Lance Lopez Set to Unleash Tell The Truth

Lance Lopez Set to Unleash Tell The Truth

 

“Texas has been known throughout the years to be the breeding ground for some of the baddest guitar players of all time…Lance is yet another one to carry on that Texas tradition…” BILLY F. GIBBONS – ZZ TOP

“A very exciting and intense Blues Guitarist…” JEFF BECK
“Lance Lopez got 3 standing ovations when he opened a show for me and I was among those standing…” B.B. KING

Texan Lance Lopez is set to unleash his long-awaited new solo album, Tell The Truth, on March 2nd 2018 on https://www.mascotlabelgroup.comProvogue/Mascot Label Group.

Tell The Truth is an autobiographical tour-de-force through the life and times of an archetypal Texas blues legend with all the highs and lows that inevitably accompany this time-honoured path. Lance Lopez has been on a slow, steady climb up the mountain to the blues-rock hall of heavyweights for the last decade, and this album declares his arrival.

“Nothin’ worth having, ever came easy to me, the sweetest victories came within an inch of defeat” ~ “Never Came Easy”

Lance Lopez has a voice that lets you know he’s walked the walk, and his smoky tenor has grown more gravely and passionate with the years, then you remember, he was brought up by the likes of Bobby “Blue” Bland, Buddy Miles, Johnny Taylor, and Lucky Peterson. Lance started playing professionally at the age of 14 in bars and clubs in and around New Orleans, joining up with soul great Johnny Taylor when he was just 17, then becoming Lucky Peterson’s band leader at 18, and eventually joining the Buddy Miles Express. He’s lived the life every day since, and you can feel every mile of the road on this album.

Check out the brand new video for Cash My Check here:

The path he has walked has not been an easy one, and even with mentors and friends like Billy Gibbons and Johnny Winter, that road is long and fraught with the necessity of the literally thousands of clubs, endless nights, low wages, and long travels – all of which leads to the many temptations that make for distractions to get one through the day. Lance Lopez, again, was mentored by the best, and that means that along with the priceless lessons in the musical life from legends like Buddy Miles, also came lessons in drink, drugs, late nights, the ravages of road food, and that side of the life that has broken so many. With the grace of good faith, friends, and family, Lance has seen it through to a healthier, happier side.

Defining his solo sound on Tell The Truth expect loads of his famous hard-edged gritty guitars, lovingly parsed and layered throughout, but there’s also a powerful full band sound on every track with throbbing bass lines, sumptuous piano and organ, wicked blues harp, thunderous drums, and Lopez’s industrial strength vocals across the whole of this outstanding song set.

Tell The Truth is above all a working-class blues rock record. Songs like “Cash My Check” and “Never Came Easy” look at life as it’s being lived, in an honest and forthright fashion. Then there are the more harrowing tales of life’s travails and temptations to be found on “High Life” and “Down To One Bar.” Even when he’s covering John Lee Hooker on an incendiary reading of “Mr. Lucky,” this is a fiercely personal record, and Lopez spares himself not one bit as he lays down life as he’s seen and lived it. Lopez has seen has demons, stared them down, and come out on the other side.

Produced and recorded over the last three years by Fabrizio Grossi in Los Angeles, this album clearly shows that Lopez has absorbed everything he’s heard, and the lessons of everyone he’s had an opportunity to share songs and stages within the last few years. Trading verses with singers such as Warren Haynes and Walter Trout, trading solos with Eric Gales, Robben Ford, Steve Lukather, and the aforementioned Mr. Gibbons has certainly served Lance well.

The album hits the ground in fourth gear, and it never looks back. The grooves are a mile wide and hit like a sledgehammer. And while there is great guitar, as you’d expect, all over the record, Lopez never overplays. There’s a high-octane reading of John Lee Hooker’s “Mr. Lucky” that sees the sound and style of the Texas legend being updated with some extra horsepower, and a barreling rhythm section. “The Real Deal” is the Lopez manifesto, and one of the cornerstones of this record.  The album’s title track closes out the set, and it’s a massive piece of rock with a funkiness that won’t be ignored. A great album by any measure, regardless of how it may get labelled. Blues-rock? Hell yeah. Rock? Got it covered. The blues? It’s in everything Lance Lopez does. March 2, 2018, on Mascot Label Group.

Tour Dates

9 March – Fabrik, Hamburg, GERMANY (Rockin The Blues 2018 Tour – Special Guest)
10 March – Columbia Theater, Berlin, GERMANY (Rockin The Blues 2018 Tour – Special Guest)
11 March – FZW, Dortmund, GERMANY (Rockin The Blues 2018 Tour – Special Guest)
13 March – Muffathalle, Munich, GERMANY (Rockin The Blues 2018 Tour – Special Guest)
15 March – Batschkapp, Frankfurt, GERMANY (Rockin The Blues 2018 Tour – Special Guest)
16 March – Boerderij, Zoetermeer, THE NETHERLANDS (Rockin The Blues 2018 Tour – Special Guest)
17 March – The Garage, London, UK (Rockin The Blues 2018 Tour – Special Guest)

 

Lance Lopez Set to Unleash Tell The Truth

Fabrizio Grossi Talking Music Friends and Californisoul

Fabrizio Grossi Talking Music Friends and CalifornisoulIn Conversation with Bluesdoodles

Fabrizio Grossi Talking About Music Friends and Californisoul

 

 

 

BD: I was delighted when Mascot Label Group sent me a review copy of your new album Californisoul and the opportunity to find out you the band, influences and lots more. Before we talk about Californisoul and the band lets rewind to your early days

BD: What were your first musical influences growing up in Italy?
FG:
My Family was not a musical family. Not much excitement musically in Italy in the late 60’s/early 70’s. Italy was traumatized due to the lost years due to terrorism. The bands I liked did not come to Italy so had to travel to France or Switzerland to see rock music live. My Mum did like music on the radio. The first 45 rpm record I was given two music records Beatles Ob La Di and Rolling Stones the kind of music being played on the radio. I have always been attracted to black music, I couldn’t understand the words as I had no English but felt it I was exposed to the music and did not realise that until recently. My Biological Mum died when I was ten and went to live with an Aunt. My Mum did love music and that was where I was first exposed to guitar driven music.  I was into the Beatles they are still my favourite band. There are a bunch of other bands that I love especially English Bands like Pink Floyd, T. Rex; and Procol Harum. When I first heard AC/DC and Queen it was like WOW! It was a shock I remember. I also loved old style black music and Motown like Marvin Gaye. I came to the UK in 1993, it was common for children to stay with family, the older cousins took me to Castle Donington it was my first encounter with a large festival seeing Whitesnake with Bernie Marsden. It was amazing I was moved as the whole park was muddy and loud then the change in atmosphere with Ain’t No Love in the Heart of The City as we all became chilled. It was a supreme moment. The first seed was planted that I wanted to be a musician. It was the impact of how one song changed the mood of thousands of people a few months later I saw the last concert of Queen played in Madrid. I walked out I knew what I wanted to be.

BD: What made you decide on the playing the Bass guitar?
FG: I started off playing the guitar when in junior high in Milan. My Uncle wanted me to play the piano. The guys on T.V were playing the guitars all the kids wanted to play the guitar. I moved back to Milan in high school I played in a couple of bands with friends. Most of us wanted to play the guitar. I had a cheap electric guitar to keep up with my friends. I was the worst guitar player so they said you should play bass. I was told it was like a guitar but with only 4 strings. I gave up the guitar, I was getting ahead playing the bass.

BD: How would you define the Blues yourself and the Supersonic Blues Machine?
FG: Wow! That is a question! Firstly, blues is a style of music, an attitude with a legacy. Artists playing the blues have to be present in the music putting in a sense of the history, blues man is not because you play the guitar. Blues is real music from the heart express music as a documentary of a story; it is a state of mind. Blues is American and is the Yin to Country music Yang. Both out of the same place in the USA country for white folk and blues for black folk. Blues allows for great interaction on an artistic level. Blues are the cultural lament of black people up to the fifties and sixties. With the rise of the civil rights, movement times changed. I feel that at the end of the day we are all human feeling the same things, want better relationships, whatever our birth, race or heritage. Blues has spread to a wider audience with the British explosion, Brian Jones, Led Zeppelin, Stevie Ray Vaughan, Greg Allman and others a hundred years since the inception the blues is being played, Blues is music being played from the heart.

BD: At the heart of Supersonic Blues Machine is a trio yourself, Lance Lopez and Kenny Aronoff. How did you get together? On this and your debut album, you had guests what is the deciding factor in choosing them?
FG: We are part of a music community full of musicians who are friends. We did not want to be restricted by the  ‘boss’ to be more open. We have played at festivals including Hells Fest and Ramblin’ Man. Many people buy tickets a year in advance they go for a day or more to be surrounded by good people, friends and good music the festivals have established their credentials as the place to go and hear some bad-ass music. The principle behind the band is we will be touring playing like a jam band from ‘70’s playing the music we liked.  Played through 1996/97 and then 2001 birth of my daughter, I wanted to be around so she remembered she had a Dad. Being on the road was not for me and started to do lots of studio work.  Kenny and I became good friends in the studio playing together continuing the jamming experience. I was really busy with the band Starbreakers, and working with Toto one of the best bands around, Steve Vai and more which is why in music we are one big family of friends. Then Billy Gibbons called me one night asked me what I was doing as he was in town. He had an idea for a song which we are trying to put together for a whiskey commercial I have a great idea for a song and would like to co-write it with me so I said Yes! End of the day working together we had the song Running Whiskey from our first record. Then Billy’s manager called some good and bad news. Good news can clear the song but bad news can’t use for the advert. So we needed to find a home for this song – write more songs and start a band and that is what I did and Supersonic talked with Warren Haynes after the show. So said Gibbons was involved and Warren said yea what is going on.  So explained looking to play very loose as the end ‘60’s troubadour. Sounds fantastic count me in and here was the second recruit… So the musicians involved kept evolving so it was a group of friends that wanted to get involved. The core of the band is the three of us with the guests’ involvement very casual, the aim to create exciting music.  The first album West Of Flushing South Of Frisco, I was surprised how well it was received, we were delighted with the album created interest and a buzz. The project involves lots of friends, so we cannot do as many live shows when we do they are fun.  The idea is to have a Grateful Dead approach adding our friends to play some of their songs as well. What we want is people to experience a fun vibe a fresh approach free and not so structured.

BD: The title of your latest album Californisoul is interesting how did it come about? And is there any particular meaning to the word you have created?
FG: California is not just a State of USA. California is an attitude state of mind, a way of life, a sound and feel. A philosophy living California Style. The album is capturing the music we grew up on in the ‘60’s & ‘70’s. Mama & Papa’s, Janis Joplin, Santana. Jimi Hendrix, BB King etc… played on the radio. The big blues, soul sound of the past all that music surrounding the summer of love is tangible throughout the Cali spirit/soul. Radio had a big impact as always driving around the state everyone embraces that feel. We are like a family both Robben Ford and Steve Lukather are from California   Lots of the songs came out of my vault some that didn’t make West Of Flushing they were all looking for a common thread a Californisoul was the place they belonged.  The songs, lyrics and sound of the late sixties & seventies are still applicable for today. Standards have not moved forward despite lots of technology humanity has not moved forward, we still have the same issues wars, not Vietnam but around the world, problems with racism, poverty, social problems and ecological disasters. So the name is capturing the sound and philosophy we are addressing.

BD: I have always been interested in the lyrics of a song. Californisoul Where do you get your inspiration for your songwriting?
FG:  Songs are important it is why we like these songs. It is essential to produce real art, real music, real lyrics found in all the best art/culture and movies the times dictate the issues that art is addressing.

When I write I don’t have an inner alarm clock the songs come to me from other lyrics, experiences and improvising with friends. Many of the tracks have been sitting waiting for this album.  The album embraces message from back in the day those being delivered by Bob Marley/John Lennon. Pretty much wanted to record an album that was the ideal soundtrack for a road trip.  The lyrics and the melodies as very natural and organic and pull out what we want to capture on Californisoul.

BD: I am sure you have many plans for 2018 and beyond for the band do you plan to tour UK and Europe?
FG: We are planning to do shows in 2018. Whenever we have the opportunity to take Supersonic Blues Machine out we will. Playing live is fun and we love to jam and create the vibe that is fun for audiences.

 

Fabrizio Grossi Talking Music Friends and Californisoul

 

Album Review of Claifornisoul HERE

Journey With Supersonic Blues Machine Californisoul

Journey With Supersonic Blues Machine Californisoul

Journey With Supersonic Blues Machine Californisoul

 

Join the journey With Supersonic Blues Machine Californisoul. Following on from 2016 debut album West of Flushing South of Frisco we continue the sonic journey with Californisoul.  Thirteen tracks with special guests adding to the heat and excitement on five numbers is a journey you will want to be part of as Californisoul  Comes Alive On Supersonic Blues Machine’s New Album. The concept behind the title and album, “CALIFORNISOUL! That’s exactly what it is. It’s the missing soundtrack to a summertime drive from Los Angeles to San Francisco in 1971!” says Fabrizio Grossi.

 Supersonic Blues Machine is three musicians who definitely know how to create a storyboard of music that shapes the carefully crafted lyrics. They comprise Lance Lopez (guitars/vocals/songwriter), Fabrizio Grossi (bass, producer, songwriter), and Kenny Aronoff (drums). They want to have a party of a trip so have invited some friends, and for Californisoul, who is joining Californisoul? Robben Ford. Billy F. Gibbons, Eric Gales, Steve Lukather and Walter Trout.

If you are expecting traditional electric based blues from Supersonic Blues Machine, disappointment awaits you. BUT, if you are looking for exceptional grooves digging deep into the vein of the blues extracting the essence and weaving a new road to tread your blues shoes then you are in for a fun ride.  The opening track is full of sunshine and genuine warmth, I Am Done Missing You. Yes, they are back with a follow-up album that builds on the debut with music that charms and endears. A blending of vocals that adding the tension to the rhythms and adds a sting in the tail to the guitar. An opening number that pulls you onboard pumped with excitement at what the rest of the album will unveil.

Foot stomping swirling blues introduces us to Robben Ford’s guitar connecting with Lance’s vocals. Somebody’s Fool has a rocky edge that has been smoothed by the instrumentation and luscious backing vocals the energy is contained as Robben’s guitar stings in a solo confirming that one thing is for sure no-one is a fool for getting on board this journey.

Continuing with tracks with a guest Billy F. Gibbons joins the party on Broken Heart. This is a gigantic rocking and rolling curve in the road get on board the guitar is dirty and the oily rag of a rhythm section is keeping us on the road driving forward for the fun of the ride. Champagne is the perfect accompaniment to this number because none of us wants a Broken Heart.

Eric Gales guitar sound is distinct adding a powerful punch to the journey as the Elevate takes on a swooping flyover on route to San Francisco. The speed is gathering the wheels are burning up the miles with a sharp stinging fulsome guitar from Gales. The backing vocals curl and pull the guitar and connect the vocals with a party that is full on assertive and loud. Phew, that is a road you want to explore again.

The fourth guest guitarist is Steve Lukather as he and the band explore Hard Times. Kenny Aronoff’s drums add a hardened edge to a number that takes us into the second half of the album. Last but not least is Walter Trout. The instantly sweet note filled tone and texture of Trout’s guitar fills the speaker. The intro to What’s Wrong you just want to go on and on. Then the vocals pick up a perfect duet of emotions are amalgamated as they ask what is wrong with my blues? Absolutely nothing.

The seven tracks delivered by the band are the glue that makes the journey work. The Pit Stops, the viewing points of interest on this supersonic blues journey we are exploring on Californisoul. The trio of Lopez, Aronoff and Grossi capture the swirling dust and grit of the road combining this rawness with the magic of their personal interpretation of the blues. Fabrizo Grossi writer of lyrics and bassist delving deep into the grooves that adds the rhythmic poetry of this road trip.  The spirit of the Supersonic Blues Machine is captured in L.O.V.E. we are now travelling in the same direction the music is taking us. This is an album where the musical tones and textures change reflecting the changing scenery on a road trip. The funkiness of the machine is captured on The Stranger, once again the judicious use of backing vocals add so much to the seventies backdrop of the album. Closing out the album with This Is Love, chatting opening reflecting back to gospel blues and back to communal singing full of vigour and hope. The track combines blues with rhythmic beats and a spicing from a reggae groove hitting the blue sweet note they are looking for throughout the journey we have joined them on. We are left feeling upbeat with the Supersonic Blues Machine.

Without the skills and clear approach from the principal band delivering the remaining tracks giving a consistency a firm grounding to Californisoul the album could have missed its mark. Thankfully it did not this is so much more than a compilation of a band with guests. It is a coherent journey through music and lyrics with Lance Lopez vocal prowess the key to keeping the thirteen tracks on a road with a clear sense of purpose and direction. We are never taken to a backwater or miss our turning. The Satnav of music power has been set to ensure the styles may vary, the approach may be different. But the journey is clear to get from Los Angeles to San Francisco with blues-infused soulfulness.

Californisoul is full of confidence the trio know they have the power to add soul to your blues. The guests are the spice in the mix adding new tones and textures. It is the Supersonic Blues Machine that are in full control on this musical journey of Californisoul.  As Fabrizio Grossi says, “Lots of people have been saying to me ‘why does Supersonic Blues Machine always bring guests around? You guys can stand your own ground’, and there are three answers to that: 1) we’re all super friends and we’re having a blast, 2) most of them don’t give lessons and for us it’s only way to learn their secret “ways”, and three because the inspiration and the challenge they bring to the table!” We are as the band described, being taken back to 1971 immersed in a soundtrack on a drive from Los Angeles to San Francisco.  Sit back, turn up the volume enjoy an exuberant modern blues with twists and turns that any great journey will always take you to the unexpected.

 

Supersonic Blues MachineCalifornisoulMascot Label Group

TENpawprint half inchdoodle paws out of TEN …

Track Listing

  1. I Am Done Missing You
  2. Somebody’s Fool (feat Robben Ford)
  3. L.O.V.E.
  4. Broken Heart (feat Billy F. Gibbons)
  5. Bad Boys
  6. Elevate (feat Eric Gales)
  7. The One
  8. Hard Times (feat Steve Lukather)
  9. Cry
  10. The Stranger
  11. What’s Wrong (feat Walter Trout)
  12. Thank You
  13. This Is Love

Journey With Supersonic Blues Machine Californisoul

Dr Z Takes Us West Of Flushing South of Frisco

Dr Z Supersonic Blues Machine (2)Dr Z Takes Us West Of Flushing South of Frisco

This debut album crammed with a mix of approaches to the blues; it is accomplished and a joy to listen to from the first to the last note. Dr Z Presents Super Sonic Blues Machine has a core of three musicians who understand making great music. Bassist/Producer Fabrizio Grossi is joined by Lance Lopez on guitar and vocals and drummer Kenny Aronoff. Added to this powerful hub are guests that all bring a special style and interpretation to the blues.
The first two tracks introduce the heart of Dr Z, opening with Miracle Man with its blues infused opening and a burst of harp the vocals then kick in as the tempo builds and you just have to join in with the clapping. With its opening chant you are taken deep into the roots of America’s history raw hot and swampy southern rock I Ain’t Fallin Again is both melodic and hypnotic. Throughout the album the trio that is the backbone of the album deliver songs that work in context of the guest they have on board the Dr Z journey taking us West Of Flushing South of Frisco.

Third track Running Whiskey ringing with guest Billy Gibbons’ vibe, a vitality that pours into your ears with the heat and intensity of hot whiskey. The combo of stinging guitars and vocals from Billy adds the feel of ZZ Top to the Party that Is Dr Z Presents Super Sonic Blues Machine. Tempo changes along with the signature style of Warren Haynes steps in with his delicious Southern Rock guitar playing, he is and always will be the Remedy. Recognize the name, you should as he is at the heart of the Gov’t Mule sound, and longtime guitarist with The Allman Brothers Band and his solo work. Who else puts in an appearance with their guitars? Chris Duarte changes the tonal texture with his Texan blues-rock guitar playing – That’s My Way, this is a track that is done Chris’s way with guitar so sharp you can hear the strings vibrate as they cut through the musical backdrop. Next up on the guest roster is Eric Gales, with Nightmares and Dreams as a child prodigy I am positive his musical career has been both, this is a track that is guitar-led and driven with the power of the six-string searing through and dominates. The domination is not about noise and speed it is the subtle mixing of vocals and guitar and layers of sound and variation in tempo as the track develops and as the urgency becomes heightened the guitar follows. Then there is the wailing, howling blues guitar that is the spirit that drives Walter Trout on Can’t Take It Anymore with the accompaniment of keyboard playing that winds itself around the guitar and Walter’s vocals this is a track that is dripping in emotions. The notes are wrung out, stretched out as the lead breaks augment the lyrics with raw open emotions. The last of the guest guitarist plays a slower number full of reflection as Robben Ford sings Let’s Call It A Day a gentle beat as the lyrics explore the ending of a relationship. The guitar work is spot on every time blues with swashbuckling style.

West of Flushing South of Frisco an exploration of the emotive power of the guitar, vocals and the working of the instruments to create an array of tonal textures, emotional shapes. This is blues that rocks gently in the breeze and then howls like a hurricane. Sometimes in a rush other times laid back exploring the power of the six-strings. This album keeps on giving no wonder with so many special guests at the party.

Bluesdoodles gives this CD NINE pawprint half inchdoodle paws out of TEN ….

Dr Z Presents Super Sonic Blues Machine – West Of Flushing South of Frisco – out 26th February on Mascot Label Group

Track Listing

1. Miracle Man
2. I Ain’t Falling Again
3. Running Whiskey (Feat Billy F Gibbons)
4. Remedy (Feat Warren Haynes)
5. Bone Bucket Blues
6. Let It Be
7. That’s My Way (Feat. Chris Duarte)
8. Ain’t No Love (In The Heart of The City)
9. Nightmares and Dreams (Feat Eric Gales)
10. Can’t Take It No More (Feat Walter Trout)
11. Whiskey Time (Running Whiskey’s extended ending)
12. Let’s Call It A Day (Feat Robben Ford)
13. Watchagonnado

Supersonic Blues Machine – The Remedy (Lyric video) feat. Warren Haynes

Supersonic Blues Machine announces Debut Album

Dr Z

Supersonic Blues Machine
Release debut album

‘West of Flushing South of Frisco’
Out via Provogue/Mascot Label Group

on 26th February 2016

Featuring: Billy F. Gibbons, Warren Haynes, Chris Duarte, Eric Gales,

Walter Trout & Robben Ford

At the heart of it is Bassist/Producer Fabrizio Grossi, Guitarist/singer Lance Lopez and drummer Kenny Aronoff as well as a host of guest of the highest calibre; ZZ Top’s Billy F. Gibbons, Warren Haynes (Gov’t Mule/Allman Bros Band), Chris Duarte, Eric Gales, Walter Trout and Robben Ford.

Listen and enjoy – ‘I Ain’t Falling Again’ here:

FREE download 


It happened in 2012, Texan guitarist-singer-songwriter Lance Lopez was planning a visit to Los Angeles to record a new album and producer Fabrizio Grossi suggested they hook up and work on some ideas. The following whirlwind day and a half in the studio resulted in three songs which became the foundation of an exciting new project before they knew it. With a prolific career as a producer, mixer and bass player Fabrizio has worked with some of the finest musicians around today pulling into an array of eclectic styles, from Steve Vai to Tina Arena, Nina Hagen to Alice Cooper as well as Glenn Hughes, Joe Bonamassa, Leslie West, Zakk Wylde, the list is endless.

Supersonic Blues Machine isn’t just a band; it’s a mood, a comradeship, a melting pot of ideas with like-minded people bringing their own unique talents to create something with feeling that is very organic. “I was thinking of all the people we know and thought, how about putting together something like The Who or The Rolling Stones used to do in the early 70s” he adds, “they would put together a record and bring all of their friends on board, I thought that would be cool. Bringing back the spirit of camaraderie between musicians.”

Before the name, before the album, entwined circles of friendship and respect began cooking up the music storm that was to become Supersonic Blues Machine.
Before Supersonic Blues Machine even existed as it is, the seeds began to be sewn from a hook up with Billy F. Gibbons, “I was telling Billy about my work with Lance” explains Fabrizio before excitedly adding the ZZ Top legends response was “‘Oh, you know Lance? He’s fantastic, I’ve known him since he was a little kid, you two should seriously consider working on something together.’” Add into the mix drummer Kenny Aronoff thanks to Toto’s Steve Lukather. Aronoff brought with him the experience of working with a huge collection of artists such as John Mellencamp, Smashing Pumpkins, Meat Loaf, Brandon Flowers, John Fogerty, Red Hot Chili Peppers and Joe Cocker amongst a host of others.

Debut album West of Flushing, South of Frisco is a sprawling and emotional journey that has an emphasis on peace, hope, forgiveness and empowerment. Grossi said, “We could have done a record that was jam-packed of famously random guests, but we didn’t want to do that that’s not the idea.”

Sneak a peak with this album trailer…

More friends started to feel the vibe; with tracks being added featuring the wealth of talent among friends. Warren Haynes, Gov’t Mule main man and former Allman Brothers Band, features on Remedy. , and next up was guitarist Warren Haynes. Then joining the mix Tennessee guitar virtuoso Eric Gales can turn his hand to dazzling effect to a number of genres and the pair first worked together with funk father George Clinton on a cover of Hendrix Voodoo Child back in 2001. Playing on the album Nightmares And Dreams.

Eric long time fan of Walter Trout contacted Marie after his liver transplant and was back playing guitar do you fancy joining in the fun. I said ‘hey Marie, I’m doing this thing, and I would really like to see if we could get Walter to play with us.’” Within 5 mins, Walter called back and said “are you fucking shitting me, I’ll bring the guitar.” A few months later they were in the studio recording Can’t Take it No More.

Chris Duarte has been friends with Lance with a long time and started to show interest in working with the Supersonic family and immediately started sending ideas to and forth with the others which became That’s My Way. When it came to subtle jazz-rock maestro Robben Ford, who collaborated on Let’s Call It A Day the final piece slotted it magnificently.

The winding exploration through the album takes you through different emotions, themes and tones and when Lance himself takes on the lead vocals some of those are profound and some are pure foot to the floor stomp from the bar room rocking of Bone Bucket Blues to the opener Miracle Man which is a twist on the theme from Beyoncé’s Single Ladies and the even more sad “Gold-digger/Free loaders” attitude fortified by Reality trends TV shows. “If you read between the lines, the stereotype: the guy is the dog and the girl gets the short end of the stick, but that isn’t always the case, especially in LA, where there’s a lot of great decent guys out there where but, one has ever given these guys a voice…well we just did, in our “gospelly” type of way.”

The album has moments that come from a dark place and a very personal part of Fabrizio life, he lost his birth mother aged 11 and was growing resentful of God and all related to him. “Around 15-16, I got curious and involved with readings about Aleister Crowley ,The Golden Dawn , Magic or sort, he offers, “then weird things started happening which affected me quite a bit. Even though the whole “dark” infatuation, phased out by the time I was 18/19, it took me a really long time to get rid of the negative vision of matters” and it was this that fed into I Ain’t Falling. Let It Be is about the power of forgiveness and regardless of what an individuals’ background is.

Album closer Whatchagonnado is about what Jesus would say if he came back around and talked to people right now. “We’re not a Christian band, we don’t endorse any specific belief, other than what works for you” asserts Fabrizio, “but it seems that everybody embraces this figure and builds his own agenda with it, but how would Jesus really react if he would come back and see all of his teaching twisted around? And we did that with our funky mould.”

West of Flushing, South of Frisco is a reminder of an era that embraced collaborations, one that shared a vision and shared moments, both good and hard, one that put every ounce of their experiences into it, its bleeds emotion but is an uplifting and powerful listen. Now that the Supersonic Blues Machine has begun its journey, there’s a lot more to experience from it.

Photo taken in North Hollywood at Uncommon Studios on 03/26/15.
Photo taken in North Hollywood at Uncommon Studios on 03/26/15.

West of Flushing, South of Frisco – Track Listing
1. Miracle Man
2. I Ain’t Fallin’ Again
3. Running Whiskey (Feat. Billy F. Gibbons)
4. Remedy (Feat. Warren Haynes)
5. Bone Bucket Blues
6. Let It Be
7. That’s My Way (Feat. Chris Duarte)
8. Ain’t No Love (In The Heart Of The City)
9. Nightmares And Dreams (Feat. Eric Gales)
10. Can’t Take It No More (Feat. Walter Trout)
11. Whiskey Time (Running Whiskey’s extended ending)
12. Let’s Call It A Day (Feat. Robben Ford)
13. Watchagonnado

Free download of ‘I Ain’t Falling Again’ HERE: