Signs are Positive on Jonny Lang Latest Album

Signs are Positive on Jonny Lang Latest Album

Signs are Positive on Jonny Lang Latest Album

 

Jonny Lang, going back to his roots with an album that has a deep vein of blues timing and tempo to explore. Into this vein of rich musical treasures, he weaves in soul and the rawness of deep roots music, making sure your interest is always whetted with anticipation of what is coming next.

The first sign of this album has a fresh approach is the opening track Make It Move with the deep gospel, chain gang infused choruses. This is contemporary roots, porch step blues. We are making the move, going to the mountain rather than waiting for it to come to you; making that effort to put the first step forward as the guitar squeals demanding attention. Signs is an album replete with textures and tones have been blended, shaken and stirred into a cocktail of guitar, electrics and vocals that rasp out the lyrics

Never constrained by traditional rules of electric guitar blues, Lang re-shapes the sound as we meet snakes in the grass the power of the guitar licks build with blinding riffs full of venomous intent as funk collides with blues and a driving octane that is the signature of Jonny Lang as he meets the Snakes on track two. The power builds the drive becomes more determined and though he sings Last Man Standing you know if it is a contest of guitar playing many will fall by the wayside as Lang plays on full of grit, skill and determination that rocks.

The title track often reveals a lot about the intent of the album. The Signs are definitely clear on this title track. The guitar taking the lead it is eventful, full of activity and at times pulling blues into the cocktail of mixed up sounds. The vocals pull the mix of solo guitar and then the deep riffs that curl around the ear making the sound fizz.  Bitter End, again has the feel of an urgency to throw in all the ingredients into the cocktail, often like taste the ear can only comprehend so much and simplifying the sonic onslaught makes the tone structure more memorable as you are not rushing onto the next cascade of sound.

Signs is a journey of a musician looking for a contemporary space which has not been caught like a spider in a web of a particular guitar based genre and approach. The signal that Lang is putting together his own earthy sound rooted deep in the earth of guitar creativity is emerging on this album Signs. As we head home the album slows, the frenetic pace is stilled as we have the first of a trio of tracks that have been stripped back to a more ordered structure. Bring Me Back Home, his voice is soulful full of emotional yearnings giving the lyrics the power. The energy and drive of the stomp are picked up on Wisdom. The sound is electric in its simplicity showcasing the vocal tones of Jonny’s voice combine by clear cut precise guitar. Closing out with Singing Songs is my favourite, redeeming the album making you go back and explore all the pathways Lang has taken us along on Signs. The breathlessness of the vocals fill out as the chorus picks up we will go on singing songs/ The reason why Jonny Lang continues to perform it is that the song is at the heart of Signs whether wrapped in guitar complexity or stripped down on the last few numbers.

Signs builds with an intensity at first, and it can seem confused, too busy, not sure what the sound wants to be. Then as the tracks become more familiar on every listen you unpick another cadence, sound bite the cocktail of styles now makes sense as Signs becomes the musical cocktail of choice.  There is no doubt that Signs, his first album since signing with Mascot Label Group has a maturity of a young man who after two decades of success at the age of thirty-six has mixed up the genres creating a new sign post ‘Lang Sound’; get to know the new direction before deciding as there is much that is good about the direction even if the pathway at times is cluttered. Signs with it complexity grows with every listen.

Jonny Lang – Signs – Mascot Label Group

Release 25th August 2017

EIGHTpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Make It Move
  2. Snakes
  3. Last Man Standing
  4. Signs
  5. What You’re Made Of
  6. Bitter End
  7. Stronger Together
  8. Into The Light
  9. Bring Me Back Home
  10. Wisdom
  11. Singing Songs

 

Signs are Positive on Jonny Lang Latest Album

Black Country Communion New Album and UK Dates

Black Country Communion New Album and UK Dates

 

Black Country Communion New Album and UK Dates

Black Country Communion New Album and UK Dates

JANUARY 2018 UK DATES

PLANET ROCK 48-HOUR TICKET PRE-SALE
WEDNESDAY 2nd AUGUST 2017 AT 9AM FROM www.planetrock.com

TICKETS ON GENERAL SALE FRIDAY 4th AUGUST
24 HOUR TICKET HOTLINE: 0844 844 0444
www.eventim.co.ukwww.ticketmaster.co.uk

Wolverhampton Civic Hall
Tuesday 2nd January 2018

Tickets: www.eventim.co.ukwww.ticketmaster.co.uk

24 HR Box Office: 0844 844 0444
Venue: 0870 320 7000

London Hammersmith Apollo
Thursday 4th January 2018

Tickets: www.eventim.co.ukwww.ticketmaster.co.uk

24 HR Box Office: 0844 844 0444
Venue: 020 8563 3800

Black Country Communion New Album and UK Dates

Taking their name from the industrial area in Britain, and the birthplace of both Hughes and Bonham, Black Country Communion released their self-titled debut album in 2010, and with that, unleashed their brand of take-no-prisoners hard rock to a world thirsting for music with substance.

Back with BCCIV – the hiatus is suspended.. Solo career  projects are on hold and Black country Communion are back with new album and two live dates in the U.K. to kick-start 2018. BCC has cultivated a reputation not only as amazing songwriters, also a powerful live act, as they challenge and motivate each other to make the best music they can.

 

Black Country Communion New Album and UK DatesNow, seven years on from its inception, Bonamassa feels the time is right to bring the original BCC line-up back for album #4.

“We had around 4 months to write this album, and I think the results speak for themselves,” comments Glenn Hughes. “All four of us wanted to make a record that stood up to the first three albums, however, the new album is more of a progression, as we wanted to be careful not to repeat the previous albums. A lot has happened since we last recorded the Aferglow album in 2013, so, in many ways, the new album shows BCC with a much harder, riffier and bigger and bolder sound.  If you’re looking for a folk album, this ain’t the one.”

 

 

Black Country Communion New Album and UK Dates

All songs on the new album were co-written by Glenn Hughes and Joe Bonamassa.  Glenn wrote all the lyrics on the album except for the song ‘The Last Song For My Resting Place’ which was written by Joe.

Here’s a breakdown of the songs on “BCCIV” in the words of Glenn Hughes:

COLLIDE
“I had written the riff to this song in the morning of the first day of writing BCCIV. Joe came over and I played him the riff, and we finished the song before lunch. I had a feeling that Collide would set the pace for the record.”

OVER MY HEAD
“This was a song I had written after a session with Joe. It was kind of like One Last Soul where I had written a song and was unsure if it would fit our style simply because it was more mainstream. One Last Soul definitely clicked with Rock fans, and got a lot of Radio airplay. Over My Head is in the same ballpark, big groove and memorable chorus. I can hear it on the radio.”

THE LAST SONG FOR MY RESTING PLACE
“I was intrigued by the notion of Wallace Hartley (violinist and band leader on the Titanic).  The fact that he played everyone off the ship to the detriment of himself brings you back to a more selfless time in our history. I don’t believe the conditions are around in 2017 for something or someone like that to step forward and be recognised.  I felt that his story and this song played well on this album. His violin is in a private collection and survives to this day.” – JB

“Joe had two parts to this song: the intro and outro where the track is suited with a mandolin and fiddle. The middle part, heavy and dramatic and dark. Absolutely love Joe’s vocal on this song. A tale of the Titanic going down into the deep, and a violin that would perish alongside its many fateful passengers.” – GH

SWAY
“A swagger riff leads the way on this track. We changed the groove, when Jason suggested it should have a “Smooth Criminal” Michael Jackson vibe. This was how Jason’s Dad, John, would have approached it in Led Zep. I’m mesmerized by the beat in the verse, and when it hits the chorus it’s full on Classic Rock, once again the vocal is carrying the message.”

THE COVE
“Joe captured the mood brilliantly on this song. I’m still shaking my head in astonishment.”

“I wanted to write a song about my love for dolphins. Each year thousands of these beautiful souls are murdered by hunters in the coastal town of Taiji, Japan. They are drove into the Killing Cove and brutally slaughtered. I have been working with Ric O’Barry from the Dolphin Project for four years, and told him I had written a song about this senseless and horrific scenario for BCCIV, that has been happening for decades.”

“My heart aches as I watch on live stream what happens in the Cove. I ask you all to listen to this song and understand how deeply affected we all are as animal and sea life protectors. The Dolphin Project has changed my life, and to my dying day I will be of service to be a protector of all inhabitants that live in the sea. There will be a video for this song. Thanks to Ric and his son Lincoln for supplying the footage.”

THE CROW
“It was time to get up out of our chairs in the writing session and stand up to find a pulse for this rock song. All push and pull, coming and sounding like the Joe and Glenn song ‘Black Country’ from BCC1. I wanted to reference the Crow, who watches over our band.”

WANDERLUST
“Hats off to Joe for bringing this idea into the session with an insane verse groove. Love Derek’s grand piano lead into the last verse. I wanted to take the chorus to a very melodic Abbey Road vocal vibe. I’ve always been a wanderer, always returning, coming home with a sense of lessons learned and never leaving my spiritual path.”

LOVE REMAINS
“I wrote this song for my Dad on the flight back to the UK for his Memorial Service. When I went to record it, my Mom had also just passed away. So I sang it for the both of them. I was installed with a greater sense of gratitude. I used a mid-falsetto vocal on the chorus to add sensitivity to the melody that I had written. The content is quite simple. When the last breath is taken only love remains.”

AWAKE
“A song about living forever. A song for the Loyal. A song for the evergreen. I wanted to ramp up the chorus and relive the long nights of freedom.”

WHEN THE MORNING COMES
“The feeling I had with this song, was I had woken up from a dream and walked down the hill through the field to be by the water at my home. Most of my work involves themes of coming home to be by the sea. The last song on this album finds me in a safe place, almost like the ending of the Wizard of Oz, surrounded by Joe, Jason, Derek and Kevin. Our brotherhood – long may we continue.”

WITH YOU I GO **
“To find someone who can share your journey, is in the hands of fate. We meet many people throughout our lives, some relationships, are life lessons on how we grow and learn.
But when you have found or met your significant other, who happens to be your soulmate is absolutely life-changing. With You I Go is a song about, whatever happens, I’m with you, because it was meant to be. I’ve done my best, now you can rest, on my shoulder.”

** Bonus track on vinyl edition only.

 

Bluesdoodles is excited about the New Album BCCIV is the golden Phoenix fired by Rock and is looking forward to reviewing the songs.

Black Country Communion the Anglo-American rock group comprising vocalist/bassist Glenn Hughes (Deep Purple, Trapeze), drummer Jason Bonham (Led Zeppelin, Foreigner), Derek Sherinian (Dream Theater, Alice Cooper, Billy Idol) and blues-rock guitarist/vocalist Joe Bonamassa, release their long awaited and highly anticipated fourth album, “BCCIV” via Mascot Records on Friday September 22nd 2017. This is the band’s first studio album since 2013’s “Afterglow”.

 

Black Country Communion New Album and UK Dates

 

 

Black Stone Cherry EP Black To Blues

Black Stone Cherry EP Back To Blues

Black Stone Cherry EP Black To Blues

Kentucky rockers Black Stone Cherry are thrilled to announce the release of their long time coming blues EP, ‘Black to Blues’ which is out on Mascot Records/Mascot Label Group on 29th September.

Mascot Label Group is home to some of the finest blues icons of their generation such as Joe Bonamassa, Beth Hart, Walter Trout, Kenny Wayne Shepherd, Eric Gales, Jonny Lang, Robben Ford, Bernie Marsden, Ronnie Baker Brooks, Sonny Landreth and more, it seemed the perfect time to release ‘Black to Blues’. “I know it’s crazy for four rock n’ roll dudes to make a blues EP, but it’s us sharing with everyone the music that’s been our DNA from day one,” Black Stone Cherry vocalist and guitarist Chris Robertson says. “Blues is the music we listen to when we sit around on the bus with a bottle of bourbon.”

 

Black Stone Cherry EP Back To Blues

“I know it’s crazy for four rock n’ roll dudes to make a blues EP, but it’s us sharing with everyone the music that’s been our DNA from day one Chris Robertson

Black To Blues opens with the Howlin’ Wolf classic ‘Built For Comfort.’ Here, they harnesses the song’s dark energy with foot-stomping burly riffage, impassioned whiskey and honey vocals, and a peaks and valleys arrangement that features virtuoso bursts of bluesy guitar brilliance, smoky quiet passages, and mountains crashing down climaxes.

Throughout the EP, the imaginative arrangements, soulful vocals, and subtle band interplay evoke the halcyon days of heavy blues acts such as Free and Peter Green’s Fleetwood Mac. On ‘Champagne & Reefer’ they mesmerise with deft slide guitar playing and powerful contrasting haunting and hefty dynamics. Other standouts include a raucous version of Muddy Waters’ ‘I Want To Be Loved,’ complete with jaw-dropping blues-rock guitar solos, and a clever rendition of Freddie King’s ‘Palace Of King”, there they “moved one note to make it more dark,” Chris reveals.

Listen to Build For Comfort – Covered but not Copied!

Before their five critically acclaimed albums, the 12,000-cap arena shows, topping the UK charts, and sharing the stage with superstars like Def Leppard, Lynyrd Skynyrd, Bad Company, Alter Bridge,and of a Shinedown, the guys in the Kentucky-based active rock powerhouse were just teenagers finding their way jamming on the blues. On the heels of their well-received ‘Kentucky’ album, the quartet issues the masterful 6-song EP, ‘Black To Blues’, a collection of blues classics and obscurities re-imagined with the meaty moxie of classic BSC.  “A defining moment for me was realizing all the rock n’ roll that I loved came from the blues,” Chris says.

The chosen covers on Black Stone Cherry EP Black To Blues are:-

                                    1. Built For Comfort
                                    2. Champagne & Reefer
                                    3. Palace Of The King
                                    4. Hoochie Coochie Man
                                    5. Born Under A Bad Sign
                                    6. I Want To Be Loved
As a lead vocalist, Chris honed his burly pipes studying the power of the Texas Tornado himself, Freddie King, who they cover on ‘Black to Blues’ and, throughout their career, the group has always sprinkled in a few blues evergreens in their live set.  “The blues is such honest music. When you hear it, it’s like ‘I’m down on my luck, and, damn, that guy gets just how I feel.’” Chris shares. “I hope by sharing this music we have the beautiful opportunity to expose a new generation to the blues.”

‘Black To Blues’ pays homage to the fertile 1960s era of electric blues where the masters pushed boundaries with experimentation and volume. The EP includes covers by Howlin’ Wolf, Muddy Waters, Freddie King, and Albert King. The album was recorded in a burst of fevered inspiration this past spring at David Barrick’s Barrick Recording, the same studio where the band recorded their recent albumKentucky.’ Self produced, tracked the music in two days, and favoured a raw, in-the-moment production aesthetic to capture the inspired sessions. Chris adds: “Our approach was to do these songs as we’ve written them, with attitude and heavy guitar.”

The blues is always a sage teacher, and making the ‘Black To Blues’ EP was a transformative experience for Black Stone Cherry.  Chris says: “It was humbling and freeing at the same time. It reignited our passion for this music, and it will definitely have an effect on our next album.”

 

Black Stone Cherry EP Back To Blues

Walter Trout Announces New Album We’re All In This Together

Walter Trout Announces New Album We’re All In This Together

Walter Trout Announces New Album We’re All In This Together

FEATURING 14 FRIENDS AND A-LIST GUEST MUSICIANS.

Including John Mayall, Joe Bonamassa, Randy Bachman, Kenny Wayne Shepherd, Sonny Landreth, & Warren Haynes.

Out September 1st via Provogue/Mascot Label Group

 

Walter Trout Announces New Album We’re All In This TogetherWalter Trout will be releasing his brand new studio album ‘We’re All In This Together’ on September 1st via Provogue/Mascot Label GroupThe album features a stellar cast of guests; John Mayall, Joe Bonamassa, Randy Bachman, Kenny Wayne Shepherd, Warren Haynes, Sonny Landreth, Charlie Musselwite, Mike Zito, Robben Ford, Eric Gales, Edgar Winter, Joe Louis Walker , John Németh and his son Jon Trout

Walter Trout is the beating heart of the modern blues rock scene. Respected by the old guard. Revered by the young guns. Adored by the fans who shake his hand after the show each night. After five decades in the game, Trout is a talismanic figure and the glue that bonds the blues community together, at a time when the wider world has never been so divided. He’s also the only artist with the vision, talent and star-studded address book to pull off a project on the scale of We’re All In This Together“It was quite a piece of work to get this record together,” he admits. “But I guess I have a lot of friends, y’know…?”

Before you even hear a note, We’re All In This Together has your attention. Drafting fourteen A-list stars – including Joe Bonamassa, Kenny Wayne Shepherd, John Mayall and Randy Bachman – and writing an original song for each, Trout has made the most tantalising album of the year, and found solace after a run of solo albums that chronicled his near-fatal liver disease of 2014. “Now was the right time for this record,” he says. Battle Scars [2015] was such an intense piece of work, written with tears coming down my face. I needed a break from that, to do something fun and light-hearted. This album was joyous for me.”

Scan the credits of We’re All In This Together and you’ll find nods to every twist and turn of Trout’s electrifying backstory. There’s keys man and long-time friend Skip Edwards, who came up on the same early-’70s New Jersey circuit where Trout cut his teeth as the precocious lead guitarist for Wilmont Mews. There’s organ wizard Deacon Jones, the West Coast bandleader who brought a twenty-something Trout into the orbit of blues titans like John Lee Hooker and Big Mama Thornton. “Deacon sorta discovered me when I moved to LA in the ’70s,” reflects Trout“So I owe him.”

Since he struck out alone in 1989, Trout’s solo career has been every bit as celebrated. Touring tirelessly and spitting out classic albums that include 1990’s flag-planting Life In The Jungle, 1998’s breakthrough Walter Trout and 2012’s politically barbed Blues For The Modern Daze, he’s won international acclaim and enjoyed ever-growing sales in a notoriously fickle industry. Years on the road have also brought him tight friendships, as evidenced by 2006’s cameo-fuelled Full Circle album and this year’s unofficial sequel, We’re All In This Together. “The new album was originally gonna be called Full Circle Volume 2,”notes Trout“but I wanted to make the title a positive statement in this time of madness.” 

They say you can judge a man by the company he keeps. If that’s the case, then We’re All In This Together is further proof of Walter Trout’s position at the hub of the blues scene. This is the sound of an artist not just getting by with a little help from his friends, but positively thriving, on an album that is sure to light another rocket under his blooming late career. “I’m 66 years old,” considers Trout“but I feel like I’m in the best years of my life right now. I feel better than I have in years physically. I have more energy. I have a whole different appreciation of being alive, of the world, of my family, of my career. I want life to be exciting and celebratory. I want to dig in. I want to grab life by the balls and not let go, y’know…?”

October UK Tour

6 Oct – Worthing Pier Southern Pavillion, WORTHING
7 Oct – Chinnerys, SOUTHEND-ON-SEA
9 Oct – The Brook, SOUTHAMPTON
10 Oct – Under The Bridge, LONDON
11 Oct – Under The Bridge, LONDON       
13 Oct – Central Station, WREXHAM
14 Oct – Warehouse 23, WAKEFIELD           
15 Oct – Preston Guild Hall, PRESTON
17 Oct – Robin 2, BILSTON                  
18 Oct – Public Hall, HARPENDEN
20 Oct – Bierkeller Theatre, BRISTOL           
21 Oct – Sin City, SWANSEEA
22 Oct – Muni Arts Centre, PONTYPRIDD


Walter Trout Announces New Album We’re All In This Together

Track Listing We’re all in this together

1. Gonna Hurt Like Hell feat. Kenny Wayne Shepherd

2.  Ain’t Goin’ Back feat. Sonny Landreth

3. The Other Side of The Pillow feat. Charlie Musselwhite

4. She Listens To The Blackbird Sing feat. Mike Zito

5. Mr. Davis feat. Robben Ford 

6. The Sky Is Crying feat. Warren Haynes

7. Somebody Goin’ Down feat. Eric Gales

8. She Steals My Heart Away feat. Edgar Winter

9. Crash And Burn feat. Joe Louis Walker

10. Too Much to Carry feat. John Nemeth

11. Do You Still See Me At All feat. Jon Trout

12. Got Nothin’ Left feat. Randy Bachman

13. Blues For Jimmy T.feat. John Mayall 

14. We’re All In This Together feat. Joe Bonamassa

 

 

Walter Trout Announces New Album We’re All In This Together

Rise and Shine with SIMO Forthcoming Album

Rise and Shine with SIMO Forthcoming Album

 

SIMO RETURN WITH NEW ALBUM ‘RISE AND SHINE’

OUT SEPTEMBER 15TH VIA PROVOGUE/MASCOT LABEL GROUP

Watch the video for People Say here

 

Nashville trio SIMO widen their sound with slow-smoked soul ballads, psychedelic desert-rock instrumentals, hard-edged, bluesy barn burners and Stax-worthy funk rockers.

“Phenomenal” The Independent

Simo’s future looks so bright that the trio needs shades” Classic Rock

“Raw and brimming with Mojo” Guitar & Bass

“An incendiary talent” Powerplay

Bluesdoodles  talked to SIMO last year We asked about follow-up album to Let Love Show The Way. JD said “We have started work on next record actually started several months ago. We are doing the album in little phases. This is a different approach from previously and will be a different type of album putting it together over long period of time. We are about a quarter way through the process”.   Read More…..

Rise & Shine took shape as they toured throughout 2016 playing 215 show. The trio on stage are a firework display of energy and musical style lead by  frontman JD Simo; drummer Adam Abrashoff; and bassist Elad Shapiro. Touring across nine countries was inspirational SIMO hashing out chord changes in hotel rooms and tweaking song arrangements during soundcheck. It was a time of growth and self-improvement for everyone, and they became better friends, better musicians, and better people. At the same time, the outside world was changing. Political pundits were screaming at one another. Elections were pitting candidate against candidate, party against party, neighbour against neighbour. The need to write music that truly meant something — music that not only demonstrated the band’s explosive chops, but also sent a clear message — was greater than ever.

Rise and Shine with SIMO Forthcoming Album blurs the lines across genres as they look to future understanding the past influences whilst creating new contemporary sound. “If you go through my record collection and look at the more contemporary titles,” JD explains, “you’ll see the Roots, Wilco, Alabama Shakes, and Ryan Adams. I listen to a lot of old soul music, too. Isaac Hayes. Funkadelic. Bob Dylan. On Rise & Shine, I was just trying to cull from the vastness that is my normal music diet, and not trying to pander to some target that was easy to hit.”

Rise and Shine with SIMO Forthcoming Album was slowly  recorded working long hours moving at their own deliberate pace. “There was a lot more sonic experimentation going on,” remembers Adam. “Every track has a different sonic imprint,” JD adds. “We took great care to make each track’s sonic identity match the mood of the song. Even though that meant starting from scratch every day with how the studio was setup.”

A former session guitarist who’s played on nearly 500 albums, JD didn’t take Rise & Shine’s lengthy creation process for granted. “I’ve never worked on a record that took this long to record,” he adds. “I was so grateful to have that opportunity.”

Rise and Shine with SIMO Forthcoming Album is the band’s most expansive album to date — the work of a band at its curious, adventurous peak.

 

CATCH SIMO AT THE BORDERLINE, LONDON ON SEPTEMBER 26TH

Pre-order Rise & Shine HERE

Sonny Landreth Announces First Live Album In 12 Years

Sonny Landreth Announces First Live Album In 12 Years

Sonny Landreth Announces First Live Album In 12 Years

Sonny Landreth Announces First Live Album In 12 Years‘Recorded Live In Lafayette’ contains two incredible live performances from the Slide Guitar virtuoso. 

Out June 30th via Provogue/Mascot Label Group. 

 

 

The King of Slydeco, Sonny Landreth returns with 2 unique live sets, one acoustic and one electric. ‘Recorded Live In Lafayette’ is Sonny Landreth’s first live album in twelve years.

After a dozen acclaimed albums, virtuoso slide guitarist and bandleader Sonny Landreth found himself at an artistic crossroads. He finally wanted to create the full-length acoustic collection his fans had long requested, but he was also itching to capture the sound of his stalwart electric trio augmented by a couple of his favorite collaborators. And the time was certainly right for an elastic, career-spanning double-live album.

So Landreth and his longtime friends decided to do it all. ‘Recorded Live in Lafayette’ is a 16-song opus that covers more musical ground than any single album ever could, as the singer and songwriter’s work stretches and twists across 93 minutes of full-band acoustic and electric bottleneck lightning.

The double CD and vinyl release on Provogue, which includes the most extensive acoustic set ever recorded by Landreth, opens with acoustic arrangements of the artist’s tunes dating back to the 1981 title cut of his debut album, ‘Blues Attack.’ “It gives you a chance to explore those songs in a different way,” Landreth says, describing the textures created by the intersection of Dave Ranson’s ukulele bass, Brian Brignac’s cajón, Steve Conn’s accordion and Sam Broussard’s acoustic guitar. “The familiarity is there,” he adds, “but I also wanted to turn those guys loose as much as possible.”

Disc 1: Acoustic

Blues Attack
Hell At Home
Key To The Highway
Creole Angel
A World Away
The High Side
Bound By The Blues
The U.S.S. Zydecoldsmobile

Disc 2@ Electric
Back to Bayou Tech
True Blue
The Milky Way Home
Brave New Girl
Ubresso
Soul Salvation
Walkin’ Blues
The One and Only Truth
Bluesdoodles says: The first released track the opening acoustic track from the album is a promise of a very special recording. Sonny, with his cool blue acoustic and glass slide, working his magic surrounded by his musicians. The Cajun pull of the accordion combined with the added depth of Bass Ukulele and second acoustic guitar. melodic acoustic layers are pulled together by the percussive beat of brush on an amp with drummer astride and cymbal. Power is within the soul of the music we are under a delightful Blues Attack

Watch ‘Blues Attack’ here

Sonny Landreth Announces First Live Album In 12 Years

Colossus Huge Album Release from Triggerfinger

Colossus Huge Album Release from Triggerfinger

Colossus Huge Album Release from Triggerfinger

Colossus Huge Album Release from TriggerfingerAntwerp’s Triggerfinger will be releasing the strutting and swaggering new album ‘Colossus’ on 25th August via their new home Mascot Records.

The Belgian based trio (Ruben Block, vocals & guitar; Paul Van Bruystegem, bass; Mario Goossens, drums) have been exploding across Europe and have played an intensive 200 shows in the last 20 months, which also saw them support Muse on their sold out 50,000 capacity Stadium show in Aix-les-Bains, France and Park Live Festival in Russia.

Insatiable for the live stage they have opened for Red Hot Chili Peppers, The Rolling Stones (twice), Thin Lizzy, Clutch, Big Sugar and Therapy? They were asked to step in at Pinkpop to replace the mighty Foo Fighters who pulled out with Dave Grohl injured and they’ve sold out the 8000 capacity Vorst in Brussels, the Paradiso in Amsterdam an impressive 10 times as well as the 6000 capacity Heinkenen Music Hall. They also performed in the boxing ring during the Heavyweight title fight between Wladimir Klitschko (UKR) and Tony Thompson (USA) at Stade de Suisse in Bern, Switzerland which was broadcast across the world, including screens on Broadway – check out the performance here.

COLOSSUS, Triggerfinger’s fifth album and debut on Mascot Records sees the Belgian band adding new flavours to the mix.

“We wanted to get out of the rat race for a while”, Ruben Block admits. “The first step was doing a few collaborations with other musicians that would kick us out of our comfort zone. It made us look at our songs in a different way. The second step was building our own little studio where we could work and wail 24/7. All amps on 10 at two in the morning? No problem! But there was more to it than sheer volume. The previous albums were all built on roaring energy and the live interaction between the three of us. That was not our main concern anymore. This time the song would be king. ‘Anything goes’, that was our motto. Acoustic instruments, samples, keyboards, percussion, two bass guitars: as long as they served the song, we were happy.”

By now the question was, who could mold all this material into a new Triggerfinger album? Ever since the early nineties two names had popped up regularly on some of their favorite records. Produced by Mitchell Froom and engineered by Tchad Blake as a team and separately they’ve worked with variety of bands and artist from  Los Labos to Elvis Costello,  from  Bonnie Raitt to Pearl Jam.

After meeting with Mitchell Froom in June of 2016 the band set up camp in Froom’s home studio in Santa Monica for six weeks, and they hit it off instantly. The subdued producer quickly became a fourth band member, adding eerie sounds coaxed from his collection of vintage keyboards. Los Lobos’ saxophone giant Steve Berlin added his mojo on three tracks.

Colossus was the first song where the band worked with two basses. Block: “Ditching the guitar really opened up the groove, and the combination of two bass guitars was very intriguing, sonically. It was heavy, but fresh at the same time. Images and pieces of conversations flashed through my mind, like a collage, and over this monumental groove I began to chant: ‘Colossus! Colossus!’ It stuck.

This must be the boldest thing we’ve ever done”, Ruben Block says. “We’ve been fans of Mitchell Froom’s work for a long time, but working with your heroes can be a dangerous thing. Mitchell proved to be comforting and challenging at the same time. He opened so many doors for us, and with COLOSSUS he put us on track for the next few years.

Until the release date on 25th August 2017 you can watch the brand new video for Flesh Tight here:

Bluesdoodles has listen – very impressive huge driving riffs – definitely a  teaser that leads you intrigued as to what the rest of the forthcoming album will deliver. Flesh Tight definitely unveils a hint of the power of Colossus from Triggerfinger.  The video has a strutting audacity that the rhythm picks up as the music struts its stuff out of the speaker. 

TRIGGERFINGER
Announce new album ‘Colossus’
Released: 25 August 2017
Mascot Records / Mascot Label Group

 

Colossus will be released on August 25th, and will be Triggerfinger’s first album with new label Mascot Records/Mascot Label Group.

Colossus Huge Album Release from Triggerfinger

Little Hurricane Playing Under the Same Sun Same Moon

Little Hurricane Playing Under the Same Sun Same Moon

Little Hurricane Playing Under the Same Sun Same Moon

 

Out of California, the Duo Little Hurricane, are wielding forceful roots fueled storm on their third studio album and first on Mascot Label Group.  The twelve tracks weave through tones and textures as we explore the sounds they create under the Same Sun Same Moon. The whole album is impactive strong driving percussive tones and vocals that embrace the lyrics with passion, yearning and sensitivity.

Little Hurricane are a  husband and wife duo, have an innate understanding as they deliver ten tracks of rock, that is edgy, alternative and root deep in the foundations of popular music. Anthony ‘Tone’ Catalano is the front-man adding guitar tones and vocals that can growl and then flip into seductive mode; with Celeste C.C, Spina on drums and backing vocals. They are a team that creates a textural and beguiling landscape on every number from the title song Same Sun, Same Moon that opens the album through to the closing number Moon’s Gone Cold.

Bad Business may be the title of the second track, there is nothing bad about Little Hurricane’s business of producing an alternative sound. Bad Business has a grungy edge, with whispers of dirty blues. The mood changes with OTL with an anthem feel that has an accessible sound despite having no guitar! This should be getting radio play across the stations it is so atmospheric, an ear-worm of a number.  The blues foundations of the duo are heard on tracks across the album, this is a roots alternative who owes its form to blues but certainly not dictated by traditional boundaries.

As we walk to Mt. Senorita with Little Hurricane the album takes a hill country feel and the interest is maintained in a narrative driven number delivered by Tone; the drumming once again forming an atmospheric backdrop of percussive energy. With only three tracks left, another branch of roots is captured with shadows of reggae beat underneath the almost pop delivery of the vocals, this is a catch party good time tune as they sing You Remind Me. With the vocals harmonizing we have a gentle melody and words about being mean and hurtful; with gentle guitar licks combining with drums with a sharpened edge.

The album has a happy feel and the music is very good, what you want to listen to with its compelling melodic drive and lyrics that have a sense of purpose without a message. A winning combo from Little Hurricane. No need to catergorise good music, just sit back, listen and let the waves of notes cascade over you and relax. Little Hurricane Playing Under the Same Sun Same Moon Same Moon  cuts across genres with the music rooted in the past delivered in the now.

Little Hurricane – Same Sun  Same Moon – Mascot Label group / Provogue

 

EIGHTpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Same Sun Same Moon
  2. Bad Business
  3. OTL
  4. Isn’t It Great
  5. Take It Slow
  6. Lake Tahoe Eyes
  7. March Of The Living
  8. Mt. Senorita
  9. For Life
  10. You Remind Me
  11. Slingshot
  12. Moon’s Gone Cold

Little Hurricane Playing Under the Same Sun Same Moon

Eric Gales Announces 2017 UK/EU TOUR

Eric Gales Announces 2017 UK/EU TOUR

ERIC GALES
ANNOUNCES 2017 UK/EU TOUR

 

ERIC IS BACK AUTUMN 2017 Read about the dates HERE

Weds 24 May – Voodoo Rooms, Edinburgh UK TICKETS
Thurs 25 May – The Ferry, Glasgow UK TICKETS
Fri 26 May – Arlington Arts, Newbury UK TICKETS
Sat 27 May – Worthing Pier South Pavillion, Worthing UK TICKETS
Sun 28 May – Mr Kyps, Bournemouth UK TICKETS
Mon 29 May – Sage, Gateshead UK –
Weds 31 May – Robin 2, Wolverhampton UK TICKETS
Fri 2 Jun – Nell’s Jazz & Blues, London UK w/special guest Gary Hoey TICKETS
Sat 3 Jun – Grolsch Festival – Shoppingen, GERMANY – TICKETS
Weds 7 Jun – Tonelades – Valencia, SPAIN – TICKETS
Fri 9 Jun – Leganes Blues Festival South Side – Leganes, SPAIN – TICKETS
Sun 30 Jul – Ramblin’ Man Fair  UK w/ Supersonic Blues Machine TICKETS

 Bluesdoodles reviewed Middle Of The Road – No doubting that Eric Gales is back producing the best music yet. Blues guitar with attitude, lyrics with a heartfelt understanding of the myriad emotions this album lays bare for the listener to explore and understand ….. Read the rest HERE

 New album ‘Middle of the Road’ OUT NOW via Provogue/Mascot Group

Check out ‘Boogie Man’ ft Gary Clark Jr:

“One of the best, if not the best guitar player in the world” Joe Bonamassa
“He is absolutely incredible” Carlos Santana
“How Eric Gales isn’t the hugest name in rock guitar is a total mystery” Dave Navarro
“This guy could be the best player on Earth” Mark Tremonti
“Sounds like ZZ Top covering Stevie Wonder…If you’re looking for the blues album of 2017. This is going to be very hard to beat”  Total Guitar 5/5
“The injection of danger and unpredictability that the blues-rock scene desperately needs…some of his best songs yet” Guitar & Bass 8/10
“The more you listen to it the more the brilliance of Eric Gales becomes apparent” Powerplay

Eric Gales Announces 2017 UK/EU TOUR

Monster Truck Making Wednesday Rock at The Marble Factory

Monster Truck Making Wednesday Rock at The Marble Factory Monster Truck
Making Wednesday Rock at
The Marble Factory

 

 

Monster Truck Making Wednesday Rock at The Marble Factory Wednesday night, midweek low, no one informed the loud, enthusiastic Bristol crowd out to party and have fun with live music. Before the main event the stage and Marble Factory was filled with the German duo of The Picturebooks, Fynn Claus Grabke (Vocals, Guitar) and drummer Philipp Mirtschink. Alternative, primaeval with intense drumming and the acoustic guitar amplified. The rock is hard and heavy and the blues deep with very dark rhythms conjuring the dark history behind the blues. This is music that growls with the heartbeat of the drum booming through the venue.  Returning to Bristol unsurprising the set was heavy with tracks from their new album Home is Heartache. The duo creating unique textures and tones that are mesmerising Monster Truck Making Wednesday Rock at The Marble Factory drawing you deep into the tribal grind of a combination for dirty acoustic layered with slide and the drumming that is hard and loud from a drum kit with not a cymbal in sight just a ships bell.  The rhythms punch with heavyweight intensity on I Need That Oooh with its infectious chorus. With a metallic grandeur, Cactus filled the venue. The set was intense for everyone with Fynn & Philipp drenched in sweat, they really put themselves deep into the rhythmic groove they create and the audience is hot and excited the venue is now definitely ready for a Monster Truck fest.

Monster Truck Making Wednesday Rock at The Marble FactoryOnce The Picturebooks’, kit was removed from the stage, friends had time to catch up and then Canadian quartet Monster Truck took to The Marble Factory stage to a roar of delight. Vocalist Jon Harvey, centre-stage with his trademark toolbox to rest his foot on, with no monitor posturing he lets the classic rock do the talking. Completing the Monster Truck sound, fun loving hard rocking good-time music are guitarist, Jeremy Wilderman, on keys Brandon Bliss and drummer Steve Kiely.  The set was heavy with tracks from the current album Sittin’ Heavy and the earlier Furiosity what a combination, a guarantee for a fun, energising rip-roaring Wednesday.

Monster Truck Making Wednesday Rock at The Marble Factory Opening the proceedings with Why Are You Not Rocking, the reality was the opposite we were ecstatic in the presence of great rock that had everyone jumping, cheering and empowered by music that hit home deep in your musical soul. Classic rock given a modern twist doesn’t get better than this.  This is rock that is uncomplicated and honest delivered by a band whose stage presences is warm and the playing is tight and as Monster Truck are having fun playing it would just be stupid not to join in the party they are having on stage.  The set rolled on with favourite following favourite the truck was rolling with charismatic power that was controlled, wild and infectious re-energizing as you connected to the music, hands in the air singing along to the words.   With The Enforcer full of steely determination recorded it is superb live it reaches another energy level as the iron fist of the track the chorus line pulls the whole audience we want to be enforced by Monster Truck. One of many highlights on the night was She’s A Witch, as Jon Harvey sung, ‘that girls got a demon in her soul’ we all had the demon that is Monster Truck rock in our souls tonight.

The rock was rolling, the audience sang loud and full of pleasure as Sweet Mountain River, we all wanted to be in the city with the truckers tonight.  It may be work on Thursday, but time and reality stood still tonight we all wanted them to play on and on through the night. The sheer quality of the set totally blew me away. No wonder tonight Bristol redefined Wednesdays as the new awesome live music night at the Marble Factory. Once again, words cannot do justice to the musicianship and power of live music, get out and see them for yourself you will not regret listening to the classic rock that is Monster Rock, riffing good fun with a tinge of blue.

With an encore of three wonderful numbers closing the proceedings with The Lion. The lion of rock definitely roared tonight thanks to Monster Truck. Come back soon. Monster Truck Making Wednesday Rock at The Marble Factory

 

Check out 2017 Tour Dates HERE

 

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