Thomas Wynn and The Believers Album Wade Waist Deep

Thomas Wynn and The Believers Album Wade Waist Deep

 

Thomas Wynn and The Believers Album Wade Waist Deep

Thomas Wynn and The Believers album Wade Waist Deep their third album and should get the name known far and wide with this cross over album that is not a road trip but the weaving of the lexicon of American music from roots to rock.  Labelled a Rock album Wade Waist Deep is so much more  exploring how we can build an open better world, not through preaching but a common understanding of tolerance and love. Wade Waist Deep moves beyond the confessional songwriting as he sought relief from heartbreak and addiction on the previous album and look beyond self to a collective conscience. The music is mature, thoughtful with strong lyrics, powerful harmonies and ear catching melodic rhythms. For Thomas Wynn, life & music have changed since the birth of his son Abel a year ago; “It’s that yearning, that longing for the person that you want to be,” says Wynn.

Joining Thomas as The believers are his sister Olivia, her vocals have a searing purity shaping harmonies that sing with an ethereal energy. With vintage Hammond sound from Colin Daniel Fei and wail of  the blues harmonica from Chris ‘Bell’ Antemesaris. The rhythm and deep grooves are laid down by  David Wagner and Ryan Miranda; on bass & drums respectively.  Enough of the background what about the music? It is superb from the first note to the last, clarion clear, gentle and urgent full of light and dark phrasing from every member of Thomas Wynn and the Believers.

Opening with a harmony of voices Man Out Of Time lets us step onto the spiritual musical journey this album will take us on over the dozen tracks. This is primeval, raw and full of growing tension as the blues captured and shaped the sound is hypnotic as we learn about Man Out Of Time. The chorus is melodic vocal wail no words required as the emotion unfurl, calling us to explore the music and lyrics.  ‘In The darkness light was mine’ intones Olivia as the music builds around her this is raw power energy that rocks.  Following on is the title track, the drums are hypnotic the guitar wields the power of the six-strings as Thomas’ voice implores  as we go down to the water and we are Waist Deep in the water.  A title track soaked in emotion the guitar weeps and Thomas finds the tonal texture to ‘wash my feet wash my soul… and I will find my Peace’. This is rock that is full of nuances and is not about the volume but tcomposition of melody and lyrics taking us out of ourselves to be part of the story that Thomas Wynn and The Believers are sharing.

Heartbreak Alley, the angst is raw, the organ swelling with emotion the singing from Olivia soulful and powerful. The album now has three different sounds and they are held together by a narrative that flows and the linking back to the wealth of music that has shaped modern America. If you are exploring life then Death cannot be ignored and with the powerful rhythms from David & Ryan shaping the emotional outpouring from Thomas’s vocals and the cascading harmonies as Olivia joins him on My Eyes Won’t Be Open; with the Hammond adding tonal depth after the chorus this is a song that remains long after the last note is sung.

The guitar opening of I Don’t Regret is sweet, with acoustic feel and adds another element to the yearning in Thomas’ vocal, simple with an inherent beauty.  As the guitar volume increases the music opens up like sun coming out from behind a cloud the music fills the room.  Gospel meets Country Rock and we realise that regretting what has been done is pointless it is the future that can be changed.

The rock in the band falls out of the speaker with the penultimate number We Could All Die Screaming; volume and intensity are raised but the clarity is never lost. This is Thomas with a determination in the delivery of the vocals, a tinge of anger and it builds throughout the four minutes. Closing with Turn It To Gold, the intensity is captured as the musicians bring an album to a climax.  The bass deep and with a drone like quality catches the ear with wonder a rock anthem that is so much more.

Wade Waist Deep has layers of complexity, thought-provoking vocals and a message never preaching it is about Country Rock from a band that has something to say connecting us all back to Orlando, Florida where they live. Through a to Sputnik Sound studio in Nashville, where the band recorded Wade Waist Deep with four-time Grammy award-winning producer, Vance Powell (The White Stripes, Jack White, Chris Stapleton). “I really wanted to do it outside of our hometown,” said Wynn. For the month of August 2016, Wynn and The Believers went on a journey to a sonic place that’s big, bright, and visionary.

If I had to describe the album full of complexity in a simple sentence.  Spiritual, Country Rock that has gathered into the music blues, soul; with the awakening hope brings when combined with the power of love. This is Life in Music, things can be different, it can be better.  I thoroughly recommend you immerse yourself and Wade Waist Deep in to the musical waters that are Thomas Wynn and The Believers.

Thomas Wynn and The Believers Wade- Waist Deep Mascot Group Label

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Man Out Of Time
  2. Wade Waist Deep
  3. Heartbreak Alley
  4. My Eyes Won’t Open
  5. Thin Love
  6. I Don’t Regret
  7. You Can’t Hurt Me
  8. Mountain Fog
  9. Burn As One
  10. Feel The Good
  11. We Could All Die Screaming
  12. Turn It Into Gold

Thomas Wynn and The Believers Album Wade Waist Deep

Nothing Poor Boy Blues About The StoneCoats

Nothing Poor Boy Blues About The StoneCoats

Nothing Poor Boy Blues About The StoneCoats

 

The StoneCoats, young blues-rock band infused with the growing popularity of country/southern rock vibe from Brandon Mississippi debut album is definitely one to explore.  The opening track Another Thought For Today, left me with only one thought I want to hear more. The quartet is vocalist who plays guitar Brandon Barnett, Guitarist Carson Bristow, bassist Ashten Frisella and Leighton Bristow combining a rhythm double as bassist and drummer.

The tempo changes with a chugging boogie that hits that tonal zone where music has a driving excitement. The influences from the past sit gentle, yes we can compare to The Doors, Allman Brothers even Grateful Dead. The reality is The StoneCoats are in the process of developing their own sound that is contemporary colliding with the music that has flown up and down Route 61. The title track fails to hit the mark as the standout track, with its gentle swaying melodic lines lacking grit and determination that the title promised. The big keyboard chord and southern guitar leads into Find You, finding the StoneCoats is a pleasure as the debut promises to be the stepping stone for the band to grow. The country vibe takes over for Cheated Heart and we are left with the blues as the album closes with When You Are Down.  If there is one track that epitomizes the sound of The StoneCoats it is Cross That Bridge; with vocals that hit the mark and the guitar licks stay with you, a memorable track on a debut album initiating the listener’s memories of The StoneCoats notable musicianship.

Nothing Poor Boy Blues About The StoneCoats; as they blend the tones of today mixing up a recipe of musical success a pinch of Southern Rock, a soupçon of country mixed together with a shot of Blues we have a recipe for music that will be tasty.

The StoneCoats – Poor Boy Blues  – Nub Country Records

SEVENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Another Thought for Today
  2. Blues Boogie
  3. Cross That Bridge
  4. Poor Boy Blues
  5. Roll Over It
  6. Find You
  7. Can’t Live Without
  8. Cheated Heart
  9. Fade Away
  10. When You’re Down

Nothing Poor Boy Blues About The StoneCoats

Hayseed Dixie, French Hard Rock Excites The Globe Cardiff Tonight

Hayseed Dixie, French Hard Rock Excites The Globe Cardiff Tonight

 

Hayseed Dixie, French Hard Rock Excites The Globe Cardiff Tonight

 

Hayseed Dixie, French Hard Rock Excites The Globe Cardiff TonightWith a sold out show, everyone was at The Globe to hear the unique Hayseed Dixie take on classic songs we love to hear. Before the main event up on stage was an unknown entity, on the second night of their first UK Tour, a young French band, Dätcha Mandala. The band met Hayseed Dixie when playing Las Pieds Dans La Vase last year. With 22 dates they will be reaching audiences who will be amazed by the hard rock energy with psychedelic overtones all to a backdrop of blues riffs. Tonight the energetic leg flying Nicolas Sauvey, Bassist who takes the lead vocals and adds the tone of Harmonica whilst guitarist Jérémy Saigne who kneels as the high-octane Gibson fills the air provided an energetic front for the band.  With a stand-in drummer following the band’s drummer breaking his wrist we were treated to a warm-up act that certainly got the musical adrenalin running.  This is hard rock colliding with Buddhist spirituality they are a band who entertain and certainly put on a show.

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Hayseed Dixie, French Hard Rock Excites The Globe Cardiff TonightHayseed Dixie has been a crowd-pleasing act since they formed in 2000; after fifteen albums ‘Rockgrass’ must be hitting the crowd-pleasing button. This is a band that despite having a brand new album Free Your Mind and Your Grass Will Follow did not provide a sales pitch it was about delivering songs,  a mix of  Dixie’s originals and their creative re-working of songs from across the genres of popular numbers.  Not many set lists include War Pigs, Bohemian Rhapsody, Ace of Spades and Oliver’s Army. Hayseed Dixies DID! This Bluegrass ho down meets classic rock as the acoustic bass and guitar, fiddle, banjo and mandolin are on a collision course of rock & country creating a genre of their own grass rock it is music mayhem that works it is infectious.  Sold out at The Globe means the venue is crammed with excited fans who just want to have fun, they did not need any encouragement from the foursome.  The members may have changed but the music has stayed the same.  Tonight, John Wheeler, Jake Bryers, Joe Hymas and Tim Carter came and conquered the capital city once again. As they explained, “we have playing this music longer than many marriages, must be doing something right as we explore Drinking, Cheating, Killing and Hell”. We all agreed in one very loud voice.

Hayseed Dixie, French Hard Rock Excites The Globe Cardiff TonightThis is a band that does music their own way with its foot tapping, arms waving let’s dance to the beat and harmonies. They may not appear to be taking themselves too seriously. Do not let the jokes and wise cracks fool you; this is music that delivers in spades.

Tonight Liz from Bluesdoodles was tired post-festival fatigue was setting in having been in Sheffield all weekend. So Tuesday night more live music, but having missed seeing Hayseed Dixie too many times she wasn’t going to let sore feet get in her way.  The music was fun, lively with a good time vibe so staying until the last note died away was a pleasure, not pain. Why?  A set list that is a rollercoaster of hell raising mayhem that hits the spot all post bank holiday blues were blown away by Hayseed Dixie in Cardiff tonight.

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 Hayseed Dixie, French Hard Rock Excites The Globe Cardiff Tonight

Bristol Springs Alive With Blackberry Smoke

Bristol Springs Alive With Blackberry Smoke

Bristol Springs Alive With Blackberry Smoke

 

 

Spring sunshine warmed the pavements as the crowds gathered on the street outside the O2 Academy Bristol. The draw tonight was a double hitting rocking with energy delight with Biters opening the cavalcade of music, culminating with Blackberry Smoke. The bands are both label mates and friends so the pairing made sense on many levels to the audience it was the music, quality.

Bristol Springs Alive With Blackberry SmokeThere was a rock n’ roll, retro bite as the band kicked off the night it was full steam ahead for music fun and games.  The quartet from Georgia, stepped onto the stage with a step back into the past Norman Greenbaum, Spirit In the Sky. This is a band that have both feet in the 1970’s including a number celebrating the golden age of rock 1975. With the task of warming the crowd, they immediately connected with the Bristol tonight, with a shout out for the gigging venue on a boat we all love where they have played. Thekla the venue where we hear first many a band that become firm favourites, demonstrating the importance of a vibrant and varied landscape of venues in a city. Cardiff, please take note; Womanby Street is a cultural asset!

Bristol Springs Alive With Blackberry SmokeNow, back to the music with influences flowing through the veins of the music but never clogging the artistry with hints of Cheap Trick, Thin Lizzie and a large helping of T-Rex.  Biters, have a forthcoming album due out 19th May on EarAche records; The Future Aint’ What It Used To Be. The superb and ear-catching single from the forthcoming album Stone Cold Love full of T-Rex vibe was part of the opening numbers and we certainly were riding a retro rollercoaster of delight. Fitting in with the southern rock/country rocking vibe Georgia and Gypsy Rose fitted the starter menu perfectly. This is music that entertains. Energetic young band the perfect platform of hooks that caught the vocals and licks that made you shout with joy as the drums pulled the rhythm through every number.

Bristol Springs Alive With Blackberry Smoke

The Bristol crowd was excited and ready for more rock in the form of Blackberry Smoke.  Back in Bristol, a band they are road warriors getting their distinctive sound majestic Southern Rock, authentic. They are as they describe themselves Too Country for Rock; Too Rock for Country the sound is a collision of two genres into a crescendo of rock that is full of southern warmth and edgy charm. Tonight Like An Arrow Tour rolled into Bristol, the city music fans appreciated this as the venue was packed from top to bottom.  Opening with Fire In The Hole we are ready to put reality on hold and be transported into the land of Blackberry Smoke with the setlist full of songs from the discography covering the whole of the twenty-first century. Yes, Blackberry Smoke are a millennium southern rocking explosion.   This is good time rocking music with an edge, the sound Bristol Springs Alive With Blackberry Smokepermeated through the crowd creating an electric party atmosphere.  With Waiting For Thunder from current album having the audience singing and this will be a keeper for a live set becoming a classic.  The melding of American music is evident in a number that rocks and Charlie Starr, pulling on the tradition of the holler and the lead break from the keyboard under the guidance of Brandon Still is picked up by the guitar. What a number only five songs in and the venue is steaming with this heavy hollering delight. The music flows with an energy as the southern rock credentials pour through the O2, with Pretty Little Lie.  The wonderful southern slide sound from Charlie’s Gibson 335 was a joy to behold, and the keys add that extra tonal layer we are all transported to a special place that live music takes you. There has to be the jam moment, tonight A Sleeping Dog, from The Whippoorwill album is segued with Your Time Is Gonna Come as Zeppelin and Allman’s sounds are pulled into the version tonight. This is the moment when time stands still as the audience is collectively transfixed by the music we are a single entity absorbed and re-vitalised by the cleansing sound of guitars washing the dust away.

Tonight, music is a celebration of the sound of Americana with a willing audience participating in Ain’t Got The Blues, no-one in the audience tonight had the blues the music was a celebration of the positive, feeling good was the result.  Another number celebrating the sound of the Acoustic guitar was One Horse Town. All to soon time was catching up the encore left us with a trio of delights. We wanted more, tonight Blackberry Smoke were on top of the game. The guitar harmonies flawless, the percussive rhythm full of edge and the vocals poured out across the auditorium.  Closing with Ain’t Much Left, the music had said it all. Live Music rocks with Blackberry Smoke and Biters tonight.

Bristol Springs Alive With Blackberry Smoke

 

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Stevie Westwood Giving The Lowdown on Bad Touch

Stevie Westwood Giving The Lowdown on Bad Touch
Photo credit Rob Blackham

 

Stevie Westwood Giving The Lowdown on Bad Touch

 

 

BD: I was delighted to have the opportunity to review your debut album Truth Be Told.

Before we talk about touring with the Planet Rock Roadstars and the album, Truth Be Told. For many Bluesdoodles readers, Bad Touch is a new band. They are interested what is happening behind the scenes of Bad Touch. Then dash to book tickets on the Roadstar Tour!

Before we start the talk the quintet of musicians are Bad Touch, Vocalist Stevie Westwood, who kindly took time out to chat with Liz from Bluesdoodles today. Harry Slater, Lead Guitar/Vocals, Daniel ‘Seeks’ Seekings, Guitar/Vocals, Michael Bailey, Bass and George Drewry, Drums/Vocals.

BD: What were your first musical influences growing up in Norwich more mustard and cathedral than Rock music?
SW:
Well, lots more in Norwich than that we have strong music scene in pubs, clubs and venues. For myself, I grew up in a house full of music with Dad playing AC/DC, Guns N’ Roses and lots of Disco including Kool and The Gang. I then developed my own tastes with rock bands such as Red Hot Chilli Peppers, Southern Rock, Su and much more.

I played the guitar and found the guys from Bad Touch through a band forming website. Went for an audition and came away the singer as they already had two guitarists. This was after they asked me if I could sing, and my reply was not really! Must have been okay because still here singing for Bad Touch.

Stevie Westwood Giving The Lowdown on Bad TouchBD: How did you come up with the band name Bad Touch and the decision for the distinctive typeface.

SW: The band has always been called Bad Touch from the very beginning before I joined. For me, the name encapsulates the roots of the band with the power of Bad Company touched with all the influences of 70’s rock with the colouring of Southern Rock.
We want to add our Bad Touch to the music we love that mix of Blues, Southern Rock and classic rock we always describe ourselves as ‘Feelgood Rock’. It is not new we are deeply rooted in Rock with Blues. We want audiences to enjoy our music and feel good with Bad Touch.

We wanted a distinctive logo, there is no deep and meaningful back story. We needed a new logo, a friend was a graphic designer and did me a favour and the result is eye-catching.

BD: Tell us about the formation of the band while you were still at college and the roles you all play in developing the Bad Touch feel. Now with the new guitarist Harry Slater how has he fitted in and has it injected a new feel.

SW: The band formed when the guys were at college with Rob Glendinning our original guitarist who recently left the band. We all love the guy but he has chosen a different path and we wish him well. Now with Harry Slater, we will continue to ply the Bad Touch rock across the land. As with any change, it brings opportunities. Harry will inject a new feel of guitar power combined with his writing ability. At the moment he feels like he is stepping into Rob’s shoes, as learning songs already in the Bad Touch repertoire. With new songs, things will change and anything new is scary, with good performances under our belt the future of Bad Touch is looking exciting and bright. We have plans for a follow-up album to Truth Be Told, been a bit slow going with the switch over firstly, concentrating on getting the performance correct. We are going to nail the tour out on the road with Broken Witt Rebels then attention will turn to the next album.

Stevie Westwood Giving The Lowdown on Bad TouchBD: Having reviewed Truth Be Told, what if any truth were you exploring across the dozen tracks?

SW: All of the band wrote the lyrics, the title, Truth Be Told, was an alliteration and sounded cool. The whole album has lots of feeling, a more mature sound than Halfway Home with a mix of anger and darker emotions plus some happy feelgood songs. For me, the album is an open book of truths and we want people who listen to take from the lyrics what they can.

BD: I have always been interested in the lyrics of a song. Where do you get your inspiration for your songwriting?

SW: We write together with royalties split equally. The writing process varies, can be from a riff that we play and then I add lyrics over the top and then turn into the words of the song. My preferred way is to write whole verse/chorus or even whole song. It is really satisfying five minds working together are better than one. We don’t always agree but that is all part of the fun of building our songs. We draw on life experiences, old sayings are often a starting point they stick in people’s minds when listening to Bad Touch music. It is important and really cool when people relate to the lyrics and music. The truth is we get inspiration from anything and a good example is Outlaw, from Truth Be Told, reflects that Seeks is really into cowboys. It is what we fancy at the time. You can over analyse the lyrics and then they can lose shape and feel so have to take the inspiration where it comes from however shallow that is.

BD: With you heading out on the road throughout March & April with Broken Witt Rebels. The Planetrock Roadstars are back for 2017. Two bands on the road that are causing a stir how will this tour build on the experience of opening for The Headhunters last year

Wow, this is so exciting we briefly caught up with BWR when they opened for Joanne Shaw Taylor at the Waterfront. It was really cool we also passed each other at the Stone Free Festival last year. We have got to raise our game, there is definitely going to be a gentlemanly rivalry between the bands, Bad Touch are out to get noticed, remembered we will be trying to blow BWR out of the water. We can’t wait to open in Leeds on the 16th March and bring the tour to a grand finale at The Borderline in London Saturday 8th April. We are looking forward to showcasing our brand of feelgood rock as we travel around the country, meeting fans and making lots of new friends of the band.

BD: What other plans and excitements have you and Bad Touch got in the 2017 pipeline?

SW: Lots of exciting stuff in the pipeline with lots of touring and new album taking shape. Keep in touch as soon as dates and festival slots are confirmed they will be shared through social media. We are on Facebook, Twitter and our dedicated web presence over at Bad Touch.co.uk.

BD: If you were putting together the perfect band with members from across the years (dead or alive) who would you have to play
SW: Thought I was coping well until this one so many to choose from ….

Let’s have a choir to start with!

Vocals: Chris Robinson, Paul Rogers, Freddie Mercury, Robert Plant, Steve Marriot and guests
Drums: John Bonham
Bass: Michael Bailey
Guitar: Slash
Backing Vocals & Mime Artists: The rest of Bad touch with inflatable instruments enjoying the explosion of rock.

Stevie Westwood Giving The Lowdown on Bad Touch

Recorded Music Reviews Delights of 2016

Recorded Music Reviews Delights of 2016

What a fabulous year for music at Bluesdoodles HQ. I have enjoyed listening to all the recorded music sent. Liz makes a note (must do better in 2017 and review more! I have started a new hopefully more organised system!).

One Hundred and Forty-eight reviewed. What an array of music from Folk to Metal Rock to Blues. The genre to everyone at Bluesdoodles  HQ is unimportant, that is a marketing tool it is whether the music vibes hits our collective DNA. Liz, Kevin & Othello a very discerning Bandana wearing Labradoodle.

Recorded Music Reviews Delights of 2016

Bluesdoodles Picks of 2016  read why these albums HERE

pawprint half inchTen Doodle Paws of 2016 read why HERE

Below are the album covers of the recorded music we reviewed throughout 2016 – click on the cover to be taken to the review. Every recording has something special. remember the doodle paws rating is subjective. This is the view of the reviewer you may differ I am pretty sure that your album of the year will probably be different from Bluesdoodles. It is how we hear and enjoy music differently that makes listening to music something very special.

 

Love recorded music  – live music has that special edge – read the Pick of the Gigs we travelled to in 2016 HERE. Make sure you support live music throughout 2017.

Holding On being the companion to Heal My Soul

Heavy Chimes with Glenn Hughes Resonate

Here We Go says Simpson and Flemons Sing Favourites

Slim Butler Blues Has No Bad Intention

Larry Miller Delivers Larry Miller Blues That Rock

Starlite Campbell Band Baking Up Tasty Blueberry Pie

Federal Charm Crossed Wires into Acoustic

Live Trouble with Gerry Jablonski Electric Band

The World Moves On with The Hitman Blues Band

Definitely NOT The Wreck of The Blues Pontus Snibb

It Is not Broke as Mick Ralphs Blues Band Set Down the Blues

Lightnin’ Malcolm Foot Soldier Delivering Roots Delights

It’s Christmas Time with John Cee Stannard

Riddle & The Stars Exploring Music Coastline

The Brew Shake The Tree of Blues Rock

The Leopard says Be Live With Rebecca Downes

Blues Full of Grit Grease & Tears with Deb Ryder

Listen to Beoga Before We Change Our Minds

Buckle Up with JOANovARC for a Ride Of Your Life

Nothing To Lose Sings Red Butler

Rik Emmet & RESolution 9 Album Delivers as Resolved

Robin Bibi Brilliance Is No More A Secret

On Safari with Rocking Rolling Kentucky Headhunters

Ian Siegal 2wnty5ive The Collection

nova

More Is More as DGB Adding to the Blues

ej-johnson

Michael Baker Making Dust & Bone Shimmer Musically

Rainmakin’ Guitar Driven Music By Steve Summers Band

Definitive Collection of Down Home Blues from Detroit

alter-bridge

Bad Touch Bringing Rock and Roll Truth Be Told

RECORDED MUSIC REVIEWS

Not A Wicked Day for Rock with Echotape AlbumMake Some Noise Shout Out The Dead Daisies

The Swamp Stompers New Single All My LovingWild Guitar with Joanne Shaw Taylor

Beth Hart Fire On The Floor

Feeling Exhilarated at last a King King Live Album

Bluesdoodles Pick of the Bunch July-Sept 2016

Aynsley Makes YOU Listen with Eyes Wide Open

The Apocalypse Blues Revue Bringing Heavy Blues

Small Town Talk with Ma Polaine’s Great Decline

jj-thames-2

Dan Owen Explores Emotions Open Hands and Enemies

live-at-the-gree_cd-edition

One Of A Kind as Grady Champion Brings His Blues

Si Cranston-

A Force Of Nature Sari Drives the Blues

Bury Me In My Boots with Cadillac Three

Tempt Releases Debut Album Runaway

Gary Hoey Blues Putting Flesh On Dust & Bones

Sari Black Betty Single-

The Tel-Star Sessions Emerge Twenty-Two Years Later

Dan Bubien New Album Keeps Grinding These Gears

LAurence Jones-

Honey Island Swamp Band Demolition Day Review

Live In 1967 – Volume Two John Mayall & The Bluesbreakers

Virginmarys Never Divides Rock That Grabs Attention Now

Villiers and The Villains Songs Of Love And Fate

Albert Castiglia Big Dog Has The Blues

Royal Southern Brotherhood presents The Royal Gospel

Hard Times, Bad Decisions Sings Lisa Mann

Pick of the Albums Reviewed - 2016: April - June

Federal Charm reaching Across The Divide Album Review

Walter Trout Alive In Amsterdam playing Hot Blues

Hoka Epic Journey for Nahko and His Music

On Tour Harry Pane releases Changing

Rhythm Zoo Sold For Love Debut Album

Hellbound Where Else On Dave Arcari’s Train

Michael Schenker Enter the Temple of Rock Live In Madrid

Pick of the Albums Reviewed - 2016: April - June

Pick of the Albums Reviewed - 2016: April - June

Pick of the Albums Reviewed - 2016: April - June

Pick of the Albums Reviewed - 2016: April - June

For Those Who Need The Blues There Is Giles Robson

Enjoy The Ride, Debbie Bond instructs with blues and more

The Roots Collective Live and Kickin’ Up a Storm

Lucky 13 Kris Barras Band Ain’t Superstious

Rocking Time Will Come for Rod Scott

It is an Excellent Day sings Lizanne Knott

Livewire describing Zoe Schwarz Blue Commotion

Robin Trower Knows Where You Are Going To

Musics Emotion Breaking Free with Layla Zoe

Breaking and Entering The Blues with Eliza Neals

Pick of the Albums Reviewed - 2016: April - June

Pick of the Albums Reviewed - 2016: April - June

Bygones will make you Smile thanks to Amy & Pete

Dan, solo acoustic from Dan Israel

Throw Away Your Blues, Listening To Kyla Brox You Will

Adam Norsworthy singer-songwriter Showcasing Soaring Rainbird

Guitar Blizzard Of Blues with Tommy Z

Red Sky July Exploring The Truth and The Lie

Blues is the Truth for Guy King

With One Eye Open – Swampgrass Will Get You Wide Awake

Get Close to Geoff Carne and the Hatz

There is a Magic Corner sings Pete Lashley

Solomon Hicks is definitely Carrying On The Torch of the Blues

A Bassist, Singer/songwriter and Drummer creation is Ghost Riding

Debut Album, Undone from The Black Circles

Blues are Alive with Johnny Rawls Tiger In A Cage

Monster Truck rolling into town Sittin’ Heavy

Behind The Wheel with Red Dirt Skinners

Sonic Gumbo spicing up music Mumbo Jumbo Way

Time Has Definitely Come for Ben Poole

Michael Messer’s Mitra Live at the Convent

The Sky Won’t Fall proclaims Stevie Nimmo

Benjamin Bassford's Songs From The Blue Door

West of Eden follows the emigrant path – Look To the West

Wink At July sings Rachel Garlin

Wolfmother’s Heavy Rock reigning Victorious

Self-Titled Ina Forsman Presents her Blues

Tasha Taylor bringing Honey For Your Biscuit

Unconditionally Live with George Shovlin & The Radars

Broken Witt Rebels take to the Road

First Fix from The Della Grants

Broken Wings Heal sings Caroline Aiken

Wilde Blues-Harp in Hamburg

Believe has Rebecca Downes Singing the Blues

Big Boy Bloaters Journey to Luxury Hobo Blues

In Conversation with Guitarist JD Simo

http://bit.ly/1Z5OsfF

On Safari with Rocking Rolling Kentucky Headhunters

On Safari with Rocking Rolling Kentucky Headhunters

On Safari with Rocking Rolling Kentucky Headhunters

Release Date 4th November 2016

Heading out on a musical Safari we join The Kentucky Headhunters fun on their twelfth album. A band that for nearly fifty years have entertained with their distinctive interpretation of Rock n’Roll. It is a blending that creates a perfect musical palette that explores Blues, Southern rock, Country rock and good old honk tonk good time foot stomping delights. Every Safari has the big Five that we all want to see in the case of The Kentucky Headhunters the Five Sounds we want to hear. They definitely capture the five and so much more. Yes, we hear Rock, Blues the stand out Vocals of Doug Phelps, Greg Martins Guitar and the Bedrock Rhythm section of the Young brother’s Fred & Richard.

There is much to say about the band from the origins of the Itchy Brothers, family ties and relationships to Fred Young, drummer in Black Stone but this is a review of the dozen songs that are taking us On Safari.

Opening with Beaver Creek Mansion the Southern/Country Rock tone is laid down with the shuffle of the drums, squeal of the guitar and the cadence of Doug’s vocals. It is the hot steaming good-time beat we love that fills every corner of the room as they spell out the words to a beat that is simply infectious. The Blues are strong throughout the album sometimes nudging the shape and other tracks it is brought to the fore as with Deep South Country Blues, wow country blues that shapes and paints a picture that is hot and steaming down by a bayou. Two other tracks have blues in the title Lowdown Memphis Town Blues with an African undertow in the drumming and the lilting more urban controlled tempo that washes over you like blues satin. The third the saved the best till later on in the album is Jukebox Full Of Blues, this is good time dancing blues with the juke joint honky-tonk delight no one can listen to this and not tap their feet, drum their fingers most it will be a pointless resistance to get up and dance with their rocking shoes!

On Safari, is a jukebox of sounds that never crash and burn, they all fit into the album, I am The Hunter stretches out beyond the south with rock that churns up the blues and creates a track of epic proportions and audiences will love to chant back I am The Hunter as there is a certainty in a higher light music that weaves itself into your soul and spreads throughout your consciousness. The album then throws in a ballad Crazy Jim more country than blues or Rock and the grizzled vocals and guitar that answers the words makes Crazy Jim full of charmed interest. Change of beat Rainbow Shine is the moment when we sit back, relax and take a look at life quietly we all need a moment to breathe when on Safari.

Closing with electric, fast-moving jaunty Governor’s Cup this instrumental leaves you feeling that this is a Safari you will repeat again and again in the certainty that the album will lift the spirit and make you smile.

Why the Title On Safari? The music is taken from the inspiration gained on their first time trip overseas. Pushed out of their comfort zone by Richard’s son John Fred Young they traveled to Europe. The result is music that sparkles with the excitement of traveling and being On Safari. Band members/brothers Richard and Fred Young poignantly lost their father just three days before heading into the studio to record the album, which they have dedicated in his memory.

Kentucky Headhunters – On Safari – Plowboy Records/Practice House Records

NINE pawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Beaver Creek Mansion
  2. Deep South Blues Again
  3. I Am The HUnter
  4. Caught In A Dream
  5. Crazy Jim
  6. Big Time
  7. Lowdown Memphis Blues
  8. Rainbow Shine
  9. Way Down Yonder
  10. Jukebox Full Of Blues
  11. God Loves A Rolling Stone
  12. Govenor’s Cup

A Thousand Horses ‘Travelin’ Man’ Video & Tour Dates

A Thousand Horses 'Travelin' Man' Video & Tour Dates
Photo Credit McClister

A Thousand Horses ‘Travelin’ Man’ Video & Tour Dates

A Thousand Horses ‘Travelin’ Man’

Frontman Michael Hobby “Travelin’ Man is one of our favourite songs to perform live” and this video shows why as they sing about being on the road ready to play the music fans love to  here.

The video features the band in various live performances and backstage footage from their huge US tour supporting Jason Aldean earlier this year.  Travelin’ Man is full of Southern heat with that finger licking guitar and vocals that curls around like swamp water lapping at the edge of a bayou. It is energetic, full of hooky guitar licks, harmonica squeals and is a thumping country-rock anthem taken from their rave reviewed debut album Southernality on sale HERE

The band have been making a real name for themselves in the UK, being one of the most talk about bands after their phenomenal performance at C2C this year as well as Planet Rock playlisting four of their previous tracks including the title-track ’Southernality’. They are also nominated for ‘Best New Band’ at this year’s Classic Rock Awards and were nominated for ‘Group Of The Year’ at the Academy of Country Music Awards this year.

Not heard them play live yet? UK audiences your opportunity has arrived!

London’s 02 Academy Islington Nov 30th

Manchester 02 Academy Dec 1st

Planet Rockstock, Porthcawl  Dec 2nd. SOLD OUT

Bad Touch Bringing Rock and Roll Truth Be Told

Bad Touch Bringing Rock and Roll Truth Be ToldBad Touch Bringing Rock and Roll Truth Be Told

Truth Be Told, deft touch this 5-piece from Norfolk have created an album that does not have a touch bad. This is definitely a classic rock with the heat of the south, with finger-licking good guitar and tasty spicy vocals that make this album destined to excite the listener.

Opening with a trio of songs that get the musical juices running One More Night gets the listener connected to the force that is Bad Touch by the time the first guitar riff is played, the vocals growl you know this is going to be Classic Rock that will rock and roll your soul on a musical fairground ride of enchantment.   Then the album leaps up high into the stratosphere with 99%, the single form the album that will be getting lots of radio play, a song that is destined to be a favourite live with its momentous chorus and stinging guitar hot as pepper sauce poured over blues that rocks.  The tone deepens, slows becomes heavier and more considered with the opening guitar of Waiting For This. The drums boom as we wait for the star of the show the vocal prowess of Stevie Windwood, they dazzle with power as he skilfully navigates the music road laid down by the band.  As with any rock band the rhythm section creating foundations for the guitar and vocal to shine and Bad Touch have achieved this in bucket loads, as the stunning closing bass line and drum combo demonstrates, leaving you want to hear more.

The trio of tracks are triumphant but the question can they maintain the momentum interest and rawness that is chiselled and shaped into a rock classic Truth Be Told.  I will let you into the secret Yes, they can and definitely do on the bands sophomore album.

Every one of the dozen tracks on the album brings its own link in the musical ride around a fairground of musical pleasures to explore.  Heartbreaker Soulbreaker has that little bit extra it fizzes with a soda stream of energy with its funky edge. The anthemic foot-tapping Let The Sun Shine has a bright and breezy vibe that makes you smile, a feel good southern fuelled number. The album bends and sways through rock nothing ground-breaking but solid as a rock. Outlaw is softer with Stevie’s vocals delivering the narrative as a story to unfold. The track has a sting just like an outlaw walking into town there is a tension and hint of danger.

It makes perfect sense closing with  The Mountain with acoustic guitar and the vocals central to the song with lyrics that make you sit up take notice and hear what is being sung. The quiet opening moves in like a symphony to an electric core with a wonderful solo from Rob Glendinning.  The track shows every facet of Bad Touch, rocking, brooding, insightful and above all musically appealing. Truth Be Told this is a band you want to hear live.

Bad Touch – Truth Be Told Release Date 2nd December

Pre-order Amazon  iTunes

EIGHT pawprint half inchdoodle paws out of TEN ….

Track Listing

  1. One Night More
  2. 99%
  3. Waiting For This
  4. Under My Skin
  5. Heartbreaker Soulshaker
  6. Take Your Time
  7. Let The Sun Shine
  8. My Mother Told Me
  9. Outlaw
  10. Made To Break
  11. Healing Hand
  12. The Mountain

Ride Or Die Sings Devon Allman’s Latest Masterpiece

Ride Or Die sings Devon Allman’s Latest Masterpiece

Ride Or Die Sings Devon Allman’s Latest Masterpiece

 

Ride Or Die, is a journey full of colour and texture in the tone. With flashes of blue and twists of granite rock and country green woven into a musical tuned magic carpet. The fabric of the album is the winning and beguiling combination of Devon Allman’s triumvirate of power in equal measure Songwriting, guitar and those vocals. Adding to the fabric that creates a sound that across the whole album is full of emotional outpourings that shape each song are the superb tones and textures from his band and guests on the album. The phrasing of every instrument adds a musical emotion, there are no unnecessary layers every instrument compliments each other and are servants to the heart of the lyrics telling a powerful story.

Deep bass driven rhythms are laid down, setting the individual tone and tempo of each track is the combination of Tom Hambridge on drums and bassist Steve Duerst. They set the groove that is dynamic, exciting and certainly never static they are the warp and weft of the fabric that is Ride or Die. The fabric of the music is stretched, turned and reshaped with the addition of Saxophone, violin, and keys augmenting the message when required. Then the main pattern of this magical musical carpet, reflected in the wonderful cover design full of colour from Pepe Paras, capturing the integral heart and complexities as Devon sings the songs you want to hear again and again.

The dozen tracks all have a place on the album and add to the Ride Or Die journey, from the opening track Say Your Prayers through to the last notes of A Night Like This. Instantly recognisable as a Devon Allman melody and driving riffs that pull in the vocals that just curl around the lyrics is the opening number Say Your Prayers.  The judicious us of the wah-wah pedal adds to the low down dirty howling tempo of the opening number. The beat changes as we Find Ourselves, with an underlying Latin dance vibe; this is found again later in the album with Pleasure and Pain. Demonstrating the deep links within whole roots scene of American music from the Blues to Southern Rock of influences from steamy Latin dance moves from the Rumba to the Tango.

The tempo changes with the acoustic guitar of Lost, and a country feel as Devon’s vocals speak directly to you with a simplicity of the melody line contrasting the poetic depth of the lyrics.  The wah pedal is again used as an effect that says more than a thousand words the hurt and pain of this beautiful number.  As Devon sings “ Your clocks are all spinning, Your compass is bleeding now, Your Maps are all burning baby, You couldn’t be more lost”. If I had to listen to just one track from the album this would be it.  There is a feeling of another place and time, yet Lost is completely grounded in the now, with experiences, hurt and feeling of being lost we have all experienced.

Watch What You Say, has a foot tapping tempo where guitar and vocals are underpinned with drumming that give the lyrics a sense of purpose and momentum this is music which rocks and rolls it is emotionally poetic, this is experiences of life that is more about tears than laughs.  Vancouver gives a time and place a location where we can re-set the journey. Melodic violin and Devon’s voice has a lighter tone, the lyrics though are full of yearning that the saxophone reflects. As we live a love story and how we could have done things differently if you only had a time machine.

As Ride Or Die’s musical journey only has three more stops, the acoustic is picked up again for Live From The Heart, a philosophical song ‘look to your heart look to your soul’. The keys give the track shades that make it glisten and stand out in a crowd of beautiful numbers. The reflective sound continues with Butterfly Girl, his voice deepens in a Country feel. Another song about relationships with a searing violin as Devon gives advice that is so difficult to enact. Giving people the freedom to fly while caring from them.  The melody has a looseness, a freedom that allows you to fly and look down on the emotional journey the album takes you on.
An imaginative cover of The Cure’s A Night Like This closes the album, that mixes the influences of modern music, blending them into a textural tonal carpet that you want to ride on forever.

Ride Or Die Sings Devon Allman’s Latest Masterpiece, with ten of the tracks written or co-written by Devon he captures the sound that defies boundaries of genres that has the freedom to be itself. Full of strong lyrics and heartfelt melodies.  This is an album that takes you on a journey full of anguish, hurt, pain and the pleasures of living life where you Ride or Die whatever your journey remember hope will be present.

Devon AllmanRide or Die – RUF Records

Release Date 16th September 2016

Bluesdoodles gives this CD TEN pawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Say Your Prayers
  2. Find Ourselves
  3. Galaxies
  4. Lost
  5. Shattered Times
  6. Watch What You Say
  7. Vancouver
  8. Pleasure and Pain
  9. Hold Me
  10. Live From The Heart
  11. Butterfly Girl
  12. A Night Like This