Day Of Music Celebrating Life Cancer On The Rocks

Day Of Music Celebrating Life Cancer On The Rocks

Day Of Music Celebrating Life Cancer On The Rocks

 

 

Rick Palin of Skyfire Interactive has announced today a new event Cancer On The Rocks. The acts are varied and are mostly rock and blues. The event is close to Rick’s heart. This event is fundraising for Macmillan with the goal on the day is to raise £10,000.00 for the charity.

Background to Day Of Music Celebrating Life Cancer On The Rocks

In August Rick’s Father died of cancer, his death hit him very hard, especially the feeling of feeling so completely powerless to help him. The one constant that got me through the desperate times was the help and support given by Macmillan. They were such a support to both me and my dad and I will never forget what they did for him and in fact still are doing to help me. Having seen so many people die from cancer this year, including close family and friends, Rick is sickened to the stomach the number of people this disease is killing. Rick, made a vow to do something to help Macmillan as I thought simply writing them a £500 cheque was insufficient and a mere drop in the ocean in this horrible war. The outcome The Cancer On The Rocks. Whereon one day an 11 band spectacular taking place in Nantwich, Cheshire in January 2018.

This day is not just about raising funds for Macmillan it is about something equally special, it is about celebrating life.

 

Day Of Music Celebrating Life Cancer On The Rocks – Tickets go on sale today HERE

Every penny raised will go to Macmillan, so come along, have a fantastic day with some amazing bands and know that you are doing something important to help save lives.

 

Day Of Music Celebrating Life Cancer On The Rocks

Popa Chubby Announces New Album Two Dogs

Popa Chubby Announces New Album Two Dogs

Popa Chubby Announces New Album Two Dogs

 

 

Popa Chubby drops a big, bad, sonic bomb with his excellent and timely new album, “Two Dogs.” On it, Popa explores myriad musical styles and genres while keeping it close to his rock and soul core. You’ll hear the Popa you know and love and things you haven’t heard before.

Popa started work on “Two Dogs” with a lot of amazing sounds in his head and powerful feelings in his heart. Recorded at his home studio in New York’s Hudson Valley, Popa engineered and produced the record. He also plays drums, bass and percussion on some tracks. Renowned keyboard player and Popa’s long-time collaborator, Dave Keyes, appears throughout the album. Popa’s daughter, Tipitina Horowitz, plays the trumpet and contributes horn compositions. And ace drummer, Sam “Freightrain” Bryant keeps the beat real and rocking.

In the album’s liner notes, Popa expresses how he feels about the times we live in and expands on the inspiration behind the title song: “We have become polarized as a race. There is a battle inside each of us. Each day we rise and must choose our path calling upon each other and our own spirits for strength and courage. The dog we feed is the one that rules, the dog we starve dies of neglect. It is up to each of us to use our spirit to feed the dog that will enable all of us to thrive.”

This quote from a review of “Two Dogs” published in Blues Magazine does a good job of summing up the man and his music: “To call him a blues artist is to belittle who he is and what he stands for. Horowitz is so much more than that: Singer, songwriter, guitar stylist, his passions run deep and shine bright. With a performance style he describes as “the Stooges meets Buddy Guy, Motörhead meets Muddy Waters, and Jimi Hendrix meets Robert Johnson,” Popa Chubby is an endearing character who is one of the genre’s most popular and innovative figures.”

 

 

1. It’s Alright
2. Rescue Me
3. Preexisting Conditions
4. Sam Lay’s Pistol
5. Two Dogs
6. Dirty Old Blues
7. Shakedown
8. Wound Up Getting High
9. Cayophus Dupree
10. Me Won’t Back Down
11. Chubby’s Boogie
BONUS LIVE TRACKS
12. Sympathy for the Devil
13. Hallelujah

All songs written by T. Horowitz except tracks 4 and 7 by Galea-T. Horowitz; track 12 by Jagger-Richards; track 13 by Leonard Cohen All songs unless otherwise indicated ASCAP Dutch Daddy Music. Track 12: ABKCO Music Inc. Track 13: Sony/ATV Popa Chubby: Guitars, vocals and percussion on all tracks. Drums on Clayophus and Me Won’t Back Down. Bass on Rescue Me, Shakedown, Two Dogs, Clayophus and Me Won’t Back Down Sam “Freightrain” Bryant: Drums all other tracks Andy Paladino: Bass on It’s Alright, Chubby’s Boogie, Preexisting Conditions, Dirty Old Blues Dave Keyes: Keyboards on all tracks Tipitina Horowitz: Trumpet, composition of horns Andrew Garrison: Tenor Saxophone Andrea Beccaro: Drums on Sympathy for the Devil Francesco Beccaro: Bass on Sympathy for the Devil

All songs written by T. Horowitz except tracks 4 and 7 by Galea-T. Horowitz; track 12 by Jagger-Richards; track 13 by Leonard Cohen All songs unless otherwise indicated ASCAP Dutch Daddy Music. Track 12: ABKCO Music Inc. Track 13: Sony/ATV Popa Chubby: Guitars, vocals and percussion on all tracks. Drums on Clayophus and Me Won’t Back Down. Bass on Rescue Me, Shakedown, Two Dogs, Clayophus and Me Won’t Back Down Sam “Freightrain” Bryant: Drums all other tracks Andy Paladino: Bass on It’s Alright, Chubby’s Boogie, Preexisting Conditions, Dirty Old Blues Dave Keyes: Keyboards on all tracks Tipitina Horowitz: Trumpet, composition of horns Andrew Garrison: Tenor Saxophone Andrea Beccaro: Drums on Sympathy for the Devil Francesco Beccaro: Bass on Sympathy for the Devil

Popa Chubby Announces New Album Two Dogs

 

 

Lionize In The Studio Produces New Album Nuclear Soul

Lionize In The Studio Produces New Album Nuclear Soul

Lionize In The Studio Produces New Album Nuclear Soul

 

Lionize In The Studio Produces New Album Nuclear Soul. The Maryland rockers have captured maturity in sound; the lyrics are emotionally driven. Modern cutting rock for today as the genres are captured under the skilful direction of Clutch’s Jean Paul Gaster with J. Robbins and the band themselves. The album is an explosion of sounds and sonic shapes that hits the speakers with a blast of keys from Chris Brooks’ Hammond – what an intro. The opening track draws you into the music on their sixth album. This is classic rock bending and blending influences full of funky attitude. Darkest Timeline is a great introduction to the sound of rock for 2017 and beyond with lines including You know I’ve got American Blues”, We’re on the darkest timeline.  This theme is returned to. This is not a dark, discordant album it is one crafted with care pulling thoughts together through the medium of rock. Lionize entertains with the power of the quartet throughout Nuclear Soul.

The album flows with a passionate dexterity. What sets Nuclear Soul apart from the pack is the crafted blending into the rock beat, funk, jazz, blues at times the beat of heavy metal. This mix of influences packaged with a ribbon of grunge and sparkle of the energy of Rock n Roll labelled with lyrics that tell a story. Lyrics to reflect the times. Lionize on Nuclear Soul have captured the soul of our times. Nailed it across the eleven tracks.

The beauty, yes beauty, of Fire In Athena as they take the sound down the acoustic guitar is exquisite. Unexpected with the sound building an undercurrent of Thin Lizzie. This is a highlight only three tracks in. The band delivers energy and lyrics with a poignancy. The sound swells and fades. Nate Bergman sings fragile and alone Burning In The Streets … What was left ringing in our ears. Was a bell with a never-ending toll … then the power as we have a crescendo of sound riffy guitar from Nat, rhythmic beats from Hank’s bass & Chase’s Drums. Follow that. They do with Power Grid fast dirty greasy bluesy funk that excites.  Election Year, reflecting the time of recording the album. The phrase Don’t Trust The Government ring with a truth in your ears combined with we get what we deserve. There is a fearful driving urgency across the number as Lionize re-shape their sound and approach.

One track that perhaps doesn’t quite mesh in is aptly titled Let You Down. What it does do is showcasing Nate’s vocal versatility with its bluesy feel.  The title track is a humdinger as the quiet opening with the Brooks keys reflecting Nate’s vocals is counterintuitive to the lyrics. This is a drama of being cast into a post-apocalyptic wasteland. Reflecting the news headlines of impending disaster all around us from nuclear and environmental threats. A song for our times.

Lionize close out Nuclear Soul with a band member saying play it faster. Blindness to Danger is a fast furious up-tempo number. With the final chorus ringing in your ears. Lionize are a band on a crest of a wave of global success

Lionize throughout the album flaunt their immense collective talent. One listen and Lionize have their hooks into your ears. An album that will be played loud, with pleasure and often. A real go-to album when rock music is the order of the day.

Lionize –  Nuclear Soul – The End Records

NINEpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Darkest Timeline
  2. Face Of Mars
  3. Fire In Athena
  4. Power Grid
  5. Aint It A Shame
  6. Election Year
  7. March Of The Clones
  8. Let You Down
  9. The Mad Scientist Of Sunshine
  10. Nuclear Soul

Lionize In The Studio Produces New Album Nuclear Soul

 

As Mollie says Truth Is A Wolf on her Debut Album

As Mollie says Truth Is A Wolf on her Debut Album

As Mollie says Truth Is A Wolf on her Debut Album

 

 

Listen to the album in full, then again and then start to consider the review. Why? Get to know Mollie Marriott the musician, singer in her own right. Forever connected to her famous father. Judge the music for what it is, Mollie coming up front having been a backing singer. The album has a wolfish grin throughout, a little bit dark, a smidgen of hunger and a wildness that needs to be tamed as Mollie gets personal with the lyrics.

From the opening, this is a singer taking control of her destiny. Turning up the heat, beat and building from a rhythmic bass that lets the wolf in Mollie free grabbing control of her own destiny. The song co-written with Sam Tanner(Brother Strut) lays down the path Mollie wants to take, being her own person as she tames, shapes and most importantly is in control of her own music and artistry. This s the perfect show-stopping single to show to the world I want to be heard as I sing the music that moves me.

Mollie the songwriter and singer explores throughout the album the hurt and pain of loss and life’s bitter, sometimes dark experiences.  She empathises in vocal tone pulling on the hurt until scars are revealed. Importantly for the integrity of the music she never wallows or sinks into a pool of despair. Mollie is stronger and will Run With The Hounds fashioning her own distinctive creative pathway.

The vocals have an inner power that soars above the band’s melodic lines. They never dominate but always give Mollie a springboard to vocally soar from. The instrumentation and production are spot on. Thanks to the band who play with her live. This shines through with a mutual understanding an umbilical chord of understanding.  The title track Truth Is A Wolf is the perfect demonstration of this mutual harmonization between Mollie Marriott and her band, Johnson-Jay Medwik-Daley (guitar), Sam Tanner (keyboards), Henrik Irgens (bass), Alex Reeves (drums) and Izzy Chase-Phillmore (backing vocals). As her voice howls with crystal clarity that would be the envy of many a pop diva. She is no diva. The intricacy of the number written by Gary Nicholson defines her. There is an edge that has the swirl of rock a hook of grunge rooted in an authenticity of sound making this number catchy, bewitching and beguiling. The first three tracks lay down the gauntlet can the high standard be maintained? The answer is Yes & No, as she explores different styles and tempos.

The slow ballad, Give Me A Reason fails to ignite, it is too dreamy and wistful the number lacks that inner grit that pulls the lustrous pearl from the Oyster. Then it slowly picks up as we have the song Run With Hounds and the tempo builds again with Love Your Bones. A tribute to her friend who died the sadness is underlying emotion the power of loving your bones fulfilled by the strings of the cello. It is the power of love remaining and strangely uplifting forward moving number.

Then we turn the corner to the closing numbers many co-written. This strengthens the power in the numbers King Of Hearts, penultimate number co-penned with Judie Tzuke and Graham Kearns is full of the wolfish rock power of the earlier tracks. The number has a grungy edge that the guitar amplifies the sound that is built creating an electrofused crescendo that leads neatly into the closing number My Heaven Can Wait.  The number is full of epic proportions as the voice explores the lowest point of her emotional crash. Deeply personal the hurt can be experienced in the sonic ranges and shapes of the instruments as the last notes fade away.

Having explored the darker side of life. Truth Is A wolf surprisingly leaves you feeling content, uplifted with a spring in your step and ear-worm repeating guitar riffs.

Debut album that sets Mollie Marriott firmly on the road as a solo singer. The style that instantly identifies the voice still needs to be defined with a sharpness of direction. The second album will set this down. The melodic, crystal clear vocals that have the ability to shape the emotions suits the darker sound where her emotions can run with the pack of wolves. As Mollie says Truth Is A Wolf on her Debut Album.

Mollie Marriott – Truth Is A Wolf 

Release Date 3rd November 2017

EIGHTpawprint half inchdoodle paws out of TEN …

 

Track Listing

  1. Control
  2. Broken
  3. Truth Is A Wolf
  4. Give Me A Reason
  5. Run with The Hounds
  6. Love Your Bones
  7. Transformer
  8. Fortunate Fate
  9. King Of Hearts
  10. My Heaven Can Wait

    Pre-order Truth Is A Wolf TODAY 

 

As Mollie says Truth Is A Wolf on her Debut Album

Read what we talked about when we sat and talked about Music, touring, famous parents –  HERE

 

Mollie sets out on tour with Bad Touch in November.

Joe Satriani Announcing New album For January 2018 What Happens Next

Joe Satriani Announcing New album For January 2018 What Happens Next

Joe Satriani Announcing New album For January 2018

What Happens Next

 

Joe Satriani Announcing New album For January 2018 What Happens Next

G3 U.S. TOUR SET TO LAUNCH ON JANUARY 11TH

Tour features Satriani, John Petrucci (Dream Theater) & Phil Collen (Def Leppard)

“Beyond the Supernova” Documentary by ZZ Satriani to Premiere at Mill Valley Film Festival – October 14th

 

Joe Satriani Announcing New album For January 2018 What Happens Next. World-renowned guitar virtuoso, JOE SATRIANI, announces the release of his 16th solo album, What Happens Next, set for release, January 12, 2018 on Sony/Legacy Recordings. Just a day prior to the album release, SATRIANI revives his G3 tour entity, inviting Dream Theater’s John Petrucci and Def Leppard lead guitarist, Phil Collen to join him. The G3 tour launches on January 11 in Seattle, WA and continues across the U.S. before winding up on February 25 in Milwaukee, WI. There is a special tour pre-sale promotion giving fans the opportunity to buy concert tickets with the new album as well as VIP packages.

The new, instrumentally electrifying album features a power trio of legendary status; SATRIANI on guitar and Rock and Roll Hall of Fame inductee bassist Glenn Hughes (Deep Purple/Black Country Communion) and drummer Chad Smith (Red Hot Chili Peppers), the latter reuniting with SATRIANI for the first time since their work in the supergroup Chickenfoot. SATRIANI is once again joined by producer/engineer/mixer Mike Fraser, his frequent collaborator over the last 20 years, on What Happens Next. Fraser is well-known for recording/mixing every AC/DC album since 1990’s The Razors Edge along with his classic works with SATRIANI going back to the release of Crystal Planet in 1998.

These new tracks literally vibrate the soul with an energy rarely found these days. From the dynamic opening track, “Energy”, to the majestic crunch of “Thunder High On The Mountain”, and the easy, sensual cords of “Smooth Soul”. This unparalleled rock-rhythm section gives What Happens Next a depth of groove that sets it apart from SATRIANI’s other work.

Since its debut in 1996, SATRIANI’s G3 tour has featured the world’s greatest guitarists (everyone from Steve Vai and Eric Johnson to Steve Lukather and Robert Fripp) and has become a consistent concert hall sell-out attraction in the U.S., South America, Europe, Australia, and Japan. “I could say that I’m surprised at the durability of G3 and how much it’s grown, but in a way I’m not,” SATRIANI says with a laugh, “I think part of its charm and its mojo is in the chemistry of having three top guitarists share what they do on stage. It’s fun, it’s unpredictable, it’s wild – it’s everything you could want in a show.”

In addition to this new album and exciting tour news, a new documentary “Beyond the Supernova” shot by SATRIANI’s filmmaker son, ZZ, makes its debut at the Mill Valley Film Festival this October. The tour documentary chronicles Joe, along with his band and crew, on their last “Shockwave Supernova” tour throughout Europe and Asia.

Satriani’s Strange Beautiful Music: A Musical Memoir first released in May 2014 will now be available in paperback. Pre-orders are available now with the official release on November 7, 2017. The paperback version includes a new chapter focusing on SATRIANI’s last album, Shockwave Supernova. Read an excerpt from the new chapter HERE.

For two decades, the guitar virtuoso has traveled the world, playing to sold-out crowds as both a headliner and as founder of the all-star “G3” guitar extravaganza. SATRIANI’s studio and live recordings have sold more than 10 million copies worldwide to date and of his many solo albums, two have gone platinum and four others went gold, with 15 Grammy nominations between them. His side project, Chickenfoot, featuring former Van Halen frontman Sammy Hagar, former bassist Michael Anthony, and Red Hot Chili Peppers’ drummer Chad Smith saw their debut album certified gold and their second studio album debuted at #9.

2018 G3 Tour featuring Joe Satriani, John Petrucci & Phil Collen itinerary:

January 11 – The Moore Theatre, Seattle, WA
January 12 – Historic Elsinore Theatre, Salem, OR
January 13 – Grand Sierra Theatre, Reno, NV
January 14 – Fox Theater, Oakland, CA
January 16 – Delta Hall at Eccles Theater, Salt Lake City, UT *
January 17 – Brooklyn Bowl, Las Vegas, NV
January 18 – Mesa Arts Center, Mesa, AZ *
January 19 – Orpheum Theatre, Los Angeles, CA
January 20 – Balboa Theatre, San Diego, CA
January 21 – Fox Tucson Theatre, Tucson, AZ *
January 24 – Historic Paramount Theatre, Denver, CO
January 26 – The Pavillion at The Toyota Music Factory, Irving, TX *
January 27 – Austin City Limits – Moody Theater, Austin, TX
January 28 – Hobby Center for the Performing Arts, Houston, TX *
January 30 – Hard Rock Live, Orlando, FL *
January 31 – Florida Theatre, Jacksonville, FL *
February 1 – Pompano Beach Amphitheatre, Pompano Beach, FL*
February 2 – Barbara B Mann Performing Arts Hall, Fort Myers, FL *
February 3 – Mahaffey Theater, St. Petersberg, FL *
February 6 – Raleigh Memorial Auditorium, Raleigh, NC
February 14 – Warner Theatre, Washington, DC *
February 15 – Orpheum Theatre, Boston, MA
February 16 – Beacon Theatre, New York, NY *
February 17 – Merriam Theater, Philadelphia, PA
February 18 – New Jersey Performing Arts Center, Newark, NJ *
February 20 – Auditorium Theatre, Rochester, NY *
February 21 – Massey Hall, Toronto, ONT
February 22 – Hard Rock Live, Northfield, OH
February 23 – Chicago Theatre, Chicago, IL *
February 24 – State Theatre, Minneapolis, MN
February 25 – Riverside Theater, Milwaukee, WI

(All dates on sale September 22nd except * on-sale October 6)

 

 

Joe Satriani Announcing New album For January 2018 What Happens Next

Pre-order HERE 

 

Joe Satriani Announcing New album For January 2018 What Happens Next

 

Joe Satriani Announcing New album For January 2018 What Happens Next

The Bad Flowers Single delivers Thunder Child Check It Out

The Bad Flowers Single delivers Thunder Child Check It Out

 The Bad Flowers Single delivers Thunder Child Check It Out

The Bad Flowers Single delivers Thunder Child Check It Out. Why? I smell rock that sizzles. The sound builds and builds with a rumble and roll of riff mayhem. The Black Country once again is serving up rock that packs a punch, full of melodic undertones pulling through on riffs that clap like a mighty thunderstorm. The single opens with a burst of cymbals introducing you to drummer Karl Selickis’; the beat is picked up with deep and full bass grooves provided by Dale Tonks. Then the outpouring of vocalist Tom Leighton. This is a rock power trio that keeps the music pumped up and full of intense tonal shapes and textured rhythms.  The Bad Flowers have a distinctive, compelling sound the three musicians interact creating a maelstrom of rock a bouquet of sound that no simple ribbon can hold in place as the notes are bent and turned into Thunder Child.

The ‘B’ side completes the tasty single with Lions Blood, two tracks that definitely leave you wanting more of the trio’s Black Country rock, full of fuzz, heavy grooves and a rawness that keeps an edge to the music which is sharp and imaginative with an energy. This means that the band are in a hurry to be noticed. They will achieve that with this couplet of rock tones as Thunder Child flows into Lions Blood.The single, Thunder Child, unsurprisingly is getting radio play and the trio is being noticed as they embark on an 8-day tour; including five dates supporting The Picturebooks in October.

The Bad Flowers, deliver a sweet rock riffy sound do not miss out on the chance to be in on the action.  Having formed in 2014 they have been making formidable rock foot in the past whilst full of  21st-century rock sensibilities.

 

OCT/NOV 2017 UK TOUR
*Supporting The Picturebooks
**Supporting Skinny Molly

Tickets: www.thebadflowers.uk

Birmingham, The Flapper – Thursday 5th October 2017
*Supporting The Picturebooks
Tickets: £8.00 – Book Online: See Tickets 

Manchester, Satan’s Hollow – Friday 6th October 2017
*Supporting The Picturebooks
Tickets: £8.80 – Book Online: See Tickets

Workington, Lounge 41 – Saturday 7th October 2017

Bristol, Mothers Ruin – Sunday 8th October 2017
Tickets: £6.25 (includes booking fee) – Book Online: IBA Events 

Grimsby, The Yardbirds – Friday 13th October 2017
*Supporting The Picturebooks
Tickets:£8 advance / £10 door – Book Online: See Tickets 

Swansea, The Pit – Saturday 14th October 2017
Tickets: £6.25 (includes booking fee) – Book Online: IBA Events 

Sheffield, Corporation – Sunday 15th October 2017
*Supporting The Picturebooks
Tickets: £9.56 – Book Online: See Tickets 

London, The Lexington – Monday 16th October 2017
*Supporting The Picturebooks
Tickets: £10.00 – Book Online: See Tickets 

Oxford, The Bullingdon – Tuesday 24th October 2017
**Supporting Skinny Molly
Book Online: We Got Tickets

Leicester, The Soundhouse – Friday 24th November 2017
Tickets: £6.60 (Inc. Booking Fee) – Book Online: We Got Tickets 

Planet Rock presents Winter’s End – Friday 23rd February 2018
Weekend Tickets / Tickets without Accommodation
Book Online: Planet Rock 
www.planetrock.com
Sandford Holiday Park, Holton Heath, Poole, Dorset, BH16 6JZ
www.planetrock.com

The Bad Flowers Single delivers Thunder Child Check It Out

Rise & Shine With SIMO Taking Us In A New Direction

Rise & Shine With SIMO Taking Us In A New Direction

Rise & Shine With SIMO
Taking Us In A New Direction

 

 

Rise & Shine With SIMO Taking Us In A New Direction, from the first click of the fingers, a boom of the drum and sonic guitar you are taken to a different place that their previous releases have never been or brave enough to take us.  The previous critically acclaimed album Let Love Show the Way was retro, accessible and familiar. Get ready to be amazed, aurally challenged and delighted on the album that is in two words summed up as Superb Experimental.

This is an album that is personal, spiritual and encompasses lyrics that at times hurt when you take in the message. But we can relate to them we have all travelled to that stony place JD Simo is describing in many of the songs.

Return is a track that absorbs, starkly crafted around a vocal that is strong in its frailty. This is about sinking into yourself without being aware of the effect on other people and reality becomes a stranger. Lyrics fuelled for a blues inspired song. Not this time a contemporary twisted shape with space to consider the sonics and words. Full of funk with a rawness that burns. There are echoes of other musicians Prince, Beck and others; this is SIMO reaching out and creating a new musical pathway of their own. A powerful number that leaves you wondering where has this new style come from? The guitar moans and groans as JD is almost crooning to himself as we just want to enjoy this new sound; learn it understand it and embrace it. So let’s Rise up and listen to a highly original album as JD says ‘Let It Shine’.

They laid down an intriguing gauntlet with the opening track. How to follow that. We are taken to a trance-like state as we join SIMO in the Meditation zone. This is not a silent space, the mysticism is ever present in tone, the awareness of self is absorbed into the driving beat. The beat that ignites your inner happiness and connects to your feet that want to get up and dance.  The album is slippery to grab hold of. It is mercurial, enticing and slightly dangerous, the sonic shape reinvents itself for every track. The tracks are linked together by personal experience, hurt, haunting and anger. They are linked by the authority of JD’s vocals and his guitar just screams and twists around the strings for attention, the deep bass lines of Elad Shapiro,  and crisp impassioned drumming of Adam Abrashoff on the beat shaping the depths of the sonic landscape created on Rise and Shine

We are taken into a slightly wild place with shine, fast curling beats auditory delights are created by a trio that embrace change and experiment without ever losing the strength of melody. JD’s vocals provide a clarion call on Shine.  Space and time continuum changes with I Want love. The sonics fade and the vocals and guitar take the lead role for your attention as JD plaintively sings I Want Love. A soul ballad that grows and grows with every note that is sung as we are taken on a soulful, smoky emotional journey. I Want Love.

All change as The Climb starts with a rock infused predominately instrumental full of shifting multi-hued coloured sands of psychedelia. Vocals are sparse spoken as they quote from JF Kennedy “Our most basic common link is that we all inhabit the same planet” becoming another instrument added to the wild experimental mix. Music of darkness and light as we Rise and Shine in the company of SIMO on their aural journey.

The mood changes with the bluesiest number, Light The Candle.  The Sonics are measured and would be recognised as a blues driven sound by Howlin’ Wolf. This is blues for today different full of structure, sharp edges a harshness of modernity delivered by the instruments over the lyrics of JD. The Whoo Hoo of his vocals are straight out of the lexicon of blues sounds, whilst defying like the rest of the album to be captured within one industrial genre.

The album is masterful every track has a sense of purpose and direction. Listen to the whole album the numbers will cascade you into an aural wonderland. A theme park full of sonic adventures. Closing out the album with I Pray. Just over thirteen minutes where you are captivated in the land of SIMO. Starting off with measured, simple sounds and JD intones a prayer. A prayer that is a manifesto of a better more tolerant understanding world where we embrace difference. The track is progressive, full of rock and so much more. Thought provoking. Identifying the oppressed, addicted and those living under tyranny. It covers every issue the world is struggling with from climate change to social ills. The words have a message it is formidable. The music is structured each note and space is there for a reason. What a brilliant close for a brilliant album you want the licks, riffs and rounds of music to go on and on taking to a better place to Rise and Shine.

The sound comes from a trio of musicians that do not want to be contained in retro, repeating what others have done before. They want to produce their best music. Full of interpretations of the sounds the instruments take them as they explore the lyrics. The album had a long gestation as they toured relentlessly throughout 2017 to a point beyond exhaustion they found creativity.  The mutual understanding between the trio of musicians has made Rise and Shine a musical experimentation full of chemistry, harmonies bound in the heart of any song lyrics with something to say. Rise and Shine with SIMO and great a new day with the exciting new direction you will want to travel. Rise and Shine a real contender for my album of 2017. The album can be reviewed in one word EXCEPTIONAL!

Rise & Shine – SIMOProvogue/Mascot Label Group

Out 15th September 2017

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Return
  2. Meditation
  3. Shine
  4. People Say
  5. Don’t Waste Time
  6. I Want Love
  7. The Climb
  8. Light The Candle
  9. Be With You
  10. The Light
  11. I Pray

Rise & Shine With SIMO Taking Us In A New DirectionRise & Shine With SIMO Taking Us In A New DirectionRise & Shine With SIMO Taking Us In A New Direction

Ten Years After Celebrating 50th Anniversary With 10 CD Box Set

Ten Years After Celebrating 50th Anniversary With 10 CD Box Set

Ten Years After Celebrating 50th Anniversary With 10 CD Box Set

CTen Years After Celebrating 50th Anniversary With 10 CD Box Sethrysalis Records are proud to release a

50th Anniversary 10 CD Box Set celebrating the
band’s first nine albums, plus a CD of
previously unreleased material.

Released Friday 10th November 2017

Pre-order via Pledge

 

To coincide with the Ten Years After’s eponymous debut release in 1967 Chrysalis Records are proud to present a 50th Anniversary 10 CD Box Set. This limited edition set includes a CD of previously unreleased material.

To celebrate this special occasion, in November 2017 Chrysalis Records will release a brand new 10 CD Box Set, gathering for the first time, albums from both the Chrysalis and Deram periods from 1967 to 1974.

This set, limited to 1,500 copies worldwide, contains LPs which have been remastered from the original 1/4″ production master tapes along with the bonus disc entitled The CapFerrat Sessions”which consists of never heard before recordings from 1972, newly mixed by acclaimed record producer Chris Kimsey.  Fans can pre-order the box set from Pledge

The package comes in a luxury hardback format with slipcase and an accompanying book which includes newly commissioned in-depth 10,000 word sleeve notes written by legendary Melody Maker journalist and early champion of the band, Chris Welch, charting the band’s progress from their early beginnings in Nottingham, through iconic appearances at the Woodstock and the Isle of Wight festivals, right up to their eventual split in 1974. There are extensive interviews with the remaining band members plus members of Alvin Lee’s family, and additional recording notes by Chris Kimsey.

“I’m genuinely excited about the new Ten Years After box set that we’ve been working on with Chrysalis due for release in November to celebrate the band’s 50th Anniversary,” says Ten Years After’s founding drummer, Ric Lee. Continues Ric, “The box includes nine studio albums and a bonus CD that features the previously unreleased live album ‘The Cap Ferrat Sessions’. Originally recorded in 1972 in the South of France using The Rolling Stones Mobile recording truck, the session tracks were gathering dust until now. I remember we recorded the live tracks in a villa in Cap Ferrat, South of France. Each of the instruments were recorded in a different room – drums in the ballroom. Between Chris Kimsey, our recording engineer and I, we managed to get one of the best drum sounds on any Ten Years After recording. Natural ambience from the villa’s acoustics helped tremendously. The session tracks were originally planned for the ‘Rock N Roll Music To The World’ album, but due to vinyl restrictions of the time, the tracks were not included in the final album release. More details are on the sleeve notes written for us by Chris Kimsey, who kindly agreed to mix the tracks for this boxed set release 45 years after they were recorded. This is a must-have collection for any avid Ten Years After fan, and any new fans that want to soak up the band’s recorded history.”

Ten Years After stormed the stages of rock, they created a sensation that stunned audiences and quickly won them a coveted place among the pantheon of great British groups. Alvin Lee – one of the most charismatic and admired guitar players to emerge from the British blues boom of the era and deservedly ranked alongside his contemporaries Eric Clapton, Jeff Beck, Jimmy Page and Jimi Hendrix – headed a powerful team of talented musicians, Leo LyonsChick Churchill and Ric Lee.

During an intense seven-year period, they embarked on marathon tours, conquering America, enjoying success around the world, whilst also unleashing a succession of ground breaking albums. Their 1967 debut “Ten Years After”was swiftly followed by pioneering live album “Undead” (1968) through the critically acclaimed “A Space In Time”(1971),featuring one of their finest songs ‘‘I’d Love To Change The World”, which is very apt in today’s world, ending with 1974’s ‘Positive Vibrations’.

The Cap Ferrat Sessions” came as a result of a discovery by Alvin Lee’s wife, who found a box of recordings deep in the vaults of the studio in their house they shared in Spain. They originate from the Rock N Roll Music To The World album sessions, which were recorded at a seaside villa in Cap Ferrat, South of France and Olympic Studios in London. Chrysalis Records turned to world renowned producer Chris Kimsey (whose credits include the Rolling Stones, Bad Company, and Peter Frampton), who recorded and engineered the original sessions, to mix these tracks for the first time.

For avid collectors and fans of the band, the legendary Cap Ferrat sessions will have a special appeal and will be an essential addition to their collection.  This is a big deal for classic rock lovers and aficionados all over the world.

Ten Years After Celebrating 50th Anniversary
With 10 CD Box Set

 

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Ten Years After Celebrating 50th Anniversary With 10 CD Box Set

 

The Tubes On Tour Welcome Back to the UK

The Tubes On Tour Welcome Back to the UK

The Tubes On Tour Welcome Back to the UK

With dates around the U.K. Including dates supporting ALICE COOPER

In 1977 The Tubes toured the UK, but many of their shows were banned due to British censorship. In February 1978 they released the ground-breaking live album What Do You Want From Live – recorded at London’s Hammersmith Apollo in November 1977, followed by their UK television debut on The Old Grey Whistle Test.

“We’re thrilled to return to the country that started it all for us,” says the Tubes frontman Fee Waybill. “I embrace my British heritage; the beer and the fish and chips and the best rock and roll fans in the world. The tour will be incredible fun.”

The news of the UK tour dovetails with the August 11th release of The Tubes: “The A&M Years” Box Set which includes the band’s first five studio albums. The box set can be ordered from Amazon UK HERE.

The band’s over-the-top theatrical visual live performances are known to rock fans worldwide for their quasi-pornographic and satiric take on the media, consumerism, and politics, celebrated by lead singer Fee Waybill’s deranged on-stage characters, including the larger-than-life fictitious platform-booted, drugged out British glam rock star Quay Lewd.

The current line-up of The Tubes features four original members – Fee Waybill (lead vocals), Roger Steen (guitar), Rick Anderson (bass) and Prairie Prince (drums), plus David Medd (keyboards), the latter has played with the band since 2006.

One thing is a certainty the evening will be a non-stop rollercoaster ride of theatrics and great music.

The Tubes On Tour Welcome Back to the UK

THE TUBES
NOVEMBER 2017 UK TOUR

*SUPPORTING ALICE COOPER

Southampton, Engine Rooms – Saturday 4th November 2017
Tickets: £27.50 (Inc. Booking Fee)
Book Online: 
www.seetickets.com – Venue: 0800 688 9311

Bristol, The Fleece  – Sunday 5th November 2017
Tickets: £27.50 (Inc. Booking Fee)
Book Online: See Tickets 
– Venue: 0117 945 0996

Reading, Sub 89 – Monday 6th November 2017

Tickets: £27.50 (Inc. Booking Fee)
Book Online: See Tickets – Venue: 01189 595 395

Newcastle, Boiler Shop – Thursday 9th November 2017

Tickets: £28 (Inc. Booking Fee)
Book Online:  Ticket ABC or We Got Tickets  

Edinburgh, The Liquid Room – Friday 10th November 2017
Tickets: £28 (Inc. Booking Fee)
Book Online: Ticket ABC

Leeds, First Direct Arena – Saturday 11th November 2017

(*supporting Alice Cooper) 
Tickets from £46.30 (Inc. Booking Fee)
Book Tickets:  AXS / Eventim

Glasgow, The SSE Hydro – Sunday 12th November 2017
(*supporting Alice Cooper)
Tickets: £45.40 (Inc. Booking Fee)
Book Tickets: The SSE Hydro / AXS
Box Office: 0800 952 0110 

Birmingham, Barclaycard Arena – Tuesday 14th November 2017  
(*supporting Alice Cooper)
Tickets from £45.80 (Inc. Booking Fee)
Book Tickets: Barclay Card Arena 
AXS
Box Office: 0844 338 8222

Manchester, Arena – Wednesday 15th November 2017

(*supporting Alice Cooper)
Tickets: £44.75 (Inc. Booking Fee)
Book Tickets: Eventim 
 /  AXS
Box Office: 0844 847 8000

London, SSE Wembley Arena – Thursday 16th November 2017

(*supporting Alice Cooper)
Tickets: £46.75 and £55.75 (Inc. booking fee)
Book Tickets:  AXS

Norwich, The Waterfront – Friday 17th November 2017 

Tickets: £27.50 (Inc. Booking Fee)
Book Tickets:  The Waterfront 

Box Office: 01603 508 050

Bluesdoodles are delighted The Tubes are back in the U.K. 

We reviewed the show at The Globe in Cardiff   – “What to expect from the Tubes? Expect the Unexpected, they will challenge, make you laugh and sing along, every tour is different this was a technicolour delight with references to the movies Tarantino meets Brando. Till the next time, you come to entertain us. Thank you for the music and fun”.  Read more …..

 Read what we talked about when Liz chatted to Fee HERE

The Tubes On Tour Welcome Back to the UK

Black Stone Cherry exploring their roots New Album Black To Blues

Black Stone Cherry exploring their roots New Album Black To Blues

Black Stone Cherry exploring their roots

New Album Black To Blues

Black Stone Cherry are back from visiting Kentucky. Turning the world of Blues Classics upside down, inside out and definitely rollin’ and tumblin’ is a new direction. Black Stone Cherry exploring their roots in their New Album Black To Blues has reshaped the genre without missing a beat, shuffle or riff. The EP of six tracks is a tribute to the blues roots and heroes of the band, Muddy Waters, Howlin’ Wolf, Freddie King & Albert King.

Opening with Built For Comfort, the sound is dense, deep and moody, the sound is not the low-calorie version – this is full fat, moonshine back to the woods with the air of sinister intent. Carry this much blues no one is going to be running anywhere. The lead break has the guitar howling with a density of growling riffs that then calm down into slow blues with sweet guitar licks and vocals that go from whiskey soaked roughness to honey tones of yearning. What a start, Built For Comfort heard many times BUT never like this.

Follow that! Easy for Black Stone Cherry on a roll as they stomp out the opening of Champagne & Reefer. The slide guitar slips and slides across the vocals as the smooth sound of the original from Muddy Waters is replaced with a slide that rocks, Faster, louder and more raucous, what is never lost for a beat is the sentiment. We know that Champagne is for when you are thirsty and Reefer to get high. No longer Chicago Blues it is BSC turning Black to Blue with an arrogance of understanding the music. Now we are joining Freddie King, Living In A Palace Of The King. The track is the darkest indigo blue how did they achieve this without losing the King feel? Chris revealed they “moved one note to make it more dark”.

Waters, Hoochie Coochie Man is reinvented without losing the heart and soul of the original. The sound is full-on rock capturing the big band sound via the Blues. Leaving you enthralled, breathless, reigniting your passion for the blues ignited originally during the explosion of British R n’ B sixty years ago as John Mayall and Peter Green, and the Rolling Stones re-invented the sound with blues that rocked with modernity.

No tribute to the blues is complete without a number from Albert King, the re-working of Born Under A Bad Sign is monstrous. Loud, bad and very dangerous in the right way Chris’ vocals spit out the lyrics and the rhythm is dramatic. Closing out with I Want To Be Loved, we re-visit the genius that is Muddy Waters. The Guitar is fast, on fire with determined blues licks. Fired up with the tone of the band BSC will always be loved for the style and honesty in the music they produce.

Across the six numbers, we have twenty-one minutes of Black Stone Charry covering classics. Expect the unexpected, expect the unique sound of the band blended through the tracks. What is missing from this compact, blues that whizzes around the block to be the new black Midnight Blue, is missing one thing a few more tracks of BSC originals in the genre of the blues now known as Black to Blues 2017.
We may have our wish. The blues is always a sage teacher, and making the ‘Black To Blues’ EP was a transformative experience for Black Stone Cherry. Chris says: “It was humbling and freeing at the same time. It reignited our passion for this music, and it will definitely have an effect on our next album.

The numbers crack like a pistol shot from a well-oiled six-shooter as Black Stone Cherry have covered but not Copied!

Black Stone Cherry – Black to Blues – Mascot Label Group

Out 29th September 2017

NINEpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Built For Comfort
  2. Champagne & Reefer
  3. Palace Of The King
  4. Hoochie Coochie Man
  5. Build Under A Bad Sign
  6. I Wanted To Be Loved

 

Black Stone Cherry exploring their roots New Album Black To Blues