Laurence Jones speaks the truth, the whole truth and nothing but the truth

Laurence Jones speaks the truth, the whole truth and nothing but the truthLaurence Jones speaks the truth, the whole truth and nothing but the truth.

4 albums in, what do you do next? You look for something new and fresh, dig deep into your heart and see what comes out, to see what other sides there are to you. This is what Laurence Jones has done with his new album “The Truth”. Laurence continues to make a name for himself on the blues-rock circuit in the UK and Europe and his new album with its commercial feel but rocky edge will no doubt win him new fans further afield. Laurence took a few moments out from rehearsals and over a drink at an after-show party to chat as we were seeking honest answers…

 

“The Truth” is a few steps down a different path than your previous albums in its sound and arrangements…

Well, and between us, I want to be the next Justin Bieber, he’s my hero! Hahaha! But seriously, it is a crossover album for me in terms of the writing and production for sure. You know, all of my real heroes like John Mayer and Eric Clapton have stepped into different territory before and not just relied upon the guitar playing so I guess it’s my turn to do that. I don’t want to churn out the same album time after time as nobody wants to hear that and I’d get bored. I like challenges and I like to challenge myself which is what I’ve done with “The Truth”. Before we go any further, assure your readers that this album was all made with real instruments and real players!

You had me worried for a moment there thinking this isn’t the Laurence Jones I know…

There’s different sides to all of us and I wanted to show a different side of me with this album. I really focused on the songwriting, lyrics and melodic content. I’ve really been building up to making a record like this is taking the guitar side of things and mixing it with something that’s modern but true to itself. We talked about guitar playing when we were at the Black Country Communion after show party at Hammersmith (man what a gig eh!) and I’ve really pushed myself in the guitar solos to make them memorable, like a song in a song. Take the solo in “Hotel California”, that’s crazy long but you can sing it and it tells a story in itself. I hope that mine on this album do that for anyone who listens to it.

We’re talking about putting yourself out there and opening up here…

Absolutely. I can only write about things I know, not what’s up in the sky that I don’t know about. The songs really do the talking on this album and they’ve been finely picked from a whole bunch of demos. It was a dream to have a few weeks of pre-production in Curacao which is a Dutch island in the Caribbean, before heading to Miami to record at the old Sony Studios. Such a cool place man. The legendary Gregory Elias has produced this album and he brought so much to the table but still allowed me the freedom to go my own way. You know, Gregory is the man who brought The Rolling Stones to Cuba and put on a free gig for everyone, how cool is that! That just shows what a nice guy he is and inspirational. If you take songs such as “Hold Me Close”, “The Truth” and “Take Me” my heart’s on my sleeve right there, for better or for worse and I want the listener to feel that. Sure, there’s some rockier moments in “Give Me Your Time” and “Gone Away” but the emotional content is there in all of the songs. It was all about writing catchy songs with guitar solos and I keep up to date with all music out there, it’d be great to hear more guitar in the charts and these songs are more of a commercial feel than my rockier stuff so you never know!

 

What can we expect from your live shows this time around with this fresh take on your writing?

20-minute guitar solos! Hahaha!, not really. There will be some moments where we’ll be jamming out on a few songs, extending the solo’s a bit, in fact, I’m at rehearsals now and we’ve been working the set-out. I’ve got a really cool new band in Bennet Holland on keys, Phil Wilson on drums and Greg Smith on bass. We were playing in Holland before and everything just went super well. The crowds were great, singing along and getting right into it. It’s sounding really slick, the new songs are transferring well to a live setup and we’re psyched to be taking them out on the road. I love playing live and it’s great to connect with the audience and bring something to their day – you never know what’s going on with people and them coming out to your gig may be something they really need in that moment so we’ll be giving everything, every night of the tour. We’ve got a show January 23 at The Borderline in London, love that venue, and the UK tour really begins on May 3 in Manchester at Band On The Wall.

 

What do you think of the current scene in the UK and any advice for those younger than yourself as you had some great success at an early age?

When I first started all this, there was really only myself, Joanne Shaw Taylor and Simon McBride out doing what we do. That was cool, but it’s a lot cooler that there’s more and more bands and artists on the blues-rock scene in the UK now. I never view it as competition and it’s great to see people out playing, the new festivals that have come about as that shows there’s a demand for the music we play and love. As for those starting out, just don’t be afraid to try things. Don’t copy, take influences and mix them up and try and put your own stamp on things.

 

If you could pick any album to have written and made yourself, what would it be?

Oh, that’s tricky. C’mon man, can I have two? Yes? Ah great…it’d have to be “Riding With The Kings” of Eric Clapton and BB King, such a great record and has that crossover feel to it like my new album and Jimi Hendrix’s “Are You Experienced”, just because I’d love to know what was going on in his mind when he was writing it!

 

New Album New style The Truth still Laurence Jones

 

Laurence Jones new album “The Truth” is due for release Friday, March 9th 2018. Tour dates and ticket links can be found below and pre-order “The Truth” 

Just a Click away

Line-up touring The Truth Tour 2018:-

Laurence Jones (Vocals, Guitar)
Bennett Holland (Keyboards, Backing Vocals)
Phil Wilson (Drums, Percussion)
Greg Smith (Bass Guitar)

Planet Rock presents
LAURENCE JONES –  “THE TRUTH 2018 UK TOUR”
All Tickets: £15.00

London, Borderline – Tuesday 23 January

Book Online: Gig Cartel; See Tickets
24 HR Box Office: 0844 478 0898
Ticket Hotline: 0844 847 1678

Manchester, Band on the Wall – Thursday 3 May

Book Online:  GigCartel; Ticketline
24 HR Box Office: 0844 478 0898
Venue Tel: 0161 834 1786

Leamington Spa, Zephyr Lounge – Friday 4 May

24 HR Box Office: 0844 478 0898 – Venue Tel: 01926 311 311
Book Online: Gig Cartel or Eventbrite


Southampton Talking Heads – Saturday 5 May

Book Online: Gig Cartel  – Venue Tel: 02380 361 970


Birmingham, Hare & Hounds – Thursday 10 May

Book Online: Gig Cartel 24 HR Box Office: 0844 478 0898
Venue Tel: 0121 444 2081

Nottingham, The Bodega – Friday 11 May

Book Online: Gig Cartel or Alttickets

24 HR Box Office: 0844 478 0898 – Venue Box Office: 0115 896 4456

York, Fulford Arms – Saturday 12 May

Book Online: Gig Cartel 24 HR Box Office: 0844 478 0898
Venue Tel: 01904 620 410

Newcastle, The Cluny – Sunday 13 May

Book Online: Gig Cartel or See Tickets

24 HR Box Office: 0844 478 0898 – Venue Tel: 0191 230 4474

 

Laurence Jones has built his reputation in the studio and playing live check out his discography 

Albums in BOLD checkout Bluesdoodles review.

Discography

The Truth (2018)
Take Me High(2016)
What’s It Gonna Be (2015)
Temptation (2014)
Blues Caravan (2014)
Thunder In The Sky (2012)

Laurence Jones speaks the truth, the whole truth and nothing but the truth

 

Advent 22 Gig and Live Music Fun in Wales 2017

Advent 22 Gig and Live Music Fun in Wales 2017

Advent 22 Gig and Live Music Fun in Wales 2017

Festival and Gig Reviews  2017

Advent 22 Gig and Live Music Fun in Wales 2017

Steelhouse 2017 Simply Marvellous Mud Music and Mates

Steelhouse family came together on a Welsh Mountain united by rain, sun and MUD! The glue binding us was live music and the super glue the brilliance of Bernie Marsden not once, not twice but all three days on the stage entertaining.  We had dragon magic gracing the festival that you climb up slowly to the top driving up a rough track to the top of a Welsh Mountain above Aberbeeg.  Read More HERE … Steelhouse 2017

 

 

 

Advent 22 Gig and Live Music Fun in Wales 2017Kenny Wayne Shepherd plays a Halloween Treat at The Tramshed.

Opening the cauldron of fiery guitar curling around the blues, we have Laurence Jones Band. The lead breaks were scintillating Kenny certainly makes the Strat bend to his fingers demands as it weeps, curls around tones of joy and pain. Tonight the setlist was a mix of old and new with six tracks from his current acclaimed album Lay It On Down. Read more HERE

Kenny Wayne Shepherd with support from Laurence Jones @Tramshed, Cardiff – October 2017

 

 

Advent 22 Gig and Live Music Fun in Wales 2017Gov’t Mule Triumphant First Live Show in Wales.

Friday night was alive as the energy of the Mule filled The Tramshed in Cardiff with over two hours of music that fills your soul.  Read More HERE

Gov’t Mule @Tramshed, Cardiff – October 2017

 

 

 

Advent 22 Gig and Live Music Fun in Wales 2017

Blues Flowed up the Taff with Walter Trout Tonight

The Muni is back open for gigs. The crowds outside just show how popular the venue still is and the two acts on tonight Sari Schorr and The Engine Room opening for the mighty Walter Trout.  …. What a wonderful version of the mighty Albert Collin’s Cold Cold Feeling. Under Walter’s dexterous fingers he magic’s up a pure connection to the original whilst making this a pure gold classic Walter playing live moment. READ More HERE

Walter Trout with Special Guest Sari Schorr @ The Muni, Pontypridd October 2017

 

 

Advent 22 Gig and Live Music Fun in Wales 2017

 

The Night Siren Steve Hackett Charms St David’s Hall Cardiff

 

Tonight the last Friday of April the packed St David’s Hall was treated to a programme of two halves. A musical programme of two movements. The first Prog Rock modern, progressive and pertinent as Steve Hackett unveiled live numbers from his stunning album The Night Siren and dipping onto four of his many solo albums.  The second helping on this musical palette of delights was a revisiting of Genesis, the majority drawn from Wind and Wuthering celebrating forty years since its release. Read more HERE

Steve Hackett – St David’s Hall – April 2017

 

 

Advent 22 Gig and Live Music Fun in Wales 2017

 

With a sold out show, everyone was at The Globe to hear the unique Hayseed Dixie take on classic songs we love to hear. Before the main event up on stage was an unknown entity, on the second night of their first UK Tour, a young French band, Dätcha Mandala. Read more HERE

Hayseed Dixie with Dätcha Mandala – The Globe, Cardiff April 2017

 

 

Advent 22 Gig and Live Music Fun in Wales 2017

Advent 22 Gig and Live Music Fun in Wales 2017

April Roadstars Are
Broken Witt Rebels and Bad Touch

Spring sunshine warming  Cardiff pavements, but not as hot as The Globe scorching from the two rock n roll sets from rising British Bands 2017 Planet Rock Roadstars show; Broken Witt Rebels Bad Touch.  Read more HERE

 

The Roadstars: Broken Witt Rebels and Bad Touch – The Globe – Cardiff – April

Advent 22 Gig and Live Music Fun in Wales 2017

 

Inbound weather for Cardiff Thunder is in Town

Do not let the clear blue skies deceive you, Cardiff is in for a British rock invasion with the promise of stormy weather brewing under the mighty hammer of Thor as Thunder hit the stage with an array of cameras. The show was being filmed tonight which added to the eagerness to get the show underway. Opening the evening, Cats In Space filled The Motorpoint Arena’s stage with energy and ready to warm up an already excitable Cardiff crowd. Read More HERE

Thunder with guests Cats In Space – Motorpoint – Cardiff – March 2017

 

 

 

 

Advent 22 Gig and Live Music Fun in Wales 2017Once again we were the Third Level courtesy of Roots UnearthedSt David’s Hall, Cardiff bringing Acoustic Delights Martin Harley Daniel Kimbro a duo playing roots music with style. The roots are twisted and twirled as blues meets country and folk tales are re-told in new exciting arrangements. Read More HERE

 

Martin Harley & Daniel Kimbro – St David’s Hall – Cardiff – March 2017

 

 

 

 

Advent 22 Gig and Live Music Fun in Wales 2017

Sunday night, The Globe was buzzing with anticipation with Dan Reed Network back in Cardiff after 27 years. … The set was a Jukebox of live music as after the first few songs Dan Reed asked the audience to suggest the numbers. From the first album to the latest we were taken on a tour of DRN depth and breadth of music they deliver with energy and the pure delight of playing live music for an enraptured dancing clapping and definitely noisy and appreciative Cardiff crowd. Read More HERE

Dan Reed Network with Special guests Vega – The Globe Cardiff – March 2017

 

 

 

Advent 22 Gig and Live Music Fun in Wales 2017Black Star Riders Entertains The Tramshed Cardiff

Black Star Riders, attracted the rock fans of Cardiff and beyond tonight at The Tramshed. Tonight with a trio of bands would we have three jackpots in a row? Find out by reading on HERE

 

Black Star Riders – with Amorettes & Gun – Tramshed, Cardiff – March 2017

 

 

Celebrating St David’s Day The Globe Finds The Answer

Celebrating St David’s Day The Globe Finds The Answer

The wind was biting and vicious as we waited for doors to open at The Globe in Cardiff on St David’s night. The Queue was excited The Answer were in town as the long white tour bus parked outside confirmed. Before the mighty Answer would take to the stage with their distinctive blending of rock, with Irish folk to have us rolling with delight in the aisles, (we all wanted to hear our favourite tracks from Solas performed live for us)…. Read if we did HERE

 

The Answer – The Globe, Cardiff – March 2017

 

Advent 22 Gig and Live Music Fun in Wales 2017

King King turned up the Blues thermostat Live in Cardiff

Friday 13th bringing joy to The Globe Cardiff as Blues Rock drenches the packed audience with a medley of chords, lyrics and emotions. Special guest Broken Witt Rebels and the mighty King King turned up the Blues thermostat, the venue and the music was scorching.

Sold Out, music to the ears of bands, venues and promoters alike, as Cardiff gives a loud and enthusiastic shout out for the Blues Rock power that is King King with their special guests Broken Witt Rebels. Read More HERE

King King with special guests Broken Witt Rebels – The Globe, Cardiff – Jan 2017

 

Advent 22 Gig and Live Music Fun in Wales 2017

Laurence Jones Album Tells The Truth On Tour

New Album New style The Truth still Laurence JonesLaurence Jones Album Tells The Truth On Tour

 

Bluesdoodles rated the album when we listened & reviewed

Check out what we said HERE

25-year old British blues-rock guitarist and singer-songwriter, Laurence Jones, will release his new studio album The Truth on Friday 9th March 2018.  To dovetail the release of the album, Laurence will start his nationwide tour at London’s Borderline on Tuesday 23rd January. All tickets are £15 and available from www.thegigcartel.com and the 24 Hour Box Office 08444 790 898.

Laurence has also launched the pre-order store Check It Out that will feature a selection of bundles including the new album, vinyl, T-shirts, Ltd edition laminates and an exclusive pre-order poster.

Laurence is often labelled as “the future of the blues.” He’s won several major awards and accolades and has sold over 50,000 albums across four albums.  He’s supported the likes of Status Quo, Gary Clark Jr, Kenny Wayne Shepherd, James Bay, Van Morrison, Buddy Guy, Robert Cray, Joe Bonamassa Jools Holland, Eric Burdon, and many more.

Hailed as “one to watch” by all corners of the music industry, including press, concert and festival booking agents, blues fans and various musicians. Over the past five years, Laurence has really come into his own, and with his new album The Truth, he has now developed his own creative skin by writing and performing songs that are distinctive to his unique sound and identity.

Says Laurence, “The direction of this album is one I have always wanted to take and that’s crossover blues, just like my heroes John Mayer, Eric Clapton and even Jimi Hendrix. They managed to really bring the sound of the blues to the masses. This is definitely my favourite album that I have made to date. I can’t wait for people to hear The Truth.”

Laurence recorded the new album at the old Sony Studios in Miami. It proved to be an amazing opportunity when Top Stop Music, a Grammy award-winning record label, signed Laurence and proposed that he record the album in Florida.  “The studio has so much history,” says Laurence. “It has always been a dream of mine to record in America and I wanted this album to have that USA magic that a lot of my favourite records have.” 

With a strong new band, Laurence is breaking new territory as Bluesdoodles witness when he was the special guest of Kenny Wayne Shepherd at The Tramshed Cardiff.

Line-up touring  The Truth Tour 2018 is:-

Laurence Jones (Vocals, Guitar)

Bennett Holland (Keyboards, Backing Vocals)

Phil Wilson (Drums, Percussion)

Greg Smith (Bass Guitar)

Planet Rock presents

LAURENCE JONES

“THE TRUTH 2018 UK TOUR”
All Tickets: £15.00

 

London, Borderline – Tuesday 23 January

Book Online: Gig Cartel; See Tickets
24 HR Box Office: 0844 478 0898
Ticket Hotline: 0844 847 1678

Manchester, Band on the Wall – Thursday 3 May

Book Online:  GigCartel; Ticketline
24 HR Box Office: 0844 478 0898
Venue Tel: 0161 834 1786

Leamington Spa, Zephyr Lounge – Friday 4 May

24 HR Box Office: 0844 478 0898 – Venue Tel: 01926 311 311
Book Online: Gig Cartel or Eventbrite


Southampton Talking Heads – Saturday 5 May

Book Online: Gig Cartel  – Venue Tel: 02380 361 970


Birmingham, Hare & Hounds – Thursday 10 May

Book Online: Gig Cartel 24 HR Box Office: 0844 478 0898
Venue Tel: 0121 444 2081

Nottingham, The Bodega – Friday 11 May

Book Online: Gig Cartel or Alttickets

24 HR Box Office: 0844 478 0898 – Venue Box Office: 0115 896 4456

York, Fulford Arms – Saturday 12 May

Book Online: Gig Cartel 24 HR Box Office: 0844 478 0898
Venue Tel: 01904 620 410

Newcastle, The Cluny – Sunday 13 May

Book Online: Gig Cartel or See Tickets

24 HR Box Office: 0844 478 0898 – Venue Tel: 0191 230 4474


Laurence Jones has built his reputation in the studio and playing live check out his discography 

Albums in BOLD checkout Bluesdoodles review.

Discography

The Truth (2018)
Take Me High(2016)
What’s It Gonna Be (2015)
Temptation (2014)
Blues Caravan (2014)
Thunder In The Sky (2012)

 

New Album New style The Truth still Laurence Jones

 

Kenny Wayne Shepherd plays a Halloween Treat at The Tramshed

Kenny Wayne Shepherd plays a Halloween Treat at The Tramshed

 

Kenny Wayne Shepherd plays a Halloween Treat at The TramshedKenny Wayne Shepherd plays a Halloween Treat at The Tramshed tonight. Opening the cauldron of fiery guitar curling around the blues, we have Laurence Jones Band. Tonight over six numbers Laurence and his new(ish) band demonstrated a maturity the love of rock infused with blues and so much more. Tonight his guitar cried and fought off any ghouls and demons in the room. This you have come to expect of this young British Gunslinger who has been wooing the crowds for many a year despite his youth. Tonight, at The Tramshed Laurence’s vocals came of age adding to the act as he played a mix of numbers, including two tracks from his latest album The Truth – Give Me Your Time & Never Good Enough, and they were definitely rawer rockier. The rhythm combination of Phil Wilson & Greg Smith works really well creating an imaginative and solid foundation for Laurence to soar from. The addition of Bennett Holland’s lively keys gives the band an additional range of tones and structure for the numbers. Closing with Hendrix’s version of Dylan’s Classic All Along The Watchtower. We had had a fizzing and bubbling helping of live music the band played tight and the music excited. This is modern melodic rock hardened blues this is a band that connects with the music and are enjoying playing for the audience. It was appreciated.

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Kenny Wayne Shepherd plays a Halloween Treat at The TramshedShort break as the stage was rearranged and the main event started as the stage darkened the band took their place to cheers of anticipation. The lights went up as the first of many sweet guitar chords was struck from Kenny Wayne Shepherd’s Stratocaster and resounded around the Tramshed. We were off on a journey of blues guitar extravaganza with some rock, hints of country and a very large swirling dollop of Kenny Wayne Shepherd magic.

The lead breaks were scintillating Kenny certainly makes the Strat bend to his fingers demands as it weeps, curls around tones of joy and pain. Tonight the setlist was a mix of old and new with six tracks from his current acclaimed album Lay It On Down. Of the six numbers, Diamonds and Gold stood out. It was a superb and stellar highlight among the many that the band shared with us tonight. The ballad Hard Lesson Learned with Noel’s vocals also caught the ear and raised the joy of the audience. SRV’s House Is  Rockin definitely got the Tramshed bouncing and rocking with pure delight.

Kenny Wayne Shepherd plays a Halloween Treat at The Tramshed

As Kenny introduces the band in the absence of Chris Clayton, for this tour sees the return of Sylvester “Sam” Bryant (toured with the band in the 1990’s); bassist Kevin McCormick, Joe Krown presiding over the keys and the mighty vocals of Noah Hunt. A marvellous live version of Baby Got Gone from his latest album, they really have this number captured for the energy of a live performance, with its emotional lead break simply breathtaking. Kenny inserted into the set a number from his side project The Rides from their 2013 album Can’t Get Enough; Talk To Me Baby a superb re-shaping of this Elmore James’ blues classic.

Kenny Wayne Shepherd plays a Halloween Treat at The TramshedKenny Wayne Shepherd closed the night with some blues, slow and full of authentic Chicago Blues with a medley of BB King numbers and then Shotgun Blues. What an evening full of exploration of the power of the six-stringed Stratocaster. Tonight we saw three forms including his signature guitar and what tone KWS pulled from the black beast. The lights dimmed, silence fell on the stage as the band left. The noise though was reaching crescendo point as they stamped their feet and demanded more. The band did not resist. Back on stage with two more numbers his signature tune Black on Blue followed by the second Hendrix of the night.  Both acts ended with Hendrix, and so appropriate for tonight we were entertained by KWS, Voodoo Chile and phenomenal playing.

From the first few notes the temperature in the Tramshed definitely rose, there was that feeling of electric joy and anticipation that only live music brings. When you hear a band you love to play in a venue near to where you live, welcome to Wales KWS; come back very soon there will always be a warm welcome for the band and the music that you showcased tonight. By the end of the evening, the cauldron was boiling with energised musical magic on Halloween in Cardiff.

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Kenny Wayne Shepherd plays a Halloween Treat at The Tramshed

New Album New style The Truth still Laurence Jones

New Album New style The Truth still Laurence Jones

New Album New style The Truth still Laurence Jones

How to get noticed in the world replete with Social Chatter?  As a Musician release a new album and change your style. Laurence Jones has done just that on The Truth. In an age where intro’s over 10 seconds are deemed too long, will fans of Laurence’s previous releases take the time to listen to the album a few times. As the truth is, it is still Laurence’s melodic vocals, his stinging guitar licks and timing. What has changed, the blues have been mellowed no rich veins of blues shuffles, riffs and hooks. The Truth is accomplished and more commercial. The album definitely has listenability appeal.

The opening track has grab appeal.  This is a different side of Laurence with the vocals strong and the guitar slinger is letting his voice be heard. The power of the chorus on What Would You Do will have audiences singing along. Echoes of Hamilton Loomis in tone and delivery.

The inner funkiness of the new Laurence glimmers on Don’t Look Back. That is what I advise listeners to do; don’t compare enjoy the album for what it has to offer. The guitar and vocals play off each other and the harmonies are sweet. Nothing on the album is overplayed. The drama builds and catches you unexpectedly. The album is not a set of ten tracks that are shaped by the guitar. The instruments are the base for the song. The slick and smooth blues licks are there, just not in your face.

The refrain throughout the album is relationships, love and how it makes you feel. The yearning to be loved is explored on Keep Me Up At Night. This is another cross-genre tracks, with radio play potential outside of the inner blues circuit. The sound of the album is mature, catchy and full of great tone with textures smoothed out and an understanding of what is pleasing on the ear.

We have a deep groove laid down by Greg Smith on Bass as Laurence asks you to Give Me Your Time, listening to The Truth is time well spent. Expect it to be different no longer guitar led blues. The replacement is subtle with the feel of blues ever present just under the dominant chorus and strong song.

The title track opens with mellow simple keys from Bennett Holland picked up by Laurence’s guitar with the sweetest refrain, with a beat of Phil Wilson’s drum heralding the vocals as Jones asks, ‘Do you ever wonder what It feels like?’ The tone is mellow, reflective the gentler side then the number builds and the old energy is once again glimpsed. Looking forward to hearing the numbers live under the heat of the lights.

The album livens up with a rocky beat on Gone Away. The instruments howl and wail once again his vocals have the strength to demand centre stage and the harmonizing of the chorus stands out then the guitar punches out the lick that curls and weaves itself around the vocals. The blues guitar is back on Can’t Go On Without You.  The timing is spot-on as it is throughout the album. Loving the way there is never a battle between guitar and voice both have their time and place to make a statement across The Truth.

The album is a crossroad moment for Laurence Jones. I am positive The Truth will win him many new fans. Recorded in Miami, produced by Gregory Elias and mixed by Juan Mario Aracil; The Truth hits the mark it is an album that will be returned to and explored with pleasure every time.

NINEpawprint half inchdoodle paws out of TEN …

Track Listing

  1. What Would You Do
  2. Don’t You Let Me Go
  3. Hold Me Close
  4. Keep Me Up At Night
  5. Give Me Your Time
  6. The Truth
  7. Take Me
  8. Gone Away
  9. Can’t Go On Without You
  10. Never Good Enough

 

New Album New style The Truth still Laurence Jones

Bluesdoodles In Conversation Across The Years

It is always fascinating, hence Bluesdoodles In Conversation Across The Years. Read about the thinking behind making albums, producing albums and who would be in their fantasy band.

Bluesdoodles Interviews – 2016

JD SIMO – SIMO
Eric Johnson
Fee Waybill – The Tubes
Paul Bowe – Federal Charm
Walter Trout
Debbie Bond
Sari Schorr
Coleen Rennison – No Sinner
Jared James Nichols
Joe Louis Walker
JJ Grey 
Wayne Proctor
Kaz Hawkins
Dan Patlansky 
Dan Reed 
JD Simo

Bluesdoodles Interviews – 2015

Laurence Jones – In Conversation February 2015
Dan Patlansky – In Conversation April 2015
Alan Nimmo – In Conversation May 2015
Julian Moores – In Conversation May 2015
Chantel McGregor – In Conversation October 2015
Erja Lyytinen – In Conversation October 2015
Rob Richings – In Conversation November 2015

Blues is back in Sheffield HRH 2017

 

Blues is back in Sheffield HRH 2017

 

Blues is back in Sheffield HRH 2017

 

HRH Blues 2016 was superb read what we said HERE

 

New Jersey’s Billy Walton Band join King King, Ten Years After, Stan Webb, Simon Mc Bride & Dan Patlansky to complete the cycle 3 line up of HRH Blues.

What a line-up this not just promises to be exciting it will be with scintillating guitars, powerful voices as blues is twisted, turned creating a rainbow faceted jewel of every shade of blue. will be rocked, amazed and excited by the music from the first to the last note.

HRH Blues are proud to fly in yet another incredible talent for its 3rd round of Blues rock infused fun in Sheffield.

The Billy Walton Band compliment an already stellar Blues Rock line up and with under 90 tickets remaining, it looks like it will sell out even earlier than last year.

 Ten Years After and Bernie Marsden performing at last year’s HRH Blues 2

 Ten Years After

Bernie Marsden

HRH CEO Jonni Davis praised the band by saying  “ Walton’s talents are no secret among everyone in the Jersey shore music scene and with the founding of the Billy Walton Band, there’s little doubt his reputation will grow far beyond the Garden State. The Billy Walton Band’s sound is a combination of hard blues reminiscent of Hendrix, Clapton and Vaughn mixed with a healthy dose of Warren Hayes and Derrick Trucks.

“Live, Walton has always been an explosive performer with Jaw dropping talent but with the addition of bassist William Paris, Richie Taz on sax and drummer Johnny D’Angelo the Billy Walton band churns out a singular brand of funky blues that has deep roots in both the jam band musical tradition as well as the Jersey shore Walton has cut his teeth on. We can’t wait to see him perform next year in Sheffield.”

 

HRH Blues 3 takes place on 15th & 16th April 2017 @ the 02 Academy , Sheffield and the last few tickets can be booked online HERE  or by ringing Lisa on 0207 097 1521

 

 

Pick of the Albums Reviewed – 2016: July – Sept 2016

Bluesdoodles Pick of the Bunch July-Sept 2016

 

Pick of the Albums Reviewed – 2016:
July – Sept 2016

Bluesdoodles listens to music recorded and live from across the genres. Bluesdoodles reviews all albums received with an open-mind and will always look for the elements that make the music stand out from the crowd!. The albums we award 10 doodle paws too, for us have a special connection, and acknowledge like all reviewers our scoring is subjective. Between 1st July and 30th September 2016 Bluesdoodles listened to numerous albums and reviewed 27 albums that reflect the depth and breadth of music being recorded in studios around the world. Remember albums not included on the lists are still excellent; definitely worth listening to and purchasing especially go see music live at venues near you support music and the artists who travel the roads so we can hear music full of passion and the special ingredient of a live performance.

This is the third quarter of 2016 and all of these will be in with a shout for the Bluesdoodles Dozen of 2016.


Honey Island Swamp Band  –  Demolition Day
Laurence Jones – Take Me High
Cadillac Three – Bury Me In My Boots


Aynsley Lister – Eyes Wide Open
Devon Allman – Ride Or Die
King King – Live


Joanne Shaw Taylor – Wild
Beth Hart – Fire On The Floor
Sari Schorr – A Force of Nature

Take Me High With Laurence Jones New Album

Take Me High With Laurence Jones New Album

Take Me High
With Laurence Jones New Album

 

 

Back in the studio, Laurence Jones has produced an album that will make you want to return as you have a place to go despite the album’s title. Take Me High, produced by Mike Vernon, Laurence’s style and approach is mature, a real sense of purpose the blossoming of all the potential recognized in this young guitarist. With three studio albums under his belt and thousands of miles travelled to play the blues live, definitely a young guitarist with power, commitment, and a gritty determination.

This is an album whose music and lyrics ebb and flow. The collaboration between Laurence & Mike, has create a collection of songs that moved through the album like chapters in a book. Laurence with his new drummer Phil Wilson, bassist Roger Innis and Bob Fridzema on keys & organ wanted an album that fizzed with the energy of playing live.

The first thing you notice as the album opens with Got No Place To Go, the guitar is full, the bass line fat and Laurence vocals full of assured confidence. His guitar breaks, licks, and swirls have always lifted the imagination now his vocals are unveiling the story of why he has no place to go. He will always have a place to go with his snake charming guitar playing that lifts the tracks up and makes the sound pop out of the speaker.  With ten tracks this is an album where Laurence is stating I am here to stay this is who I am and Blues is what I play. The plaintiff Something’s Changed has a hard edge from his guitar and the rhythm is full of misplaced optimism as the phone call is waited for. Yes, something has changed Laurence is delivering a mature self-confident sound he is playing to delight and delight he does.  Three tracks in a guest vocalist Reuben Richards joins in as they Live it Up. The tempo kicks up a pace there is an airiness in the chord structure underpinned by Bob on keys. The guitar playing is masterful and the album leaves you wanting to go and see Laurence live, the tracks have that raw intensity that makes blues with a twist of rock addictive listening.

The chapters of a love story are revealed with every track. The keys, underpin the melodic force of I Will. Here we feel the emotion as Laurence promises to keep on loving I Will he sings, and then serenades the unseen lover with his ever-present blistering guitar that should melt any heart. The music changes with a dirty, swamp southern infused rock sound as he is Down & Blue. He is a long way from home, he wants some pills. The emotional angst is heard in the vocals and echoed by the vocals. We are feeling your pain, Laurence. Then the tempo clears and picks up with a clear vision as a cameo from Paul Jones’ harmonica joins the party. The harmonica curls around the lyrics as Laurence sings The Price I Pay and his fingers explore the fretwork. Closer with Higher Ground, the blues is chugging and the lyrics driving you home in the company of Laurence Jones, British, modern and full of the blues.

This is an album that grows with every listen. You hear more of the lyrics a guitar lick and the intertwining of Laurence and the whole band so the music is fat, full blues that captures the emotional feel of contemporary re-interpretation of blues.as personified with the ringing blues guitar with a brittle edge of the title track Take Me High!

 

Take Me High – Laurence Jones RUF Records

Bluesdoodles gives this CD TEN pawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Got No Place To Go
  2. Something Changed
  3. Live It Up
  4. Addicted To Your Love
  5. I Will
  6. Thinking About Tomorrow
  7. Take Me High
  8. Down & Blue
  9. The Price, I Pay
  10. Higher Ground

The Globe Reaching For The Light with King King

King King WM-7284

The Globe Reaching For The Light with King King

 

 

Opening tonight to a sell-out crowd at The Globe in Cardiff was Laurence ‘call me husky’ Jones, carrying on like the trooper despite a sore throat. It was a warm welcome from the many Laurence fans who still remember the young boy who played and delighted Cardiff many years ago. With a new drummer Phil Wilson and bassist Roger Innis this was going to be blues all the way from the dim blue light semi-illuminating the stage (The Globe is currently having the lighting updated). The set saw Laurence opening with a baritone guitar adding another weapon to his guitar driven blues armoury. This was a short set in which Laurence fitted a basket full of blues vibes. Within the set we were treated to All I Need off his current CD, What’s It Gonna Be. Good Morning Blues, a legendary Leadbelly number that Laurence played earlier in the year on stage at Carnegie Hall for the Leadbelly festival was the stand-out number for me, and the set was closed with a tribute to the late great BB King. Less singing tonight and more guitar blues breaks was welcomed by many and definitely warmed the atmosphere ready for the mighty King King.

It was richly deserved that King King who have travelled many miles and played at gigs when a few dozen people have loyally turned up, know that the fruits of their valiant efforts have been rewarded they are a name that people travel to see not once but as often as possible on a tour. The cheers were warm and full of delighted King King WM-7268anticipation as the jammed-to-the-rafters venue welcomed King King on stage. We were delighted that the kilted scot Alan Nimmo and his band of musical boys were back in town. We have the albums but King King live have a verve and an irresistible charm of rock that kicks the blues out of your soul.

Opening with Lose Control, the audience may have been at fever pitch King King just played on with controlled passion that filled the rafters of The Globe with a warm sound. Alan Nimmo out front throughout the evening displayed the twin talents that make him such a superb front-man. His guitar playing was at times raw, then gentle and always sweet. Then he opens his mouth and his tenor delights as the words are caressed and formed by his silvery tongue. The emotion is added to lyrics that make you want to rock n’ roll. Cry and sigh he nailed every song tonight. His confidence is high having been opening with the band for among others Thunder and John Mayall; this he uses to great effect. The crowd warms to his cheeky smile and tales he had the Welsh audience singing loudly and with delight he even said we had the job. King King like all great bands is more than the sum of the total parts. To Alan’s left is the mighty Bob Fridzema on keys and Hammond C3 he produces a wall of sound that adds another tonal layer of chords. His playing can be intense and then on other tracks gentle, a subtle whisper, adding hidden depths. To his right Lindsay Coulson, with his trademark dark blue bass and King King embellished strap; an evergreen presence who has shared every moment of King King’s journey. Sitting behind his Ludwig drum kit sits the awesome pivotal force Wayne Procter and his drumming. He adds a deep beating tone and texture to King King. What a quartet! With each year a new signature arises from the set list and at the moment it is Rush Hour from their current album Reaching for The Light. The whole set was a standout – Frankie Miller’s Jealousy full of emotional control as Alan combines guitar work that zings and his vocals purr and curl around the six-strings. Tonight, You Stopped the Rain was dedicated not to his older brother Stevie Nimmo, but his mother who is poorly in hospital. Everyone at the Globe sent speedy recovery wishes. Rather than go through the set list which is below it was the atmosphere that King King live creates that is what makes them a must see band in 2016. The instrumental included in the set was a fantastic addition. King King WM-7343Having Bob to open and lead the tempo adding some funky chords, subtle jazz interludes then back into rocking good blues. All four had fun following the path Bob was musically leading them and gave the instruments a moment to shine above Alan’s vocals. Live music will always have a special frisson of energy and emotion. King King delivers this live energy that is plugged directly into your musical antenna and sends shivers of delight up your spine and deep into your soul and memory. They manage to make you dance, laugh and cry and have a thoroughly great time.

As King King’s reputation grows and the expectation of the audience before a note is struck rises they have to continue to grow and showcase the music that will keep everyone coming back for more. Tonight King King surpassed expectations they were on fire, the selection of tracks from across their career fitted the bill, leaving us wanting more and counting down the days when they are back on a stage so we can hear King King live, sparkling and full of blues in their soul that has the edge of rock to spice it up.

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Set List

Lose Control (King King Album – Take My Hand)
Wait On Time – Thunderbirds
Waking Up (King King Album – Reaching For The Light)
Rush Hour (King King Album – Reaching For The Light)
Long History of Love (King King Album – Standing in the Shadows)
More Than I Can Take (King King Album – Standing in the Shadows)
You stopped The Rain (King King Album – Reaching For The Light)
Jealousy (King King Album – Standing in the Shadows)
Crazy (King King Album – Reaching For The Light)
All Your Life (King King Album – Take My Hand)
Stranger Love (King King Album –
Reaching For The Light)
Encore – Let Love In (King King Album – Standing in the Shadows)

Disappointed to have missed King King well they are back on tour soon with special guest Dan Patlansky

– get your tickets fast they are selling like the proverbial hot cakes..

Dan Pat King King Tour