Cameo of Rainbreakers Live Performance Jaks Skegness 2018

Cameo of Rainbreakers Live Performance Jaks Skegness 2018

Cameo of Rainbreakers Live Performance Jaks Skegness 2018. Rainbreakers are back to set Skegness alight once again. This year they headline Saturday in Jaks; the stage organised by Blues Matters. The venue that is dark, moody hot had the venue that has seen amazing nights we all still talk about the night Larry Miller set Jaks ablaze with his music. The anticipation was high amongst the many who have heard The Rainbreakers play live before. Into the mix and those who just came to see what the fuss was about or party and drink into Sunday morning.

Cameo of Rainbreakers Live Performance Jaks Skegness 2018The band was on fire full of energy as the band from Shrewsbury blended the music to create a music fuelled party atmosphere. Having spoken to members of the audience many just popped in for five minutes and now determined to stay to the end. This was no surprise to me as having been captivated by the sound since I first heard and reviewed in 2015 Blood Not Brass. 

What is Rainbreakers sound? What makes then stand-out on a crowded circuit? They have stretched the blues from the Mississippi Delta, up to Chicago across to the sun-drenched West Coast and sound drenched in the seventies full of soul. Musicians ready to conquer the here and now.  A quartet mix power with subtlety. A rhythm section drummer Sam Edwards and bassist Peter Adams lay down the scaffolding of their brand of Blues-rock. Guitar work from Charlie Richards bending the notes as vocals are delivered by Ben Edwards. The unit is tight and the live sound electric.

Cameo of Rainbreakers Live Performance Jaks Skegness 2018Tonight in Jaks they came set-up and allowed their music to conquer. That is exactly what they did. Saturday in Jaks was a happy place to be as they played music that made you get up and dance, smile and be happy with tracks from the second EP; Rise Up. This is what Jaks as we all rose up as one and enjoyed the moments they played a storming set, to be remembered long after Jaks falls silent. The Rainbreakers were the last Saturday night headliners to play the small stage in Jaks.

Cameo of Rainbreakers Live Performance Jaks Skegness 2018

Bluesdoodles Reviews:

2015 E.P. – Blood Not Brass

2017 E.P. – Rise UP

In Conversation about 2017 UKBlues Challenge

 

Now on tour supporting, Wille and The Bandits, do not miss any opportunity to see this young band play live as we await the anticipated full-length studio album from The Rainbreakers

 

 

 

This slideshow requires JavaScript.

Shrewsbury 2013

With less than a week to go and tickets going fast what better way of dispelling the late winter blues than Theatre of Blues Festival in Shrewsbury Friday 5th and Saturday 6th April
shrewsbury fest

The first Festival at Theatre Severn, was a resounding success as the review published in Blues Matters shows; definitely one of the many highlights was the talented young singer/guitarist Blues Boy Dan who was for me the find of the festival; what will they be pulling out of the hat this year? Blues Boy Dan will be making a special appearance at the festival this year following the recent news coverage in The Standard
Blues Boy Dan - Shrewsbury 2012 - DSC_0264l

5th April – Friday Night at The Lion Stage, The Lion HotelGetting the festival of the a flying start at 7pm – is the talented Jenna Hooson
The Legendary Slack Alice and headlining a quality evening of live music is the award-winning who are without doubt one of the UK’s most exciting and original crossover blues band 24 Pesos.

6th April – Saturday 2pm – 11.30pm. at Walker Stage, Theatre Severnopening the day of exceptional live music are The Drivetones a local band who always pleases, followed by the delightful Bex Marshall fresh from her successful tour of U.S.A.
the ebullient and energetic Tim Aves & The Wolfpack will certainly energize and delight the audience with blues straight from Chicago town. Fuschi 4 bring their own funk blues to the proceedings they definitely wow! festival audiences when ever they play. Dani Wilde will certainly add some glamour combined with her gorgeous voice and beautiful guitar playing and the band are excellent musicians in their own right this will certainly up the tempo even further. The topping the evening of is the Six-string Svengali himself all the way from Texas Buddy Whittington what a finale to a line-up that will definitely thrill and delight you. Live music at its best.

 

Shrewsbury 2012 – Review and Photographs

Blues Boy Dan - Shrewsbury 2012 - DSC_0264l
all photographs copyright Liz Aiken
Blues Matter reviewed the festival that last year took place on a snowy Saturday afternoon in early February 2012, the festival got under-way with one of the hottest and original acts on the circuit Babajack. The innovative percussion from Becky Tate who uses a combination of an African Hand Drum, Djembe and the Cajon (Spanish for box) on which Becky sits with aplomb combines with her great voice with its vibrancy that Trevor Steger on Guitar (including Wine Box Guitars made by Trevor) and Marc Miletitch (Double Bass) build on to create the BabaJack sound. The set is a mix of self penned numbers including strong tracks from their much-anticipated third album “Rooster”; and their own arrangements of traditional blues from Sleepy John Estes, Blind Willie Johnson et.al. BabaJack manage to conjure the deep south, traditional music. The use of the African drum also brings deep African rhythms evocative of heat, and raw emotions of slavery taking the blues back to its roots…… This band has a rootsy style that is drenched in the essence of the blues what a fantastic sound they create. The afternoon was crammed with acts, and next up was a young man from Shrewsbury, Blues Boy Dan with his Acoustic guitar blues harp and a stomp-box made from a shortbread tin covered in fabric! He delivered an accomplished set of well-known classics and his voice shone through with a fantastic range accompanied with skilful acoustic guitar playing. This young man is a blues-man in the making and will be heard on the festival circuit very shortly as talent shines through as he includes his own take on these classics. Then a contrast again, Andre and Dermont from Rhythm Zoo who organised the festival, have definitely thought about the sound and tempo as they mixed up the acts, repetition was not going to happen today. Northsyde stormed the stage next full of energy and life as the musicians support Lorna up front the second female lead vocalist if the day. Once again the set was a clever mix of Northsyde favourites such as Allman Brothers, ‘Whipping Post’, ‘Mercy’ and new tracks from their much-anticipated album including ‘Rocking Chair’……. Last act of the afternoon section was Dave Arcari bring to the stage his punk acoustic blues, bold sound from his National Resonators including his electric resonator. His slide playing is magic and as he leaps around the stage his energetic performance leaves the audience gasping for breath. This Scottish wizard of the blues is a bit like Marmite you either love or hate him and today he made some new fans and the crowd loved the tracks including ‘Devil’s Left Hand’, title track of his latest album and ‘Got Me Electric’. With a short break everyone gathered their thoughts and sat down for a well-earned rest and a catch up with the musicians who were all in the foyer all to happy to talk to fans both new and old. Rhythm Zoo opened the evening session producing a strong set with the third female lead vocalist Andrea Jones, who added loads of energy despite the stress of being integral in the organising of this exciting new festival. Andrea’s powerful vocals were supported by four strong musicians, a solid rhythm section comprising Dermot (Drums) and Dave (Bass); Carl (Guitar) and John on Flute and Saxophone making this band just a little bit different. They certainly lived up too their slogan ‘keep it blue, keep it zoo’; this was blues with confidence and animal magnetism. Andrea was witty and warm introducing the numbers with relevant anecdotes great set full of original material and a beautiful cover of Robert Cray’s ‘Playing In The Dirt’. For their encore they invited Blues Boy Dan to join them on the stage, now brandishing an electric guitar for a mini jam – ‘Shake You Money Maker’ demonstrating that his talents stretch beyond the acoustic fitting the band as neatly as a glove.

This slideshow requires JavaScript.


all photographs copyright Liz AikenBlues Boy Dan - Shrewsbury 2012 - DSC_0264l
Jon Amor strode onto the stage with Jon Amor Blues Group this set upped the tempo for the evening with a selection of numbers off their excellent album. The polished performance showed that all of Jon’s catalogue now belongs to The Jon Amor Blues Group, the band members Doherty brothers Chris (Bass) and Dave (Rhythm Guitar) and Si Small (Drums) complimenting each other creating a bluesy sound. ‘Juggernaut’ and ‘Repeat Offender’ from their début album had the festival rocking on their collective feet. Once again a great set at a fast pace with Jon letting the music do the talking and keeping the talking between songs to the minimum. Now with a festival hum around the theatre Big Pete from Netherlands introduced his band, he is a blues harpist with extraordinary talent and a lightness of touch. The set included self-penned numbers, traditional blues all performed with style, probably the most traditional act so far, a pleasant contrast to the more modern blues sounds that had preceded Big Pete. He was anything but staid as he varied the pace of each number from long-drawn out slow blues through to high-octane 12 bar-blues that got the dancers dancing and we heard the first drum solo of the day. This was a classy performance from a great band and superlative harpist delivering quality harp-inspired blues with very colourful style of harp playing from Big Pete, embellished by his smooth vocals.
All too soon the last act of the day Big Joe Louis and his Blues Kings, including Little George Sueref (Harp) took to the stage. What a sound Big Joe Louis produces, something very special that sets him out from the rest. There is an innate authenticity about his act. He delivered all the favourites you would expect from this accomplished showman including ‘Catfish Blues’ delivered in Big Joe Louis own indomitable style making the song truly his own. The audiences were delighted dancing with the great rhythm being offered whether Big Joe Louis renditions of old favourites or his own penned offerings. This band was the icing on the amazing cake of sound that went into making Theatre of Blues such a success. The sound and lighting were fantastic and the brilliant MC Lionel Ross who did a sterling job as last-minute MC introducing and thanking the bands. Above all great to see people out supporting and keeping blues music live, that is what it is all about. I am positive 2013 Theatre of Blues will be bigger and better if that is possible but on the evidence of this year as the standard has been set very high indeed anyway. Liz Aiken