The Lantern Bristol Shines on Dan Owen’s Vocals

The Lantern Bristol Shines on Dan Owen’s Vocals.With a crowd full of anticipation to hear once again the vocals of Dan Owen with his twenty-first-century mix of singer-songwriter angst, blues and ‘modern man with a guitar’ sound. Before the main act of the night, the evening opened with a singer-songwriter behind the keyboards as Billy Lockett hit the stage. Billy set the scene for Dan with a set that may not have been exciting but was a solid start to the evening.  The set was full of romantic originals and into this indie mix, he covered Nirvana, definitely not Kurt Cobain but an interesting choice. Closing the short set the Northampton-born Billy Lockett with his easy smile finished off with Burn It Down.  The number that got him noticed when included on Made in Chelsea. Billy also has a full band which would pep up the numbers I am sure.

 

The Lantern Bristol Shines on Dan Owen’s Vocals.Short break and Dan stepped onto the stage in The Lantern, Colston Hall. Dan Owen has been touring and shaping his craft. The bluesman who captures the tones of the seventies all packaged in an Indie delight. This is solo music that hits the mark with all ages especially the young who connect with the angst, his tales and manner that connects with the audience. His voice has always demanded attention and he got it.  Tonight as a duet his music was up close and very personal. Dan has certainly ‘come of age’ since I saw him last. As he opened with Parachute we knew we were in the assured vocal glow of Dan. The voice now has real controlled power, with a clarity of tone and delivery of lyrics. We flew with Dan close to the sun as he played Icarus. Wow!! Joining Dan on stage tonight was Lewis Cooper on Keys which provided an extra depth of tone and great backing vocals.  Dan’s latest E.P. Open Hands and Enemies is a snippet of his talent and a full album is long overdue.  From the E.P. he played What Is A Man and Moonlight, a slow burner that lights the auditorium.  The tone changed with Splinter as Lewis swapped keys for electric guitar with a twang of Country-meets-Americana and curls into British Indie. With that Lewis left the stage for a couple of solo numbers from the past as Dan, his guitar and harmonica collided with Bob Dylan, Cohen and the seventies with a swirl of blues with the added power of the stompbox. No longer a biscuit tin with wires, now neat smart and full of drumming power.  We were treated to a beautiful new song Hand That You Hold as he explored emotions with skill and empathy. Lewis returned to the stage and the set continued. What was noticeable the songs all had short intros the hallmark of songs today.  Made To Love You, written about a friend who he had a drink with to make a plan about his relationship. The song Made to Love You was written about domestic abuse experienced at the hands of a woman his friend had experienced while still loving her.

The Lantern Bristol Shines on Dan Owen’s Vocals.Dan Owen left the stage and quickly returned with guitar and harp with a rousing rendition of Willie Dixon’s Little Red Rooster. Lifting the energy and ambience of the venue. Blues just suits Dan’s vocals.

 

The Lantern Bristol Shines on Dan Owen’s Vocals, the set was accomplished. But just far too short, I was left wanting to hear more, get to know the musician.  So with that, the stage darkened and it was an early night as we left Colston Hall.

 

The Lantern Bristol Shines on Dan Owen’s Vocals.

Kev Minney Debut Album Inspired By Stories of The Skies

Kev Minney Debut Album Inspired By Stories of The Skies

Kev Minney Debut Album Inspired By Stories of The Skies

 

 

Looking to the stars Kev Minney combines his passions, guitar, songwriting, and astronomer to create a debut album Stories of the Skies. The singer-songwriter’s acoustic debut shows the depths of style the Brighton-based musician has explored. The album has a simplicity on first listening. Underneath the lyrics and change in guitar, tempo creates a layering reflecting when you first look into the night skies it takes a while to distinguish the stars and constellations spread out before you.

The use of instruments from violin to piano to augment the tonal shaping of the acoustic guitar includes using open tuning to create a melodic haunting sound. The combination works throughout the album. There is always just enough to add but never dominate.  This is an album created with thought and attention to detail. The one constant is Kev’s vocals that gently caresses the lyrics and floats above the instruments giving the tracks an ethereal feeling.

Opening with the title track you are instantly transported into the world the Minney has created. The beat changes with a dance rhythm a pop melody as the essence of the Bossa Nova is captured in Like I Always, as anxiety when trying to o beyond the horizon facing a challenge. The narrative told with innate sensitivity.

Inspired by Joni Mitchel and Nick Drake he has created a sound that is uniquely his. Dark Skies demonstrates once again his skills on the acoustic guitar. The track that was the starting point of the album showcasing the perfectionist element of the singer obsessed with astronomy.  The haunting violin pulses through the melody with Fairy Tales and Chains a track that looks at changing times, asking questions that are relevant and emotionally engaging. The stars once again a certainty and constant grounding force.

Closing with the most upbeat number the piano adds a twinkle to the tone as we explore Stardust. Minney’s vocals are more relaxed the journey examining stars, change and emotions have been cathartic and Stardust is the magic ingredient of release and freedom.

The ten tracks on the debut album without the backing of a label were made possible with help from the Arts Council in the form of a grant awarded in 2016, so Kev has been able to pay everyone involved in creating the album.  There is no argument this is an album for lovers of acoustic. For those who appreciate sparsity the space between notes and lyrics where you can gather your thoughts as you try to make sense of life and emotions.

A debut album with promise. The only thing that holds it back is the sound blends at times there feels like there is no definite change in mood and feeling between the tracks as they meld together. Your attention to the lyrics gets lost at times. Anger sometimes is a good thing combined with on occasion a more assertive sound.

Soon to be out in tour, the translation of the songs from studio to stage will be interesting. Having battled with a stutter and stage fright he has used his obsessive nature to overcome and master the power of being a singer/songwriter to share your inner feelings and turmoil with sensitivity and openness.

Kev Minney –  Stories of The Skies

Release Date 8th September

SEVENpawprint half inchdoodle paws out of TEN ….

Track Listing

    1. Chaos In The Sky
    2. Like I Always
    3. Just Another Day
    4. Dark Stars
    5. Time
    6. Can You Feel It Too
    7. Fairy Tales & Chains
    8. Gravity
    9. Chances
    10. Stardust

 

Like I Always  the second single from Stories of The Skies

 

Kev Minney Debut Album Inspired By Stories of The Skies

 

Lewis Watson New Album Midnight Simply Pops

Lewis Watson New Album Midnight Simply Pops

Lewis Watson New Album Midnight Simply Pops

 

 

The clocks change in March, but Midnight is still the witching, hour, mysterious dark or starlight with a hint of romance and forthcoming days.  Lewis Watson is back with a powerful new album Midnight, following on from his acclaimed debut The Morning. Midnight cements him firmly as a talented pop orientated singer/songwriter with hints of melancholy and shafts of joy running through the album.

Midnight has a fresh feel, nothing is over produced and there is a lightness of touch reflecting that the Oxford based musician recorded the entire album in a fortnight with a live band, under the watchful guidance of producer Anthony West.

The influences are present but with the lightest of touches as the voice of Lewis Watson is the dominant force combined with his acoustic power. Opening with reverb underneath the vocals adding to a mixed reaction that of uncertainty and the power of the music it has a force that makes a pop song stand out as it fizzes with energy. The dominance of the simplicity of the form of singer/songwriter with the acoustic guitar is apparent in When The Water Meets The Mountain, the sound fills out with melodic and harmonising backing vocals. The number has a sense of purpose within its elegant searing musical beauty.

The short and catchy Forever is a catchy number leading into Run with its ear catching opening of movements in a room a record player and clicking clock, with a harder edge of grand piano and strumming guitar picking up the melody. Then Lewis’ vocals picking up the lyrics sad and questioning as the nights are getting longer. Counting in for Slumber featuring Lucy Rose, the acoustic guitar is strummed and the two voices harmonise with a simplicity as a lullaby sinks you into sleep.  The closing track is the title song, Midnight again the simplicity of a piano as the intro adds rather diminishes the power as we visualize the cold and Northern Lights and a feeling of contentment.

This is a pop album with the added elements of songs with depth of feeling and interesting layering of tones and effects so that the listeners ears remain focused on the music at Midnight.  Lewis Watson, is beguiling and a songster who uses the idiom of pop to deliver his songs. Lewis Watson new album Midnight Simply Pops!

 

Lewis Watson – Midnight – Cooking Vinyl

SEVENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Maybe We’re Home
  2. Little Light
  3. Deep The Water
  4. La Song
  5. When Water Meets Mountains
  6. Hello Hello
  7. Forever
  8. Run
  9. Give Me Life
  10. Slumber feat. Lucy Rose
  11. Midnight (hidden track)

 

New Single ‘Deep The Water’

Lewis Watson New Album Midnight Simply Pops

Sneaky Preview and Video Thea Gilmore The Counterweight

Sneaky Preview and Video Thea Gilmore The Counterweight Sneaky Preview and Video
Thea Gilmore The Counterweight

 

 

 

Thea Gilmore who is back with her brand new album The Counterweight, which will be released on June 2nd through Cooking Vinyl.

Check out the brand new single ‘Sounds Good To Me’ here and would love to know your thoughts and if Thea is someone you would consider for some coverage around the release.

 

“I like to think of it as a bit of an anarchist’s polka…” says Thea of the single. “Calling the dispossessed, the downtrodden, the weary to arms. Lighting a fire… remembering there’s more than one way to live and who wants to walk when you can dance!”

It’s been 13 years and eight albums since Thea released Avalanche, her critically acclaimed fifth release and the album deemed to be her breakthrough record. The then 23-year-old was writing with a fire inside her post 9/11 about global anxiety and the increasingly vacuous celebrity culture.

Calling upon the spirit of this predecessor, Thea is back with the album she feels follows it. Having never entirely lost her voice of protest, on subsequent albums Thea was looking inward more, singing songs about the depression she had been diagnosed with, love songs in uncertain times and songs about parenthood.

Now though, she is back with The Counterweight, an album full of passion and fire inside to protest, and an album that echoes the rapid change in our social and political landscape that 2016 brought with it.

When finishing the album in September, Thea was forced to look back at the spring and summer recording period and the tumultuous times that happened throughout the year including working on ‘Reconcile’ as Britain voted to leave the EU, and recording ‘Johnny Gets A Gun’ three days after the Orlando shooting.

That day was also most harrowingly of all, the day when the world was watching the tragedy of Jo Cox’s murder unfold and at the very eleventh hour became the inspiration for the final track ‘The War’, with the first and last verses directly referencing her.

Thea quotes “I was throwing a cautionary message in a bottle into the shifting tide, but also singing a reminder that acts of kindness and humanity are never in vain: ‘You can cut that stem, but wild flowers grow again, all you can do is just tend to them and know that you tried’”

“I’d finished the album pretty much. All the shit that had gone down in 2016, the world changing moments… everything had shifted and this song fell out of me on one of the last mix days. The first and last verses directly reference Jo Cox and in between. I like to think it shines a light on these dark days, but also offers hope.”

The track is also possibly the mission statement of the album, going to war on the negativity and bleakness of the current world mesmerized by fake news and futility.

The Counterweight tries to be exactly that. A redressing of the balance, a tool of pressure, an exertion of opposite force and as such, a flag of hope.

Thea Gilmore will be heading out on a UK headline tour to support the album, with full details to be announced soon.

“The best British singer-songwriter of the last ten years – and then some” Uncut          “The best wordsmith of her generation” The Independent

 

Sneaky Preview and Video Thea Gilmore The Counterweight

 

Thea Gilmore – The Counterweight, released on June 2nd through Cooking Vinyl.

Flood & Burn Stylish New Recording By Sean Taylor

Flood & Burn Stylish New Recording By Sean TaylorFlood & Burn
Stylish New Recording By Sean Taylor

A beautifully crafted album before a note of music played Flood and Bur states it is quality as the pleasure of exploring the cover. With its insightful and thoughtful haiku

A thumbprint of moon – Impressed into a corner – Of cold turquoise sky

Sean Taylor the master of modern folk is a talented singer/songwriter. Flood & Burn is no different. The folk vibe reaches across the Atlantic and adds a touch of Country, punch of Blues and creamy swirl of Jazz. This is the history of roots music pulling together cultures and melding the new tone to create the sound that reflects the now in a journey that music has culturally undertaken back through the mists of time. Music is a river of sand picking up tones and colour from every pebble it flows over.

Opening with Codeine Dreams, we are floating on a cushion of Joe Morales Saxophone, the song holds you transfixed in its mellow haunting and at the same time the disturbing beauty of dreams. From the first track the album is full of confidence and by the time the last notes fade it is no wonder that Sean Taylor says “Flood & Burn may be the best thing I have ever done,” We definitely have no argument with that statement. The tempo changes and the sound filling out with Troubadour and special guest Leonard Cohen’s band leader Roscoe Beck’s Double Bass. We are wandering with a troubadour of many songs and tunes with its country vibe and winding roads we have no idea what is around the corner a foot tapping number. Following this is Run To The Water which is full of blues hues making the water shimmer and a place you would definitely want to run to. Sean’s vocals throughout have a distinctive cadence, rough, and travel wearied with more than a hint of Tom Waits in lyrics and delivery.  Sean is a singer-songwriter that explores each word and placing it carefully within the lyrical tale unfolding.  As we pass the half-way mark on a musical and emotional journey no one wants to rush the album is definitely one to sit back and savour as we have the title song with its percussive guitar reflecting Sean’s vocal tones.

Back with country blues we have A Bad Case Of The Blues as Waits meets Townes Van Zandt. Hana Pirhana’s violin adds a bittersweet tone, with the hints of Eastern European folk music running through as Sean’s vocals pick up the sadness.

The penultimate track is the only cover that Sean has slipped in as a personal favourite, Heartbreak Hotel, featuring Eliza Gilkyson on backing vocals and slide from Andre Moran. Closing out with Better Man, written by Danny Thompson full of the power and majesty of his chosen instrument the double bass that squeaks, hums and vibrates behind Sean Taylor’s vocals. The perfect ending to an album whose chords and lyrics linger as the speakers fall silent.  Flood and Burn – an album with different styles and tempos ensuring the listener’s interest is maintained from the first to the last note with his stunning guitar playing. Sum up the album – The guitar sings and the vocals growl simply intoxicating!

Flood & Burn Stylish New Recording By Sean Taylor

EIGHT pawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Codeine Dreams
  2. A Good Place To Die
  3. The Cruelty of Man
  4. Troubadour
  5. Run To The Water
  6. Life Goes On
  7. Flood and Burn
  8. Beautiful Mind
  9. Bad Case Of The Blues
  10. Until The End Of Time
  11. Heartbreak Hotel
  12. Better Man

 

 

UK Tour Dates

 

FEBRUARY
11th Holbeach Hurn, Garden House
17th Belper Queens Head
25th Oxford Old fire Station
26th London Green Note (Band Gig)
MARCH
3rd Worth Mantravers Square & Compass
4th Wooton Under Edge Under The Edge Arts Centre
11th Saltburn Saltburn Blues Club
17th Bangor ( Wales) Blue Sky Café (Band Gig)
18th Peterborough Shakedown Blues Club
24th Gatehouse of Fleet 9Scotland) The Mill

APRIL
8th Chesham The Drawingroom
22nd Barry (Wales) Barry West End Club (Band Gig)

People We Become Sings Inspirational Jo Harman

People We Become Sings Inspirational Jo Harman

 

People We Become Sings Inspirational Jo Harman

 

The People We Become is the long-awaited follow-up to the acclaimed 2013 album Dirt On My Tongue. Worth the wait, YES in one simple word. Is it the same, a variation on Dirt On My Tongue NO. Jo Harman has deepened her musical framework the album is considered artistry of sound, tone and lyrical textures.

The album opens with a crackle and the distant voice of Jo as singing from the past. Quiet then thirty seconds in the tempo hardens with drum and bass we are in the now as Jo’s vocals come forward and take control. No One Left To Blame, opens the album with spine-tingling emotional power and if you don’t listen on you only have yourself to blame.

As the album unfolds, this is Jo Harman being herself full of poignancy and personal. As ever the vocals are smoky, smooth and/or pure depending on the tone and shaping the lyrics around her tongue adding joy or bitter-sweetness. This is the seductive power of Jo Harman’s voice, once heard never forgotten.  Jo has been described as a blues singer; that is just a part of the full musical equation of Jo Harman as she weaves in gospel, soulful Motown, and the angst of a singer-songwriter exploring personal hurts.  Jo is a singer who understands the power of using her exceptional voice as the focal instrument throughout the album.

The percussive forces on tracks reflect the intensity of Jo’s voice.  Then as in a perfectly balanced black and white photograph, the shadows and greys say more. Lend Me Your Love the piano and vocals give the track a simplicity so the soaring lyrics sung capture your attention. The percussion gives the track tonal texture and the underlying hurt and anger. Energy is added with Reformation and its tribal, urgent percussive intro, harking back but not copying a holler. The clapping adds a sting as we stomp to the number influenced by her work with Amnesty International.

Recorded in Nashville, at Sound Emporium and other noted studios, with acclaimed producer Fred Mollin (including Billy Joel, , Carly Simon, Joe Cocker and Johnny Mathis more) the album features Michael McDonald on the first single ‘When We Were Young’. With its up-tempo fun beat lightening the album blending in a song that will definitely be getting radio play with its easy listening dance rhythm and smooth backing singer it is a hit.

 

 

The ten track, superbly crafted album closes out with piano and voice as Lonely Like Me with deep melody and a song that is timeless as we feel the hurt of loneliness and understand the begging for forgiveness as it is part of our own life’s journey. It is why we are the People We Become.

Bluesdoodles believes this is an album that will delight her phalanx of fans and bringing many more into the Jo Harman camp, they will relate to the album for its timeless majesty and it fearless uncompromising delivery of songs. Songs that Jo wanted to write and sing not because they are a particular musical style.

TEN pawprint half inchdoodle paws out of TEN ….

Track Listing

  1. No One Left To Blame
  2. Silhouettes Of You
  3. Lend Me Your Love
  4. Unchanged and Alone
  5. Reformation
  6. Changing of The Guard
  7. Person of Interest
  8. When We Were Young
  9. The Final Page
  10. Lonely Like Me

Eric Johnson in Conversation Albums, acoustic and guitars

Eric Johnson in Conversation Albums, acoustic and guitars

Eric Johnson in Conversation Albums, acoustic and guitars

Eric Johnson, Grammy award-winning guitarist took time out to talk to Bluesdoodles about his first solo acoustic album EJ released on Mascot Group Label.

BD: What were your first musical influences growing up in Austin, Texas and beyond?
EJ: Lots there are some great bands and music in Texas. Johnny Richardson was a huge influence but there is just so much great music. I listened to all sorts of styles and players out there including Chet Atkins, Jerry Reed, Jimi Hendrix, Jeff Beck, John McLaughlin, Eric Clapton Bill Conners, styles vary but always quality.

BD: How did you get into music were you from a musical family?
EJ: My brother and three sisters we all had piano lessons, learning classical music my parents were not musical but supported my playing. Then I had guitar lessons. I took up the guitar because everyone I was listening to was playing the guitar. I listened to all types of music not defined by genre The Beatles, Jimi Hendrix, The Ventures. There were so many great dudes to listen to. The crossover with Ravi Shankar playing with Janis Joplin and others mixing it up, it was not about genres it was all about good music that excited.

BD: Having reviewed the Album, can you tell us Why a Solo album now having won countless awards and peer recognition is the acoustic another branch of the Johnson Guitar Tree
EJ: Well, I have always included one acoustic number on all my records. I have always enjoyed playing acoustic it is different from my solo electric guitar in a band. The essential in acoustic is a very good song that can stand on its own the words have to be very good. There is an immediacy in acoustic playing it is always a challenge to capture the song so it has a potency. The album is another voice of my guitar the album has an intimacy that only acoustic achieves.

BD: How did you choose the covers, especially deciding on opening with an instrumental version of Mrs Robinson
EJ: Well, Mrs Robinson came about fiddling with the tune on my own it sounded great and I was searching for a song to start the record. The realisation came that it might be the right way to start the album with the guitar getting the listeners attention. The other covers fitted in with my own tracks.

BD: I have always been interested in the lyrics of a song. Where do you get your inspiration for your songwriting?
EJ: Inspiration is everywhere. I have to allow the thoughts to unfold intuitively they evolve naturally. I have to stop the brain from interfering as too soon it clinches the lyrics so that they do not have time to develop naturally. The brain part is good to give the words a final polish but not too soon, you need to leave your creative window open for words to be descriptive painting a full picture. You need to be able to let your thoughts wander so there is a freedom in the construction of the lyrics. It was great fun to record a solo acoustic record, the simplicity there is an innocence in the process with a feel of naturalness with lyrics that can be obtuse like Wrapped In A Cloud.

BD: You have a big supporter in Joe Bonamassa. He and many other younger guitarists have named you as an influence…. Have you found this has been a boost to your own career?
EJ: Big admirer of what Joe Bonamassa does and it is very flattering that Joe and other guitar players respect and admire what I play. The reality is all guitarists learn from everyone else. I am genuinely honoured the other guitarists feel that way about my guitar playing.

BD: Did you always plan to be a musician and what advice would you give to budding professionals
EJ: Music was what I wanted to do my career developed I just kept playing with bands making original music. Kept rehearsing and working with different people. It was a step by step progression lots of practice and determination hard work eventually led to record deals and where I am today. The answer is if you want to achieve success it is about talent and hard work there is no easy simple route.

BD I am sure you have many plans for 2017 and beyond are you planning a UK/European Tour?
EJ: Now that is funny you should ask that question, we were discussing just that today a tour of Europe and the UK. Would love to visit the UK and tour all over especially like to see Eastern Europe.

BD: If you were putting together the perfect band with members from across the years (dead or alive) who would you have playing
EJ:
Bass: Billy Rich or James Jamerson… No I will have two bass players
Guitars: Jimi Hendrix, Jeff Beck and Wes Montgomery
Drums: Joe Morello
Vocals: Paul Rogers

Guitar Tech – Me When asked to jam I will say no I am listening to you guys that is enough for me!

Eric Johnson in Conversation Albums, acoustic and guitars
Photo Credit Max Crace

 

Eric Johnson –  EJ–  Release Date: 7th October 2016
Label: Provogue/Mascot Label Group

Read why Bluesdoodles said “EJ is an acoustic album that has an intimacy between performer and listener not often achieved on a studio album. The light and dark shadows and moody intensity all keep your attention on the lyrics and above all the melody.” HERE

 

 

Listen to Wrapped In A Could here:

Listen Now – Dan Owen New Single Moonlight

Listen Now - Dan Owen New Single Moonlight

Listen Now – Dan Owen
New Single Moonlight

 

 EP OPEN HANDS AND ENEMIES OUT TODAY ENTERING ITUNES ALBUM CHART TOP 40 NO.1 IN SINGER/SONGWRITER CHART

HEADLINE LONDON SHOW
THE WAITING ROOM – NOVEMBER 15th

 ‘MOONLIGHT’ – NEW SINGLE OUT NOW

 

Rising star Dan Owen has announced his brand new single ‘Moonlight’, celebrating the release of his latest EP Open Hands and Enemies out today through LAB Records.

The single premiered with The Independent who said, “Shrewsbury-born singer-songwriter Dan Owen is one to watch… Owen has a voice quite beyond his years, is a versatile guitarist, and judging by his opening performance for Birdy at the Eventim Apollo he’s an electrifying live act as well.”

‘Moonlight’ is a distinctly intimate insight into Dan’s stunning songwriting and jaw-dropping vocal abilities. It’s one of the most touching moments on the Open Hands and Enemies EP, a haunting love ballad that finds Dan at his most effortlessly smooth.

http://bit.ly/2dg70UkBluesdoodles reviewed the album  –  The only complaint I have and it is a big one, Open Hands and Enemies is immense for an E.P. but Bluesdoodles wants a full-blown twelve track album so that we can get to know all the intricacies that makes Dan Owen such a marvelous musician. The E.P. Open Hands and Enemies from the man with the velvet smooth vocals that packs a punch. Four tracks a teaser of a full album We are waiting Dan get the message we want more! READ what we said HERE

He can be caught live again at his forthcoming headline show in The Waiting Room, London on November 15th. Dan will follow this with a nine-date headline tour of Ireland in December, starting at Dublin’s Ruby Sessions on December 6th and finishing upstairs at Whelan’s, Dublin on December 16th. Full Dan Owen tour dates can be found HERE

Beth Hart Touring With Fire On The Floor

beth1

Beth Hart Touring With Fire On The Floor

BETH HART

WITH SPECIAL GUEST “COLIN JAMES
NOVEMBER 2016 UK TOUR ALMOST SOLD OUT!

TICKETS STILL AVAILABLE FOR GLASGOW O2 ACADEMY SHOW ON MONDAY 14th NOVEMBER

Tickets will go on sale on Friday, December 18th from the 24-hour ticket box office: 0844 871 8819 and from Alt-Tickets . Very special guest will be announced in the coming weeks.

Dates include Birmingham Symphony Hall (Friday 11th November), SOLD OUT Gateshead Sage(Sunday 13th November), SOLD OUT Glasgow O2 Academy (Monday 14th November), Tickets still available. Book online from Ticketweb.co.uk Bristol Colston Hall (Thursday 17th November), SOLD OUT Bournemouth Solent Hall (Saturday 19th November), SOLD OUT Manchester Bridgewater Hall (Monday 21st November), SOLD OUT and London Royal Festival Hall (Wednesday 23rd November) SOLD OUT.

 

Beth Hart Touring With Fire On The FloorBeth Hart continually delights audiences with her live shows  and her recorded music is stunning. Her latest album Fire on The Floor  builds on her depth of musical knowledge. The lyrics curl around the beat –  Read why we gave it a resounding TEN 

The latest album builds and develops where her critically acclaimed studio album Better Than Home left the music. Now back on tour a 2016 live music show not to be missed

BETH HART – NEW ALBUM: FIRE ON THE FLOOR OUT NOW PROVOGUE/MASCOT LABEL GROUP

Watch the brand new Official video for ‘Love is A Lie’ here:

Beth Hart Touring With Fire On The Floor

NOVEMBER 2016 UK TOUR
PLUS VERY SPECIAL GUEST

BOOK ONLINE: www.alt-tickets.co.uk
24 HR BOX OFFICE: 0844 871 8819

BIRMINGHAM SYMPHONY HALL
FRIDAY 11th NOVEMBER 2016

Tickets: £32.50/£28.50
24 Hour Box Office:
0844 871 8819
Book Online: Alt-Tickets 
Venue Box Office: 0121 345 0600

GATESHEAD SAGE
SUNDAY 13th NOVEMBER 2016

Tickets: £32.50/£28.50
24 Hour Box Office: 0844 871 8819
Book Online: Alt-Tickets 
Venue Box Office – 0191 443 4661

GLASGOW O2 ACADEMY
MONDAY 14th NOVEMBER 2016

Tickets: £32.50/£28.50
24 Hour Box Office: 0844 477 2000
Book Online: Gigs In Scotland 
Venue Box Office: 0844 477 2000

BRISTOL COLSTON HALL
THURSDAY 17th NOVEMBER 2016

Tickets: £32.50/£28.50
24 Hour Box Office: 0844 871 8819
Book Online: Alt-Tickets 
Venue Box Office: 0844 887 1500

BOURNEMOUTH SOLENT HALL
SATURDAY 19th NOVEMBER 2016

Tickets: £32.50/£28.50
24 Hour Box Office: 0844 871 8819
Book Online: Alt-Tickets 

MANCHESTER BRIDGEWATER HALL
MONDAY 21st NOVEMBER 2016

Tickets: £32.50/£28.50
24 Hour Box Office: 0844 871 8819
Book Online: Alt-Tickets 
Venue Box Office: 0844 907 9000


LONDON ROYAL FESTIVAL HALL
WEDNESDAY 23rd NOVEMBER 2016

Tickets: £37.50/£32.50
24 Hour Box Office: 0844 871 8819
Book Online: Alt-Tickets 

It is an Excellent Day sings Lizanne Knott

It is an Excellent Day sings Lizanne Knott

It is an Excellent Day sings Lizanne Knott

 

 

The album spins a silky tapestry of luxurious blends of Americana, country, shades of blues and wisps of folk all held in place by the roots of memory. The skill and dexterity of singer-songwriter Lizanne Knott’s skills are the heart, soul and takes us on a winding trip to the Excellent Day we all dream off.

The curving country twang opens up the journey towards the closing title track Excellent Day! The opening is dark described as Americana-noir the drumming pounds out the atmospheric beat from Erik Johnson. Setting the shape of melodic mood of the album, her fourth studio release and the inspiration flowed during a period of reflection following the unexpected death of guitarist Jef Lee Johnson a long-time friend three years ago. The album flows with shimmering textures, a lightness of touch even Josh Lawrence’s trumpet is muted, sad as it blends into the atmosphere on melancholic Goodbye.

The words sway and pull you into a lyrical narrative, sometimes joyous, often sad. Throughout, Rainbow Crow the music is sublime and the story is loose as a blackbird lives in a rainbow sky showing that we can all fly. The guitar is sweet and the vocals once again full of gentle tenderness, with the hardened edge of reality. The cover of Stolen Car, a Bruce Springsteen number is tinged with wistful shading by Lizanne, whilst Gershwin’s Ain’t Necessarily So is blues that is full of full-flavoured intent, every note is given a smooth edge that flows in a cascade of blues. A song gifted by a fan, Sometimes, a ballad of gentleness from Janis Ian. In between to softest silk and glistening nuggets of gospel folk on Lay My Burden Down. This is an album to chill out too, letting stress be diluted by the tender melodic tones of Lizanne Knott. Closing with The title track the beat picks up the sun is out and the music leaves your feet tapping to Excellent Day.

Bluesdoodles gives this CD EIGHT pawprint half inchdoodle paws out of TEN ….

Excellent Day – Lizanne KnottProper Music

Track Listing
1. Come For The Kill
2. Why You Wanna Break My Heart
3. Goodbye
4. It Ain’t Necessary
5. Rainbow Crow
6. Tennesse
7. Not This Time
8. Lay My Burden Down
9. Stolen Car
10. Someday Love
11. Sometimes
12. Excellent Day