Advent Day 18 What Bluesdoodles Talked about in 2017

Advent Day 18 What Bluesdoodles Talked about in 2017

Throughout 2017 Bluesdoodles has had the opportunity to talk to some wonderful musicians. Adding to the excitement We now have Wes O’Neill who will continue throughout out 2018 bringing you insightful interviews; Liz will be adding some as well. Bluesdoodles giving you an inside view of the artists we love to hear play live and recorded. Everyone at Bluesdoodles thanks, to the PR and Record Companies and most of all our gratitude to all the artists for their valuable time and willingness to answer the questions.
Bluesdoodles discussed, new albums, debut Albums, first Headliner Tour and what makes a great song.  Explore the thirty conversations, listen and buy the music and see artist live where and whenever possible

Now to explore our conversations 2017!

Chantel McGregor

Jack J. Hutchinson

Dan Reed – Dan Reed Network

Fabrizio Grossie – Supersonic Blues Machine

Brian Downey – Alive and Dangerous

Stevie Westwood – Bad Touch

JW Jones

Mollie Marriott

Rebecca Downes

SIMO

Erja Lytinnen

Five Bands talking about UK Blues Challenge (LaVendore Rogue – Elles BaileyRobert J HunterZoe Schwarz Blue CommotionRainbreakers)

Alan Nimmo – King King

A Thousand Horses

Ray Dorsett – Aka Mungo Jerry

Kenny Wayne Shepherd

Feargal Sharkey

Sonny Landreth

Jared James Nichols

Wilko Johnson

Dan Patlansky

Sari Schorr

Ash Wilson

Husky Tones

Ronnie Baker Brooks

Danny Core – The Broken Witt Rebels

 

 

 

 

 

 

 

 

Jack J Hutchinson Talking To Wes About Paint No Fiction

Jack J Hutchinson Talking To Wes About Paint No Fiction

Jack J Hutchinson Talking To Wes About Paint No Fiction

 

BD: Very excited to be posting the first, of many planned interviews from Wes O’Neill who is working with Liz to get behind the music, albums and artists that Bluesdoodles loves to share. Wes based in Bristol will bring new angles and approaches and his enthusiasm and love for music that bends the Blues.

In his first interview talking to Jack J Hutchinson, he gets behind the songs shaping his new album Paint No Fiction.

 

 

As Wes says: “Paint No Fiction” is the cracking new release from Jack J Hutchinson, an album full of quality songwriting, sludgy bluesy guitar and you can read our review here (insert link). We caught up with Jack for a talk through the album, breaking it down track by track ahead of his album launch party at Ain’t Nothin But Soho, London on December 8th, 2018…

Read on and find out Jack’s intriguing thoughts as Jack J Hutchinson Talking To Wes About Paint No Fiction

Deal with the Devil
This was actually the last song recorded. I had 12 songs ready to go but none of them felt like the opener in that you want a kick-ass rock tune to get the record in the right groove and then build from there. I wrote this riff at 2 AM in the morning in Moscow, Russia after I had played this great sold out show and been drinking whisky with the guys I was playing with. The lyrics are kind of political which is different for me as I usually write about falling in and out love! It was kind of strange being in Russia around the time of the US presidential election what with all the Trump and Putin nonsense going on so it felt right to address that in a kind of Black Crowes/Blackberry Smoke meets Rival Sons type jam. Actually, this is my favourite song on the record and I love playing it live.

Written In Stone
Written In Stone is supposed to sound like Crazy Horse as I was listening to a lot of Neil Young, I’m a massive fan of all his work solo and with various bands and have probably listened to his records more than any other band or artist. There’s a lot of tracks on his latest album which has all these slow and sludgy riffs so I took that idea with fuzz guitars but mixed it with the vocals with a bunch of harmonies and a really punchy chorus. Somebody told me that the melody in the chorus reminded them of Tina Turner, which I’m totally cool with, I’ll take that! It’s a personal song, there’s a lot of personal stuff on this record and that comes through. The guitar solo on this one is a bit of change for me in that I really focused on the melody instead of just fucking hammering at the guitar, which is fun but wasn’t the right approach for this album and really tried to write memorable solo’s like my hero’s Neil Young, George Harrison – his work was definitely a reference point for me along with Led Zeppelin’s Physical Graffiti. Again, it’s a cool song to play live.

Hip Slickin’
I think this tune is really great in terms of the riffs, you say it has a swagger to it which is right as it’s about someone who is drinking too much and hasn’t got a handle on their life. The riffs really kind of represent the lyrics of someone who’s a bit too pissed in a bar, acting like a complete cock – we all know someone like that eh?

Hold Me Close
The thought with ‘Hold Me Close’, in terms of the track listing, is that I wanted 3 really in your face openers and then to change the vibe a little bit and take people to a different place. I thought a lot about the song sequencing on this album, I wanted to take the listener on a journey, really tell a story and let them pick out their moments in their lives with it. When I wrote this track it sounded a bit like Ryan Adams to me, like his records Heartbreaker and Gold, and that really inspired me as I make a lot of really loud blues rock records, but this just dials it back and is heartfelt. It has real melody, I had to actually sing the thing instead of banging the lyrics out. It was a tough one to record in that it had to be absolutely right as it’s very personal to me, it took a bunch of takes for the vocals, unlike some others.

Cut The Noose
Recorded late at night this was, with me drinking whisky tracking the vocals, as I wanted to capture that real smoky late night blues joint feel. I’m really into the Chicago blues thing and there’s a lot of references in this track to blues artists that I love – a bit of Peter Green feel in the solo, the keys were inspired by BB King Live at The Regal and it’s the closest to traditional blues you’ll get on the album. Like all of the tracks, I didn’t force anything out, it was all just what I was writing at the time as when creativity hits you, you keep at it. Yes, I’ve already got a bunch of songs for the next album!

Set Your Heart For The Sun
That’s a bit of a bizarre tune if I’m honest with you. I wrote that for another record with The Boom Boom Brotherhood which has the same title but it didn’t fit on that record, it just felt a bit too poppy for it so held it back and re-recorded it for this album. There was a point where I was a bit unsure about it like it sounded like The Magic Numbers or something, but the other guys in the band really dug it. It’s good having this at the midpoint as it really breaks the record up, telling the story of one half and setting up the next. It’s really a cool 2-minute track, light-hearted and has got a really cool psychedelic middle section…if I could change one thing about this album it would be that middle section in that it could have gone on for 15 minutes in a totally cool Pink Floyd kinda way.

Rattlesnake Woman
I released this as the first single and people are really digging it. It’s a heavy fucker of a tune and to play it live is really cool where I can really let loose on the vocal. This one will definitely be in the set at my album launch party on Friday, December 5th at one of my favourite venues Ain’t Nothin’ But in Soho, London. It’s an early start at 6:30 PM so make sure you’re down for that. I wanted to have an early gig, with lots of my friends playing in a last waltz style so then I could hang out with my mates and celebrate drinking whisky – there was a lot of whisky drunk making this album! My mate Mike Ross came in and played on this song and there’s this dual guitar solo on it which is wicked. I love playing with Mike so being able to play off of each other and get it on a record is really special.

Skin And Bone
Do you know what? I didn’t even realise there’s a Foo Fighters song called that let alone a whole acoustic album! I’d like to say it’s an intentional tip of the hat to the Foo’s but it’s not and it certainly doesn’t sound like them! It’s a nice little acoustic blues ditty. There’s some that you write that are so personal, you’re thinking about stuff that has happened to you and you try to encapsulate that, but with Skin And Bone, I’m happy to admit that the lyrics are a bit throw-away. They sound cool though and their fun to sing – not every song has to be an In My Life by The Beatles, you just gotta have fun with songs sometimes, like you can also have your I Am The Walrus.

I Got Your Number
I recorded this for an album before and I hate the way it sounded, it didn’t come out right, not what I was looking for at all so I saw this as a good chance to put it right. One of my good pals Big Boy Bloater who I’ve played with, and drunk a lot with, over the years means a great deal to me and if I could describe this song as a tribute to anyone, it would be to him. It’s a re-recording of one of my songs in an acoustic style of Big Boy Bloater. He’s a great dude and been a massive influence on my career – I tell you what, my voice was fucked after trying to sing like him!

Send Me A Signal
Send Me A Signal is the EXACT opposite to my throwaway lyrics from Skin And Bone. This was written about a year ago when there was a lot of shit going on in my personal life that was very upsetting for me and those close to me, Send Me A Signal really addresses that and deals with it. Writing this over breakfast at 7:30 in the morning, just playing around on an acoustic where I found the melody line and the lyrics got really personal. It’s weird as I find this one quite hard to play live with the emotions it stirs up. Part of the idea for this record was bring a lot of my friends to guest on songs with a chap called Stuart Moore who played the violin on this. That really brought it to life and brought an extra emotional feel to it.

Hard Right In My Dreams
I referenced George Harrison earlier and this was very Beatles like in my head when I wrote it, particularly the guitar parts with a bit of a Bowie vibe mixed in. A bit like Set Your Heart For The Sun in that I was quite unsure about it, but everyone who’s heard the album keeps asking me why I didn’t track this at 2 or 3 as they’re really digging it. I love records that close on a really strong tune and this has a feel to it here it makes you want to hear more I think, a good bookend but leaves a bit of a question mark. It’ll be tricky to play live as there are 4 or 5 guitar harmonies in it… I’ll tell you what I’ll do, I’ll put the CD on, press play and fuck off for 5 minutes to the bar for a drink as Neil Young doesn’t use a loop pedal, so why the fuck should I?!

Jack J Hutchinson Talking To Wes About Paint No Fiction

Reality Hits as Jack J Hutchinson Paints No Fiction

Reality Hits as Jack J Hutchinson Paints No FictionReality Hits as Jack J Hutchinson Paints No Fiction

Jack J Hutchinson, causes a stir whenever and wherever he plays live. His music catches the ear and pulls you deep into his dirty interpretation of the blues. The hooks are deep in the roots and the riffs have the energy of the contemporary music. On Paint No Fiction Jack is joined on this twelve track album that was six months in the making by an intoxicating and exciting array of U.K Blues, Rock and Americana musicians. Genres reflected in an album redolent with raw and dirty dripping with genre-busting intrigue and excitement as he Paints No Fiction; the music is authentic 21st Century British blues-infused music.

Before you listen to a note, the artwork by Aaron Gardner has an inner power, capturing Jack’s personality in shades of brown and yellow. You want to hear the music from a man who dominates the front cover and reflects back images in his sunglasses. You want to uncover what makes the musician tick.

Opening with Deal With The Devil, you are assailed by full on rock crescendo. No traditional blues fuelled deal with the devil. The rock is countered by beats and textures that fall within Americana,  as we get to know the Paint No Fiction music of eleven self-penned numbers. The guitar is raw fuzzy energised with the fluidity of a jam captured and ordered in a studio. As Jack sings ‘The World Don’t Own You A Dime…. Deal With The Devil – The Devil Ain’t Mine’, your attention is truly captured. Moving swiftly into Written In Stone the tone changes as we have hints of dirty rawness inspired by Mississippi Hill Country with guitar work with its fuzzy tone that demands your ears take note whilst your feet just absorb the beat with pure delight.

Each number has its own clear texture tone and approach, Jack has chosen the group of musicians used on each track with care. On the slower Hold Me Close, the acoustic guitar picks out the melodic path and Hutchinson’s vocals still have the signature gruffness but delivered with a gentler cadence. The keys pick up the melodic flow building the tension and creating a soundscape of emotional tension as Jack yearns to be held close. As we Cut The Noose, the blues is strong and pure, considered and reflecting the lyrical depths.  Halfway through the album and we are still in reflective mood with Set Your Heart For The Sun. The percussive tones reflecting and adding shadows to the vocals from Jack that are at the heart of every number.

The tempo heats up the rawness is cutting through the beat on the first single from the album Rattlesnake Woman. This is blues that is mysterious and reflects the psychedelic elements of the cover. The guitar duelling is immense as Hutchinson and Ross battle it out with the six-strings – rather that than a six-shooter. The blues theme is picked up with a harmonica driven whip cracking Skin and Bone.  Jack may sing about Skin and Bone, the sound is full boned nuanced with sharp and sweet licks and melodies as we turn the corner into the last three tracks of the album.

The penultimate track is calmer with Send Me A Signal with a countryesque phrasing of the vocals contrasting with the guitar picked with precision.  The album closes with a full-on luscious sound that floats as we explore Hard Right In My Dreams. Jack Hutchinson and his myriad of guests have created an album that is a sonic exploration of music dipped in the wealth of roots music, shaken and stirred with flashes of modernity.   Every number is a chapter in the story Jack J Hutchinson is creating in Paint No Fiction. It is music genuine to the here and now. The lasting truth of this work of musical art is authenticity.

Hutchinson album launches Paint No Fiction with a special ‘Last Waltz’ style gig at Ain’t Nothing But, Soho London featuring all the musicians on the album.
A Date for your diaries that is a certainty – 8th December 2017.

Musicians:
Jack J. Hutchinson: Vocals and guitar
Mike Ross: Electric Bass and guitar
Alberto Manuzzi: Keyboards
Marc Burguera: Guitar
Tom Brundage: Harmonica
Stuart Moir: Violin & 8 string bass
Dani Rock: Double bass
Loris Peverani: Drums and percussion
Morgan Platt: Drums and percussion

Producer: Tony Perretta

Paint No Fiction – Jack J. Hutchinson

EIGHTpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Deal With The Devil
  2. Written In Stone
  3. Hip Slickin’
  4. Hold Me Close
  5. Cut The Noose
  6. Set Your Heart For The Sun
  7. Rattlesnake Woman
  8. Skin and Bone
  9. I Got Your Number
  10. Send Me A Signal
  11. Hard Right In My Dreams

Jack J Hutchinson Set Your Heart For The Sun

Jack J Hutchinson Set Your Heart For The SunJack J Hutchinson Set Your Heart For The Sun

Jack Hutchinson, is a troubadour, he sings with his heart and travels far and wide with guitar electric, unplugged as part of a jam Jack with his infectious blues will be at a festival or gig.  Now, the trio has a debut album Set your Heart For The Sun as Jack J Hutchinson’s Boom Boom Brotherhood releases their debut album. Surrounding himself with musicians who rock to the sound Jack has perfected a recollection of the seventies but not so much retro as the music is of the now.  Joining Jack are Rick Baxendale who can be found adding bass guitar, piano and keys and percussive depths, Jim Brazendale on drums and Harmonica courtesy of guest Tom Brundage. This is a vintage sound that makes you smile, Jack and the brotherhood have captured music sunshine in an album that is bright and full of optimism. Yes, some of the tracks, fans of Jack will recognise from previously released EPs; some re-worked and work as a definitive collection of tracks defining Jack and The Brotherhood style. Fusing harmonies within a cocoon of vintage blues, roots, southern rock and the special ingredient bravery to be themselves making Set Your Heart For The Sun a standout debut.

Opening with a fuzzy psychedelic opening refrain we are introduced to Jack’s vocals for the first time with Love Is Gonna Bring You Home. A number that would have fitted neatly into Led Zep’s or Peter Green’s discography.  The tempo and texture are smoother with Hey Hey Hey; a rootsy number that is beguiling in its strength and simplicity.  The piano and guitar work in harmony playing off each other’s chords with a searing intensity. We are pulled back into the heydey of the sixties with a Beatles infused Fight Fire With Fire, the energy is youthful dynamic and we know this is no slavish copy it is the Boom Boom Brotherhood in full flood of celebration. Nothing is dampening this band’s fire in the belly to play the music that inspires them.

Now we have some blues with Tom’s harmonica adding a tonal layer of authenticity on Souled Out, the fluidity of song that builds around the roots core will have every listener tapping their feet with delight.  The guitar weeps as we are exploring The Rivers Cries, the harmonica moans and Jack’s voice intones the story as it unfolds a wonderful track that fuses all the elements that make Jack J Hutchinson stand above the crowd.  With songs of betrayal unveiled as we meet Jezebel, there is a sting a harder edge to the drumming as the tale is ground out and we see the darker side of love.

Closing the album out with Wake Up; it is a message wake up and get to know Jack J Hutchinson’s Boom Boom Brotherhood, as they meld the essence that is roots that rock with a modern cadence of tone and texture. The originals certainly make you feel the warmth of the bands Blues sunshine.

Jack J. Hutchinson’s Boom Boom Brotherhood – Set Your Heart For The Sun – Independent

NINEpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Love Is Gonna You Home
  2. Boom
  3. Hey Hey Hey
  4. Get It Back
  5. Fight Fire With Fire
  6. Lone Dreamer – Hidden Dream
  7. Souled Out
  8. Look In The Mirror
  9. The River Cries
  10. Loving Man
  11. Jezebel
  12. Long Time Coming
  13. Wake Up

 

Jack J Hutchinson Set Your Heart For The Sun

Skegness 2015: JAKS and Introducing Stage

Red Butler - Skegness - 23rd-15th Jan 2015 - _0075l

Great British Rock & Blues

Butlins, Skegness 2015 –

JAKS and Introducing Stage

 

Split Whiskers Band - Skegness - Jan 2015 - _0029lThe music plays for three days and nights across four stages at the Great Rock & Blues Festival, Butlin’s, Skegness, the last weekend in January draws many to the cold East Coast.
There is so much to offer that there is no way to see and take in every act and for many people there are favourite stages especially for many of the regulars and there are a loyal band who spend the majority of their time in the Blues Matters sponsored stage JAKS with its quirky décor and a mix of music through the day from midday and late into the night only taking a break between 4.30 – 8pm where the Introducing Stage in the Sky Pavilion fills the gap.

Jack Hutchinson Band- Skegness - Jan 2015 - _0031l

I saw and missed some amazing moments on both stages, I needed to eat re-charge my batteries and catch up with people and sometimes get away from music!

Mick Simpson & Malaya Blue - Skegness - Jan 2015 - _0054l

Rebecca Downes - Skegness - Jan 2015 - _0007lFriday the music started for me on the Introducing Stage, after a long drive coffee and music was the perfect antidote. The band that opened the music fest was Starvin’ Sid a great entertaining act to get the weekend off with a smile and this year every day we had a chance to vote with a plastic token for our favourite act; the process overlooked by Blues In Britain team; the prize the chance to play a main stage in 2016. The sets that followed were varied and full of live music energy including Jack Hutchinson who was impressive and must have been a contender and we would see his style again during the jam at JAK’s. Ged Wilson was a solo acoustic performer who delivered a mix of standards and self-penned and like Starvin’ Sid would make a music pub a real attraction. The last act was Rebecca Downes; who went on to win the popular vote she has a great voice and her stage presence is dynamic as the crowds grew the excitement in the Skyline grew. Her act was much more interactive and full on with real character and a great backing band. Rebecca Downes certainly attracted all the right attention tonight.

Split Whiskers Band - Skegness - Jan 2015 - _0016lIn JAKS the atmosphere was building and was hot with a happy crowd when I dropped by to hear the end of a great set from Split Whiskers who as ever entertained with an array of numbers that got everyone in the mood for music to dance. They are a colourful band with a great full-on sound which went down a treat. Red Butler followed, this is a young band that just keep on delivering stunning displays of musicianship. They hit the road running with a real racy number that showcased Jane as the vocal diva of the band and Alex’s exceptional slide guitar playing on Movin’ On. The set had a mix of songs and throughout were numbers off their excellent debut CD Freedom Bound; starting off with Pension Blues. There is no doubt this is a band that we will be seeing more of during 2015 they are talented, have charisma and really want to entertain you. With Jane’s vocals, stage presence and great backing musicians they really hit the spot, with their take on Shakin’ All Over being quite unique and is fast becoming a signature. For many they were the band of the whole weekend. They did have the whole of JAKS lapping up music and a great new number Gambling Man was very reminiscent of early cream no wonder they were the talk of Butlins 2015. Red Butler - Skegness - Jan 2015 - _0008lThe tempo went down a notch with Malaya Blue Band; as Malaya’s voice lacks the power of Jane’s and has a more jazz blues feel, though without doubt this is a lady who can sing, with a great band to back her vocals with a strong rhythm section of Simon Dring & Trev Turley. Though personally the music was fine and the interpretation was distinctive on the whole this was a nice set that lacked the high-voltage energy thaMick Simpson & Malaya Blue - Skegness - Jan 2015 - _0042lt a late night session at JAKS normally has. What it did show was the wide range, depth and breadth of female vocals delivering the blues in their own unique way in Britain in 2015 as Malaya was the fifth charismatic female vocalist of the weekend so far across the stages.

 

Saturday afternoon is all about the Jam in JAKS run with precision making this a perfect venue for musicians to enjoy participating in the jam and the audience to delight in the rawness and never knowing what act was coming up next.

Riotous Brothers - Skegness - Jan 2015 - _0045lThe popular act on The Introducing Stage was first up Lost Minute who started playing to about 100 the music bought people to the stage and by the end the area was packed with over 500 music lovers demanding an encore. This band definitely hit the right spot and was the winner tonight. The other two bands I heard on this stage were Riotous Brothers and I was looking forward to the set having reviewed their album and I was impressed. The band connected with the audience with dancers enjoying the lively and entertaining set. Riotous Brothers certainly understand they are there to entertain and they did just that. I also heard Pierre K Band who had travelled from Belgium to entertain us and they delivered blues, with hefty takes on blues standards, tonight the keys were missing and this was a loss and as a three-piece they didn’t quite deliver the sound produced on their current album.

Pierre K Band - Skegness - Jan 2015 - _0001l

Richard Townend - Sunday - Butlins, Skegness - Jan 2015 - _0017lAll to soon it was the last day of the weekend, with another two sessions that would suit the mood, starting with laid back and a quality acoustic set from Richard Townend; this was a perfect start to a Sunday JAKS always hit the spot on the Sunday afternoon, we heard some acoustic gems and a moving tribute to Alan Turing as he delivered an entertaining set, looking forward to 2016 when he brings back to JAKS with his band The Mighty Bosscats. I also popped back to hear Malaya Blue Band acoustic set for a short time, this afternoon she was joined by Will Johns as well has her band and the stripped down suited her vocal range. I was a bit disappointed that from what I heard it was the same set as Friday but suited this slot on a Sunday. The Introductory stage bough another four bands and another chance to vote the stage was getting more popular and Stark opening the proceedings and were very popular form comments I heard, Struggle Buggy were a competent country Blues band but the accolades went to the last band of the weekend on this stage The Della Grants, it was no surprise to hear they won the popular vote. This young four-piece blues bands delivered with great vocals and played some genuine blues, they certainly have bags of potential.

The Della Grants - Jan 2015 - _0017l

Laura Holland Band - Jan 2015 - _0041lJAKS on Sunday night was ready to party as Roadhouse filled their spot with the music they love to play and the crowds certainly enjoyed them once again. Laura Holland Band who delivered Rock N’Roll/Swing style music that certainly filled the dance floor. Laura fronted the band with aplomb, with here great stage presence and vocals that’s suited the music being delivered. JAKS felt like it had entered a time-warp and was back in the late 1950’s with tracks including Spoonful and I need your love So Bad. The music played on until the early hours with The Robin Robertson Blues Band but an earlyish night beckoned been another music packed weekend once again.

JAKS BAR
Friday: 8 -2.00pm
Split Whiskers Band*
Red Butler*
Mick Simpson & Malaya Blue*

Saturday: Midday – 4.30 pm 8– 2pm
Roadhouse Jam
The Dave Thomas Band
Sharon Colgan Band
Jed Thomas Band

Sunday: Midday – 4.30 pm 8– 2pm
Richard Townend*
Jo Bywater
Mick Simpson & Malaya Blue (Acoustic)*
Roadhouse
Laura Holland Band*
The Robin Robertson Blues Band

Introducing Stage
Friday 4-8pm
Starvin’ Sid
Jack J Hutchinson*
Ged Wilson
Rebecca Downes*

Saturday 4-8pm
Lost Minute*
The Riotous Brothers*
Victoria Klewin & The Mojohands
Pierre K Band*

Sunday 4-8pm
Stark
George Shovlin’ and the Radars
Struggle Buggy*
The Della Grants*

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