Definitely NOT The Wreck of The Blues Pontus Snibb
With burnt Sienna hues, a trashed car on the album cover is the Wreck of Blues, the music Pontus Snibb and his band produces is a solid sapphire cut gem, and Pontus Snibb plays States Side Blues out of Sweden. Wreck of The Blues, is blues that swirls with guitar licks that fall from the lyrics then adds a sting to the tail in the lead break as the guitar cries, howls picking up the vibe of the 1950’s. Without the band providing a rhythm that gives the blues depth we would simply have vocals and guitar the feel of the blues would be played without its body. Joining charismatic frontman Pontus Snibb is drummer and Dad, Hakan Nyberg and bassist Micke Nilsson.
We have a hint of inspiration of the blues as he name checks on No Peace Of Mind head full of songs could be by Freddy King or The Stones. Elsewhere on the album BB King, Otis Rush and Clapton join the list. This is blues that shimmer, shake and have a deep groove that fills the speaker with funk. Opening the album with classic electric blues, More Blues and Blue Sounds lay down his credentials as a guitarist who understands the nuances of the blues with a rocky edge. Then he changes the beat with Boogie Man, adds in shades of darkness, and a shimmer of fear as we meet the Snibbs Boogie Man. Electric guitar thrills spill over the whole number, some short and sweet others sustained. The threat of something is spoken about at the beginning of Lightnin’ Change with a voice over from yesteryear. Then the chugging blues guitar picks up the beat and the vocals distorted continue sporadically in a track that feels like an instrumental. Then another change that works for me as Pontus picks up the acoustic on I’m Walking and we join him on a trip down the road a light and gentle interlude that works better that the previous track. We are back with sunshine groove of the blues with Turning Back The Clock, the sound certainly transports you back to Dance Halls of the fifties. Closing with Keep On Loving Me you are left with blues licks and riffs singing in your ears. Definitely NOT The Wreck of The Blues Pontus Snibb as you leave us wanting more of your blues style.
What a line-up this not just promises to be exciting it will be with scintillating guitars, powerful voices as blues is twisted, turned creating a rainbow faceted jewel of every shade of blue. will be rocked, amazed and excited by the music from the first to the last note.
HRH Blues are proud to fly in yet another incredible talent for its 3rd round of Blues rock infused fun in Sheffield.
The Billy Walton Band compliment an already stellar Blues Rock line up and with under 90 tickets remaining, it looks like it will sell out even earlier than last year.
Ten Years After and Bernie Marsden performing at last year’s HRH Blues 2
Ten Years After
HRH CEO Jonni Davis praised the band by saying “ Walton’s talents are no secret among everyone in the Jersey shore music scene and with the founding of the Billy Walton Band, there’s little doubt his reputation will grow far beyond the Garden State. The Billy Walton Band’s sound is a combination of hard blues reminiscent of Hendrix, Clapton and Vaughn mixed with a healthy dose of Warren Hayes and Derrick Trucks.
“Live, Walton has always been an explosive performer with Jaw dropping talent but with the addition of bassist William Paris, Richie Taz on sax and drummer Johnny D’Angelo the Billy Walton band churns out a singular brand of funky blues that has deep roots in both the jam band musical tradition as well as the Jersey shore Walton has cut his teeth on. We can’t wait to see him perform next year in Sheffield.”
HRH Blues 3 takes place on 15th & 16th April 2017 @ the 02 Academy , Sheffield and the last few tickets can be booked online HEREor by ringing Lisa on 0207 097 1521
This was a weekend where the colour blue was stretched and melded with a range of musical shades. From Deep hard rock blues through to Texan clear blue skies and the British Royal Blue of blues taking everyone back to the 60’s British Blues revolution. The music was fantastic from the opening act Sugarman Sam & The Voodoo Men through to the closing notes of Dr Feelgood. HRH Blues ensured that music was the thread that bound the sold-out crowd in the O2 Academy over the weekend. The outside may have been bright April sunshine inside we left that reality, it was dark and the stage lights beckoned. What didn’t excite and beckon was the price of the beer, resulting in people stepping outside the festival to sample the ales in town that were more affordable. I and many who I spoke to would have liked coffee and some food to eat the schedule was packed so going out of the venue for food and beverage ate into the time you wanted to be listening to the bands live. With these irritations set-aside the weekend was about the fabulous music.
The opening set confirmed this was a blues weekend, Sugarman Sam and The Voodoo Men delivered blues that appeals and on the back of winning a slot on the main stage of Skegness 2017 he has the confidence and the desired swagger to deliver. This they did with a mix of classics and their own tunes including Coming Home off their EP. How to follow that lets have a duo drum and guitar the Welsh wizardry of Henry’s Funeral Shoe delivered a festival set that excited especially people who haven’t seen the antics and heavy blues they deliver with showmanship. Slipped between some of the acts were the ‘unplugged’ sessions on a small stage upstairs; the first of these showcasings was The Dirty Thrills. The sound was interesting and certainly whetted the appetite and anticipation for the full festival set later in the afternoon. For this the drum kit became a Cahon, the guitar acoustic slide, bass and vocals. First of the weekend trio’s was next on the main festival stage. The Mudcat Blues Trio were a young band, and delivered an energetic set of authentic blues. The difference being the drummer was the vocalist, this local Sheffield band kept the blues pure and the festival tempo growing. Then two more unplugged sessions, an introduction and a promise of what was to come with Pig Iron including the first harmonica of the weekend; followed by Sam sugared and with his voodoo spin stripped down and it really worked. Sam’s vocals were reminiscent of a young Tommy Allen. The unplugged sets work giving an insight into the base-line of the main stage act.
The turnaround time of the main stage was kept to a minimum throughout the weekend. Now it was time for The Dirty Thrills what a difference a hyper rocky sound. These guys owned the stage as they moved with choreographed grace and kept the beat. This was a high octane fuelled modern twist on rock where the blues were hidden in the shadows but the band knew how to entertain. Live music with attitude and sparks that spat off the guitar and across the venue.
The excitement and anticipation for Ten Years After was high and we had a chance for a sneaky preview a toned down version with the members on the small unplugged stage up close and personal. This is a new line-up Marcus Bonfanti on vocals and bassist Colin Hodginson joining Rick Lee and Chick Churchill. This was a magnificent trio of songs, Hear Me Calling, I’d Love To Change The World, Me and My Baby. What a band tonight’s main stage show is going to be exciting. Marcus and Colin have added an extra dimension. The time was moving on the music flowing with Pig Iron on main stage. This was blues drowning in heavy rock that really packed a musical punch. This was a band that added heat to the line-up they knew how to excite the music ears of the festival goers. The combination of the Firebird Gibson and Rickenbacker bass worked so well the tonal qualities were deep and shaded with blue granite. This was a powerful set where the band worked in harmony and the vocals shone. Now for the last unplugged session of the day a duo from Mick Ralphs Blues Band. Adam Barron on vocals and guitarist Jim Maving. This was acoustic, bluesy, mellow and sublime. A real authentic blues set for the weekend leaving you wanting to hear more when the full band entertain later tonight. Three bands left to entertain us on the main stage. Ten Years After, Mick Ralphs Blues Band and The Yardbirds how could the excitement not be rising. Ten Years After may have had a change of personnel but the music continues and there is a spicy freshness. The re-energizing of the music excites. Marcus Bonfanti on vocals is electrifying and his guitar skill is Alvin Lee with his own hooks and bells added extending the phrasing. We had harp and scintillating guitar fireworks topped off with his deep and honeyed vocals. We had the drums take centre stage with Rick Lee’s masterpiece The Hobbit, surrounding this was a chance to hear I Would Love To Change the World, a dramatic, lengthened version of this classic number, took your breath away with the spirit and magic of the sound. Ten Years After just kept weaving the melodic groove that meant they were still going to be talked about when the was festival over. No wonder they were many people’s favourite of the night and even the weekend. How to follow that uplifting and exciting set? HRH Blues had the answer in the Mick Ralphs Blues Band. Mick Ralphs formerly of Bad Company and Mott The Hoople was on form tonight with new songs and a new album. If It Ain’t Broke not only the album’s title but the ethos of the blues. The music taking us back to the British blues scene so loved and valued of the 1960’s and ‘70’s. Interspersed was some Bad Company tinged with the blues and delighting the crowds. They lapped up Too Bad, a number Bad Company never played live and Feel Like Making Love and Can’t Get Enough. Then Freddie King’s Same Old Blues proving the blues is timeless. Adam’s vocals curled around the music the timing was crafted and Mick Ralphs guitar work shining through with a gilded touch. Saturday was drawing to close not with a whimper but a shout for The Yardbirds, keeping the feel of the 1960’s in the building. The members may have changed once or twice but the music stays the same ending day one with so much music, friendships made and others strengthened through the power of music that is the Blues.
Sunday was another day that promised to bring new bands to your attention and hear the music from your favourites. Once again the blues was shaken up, and the R n’B vibe promised this was going to be a blues Sunday brunch, Tea and Dinner.
Sunday Brunch, was hardcore not for the faint-hearted this was rock heavy blues from the Tasmanian Devil himself Rob Tognoni. He tore up the main stage what a start to the second day of HRH Blues. The set was Rob through and through, the rhythm section was the base that allowed the blues to be scorching. We had some jamming and then the gentler side with Butterfly Girl written for his German wife setting up the day with Antipodean Blues power. From the heat of the Tasmanian it was cooler Scandinavian blues from Pontus Snibb. Texan blues was strong throughout the set with the tone and shape of SRV. This trio knew how to show the bluesy side of Swedish music. The third trio, John Verity hit the main stage. His unplugged session was inspired. Now on the main stage the depth and breadth of his tasty blues licks became apparent, as he showcased numbers from his latest album My Religion. Blues runs deep in the music when playing re-vamped classics and new material. John played genuine electric blues with buckets loads of panache. He certainly kept the blues with a capital B in the festival. This was blues guitar heaven, pleasure for your ears as Prove Your Love flowed live and his version of Peter Green’s I Need Someone To Love was a joy. HRH Blues proved the Sunday afternoon did not need to be tame, three trio’s on the trot did not have to be about power guitar the mixing up of styles and approaches kept your music ear interested. Back upstairs to hear Pontus Snibb as a duo Pontus on guitar and his Dad on snare drum with brushes. What an absorbing duo great vocals and rhythm stripped down superb blues. The simplicity and purity shone through with a stellar version of Jimmy Reed’s Ain’t That Lovin’ and closing with Texas Flood. Tasty!
Now the shadows outside were lengthening and the intensity of the music grew. First, Irish distilled blues form Pat McManus. It was fantastic to see Pat on stage, still with a smile playing the music we love as he mixes Irish Roots, Rory Gallagher and a touch of Pat’s own leprechaun emerald green dust. What a trooper did he give up when his equipment was stolen at the beginning of the current tour… not a chance. This is a trio that blends and twists the rock into a shape that they want you to hear. The first violin of HRH Blues added a dancing intensity. Entertaining, pleasurable as we listened spellbound to an acoustic tribute to Rory Gallagher. The rendition of Parisian Walkways from the late great Gary Moore was breathtaking. This was classy blues, with the energy and verve that colours the music with every shade of blue. Pat plays and we listen.
Now for the first piece of Whitesnake history at HRH Blues on a Sunday with the Micky Moody Band. The band featuring Ali Maas, vocals the first women of the weekend who sang the blues with soulful intensity. Stuart Dixon on rhythm/lead guitar added another depth and breadth to the sound. This was another classy set ranging from rip-roaring Southern Rock to really subtle quiet soulful ballads, punctuated with spine-chilling breaks from Stuart’s Strat. Micky entertained with finger-picking slide and guitars that sang deep with the feel of the blues. Same Blues, Different Day, full of salivating Moody slide delight. The set also included a taste of numbers from the forthcoming Moody & Maas album, like their great take on Dylan’s Serve Somebody. Closing the set that thrilled when Ali sang A Cappella interspersed with tasty mouth-watering licks from Micky. Closing out with a medley of Rolling Stone’s numbers we were flying with the music.
Next up was Bernie Marsden ever the entertainer. The next segment of Whitesnake past playing the blues Bernie up front with the original bass player Neil Murray. We had one Whitesnake number from Mickey would Bernie deliver as well? The set was a mixture of blues, with tracks from his current album Shine. The blues rocked and the smiles on people’s faces gleamed there was no need to ask if they were enjoying this. We had rollicking blues, instrumentals and Bernie’s version of Born Under a Bad Sign. There was nothing bad about the music the chords were full of power whipping up the energy throughout the auditorium. A tribute to Jack Bruce we were Sitting on Top of the world with Bernie as he played the classic Howlin’ Wolf number. Bernie plays real mean blues when he wants to. Dragonfly from his latest album was beautiful as was his intuitively delivered Peter Green’s, Need Your Love So Bad. Then the temperature rose for Whitesnake’s Here I Go Again, Bernie orchestrated the crowds singing we need no reminding of the lyrics the whole venue erupted with the pure joy that is live music. As the lights dimmed and the band left the football like chant was taken up Bernie! Bernie repeated louder and louder. He is a very popular guy in the Country, and we had more, the encore included the Bobby Bland number Whitesnake made their own! Ain’t No Love In The Heart Of The City, we were now in heaven the energy from the music was more powerful than any drug. Closing with Fool For Your Loving. The silence was deep and sudden then everyone started to talk about the magic that is Bernie and the blues.. Starter was tasty Micky Moody, the Main Course the depths of flavour of Bernie and his band and now for the sweet course. Dr Feelgood. The energy was electric, the words rolled out like our much-loved anthems. We just loved the tasty blues, rock punk sound that is Dr Feelgood.
Sunday closed with a set from Dr Feelgood. The music was definitely the power that was driving the weekend forward, this is music that pleases, yes everyone has a favourite. The favourites varied and led to warm and intense discussions what shone through was the music which was top-notch.
Throughout the festival, the lighting was varied and interesting and the sound was spot on the vocals were warm cadences of tones that could be heard and enjoyed.
HRH, may stand for ‘Hard Rock Hell’ but they know how to deliver the blues. Now HRH Blues is alive and kicking up a dust storm of music, the community and the aim of the organisation is strong with staff listening to the views of the attendees of the weekend. This is the third blues event the momentum’s growing for HRH Blues 3 in Sheffield 15th & 16th April 2017!!!