Sonny Landreth New Album Recorded Live in Lafayette
Sonny Landreth, back with his first live album for twelve years. A double CD; part acoustic/ part electric Recorded Live in Lafeyette is a gem. This is most definitely a two-set celebration of bottle-neck guitar; Landreth style, interaction of his band of long-time cohorts is just what his phalanx of fans have been asking for. With sixteen carefully selected tunes reflecting his musical career with the added energy of being recorded live across three nights and co-produced with Tony Daigle.
Opening with Blues Attack, rearranged for this acoustic offering the title track from his debut album gets the mood going and your ear hooked into the sound blues coloured in with Louisiana creole. ’ “It gives you a chance to explore those songs in a different way,” Landreth says, describing the textures created by the intersection of Dave Ranson’s ukulele bass, Brian Brignac’s cajón, Steve Conn’s accordion and Sam Broussard’s acoustic guitar. “The familiarity is there,” he adds, “but I also wanted to turn those guys loose as much as possible.” From the first note to the last this is a band having fun enjoying the music and painting through the notes a warm atmosphere of foot-tapping, dancing music.
The album seamlessly moves on to Hello Home. The music has that all-encompassing feel of a safe harbor soothing the soul with the many extended instrumental breaks. Never power-driven lead breaks but beautifully structured interludes between the lyrics. Throughout the album the applause is genuine, the cheers real this is live music every audience at the venue or through the speakers will find solace in the crafted slide guitar with its percussive shaping weaving through cajón, accordion music that is infectious.
With a percussive jolt, sharp acoustic and Sonny’s vocals we enter the world of the Creole Angel. The beat is relentless, demanding attention as Steve Conn’s accordion joins the party. Now we have the Creole tempo, textures and tones urging you to smile, clap and dance to the music with an exuberant vibe. The album is led by the instrumentation with the vocals adding another tone as the tempo and changing the mood. The blues is cold and determined as acoustically Sonny explores Bound By The Blues, with a holler and a cry we cross seas, hear names of bluesmen united by the musical form.
The U.S.S Zydecoldsmobile a perennial live favourite is unplugged, full of driving force at Live at LaFayette. The guitar work has an energy that is Landreth’s trademark always exciting and entertaining as blues is shaken and stirred up with the warmth of Creole spice and rooted in quality.
The second set, the guitars are plugged in electric and duel as we hear the other side. The guitar has a purity, sharp-edged as True Blue is explored the sparks of the six electric strings sparking off the vocals. Ümbresso tempo is fast with a distortion that adds a dangerous element; always in control nothing is overdone as the sonic sounds pours from the speakers and you are immersed into the instrumental you are in the room with Landreth.
A click of the drumsticks, hill country blues tones are fresh as we are striding out with Walkin’ Blues. Closing out with high-stepping accordion, this is fun as Sonny sings about the One and Only Truth or mama’s philosophy, having fun with life , this closing track certainly has the crowd cheering. Who can resist dancing to the foot tapping infectious beat.
The perfect time for the project as Landreth found himself at one of life’s inevitable crossroads. The result is ninety-three minutes of music heaven, smooth, warm and spiced up with clever licks and breaks to keep the listening ear totally engaged.
A weekend that was crammed with delights for your taste buds and musical ear and the weather was kind. Whether you like a hot cup of tea, a summer fruity jug of Pimms or real ale and cider the liquid refreshment was available on tap and consumed with relish by the number of empty barrels by late Sunday evening. The food was varied from falafel and all things veggie, curries chips and hog roast all served with a smile and provided a tasty appetizer between the music shows; then there were the hot sweet freshly cooked doughnuts to be dipped in sugar or cinnamon not licking your lips between the bites was impossible! Face painting and henna art were enjoyed by adults and children alike! Then at this friendly festival there was the music with so many highlights and acts that hit the spot it seems a tad unfair to select a few but they were the sparklers and cherries that stood out of the cocktail of delights that Julian and his team had artfully blended to form Blues On The Farm 2015. Friday was full of shows that just prove the diversity and depth of British Blues for me it had to be The Jar Family they add that dimension that make festivals fizz and sparkle closely followed by Layla Zoe, The Hoax and the final special moment the firework lighting up the sky Mud Morganfield and his authentic blues. The sparkle in Saturdays cocktail definitely shaken rather than stirred was Kaz Hawkins and her Band O’ Men and Sunday’s it had to be that act with a difference with fire in its cocktail mix Rodney Brannigan & John Pointer where beat box meets acoustic with a novelty trick or two thrown in. We are now counting down to the 25th Blues on The Farm 2016.
From Thursday evening through to Sunday night, the weather stayed fine, the sun shone, people had fun, food was enjoyed and the beer and Pimms flowed what more do you need to make everything perfect quality live music and that we all had with the twenty live acts and a drum workshop it was a full festival banquet.
Opening the event were two fine bands that got the crowds in the mood and the campers full of party spirit, with the surprise of an impromptu guest singer when Jo Harman joined Kokomo on stage. Friday afternoon the crowds swelled as the award of a Friday afternoon away from the office were rewarded by a talented young band Stark who a put the electric into rocky blues with a different way of playing the resonator and arrangements of classics including some Blind Willie Jefferson. They were fun and entertaining a young band with lots to offer. As ever this is the festival that rings the changes no band is ever the same as the rest on the set, with a quick sound check and the ever superb sound and lighting men had the stage ready for a five piece Owen and the Mockingbirds they knew how to entertain with their country blues with self-penned numbers that, despite at times lacking that magic that makes them different, the appreciative crowd enjoyed this knowing that the choice of beers and cider to be tasted throughout the weekend and then the lure of yummy doughnut rings would provide entertaining accompaniment.
Returning again this year following a successful debut at the festival in 2015 The Jar Family built up the tempo and added their unique, eclectic mix of folk, roots and a touch of Hartlepool Americana shaped into their music, which they call Industrial Folk. They certainly didn’t disappoint they were very good last year but the excelled in 2015, a team of six men make the jar full of music that fills the marquee, across the field and into the campsite beckoning everyone to get up dance, smile and enjoy this band that adds a spark to any festival. They delivered a spellbinding set as they all took turns to lead sharing vocal duties with their fine tuneful voices and songs that reflect the experiences of life of folk today, they took the roof off the marquee and no wonder an encore was screamed for and they happily obliged, as they left the stage the whole festival wished Lee a happy wedding day on the Saturday. How was Julian going to follow that act, easy for a man who has planned festivals for twenty-four years he follows up with three headline acts in a row, Layla Zoe; The Hoax and Mud Morganfield who just kept raising the excitement of the festival. Layla Zoe knows how to pull the crowd in close she has a voice that is full of emotion mirroring the drama she brings to the stage with her flowing hair and raunchy approach to her interaction with her guitarist and all the good things musically, the rhythm section is solid and the guitars solos were pure delight; she showcased her latest album Live At Spirit 66 and The Lily was a special moment in the set but the real tingling on the back of the neck was her a Capella encore of The Beatles Let It Be; follow that The Hoax. They certainly did returning once again to the farm having first performed at Pump Farm twenty-two years ago we were all so much younger then. The group is as popular today when they play a few special gigs when they can all get together. Jesse’s guitar work is sublime with Jon to match at the other side of the stage and Hugh as the frontman still draws our attention. They are still a British Blues super group the tent was crammed and the fans up front were transfixed as they sang along to every lyric they played our favourites and raised the roof with Feeding Time, Gimme A Drink and Shine On were mesmerising as the music cascaded up and down your spine they have the Hoax effect on audiences every time they step onto the stage. The sky was darkening as midsummer sun set on closing this night of festival delight was Mud Morganfield, with his authentic Chicago Blues sound, close your eyes and it is his father the great Muddy Waters on the stage. Leaving you wanting more and already wanting more music tomorrow beckons with another line-up of delights.
Beer tent visited another ale sampled and Idlewood a young band with loads of potential got the blues tempo underway. There self-penned numbers showed the power of harmonising and had a British pop blues feel that certainly had a pleasing tone. The tempo was raised with a Memphis/Detroit take on the blues when Ricky Cool and the In Crowd stepped up onto the stage. They delivered an accomplished set of rock n’ roll with the twin sax and the hint of swing this was Saturday afternoon dance and party time as we heard some Booker T and so much more. Following the opening acts the vibe was good as the quartet of acts to follow beckoned, the first of this lucky four-leaf clover of blues was the effervescent Sam Kelly’s Station House. They are always a welcome sight on the stage and a pleasing cocktail of free-form eclectic music that stirs you from the sole of your feet to the top of the head. The whole set was perfect for a Saturday afternoon with a twist of funk; a dollop of bleggae and the delight of listening to a quintet of musicians who just love to play the music that sets them on fire. Spy on bass is the smartest player and Sam on drums kicks the band into action their version of Pink Floyd’s Breathe captivated and I Shot The sheriff was fun come back soon you are welcome every time to this friendly festival. Now we have some heavy blues guitar delivered with attitude Ben Poole strode on to stage and let his guitar do the talking, raising the volume and clear any cobwebs we had. Hey Joe is definitely his festival piece with the intriguing intro, you recognise then as you pinpoint the tune he launches into a full assault making this Hendrix number his own.
Who could follow that high voltage performance well a lady from Belfast could and did the one and only Kaz Hawkins & Her Band O Men. This is a high energy live act that focusses around the power and delivery of Kaz’s vocals with the added swish of petticoats, stomp of her bright red boots; on top of all that she can play guitar. None of this would be possible without the skill of her band O Men who play to her tune with skill and make sure they are keeping up with her random approach to her show. She has stage presence nay stage domination she is a flash of polka dot whose voice sings the blues with a gruffness, gospel with clarity and her rendition of Nina Simone’s Feelin’ Good the second of the festival was for me the best I have ever heard. The croThe crowd at times were rowdy but she dealt with them there is a no-nonsense approach to Kaz when singing her music and dealing with fools in the crowd, if you missed her this weekend check out the act and get to see her soon; closing with Etta James’ I Just Want To Make Love To You we were in heaven and wanted more. There was more music, this was time to refresh yourselves, put on your dancing shoes as the stage was set for The Jive Aces; a band coordinated in eye-catching yellow they swung into action with some jive and rock n’ roll numbers that were the perfect finale to party Saturday night away.
With a few hours’ sleep it was all too soon the final day many friends met and new friends made it was time for the music opening with Malaya Blue who coincided opening the last day of the festival with the launch of her single Hope from her forthcoming album. Following up from Bourbon Street, Malaya’s approach to the blues is very different form the energy charged approach of the two power divas Layla and Kaz. Malaya’s approach is gentler more constrained and it is fantastic to have three women heading talented bands one each day for the festival; this set-up is fairly new and building their presence on the circuit which will surely grow as we get to know Malaya’s brand of blues with soul. The next band, The Cajun Roosters, drew the audience away from the sun and into the stage area to hear Louisiana Cajun based music, with fiddle and squeeze box this was sunny afternoon music you have to dance and smile as the beat with its infectious quality as much of the set was sung in French patois. Now newt was something completely different, a duo of Rodney Brannigan and John Pointer. Rodney has entertained this festival before and today accompanied by a fellow Texan he added more to the always entertaining event. There was everything in the set some great acoustic guitar with the addition of percussive fingerstyle guitar pioneered by Michael Hedges, which captivated everyone listening this afternoon. The Stomp box was huge, the beat box was a stylish and the mix of instruments changed with a blink of an eyelid. This was a complex act for any sound desk with twenty-seven inputs but nothing phases BOTF who are never afraid to book acts that stretch your boundaries and delight every time . Closing the imaginative set with his trademark playing two guitars at the same time Rodney once again delivered what a festival needs some excitement this certainly pleased the crowds with its originality, energy and skills. Phew after that you need to draw breath and before you know it Champion Doug Veitch changed the groove again with a mix of Cajun swing with a brass section which added energy and that unique musical range. We saw some country dancing as the audience enthusiastically joined in with the musical delights, a real feel-good band playing music they love with the audience warming to the show with every song delivered. With just two bands left on the longest day that coincided with Father’s Day there were lots of happy people who were delighted to dance and join in the fun as Brilleaux from New Zealand delivered Dr Feelgood style music much of which were self-penned. In between they played some great early British R ‘n’ B from Yardbirds to Billy Fury. This was a crowd pleasing high energy set and the delight of the band and many of the audience was when John Potter key board player in bands with WilKo Johnson including Solid Sender, Wilko Johnson Band adding some authentic 1960’s vibe. This was a real festival moment that everyone present will remember for a long time leaving Brothers Groove to close this 24th Blues On The Farm Festival. This was the perfect set to bring a blues festival to a cheering, barnstorming close leaving everyone wanting more music and countdown to the twenty-fifth anniversary Blues on The Farm Festival; with Julian asking if we had any bands we want to hear next year, let him know and they will be considered!
Troy Redfern Band
This is an exciting album from Troy Redfern Band that is not afraid to experiment while still delivering the shape of quality rocking blues with attitude and slide guitar that rips through the soul. This is an album delivered by a band that means business they want you to sit up and listen and this is achieved from the first lick delivered on the opening track, It Stacks the feet are in tune with the music and the ears are in heaven with some delicious slide guitar then you have the blast of vocals from Troy this certainly gets the blood racing. The tone of the album shapes itself around the skills of Troy who fronts the band he is able to deliver this electric fizzing music with the support of a rhythm section of Stuart McDonald, Bass and Phil Greenhouse, Drums; they stabilise the sound and at the same time add swirls of tones, depths and contours. See You On the Other Side is perfect music for any party especially as you approach midnight on New Year’s Eve as the other side is a whole New Year. The band on the album has captured a live sound there is something wild and dangerous about the music that draws you in; at times he reminds me of Gwyn Ashton in his approach, but above all this is a band that plays its own music showcasing Troy’s writing and producing skills on this album that you will want to listen to again and again.
This is an album stepped and shaped by the blues but bringing a fresh original beat to the party as seen on Lions of Zion and in all the rocking tracks there is a rawness that is intoxicating, the highlights are definitely Salvation, War Cry, Backdoor Hoodoo and Running With The Ghosts. This is a band to look out for in 2015 and in the meantime enjoy the CD and the musicianship from Troy Redfern and his band as he delivers music full of authenticity you like high-octane rock driven blues with twists from ZZ Top then you will really enjoy the sound but never expect tame from this talented trio.
Bluesdoodles gives this CD SEVEN doodle paws out of TEN ….