Perfection Kills as We Talk to Dan Patlansky

Perfection Kills as We Talk to Dan PatlanskyPerfection Kills as We Talk to Dan Patlansky: 2018 already looks massive with exciting new albums, tours and more. Music rules 2018 that is a certainty. Kickstarting 2018 with his new album Perfection Kills, Dan Patlansky is smoking hot as he follows up his critically acclaimed 2016 album Introvertigo.

BD: Thank you once again for taking time out to chat to Bluesdoodles from South Africa. I was so disappointed not to have been able to catch up with you in Bristol when the Joanne Shaw Taylor show you were the special guest of was re-scheduled as she was not well. That said New Year, New Album and back touring England in March.

 

BD: When we last chatted we talked about the rebuilding of Old Red. How did the face-lift go and does the guitar feature on Perfection Kills?

DP: It does appear on Perfection Kills and the facelift went really well. I found a vintage neck to use so that was a great start. For the first few shows, it felt different but now feels and sounds right, and is on the whole of Perfection Kills and feels like home now. Old Red has been played for the last twenty years and time was having its effect. When over in the UK last April, Ash Wilson was opening the shows. He loved the sound of the guitar and at the soundcheck at The Globe in Cardiff, he asked if he could have a play. So I said yes, he picked it up and said wow how do you play, this guitar is impossible to play. I have got used to the imperfections and adapted either way I play. Ash said, take my guitar with a straight neck. I then realised how hard it was to play, at that point it was a no-brainer to have Old Red refurbished BD: So you adjusted like we all do when something is worn like the temperature guide on your cooker, it is not until someone else points it out you realise there is a problem DP: Yes, just like that the changes happen gradually and you adapt to the little flaws and I have adapted over time as the neck twisted. The new neck is easier to play, easier on my hands now I do not have to work quite so hard.

Perfection Kills as We Talk to Dan PatlanskyBD: Ten new tracks, before we talk about the inspiration behind them what is behind the Title Perfection Kills and the artwork of the Album cover with its dark, retro feel?

DP: Well I do like the thing of the dark laughing. The album cover is a representation of the title, Perfection Kills. There is no such thing as perfection in art. There is no yardstick to measure any art form against. By trying to obtain perfection the music is over polished. Polishing out the imperfections, rawness of sound the live organic feel. That is why I decided to produce this album myself.  The producer of Introvertigo and other albums, Theo Crous will always be my mentor. The concept of Perfection Kills called for this new approach.

The cover reflects that I have always been a massive Pink Floyd fan, their album covers are my favourites. This album cover is supposed to be intriguing going outside of music and arts with a family and the vibe being killed. The mum is turning into a plastic mannequin, the girl cannot breathe in the atmosphere being created and Dad may look complacent in fact he has given up living every hour as it comes.

BD: You have recorded the album in Scherzo Production, what prompted this choice other than it being based in your hometown?

DP: Having recorded both Dear Silence Thieves & Introvertigo at Theo’s studio, I had a clear picture of the sound I wanted. It wasn’t going to be achieved in a traditional, very clinical studio with a sound deadened room. The studio that would work for me happened to be close to where I lived. The recording space sounded like a living room with a natural sound the wooden walls made the sound like playing live especially the drum and guitar sound not just close to the mic in a sterile space.  Also, it was fantastic coming home at the end of the day rather than in another hotel room.  I could come home and sleep on it, still many sleepless nights, over what is working, why other parts are not working what needs to be changed to make it good. Sleepless nights at home are definitely better than in a sterile hotel room.

 BD: The first single from the album Dog Day has been receiving airplay ramping up attention for the album and getting the fans excited. How and why did you choose the number that closes the album to be the first out of the traps in the public sphere?

DP: I didn’t choose Dog Day, I initially thought Johnny would be a better single. I am happy with the choice made by my team here in South Africa and U.K that this was the first single. In fact, I just popped Dog Day on last without any thought. It was not my decision, not unhappy as that is why I pay people to make these decisions. In fact, it is perfect that Dog Day is the last track on the album – people will listen to the whole album before hearing what has become familiar the first single Dog Day.

BD: The songs are impactive with many tones and textures and wide-ranging topics covered reflecting the modern world bringing a darker side to the lyrics on tracks such as Too Far Gone, Mayday and even iEyes.  Many of your songs are about stepping out of our and your comfort zone does the guitar playing help you reach those tricky places.

DP: Playing guitar is comfortable, it is my security blanket. I am more confident playing the guitar. My approach to creating the album is about embracing change and taking risks with change speaks to the picture-taking and embracing change. It was a high risk, high reward strategy, I closed my eyes and just hoped that it would turn out successful and as I had imagined it.

BD: iEyes subject makes it a crossover number with many younger people who are getting disillusioned with Social Media?

DP: Yes, we are all entranced with our phones and pads. The inspiration goes back to when I looked up while I was playing to a sold-out gig in London a couple of years ago I saw that 90% were watching the live music they had paid to see and hear was being viewed through the back of a phone as they were filming it. I fail at times, as I am just as guilty spending too much time on the phone. We need quality interaction with people and music not just through our phones.

 BD: On Introvertigo, you had a song dedicated to your daughter, Queen Purree now we have My Dear Boy for your son Jack.

DP: I felt it was a little bit unfair just for my girl to have a song. My wife was pregnant with him while recording the album so felt very relevant topic to write about for the album absolutely had to be on the album. It is gentle and bit more melodic as if speaking to him. Now I have got to know him it suits his personality.

BD: What tracks will you be taking on the road with you when touring England in March.  I know many of your fans will be disappointed that you haven’t fitted in Scotland and Wales. Touring is addressed in Junket Man, how do you plan where to visit when you visit the U.K?

DP:  I don’t plan, I get given the tour by my booking agent/promoter. I was disappointed no Cardiff or Glasgow dates, I know fans will be disappointed. Will only decide the tracks to be played live after rehearsing them with the band along with a couple of shows in South Africa will have a better indication of which tracks. All of the tracks on Perfection Kills should work live so hopefully all of them will appear on the set list.  For the UK tour I will have the German band I toured with it works better logistically they drive the van across and pick me up at Heathrow and the tour begins. This time we start in Bahrain & Dubai so while in the Middle East will have couple days to rehearse the new material and the shows to warm us up before UK tour starting in Manchester.

BD:  Thank you, Dan, for once again taking time to talk to me and sharing your thoughts on the new album, touring and more. Be fantastic to hear the new music played live and loud in 2018.

Perfection Kills as We Talk to Dan Patlansky

 

 

 

 

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

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2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

PERFECTION KILLS – MARCH 2018 UK TOUR

DAN PATLANSKY – PERFECTION KILLS MARCH 2018 UK TOUR

TICKETS –  The Gig Cartel or DanPatlansky 

Manchester, Deaf Institute             Thursday 15 March           

Newcastle, The Cluny                      Friday 16 March

Leek, Foxlowe Arts Centre              Saturday 17 March

Bristol, The Tunnel                          Sunday 18 March

Sheffield, Greystones                     Tuesday 20 March

London, Borderline                        Wednesday 21 March         

South African singer-songwriter and guitarist, Dan Patlansky, is set to the release his new studio album Perfection Kills in the UK on Friday 2nd February 2018. The album is the follow up to 2016’s critically acclaimed Introvertigo which was voted #1 BluesRock Album 2016 by Blues Rock Review.

Bluesdoodles loved the album Introvertivgo we said this and more “Introvertigo with its carefully crafted lyrics that blend urbane wit and honest observation, this is blues pertinent to today’s lifestyles, not so much whiskey and women more the corruption of power and social interaction. Ten tracks there are no fillers every number is full of strength and tonal power but there is not an off note or lyric”.

To dovetail with the release of the new album, Dan will be the special guest on Joanne Shaw Taylor’s nationwide 7-date UK tour that starts on Tuesday 7th November at Gateshead Sage. To coincide with the tour, he will release a new single Dog Day taken from the Perfection Kills album.  Dan said “There’s going to be a big emphasis on a lot of touring around the new record which I can’t wait for. November 2017 I will be touring with Joanne Shaw Taylor in the U.K and will perform the first single, Dog Day, live for the first time. March 2018 we return to U.K/Europe for the Perfection Kills album launch tour.

Check out the November UK tour dates HERE

Patlansky was nominated as one of Classic Rock magazine’s hotly tipped new artists of 2015. His album, Dear Silence Thieves received accolades and praise from the British press. He’s been voted Most Promising Male Blues Artist by Blues & Soul Magazine, and only recently has he been nominated as Best International Solo Artist at the Planet Rock Radio ‘Rocks’ Awards.

2018 Dan Patlansky UK Tour Plus New Album Perfection KillsPerfection Kills was recorded at Scherzo Productions, a recording studio in Dan’s hometown of Pretoria, South Africa. Dan chose Scherzo because he wanted to make a different sounding record and he felt it was the right studio for his vision.

Patlansky produced the album himself, something he hadn’t done in years. Says Dan, “I learnt so much working with Theo Crous who was the producer on previous two albums Dear Silence Thieves and Introvertigo. I worked on pre-production and songwriting with Theo on a couple of the tracks for Perfection Kills and applied what I learnt to the recording and production process of the album.”

Perfection Kills is all about my vision of making a record that still make the songwriting a priority as in the past, the final product delivers a far more real and organic result.”

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

Do not delay reserve you seat at shows that will heat up the coldest Winter Night

JOANNE SHAW TAYLOR NOVEMBER 2017 UK TOUR
WITH SPECIAL GUEST DAN PATLANSKY
TICKETS – 

24 HOUR BOX OFFICE – 0844 478 0898

BOOK ONLINE – The Gig Cartel or Dan Patlansky

 Gateshead, The Sage – Tuesday 7th November 2017

Tickets: £30, £27.30, £25.10, £21.80
Venue Box Office: 0191 443 4661 or Gig Cartel: 0844 478 0898
Book Online: The Sage  or The Gig Cartel

Cambridge, Corn Exchange – Thursday 9th November 2017

Venue Box Office: 01223 357 851 or Gig Cartel: 0844 478 0898
Book Online: Corn Exchange or  The Gig Cartel

Manchester, Bridgewater Hall – Friday 10th November 2017

 Venue Box Office: 0161 907 9000 or Gig Cartel: 0844 478 0898
Book Online: Bridgewater Hall or The Gig Cartel

Glasgow, Royal Concert Hall – Sunday 12th November 2017

Tickets: £27.50, £25.00, £23.50, £20.00
Venue Box Office: 0141 353 8000 or Gig Cartel: 0844 478 0898
Book Online: Glasgow Royal Concert Hall,  or The Gig Cartel

Bristol, Colston Hall – Tuesday 14th November 2017

Tickets: £21.50 to £29.56 incl. booking fee
Venue Box Office: 0117 203 4040 or Gig Cartel: 0844 478 0898
Book Online: Bristol Colston Hall or The Gig Cartel

London, Royal Festival Hall – Friday 15th November 2017

Tickets: £20 – £29.50 plus booking fee
Venue Box Office: 0844 875 0073 or Gig Cartel: 0844 478 0898
Book Online: Royal Festival Hall  or The Gig Cartel

Birmingham, Symphony Hall – Monday 20th November 2017

Tickets: £23 – £30.50 inc. booking fee 
Venue Box Office: 0121 780 3333 or Gig Cartel: 0844 478 0898
Book Online: Birmingham Symphony Hall or The Gig Cartel

As we said when we recently heard Dan play live in Cardiff he is – “Majestic, scintillating jaw-dropping good.”

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills