Collide riff driven first single from BCCIV

Collide riff driven first single from BCCIV Collide riff driven first single from BCCIV

Black Country Communion

Collide riff driven first single from BCCIV

 

 

Collide riff driven first single from BCCIV  just what is required as Summer fades into Autumn. The news that Black Country Communion are releasing BCCIV on 22nd September via Mascot Label Group fills the world with a rich golden album cover of a fiery Phoenix rising, the album artwork reflecting the coming together of the supergroup four years after the release of Afterglow.  The original quartet is back together again, Glenn Hughes, Joe Bonamassa Derek Sherinian and Jason Bonham joining forces to deliver rock that fills the room.

The album BBCIV will definitely cause a stir, welcomed by fans of Glenn Hughes and Joe Bonamassa and the Black Country Communion hard rock driven explosion of sonic delights.  As Joe says; If you’re looking for a folk album, this ain’t the one.”

The album was written over four months, expanding and deepening the sound on the three previous albums.  All ten tracks on the album are co-written by Glenn Hughes and Joe Bonamassa.  Glenn wrote all the lyrics on the album except for the song ‘The Last Song For My Resting Place’ written by Joe.

We have a taster as the first single Collide is released.

 

 

Opening the album, the single lays down the ground the album will travel over, on a collision course of being the song to set the pace of the album. Collide was a collision of the original riff played by Glenn Hughes, written on the first day of working on BCCIV, then Joe came over and by lunch the song was complete. A collision of talents of Glen and Joe have created a riff driven number that swirls with rocking force through the speaker and cascades in tonal shape and force.

Opening with a count we have the opening chords and then Glenn’s vocals power in. With a controlled screech of determination Jason’s drums pick up the groove with a cascade of symbols and the guitar and bass drive Collide on to a point of no return. The throttle is eased and Derek’s keys add a tonal contrast. We have sonic distortion as the lead break pulls you deep into the music with its classic feel with added gritty edginess rock of the twenty-first century.  After just over four minutes you are left breathless with anticipation of what the next nine tracks will bring to the speaker. A date for your diary is definitely 22nd September for the big reveal.

Collide riff driven first single from BCCIV

 

I am confident that Collide is a true reflection of the sound tempo and tonal shape of BCCIV. As Glenn explains “I wanted the new album to physically shake your soul. It’s a wake-up call.”

Collide riff driven first single from BCCIV Black Country Communion back together for the 4th studio album. Collide ensures a collision course for a torrent of accolades that will challenge the Autumn fall.

 

 


Collide first Single from BCCIV Collision of Rock Delight

BCCIV Tracklisting

  1. Collide (4:07)
  2. Over My Head (4:06)
  3. The Last Song For My Resting Place (7:57)
  4. Sway (5:24)
  5. The Cove (7:11)
  6. The Crow (6:00)
  7. Wanderlust (8:18)
  8. Love Remains (4:53)
  9. Awake (4:42)
  10. When The Morning Comes (7:56)

 

BCCIV release on 22 September and early 2018 there are two exclusive concerts in Europe at Wolverhampton Civic Hall (2 January 2018) and London Hammersmith Apollo (4 January 2018).

 

Read more about BCCIV HERE

Jeff Beck Live At The Hollywood Bowl Out October 2017

Jeff Beck Live At The Hollywood Bowl Out October 2017

Jeff Beck Live At The Hollywood Bowl Out October 2017

 

Jeff Beck Live At The Hollywood Bowl Out October 2017. Eagle Rock Entertainment are proud to announce the release on 6 October 2017 of the “Live At The Hollywood Bowl” DVD, Blu-ray and DVD + 2CD from the incomparable Jeff Beck.  This release captures the moment, in the summer of 2016, when Jeff Beck celebrated 50 years of his musical career with a special concert at the famous Hollywood Bowl.  A fantastic line-up of guest artists joined him on stage and the show includes For Your Love, Beck’s Bolero, ’Cause We’ve Ended As Lovers, Big Block, Over Under Sideways Down, A Day In The Life, Blue Wind and more!

The set list reached back to his first recordings with The Yardbirds in 1966 and came right up to date with tracks from his most recent album “Loud Hailer.” As the evening progressed he was joined by many of the great musicians he has collaborated with over the years including Billy F. Gibbons, Buddy Guy, Jimmy Hall, Jan Hammer, Beth Hart and Steven Tyler. The show climaxed with the guests all joining forces for an exhilarating encore performance of “Purple Rain” in tribute to Prince, who had passed away a couple of months before the concert.

 

TRACKLISTING

1) The Revolution Will Be Televised   2) Over Under Sideways Down   3) Heart Full Of Soul    4) For Your Love   5) Beck’s Bolero   6) Medley: Rice Pudding / Morning Dew   7) Freeway Jam   8) You Never Know   9) ‘Cause We’ve Ended As Lovers   10) Star Cycle   11) Blue Wind        12) Big Block   13) I’d Rather Go Blind   14) Let Me Love You   15) Live In The Dark             16) Scared For The Children   17) Rough Boy   18) Train Kept A’Rollin’   19) Shapes Of Things   20) A Day In The Life   21) Purple Rain

 

With “Live At The Hollywood Bowl”, Jeff Beck marks his half century of incredible music in true style.  This is a party like none other, hosted by one of the finest guitarists and performers ever joined by a cavalcade of special guests.

Live At The Hollywood Bowl (Teaser) by Jeff Beck on VEVO.

 

Jeff Beck Live At The Hollywood Bowl Out October 2017

Dan Reed Network New Album Video plus Supporting Extreme

Dan Reed Network New Album Video plus Supporting Extreme

Dan Reed Network New Album Video plus Supporting Extreme

 

 

Dan Reed Network New Album Video plus Supporting Extreme

The O2 Pre-sale starts Wednesday, 2 August at 9am, followed by a Live Nation Pre-sale on Thursday 3 August at 9am. Tickets go on sale to the general public from livenation.co.uk and www.ticketmaster.co.uk on Friday 4 August at 9am.

 

All cylinders are furiously firing, Dan Reed Network are back all guns blazing. With the recent release of their critically acclaimed album “Fight Another Day” safely in their pockets, the band have indulged Europe and the States in a fiery return to the touring circuit.

To celebrate their upcoming special guest appearance on EXTREME’S December UK tour, on Monday 31st July, Dan Reed Network will launch the official music video for their single “Infected”

 “DRN is honoured to be touring with EXTREME this December in the UK,” says Dan Reed.  “The funk rock scene of the late 80’s early 90’s was an exciting, inventive era in the music scene and to be sharing the stage with one of a handful of bands that championed that movement will be nothing but good times on stage for us, and a raucous experience for the audience. This tour promises to be an adrenaline fuelled evening of soaring melodies, infectious grooves and a party atmosphere that we in the band are truly excited about being a part of, and we are tremendously grateful to be on the road with such a talented and innovative band. Time to funk it up big time!”

Dan Reed Network New Album Video plus Supporting Extreme

Dan Reed Network features Rob Daiker (keyboards, vocals), Melvin Brannon II (bass, vocals), Brion James (guitar, vocals), Dan Pred (drums, vocals) and Dan Reed (lead vocals).

What the critics are saying about
– Dan Reed Network –

“If the Dan Reed Network is headed for a venue near you, grab a ticket for what is a terrific – if unorthodox – night of music experience that is sure to set your heart beating dangerously fast.”
Terry Caster – Yorkshire Evening Post

“Dan Reed Network’s second coming is a shining recent example of an audience keeping the faith and a band rediscovering its mojo.  Long may they, and their loyal followers, prosper.”
David Randall – Get Ready To Rock

“You just have to take one look at the stage, you see a band who is enjoying every moment of this ride, they have a new lease of life. Each member of the group is beaming from the stage throughout.”
Adam Kennedy – National Rock Review

“When I hear an actual piper starting up Scotland the Brave, I figure that someone has it as their ringtone. As far as entrances go, this is right up there with Freddie Mercury aloft Darth Vader’s shoulders. You literally had to be there.”
Dave Stott – Devil’s Gate Media

Bluesdoodles said about Fight Another Day “The choreography of sound creates a soundscape of words often thought-provoking against a rock melody that wraps you in a comfort blanket of sound. ….. the band is definitely Standing Tall as the last notes fade with Funk Rock reinvented for today while still true to the fans of the 1980’s”. Read More……

Bluesdoodles Saw DNR live “With the refrain She Is Everything, I thought yes and so has Dan Reed Network. Combining Rock with twists and twirls of modern music a multiplicity of tempos, tone and perfect timing.” Read More……

EXTREME
PLUS SPECIAL GUESTS DAN REED NETWORK

DECEMBER 2017 UK TOUR

Newcastle O2 Academy – Wednesday 13th December
Glasgow O2 Academy – Thursday 14th December
Leeds O2 Academy – Saturday 16th December
Birmingham O2 Academy – Sunday 17th December
Bristol O2 Academy – Monday 18th December
London O2 Academy Brixton – Wednesday 20th December

Dan Reed Network New Album Video plus Supporting Extreme

Black Country Communion New Album and UK Dates

Black Country Communion New Album and UK Dates

 

Black Country Communion New Album and UK Dates

Black Country Communion New Album and UK Dates

JANUARY 2018 UK DATES

PLANET ROCK 48-HOUR TICKET PRE-SALE
WEDNESDAY 2nd AUGUST 2017 AT 9AM FROM www.planetrock.com

TICKETS ON GENERAL SALE FRIDAY 4th AUGUST
24 HOUR TICKET HOTLINE: 0844 844 0444
www.eventim.co.ukwww.ticketmaster.co.uk

Wolverhampton Civic Hall
Tuesday 2nd January 2018

Tickets: www.eventim.co.ukwww.ticketmaster.co.uk

24 HR Box Office: 0844 844 0444
Venue: 0870 320 7000

London Hammersmith Apollo
Thursday 4th January 2018

Tickets: www.eventim.co.ukwww.ticketmaster.co.uk

24 HR Box Office: 0844 844 0444
Venue: 020 8563 3800

Black Country Communion New Album and UK Dates

Taking their name from the industrial area in Britain, and the birthplace of both Hughes and Bonham, Black Country Communion released their self-titled debut album in 2010, and with that, unleashed their brand of take-no-prisoners hard rock to a world thirsting for music with substance.

Back with BCCIV – the hiatus is suspended.. Solo career  projects are on hold and Black country Communion are back with new album and two live dates in the U.K. to kick-start 2018. BCC has cultivated a reputation not only as amazing songwriters, also a powerful live act, as they challenge and motivate each other to make the best music they can.

 

Black Country Communion New Album and UK DatesNow, seven years on from its inception, Bonamassa feels the time is right to bring the original BCC line-up back for album #4.

“We had around 4 months to write this album, and I think the results speak for themselves,” comments Glenn Hughes. “All four of us wanted to make a record that stood up to the first three albums, however, the new album is more of a progression, as we wanted to be careful not to repeat the previous albums. A lot has happened since we last recorded the Aferglow album in 2013, so, in many ways, the new album shows BCC with a much harder, riffier and bigger and bolder sound.  If you’re looking for a folk album, this ain’t the one.”

 

 

Black Country Communion New Album and UK Dates

All songs on the new album were co-written by Glenn Hughes and Joe Bonamassa.  Glenn wrote all the lyrics on the album except for the song ‘The Last Song For My Resting Place’ which was written by Joe.

Here’s a breakdown of the songs on “BCCIV” in the words of Glenn Hughes:

COLLIDE
“I had written the riff to this song in the morning of the first day of writing BCCIV. Joe came over and I played him the riff, and we finished the song before lunch. I had a feeling that Collide would set the pace for the record.”

OVER MY HEAD
“This was a song I had written after a session with Joe. It was kind of like One Last Soul where I had written a song and was unsure if it would fit our style simply because it was more mainstream. One Last Soul definitely clicked with Rock fans, and got a lot of Radio airplay. Over My Head is in the same ballpark, big groove and memorable chorus. I can hear it on the radio.”

THE LAST SONG FOR MY RESTING PLACE
“I was intrigued by the notion of Wallace Hartley (violinist and band leader on the Titanic).  The fact that he played everyone off the ship to the detriment of himself brings you back to a more selfless time in our history. I don’t believe the conditions are around in 2017 for something or someone like that to step forward and be recognised.  I felt that his story and this song played well on this album. His violin is in a private collection and survives to this day.” – JB

“Joe had two parts to this song: the intro and outro where the track is suited with a mandolin and fiddle. The middle part, heavy and dramatic and dark. Absolutely love Joe’s vocal on this song. A tale of the Titanic going down into the deep, and a violin that would perish alongside its many fateful passengers.” – GH

SWAY
“A swagger riff leads the way on this track. We changed the groove, when Jason suggested it should have a “Smooth Criminal” Michael Jackson vibe. This was how Jason’s Dad, John, would have approached it in Led Zep. I’m mesmerized by the beat in the verse, and when it hits the chorus it’s full on Classic Rock, once again the vocal is carrying the message.”

THE COVE
“Joe captured the mood brilliantly on this song. I’m still shaking my head in astonishment.”

“I wanted to write a song about my love for dolphins. Each year thousands of these beautiful souls are murdered by hunters in the coastal town of Taiji, Japan. They are drove into the Killing Cove and brutally slaughtered. I have been working with Ric O’Barry from the Dolphin Project for four years, and told him I had written a song about this senseless and horrific scenario for BCCIV, that has been happening for decades.”

“My heart aches as I watch on live stream what happens in the Cove. I ask you all to listen to this song and understand how deeply affected we all are as animal and sea life protectors. The Dolphin Project has changed my life, and to my dying day I will be of service to be a protector of all inhabitants that live in the sea. There will be a video for this song. Thanks to Ric and his son Lincoln for supplying the footage.”

THE CROW
“It was time to get up out of our chairs in the writing session and stand up to find a pulse for this rock song. All push and pull, coming and sounding like the Joe and Glenn song ‘Black Country’ from BCC1. I wanted to reference the Crow, who watches over our band.”

WANDERLUST
“Hats off to Joe for bringing this idea into the session with an insane verse groove. Love Derek’s grand piano lead into the last verse. I wanted to take the chorus to a very melodic Abbey Road vocal vibe. I’ve always been a wanderer, always returning, coming home with a sense of lessons learned and never leaving my spiritual path.”

LOVE REMAINS
“I wrote this song for my Dad on the flight back to the UK for his Memorial Service. When I went to record it, my Mom had also just passed away. So I sang it for the both of them. I was installed with a greater sense of gratitude. I used a mid-falsetto vocal on the chorus to add sensitivity to the melody that I had written. The content is quite simple. When the last breath is taken only love remains.”

AWAKE
“A song about living forever. A song for the Loyal. A song for the evergreen. I wanted to ramp up the chorus and relive the long nights of freedom.”

WHEN THE MORNING COMES
“The feeling I had with this song, was I had woken up from a dream and walked down the hill through the field to be by the water at my home. Most of my work involves themes of coming home to be by the sea. The last song on this album finds me in a safe place, almost like the ending of the Wizard of Oz, surrounded by Joe, Jason, Derek and Kevin. Our brotherhood – long may we continue.”

WITH YOU I GO **
“To find someone who can share your journey, is in the hands of fate. We meet many people throughout our lives, some relationships, are life lessons on how we grow and learn.
But when you have found or met your significant other, who happens to be your soulmate is absolutely life-changing. With You I Go is a song about, whatever happens, I’m with you, because it was meant to be. I’ve done my best, now you can rest, on my shoulder.”

** Bonus track on vinyl edition only.

 

Bluesdoodles is excited about the New Album BCCIV is the golden Phoenix fired by Rock and is looking forward to reviewing the songs.

Black Country Communion the Anglo-American rock group comprising vocalist/bassist Glenn Hughes (Deep Purple, Trapeze), drummer Jason Bonham (Led Zeppelin, Foreigner), Derek Sherinian (Dream Theater, Alice Cooper, Billy Idol) and blues-rock guitarist/vocalist Joe Bonamassa, release their long awaited and highly anticipated fourth album, “BCCIV” via Mascot Records on Friday September 22nd 2017. This is the band’s first studio album since 2013’s “Afterglow”.

 

Black Country Communion New Album and UK Dates

 

 

Shamans Harvest Album Red Hands Black Deeds Full of Missouri Magic

Shamans Harvest Album Red Hands Black Deeds Full of Missouri Magic

Shamans Harvest Album Red Hands Black Deeds Full of Missouri Magic

 

Shaman’s Harvest Red Hands Black Deeds Full of Missouri Magic. Their latest album as they cut across the genres, pulling the tones together with a dark and purposeful intent.  You know that this will be an album that will both challenge and intrigue when after the track listing on the album cover there is the phrase –  For the record, no goats were killed in the making of Red Hands Black Deeds. This conjures up the feel of a mystic pagan past, devil and music that will invoke the dark side of rock. The album has a depth of sound that evokes the past, reflecting the use of vintage amps, strong lyrics that rock around the beat pulling in Mowtown and the headlines of the day.

Summertime may be when the album is released; but to understand the anxiety that is apparent throughout the dozen tracks we have to go back to the inception of Red Hands Black Deeds. The journey of Shaman’s Harvest’s Album Red Hands Black Deeds Full of Missouri Magic began back in November 2016. A time of tension and anxiety in a divided nation deciding who would be the next President of USA. As they explore new concepts the maturity of sound and confidence in production reflects the ups and downs bands go through on and off the road since their debut album, Last Call for Goose Creekin, back in 1999. Shaman’s Harvest have persevered through singer Nathan Hunt’s battle with cancer. The quartet’s determination and focus has led them to an album that will stand out for its difference, with the use of melodic cadences that are beguiling building on the tonal texture of Nathan’s distinctive vocals. The lead guitar of Derrick Shipp lays down a mysterious melody with the rhythmic addition of Josh Hammler’s guitar.  Matt Fisher’s bass lays down grooves that are deep with an iron edge, and the beating drum of Adam Zemanek evoking memories from the past and draws the listener into the here and now of this album.  It is hardly surprising that they are in demand to play live ad reflected in the caliber of bands they have opened for AC/DC, Alice in Chains, Nickelback and Cheap Trick the list goes on but you get the picture.

The dozen track album adds to the discography with tracks that have layers of sound complexity delivered with ease. This is music which whilst challenging rests easy on the ear. It is music you want to listen to.

The title track and prelude takes us to the dark recess of our musical brain as a sonic picture is created. This is a hazy misty past full of dread as tribal memories are pulled to the surface of our memories. This has raw, primeval beats; a case of American Indian meets medieval courts. The vocals acting as the drone we are being taken to a different time and place where red hands carried out black deeds.  Then the sonic tone changes with a deep dark bass and cascade of guitar as The Broken Ones picks up on the theme hinted at on the opening number. Who are the Broken Ones? Anyone who has been disenfranchised, immigrants and native American ancestors of Hunt. The music has a purity of purpose a counterpoint to the cynical lyrics showing the past and now are mirror images of themselves with society broken.

The harvest of lyrics on the album has garnered together the feeling of the relentless and unchanging actions of people that create a dark chasm resulting in a fertile resource for songwriting and always that element that keeps us going, demanding change the hope it will change for the better.

Three tracks in and the vista opens with the first single of the album. The music has a crisp freshness and a chorus that has a catchy feel as we get The Come Up.  This is a track that swaggers with hope and energy as the sun bursts with Mowtown-fuelled energy from behind the darker clouds of previous tracks. An acknowledgement that sometimes you cannot change things.

Civil unrest and war connects the semi-acoustic, vocal lead number A Longer View and The Devil in Our Wake. Linking back to loss, marginalization and no clear path of solution.   Loss of homeland and identity leading to hatred and hurt. Into the mix is blues influenced, Soul Crusher as Texan guitar picks up the Mowtown foot tapping – let’s dance feel we all need some of this fun beat as a slave to our souls.  Keeping with the shading from the blues Off the Tracks.

The album keeps on giving, the lyrics and shaping of tones often gives a complete feel; this is music that the band cares about and have given deep thought to the track listing and the melding of tones from across the genres. Not leading to a mish-mash of tones and no sense of direction Red Hands Black Deeds is considered, thoughtful hand takes on a journey where we confront the hardship and reality of many people’s lives. The penultimate track cools the tempo down with acoustic stripped down country number Tusk and Bone. We need this space as we have explored the darkness of society. Leaving the last track and one more surprising twist in the road as Scavengers hit our speakers.  Yes, electric but has a stripped back natural feel as the vocals come from afar and the rough texture of the sound brings us back to primeval mysteries. There is still one more gift a moment of silence and then a hidden nugget of fun.

Shaman’s Harvest Album Red Hands Black Deeds Full of Missouri Magic full of intrigues, delivers huge hooks, deep bass and powerful lyrics that have something to say wrapped up with powerful rock Shaman’s Harvest Red Hands Black Deeds delivers on every level.

Shamans Harvest Album Red Hands Black Deeds Full of Missouri Magic

Shaman’s Harvest – Red Hands Black Deeds – Mascot Records

EIGHTpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Red Hands Black Deeds
  2. Broken Ones
  3. The Come Up
  4. A Longer View
  5. Soul Crusher
  6. Off The Tracks
  7. Long Way Home
  8. The Devil In Our Wake
  9. Blood Trophies
  10. So Long
  11. Tusk and Bone
  12. Scavengers

Check out other Bluesdoodles Reviews Here

Shamans Harvest Album Red Hands Black Deeds Full of Missouri Magic

July Arrives with Live Music King King & Bad Touch

July Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad Touch

July Arrives with Live Music King King & Bad Touch

 

The anticipation had been growing day by day as June faded fueled by the release of (She Don’t) Gimme No Lovin’ from the forthcoming King King album Exile & Grace. Having not seen the band we love to follow hear live, six months had past since we welcomed Alan Nimmo, Wayne Proctor, Lindsey Coulson and Bob Fridzema on stage. Before that moment Bad Touch had the task of warming an audience already hot with excitement.

July Arrives with Live Music King King & Bad TouchBad Touch filled the stage with charisma and the driving force of their Southern Rock, Rock n’ Roll energy and panache.  With Robert Glendinning back on lead guitar after a short sabbatical, adding his vibe to the quintet, and with the vivacious head of hair on vocals, Stevie Westwood; rhythm guitarist Daniel Seekings and a rhythm section drummer George Drewry & Michael Bailey on Bass they were on top form.  This was a set where they may have sung 99% but the energy was off the richter scale they wanted Bristol to have fun tonight. The slide guitar work from Glendinning cemented his role in the band and the interaction with Daniel Seekings had the guitars singing in a disorderly, melodic party of Rock n Roll mayhem.  Truth Be Told, the apt title of their latest album, the set was short, no time for small talk as they squeezed in every ounce of energy into the songs, we have heard on Planet Rock and Outlaw, every band should have a cowboy song.  The cheers were huge as Bob Fridzema joined in the last night party atmosphere at the Fleece to warm up before the main event. Bad Touch, turn every note into golden southern rock nuggets absolutely modern as they build on retro power; they are back on the road again very soon.

This slideshow requires JavaScript.

July Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchA short break ensued allowing friends to catch up at The Fleece, and then King King stepped on stage the warmth flowed from the band and the crowded venue.  King King were back in Bristol and on fine form. We wanted to hear old favourites and be part of the lucky few to hear live the first single to have been released from Exile & Grace; (She Don’t) Gimme No Loving. Tonight they did not disappoint they gave us so much happiness, feeling of joy King King have the knack of pleasing the fans, leave us wanting more always something from the back catalogue we wished they had played.  Tonight they were happy to be on stage combined with a raw energy they wanted to play above the expectations of the fans and connect to those hearing the band the first time.

Alan’s smile was broad and genuine, not a showman’s face; with his red kilt , guitar in hand including a blue plaster over a cut finger he made every one welcome to Saturday night at  The Fleece.

The set comprised nine numbers plus Let Love In the encore we have come to expect and gives the audience the opportunity to be the community choir led by the kilted wonder that is Alan Nimmo.  The mutual joy was definitely shared on stage and in the audience

With a mix of numbers from the live and studio albums saw the welcomed return of Heavy Load. Originally a Free number given the Nimmo treatment his guitar work was as ever magical and the slight slip of the stings replicated a rare Free outtake! Alan chortled at the end of the song.  Interspersed were crowd pleasers that have become the heart of the bands DNA You Stopped The Rain and Long History of Love. The opportunity for the band to get funky and the audience to dance, despite being curtailed by space clap our hands on All Your Life. What fun with Bob’s hands as ever throughout the evening caressing the Hammond making it sing in harmony with Alan’s vocals that were on top form tonight. Into the mix the muscle of the rhythm from bassist Lindsay whose strings gave a rich depth of funkiness and Wayne’s drumming hitting out a vibe that showered The Fleece with percussive force and energy.

Then there was the first opportunity to hear (She Don’t) Gimme No Lovin’. The cheers were rapturous before a note was played as Alan thanked everyone for buying the single so it was No.1 on UK Blues Chart.  The number is a perfect single, introducing us to the album Exile & Grace out later this year. The hooks are sharp, the lyric memorable and beat infectious. Rockier that many of their other numbers, the sound invokes sound of British Rock ‘n Roll with a definite hint of Thunder in the air. The single is 100% King King and will become a firm favourite as it is an ear worm of ticklish delight.

Having reviewed King King for many years two things always strike me after the show. Firstly; you are left euphoric the blues rock they deliver pleases the crowd, they always entertain. Secondly, King King connect to your soul, with a feeling of friendship, belonging to a fellowship cemented by this is why LIVE MUSIC has a special power every time.

This slideshow requires JavaScript.

King King set List
More Than I Can Take (Standing In The Shadows)
Wait On Time (Live)
Rush Hour (Reaching For The Light)
You Stopped The Rain (Reaching For The Light)
Long History of Love (Standing In The Shadows)
Waking Up (Reaching For The Light)
Heavy Load (Standing In The Shadows)
Gimme No Lovin’ (Exile & Grace)
All Your Life (Take My Hand)
Stranger To Love (Reaching For The Light)

Encore
Let Love In

 

July Arrives with Live Music King King & Bad Touch

In Conversation with Jared James Nichols back on UK Tour

In Conversation with Jared James Nichols back on UK Tour

In Conversation with Jared James Nichols back on UK Tour

 

BD: Thank you for taking time to talk to Bluesdoodles again we are ready and waiting for Black Magic your new highly anticipated album to arrive on the desk from Listenable Records. In the meantime you have released the first single as a tempter “Last Chance”. The number feels heavier, what inspired you to write the number?
JJN: It is definitely heavier, the whole record is full of different shades, tones and styles. People will not be expecting it to be so heavy, decided to release Last Chance to come out with a bang from the new album to grab the ear. It is a sample of styles the album will be exciting lots of blues influences and some really great moments with even some funky stuff.

Listen to Last Chance Here

 

BD: You have talked a lot about the inspiration the Blues provides you. What do you believe spicing it up with Rock adds to the format; or what is your definition of The Blues in 21st Century?
JJN:
Playing now, it is music that when I play the masses of 2017 can relate to understand and enjoy the music. It is a fine line with the blues, honouring the blues legacy with what music people want to listen to. I try to bridge the gap with influences from the classics with modern influences. I have absorbed the music of people I have supported from Walter Trout; Zakk Wylde; UFO; Saxon they do influence with the reaction from different crowds. Underlying is always the Blues.  Sprinkling the blues through the music so my generation can re-discover the blues. With the music alive and exciting fresh and modern, that way the blues will survive and grow with new guys and girls playing and appreciating the music.

BD: You are back in the UK with a mix of shows, headlining supporting and Festivals. What excites you about playing in the UK; as your recognition grows?
JJN: Every time I return it gets better, the audiences in the UK really get the music I play.  The audiences have a respect, love and knowledge of music; you can talk to a guy at the bar and they will have a depth of knowledge and understanding. I love playing here as I have been heavily influenced by the British Blues explosion.

Starting out with two headline shows tomorrow Wednesday 21st June at the Grimsby Yardbirds and couple days later in Milton Keynes Craufurd Arms Saturday 24th June.  Then the following week starting on the 25th opening for Blue Oyster cult, which I am very excited about. Then it is back to USA to do work on finishing my forthcoming album Black Magic. Then it is back to UK for opening for UFO which will be a blast and then two great festivals Ramblin’ Man & Steelhouse.  The live shows will be such a great opportunity to play to new audiences.

Full Details of the tour can  be found on Bluesdoodles post HERE

BD: Do you make any changes to your set list depending on who you are opening for? Or is it a shorter version of your standard headline selection?
JJN: I change the set list to reflect who I am opening for to feed the crowd. With Walter I could include in the set cold slow blues whereas Zakk Wylde something heavier, like Mountain or Cream. Love to include music that adds an edge from Muddy Waters through to Grand Funk Railway cater for the artist and the audience. I just do it all when it is a headline show. We never really have a set list on the floor. We go with the flow, talk it through play two songs and build from there using the crowd’s reactions. The music flows and the live event gives it a feel that suits the occasion.

BD: You are coming to Wales to drive up the Mountain to Steelhouse,  it will be a very different venue to when you opened for Walter Trout at The Tramshed last year. Does Wales dig your form of Blues Rock?
JJN: It is great playing in Wales, love the scene the audiences love the same stuff as I do. First time I played was at a rugby club near where Steelhouse is held; the people were awesome they love to rock out. Great to play in such a fabulous new venue in Cardiff and looking forward to returning to play at a festival. Sounds a real blast and want to be part of the fun.

In Conversation with Jared James Nichols back on UK Tour BD: You are the ultimate power trio with the guitar flashing its licks & riffs. Have you played with the rhythm boys for a long time as there is an innate understanding of the direction you are taking each track.
JNN:  Met the guys in Los Angeles when I first moved from Wisconsin. Erik was the first guy I met in LA he had just moved from Sweden; I saw the bass and asked if I get any gigs would you like to play with me.  I then asked him if he would like to jam and we needed a drummer, he knew Dennis who had moved from Sweden a couple of weeks previously.  We jammed and then got gigs that was five-and-a-half, nearly six years ago. We grew organically jamming to start with now we have played over five-hundred gigs we know what we are doing. There is a special kind of vibe we know how someone is going to react. With only three guys in the band can’t hide behind anything; it is fun to push the music as far as you can. Every time we play a song live it is different; sometimes solos are longer other times more bass we bring in changes.

 BD: What other plans and excitements have you got planned for 2017 & beyond into 2018?
JJN: Touring with Saxon & UFO in the Fall across USA & Canada for 5-6 weeks. Obviously completing and releasing the album and hope to be over to the UK again end 2017/beginning 2018 to showcase the new record.

 BD: We asked you your fantasy band when we talked last year so what are you listening to at the moment; whether on the tour bus or relaxing?
JNN:  Mmm; I am making an effort to listen to new music loving the latest from Blackberry Smoke; and following on from touring with Walter Trout his stuff and off course all the usual suspects. I am loving listening to live bootlegs on You Tube. If you type into search any artist Bootleg lots of exciting music comes up including Jimi Hendrix; Cream; Eric Clapton and more. Digging back to find unknowns so much stuff is covered in dust.

BD: Once again thanks for your time and looking forward to see you at Steelhouse and having the opportunity to review the new album Black Magic

Check out Bluesdoodles Reviews –

Jared James Nichols Live – @ The Tramshed supporting Walter Trout HERE
Jared James Nichols Live – @ Robin 2 supporting Glen Hughes HERE
EP review –  Highwayman HERE
Album Review Old Glory and Wild Revival HERE

*Photo credit Rob Blackman

In Conversation with Jared James Nichols back on UK Tour

The Cadillac Three Delivers New Album Legacy

The Cadillac Three Delivers New Album Legacy LEAVE THEIR MARK WITH NEW ALBUM
LEGACY
OUT AUGUST 25TH
VIA BIG MACHINE RECORDS
Leaving a lasting impression on fans across the globe with their high-octane live show and chart-topping songwriting skills, THE CADILLAC THREE continue to make their mark with LEGACY, out August 25th on Big Machine Records. The project fueled with lyrics of life moments from weddings and babies to celebrating their road-tested brotherhood as the three Nashville natives craft 11 songs exuding pure honesty over driving melodies.

The Cadillac Three Delivers New Album Legacy
The trio brings the same energy from their sold-out crowds into the studio, self-producing the new music. As critics have suggested “There is no doubt that The Cadillac Three have never been ones to play by the traditional rules of country music…” (Rare Country).The Cadillac Three will travel the world this summer, performing for their rabid fan base at Download Festival in Paris, France with Linkin Park on the 9th of June and in the UK with Aerosmith on the 11th. They also have a full summer tour of the USA and Canada, taking in cities across the whole of America. For tour dates and album updates, visit the home of The  Cadillac Three 

Bluesdoodles are always delighted when The Cadillac Three announce a new project.
This is what we have written about the threesome previously
Bluesdoodles Pick of the Bunch July-Sept 2016Album review – Bury Me In My Boots – This was a Ten Paw album then and now – we said “Cadillac Three, have written fourteen tracks of energised rocked up country steeped in southern delights, which work as a narrative within and album. For everyone who have had the joy to see them live, Graffiti, Party Like You , White Lightning and Peace Love & Dixie take you straight back to steamy, hot pack live music venues.”  Read the rest of the review HERE 
Live Review @ Tramshed, Cardiff – Read why this was a hot and steamy night of many fantastic music memories HERE

Thomas Wynn and The Believers Album Wade Waist Deep

Thomas Wynn and The Believers Album Wade Waist Deep

 

Thomas Wynn and The Believers Album Wade Waist Deep

Thomas Wynn and The Believers album Wade Waist Deep their third album and should get the name known far and wide with this cross over album that is not a road trip but the weaving of the lexicon of American music from roots to rock.  Labelled a Rock album Wade Waist Deep is so much more  exploring how we can build an open better world, not through preaching but a common understanding of tolerance and love. Wade Waist Deep moves beyond the confessional songwriting as he sought relief from heartbreak and addiction on the previous album and look beyond self to a collective conscience. The music is mature, thoughtful with strong lyrics, powerful harmonies and ear catching melodic rhythms. For Thomas Wynn, life & music have changed since the birth of his son Abel a year ago; “It’s that yearning, that longing for the person that you want to be,” says Wynn.

Joining Thomas as The believers are his sister Olivia, her vocals have a searing purity shaping harmonies that sing with an ethereal energy. With vintage Hammond sound from Colin Daniel Fei and wail of  the blues harmonica from Chris ‘Bell’ Antemesaris. The rhythm and deep grooves are laid down by  David Wagner and Ryan Miranda; on bass & drums respectively.  Enough of the background what about the music? It is superb from the first note to the last, clarion clear, gentle and urgent full of light and dark phrasing from every member of Thomas Wynn and the Believers.

Opening with a harmony of voices Man Out Of Time lets us step onto the spiritual musical journey this album will take us on over the dozen tracks. This is primeval, raw and full of growing tension as the blues captured and shaped the sound is hypnotic as we learn about Man Out Of Time. The chorus is melodic vocal wail no words required as the emotion unfurl, calling us to explore the music and lyrics.  ‘In The darkness light was mine’ intones Olivia as the music builds around her this is raw power energy that rocks.  Following on is the title track, the drums are hypnotic the guitar wields the power of the six-strings as Thomas’ voice implores  as we go down to the water and we are Waist Deep in the water.  A title track soaked in emotion the guitar weeps and Thomas finds the tonal texture to ‘wash my feet wash my soul… and I will find my Peace’. This is rock that is full of nuances and is not about the volume but tcomposition of melody and lyrics taking us out of ourselves to be part of the story that Thomas Wynn and The Believers are sharing.

Heartbreak Alley, the angst is raw, the organ swelling with emotion the singing from Olivia soulful and powerful. The album now has three different sounds and they are held together by a narrative that flows and the linking back to the wealth of music that has shaped modern America. If you are exploring life then Death cannot be ignored and with the powerful rhythms from David & Ryan shaping the emotional outpouring from Thomas’s vocals and the cascading harmonies as Olivia joins him on My Eyes Won’t Be Open; with the Hammond adding tonal depth after the chorus this is a song that remains long after the last note is sung.

The guitar opening of I Don’t Regret is sweet, with acoustic feel and adds another element to the yearning in Thomas’ vocal, simple with an inherent beauty.  As the guitar volume increases the music opens up like sun coming out from behind a cloud the music fills the room.  Gospel meets Country Rock and we realise that regretting what has been done is pointless it is the future that can be changed.

The rock in the band falls out of the speaker with the penultimate number We Could All Die Screaming; volume and intensity are raised but the clarity is never lost. This is Thomas with a determination in the delivery of the vocals, a tinge of anger and it builds throughout the four minutes. Closing with Turn It To Gold, the intensity is captured as the musicians bring an album to a climax.  The bass deep and with a drone like quality catches the ear with wonder a rock anthem that is so much more.

Wade Waist Deep has layers of complexity, thought-provoking vocals and a message never preaching it is about Country Rock from a band that has something to say connecting us all back to Orlando, Florida where they live. Through a to Sputnik Sound studio in Nashville, where the band recorded Wade Waist Deep with four-time Grammy award-winning producer, Vance Powell (The White Stripes, Jack White, Chris Stapleton). “I really wanted to do it outside of our hometown,” said Wynn. For the month of August 2016, Wynn and The Believers went on a journey to a sonic place that’s big, bright, and visionary.

If I had to describe the album full of complexity in a simple sentence.  Spiritual, Country Rock that has gathered into the music blues, soul; with the awakening hope brings when combined with the power of love. This is Life in Music, things can be different, it can be better.  I thoroughly recommend you immerse yourself and Wade Waist Deep in to the musical waters that are Thomas Wynn and The Believers.

Thomas Wynn and The Believers Wade- Waist Deep Mascot Group Label

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Man Out Of Time
  2. Wade Waist Deep
  3. Heartbreak Alley
  4. My Eyes Won’t Open
  5. Thin Love
  6. I Don’t Regret
  7. You Can’t Hurt Me
  8. Mountain Fog
  9. Burn As One
  10. Feel The Good
  11. We Could All Die Screaming
  12. Turn It Into Gold

Thomas Wynn and The Believers Album Wade Waist Deep

Omission The Magpie Salute Single From Debut Album

Omission The Magpie Salute Single From Debut Album
photo credit: Shervin Lainez

Omission The Magpie Salute Single From Debut Album

BRAND NEW SINGLE

OMISSION

Out June 9th through Eagle Rock Entertainment

The Magpie Salute releasing ‘Omission’ a brand-new single from their forthcoming self-titled debut album. The Album’s release date is 9th June 2017 through Eagle Rock, Entertainment.

Bluesdoodles, listen to the single and thought Explosive. Opening with raw, loud guitar that leads into a swelling of rhythm from drums and bass. Then with a swirl of energy the singing Magpie joins the salute to Rock that rolls with verve and attitude. No wonder the four nights they played recently at Under The Bridge in London were a sell out and the music acclaimed full of Black Crowes and more. Now with Omission, no omissions here with this debut band original composition. Omission encapsulates the mood and sound that  is shaping the band.  which is also the new band’s sole original composition.

The band will be returning to play dates in Europe this summer before on embarking on a full US headline tour. Full list of dates here.

Who are The  Magpie Salute?

Rich Robinson and Marc  Ford will be former Crowes bassist Sven Pipien, drummer Joe Magistro and guitarist Nico Bereciartua. The group also boasts a fine cast of vocalists, including Robinson, Ford, lead singer John Hogg (Hookah Brown, Moke), former Crowes singer Charity White and background singers, Adrien Reju and Katrine Ottosen.

The new Album The Magpie Salute, release date 9th June 2017, produced by Crowes guitarist and co-founder Rich Robinson, the musically tight and expansive album recorded live-in-the-studio in front of an audience at Applehead Recording in Woodstock, New York, except for the brand-new studio track and single ‘Omission’.

The album carries special significance as it marks the last recorded work by Eddie Harsch, the late Black Crowes keyboardist whose signature sound and gentle soul are woven into The Magpie Salute.

There’s a musical freedom on the band’s debut album, reflecting the musicians’ wide-ranging roots in the diverse selections of tracks, with half of the 10 songs coming in at over seven minutes in length.

The new album offers fresh takes of The Black Crowes’ ‘What Is Home’ and ‘Wiser Time’ and new interpretations of songs ‘Comin’ Home’ by Delaney and Bonnie, Bobby Hutcherson’s ‘Goin’ Down South’, War’s ‘War Drums’, Pink Floyd’s ‘Fearless’, The Faces’ ‘Glad and Sorry’, Bob Marley’s ‘Time Will Tell’, (which The Black Crowes covered on their second album), and the traditional song ‘Ain’t No More Cane’.

Omission The Magpie Salute Single From Debut Album
photo credit: Shervin Lainez