star as a mental teaser to make sure we were listening and alert to the intricacies of the music.

All too soon the clocking ticking was catching up as we heard Blind Man In The dark, an instrumental from Band of Gypsys Machine Gun and back to Blind Man In the Dark. What a band the timing, the clever additions the gentle licks this is music that makes you glad to be at The Tramshed on a Friday night.

Gov’t Mule Triumphant First Live Show in WalesThe crowd cheered, roared and demanded more. We were all entranced as the crew bought on another amp who was going to be joining the band? It was mighty Bernie Marsden who always delights whenever he plays in Wales. The two numbers were magical first, Bobby Bland’s Ain’t No Love in The Heart of The City a Whitesnake/Bernie classic. Closing this truly memorable night of music with The Allman Brothers Band cover Blues Sky. How awesome to hear the number live in Cardiff.  Two legends, geniuses of modern music jamming the night way brilliant it just doesn’t get better than this. Gig of the year, highly likely in my opinion.

Gov’t Mule live is special as they weave their magic, Jamband, Rock and Blues meld and colour the music, with shuffles and grooves and the heat of Southern Rock. Who cares how they are defined this is jolly good music, entertaining, exciting music you want to hear. Time is suspended in The Tramshed tonight, realities are switched off all that matters is the moment and music.

Set List
Part 1
Railroad Boy – (By A Thread 2009)
Thorazine Shuffle – (Dose 1998)
Banks of the Deep – (The Deep End Vol 1 2001)
Time To Confess – (The Deep end Vol 2 2002)
Thelonious  Beck – (Dose 1998)
Gordon James – (By A Thread 2009)
Revolution Come Revolution Go – (Revolution Come … Revolution Go 2017)
Dreams & Songs – (Revolution Come … Revolution Go 2017)
Stone Cold Rage – (Revolution Come … Revolution Go 2017)

 

Part 2
One Of These Days – (Dark Side of The Mule 2014)
Fool’s Moon – (The Deep End Vol 1 2001)
Monkey Hill – (Gov’t Mule 1995)
Funny Little Tragedy – (Shout 2013)
Tastes Like Wine – (Life Before Insanity 2000)
Travelling Tune – (Revolution Come … Revolution Go 2017)
Mr Man – (Deja Voodoo 2004)
Lola – (Deja Voodoo 2004)
Blind Man In the Dark – – (Dose 1998)
Machine Gun

Encore (With special Guest Bernie Marsden)
Ain’t No Love In the Heart Of The City
Blue Sky

 

Gov’t Mule Triumphant First Live Show in Wales

As Walter Trout says, We Are All In This Together

As Walter Trout says, We Are All In This Together

As Walter Trout says, We Are All In This Together

 

 

As Walter Trout says, We Are All In This Together.  The love of the Blues unites music lovers around the world. The Blues has an unchanging heart and Walter Trout is a giant in the world of electric guitar fuelled blues.  Walter’s latest album is brimming with blues guitars they shimmer and shine like a brilliant sapphire as his Telecaster is joined by a phalanx of blues guitar maestro.

Fourteen tracks give Walter plenty of scope to play with the blues and sing some powerful lyrics. As Walter Trout says, We Are All In This Together. The album is a celebration of blues, a journey through Walter’s life with friends. Coming together with friends and laying down the music is the essence that makes Blues hum with power and emotion. All of life’s experiences are laid out before you captured in a few moments with lyrics and the emotive six-strings, love, hate, betrayal, loyalty and addiction all are explored. The friends that join Walter bring their own styles and interpretation of the blues. Listen to explore the intricacies they bring to Trout’s sound. You will hear a different musician on every track.

The embodiment of the blues is the shuffle and it is the perfect combo to extol its movement and rolling power as Kenny Wayne Shepherd and Walter join forces on the opening number, Gonna Hurt Like Hell, written with Kenny’s guitar style in mind up-tempo and gets the party off to a flying start. The narrative is central pleasure and can be short-lived coming down is Gonna Hurt Like Hell! The guitars meld and play off each other blues energy is up and running.

As Walter Trout says, We Are All In This Together; as we step aboard the blues bus. Exploring the myriad of tonal shapes and styles. The songs matching the attributes of Sonny Landreth whose slide playing is legendary the master of zydeco,   as we hear Ain’t Going Back. Then the harp of Charlie Musselwhite pouring out emotional wizardry on The Other Side of The Pillow; co-written with Musslewhite combine with Robert T. Bear’s lyrics. As the album takes shape one of my favourite tracks She Listens To The Blackbird Sings, with Mike Zito. It has a rawness with a driving riff of electric over acoustic and lyrics that just connect.   What an opening quartet of tracks phew! There are still ten to go will the album have staying power? Yes, of course, it has with Walter Trout at the helm.

No blues corroboration would be complete without a jam. The Sky Is Crying, the only cover, is a revisiting of a number he played with Warren Haynes many years ago at New Orleans Jazz Festival. The two guitars bring a fluidity as the number builds and builds leaving you breathless with delight. This is Trout and Haynes playing music that moves them and audiences.  The mood changes heavier, harder hitting as Eric Gales joins the party with Somebody Goin’ Down the energy is burning up the track.

A celebration of family style and talent as the question is asked, Do You Still See Me At All. The tempo as Walter is joined by his son Jon in the studio. The dueling between them is immense and this number definitely benefits from having both guitarists in the studio at the same time. Written together, played together this is a track that oozes an understanding of the electric guitar.

The closing two tracks leave you on a musical high. John Mayall joins Walter on Blues for Jimmy T, with searing harmonica mirroring guitar and vocals in a duet as they recall the day Jimmy died. The two bluesmen from different sides of the Atlantic. Acoustic works, stripping away layers and exploring the kernel lamenting the loss of friend and bass player Jimmy Trapp.  Closing out with the second track where both guitarist were in the same studio as Joe Bonamassa adds his guitar and vocals to the title track We’re All In This Together.  What a way to finish the latest Trout studio album. Just under eight minutes played live with the band, no overdubbing as they take us on a memorable road trip around the electric guitar. They had three hours to get the track completed sitting three feet apart they nailed it. Yes, We’re All In this Together.

The album is a shimmering exploration of the blues. The listener to Walter Trout’s latest studio album will discover some of the many tributaries that run from and into the great running river as wide and deep as the Mississippi that is twenty-first-century blues.  It is certain that this is an album about fun, enjoying the blues, celebrating the interaction of styles. The passion is played out in every night a perfect follow-up to the personal pain and intensity of Battle Scars.

Reviewers often say this is an album that will listen to often. In the case of We’re All In It Together that is a certainty. Celebrating the insight of Walter Trout a blues supremo bringing fourteen friends together with their own track shining a light on facets of the blues,

Walter Trout – We’re All In This Together – Mascot Label Group

TENpawprint half inchdoodle paws out of TEN ….

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Track Listing

  1. Gonna Hurt Like Hell – Kenny Wayne Shepherd
  2. Ain’t Goin’ Back – Sonny Landreth
  3. The Other Side Of The Pillow – Charlie Musselwhite
  4. She Listens To The Blackbird Sing – Mike Zito
  5. Mr Davis – Robben Ford
  6. The Sky Is Crying – Warren Haynes
  7. Somebody Goin’ Down – Eric Gales
  8. She Steals My Heart Away – Edgar Winter
  9. Crash and Burn – Joe Louis Walker
  10. Too Much to Carry – John Nemeth
  11. Do You Still See Me At All – Jon Trout
  12. Got Nothin’ Left – Randy Bachman
  13. Blues For Jimmy T. – John Mayall
  14. We’re All In This Together – Joe Bonamassa

 

 

As Walter Trout says, We Are All In This Together

Gov’t Mule New Album Revolution Come…Revolution Go

Gov't Mule New Album Revolution Come...Revolution Go

Gov’t Mule New Album Revolution Come…Revolution Go

 

The title is intriguing is this a politically fueled message or a reflection on the crazy merry ground life we are spinning through? Revolution Come…Revolution Go; is as diverse and exciting as Gov’t Mule can be; expect a musical exploration as roots music infused with all its off-shoots. The album’s cover a soldier atop a broken toy mule facing the wrong way as he yells through an orange street cone; is so retro and so modern just like the music. Unarguably Richard Borge’s artwork captures the concept and drive of an album reflecting a crazy moment in history.

This is a musical cocktail never shaken but careful turned with each revolution of the turntable a musical spice is added; jazz, rock, blues and country the sonic layers fuse together and then separated into the individual parts the result is a delicious Gov’t Mule experience. The album flows with an introspective feel, whilst full of angst and pain this is a revolution down a road of life worn and traveled with the undertow of the impact of politics of our lives. Opening with Stone Cold Rage and closing with Dark Was The Night, Cold Was The Ground this was never going to be a happy sunny uplands gentle lyrics driven melody. This is Gov’t Mule rocking it out with fiery riffs, cascading chords from the keys and riding through the middle of deep dark rhythms Warren Haynes’ vocals.

Gov't Mule New Album Revolution Come...Revolution Go

We are introduced to the latest offering from the Mule with a guitar sound that is huge, fast with an inner urgency as the keys join into the auditory playground. There is a primeval fear in the rhythms conjured by Matt Abts & Jorgen Carlssons Drum and Bass mix; with a funky sound that punctuates the power of the lyrics “Something Happened in The Back Woods… Stone Cold Rage in The Hinterland”.  The other two politically driven numbers are Pressure Under Fire and the title track. Reflecting the turmoil in the Country when the group started recording the album on Election Day November 2016.  The upsets and uncertainties continue throughout the world. Elections no longer have a certainty there is an undercurrent of rage and fear resulting in surprise. The line is Pressure Under Fire – We have to work together to get out of this mess; resonates throughout society. Warren’s vocals have an emotional edge the music builds and we want the lyrics to be a new truth a reality that is no longer based on falsehoods.

We turn in to ourselves with a country fueled Travelling Tune, haunting with the sharp simple melody that like a journey unfolding full of  shades and shadows pierced with the glimpse of sun.  The country feel flows through with Thorn of Light and onto the title track. Revolution Comes … Revolution Goes sparkles with intent. With the jam like feel of the multi-instrumental beaks this is a revolution of intent, considered with clear constructed argument, the fury is cold rather than hot and dragging and all the more dangerous for it.  The title track along with Sarah, Surrender are the two stand out tracks on an album that is compulsive listening from beginning to end. The keys from Danny Louis is full of funky tones, mixing in with a cocktail of sound as jazz and soul swirl through the melody, The guitar is sharp and determined and the drumming intense.  With the addition of Jimmy Vaughan’s guitar into the mix Burning Point is blues swirling in a psychedelic haze of deliciousness.

The album is a perfect set list and with the Deluxe version you hear some of the tracks recorded live. This is a journey through the wealthy golden rich seam of Gov’t Mule signature styles. As they close out with Carlsson’s arrangement of classic blues number from Blind Willie Johnson, Dark Was The Night Cold Was The Ground. This is a blues overload with a drone, moan and depth of blues textures that revitalise the music, the perfect ending to an album that owns so much to the traditions of roots music. Warren Haynes hollers the opening lines and the melody picks up the tone as the story unfolds.

With the concept of expect the unexpected, the certainty of Revolution Comes…Revolution Goes is the music is stunning, a ray of sparkling light, a shaft of hope this is a community of musicians communicating to a larger gathering of Mule fans everywhere.

 

Gov’t Mule – Revolution Comes…Revolution Go – Spinefarm Records

 

TENpawprint half inchdoodle paws out of TEN ….

Track Listing
Revolution Come…Revolution Go Standard Track-listing:

  1. Stone Cold Rage
  2. Drawn That Way
  3. Pressure Under Fire
  4. The Man I Want To Be
  5. Traveling Tune
  6. Thorns Of Life
  7. Dreams & Songs
  8. Sarah, Surrender
  9. Revolution Come, Revolution Go
  10. Burning Point (ft. Jimmie Vaughan)
  11. Easy Times
  12. Dark Was The Night, Cold Was The Ground

Deluxe Version – Bonus CD:

  1. What Fresh Hell
  2. Click-Track
  3. Outside Myself
  4. Revolution Come, Revolution Go (Alternate Version)
  5. The Man I Want To Be (Live In Studio Version)

Dark Was The Night, Cold Was The Ground (Live In Studio Version)

Gov't Mule New Album Revolution Come...Revolution Go

Gov’t Mule On Tour plus New Album

Gov't Mule On Tour plus New Album

Gov’t Mule On Tour plus New Album

ANNOUNCE UK/IRISH SHOWS OCTOBER 2017

NEW ALBUM – Revolution Come… Revolution Go
Out June 9 on Spinefarm Records

 

 

LISTEN TO THE NEW COMPOSITION
‘DREAMS & SONGS’

“[Gov’t Mule‘s] songs stomp and wail with unmistakable energy and heft” – NPR

“Warren Haynes is a meaty and masterful slide player, as well as a soulful singer and songwriter” – Rolling Stone

“A band heavy enough to be James Hetfield’s favourite; grungy, gritty and bluesy enough to earn the praises of ZZ Top’s Billy Gibbons; and swirly enough to speak loud and clear to the Phishheads who flock to their shows to twirl the night away” 
– Guitar World

Gov’t Mule On Tour plus New Album, Revolution Come… Revolution Go, and the visit to Ireland, Scotland, England and Wales we all get a chance to hear the new music live!.  Following the announcement of their eagerly anticipated 10th studio album, American rock band Gov’t Mule have confirmed their return to the UK in October this year.The band will be heading to Ireland to play a show in Dublin before coming to the UK for four dates in Edinburgh, Manchester, Cardiff and London.

Oct 22nd –  Academy, Dublin, IE | Tickets
Oct 24th – Queens Hall, Edinburgh, UK | Tickets
Oct 26th – Ritz, Manchester, UK | Tickets
Oct 27th – Tramshed, Cardiff, UK | Tickets
Oct 28th – London Bluesfest, London, UK

The band first return to the road at Summerstage in New York’s Central Park and have dates booked through the summer in North America and Europe, with hopes of also heading to Japan, Australia and other territories to promote the upcoming album Revolution Come… Revolution Go. After celebrating 20 years and then taking a few years to work on other projects, the album is “the new chapter opening up for the band”, according to founder Warren Haynes. It’s due for release June 9th via Spinefarm Records. You can pre-order the album here.

The 12-song set, Gov’t Mule‘s 10th studio outing, was recorded primarily with long-time collaborator Gordie Johnson (Big Sugar) in Austin, Texas, but the musicians also worked on a pair of tracks with Don Was, with whom Haynes recently toured as part of the recent The Last Waltz 40th anniversary tour.

The record features the song ‘Dreams & Songs’, which Haynes deems autobiographical, reflecting on a career that started professionally with David Allan Coe’s band in 1980 and has gone through the Dickey Betts Band, the Allman Brothers Band, the Dead, Phil Lesh & Friends and more.

“It’s about looking back at your life and family and changes,” Haynes explains, “and the general message is you never go back home — not in the literal sense of the word, but things have a way of growing in their own directions, and you wake up one day and look at everything you’ve been through and think, ‘Wow, how did I get here?’ It’s a journey and you look back on it. I’m very grateful for the opportunities that I’ve had, but it’s been a wild ride and in some ways has gone so much quicker than I would ever expect. Thankfully, I’m still going strong and my career’s as good as it’s ever been. I’m thankful for that.”

 Gov't Mule On Tour plus New Album
Revolution Come…Revolution Go Standard Track-listing:
1. Stone Cold Rage
2. Drawn That Way
3. Pressure Under Fire
4. The Man I Want To Be
5. Traveling Tune 6. Thorns Of Life
7. Dreams & Songs
8. Sarah, Surrender
9. Revolution Come, Revolution Go
10. Burning Point (ft. Jimmie Vaughan)
11. Easy Times
12. Dark Was The Night, Cold Was The Ground
Deluxe Version – Bonus CD:
1. What Fresh Hell
2. Click-Track
3. Outside Myself
4. Revolution Come, Revolution Go (Alternate Version)
5. The Man I Want To Be (Live In Studio Version)
6. Dark Was The Night, Cold Was The Ground (Live In Studio Version)
Gov't Mule On Tour plus New Album

The Tel-Star Sessions Emerge Twenty-Two Years Later

The Tel-Star Sessions Emerge Twenty-Two Years Later

Gov’t Mule
The Tel-Star Sessions
Mascot Label Group

The Tel-Star Sessions Emerge Twenty-Two Years Later 

The debut album may have been gathering dust since June 1994 but the first notes blow the cobwebs away as you are drawn into the world of Gov’t Mule. The disappointing side effect is this is a debut with no surprises of hearing a band’s music in a studio for the first time. Here you know what to expect and they deliver in all their gory across the ten tracks that is the missing piece in the story of a band that enthralls every time.
Back when the album was recorded Gov’t Mule was the side project of Warren Haynes and Allen Woody as they had some down time from work with the Allman Brothers Band. In 1994 an experimental rock trio Haynes, Woody and drummer Matt Abts. What was originally going to be a low-budget record and a few shows has blossomed into Gov’t Mule where fans anticipate with feverish excitement every show they play. The Mule’s improvisational interplay is legendary and hypnotises every time.

This is not a dusty stroll down memory lane the tracks are as fresh as daisy and the mix of styles ensures your music radar never strays for a second from the speakers. Opening with Blind Man In the Dark, with click of sticks and the roll of Warren’s guitar we are of out on a journey of Haynes entwined energy. The fluid southern music that borrows from rock, blues and creates a sound that is unmistakably Gov’t Mule. This is a catchy melody that grinds and strolls through some grungy riffs that creates a track full of interest and the lyrics flow effortlessly around the intricacies of the guitar.

Immediately you are transported to Mule live with the covers tucked into the album, Mr Big from Free and ZZ Top’s Just Got Paid. They also step further back and pluck Memphis Slim’s Mother Earth and The Same Thing from Willie Dixon. The tracks are transformed with the intensity of interplay between a trio re-writing the lexicon of what recorded rock sounds like. It is the Mule’s ability to weave the weft and warp of melody, rhythm and lyrics encapsulating riffs, licks, beats and vocals into a tonal soup that mixes it up. With soft embraces followed by tough love and then the dirty fuzzy overplay. Down on Monkey Hill is the refrain, this is a lyric driven tale and the fuzzed sound gives an atmosphere of reportage, brilliant live and this early version demonstrates that from the off they were inspired. This is an album inspired by lyrics like “Last night and the night before; The thunder crowed and the rooster roared” with every song, and closing the album with World of Difference twice! differnetly of course. The consistency is complex rhythms as they seamlessly join together rock, southern tradition and psychedelia. The power of Gov’t Mule to hit you with intensity infused with subtleties as the band explore the music and take you on a journey the song may be the same but the road travelled will always have a different tonal sound.

Yes many of the tracks have been record on subsequent albums, however, The Tel-Star Sessions are the starting point and the Dixon and ZZ Top covers are unique to this album. Many of the tracks did make it onto the self-titled 1995 debut album but as ever with the Mule the differences are there. History, unearthed and the exploration is a magical carpet ride of rock infused genius.

The Tel-Star Sessions Emerge Twenty-Two Years Later a time capsule back to 1994 classic Gov’t Mule. History, unearthed and the exploration is a magical carpet ride of rock infused genius.

Gov’t Mule – The Tel-Star Sessions – Mascot Label Group

Bluesdoodles gives this CD NINE pawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Blind Man in the Dark
  2. Rocking Horse
  3. Monkey Hill
  4. Mr. Big
  5. The Same Thing
  6. Mother Earth
  7. Just Got Paid
  8. Left Coast Groovies
  9. World of Difference
  10. World of Difference (Alternate Version)

Available as Single CD, Digitally or 180 gram double Vinyl set including a limited edition White Vinyl with different artwork.

Friday Night Gov’t Mule Kicks Ass in Bristol

Govt’ Mule Kicks Ass in Bristol

Friday Night Gov’t Mule Kicks Ass in Bristol

Friday nights do not get better than this. Sunny Bristol, excited queue outside O2 Academy all waiting for the door to open and Gov’t Mule to step on stage and let the music take over. First time in twenty years of kicking ass Gov’t Mule arrived in Bristol, to bring their own special brand of live music. With a huge repertoire the set list was going to be a magical journey unfolding the musical magic of Warren Haynes on guitar and vocals, Matt Abts Drum, Jorgen Carlsson  on bass completing the rhythm section and Danny Louis on organ and keyboards. These four musicians create a crescendo of sounds as they jam and move around the music never chaotic, the journey is wild and exciting and they always know the route home. The electrifying mystery and delight for fans is what will they pick from the albums that preserve the sweetest Mule jams. Will tonight be the night I hear the tune I want. Gov’t Mule is like British weather the on certainty is you are not going to know what weather front they will be blowing in on next.

Govt’ Mule Kicks Ass in Bristol

The tour celebrating twenty years mixes skillful covers with a selection of tracks from a myriad of albums. Opening with 32-20 Blues Gov’t Mule takes Bristol back to Robert Johnson and the dawning of the recorded blues. The slide is slipping over the strings the fingers play the fret Warren Haynes is in my opinion one of the best guitar players around today. He makes the guitar talk to the audience, as his voice harmonises and the lyrics are deep and full of storyteller delights. The next two tracks have a common theme ‘Child, Wandering Child from Live… With A Little Help From Our Friends returned to a few times throughout the set. As the last phrase of the chorus fades, help me now, save the wandering child; merges seamlessly into Child of the Earth another album checked off there is nothing miscellaneous about the playing it is sharp and fun.

Never pigeon-hole a band who turns jamming into a professional art form. They mix in the styles yes, there’s rock with echoes of the south, with country, pop, blues all merging creating an artist palette of tonal textures and shapes. Snippets of tunes we recognize are incorporated like a tasty tease, including, Manhattan Transfer’s Birdland in Game Face and Beatles I Want You (She’s so Heavy) ending Monkey Hill. The crowds whooped with delight, clapped and cheered when a song they want to hear was live in Bristol tonight and the cowbell added to the party feel. The crowd sung back louder and louder with each successive chorus on Humble Pies 30 Days in the Hole, this was heating up the venue to fever pitch.
The encore was extra time with Gov’t Mule we were delighted taking us straight into the deep end… the guitar once again was silky sexual tension that fed off the keys of Danny, drumming from Matt and the bass line that purrs from Jorgen. Beautifully Broken was holding everyone in Bristol tonight enthralled with Beautifully Broken. Could it get better, was there anything else unexpected in the melting pot of the band. Of course there was as the tempo changed and the Beatifully Broken eloquently merged into When Doves Cry. Wow oh wow! what a tribute. Closing out the night that will be long remembered and talked about, the gig of 2016 for many with Railroad Boy a traditional Celtic folk song underlining the immense breadth the band has and the majesty in which they play every song.

Govt’ Mule Kicks Ass in Bristol

Bristol tonight were mesmerized by over two and half hours of spine tingling music, live and dangerous’ This is music that connects with your backbone, and like a drug plays straight into your nervous system. Exciting, thrilling and is a roller coaster of riffs, chords medleys and power, the power of live music that is priceless. The Mule came to Bristol and conquered the city come back again we want to hear more of you.

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Gov’t Mule Releasing Archival album The Tel-Star Sessions

Gov't Mule Releasing Archival album The Tel-Star Sessions’
Legendary rock torchbearers Gov’t Mule
Releasing a new archival album – The Tel-Star Sessions
August 5, 2016 via Provogue/Mascot Label Group.

Gov't Mule Releasing Archival album The Tel-Star SessionsThe album consists of the band’s very first, and never-before-released, demos made in June 1994 at Tel-Star Studios in Bradenton, Florida. These newly mixed and mastered recordings feature the original line-up – Warren Haynes, Allen Woody and Matt Abts – and capture the rawness and excitement of the earliest days of Gov’t Mule.  The ten tracks intended to be Gov’t Mule’s band’s debut album, but  shelved gathering dust until now. Out of the 5th August the debut album will be heard for the first time – check out the video below. The 10 songs will be available digitally, as a single CD, as well as 180-gram double-vinyl set including a limited edition version with different artwork and splatter vinyl.

Recorded during the infancy of Gov’t Mule, the demos heard on The Tel-Star Sessions are from a time when Mule was an adventurous side project, formed during a year when Warren Haynes and Allen Woody had some down time from their work with the Allman Brothers Band. Becoming one of the most enduring, respected and active bands in the world was the furthest thing from the band’s imagination; the plan was to record a low-budget album and play a few shows. Two decades later, it’s now clear that they had stumbled upon something special, but at that point Mule was an experimental rock trio: Haynes, Woody and drummer Matt Abts, who Haynes brought in after playing with him in the Dickey Betts Band. Fans will love the chance to hear their early improvisational interplay, an impressive skill that has since become a signature of Gov’t Mule’s albums and live shows.

Collaborating with Allman Brothers sound engineer Bud Snyder, and taking legendary producer Tom Dowd’s advice to record all instruments simultaneously live in a room, Gov’t Mule holed up in Tel-Star Studios and sought to bring back the rock power trio and “dirty up” the bass guitar – a style that had been a marker of rock music prior to the ‘80s. Their influences leaned heavily on the likes of Cream, Jimi Hendrix Experience and ZZ Top, but Mule’s search to bring back a familiar sound is mingled with grunge and alt-rock influences that had just emerged in the early-mid ‘90s. Little did they know that the magic created during these sessions would spark such a prolific musical journey. It is undeniably enthralling to go back in time and experience how it all began.

The Tel-Star Sessions – Released 5th August 2016 – Provogue/Mascot Label Group
Track List

Blind Man In The Dark
Rocking Horse
Monkey Hill
Mr. Big
The Same Thing
Mother Earth
Just Got Paid
Left Coast Groovies
World Of Difference
World Of Difference (alt.version)

Pre-order your copy: HERE

Check out ‘Blind Man In The Dark’ here:

 

Dr Z Takes Us West Of Flushing South of Frisco

Dr Z Supersonic Blues Machine (2)Dr Z Takes Us West Of Flushing South of Frisco

This debut album crammed with a mix of approaches to the blues; it is accomplished and a joy to listen to from the first to the last note. Dr Z Presents Super Sonic Blues Machine has a core of three musicians who understand making great music. Bassist/Producer Fabrizio Grossi is joined by Lance Lopez on guitar and vocals and drummer Kenny Aronoff. Added to this powerful hub are guests that all bring a special style and interpretation to the blues.
The first two tracks introduce the heart of Dr Z, opening with Miracle Man with its blues infused opening and a burst of harp the vocals then kick in as the tempo builds and you just have to join in with the clapping. With its opening chant you are taken deep into the roots of America’s history raw hot and swampy southern rock I Ain’t Fallin Again is both melodic and hypnotic. Throughout the album the trio that is the backbone of the album deliver songs that work in context of the guest they have on board the Dr Z journey taking us West Of Flushing South of Frisco.

Third track Running Whiskey ringing with guest Billy Gibbons’ vibe, a vitality that pours into your ears with the heat and intensity of hot whiskey. The combo of stinging guitars and vocals from Billy adds the feel of ZZ Top to the Party that Is Dr Z Presents Super Sonic Blues Machine. Tempo changes along with the signature style of Warren Haynes steps in with his delicious Southern Rock guitar playing, he is and always will be the Remedy. Recognize the name, you should as he is at the heart of the Gov’t Mule sound, and longtime guitarist with The Allman Brothers Band and his solo work. Who else puts in an appearance with their guitars? Chris Duarte changes the tonal texture with his Texan blues-rock guitar playing – That’s My Way, this is a track that is done Chris’s way with guitar so sharp you can hear the strings vibrate as they cut through the musical backdrop. Next up on the guest roster is Eric Gales, with Nightmares and Dreams as a child prodigy I am positive his musical career has been both, this is a track that is guitar-led and driven with the power of the six-string searing through and dominates. The domination is not about noise and speed it is the subtle mixing of vocals and guitar and layers of sound and variation in tempo as the track develops and as the urgency becomes heightened the guitar follows. Then there is the wailing, howling blues guitar that is the spirit that drives Walter Trout on Can’t Take It Anymore with the accompaniment of keyboard playing that winds itself around the guitar and Walter’s vocals this is a track that is dripping in emotions. The notes are wrung out, stretched out as the lead breaks augment the lyrics with raw open emotions. The last of the guest guitarist plays a slower number full of reflection as Robben Ford sings Let’s Call It A Day a gentle beat as the lyrics explore the ending of a relationship. The guitar work is spot on every time blues with swashbuckling style.

West of Flushing South of Frisco an exploration of the emotive power of the guitar, vocals and the working of the instruments to create an array of tonal textures, emotional shapes. This is blues that rocks gently in the breeze and then howls like a hurricane. Sometimes in a rush other times laid back exploring the power of the six-strings. This album keeps on giving no wonder with so many special guests at the party.

Bluesdoodles gives this CD NINE pawprint half inchdoodle paws out of TEN ….

Dr Z Presents Super Sonic Blues Machine – West Of Flushing South of Frisco – out 26th February on Mascot Label Group

Track Listing

1. Miracle Man
2. I Ain’t Falling Again
3. Running Whiskey (Feat Billy F Gibbons)
4. Remedy (Feat Warren Haynes)
5. Bone Bucket Blues
6. Let It Be
7. That’s My Way (Feat. Chris Duarte)
8. Ain’t No Love (In The Heart of The City)
9. Nightmares and Dreams (Feat Eric Gales)
10. Can’t Take It No More (Feat Walter Trout)
11. Whiskey Time (Running Whiskey’s extended ending)
12. Let’s Call It A Day (Feat Robben Ford)
13. Watchagonnado

Supersonic Blues Machine – The Remedy (Lyric video) feat. Warren Haynes

WARREN HAYNES & GOV’T MULE – Songs and European Tour

WARREN HAYNES & GOV’T MULE

copyright Danny Clinch
copyright Danny Clinch

WARREN HAYNES

Ashes and Dust, released on 24th July 2015 via the <a href=”http://www.mascotlabelgroup.com”>Mascot Label Group</a> is only the third studio album Haynes has ever released under his own name, is a masterful work of art and a particularly important statement for Haynes. The songs are immediately and clearly different from his usual style – encompassing beautiful acoustic arrangements, a rootsy/Americana soundscape and honeyed vocals that cut straight through to the soul. Although many of these songs are brand new, some of the tunes that make up this album have been dear to Warren for years.

 

Talking about the Gold Dust Woman Warren elaborates, “The idea to record “Gold Dust Woman” came about due to the fact Grace Potter and myself have performed it onstage many times and in a lot of different settings, but we had never recorded a studio version. This seemed like a perfect opportunity to do so, and the instrumentation we utilized really helps capture the vibe of the song while taking it to another place. I’ve always loved the sound of two or three “lead” voices singing harmony, so Todd Sheaffer – Railroad Earth’s lead singer/guitarist – who is singing harmony throughout the project, added the third voice. On my last solo record, Man In Motion, we captured a similar but different sound by taking that approach with Ruthie Foster and Ivan Neville.”

 

Live video for the Fleetwood Mac classic ‘Gold Dust Woman’ from new solo album ‘Ashes & Dust

GOV’T MULE –  European tour

Celebrating their 20th Anniversary with three dates in the UK London, Bristol & Holmfirth)  and across Europe plus the release of  live gems from the archives to excite. Gov’t Mule will always deliver special and the unexpected is taken for granted!  The Live shows will be dynamic often with special guests and no two shows are ever the same.

7th May- Moulin Blues – Ospel, Netherlands TICKETS
8th May – Metropool – Hengelo, Netherlands TICKETS
9th May – Den Atelier – Luxembourg, Luxembourg TICKETS
10th May – La Traverse – Cleon, France TICKETS
THURSDAY 12TH MAY – SHEPHERDS BUSH EMPIRE – LONDON, UK TICKETS
FRIDAY 13TH MAY – O2 ACADEMY – BRISTOL, LONDON UK TICKETS
SATURDAY 14TH MAY – PICTUREDROME – HOLMFIRTH, UK TICKETS
17th May – Batschkapp – Frankfurt Am Main, Germany TICKETS
18th May – Ulmer Zelt Festival – Ulm, Germany TICKETS
19th May – Huxley’s – Berlin, Germany TICKETS
20th Fabrik – Hamburg, Germany TICKETS