Support from Mollie Marriott and her Band

Tickets are selling fast three venues SOLD OUT, Leek, Sheffield & London  Manchester, Newcastle, Bristol catch up and make these shows Sold out. Dan is one of the hottest guitar players on the planet. Get the remaining tickets they are hotter than any hot cross bun!

TICKETS –  The Gig Cartel or DanPatlansky 

Manchester, Deaf Institute             Thursday 15 March           

Newcastle, The Cluny                      Friday 16 March

Leek, Foxlowe Arts Centre              Saturday 17 March SOLD OUT

Bristol, The Tunnel                          Sunday 18 March 

Sheffield, Greystones                     Tuesday 20 March SOLD OUT

London, Borderline                        Wednesday 21 March SOLD OUT     

South African singer-songwriter and guitarist, Dan Patlansky, is set to the release his new studio album Perfection Kills in the UK on Friday 2nd February 2018. The album is the follow-up to 2016’s critically acclaimed Introvertigo which was voted #1 BluesRock Album 2016 by Blues Rock Review.




 New Album Perfection Kills


Dan Patlansky Guitar and Vocals asks if Perfection Kills

Bluesdoodles loved the album Introvertivgo . We listened and reviewed Perfection Kills a perfect 10 doodle paw album in our opinion. We said this and more “Dan may say Perfection Kills – one thing for certain very track is a Killer and who cares about perfection? We love the tone, texture, feel and organic energy captured by voice and guitar that define Dan Patlansky on every track he plays. Blues that definitely rocks perfection of its pedestal.” Read the Rest of the Review…

Angel Forrest Captures Live On Electric Live

Angel Forrest Captures Live On Electric Live

New album Electric Love and debut UK tour Angel Forrest will be getting attention as the blues diva shakes the stages across England and Scotland. For many Angel Forrest, will be a new name. That is so untrue with an award-winning career spanning three decades across her native Canada. Angel has sung at European festivals but now is the first opportunity to hear her distinctive voice and band in the UK.

The fifteen track album is a mix of originals and covers are given a healthy shake of Angel dust on this double-album of live recordings. The recording captures the heat and energy exuded by the band that is topped off with Angel’s vocals. The musicians on the album are superb, guitarists, Ricky Paquette & Denis Coulombe will be touring with her. Electric Love the rhythms are deep and full of blues from the bass of Alex McElcheran and Sly Coulombe behind the drum kit.

The album is a showcase of an artist that relishes being onstage. The energy fizzes with electricity, sparks of blue of every hue delivered with soulful passion. The album title Electric Love is perfect as Angel and her band exude the love for the songs, and music across the fifteen numbers that entertain from the first to the last note.

Many of the tracks selected are unsurprising from her current studio album Angel’s 11, no not eleven tracks but the eleven guitarists who are featured on the album. Angel builds friendships and this live album will build many more friends who are lovers of stinging blues.

Opening with All The Way, her vocals are gritty with edges smoothed out; the tones are a mix of velvet, tobacco and huskiness that cajoles and invokes the lyrics. No wonder there are three numbers that are renowned Janis Joplin numbers, Piece of My Heart, Turtle Blues and Kris Kristofferson number immortalized by Janis, Bobby McGee.

The sound that Angel produces live is captured in the title Spoil Me. She spoils the audiences with the depth and power of her voice, making the lyrics capture the emotion and soulfulness delivered to every member of the audience personally.  The first set is closed out with Move On, slow blues that curls around the speaker, you feel that you are sitting in the audience.  Her vocals are gentler almost spoke and as the huskiness grows the performance is both mesmerizing and moving in perfect harmony with Angel.

The second segment opens with Goodbye, with the hurricane force of intoxicating music power no one would have said goodbye yet! No wonder the audience is whistling with delight as the band starts to play again. Showing a romantic softer side the music is captivating sit back and enjoy the ride Angel will take you on.

Crucify stings as the guitar cries and Angel’s voice mourns and pours out the hurt; here her vocals are similar to the blues diva Sari Schorr with a helping of Joplin and the lyrical interpretation that is as throughout the album on originals and covers 100% Angel.

What a voice the texture and articulation is spell-binding. This is a voice you want to hear live. Closing out with a double hit of Mama/Whole Lotta Love. Fifteen minutes that absorbs you as Angel hits the highs as she captures the Zeppelin classic Whole Lotta Love. Robert Plant would be delighted with this version.

Electric Love is full of verve, energy and atmosphere everything a live album should have.

SEVENpawprint half inchdoodle paws out of TEN …

Track listing Disc 1

  1. All The Way
  2. Spoil Me Up
  3. Piece of My Heart
  4. Walkin’ Blues
  5. House of The Rising Sun
  6. Move On

Track listing Disc 2

  1. Goodbye
  2. Roll On Down
  3. Hold On Tight Mr I’m Alright
  4. Crucify
  5. Mother Tongues Blues
  6. How Do You Do
  7. Turtle Blues
  8. Bobby McGee
  9. Mamma/Whole Lotta Love


Tour Dates

15th March 2018 Corporation, Sheffield
18th March 2018 Academy 3, Manchester
22nd March 2018 The Fleece, Bristol
23rd March 2018 The Shack Aberdeen
24th March 2018 Think Tank, Newcastle
25th March 2018 Eleven, Stoke
28th March 2018 Half Moon Putney, London
29th March 2018 Voodoo Rooms, Edinburgh
30th March 2018 Oran Mor, Glasgow


Angel Forrest Captures Live On Electric Live -



Ian Siegal New Album Is Definitely All The Rage

Ian Siegal New Album Is Definitely All The Rage

New studio album from Ian Siegal, drops on the doormat. Thank you, Mr Postman bringing the hope of joy with a shiver of anticipation of something solid, positive and reassuring in a world of uncertainty. The album cover monotones of dark greenish hue and stark font Ian Siegal All The Rage has arrived. Now Listen!

The album All The Rage has been fuelled and inspired by the world that Siegal looked out on last year. He saw poison in the veins of the planet, the election of President Trump, the rise of right-wing factions across Europe. His starting use of words is evidenced in the title – All The Rage – normally understood as popularity, being a craze, here we have a shaking of the Siegal’s fist on our behalf in anger, frustration and bemusement in the distorted rise of populist politics and world solutions that do not rest easy on our consciences.

Going straight to the track listing, rewarded with the immense intrigue of what these ten new original songs will be like. The songs all have Siegal’s hand in the mix with six of the tracks co-written this will be an interesting first listen.  Three of the numbers co-written by album producer Jimbo Mathus who Ian has toured with as an alluring double act. The album is definitely full of promise before a note is heard, but here is the question will it deliver?

So turn up the speakers ready to sit back and absorb the songs. The album was explored a number of times before the review, mostly played for the pure unadulterated pleasure of hearing Siegal’s vocals, guitar and the interplay with his band.

Drumming followed by the familiar guitar sound the perfect intro to the latest album adding to Ian Siegal’s amazing and powerful discography that ensures he remains the award-winning troubadour delivering the strong songs we want to hear.  As the opening track, Eagle-Vulture fills out with slide-guitar with an urgency and vocals, Eagle-Vulture is a number demanding your attention like the military walking through your headspace.

As you would expect from the mercurial troubadour that refuses to be defined by genre every track brings a new twist in lyrics and tonal texture. The beat compliments the lyrics and the vocals change to suit sometimes spat out, other times delivered with a cajoling tone the words as required with melodic spiciness.

The trademark recognisable riffing squealing guitar opens The Sh*t Hit, for a brief moment you expect Mortal Coil but no this is dark and new. This is sharp, blues that is gritty reflecting the moment that we are living in.

A highlight of an album that sparkles with glorious riffs, lick and lyrics is Ain’t You Great. This is Siegal dark penning dark lyrics and combining with a dancing Latino beat. This contradiction of styles works it makes you listen to the lyrics that have a political prophecy.  A number where the album title is hidden and the charismatic wonders of listening to Dusty Ciggar’s guitar playing shines through like a beacon of hope.

The trio of numbers written with Jimbo Mathus has a special tonal quality this is a pairing that captures the blues but never confined by convention. My Flame is a gentler finger-picking number with an intimate personal delivery. With the blues of If I Live capturing your ears and Sweet Souvenir following conversation with a bartender as we try to remember. This is a trio of numbers once heard never easily forgotten.

The two tracks written by a trio of talent have lyrical storytelling and at the heart is the infectious Jacob’s Ladder with its mix of guitar and even some whistling. Jacob’s Ladder is the stand out track until you hear One-eye King a classic from birth. A ballad with oomph and again the darkness that Siegal has enfolded the album in so you are never far from death and destruction of our own making

The final track, Sailor Town, as Ian explains, “Herrera and I were discussing the areas we grew up in…” Siegal described his as “kinda rough y’know a ‘sailor town”. Herrera declared, “Boom, there ya go – that’s the title of our first song together!” closing out the album with a number full of Siegal swagger, verve and style that is present throughout All The Rage. From meeting the devils blues, ballads and cowboy songs all woven together by the power of vocal delivery of the clever storytelling lyrics.

TENpawprint half inchdoodle paws out of TEN …

Ian Siegal – All The Rage – Nugene Records

Released  16th March 2018 Available for pre-order

All The Rage – dedicated to the memories of Freddy James and Jim Dickenson


  1. Eagle-Vulture (Siegal)
  2. Jacob’s Ladder (Azier/Den Haring/Siegal)
  3. The Sh*t Hit (Siegal)
  4. Won’t Be Your Shotgun Rider (Siegal)
  5. Ain’t You Great? (Siegal)
  6. My Flame (MathusSiegal)
  7. One-eyed King (Azier/Den Haring/Siegal)
  8. If I Live (MathusSiegal)
  9. Sweet Souvenir (MathusSiegal)
  10. Sailor Town (Herrera/Siegal)


Band Members
Ian Siegal: (Vocals, electric, acoustic, slide and resonator guitars; percussion)
Dusty Ciggaar: (Electric, acoustic and pedal steel guitars, backing vocals)
Danny Van’t Hoff: (Bass, backing vocals)
Rafael Schwiddessen: (Drums, percussion, backing vocals)
Merel Moelker: (Backing vocals)
Jimbo Mathus: (Electric & acoustic guitars, mandolin, piano, organ, percussion, drums (track 7) backing vocals)

Recorded at Island Studios, Amsterdam
Produced by Jimbo Mathus

All The Rage, Album Launch tour April 2018 – dates, venues and links to ticks for a gig you do not want to miss HERE


Ian Siegal All The Rage New Album plus Tour

Paul Bowe In Conversation About New Federal Charm

Paul Bowe In Conversation About New Federal Charm

Paul Bowe In Conversation About New Federal Charm


BD: Paul thank you for taking time to chat with Bluesdoodles once again. It was back in 2016 before the Roadstars tour that we last talked and a lot has happened in the Federal Charm world since then.

BD: Since that tour and the release of the acoustic album, things went quiet and we were not seeing or hearing much about Federal Charm. Now you are back on the road with a mix of keeping the old and bring in the new. With vocalist Tom Guyer & drummer Josh Zahler joining the mainstay of yourself and LD Morawski on Bass. Has the change of band members altered/developed the Charm’s sound? Are you still Nu-Blues or more rock?
PB:  When the tour ended we never expected to replace Nick. It has been a crazy time. The sound will be a melding of blues and rock. In fact, it is our sound on steroids. Federal Charm has gone through an unexpected period of development. With new members in Federal Charm, we have worked hard introducing the new band to sing the old songs which are favourites with the fans. It has been hard work getting the ball back rolling. It was for me so difficult to see Nick go. Tom Guyer is younger 23/24 his voice is insane and his talents are immense. His voice is unique very different from Nick, a cross between Plant & Cornell. It is taking Federal Charm in a new direction old numbers from previous albums sound different. Silhouette, for example, has been taken to a new place. I didn’t expect this, I wasn’t looking for either. The sound is really good it is heavier but still definitely melodic and rootsy inspired rock.

We still have the Fender / Les Paul combination and that is not going to change it was and still is my vision of Federal Charm. With Tom and Josh in the band it feels a lot easier they are not replacing Nick and Danny but new members with new ideas. There was no planning Nick leaving it was something he had to do we are still good friends. I feel that Nick leaving and Tom coming in there must be a reason for it. We had just finished the Planet Rock Tour, we were at a peak. Planet Rock had picked us up. The stress was mounting and it was just a step too far for Nick – too much.

Paul Bowe In Conversation About New Federal Charm

BD: Has the change of personnel and the change of management had a positive effect on the band?
PB: Yes, it has had a positive effect the dynamics have changed. Federal Charm we believe have not reached our full potential and this Spring tour plans for 2018 and the new album. Federal Charm has the potential to reach the heights with the right chances and packaging. To succeed bands need internal harmony; we have that and the talent. Federal Charm like many bands have loads of talent and motivation. It is hard work and difficult to get to know each other and the new line-up is determined to break the barrier. We are going to continue to work hard and rise above the challenges the new members have given us the extra kick and energy required. Opening for bands last year was an opportunity to road-test the new line up with new material and old favourites. It was good fun, introducing the sound to new audiences. It is amazing you open for a band and gets to play to new audiences. Nice surprise to see new people even when you have played the same venue many times before. Federal Charm produced two albums over five years from 2013.   Now we have a third album in the pipeline, due to be released late autumn 2018. We have new management and April Tour dates which are about telling people we are back out playing live. We have some summer festivals and an exciting new tour that will be announced very soon. So lots happening at Federal Charm so keep checking we have news.   So yes the change of drummer and vocals is a development of the sound and very positive.

BD: Federal Charm is back on the road with a headlining tour this Spring following the success of high profile support slots through 2017. Why should fans of the old Federal Charm and gig-goers who have not caught up with you yet make a slot in their diaries this Spring when you visit Norwich, Bristol, Manchester & Newcastle.?
PB: To meet the new Federal Charm. It is different.  So do come and support us and hear old songs and the chance to hear music from the forthcoming album. We will entertain you with rootsy rock and our charming style. Federal Charm is determined to be noticed in 2018 and these four gigs are the starting point. Catch up with the new sound now.

BD: Federal Charm is back in the studio making album number three and the first with the new line-up. Will the album be crammed with new gems form Federal Charm? Will we be hearing new tracks when you are on the road?
PB: The new album is completely Federal Charm – mark 2. Twelve fresh tracks full of new gems. The previous two albums (Across The Divide & Federal Charm) were deadline albums. This new album we are taking time so some of the songs are what Nick & I wrote in 2016. Into this mix, we now have Tom on vocals having taken over the role eighteen months ago. We have a demo and worked on each song, it is a meticulously produced album. Yes, the show will be a mix of half old numbers and half new tracks. There will be the first single from the album with video out in March heralding the album.

BD: Talking about the album, have you a title and release date for an album which I am sure that your fans are waiting for with anticipation. Will the album be guitar led or vocally led by your new singer?
PB: Title not been decided, ideas have been bounced about. And discussed. We know what the album will look like and have two or three ideas. We have time the album will be out in Autumn and everything is being considered not rushed. The album will make great Christmas presents! Narration for the album is informed by 2017 it was a complicated year with Nick then Danny leaving who I have known for twenty-five years. It was right for them to leave. 2017 was an extremely difficult year. It cannot be taken for granted how long it takes to rebuild, putting the band back together, it cannot be rushed. Last December we ended on a high with a gig with Slade. Then January 4th I was left thinking where do we go from here what happens next.

BD:   Talking about the album, who is the main songwriter on the album and are there any influences that are shaping the album?
PB: The album is balanced every track has a different character. You hear the sound of Federal Charm throughout the album. Tom’s vocals are very powerful in a different way from Nick’s vocals. Nick can never be replaced he had unique vocals, the highlight was when we opened for Mott The Hoople at Shepherds Bush when Mick Ralphs said to Nick his voice was the best thing he had heard since Paul Rogers. When you are compared to one of your heroes it is a moment that will always be a highlight in your life.

This album is more collaborative. LD has been involved with lots of ideas unbeknown to us. On his computer, he had loads of ideas and patterns on file musical sketches gathered over the years. So I had the brief for deciding if using the ideas if not immediately Federal Charm sound then it goes into the bin. Some of the ideas and patterns are amazing in fact I wish I had thought of them. Josh our drummer has a freedom of expression tasteful with a great groove. This is a new beginning, new start for Federal Charm.  Outside influences, I do listen to a lot of music and all of the band members have different tastes. I tend not to seek out new stuff Josh is into funky Motown sound and Tom loves Rock N Roll currently raving about Leeds based band Fizzy Blood. These influences inform the music but we are always looking to produce the sound that defines Federal Charm.

BD: Last time we chatted we heard about the band of your choice this time what music will be on the tour bus keeping you entertained travelling from town to town?
PB: For me, it will be the music of the sixties and seventies, Peter Green’s Fleetwood Mac, in fact, all of their albums. Led Zeppelin, Rolling Stones, Wishbone Ash – Argus album. Everyone gets a chance to play their choice of music on the bus as we travel. We have different tastes so makes for an interesting mix.


Paul Bowe In Conversation About New Federal Charm

Federal Charm New Band Members Touring Quality Music

Paul Bowe In Conversation About New Federal Charm


Federal Charm New Band Members Touring Quality Music

Following the Planet Rock Roadstars co-headline tour in winter 2016, Federal Charm amicably parted ways with vocalist/guitarist Nick Bowden and drummer Danny Rigg. Paul Bowe and LD Morawski quickly went to work rebuilding the band, bringing in new vocalist Tom Guyer and drummer Josh Zahler.

Tom Guyer’s powerful and characterful voice led to immediate chemistry as he joined Paul and LD in writing sessions for Federal Charm’s third album. His wide vocal range opened up new creative possibilities during songwriting and has introduced a new dynamic to top Federal Charm’s recognisable sound, which itself has developed since 2015’s Across The Divide. Josh Zahler mixes in his own distinctive drumming style to inject exciting new grooves to the rhythm section.

2017 saw a select number of high profile gigs supporting UFO, Y&T and Brian Downey’s Thin Lizzy which introduced the new lineup to old and new fans alike, receiving a fantastic reception and providing a glimpse of the impact the transformed Federal Charm can make. The success of these shows, plus tasters of new material, has already resulted in the band being picked up by global touring agent TKO.

The band is currently in the studio recording album Number Three. The new sound has come together perfectly and leaves the band extremely eager to showcase the new songs on their Spring tour, with the album scheduled for release later this year.


Federal Charm New Band Members Touring Quality Music


TICKET HOTLINE: 0870 2183805 – Online See Tickets


April 14             Norwich:  Open Club    Tickets

April 22             Bristol:  The Louisiana     Tickets

May 12             Manchester:  The Deaf Institute  Tickets

May 18             Newcastle: The Cluny Tickets 


The Devon Allman Project UK Tour September 2018

The Devon Allman Project UK Tour September 2018

The Devon Allman Project with special guest Duanne Betts, will tour the UK in September 2018.

All tickets, priced £20.00, go on sale at 9am on Monday 26th February from www.thegigcartel.com and 08444 780 898.

On August 12, 2017 after spending much of the summer off the road, Devon Allman, former leader of Royal Southern Brotherhood and Devon Allman’s Honeytribe, reignited his career with an appearance at an all-star tribute to his father Gregg Allman and Butch Trucks at Peachfest (an Allman Bros. curated festival in the Northeast U.S.). Chuck LeavellJaimoeDuane BettsMarc QuinonesPeter LevinOteil BurbridgeDave Schools and many others participated in the special tribute.


Check out Devon Allman’s Honeytribe performing Midnight Rider at Wanee HERE.

The Devon Allman Project with special guest Duane Betts (son of Dickey – former member of Dawes and Great Southern) first kicked off their 2018 World Tour with a very special show at the Fillmore in San Francisco on December 8, 2017. The Fillmore show featured guest appearances by Luther and Cody Dickinson (North Mississippi All-Stars), Samantha FishJimmy Hall (Wet Willie, Jeff Beck, Hank Williams Jr.), Bobby Whitlock(Derek & The Dominos, Dr. John, Rolling Stones) and long-time Gregg Allman keyboardist, Peter Levin, will act as the musical director.


The Devon Allman Project UK Tour September 2018


On the forthcoming UK tour, The Devon Allman Project welcomes special guest Duane Betts. Each night will feature a set of Duane’s originals, Devon Allman originals, Royal Southern Brotherhood and Honeytribe songs along with an encore set including Allman Brothers songs with DevonDuane and special guests participating.

On September 7, 2017, ahead of kicking off the 2018 World Tour, Devon participated in an event at the Grammy Museum in Los Angeles with multiple Grammy-winning producer, Don WasScott Sharrard (Gregg’s Musical Director) and Gregg’s long-time manager, Michael Lehman.

Just two days later, on September 9, Devon accepted the key to the city of Macon at the historic Big House Museum on his father’s behalf. The Mayor proclaimed December 8th Gregg Allman Day.

Not even a week later, there was yet another event and performance at the Americana Music Fest on September 15 with Buddy MillerJoan OsbornePony Bradshaw, and John Paul White (Civil Wars).

His remarkable resume spans almost two decades, from his post-millennial breakout with Honeytribe, and the widely revered supergroup Royal Southern BrotherhoodDevon has also had occasion to jam with the greats such as Billy Gibbons of ZZ Top, Mr. Les PaulKeith UrbanGov’t Mule and Lynyrd Skynyrd just to name a few.

Through his run of successful solo albums, Turquoise was highly regarded by USA Today: “Turquoise is reflective and soulful”; while Ride or Die hit #1 on the Billboard Blues Charts.
Devon is also a contributing writer to Guitar Player Magazine as well as serving on the Board of Directors for the National Blues Museum in St. Louis, Missouri.

San Francisco Sonic reports on the Devon Allman Project live at the Fillmore

Billboard Magazine – Devon Allman on the legacy of his father, Gregg Allman


24 HOUR BOX OFFICE: 08444 780 898
BOOK ONLINE: www.thegigcartel.com

The Fleece, Bristol – Sunday 2nd September 2018
Book Online: The Gig Cartel 

Robin 2, Bilston – Monday 3rd September 2018
Book Online: The Gig Cartel  

Islington Assembly Hall, London – Tuesday 4th September 2018
Book Online: The Gig Cartel  

Riverside, Newcastle – Thursday 6th September 2018
Book Online: The Gig Cartel  

Brundell Social Club, Leeds – Friday 7th September 2018
Book Online: The Gig Cartel  

Academy 3, Manchester – Saturday 8th September 2018
Book Online: The Gig Cartel  

The Devon Allman Project UK Tour September 2018

Danny Bryant In Conversation its A Revelation

Danny Bryant Always a Revelation and Yours For A Song

BD: As ever Bluesdoodles, was delighted to have the opportunity to review your latest album Revelation leaving fans in anticipation to hear the songs live on your forthcoming tour across the UK.

 BD:  Before we come up to date lets go back to the early days. What were your first influences growing up in Royston, Hertfordshire.

DB: I still live in Royston about a mile from my parents’ house. First influences were my parent’s collection, Rory Gallagher, Eric Clapton, Hendrix and lots of Bob Dylan. All on vinyl, I have now inherited the vinyl collection. Though I think now it is back in fashion Mum wouldn’t mind having it back.

I then looked at the music that influenced the people I was listening to, who they were listening to. It is even easier to do that now with so many resources. YouTube and downloading is so very easy. I have to admit I tend to listen via YouTube it is easily accessible, the way we all listen to music has changed in an age of instant gratification.  There is definitely more music, consumed differently, if you order from Amazon, for example, you get an audio file to rip so before the Cd arrives you already have it to listen to through your speakers.


BD: Was the guitar always going to be your instrument of choice, with your late father on Bass as the counterpoint to your talent in RedEyeBand.
DB: It was always going to be the guitar. I didn’t consider anything else. Suddenly I wanted a guitar like a lot of kids does at some stage. For me it was the right time, I was quite insular and wanted to practice all the time. I have tried to learn the harmonica, then I hear a guitar being played and think I could learn that and it is back to the guitar trying to get better and better. Dad played finger-picking blues acoustic when I was growing up. I could hear him playing downstairs, and so is a soundtrack of my childhood. Dad took up the bass to help me out. There were not any young bass players around that wanted to be in a blues band.  What started out as a temporary fix became a permanent fixture.


BD: When did you decide to use British guitar maker Fret-King as your six-string of choice. What do these guitars add to your playing that other guitar manufacturers would not bring to your sound?

DB: I have worked with Fret-King guitars for a number of years and the guitar suits the sound I want to achieve. The guitar looks like a strat but is different. When you fly and can only take one guitar this covers all bases. With my signature Danny guitar in the range, that is, in my opinion, good value for money. Fret-king guitars have worked well for me for quite a while now.

BD: Revelation is a deeply personal album, out 20th April via Jazzhaus Records. Despite the dark shadowy album cover the album is a Revelation as you let the light shine into the corners of your emotions. Tell our readers why you found writing the album such a challenge?

DB: It was a challenge with the music I wanted to create, it did not come easy. It was not necessarily a thing I wanted to deal with. But Dad’s passing had happened and it was a therapeutic process. Hence lyrically the album is quite dark, with a heavier sound. The horns add a different tone and dimension. Big Band Project was something I always wanted to do. We played three shows and on the live album. Promoters were interested so now will run alongside the band. I kept the sound in the current album as it adds another layer of textures and interest. Logistically touring with a nine-piece is a huge and expensive challenge.

 BD: Yo talk about how music has been your personal salvation do you feel the tracks on Revelation speak to everyone who listens who have their own personal dark moments.

DB: Yes, I hope this album connects with people.  It was a personal and at times a difficult process exploring difficult parts of my life. We all loose loved ones, go through hard times, feel lost. The other thing in common is we all interpret music and songs differently.  For example, Roy Orbison songs speak to me in one way may not be the way Roy intended but that doesn’t matter. Again with my music it doesn’t matter what you get out of the lyrics what is important what you hear and connect with and that it speaks to the listener on some level. It is like art some people look at a painting and analyse looking for meanings whilst others just say looks nice going to hang that on my wall. Neither approach is wrong nor right, it is how you connect with art that is important. When you write a song it is a snap shot of how you feel at that moment; not how you feel all the time. Lyrics have always interested me, love the guitar but the solo is pointless unless within a decent song with a strong melody striking a balance across the number.

 BD: Blues is never far from your music, do you have a favourite or special track on the album.

DB: If I have to pick a track it is Isolate I like ballads that are not soft but have power and some balls in them. It is a track that is fun to play live and I am always a sucker for a guitar solo. Revelation the title track is also a favourite, it is different and that keeps everything interesting with changes in texture and tone.

BD:  With the new album and touring 2018 is going to be a busy year and your fans will be delighted that you are back on the road in the UK once again.

DB: Yes, back touring in UK is always going to be fun. Logistically & financially it is impossible to tour with the Big Band Project. What is new is we are now a four-piece with keyboardist Stevie Watts joining the band.  Having added keys into the Danny Bryant sound there was no going back to being a trio.


BD: If you were putting together the perfect band with members from across the years (dead or alive) who would you have playing
Guitar:  BB King
Vocals: Otis Redding
Bass: Willie Dixon
Drums: Willie “Big Eyes” Smith
Keys: Otis Spann


Check out Tour Dates

Bluesdoodles revelation Review

Danny Bryant In Conversation its A Revelation

Brothers Osborne New Album Plus UK Tour 2018 Definitely Brighter

Brothers Osborne New Album Plus UK Tour 2018 Definitely Brighter

Brothers Osborne New Album Plus UK Tour 2018 Definitely BrighterBrothers Osborne New Album Plus UK Tour 2018 Definitely Brighter. With the release of their second studio album Port Saint Joe. Out in the U.K.  20th April Via Snakefarm Records. Make sure your copy arrives then pre-order

Now the pre-order is done ready to learn the numbers before the UK Headline tour in May.  While you wait for the album to drop through your letterbox here is video of Shoot Me Straight (Tn The Studio)


“Shoot Me Straight” is the brand new single from Brothers Osborne. The song will be available to stream and download everywhere on January 5, 2018.

Brothers Osborne have announced the details of their second studio album, the follow-up to their Pawn Shop debut, now certified gold in the US.

Titled Port Saint Joe and featuring 10 new tracks including lead single ‘Shoot Me Straight’, this release from the Nashville-based duo was recorded away from the sometimes sterile environs of the studio, in a Florida beach house in the town of Port Saint Joe – a beach house stacked with cool equipment and the desire to craft music built on energy and vibe.

“‘Port Saint Joe’ is a sonic representation of who we’ve become, not only as a band but as people,” says guitarist John Osborne. “Every show we’ve ever played together is on this record. Every song we’ve ever written and every mile we’ve ever ridden has led to the making of this record. Imperfections and all.”

Vocalist/guitarist TJ adds, “We shacked up for two weeks to make an unabashed record that would reflect who we are in every way, and in the process, we had the most enjoyable and memorable recording experience of our lives.”

The full track-listing of Port Saint Joe is as follows:

1. Slow Your Roll
2. Shoot Me Straight
3. I Don’t Remember Me (Before You)
4. Weed, Whiskey and Willie
5. Tequila Again
6. A Couple Wrongs Makin’ It Alright
7. Pushing Up Daisies (Love Alive)
8. Drank Like Hank
9. A Little Bit Trouble
10. While You Still Can

“The UK has become one of our favourite places to play,” exclaims John Osborne. “We’re thrilled to be doing our first ever headline tour there in May. Can’t wait!”


MAY 04: Dublin, Academy
MAY 05: Belfast, The Limelight
MAY 07: Bristol, O2 Academy
MAY 08: Brighton, Concorde 2
MAY 09: Birmingham, O2 Academy 2
May 11: London, Koko SOLD OUT
May 12: Manchester, O2 Ritz
May 13: Glasgow, O2 ABC (upgraded from the Garage)

Tickets for all dates are available here

As Bluesdoodles said the announcement of Brothers Osborne New Album Plus UK Tour 2018 Definitely Brighter with music that makes you smile! 

Brothers Osborne New Album Plus UK Tour 2018 Definitely Brighter

Danny Bryant Announcing New Album Revelation Combined With Exciting Tour Dates

Danny Bryant Announcing New Album Revelation Combined With Exciting Tour Dates

Danny Bryant Announcing New Album Revelation Combined With Exciting Tour Dates


Danny Bryant Announcing New Album Revelation Combined With Exciting Tour Dates



For exclusive bundles and signed merchandise, visit the official
Danny Bryant “Revelation” store

“When I began writing this album, I knew that it was going to be one of the toughest challenges of my career.” – Danny Bryant

Danny Bryant is pleased to announce his highly anticipated new studio album “Revelation.”  “Sister Decline”, the first track is taken from the new album, is now available as an instant grat track on iTunesAmazon and Spotify.

His fourth studio album to be produced by Richard Hammerton, following in the footsteps of 2015’s Blood Money and 2014’s Temperature Rising, the new albums is one of Danny’s most personal and emotional album of his career.

“When I began writing this album, I knew that it was going to be one of the toughest challenges of my career,” says Danny. “It wasn’t lack of material, it wasn’t a lack of desire, but I realised from the beginning that, if this record was to achieve the things I wanted it to say, I would have to go deep inside of myself with these songs and confront memories and emotions I didn’t really want to face.”

Danny Bryant Announcing New Album Revelation Combined With Exciting Tour Dates


MAY/JUNE 2018 UK TOUR *with special guest Steve Hill


The Robin 2, Bilston – Monday 7th May 2018
*with special guest Steve Hill
Ticket Price: £15.00 – Tickets

The Junction 2, Cambridge – Tuesday 8th May 2018
*with special guest Steve Hill
Ticket Price: £15.00 (+ booking fee) – 

Islington O2 Academy 2, London – Wednesday 9th May 2018
*with special guest Steve Hill
Ticket Price: £18.00 – 

The Tunnels, Aberdeen – Thursday 10th May 2018
Ticket Price: £15.00 – 

The Flowerpot, Derby – Friday 11th May 2018
*with special guest Steve Hill
Ticket Price: £15.00 – Tickets

The Citadel, St Helens – Saturday 12th May 2018
*with special guest Steve Hill
Ticket Price: £15.00 – Tickets

Tithe Barn, Bishops Cleeve – Sunday 13th May 2018
*with special guest Steve Hill
Ticket Price: £15.00 – Tickets

The Waterfront, Norwich – Thursday 7th June 2018
Ticket Price: £15.00 – Tickets

The Harlington, Fleet – Friday 8th June 2018
Ticket Price: £15.00 – Tickets

The Queens Hall, Narberth – Saturday 9th June 2018
Ticket Price: £15.00 – Ticket link

The Wharf, Tavistock – Sunday 10th June 2018
Ticket Price: £15.00 – Tickets

Whelan’s, Dublin -Tuesday 12th June 2018
Ticket Price: TBC – Tickets

The Empire, Belfast – Wednesday 13th June 2018
Ticket Price: £15.00 – Tickets

Oran Mor, Glasgow – Thursday 14th June 2018
Ticket Price: £15.00 – Tickets

Cleethorpes Blues Festival – Moon on the Water, Cleethorpes – Saturday 16th June 2018
Ticket Price: £23.00 – Tickets 

Stamford Blues Festival – Corn Exchange, Stamford – Sunday 17th June 2018
Ticket Price: £23.00 – Tickets 



Danny Bryant Announcing New Album Revelation Combined With Exciting Tour Dates

Laurence Jones speaks the truth, the whole truth and nothing but the truth

Laurence Jones speaks the truth, the whole truth and nothing but the truthLaurence Jones speaks the truth, the whole truth and nothing but the truth.

4 albums in, what do you do next? You look for something new and fresh, dig deep into your heart and see what comes out, to see what other sides there are to you. This is what Laurence Jones has done with his new album “The Truth”. Laurence continues to make a name for himself on the blues-rock circuit in the UK and Europe and his new album with its commercial feel but rocky edge will no doubt win him new fans further afield. Laurence took a few moments out from rehearsals and over a drink at an after-show party to chat as we were seeking honest answers…


“The Truth” is a few steps down a different path than your previous albums in its sound and arrangements…

Well, and between us, I want to be the next Justin Bieber, he’s my hero! Hahaha! But seriously, it is a crossover album for me in terms of the writing and production for sure. You know, all of my real heroes like John Mayer and Eric Clapton have stepped into different territory before and not just relied upon the guitar playing so I guess it’s my turn to do that. I don’t want to churn out the same album time after time as nobody wants to hear that and I’d get bored. I like challenges and I like to challenge myself which is what I’ve done with “The Truth”. Before we go any further, assure your readers that this album was all made with real instruments and real players!

You had me worried for a moment there thinking this isn’t the Laurence Jones I know…

There’s different sides to all of us and I wanted to show a different side of me with this album. I really focused on the songwriting, lyrics and melodic content. I’ve really been building up to making a record like this is taking the guitar side of things and mixing it with something that’s modern but true to itself. We talked about guitar playing when we were at the Black Country Communion after show party at Hammersmith (man what a gig eh!) and I’ve really pushed myself in the guitar solos to make them memorable, like a song in a song. Take the solo in “Hotel California”, that’s crazy long but you can sing it and it tells a story in itself. I hope that mine on this album do that for anyone who listens to it.

We’re talking about putting yourself out there and opening up here…

Absolutely. I can only write about things I know, not what’s up in the sky that I don’t know about. The songs really do the talking on this album and they’ve been finely picked from a whole bunch of demos. It was a dream to have a few weeks of pre-production in Curacao which is a Dutch island in the Caribbean, before heading to Miami to record at the old Sony Studios. Such a cool place man. The legendary Gregory Elias has produced this album and he brought so much to the table but still allowed me the freedom to go my own way. You know, Gregory is the man who brought The Rolling Stones to Cuba and put on a free gig for everyone, how cool is that! That just shows what a nice guy he is and inspirational. If you take songs such as “Hold Me Close”, “The Truth” and “Take Me” my heart’s on my sleeve right there, for better or for worse and I want the listener to feel that. Sure, there’s some rockier moments in “Give Me Your Time” and “Gone Away” but the emotional content is there in all of the songs. It was all about writing catchy songs with guitar solos and I keep up to date with all music out there, it’d be great to hear more guitar in the charts and these songs are more of a commercial feel than my rockier stuff so you never know!


What can we expect from your live shows this time around with this fresh take on your writing?

20-minute guitar solos! Hahaha!, not really. There will be some moments where we’ll be jamming out on a few songs, extending the solo’s a bit, in fact, I’m at rehearsals now and we’ve been working the set-out. I’ve got a really cool new band in Bennet Holland on keys, Phil Wilson on drums and Greg Smith on bass. We were playing in Holland before and everything just went super well. The crowds were great, singing along and getting right into it. It’s sounding really slick, the new songs are transferring well to a live setup and we’re psyched to be taking them out on the road. I love playing live and it’s great to connect with the audience and bring something to their day – you never know what’s going on with people and them coming out to your gig may be something they really need in that moment so we’ll be giving everything, every night of the tour. We’ve got a show January 23 at The Borderline in London, love that venue, and the UK tour really begins on May 3 in Manchester at Band On The Wall.


What do you think of the current scene in the UK and any advice for those younger than yourself as you had some great success at an early age?

When I first started all this, there was really only myself, Joanne Shaw Taylor and Simon McBride out doing what we do. That was cool, but it’s a lot cooler that there’s more and more bands and artists on the blues-rock scene in the UK now. I never view it as competition and it’s great to see people out playing, the new festivals that have come about as that shows there’s a demand for the music we play and love. As for those starting out, just don’t be afraid to try things. Don’t copy, take influences and mix them up and try and put your own stamp on things.


If you could pick any album to have written and made yourself, what would it be?

Oh, that’s tricky. C’mon man, can I have two? Yes? Ah great…it’d have to be “Riding With The Kings” of Eric Clapton and BB King, such a great record and has that crossover feel to it like my new album and Jimi Hendrix’s “Are You Experienced”, just because I’d love to know what was going on in his mind when he was writing it!


New Album New style The Truth still Laurence Jones


Laurence Jones new album “The Truth” is due for release Friday, March 9th 2018. Tour dates and ticket links can be found below and pre-order “The Truth” 

Just a Click away

Line-up touring The Truth Tour 2018:-

Laurence Jones (Vocals, Guitar)
Bennett Holland (Keyboards, Backing Vocals)
Phil Wilson (Drums, Percussion)
Greg Smith (Bass Guitar)

Planet Rock presents
All Tickets: £15.00

London, Borderline – Tuesday 23 January

Book Online: Gig Cartel; See Tickets
24 HR Box Office: 0844 478 0898
Ticket Hotline: 0844 847 1678

Manchester, Band on the Wall – Thursday 3 May

Book Online:  GigCartel; Ticketline
24 HR Box Office: 0844 478 0898
Venue Tel: 0161 834 1786

Leamington Spa, Zephyr Lounge – Friday 4 May

24 HR Box Office: 0844 478 0898 – Venue Tel: 01926 311 311
Book Online: Gig Cartel or Eventbrite

Southampton Talking Heads – Saturday 5 May

Book Online: Gig Cartel  – Venue Tel: 02380 361 970

Birmingham, Hare & Hounds – Thursday 10 May

Book Online: Gig Cartel 24 HR Box Office: 0844 478 0898
Venue Tel: 0121 444 2081

Nottingham, The Bodega – Friday 11 May

Book Online: Gig Cartel or Alttickets

24 HR Box Office: 0844 478 0898 – Venue Box Office: 0115 896 4456

York, Fulford Arms – Saturday 12 May

Book Online: Gig Cartel 24 HR Box Office: 0844 478 0898
Venue Tel: 01904 620 410

Newcastle, The Cluny – Sunday 13 May

Book Online: Gig Cartel or See Tickets

24 HR Box Office: 0844 478 0898 – Venue Tel: 0191 230 4474


Laurence Jones has built his reputation in the studio and playing live check out his discography 

Albums in BOLD checkout Bluesdoodles review.


The Truth (2018)
Take Me High(2016)
What’s It Gonna Be (2015)
Temptation (2014)
Blues Caravan (2014)
Thunder In The Sky (2012)

Laurence Jones speaks the truth, the whole truth and nothing but the truth