St David’s Hall bringing Acoustic Delights Martin Harley & Daniel Kimbro

St David’s Hall bringing Acoustic Delights Martin Harley & Daniel Kimbro

St David’s Hall bringing Acoustic Delights

Martin Harley & Daniel Kimbro

 

 

Once again we were the Third Level courtesy of Roots Unearthed; St David’s Hall, Cardiff bringing Acoustic Delights Martin Harley & Daniel Kimbro a duo playing roots music with style. The roots are twisted and twirled as blues meets country and folk tales are re-told in new exciting arrangements.

St David’s Hall bringing Acoustic Delights Martin Harley & Daniel KimbroThe duo set the scene, opening with a haunting instrumental Sweet & Low with Martin Harley playing his signature Weissenbom, a traditional Hawaiian acoustic lap guitar and the deep melodic chords from Daniel Kimbro’s Double Bass whether by bow or plucked creating an atmosphere where the music dominated.

The evening was replete with tracks from Static in the Wires, released earlier this year and Live At Southern Ground. The slide work created a palate of tones reflecting the lyrics, sad and reflective as the lyrics unfurled with Martins vocals adding emotional layers into the mix. The acoustic guitars changed and the music flowed with Sweet & Low and This Little Bird full of imagery bringing the numbers alive via the double bass under the skilful guidance of Daniel Kimbro. St David’s Hall bringing Acoustic Delights Martin Harley & Daniel KimbroThere can be no argument tonight we are in the presence of two artists who have deep understanding of the essence and power of roots music. This is why blues is so infectious connecting with the listener with its musical pictures of doom and gloom we all have discovered at various times in our lives. Yes, the musicianship was superb, Daniel’s bass playing is divine he makes the large and cumbersome instrument talk from a whisper to a deep and mournful groan, combined with Martin’s dexterous manipulation of the six strings, making the acoustic sing in harmony with the lyrics. The added magic tonight was the warm interplay between Martin and Daniel, with wry observations of life on the road, and humorous anecdotes. One leading neatly into I Need A Fried introduced by Martin and a quick quip from Daniel.

St David’s Hall bringing Acoustic Delights Martin Harley & Daniel KimbroThe styles change a hint of country and swell of a dance and the country bluegrass of Dancing on the Rocks.  Then One Horse Town reflecting leaving the city for a small town and wondering why you changed your environment. Interspersed between the Harley/Kimbro originals were two re-arranged classics made new. Goodnight Irene, origins unknown but via Leadbelly was desolately dark.  The other classic with a whole new setting was the closing number Nobody’s Fault But Mine, a truly innovative and compelling listening of a blues classic. Before the last song we had a wide array of numbers including the beautiful Winter Coat with the harmonies between Daniel and Martin having a gentle resonating power. Daniel, then put down his Bass and picked up one of Martin’s acoustics and we had a lesson in the pronunciation of Appalachian as he shared the common experience of having villages submerged in water. Along with guitar Daniel took over the vocals for a number that described the drowning of the village a background to the community that was changed forever as was the landscape.

This was a night where the blues sparkled and the audience was spellbound by theSt David’s Hall bringing Acoustic Delights Martin Harley & Daniel Kimbro performance of two troubadours one from Hertfordshire the other Tennessee who found a unifying force through roots music.

Once again Roots Unearthed in Cardiff provided an evening of entertaining music with St David’s Hall bringing Acoustic Delights Martin Harley & Daniel Kimbro.

 

Martin Harley and Daniel Kimbro Tour plus Album

Martin Harley and Daniel Kimbro Tour plus Album

Martin Harley and Daniel Kimbro - 'Live at Southern Ground' - cover (300dpi)

LIVE AT SOUTHERN GROUND

Martin Harley & Daniel Kimbro
Out now on CD, Vinyl & DL

Read what we Bluesdoodles thought about this excellent album HERE

 

 

 

A supremely talented acoustic roots and blues guitarist, singer and songwriter with a burgeoning global reputation Martin Harley’s recently released and widely acclaimed new album Live at Southern Ground was recorded in Nashville in collaboration with Daniel Kimbro (Jerry Douglas, Larkin Poe) on upright bass.

As Martin explains “Daniel and I met in Knoxville through a mutual friend… he handed me his card which read… ‘alright guitar player… good upright bass player’ … an understatement on both parts!”

A mixture of retrospective solo and duo arrangements recorded during an afternoon at the esteemed Southern Ground studio in Nashville, Live at Southern Ground features Martin on Weissenborn… a traditional Hawaiian acoustic guitar played across the lap, resonators and archtops, and of course Daniel Kimbro on upright bass, and in March 2016 they’ll be performing together in the UK for the first time.

In the US, Martin has headlined Music City Roots in Nashville and toured coast to coast with ZZ Ward, Delta Rae and opened for Iron and Wine, Bruce Hornsby, Five for Fighting, World Party, Beth Hart, Joe Bonamassa amongst many others.

Live at Southern Ground follows on from Martin’s five previously acclaimed albums, most recently Mojo Fix in 2012.

“Quite simply a great live act” Time Out London

MARTIN HARLEY AND DANIEL KIMBRO ·

MARCH 2016 UK TOUR

Wed 9 – Falmouth: Princess Pavilion
Thu 10 – Exeter: Exeter Phoenix
Fri 11 Cardiff: Beulah Community Centre
Sat 12 King’s Somborne, Hants: Village Hall
Sun 13 Oxford: The Bullingdon
Wed 16 Lowestoft: The Seagull
Thu 17 Bristol: The Lantern, Colston Hall
Fri 18 London: St Pancras Old Church
Sat 19 Fareham, Hants: Ashcroft Arts Centre
Sun 20 Wimborne Minster, Dorset: The Tivoli Theatre
Tue 22 Bromsgrove, Worcs: The Artrix
Wed 23 Pudsey, West Yorks: The Royal Hotel
Thu 24 Edinburgh: Edinburgh Blues Club, The Voodoo Lounge
Fri 25 Manchester: Band On The Wall
Sat 26 Kendal: Brewery Arts Centre
Sun 27 Liverpool: Liverpool Philharmonic, Music Room

 

CD Review: Martin Harley and Daniel Kimbro ~ Live At Southern Ground

Martin Harley and Daniel Kimbro - 'Live at Southern Ground' - cover (300dpi)Martin Harley and Daniel Kimbro
Live At Southern Ground
Del Mundo Records

This is an album steeped in acoustic blues and the vocals of Martin Harley are deep southern USA; yet in reality he is from the home counties, not a delta, but Woking nearer to the winding Thames rather than the majestic Mississippi. This is a live in the studio album recorded in Nashville and the music and vocals flow and there is a warmth to the production so you feel as if you are in the same space as Martin Harley & Daniel Kimbro whose Double bass adds a deep brooding texture. Live At Southern Ground is an album for everyone who loves acoustic blues, music that curls around a lyrical story as influences shine through on the self-penned numbers and the covers are given the Hartley Treatment.

The music is delivered in a relaxed manner, the opening two tracks having the feel of Ry Cooder, Cardboard King and Winter Coat both tracks are stylish with Martin’s dexterous fingers shaping the strings of the acoustic so the sound has a springing freshness to two tracks from his back catalogue. The covers are Leadbelly’s, Goodnight Irene which is a number that still feels modern and relevant despite the fact that Leadbelly sung it at the turn of the twentieth Century. Chocolate Jesus part of Tom Waits discography is given a guitar led rootsy treatment with the focus still on the words, an arrangement that reminds you this is a great narrative. The final cover is Blind Willie Johnson’s oft-covered Nobody’s Fault But Mine is revitalised and fits the shape of this album perfectly. This is no mono-tempo, tonal shaped acoustic album with Money Don’t Matter setting off at a foot tapping lick and Honey Bee this may be short the flip side is the dextrous finger picking is awesome!
The whole album is as perfect as a sun ripened peach full of juicy musical snippets and lyrics that keep the music rooted in the blues the guitar playing is special and the arrangements and writing are perfect in this no over-dubbed album. The album captivates for the whole fifty minutes; as the end with Love In The Afternoon an 13 minute track that just makes you smile and want to join them in a glass of champagne. And keep listening when the silence falls as there is something special a guitar extravaganza and the glory of the bow and double bass a spellbinding hidden bonus track.

NINE pawprint half inchdoodle paws out of TEN ….

Track Listing

1. Cardboard King
2. Winter Coat
3. Goodnight Irene
4. Can’t Help Moving
5. Honey Bee
6. Chocolate Jesus
7. Automatic Life
8. Money Doesn’t Matter
9. Nobody’s Fault But Mine
10. Love In The Afternoon

Martin Harley Solo UK Tour – Winter 2015

NOVEMBER

Thursday 12th Blue Sky Café, Bangor N. Wales
Friday 13th The Atkinson, Southport
Saturday 14th The Independent, Sunderland
Sunday 15th The Met, Bury
Tuesday 17th Komedia, Brighton
Wednesday 18th The Convent, Stroud
Thursday 19th Ropsley Village Hall, Ropsley, Lincs
Friday 20th Rolleston Village Hall, Rolleston, Notts
Saturday 21st Treswell Village Hall, Treswell, Notts
Sunday 22nd Victoria Hall, Settle, N. Yorks
Monday 23rd Henry Tudor House, Shrewsbury
Tuesday 24th Junction 2, Cambridge
Thursday 26th Octagon Chapel, Norwich
Friday 27th Fairkytes Arts Centre, Hornchurch
Saturday 28th West End Centre, Aldershot
Sunday 29th Chapel Arts Centre, Bath

DECEMBER

Thursday 3rd The Railway, Winchester
Friday 4th The David Hall, Barnstable
Saturday 5th Barnstable Guildhall, Barnstable
Sunday 6th The Old Grammar School, Truro
Thursday 10th River Cottage, Axminster