Dan Reed Talking about Networks and Live Music

Dan Reed Talking about Networks and Live Music

Dan Reed Talking about Networks and Live Music

 

 

BD: Hi Dan hope you are well, thanks for taking time to speak to Bluesdoodles, we spoke last year on the release of Fight Another Day, now as you embark on a European tour we have a chance to revisit and explore the world of Dan Reed Network.

DR: Good thanks, we are in Norway and it is as cold as hell. That is a silly thing to say it is beautiful and snowy.

BD: How has your perspective changed since taking the time out travelling, studying and having a son?

DR: Biggest change was the birth of my son.  He is so very cute, often mistaken for a girl with his long hair, people often still don’t connect when I say his name is Joshua. Having a child is all encompassing. It is so hard to describe the feeling the first time you hold the baby. There is a deepening of awareness, deepening of compassion, a child engulfs you with emotions of love and responsibility. My first responsibility is to raise them safely and then as they grow imparting lessons of gratitude, how to lead a good life, planting the seeds of who the child will grow into. It has made me a better human being. This runs through my lyrics as they reflect the path that you have left behind is so much more defined.

BD: Back touring Europe and hitting the U.K. in March. Before we talk about the 2017 tour with Fight Another Day. What were the highlights last year back on the road with the Network,

DR: Festivals are always fun and at Sweden Rock Festival, we were the first act on the stage on the second or third day after lots of partying. In an arena that holds twenty-thousand there were 300 in the rain. As the first song started the rain stopped and by the end of the set there were over 8,000 watching and it was exciting, energetic from the rain and gloomy skies we had music it was the best show. The coolest was playing back in our home town of Portland seeing so many familiar faces, lots of folks who have seen us play from the beginning from the making of the video for Ritual. It felt so good being back. Yes our knees hurt a bit with a few more aches and pains now after a performance but this is part of the challenge of a live performance and is definitely an excellent workout both mentally & physically.  Funky rock is hard and needs the energy of the song; we achieved this at a live rehearsal at the Hard Rock Café rehearsing in front of an audience the energy of the audience feeds the performance you trade off the energy of each other it is a symbiotic relationship. It is hard being away from family and home when on the road the positive trade-off is you get rid of the tensions by playing the music, talking to the audience and the feeling that we are so lucky to be doing this.

BD: What’s your favourite track from your extensive back catalogue to perform live??

DR: Favourite track, the solo stuff I love playing it live acoustic can be harder with a need to put your energy into the meaning of the lyrics. From the album The Heat Salt of Joy and when the band sings A Capella Long Way To Go, it is magical honest lyrics, written with visions in the head. Writing lyrics need to go into a daydream and explore thoughts and emotions. Kurt Cobain was a tortured soul but wrote honest lyrics the most honest rock songs ever written.

BD: Now you are performing tracks from Fight Another Day live, how do you select tracks from the extensive back catalogue to meld the past with the now.

DR: It can be difficult singing the same songs over and over again. The key to not sounding mechanical, just going through the motions is twofold having a good time and play the music as if it is for the first time. Play your arses out never let it become a slog, enjoy the music build up the audience.

Mixing things up more and more. Including a Bruce Springstein style request. It is fun, surprising challenging the request could be for a ballad, like Stronger Than Steel in a part of a set we would never plan a ballad. We now have no set list we play the songs we want to play trying to vary the groove what feels best changing the tempo and topics covered from politics to sex!

The Set is like climbing a mountain range. With summits and valleys can build and build through the show with a high point in the set climaxing the show. Or can sing a mellow song reached the top now meditating and chilling.

BD:  Last time we finished with what your dream band would be this time – what are you listening to and what Dan Reed Network track would you liked covered and by whom?

DR: Music that listening to at the moment D-A-D Danish rock originally named Disneyland After Dark but had to be renamed after The Walt Company threatened a lawsuit.  D-A-D & DRN all the letters would just so love to open for them would be so inspirational. The poppy melodies and funky tone of   Foster The People love the music they do not use any sequences and the evergreen band for me is  Jamiroquai

BD: Thank you for your time and looking forward to Cardiff at  The Globe on  5th March and hearing DNR live.

 Dan Reed Network is back in the UK with his tour Get Your Tickets HERE.

 

Dan Reed Talking about Networks and Live Music

Erja Lyytinen Exciting Blues Ensures Listeners Stolen Hearts

Erja Lyytinen Exciting Blues Ensures Listeners Stolen Hearts

Erja Lyytinen Exciting Blues Ensures Listeners Stolen Hearts

 

The release of her tenth studio album, Stolen Hearts, follows on from two critically claimed albums, Live in London and her tribute to Elmore James, her last studio album, The Sky Is Crying. The eleven track album has been lovingly created with production that is cooking the wondrous talent that is Erja Lyytinen. Recorded in two countries firstly in Helsinki at Sonic Pump Studios, then London where Chris Kinsey has used his breathtaking skills at State of the Ark Studios a hone Stolen Hearts into a standout album.   Creating a blues-rock infused album full of textures, tones and another side of Erja’s immense musical talents to make acquaintance with on Stolen Hearts.

Stolen Hearts, will steal your musical soul, Erja has stretched her wings they shimmer with the blues and more. The album is confident, not looking over one shoulder to Blues music of the past but singing into the unknown as the album explores a wider range of tones.  A crossover album striding across genres pushing them aside, making the music accessible to lovers of singers who sing powerful songs with gut-wrenching twisted guitar and deep and moody rhythms.  Having listened to the album a number of times it grows and grows as new nuances are heard, different lines of lyric pop out and connect.

Every track is different some are stronger but none are weak. My thoughts on a handful the rest I leave for you to explore and describe in your own words. Opening with the title track, a gentle intro that picks up as a backdrop of percussive grooves for Erja’s vocals to rule as queen of the stolen heart.  The edgy lyrics of a man-eater portrayed by a women who has the band at her fingertips and the guitar’s six-strings bend to her will on solos that create the landscape of the opening track. Laying down the intent this is an album that is another step in Erja’s journey as she weaves her spell over the blues of every hue.  Second track in and we have a rocking good time tempo, redolent of Led Zeppelin but one-hundred percent Lyytinen. The bass acts as the Rocking Chair going back and forth as the seven verses unfold. The gripping speed and urgency reflects the lyrics about personal growth, how we should find peace and pride with what we have done and reflect in our Rocking Chair.

Co-written with guitarist Alan Darby, a single from the album, 24 Angels has deep melodies and breathy delivery as she flirts with the mic. Radio play should be a certainty with a track that fuses lyrics and vocals that allow the guitar to fly with the angels as we are lifted up with blues fuelled adrenalin.

Half way through you are as the listener pulsating with the energy power and poetry of Stolen Hearts. With a deep blue driving rhythm, Black Ocean is full of heavy riffs, solid repeated unchanging like waves crashing against a granite cliff. We know it is dangerous but we have to listen to Black Ocean with a Prog Rock feel, but never inaccessible. This is progressive-blues Lyytinen style. The keys add a soothing texture and the twin guitars add layers of sound that never overpower the lyrics and Erja’s vocals unless it is the emotional tension within the guitar solo.

The dreamy tempo of keys and guitars of Silver Stones, cooling the album down with melodies that etheral showing a vulnerability as the lyrics explore the pain of mental health and fantasy worlds we create and get lost in. The album explores human experiences and is up-tempo and reflective, we have rock and slow blues, slide guitar all mixed so that each track flows and showcases the depths of Erja Lyytinen’s deep luminescent talent. Closing with a slow acoustic feeling number Broken Eyes a song for piano and vocals. The power of the two create a love song we have all experienced. The only answer as the last notes fade is listen and explore Stolen Hearts again. Why? Stolen Hearts is an album of musical maturity that will remain a firm favourite for years to come in collections of lovers of contemporary blues without boundaries.

 

Erja Lyytinen’s Stolen Hearts is released on April 7th on Tuohi Records.

TEN pawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Stolen Hearts
  2. Rocking Chair
  3. Love Laboratory
  4. 24 Angels
  5. Black Ocean
  6. Slowly Burning
  7. Lovers Novels
  8. Silver Stones
  9. Awakening
  10. City of Angels
  11. Broken Eyes

ERJA LYYTINEN – UK TOUR DATES APRIL 2017
Square & Compass, Ilminster – Sunday 9th April 2017 – Box Office – 01823 480 467
The 100 Club – Tuesday 11th April 2017 Record Release Party  – WeGotTickets.com
Worthing Pier Southern Pavilion – Wednesday 12th April SeeTickets.com and Ents24
Durham Gala Theatre, Durham – Thursday 13th April 2017  Durham Gala Theatre
HRH – Blues Festival, O2 Academy Sheffield – Saturday 15th April 2017 HRHBlues

Booked your tickets now listen to 24 Angels from the forthcoming album Stolen Hearts

Read Why Tonight Glenn Hughes was pure Gold as he Resonated across The Fleece

Read Why Tonight Glenn Hughes was pure Gold as he Resonated across The FleeceRead Why Tonight Glenn Hughes was pure Gold as he Resonated across The Fleece

Glenn Hughes was pure Gold as he resonated across The Fleece. But first, we have the young band that is wowing audiences across the airways and live wherever they play. Yes, Stone Broken hit Bristol tonight with many fans already in the audience. They played to a packed Fleece, full of anticipation for Glenn Hughes. Read Why Tonight Glenn Hughes was pure Gold as he Resonated across The FleeceThere is no doubt that this loud rock driven band caught our attention and we wanted to hear the music. This was a support that excited, left you wanting more. What makes Stone Broken, the band radios want to play and audience what to go out and see live? Chemistry. Yes, that magical distillation where all the band blend and create a cohesive rock sound combined with commitment. The commitment that they will have fun playing music that gives you pleasure. With Rich Moss on vocals that climb Read Why Tonight Glenn Hughes was pure Gold as he Resonated across The Fleeceabove the drumming of Robyn Haycock so that the lyrics are never lost in the guitar and bass maelstrom from Chris Davis and Kieron Conroy.  Every track was nailed to the mast of Stone Broken live, as they head across Europe with Glenn Hughes throughout February. The standout number in the oh too short set was Waiting For You, you may have heard it played on the radio but live it has a raw vibrant energy.   New songs that will be on the next album given an airing tonight were Just A Memory which is a heavier sound, and This Is Life. Long may Stone Broken climb reaching new audiences creating solid rock music that entertains.

Read Why Tonight Glenn Hughes was pure Gold as he Resonated across The FleeceShort break, we draw breath and Glenn Hughes is on stage to a rip-roaring cheer from the crowd that must have lifted his spirits.  Throughout the night, Glenn shared insights into Glenn the person sharing his love for his loyal music friends. We shared his grief, he was playing tonight giving The Fleece audience the music we wanted to hear, despite the emotional pain of his mother passing the night before. The emotions flowed off the stage and back from the audience as we were bathed in the love that is Glenn, and the mutual love for music that rocks from Deep Purple days through to his latest acclaimed album Resonate.

Read Why Tonight Glenn Hughes was pure Gold as he Resonated across The FleeceTonight, Glenn Hughes was pure Gold as he resonated across The Fleece.  The band provided the backdrop for his bass and vocals that climbed the octaves with a purity that enchanted us all. Glenn hit the ground running, on form with those clear, powerful vocals. What a voice. And to think it was his fourth instrument of choice graduating from the piano, to guitar, to bass then finding his voice at nineteen. He has been on fire for the whole tour building energy from people that love the rock he brings into our lives; tonight was no exception with raw energy, poignancy and the ability to make each song fresh as Read Why Tonight Glenn Hughes was pure Gold as he Resonated across The Fleeceif being sung for the first time. Glenn connected personally with everyone in the audience, he was singing for each and every one of us. Let’s not forget his sublime string bending bass playing that resonates its deep chords through every number. With a great tight band behind him, guitarist Soren Andersen powerhouse of a drummer Pontus Engborg completing the trio from Scandinavia tonight on Hammond Organ Jay Doe bringing memories of Jon Lord into The Fleece tonight. Thanks to Glenn and his introductions and praise of the band at the end of the set we also know the height and weight of the monstrous trio that is a platform for Glenn Hughes to leap from.

We heard from Trapeze, with Medusa always a crowd please and sounds so very good, as he recalled that this was his first song written sitting at his mother’Read Why Tonight Glenn Hughes was pure Gold as he Resonated across The Fleeces kitchen table aged seventeen The number has longevity, tonight was rejuvenated as Glenn appears to be. The writing and recording of Resonate the catalyst, writing the songs while recovering from double knee operations a mighty album was formed. Deep Purple’s Might Just Save Your Life was awesome, the emotions rippled and we were collectively joined at the hip with Glenn and his band.
What a set list every number was electric. Then the encore first Heavy from ReRead Why Tonight Glenn Hughes was pure Gold as he Resonated across The Fleecesonate and then Purple’s Burn. Tonight we were burning hot in the hot rock music that defines Glenn Hughes 2017. What a night, live music that adds to memories and brings love to every rocker’s heart.

Skegness Solid Live Music More Blues than Rock in 2017

Skegness Solid Live Music More Blues than Rock in 2017Skegness Solid Live Music
More Blues than Rock in 2017

January drawing to a close, Christmas lights a fading memory. Then your calendar clicks around to Butlins, Skegness for the Great British Rock & Blues Festival, the next year of musical journeys begins. This year the emphasis is on Blues, Rock has fallen if not silent but reduced to a whisper this year, upsetting some and definitely changing the balance and feel of the weekend.

The Introducing Stage got the show underway from 4pm Friday until the early hours of Monday morning. The gaps were minimal the music quality, meeting of friends chatting about what stood out and having fun was the order of the day.  The grumble about the lack of rock was justified. The title of the weekend is Rock & Blues so you would expect a balanced mixture. Everyone who knows me knows that I love my Blues of every hue, but I love the energy of Rock, the power of Rock and energy of the stage shows and this year this injection of power was missed. Without the balance of Rock and Blues, we didn’t have the contrast of razor-sharp, sparkling blues guitar and the full-on power chords and stinging licks of granite fueled rock.

Bluesdoodles, Liz Aiken enjoyed the weekend visiting the stages catching acts, missing others. With four stages this was a hectic few days.  Starting off with the highlights across the days on Introducing Stage, run by Steve Stanley, of Solid Entertainments with the help from Paul Stiles and the Blues In Britain Team to hand out the voting disks.  The Skeggie road takes us to Centre Stage – designated as ‘The Rock Stage’ by the Butlins programming team. The journey continues with a visit to Jaks with its late night sessions jams and a distinctive atmosphere, organised by Blues Matters. Finally, our travels and weary feet take us to Reds, 2017 the Blues stage.  The programming was without argument patchy by the Butlins team what was good was very good, interspersed by mediocre and poor. The Road was definitely a Blue cobbled street rather than a rocky trail throughout the 2017 weekend. Let’s hope this is a transition year and next year the balance between Rock and Blues is restored. There are so many young exciting bands on the circuit that would be delighted to entertain the Skeggie crowds.

Now, for the music. GT’s Boos Band got the show under way and they were one of the thirteen excellent bands who delighted the crowded area at the heart of the Skyline Pavilion.  The bands played for the chance of performing on a stage at Butlins 2018, decided by public vote.  The three successful bands this year were Friday Night – Tom Walker Trio, Saturday, Southbound and the final finalist on Sunday was Greg Coulson Band.  The competition was tough every band bought an interpretation of blues and rock that shows the depth of live music in the UK today. Tom Walker Trio, played a set that sparked including originals and an interesting, entertaining interpretation of Joe Bonamassa’s John Henry. Hitting the authentic blues spot Backwater Roll certainly pleased the audience in a packed area. Saturday night showed that this stage is getting more popular every year as the place to find new festival gems that you will want to see live again. Southbound were great on the night with a live performance showcasing the power of the rhythm section as they delivered their distinctive Blues Rock with a bucket of soul sound thrown in for good measure.  Matt Edwards Band with Stuart Dixon on bass impressed as did their 2015 album Four Berry Jam. Matt has a voice that makes you listen and his guitar playing has an infectious tone. Amy Eftekhari’s performance of Somewhere Over The Rainbow got the crowds purring with delight. Then it was Sunday two performances really stood out and on another day Elles Bailey would have won. Her vocals have power and the addition of Nick Garner on harp added another dimension to this class act; for me the winner of Sunday night. But the popular vote went to Greg Coulson, who delivered by surrounding himself with excellent musicians and a confident stage presence on the day. His experience as keyboardist with The Selectors shone through combined with strong numbers from his forthcoming debut album. This was party music that lit up the Introducing Stage.

Centre Stage is where queues form every night long before the doors open. At least now they are entertained by the adjacent Introducing Stage. This year designated The Rock Stage for the first time had one certainty rock would be hard to find. Friday night opened with one of last year’s winners Sugarman Sam & The Voodoo Men. Wow, the transition to main stage fitted the band perfectly with a strong set. The music was hefty blues-rock, punctuated with authentic blues licks that curled around the rhythm section. Sugarman Sam, is growing as the new number She’s A Woman demonstrated. The following act was Eric Sardinas & Big Motor highly anticipated and deeply disappointing in the delivery.  Yes, a string did break, but why the length of time off stage, as so many said surely someone of this calibre should have a spare guitar tuned for slide, do a different number or have a guitar tech. It was left to the bass player, Paul Loranger who held the fort not once but twice as Sardinas left the stage and flounced off again. What the band played was good but the flow of the set was disjointed and definitely an off night for this colourful performer of Rock-blues.

Saturday with two sessions the afternoon opened by Texas Flood another winner from 2016. What a winning Rock n’ Roll set. Texas Flood definitely washed away any cobwebs with a rip-roaring high octane set that rocked. This is the rock we want to hear at Skeggie, but why the early timing? It was not as if the evening bands were that exciting. The energy was high, the timing sharp they certainly did Wales proud! The interplay between guitar and bass was sharp and entertaining.  Closing the afternoon the Helen Hardy Band entertained. A good R n’ B band the covers we know and flowed through the auditorium as Saturday afternoon drew to a close.  Saturday night. Kenney Jones & The Jones Gang, may not be classic rock but this was a band that delighted the crowds with songs from his vast back catalogue. Kenney Jones, the drummer who was the heart of three of the great bands The Small Faces, Faces and The Who. The crowd sung along with delight to Itchycoo Park and more.  Leafhound, a rock band were well received with Luke Rayner’s guitar sounding superb, the most underrated of the weekend. (Bluesdoodles spent most of the time in Reds and Jaks this just didn’t rock our boots)

Last day of the festival with a feeling of the night after the day before.  The last of 2016 Introducing Stage winners the Rainbreakers started things off. This is a band that never rains on your parade but brings a ray of sunshine Once again proving what a great launch pad the introducing stage is as they also stepped into Centre stage limelight delivering a storming set. The testimony to this was the queue for the merch as people wanted to get their hands on the latest E.P.  Rise Up. This was R n’ B with attitude, full of tasty riffs and delicious licks in the eclectic selection of numbers. A class act with loads of potential to be a name on everyone’s lips. Popa Chubby Band closed out the afternoon with his own brand of Blues and R n’ B with his trademarked lead breaks, held together by a solid rhythm section. The crowd really warmed to him many hearing him for the first time. Definitely class blues BUT definitely not Rock as Poppa described his music as Working Class Blues.  The night was not about rock but there were three acts that delighted the audiences. Kicking off the double celebration of the Rocking Blues was Laurence Jones with his new line-up. He built the energy, excited the packed house, the guitar was sweet. Laurence full of confidence gained from years of touring and playing live across Europe and the UK. The set was one-hundred percent Laurence with ribbons and bells as he showcased his latest album Take Me High. That is definitely what he did he took us high in to a dazzling blue encrusted music with the edge of rock  With Joanne Shaw Taylor up next we were going to be in for a Wild ride. Reflecting her current album, the set was full of deep blues riffs and licks that curled around the audience with a sensuous and stylish flow.  The interaction between Joanne and her bassist Luigi Casanova adds energy a visual focal point. Then she breaks away and soars into her renowned guitar solos that hit the spot where musical memories are made. Tonight, was the best I had heard her vocals the balance was perfect so voice and guitar were in balanced harmony. Closing out the festival on Centre Stage was Steve Harley & Cockney Rebel where many re-lived memories and reminded many of the sound track of their youth.

This slideshow requires JavaScript.

The weekend selection at Jaks was vast, full of delights and festival gems plus the fun of Saturday afternoon Jam. Ranging from the gently harmonious blues from Fran McGillivray to the dynamic sounds of blues with a punk attitude and sassy energy from the Husky Tones as this duo caught your attention. With a new album out soon this is a band we will be hearing lots of as they ask  Who Will I Turn To Now? Closing the night as the other stages fell silent we danced into the early hours with The Revolutionaires led by the charismatic and energetic Ed Stephenson.  Saturday afternoon is all about the Jam which two young men, Mikey Maclennan and Steve Liddle ran with style as unfortunately Jam stalwart Gary Boner from Roadhouse was unwell following a recent operation. Everyone wishes Gary a speedy recovery and a hearty welcome back to Skegness 2018. Saturday evening was a night of magic live-music. With two of the acts for many the bands of the weekend. Firstly Catfish who played a blinding set. Deep emotional blues full of verve and style as Matthew Long with his voice and guitar dominated the stage capturing the audience so that no-one was tempted away. Catfish’s rendition of Make It Rain was stunning and the emotions were charged and there were tears of joy as the passions of the audience and the band connected. Their new album, out 28th January, Broken Man will be a hit of 2017 there is definitely nothing broken about this band.  How do you follow that with Dom Pipkin & The Ikos and some New Orleans infused music. Closing the night and welcoming in Sunday were LaVendore Rogue. A band that is like marmite with the supporters outweighing those who cannot connect to their interpretation of the blues. Mixing up the set with old Hokie Joint numbers and tracks from the debut album, Light Up With they definitely shone music into our soul tonight.  Sunday evening, without Roadhouse they pulled a blinder by filling the gap with Ash Wilson. The anticipation was high, many had seen him play dual guitar in the Sean Webster Band. On stage he was joined by Bob Fridzema and Roger Inniss who played on his debut album, Broken Machine. Joining him on drums tonight was Wayne Proctor sitting in for his brother Phil Wilson who was otherwise engaged playing drums with Laurence Jones on Centre Stage. The set was mature, accomplished a quality performance of R n’B from everyone on stage. We heard covers like My Babe done the Ash way.  Ash’s vocals are strong at times sounding like molasses with the bass drum the heartbeat like cotton popping in a sun-drenched field as he  Holding Hands was sung. The Revelator a Jesse Davey number picked up the tempo. There was a pure synergy between these top drawer blues musicians a delight to behold and listen to.   Be delighted to see him on the Blues main stage next year.  Following this Will Johns & Friends, with Mikey Maclennan once again coming to the rescue as stand-in drummer. He met Will and the band a few minutes before stepping on Jaks stage with them to play a festival set. What a brilliant job he did. Very entertaining with witty repartee, brilliant guitar with a fantastic tone. What a high quality set of blues. The festival had one more act as the clocked turned into Monday, Jaks was packed as everyone squeezed a few more musical memories out of The Great Rock & Blues Festival 2017. Kris Barras Band, who delivered blues rock with power and a force to be reckoned with. Another live act that delivers every time building on the studio sound heard in their current album Lucky 13.  Blues Matters once again delivered music that will hold many memories and hats off to the DJ Clive Rawlings who each year acts as the glue that held the sessions together.

This slideshow requires JavaScript.

Reds this year was coloured with Blues of every hue and shade.  With Friday and Saturday dedicated to firstly to the harmonica and then to Alligator Records. Opening the festival for Reds was A Harmonica Explosion, a night where this German folk instrument was re-shaped in tone and playing by Southern States Blues musicians to be forever connected. Blues and harmonica are a perfect pairing. Opening the night was Giles Robson Band, a very entertaining set engaging the audience who were delighted to participate when asked. The music was an explosion of blues harp as we stepped on board the steam train and followed Giles on a ride full of tonal twists and turns of the blues-harp. Later on in the evening he was joined by three more renowned harp-players Magic Dick, who for some reason was not on top form, James Harman beset with frustrating technical issues so his harp was silent for far too long and the cream of the night a musician on fire Billy Branch. When they all played together at the end of the evening we were treated to a harp firework display.  The acoustic set from Martin Harley opening on Saturday afternoon was a melodic delight as he explored the tonal ranges of his lap Weissenborn guitar. The covers took us deep into the Delta full of acoustic twists and turns gently kick-starting a harmonious Saturday in Reds turned Blue.  The tempo then changed and Reds was packed as loyal fans of Nine Below Zero were once again caressed by the band that knows how to deliver. The only disappointment was this set was on in the afternoon many felt it suited an evening slot. The music drew you in the blues was delivered and everyone left with a deep sigh of contentment. The evening was a celebration of all things Alligator. With a first for Skeggie a Q&A session with Bruce Iglauer President and founder of Alligator records. Lots of interesting questions and we all gained an insight into how a blues label works. Three blinding sets unfurled showing the diversity of electric blues. Marcia Ball got the Alligator Party rocking turning Reds into a Roadhouse for this Blues Spectacular.  Proper Chicago blues played by a wonderful group of musicians who with a smile opened up the joy of the blues and entertained. Marcia Ball sung like an angel accompanying herself on the piano with the musicians that pulled together to showcase the sound they just love to share with everyone who listens. Blues is heavenly when played this well. The harmonious and interesting combination of drum shuffles, sax, keys and the power of vocal lyrics was infectious with the guitar pulling the show together. Wow! How do you follow that? Easy when you have the depth of Alligator artists to choose from. Next up blues with a difference a trio, Moreland and Arbuckle. All eyes are focused on Moreland with his cigar box guitar and Arbuckle’s, harp and vocals. A  high octane band playing Roots music that rocks you  to your core. Electrifying raw delta infused music that gets the adrenalin pumping feet tapping and you get a warm feel good glow as the music surges through your veins.  Closing tonight we headed deep into Southside Chicago for authentic urban blues with Toronzo Cannon. Having learnt his craft in the competitive and demanding Windy city club scene it takes a special blues magic to rise above the crowd. Toronzo has that with style and a flourish as he melds smooth vocals and stinging guitar chords. With a mix of his own numbers with strong lyrics and a couple of covers; what a dynamic end to an evening that enveloped you in Chicago Blues and so much more.

Sunday at Reds was a mixed package for me opening with Lil Jimmy Reed featuring Bob Hall on Keys this was the perfect blues smoothie for early Sunday afternoon. Followed by Paul Jones and Dave Kelly as a duet Sunday was a smooth affair. The evening was a mix David Knopfler on acoustic guitar, disappointed, The Blues Band as ever delivers British blues with style and aplomb. Closing the night is Jamie Williams and The Roots Collective; this is blues infused with English Folk and roots music. Closing the festival on Reds they delivered a stylish set that didn’t for me shout out the blues. Not a celebration but a party we all enjoyed.

This slideshow requires JavaScript.

There were many highlights of every Blue hue the strongest stages over the whole festival weekend were Jaks and the Introducing Stage. The night celebrating Alligator Records was a combination of brilliant blues drenched music. The three young bands who won The Introducing Stage Sugarman Sam & The Voodoo Men, Texas Flood and The Rainbreakers, all added a shine to the festival.  Memories of 2017 will be many and all tinged in blue rather than rock. The acts that you should run to see again are Catfish, LaVendore Rogue, Ash Wilson, the winners of the Intro Stage and Elles Bailey. Joanne Shaw Taylor in this form is a force to be reckoned with, Marcia Ball , Moreland & Arbuckle, Toronzo Cannon and the harp supremacy that is Giles Robson.

 

 

Recorded Music Reviews Delights of 2016

Recorded Music Reviews Delights of 2016

What a fabulous year for music at Bluesdoodles HQ. I have enjoyed listening to all the recorded music sent. Liz makes a note (must do better in 2017 and review more! I have started a new hopefully more organised system!).

One Hundred and Forty-eight reviewed. What an array of music from Folk to Metal Rock to Blues. The genre to everyone at Bluesdoodles  HQ is unimportant, that is a marketing tool it is whether the music vibes hits our collective DNA. Liz, Kevin & Othello a very discerning Bandana wearing Labradoodle.

Recorded Music Reviews Delights of 2016

Bluesdoodles Picks of 2016  read why these albums HERE

pawprint half inchTen Doodle Paws of 2016 read why HERE

Below are the album covers of the recorded music we reviewed throughout 2016 – click on the cover to be taken to the review. Every recording has something special. remember the doodle paws rating is subjective. This is the view of the reviewer you may differ I am pretty sure that your album of the year will probably be different from Bluesdoodles. It is how we hear and enjoy music differently that makes listening to music something very special.

 

Love recorded music  – live music has that special edge – read the Pick of the Gigs we travelled to in 2016 HERE. Make sure you support live music throughout 2017.

Holding On being the companion to Heal My Soul

Heavy Chimes with Glenn Hughes Resonate

Here We Go says Simpson and Flemons Sing Favourites

Slim Butler Blues Has No Bad Intention

Larry Miller Delivers Larry Miller Blues That Rock

Starlite Campbell Band Baking Up Tasty Blueberry Pie

Federal Charm Crossed Wires into Acoustic

Live Trouble with Gerry Jablonski Electric Band

The World Moves On with The Hitman Blues Band

Definitely NOT The Wreck of The Blues Pontus Snibb

It Is not Broke as Mick Ralphs Blues Band Set Down the Blues

Lightnin’ Malcolm Foot Soldier Delivering Roots Delights

It’s Christmas Time with John Cee Stannard

Riddle & The Stars Exploring Music Coastline

The Brew Shake The Tree of Blues Rock

The Leopard says Be Live With Rebecca Downes

Blues Full of Grit Grease & Tears with Deb Ryder

Listen to Beoga Before We Change Our Minds

Buckle Up with JOANovARC for a Ride Of Your Life

Nothing To Lose Sings Red Butler

Rik Emmet & RESolution 9 Album Delivers as Resolved

Robin Bibi Brilliance Is No More A Secret

On Safari with Rocking Rolling Kentucky Headhunters

Ian Siegal 2wnty5ive The Collection

nova

More Is More as DGB Adding to the Blues

ej-johnson

Michael Baker Making Dust & Bone Shimmer Musically

Rainmakin’ Guitar Driven Music By Steve Summers Band

Definitive Collection of Down Home Blues from Detroit

alter-bridge

Bad Touch Bringing Rock and Roll Truth Be Told

RECORDED MUSIC REVIEWS

Not A Wicked Day for Rock with Echotape AlbumMake Some Noise Shout Out The Dead Daisies

The Swamp Stompers New Single All My LovingWild Guitar with Joanne Shaw Taylor

Beth Hart Fire On The Floor

Feeling Exhilarated at last a King King Live Album

Bluesdoodles Pick of the Bunch July-Sept 2016

Aynsley Makes YOU Listen with Eyes Wide Open

The Apocalypse Blues Revue Bringing Heavy Blues

Small Town Talk with Ma Polaine’s Great Decline

jj-thames-2

Dan Owen Explores Emotions Open Hands and Enemies

live-at-the-gree_cd-edition

One Of A Kind as Grady Champion Brings His Blues

Si Cranston-

A Force Of Nature Sari Drives the Blues

Bury Me In My Boots with Cadillac Three

Tempt Releases Debut Album Runaway

Gary Hoey Blues Putting Flesh On Dust & Bones

Sari Black Betty Single-

The Tel-Star Sessions Emerge Twenty-Two Years Later

Dan Bubien New Album Keeps Grinding These Gears

LAurence Jones-

Honey Island Swamp Band Demolition Day Review

Live In 1967 – Volume Two John Mayall & The Bluesbreakers

Virginmarys Never Divides Rock That Grabs Attention Now

Villiers and The Villains Songs Of Love And Fate

Albert Castiglia Big Dog Has The Blues

Royal Southern Brotherhood presents The Royal Gospel

Hard Times, Bad Decisions Sings Lisa Mann

Pick of the Albums Reviewed - 2016: April - June

Federal Charm reaching Across The Divide Album Review

Walter Trout Alive In Amsterdam playing Hot Blues

Hoka Epic Journey for Nahko and His Music

On Tour Harry Pane releases Changing

Rhythm Zoo Sold For Love Debut Album

Hellbound Where Else On Dave Arcari’s Train

Michael Schenker Enter the Temple of Rock Live In Madrid

Pick of the Albums Reviewed - 2016: April - June

Pick of the Albums Reviewed - 2016: April - June

Pick of the Albums Reviewed - 2016: April - June

Pick of the Albums Reviewed - 2016: April - June

For Those Who Need The Blues There Is Giles Robson

Enjoy The Ride, Debbie Bond instructs with blues and more

The Roots Collective Live and Kickin’ Up a Storm

Lucky 13 Kris Barras Band Ain’t Superstious

Rocking Time Will Come for Rod Scott

It is an Excellent Day sings Lizanne Knott

Livewire describing Zoe Schwarz Blue Commotion

Robin Trower Knows Where You Are Going To

Musics Emotion Breaking Free with Layla Zoe

Breaking and Entering The Blues with Eliza Neals

Pick of the Albums Reviewed - 2016: April - June

Pick of the Albums Reviewed - 2016: April - June

Bygones will make you Smile thanks to Amy & Pete

Dan, solo acoustic from Dan Israel

Throw Away Your Blues, Listening To Kyla Brox You Will

Adam Norsworthy singer-songwriter Showcasing Soaring Rainbird

Guitar Blizzard Of Blues with Tommy Z

Red Sky July Exploring The Truth and The Lie

Blues is the Truth for Guy King

With One Eye Open – Swampgrass Will Get You Wide Awake

Get Close to Geoff Carne and the Hatz

There is a Magic Corner sings Pete Lashley

Solomon Hicks is definitely Carrying On The Torch of the Blues

A Bassist, Singer/songwriter and Drummer creation is Ghost Riding

Debut Album, Undone from The Black Circles

Blues are Alive with Johnny Rawls Tiger In A Cage

Monster Truck rolling into town Sittin’ Heavy

Behind The Wheel with Red Dirt Skinners

Sonic Gumbo spicing up music Mumbo Jumbo Way

Time Has Definitely Come for Ben Poole

Michael Messer’s Mitra Live at the Convent

The Sky Won’t Fall proclaims Stevie Nimmo

Benjamin Bassford's Songs From The Blue Door

West of Eden follows the emigrant path – Look To the West

Wink At July sings Rachel Garlin

Wolfmother’s Heavy Rock reigning Victorious

Self-Titled Ina Forsman Presents her Blues

Tasha Taylor bringing Honey For Your Biscuit

Unconditionally Live with George Shovlin & The Radars

Broken Witt Rebels take to the Road

First Fix from The Della Grants

Broken Wings Heal sings Caroline Aiken

Wilde Blues-Harp in Hamburg

Believe has Rebecca Downes Singing the Blues

Big Boy Bloaters Journey to Luxury Hobo Blues

In Conversation with Guitarist JD Simo

http://bit.ly/1Z5OsfF

Glenn Hughes UK Tour follows Resonate Album Success

Glenn Hughes Back On Tour 2017

 

Glenn Hughes UK Tour follows Resonate Album SuccessGlenn Hughes UK Tour follows Resonate Album Success

Glenn Hughes is pleased to announce his UK tour dates for January and February 2017.   Tickets will go on sale to the general public from

Tickets  can be booked online from MyTicket and SeeTickets 

Special guests on all UK shows will be Stone Broken.

 

Says Glenn, “I’m thrilled to be coming over to tour the UK and Europe this month and February. My band will now be a four piece. On guitar is Søren Andersen, on drums Pontus Engborg, and on keyboards Jay Boe. Song selections will be a mix from my new album Resonate, and from my well of historic songs through the decades. This tour is all about ROCK and what it means to us all, including my band, and to my fans and friends. Let’s get 2017 going with a killer night for ROCK lovers, movers and shakers. I’m in. Let’s go! See you down the front!”

GLENN HUGHES – JANUARY / FEBRUARY 2017 UK TOUR

Support Act Stone Broken

Tickets on sale to the general public from Friday 25th November

from myticket.co.uk, www.seetickets.com

Friday 20 January   The Riverside, Newcastle
Book Online: MyTicket or SeeTickets
Saturday 21 January    Islington Assembly Hall, London
Book Online: MyTicket or SeeTickets
Monday 23 January     The Robin 2, Bilston
Book Online: MyTicket or TheRobin
Tuesday 24 January  The Garage, Glasgow
Book Online: MyTicket or Ticketmaster or TicketsScotland
Thursday 26 January   Rescue Rooms, Nottingham
Book Online: MyTicket or AltTickets
Friday 27 January  O2 Academy 2, Manchester
Book Online: MyTicket
Sunday 29 January      Sub 89, Reading
Book Online: MyTicket or SeeTickets
Monday 30 January  The Junction, Cambridge
Book Online: MyTicket or Junction
Wednesday 1 February  The Church, Leeds
Book Online: MyTicket
Thursday 2 February   The Fleece, Bristol
Book Online: MyTicket

Glenn Hughes Back On Tour 2017

 

Vocalist/bass guitarist/songwriter Glenn Hughes is a true original. No other rock musician has carved such a distinctive style blending the finest elements of hard rock, soul and funk. Stevie Wonder once called Hughes his favorite white singer.

Glenn Hughes was recently inducted into the Rock and Roll Hall of Fame as part of the Mark III line-up of Deep Purple. He spent key years of his career as the beloved bassist and vocalist of the group, recording on the classic albums: Burn, Stormbringer, and Come Taste The Band. Hughes and other members of Deep Purple were in attendance to receive the honor.

Glenn’s 12th studio album, and his first album in eight years, Resonate was released on 4th November 2016 to great critical acclaim and hit #6 in the Official UK Rock Album Chart.

 

“My personal connection with my fans while on tour and via the socials networks, daily, is an honour.” – Glenn Hughes

 

MICHAEL SCHENKER – LIVE TOKYO OUT March 2017

MICHAEL SCHENKER - LIVE TOKYO OUT March 2017MICHAEL SCHENKER
FEST “LIVE” TOKYO

FEATURING THE ORIGINAL MSG VOCALISTS
GARY BARDEN, GRAHAM BONNET AND ROBIN MCAULEY

RELEASED FRIDAY 24th MARCH 2017

Says Schenker, “It’s a miracle that after all these years, something like this took place with the original band members of “M.S.G.”. Being able to go back to those days and celebrate the music is an exciting experience for us, as well as for old and new fans. To being able to re-experience, and for the new audience to get a feel of what it was like, is incredibly enjoyable.”

Continues Schenker, “It’s an amazing feeling to have all of my M.S.G. Family from the ’80’s performing together and especially with Graham Bonnet, who I never got to play any concerts after our Assault Attack album that was originally released in 1982. Fortunately, being able to have the participation of original M.S.G. members such as Gary Barden, Chris Glen (bass) and Ted McKenna (drums) being part of it, and somehow, to perform with Robin McAuley and Steve Mann (guitar, keyboards) again as well, is pretty awesome.”

The Band

Michael Schenker – Lead Guitar
Ted McKenna – Drums
Steve Mann – Guitar, Keyboards
Chris Glen – Bass

The Vocalists

Gary Barden
Graham Bonnet
Robin McAuley

MICHAEL SCHENKER
FEST “LIVE” TOKYO

FEATURING THE ORIGINAL MSG VOCALISTS
GARY BARDEN, GRAHAM BONNET AND ROBIN MCAULEY

RELEASED FRIDAY 24th MARCH 2017

TRACKLISTING

01. Intro: Searching For Freedom
02. Into The Arena
03. Attack Of The Mad Axeman ft. Gary Barden
04. Victim Of Illusion ft. Gary Barden
05. Cry For The Nations ft. Gary Barden
06. Let Sleeping Dogs Lie ft. Gary Barden
07. Armed And Ready ft. Gary Barden
08. Coast To Coast
09. Assault Attack ft. Graham Bonnet
10. Desert Song ft. Graham Bonnet
11. Dancer ft. Graham Bonnet
12. Captain Nemo
13. This Is My Heart ft. Robin McAuley
14. Save Yourself ft. Robin McAuley
15. Love Is Not A Game ft. Robin McAuley
16. Shoot Shoot ft. Robin McAuley
17. Rock Bottom ft. Robin McAuley
18. Doctor Doctor ft. Gary Barden, Graham Bonnet, Robin McAuley

Filmed and recorded at Tokyo’s International Forum on August 24, 2016, this historic concert features guest appearances from some of the greatest rock vocalists who have worked with Schenker over the years including M.S.G.’S Gary Barden, Graham Bonnet, and Robin McAuley of the McAuley Schenker Group.

MICHAEL SCHENKER - "LIVE" TOKYO OUT March 2017

Michael Schenker Fest “Live” Tokyo
available in the following formats. 

The Choice is yours:-

Physical
2 CD
2 CD + DVD Combo
Vinyl LP
DVD
Blu-ray
Digital

Hi-Res download
Download
Stream

 

MICHAEL SCHENKER - LIVE TOKYO OUT March 2017

Ten Doodle Paws Album Awards 2016

Bluesdoodles Picks of 2016 Recorded Music

Ten Doodle Paws Album Awards 2016

 

What a fabulous year for music at Bluesdoodles HQ. I have enjoyed listening to all the recorded music sent. Liz makes a note (must do better in 2017 and review more! I have started a new hopefully more organised system!).

Album Earning Ten Doodle Paws During 2016

One Hundred and Forty-eight reviewed. What an array of music from Folk to Metal Rock to Blues. The genre to everyone at Bluesdoodles  HQ is unimportant, that is a marketing tool it is whether the music vibes hits our collective DNA. Liz, Kevin & Othello a very discerning Bandana wearing Labradoodle.

Album of 2016

Now this was difficult almost impossible with so many contenders With Thirty-Six albums with the Ten-Doodle Paw accolade considered throughout December. what a delight to play and listen to them all again. The final choice is mine, yes it is subjective and has changed there are many that have not been mentioned that will continue to be regularly played and enjoyed in the House of Bluesdoodles

Bluesdoodles Picks of 2016 Recorded MusicAlbum of  The Year 2016

Beth HartFire On The FloorMascot Label

I wrote when I reviewed in September that it was a contender for album of the year I was right. The fire in the album burns brightly from the floor to the heavens. Beth Hart,  Fire On The Floor has gathered together a dozen tracks that flow and warm up the speakers with a raw, charismatic and open delivery of intensely personal emotionally driven lyrics.  Fire On The Floor is a majestic album and will burn brightly long after 2016 fades into a memory.

 

For all the other  category Winners check them out HERE

January – March

Jeff Healey – Heal My Soul
Kyla Brox – Throw Away Your Blues
Joe Bonamassa – Blues of Desperation
Monster Truck – Sittin Heavy
Red Dirt Skinners – Behind The Wheel
Mumbo Jumbo – Sonic Gumbo
Ben Poole – Time Has Come
Ian Siegal & Jimbo Mathus – Wayward Sons
Michael Messer’s Mitra – Call of the Blues
Stevie Nimmo – Sky Won’t Fall
Big Boy Bloater & The LiMiTs – Luxury Hobo
The Temperance Movement – White Bear
Danny Bryant – Blood Money

April – June

Kaz Hawkins – Feelin Good
Dan Patlansky – Introvertigo
Giles Robson – For Those Who Need The Blues
Albany Down – The Outer Reach
Jimbo Mathus – Band of Storms
The Rides – Pierced Arrow
No Sinner – Old Habits Die Hard
Rival Sons – Hollow Bones
Black Stone Cherry – Kentucky

July – September

Honey Island Swamp Band  –  Demolition Day
Laurence Jones – Take Me High
Cadillac Three – Bury Me In My Boots
Aynsley Lister – Eyes Wide Open
Devon Allman – Ride Or Die
King King – Live
Joanne Shaw Taylor – Wild
Beth Hart – Fire On The Floor
Sari Schorr – A Force of Nature

October – December

The Brew – Shake The Tree
Mike Simpson & Don Flemons – Ever Popular Favourites
Ian Siegal – 2wnty5ive The Collection
Jeff Healey – Holding On
Glenn Hughes – Resonate
RavenEye – Nova
Rival Sons – Hollow Bones

Bluesdoodles Picks of 2016 Recorded Music

Bluesdoodles Picks of 2016 Recorded Music

Bluesdoodles Picks of 2016 Recorded Music

 

What a fabulous year for music at Bluesdoodles HQ. I have enjoyed listening to all the recorded music sent. Liz makes a note (must do better in 2017 and review more! I have started a new hopefully more organised system!).

Album Highlights 2016

One Hundred and Forty-eight reviewed. What an array of music from Folk to Metal Rock to Blues. The genre to everyone at Bluesdoodles  HQ is unimportant, that is a marketing tool it is whether the music vibes hits our collective DNA. Liz, Kevin & Othello a very discerning Bandana wearing Labradoodle.

Album of 2016

Now this was difficult almost impossible with so many contenders With Thirty-Six albums with the Ten-Doodle Paw accolade considered throughout December. what a delight to play and listen to them all again. The final choice is mine, yes it is subjective and has changed there are many that have not been mentioned that will continue to be regularly played and enjoyed in the House of Bluesdoodles

Bluesdoodles Picks of 2016 Recorded MusicAlbum of  The Year 2016

Beth HartFire On The FloorMascot Label

I wrote when I reviewed in September that it was a contender for album of the year I was right. The fire in the album burns brightly from the floor to the heavens. Beth Hart,  Fire On The Floor has gathered together a dozen tracks that flow and warm up the speakers with a raw, charismatic and open delivery of intensely personal emotionally driven lyrics.  Fire On The Floor is a majestic album and will burn brightly long after 2016 fades into a memory.

 Bluesdoodles Picks of 2016 Recorded MusicBlues Album Of The Year

Devon AllmanRide Or Die RUF Records

Ride Or Die, is a journey full of colour and texture in the tone. With flashes of blue and twists of granite rock and country green woven into a musical tuned magic carpet. This is an album that takes you on a journey full of anguish, hurt, pain and the pleasures of living life where you Ride or Die whatever your journey remember hope will be present.

Bluesdoodles Picks of 2016 Recorded MusicFolk/Roots/Acoustic Album of The Year

Red Dirt SkinnersBehind The Wheel – Independent

Roots wither and die whether music or plants without green shoots.  Red Dirt Skinners are an imaginative duo creating beautiful shoots of glittering music that will ensure roots/country music will continue to thrive Behind the Wheel. With this, their fifth album, the duo with the unique combination of acoustic guitar, drum and saxophone have made a noise that pleases all who listen.

Bluesdoodles Picks of 2016 Recorded MusicFemale Artist Album of The Year

Beth HartFire On The Floor Mascot Label

 

Bluesdoodles Picks of 2016 Recorded MusicLive Album

Martin Simpson & Don FlemonsEver Popular FavouritesFledgling Records

All twelve tracks have a purpose and in addition to the new arrangements and musicianship we have the blending, and mixing of British traditional music and blues in many guises and the common heritage of themes, lyrics and melodies the two traditions share.A definite for your acoustic collection. I recommend close the curtains block out the world, sit back and be absorbed into the music and the power of the lyrics.

Bluesdoodles Picks of 2016 Recorded MusicCelebration Album of The Year

Ian Siegal – 2wnty5ive The CollectionNugene Records

Celebrating twenty-Five years of playing live with the band a trio od CD’s celebrate the enigmatic and varied tones that the wandering troubadour Ian Siegal delivers and delights. This is the Opus Majus of an artist who whether playing solo, as a duo or with a band electric or acoustic always entertains and the box set does just that. You would be Hard Pressed to find a better collection and this is a trio of delights that will never be sent to Quarantine

Bluesdoodles Picks of 2016 Recorded MusicRock

Black Stone Cherry KentuckyMascot Label Group

The energy flows in a studio album that has a live, raw edgy feel and at the same time everything has its place and has been considered. Kentucky has a flow, no songs feel forced or put in as a filler this is Black Stone Cherry entertaining through the medium of brilliant rock grinding, demanding and immensely listenable.

Bluesdoodles Picks of 2016 Recorded MusicBlues Rock

Stevie NimmoSky Won’t Fall – Manhaton Records

The combination of powerful lyrics, blues guitar of such purity it makes you weep and a Nimmo’s vocals we can be sure The Sky Won’t Fall when there is music of this magnitude being created. The album is a mix of tones, texture and tempos. Seven tracks in and you are Still Hungry for more music. This is power-driven rock-blues of the highest order. A track that would work well if stood out alone, surely this will get acres of radio play. It is full of smokey riffs, power and rocks your socks off!

Bluesdoodles Picks of 2016 Recorded MusicOverseas Artist

Dan PatlanskyIntrovertigo

Introvertigo with its carefully crafted lyrics that blend urbane wit and honest observation, this is blues pertinent to today’s lifestyles, not so much whiskey and women more the corruption of power and social interaction. Ten tracks there are no fillers every number is full of strength and tonal power but there is not an off note or lyric. This has been achieved by production that keeps the live heat flowing from guitar and vocals.

Debut Albums

There are three that really made us sit up and listen:-

Inglorious – Self-titled album reviewed late January. We are licking our lips and tuning our ears for the follow-up album early in 2017. Inglorious are stupendous live getting better with every performance the expectations are very high for 2017!

Broken Witt Rebels – Georgia Pines Reviewed in February. A perfectly formed EP leaving you wanting to hear more. An album with Huge Guitar Riffs and vocals that delight. Fingers-crossed a full album is out soon consolidating the marker they set down in 2016.

Sari Schorr and The Engine Room – A Force Of Nature, Reviewed in August. Sari Drives the Blues, bringing a wealth of experience from life, influencing her songwriting and vocal delivery. Looking forward to Sari playing live in 2017 and hopefully will be back in the studio very soon.

RavenEye – Nova – Frontiers Music s.r.l The album’s name NOVA is a perfect reflection of the explosion of recognition that RavenEye has achieved in such a short time. The band is a rock explosion they certainly have suddenly brightened the firmament of the British rock scene and will be shining their Supanova Rock for many years to come.

Special Mentions

Bluesdoodles Picks of 2016 Recorded MusicKaz Hawkins – Feelin’ Good an album full of Kaz sparkle and joy. Having won the Blues Challenge organised by UKBluesFederation.  We wish you well as you head for the 34th International Blues Challenge in Memphis in 2017. This is the first time that  British Blues has been in the challenge. Then she will be representing British Blues in Denmark at the European Blues Challenge a busy start for 2017.

 

 

Aynsley Lister, King King, The Temperance Movement, Albany Down, The Cadillac Three, SIMORival Sons, Jeff Healey, Jimbo Mathus, Big Boy Bloater & The LiMitsGlenn Hughes, Danny Bryant and Honey Swamp Island for albums that sparkle whenever they are played which is loud and often in this office.

Heavy Chimes with Glenn Hughes Resonate







Heavy Chimes with Glenn Hughes Resonate

Heavy Chimes with Glenn Hughes Resonate

 

 

Sometimes you wonder why/where an album got its name, was there any thought or reason in the choice. That definitely cannot be said about Resonate, Glenn Hughes brand of heavy rock reverberates through the eleven tracks. The vibrations are good, strong and click with your musical radar instantly you want to rock out with Glenn and his band.

Opening with Heavy the hook from the guitar reels you in slowly and the vocals from Glenn pulls you deep into the groove full of deep bass lines and rock that echoes in your soul resonating against memories and yet it is fresh and new so very twenty-first century.  The whole album has a feeling that is a continuation of a story already sketched out vaguely. The album is the finished project fleshed out, full of chords, deep and dark rock, also has a sleek shiny side.  Resonate makes perfect sense of the Glenn Hughes musical journey. It is the finished article.  The reality is this is his first solo album for eight years, featuring his live solo band, Soren Anderson on guitars and co-producer; Pontus Enborg drumming and keys courtesy of Lachy Doley.  Add into the mix the guest appearance of Red Hot Chilli Peppers Chad Smith a long-time friend and drummer who opens and closes the album.

Rock is about power, here the energy is in perfect balance. Vocals, strong harmonising with the instrumentation with a slightly dangerous edgy feel of Flow meets the full-blown organ led extravaganza of Steady. There is nothing steady, mundane or controlled about this fast-moving track that dips its toes deep in the pool that is coloured the deepest purple.

Half way through the album we are deep in the whirling heavy beats that define the album God Of Money is a heavy anthem that defines this album. BUT, then the unexpected How Long, opening with a juicy heavy beat with Glen vocalising with a growling curl “What kind of world?” Resonate is hot can this be sustained? Yes, with a change of tempo a softer ballad with a gentle and empathetic duet of keys and vocals, Pontus adds a harder beat with drums that keeps this from being another maudling rock ballad.

The closing finally of the tracks bring in funk, glitter and glam this is heavy rock that resonates through your music DNA. You know as the last notes of Long Time Gone you recognise this is a classic album that will stand the test of time it will not be long before it is spun again.

 Glenn Hughes – Resonate – Frontiers Music Srl

TEN pawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Heavy
  2. My Town
  3. Flow
  4. Let It Shine
  5. Steady
  6. God Of Money
  7. How Long
  8. When I Fall
  9. Landmines
  10. Stumble & Go
  11. Long Time Gone