Rise & Shine With SIMO Taking Us In A New Direction

Rise & Shine With SIMO Taking Us In A New Direction

Rise & Shine With SIMO
Taking Us In A New Direction

 

 

Rise & Shine With SIMO Taking Us In A New Direction, from the first click of the fingers, a boom of the drum and sonic guitar you are taken to a different place that their previous releases have never been or brave enough to take us.  The previous critically acclaimed album Let Love Show the Way was retro, accessible and familiar. Get ready to be amazed, aurally challenged and delighted on the album that is in two words summed up as Superb Experimental.

This is an album that is personal, spiritual and encompasses lyrics that at times hurt when you take in the message. But we can relate to them we have all travelled to that stony place JD Simo is describing in many of the songs.

Return is a track that absorbs, starkly crafted around a vocal that is strong in its frailty. This is about sinking into yourself without being aware of the effect on other people and reality becomes a stranger. Lyrics fuelled for a blues inspired song. Not this time a contemporary twisted shape with space to consider the sonics and words. Full of funk with a rawness that burns. There are echoes of other musicians Prince, Beck and others; this is SIMO reaching out and creating a new musical pathway of their own. A powerful number that leaves you wondering where has this new style come from? The guitar moans and groans as JD is almost crooning to himself as we just want to enjoy this new sound; learn it understand it and embrace it. So let’s Rise up and listen to a highly original album as JD says ‘Let It Shine’.

They laid down an intriguing gauntlet with the opening track. How to follow that. We are taken to a trance-like state as we join SIMO in the Meditation zone. This is not a silent space, the mysticism is ever present in tone, the awareness of self is absorbed into the driving beat. The beat that ignites your inner happiness and connects to your feet that want to get up and dance.  The album is slippery to grab hold of. It is mercurial, enticing and slightly dangerous, the sonic shape reinvents itself for every track. The tracks are linked together by personal experience, hurt, haunting and anger. They are linked by the authority of JD’s vocals and his guitar just screams and twists around the strings for attention, the deep bass lines of Elad Shapiro,  and crisp impassioned drumming of Adam Abrashoff on the beat shaping the depths of the sonic landscape created on Rise and Shine

We are taken into a slightly wild place with shine, fast curling beats auditory delights are created by a trio that embrace change and experiment without ever losing the strength of melody. JD’s vocals provide a clarion call on Shine.  Space and time continuum changes with I Want love. The sonics fade and the vocals and guitar take the lead role for your attention as JD plaintively sings I Want Love. A soul ballad that grows and grows with every note that is sung as we are taken on a soulful, smoky emotional journey. I Want Love.

All change as The Climb starts with a rock infused predominately instrumental full of shifting multi-hued coloured sands of psychedelia. Vocals are sparse spoken as they quote from JF Kennedy “Our most basic common link is that we all inhabit the same planet” becoming another instrument added to the wild experimental mix. Music of darkness and light as we Rise and Shine in the company of SIMO on their aural journey.

The mood changes with the bluesiest number, Light The Candle.  The Sonics are measured and would be recognised as a blues driven sound by Howlin’ Wolf. This is blues for today different full of structure, sharp edges a harshness of modernity delivered by the instruments over the lyrics of JD. The Whoo Hoo of his vocals are straight out of the lexicon of blues sounds, whilst defying like the rest of the album to be captured within one industrial genre.

The album is masterful every track has a sense of purpose and direction. Listen to the whole album the numbers will cascade you into an aural wonderland. A theme park full of sonic adventures. Closing out the album with I Pray. Just over thirteen minutes where you are captivated in the land of SIMO. Starting off with measured, simple sounds and JD intones a prayer. A prayer that is a manifesto of a better more tolerant understanding world where we embrace difference. The track is progressive, full of rock and so much more. Thought provoking. Identifying the oppressed, addicted and those living under tyranny. It covers every issue the world is struggling with from climate change to social ills. The words have a message it is formidable. The music is structured each note and space is there for a reason. What a brilliant close for a brilliant album you want the licks, riffs and rounds of music to go on and on taking to a better place to Rise and Shine.

The sound comes from a trio of musicians that do not want to be contained in retro, repeating what others have done before. They want to produce their best music. Full of interpretations of the sounds the instruments take them as they explore the lyrics. The album had a long gestation as they toured relentlessly throughout 2017 to a point beyond exhaustion they found creativity.  The mutual understanding between the trio of musicians has made Rise and Shine a musical experimentation full of chemistry, harmonies bound in the heart of any song lyrics with something to say. Rise and Shine with SIMO and great a new day with the exciting new direction you will want to travel. Rise and Shine a real contender for my album of 2017. The album can be reviewed in one word EXCEPTIONAL!

Rise & Shine – SIMOProvogue/Mascot Label Group

Out 15th September 2017

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Return
  2. Meditation
  3. Shine
  4. People Say
  5. Don’t Waste Time
  6. I Want Love
  7. The Climb
  8. Light The Candle
  9. Be With You
  10. The Light
  11. I Pray

Rise & Shine With SIMO Taking Us In A New DirectionRise & Shine With SIMO Taking Us In A New DirectionRise & Shine With SIMO Taking Us In A New Direction

Rise and Shine with SIMO Forthcoming Album

Rise and Shine with SIMO Forthcoming Album

 

SIMO RETURN WITH NEW ALBUM ‘RISE AND SHINE’

OUT SEPTEMBER 15TH VIA PROVOGUE/MASCOT LABEL GROUP

Watch the video for People Say here

 

Nashville trio SIMO widen their sound with slow-smoked soul ballads, psychedelic desert-rock instrumentals, hard-edged, bluesy barn burners and Stax-worthy funk rockers.

“Phenomenal” The Independent

Simo’s future looks so bright that the trio needs shades” Classic Rock

“Raw and brimming with Mojo” Guitar & Bass

“An incendiary talent” Powerplay

Bluesdoodles  talked to SIMO last year We asked about follow-up album to Let Love Show The Way. JD said “We have started work on next record actually started several months ago. We are doing the album in little phases. This is a different approach from previously and will be a different type of album putting it together over long period of time. We are about a quarter way through the process”.   Read More…..

Rise & Shine took shape as they toured throughout 2016 playing 215 show. The trio on stage are a firework display of energy and musical style lead by  frontman JD Simo; drummer Adam Abrashoff; and bassist Elad Shapiro. Touring across nine countries was inspirational SIMO hashing out chord changes in hotel rooms and tweaking song arrangements during soundcheck. It was a time of growth and self-improvement for everyone, and they became better friends, better musicians, and better people. At the same time, the outside world was changing. Political pundits were screaming at one another. Elections were pitting candidate against candidate, party against party, neighbour against neighbour. The need to write music that truly meant something — music that not only demonstrated the band’s explosive chops, but also sent a clear message — was greater than ever.

Rise and Shine with SIMO Forthcoming Album blurs the lines across genres as they look to future understanding the past influences whilst creating new contemporary sound. “If you go through my record collection and look at the more contemporary titles,” JD explains, “you’ll see the Roots, Wilco, Alabama Shakes, and Ryan Adams. I listen to a lot of old soul music, too. Isaac Hayes. Funkadelic. Bob Dylan. On Rise & Shine, I was just trying to cull from the vastness that is my normal music diet, and not trying to pander to some target that was easy to hit.”

Rise and Shine with SIMO Forthcoming Album was slowly  recorded working long hours moving at their own deliberate pace. “There was a lot more sonic experimentation going on,” remembers Adam. “Every track has a different sonic imprint,” JD adds. “We took great care to make each track’s sonic identity match the mood of the song. Even though that meant starting from scratch every day with how the studio was setup.”

A former session guitarist who’s played on nearly 500 albums, JD didn’t take Rise & Shine’s lengthy creation process for granted. “I’ve never worked on a record that took this long to record,” he adds. “I was so grateful to have that opportunity.”

Rise and Shine with SIMO Forthcoming Album is the band’s most expansive album to date — the work of a band at its curious, adventurous peak.

 

CATCH SIMO AT THE BORDERLINE, LONDON ON SEPTEMBER 26TH

Pre-order Rise & Shine HERE

In Conversation with Guitarist JD Simo

 In Conversation with Guitarist JD Simo

In Conversation with Guitarist JD Simo

 

 

 

BD: I was delighted when Mascot Label asked us to review your latest album Let Love Show You The Way.  It is an album full of twists and turns and luscious tones. In other words enjoyed the album very much.

 

BD: What were your first musical influences growing up in Chicago?
JD Simo:
Early influence was Rock n’ Roll, Elvis Presley, Chuck Berry and Little Richard. Heard Elvis and fell in love with his music and the Family Tree of music leads up to him and then all the music after him. Went on exploring music after the initial influences.
American music Hillbilly Country and Country are a melding of working class black and white, a co-mingling of styles. Gospel and Rn’B are inter-related. Back in the 50’s lines between genres were blurred, listen to music including  Hank Williams, Fats Domino, Howlin’ Wolf listen and the similarities are working class primeval places.
BD: Genres have become fixed putting musicians into categories.

JD Simo: I understand the need in a commercial environment. There needs to be high levels of brand recognition so that the consumers know what they are letting themselves in for.  All of us in the band do not mind at all being associated with the blues. Blues is a big foundation of our music, but we don’t really play the blues live. Feel embarrassed in the respect of the art form as I feel we are not representative of blues and what is being said about us. We are a Rock, Rock n’Roll band to our core.

BD: In the preamble Joe Bonamassa has quoted you JD as one of the best around. Quite a recommendation how does that add to the pressure?

JD Simo: Not added pressure, just grateful that he has been so kind. Joe has been a good friend of mine for a while, love him as a friend. It goes deeper than just a friendship. Compliments are always good from others, in fact, make me feel bashful with all the kindness and grateful. The pressure, we put that on ourselves, pressure to do better tonight and the next night.

BD: Having reviewed the Album, can you tell us about recording in the Big House and the inspiration behind Let Love Show The Way

JD Simo: Incredible experience, it was all haphazard just happened. We went with intention of just doing a couple of bonus tracks that the label, mascot wanted. The rest of the album was already recorded. I have friends involved with Allman Brothers so seemed to be a good place to record Macon Georgia. As a session musician I’m not that keen on recording in a studio and like to record in different spaces, quirky places. We had two days set aside. I have found that essentially the recording process is either fast or slow and not many points in-between. So a truck load of equipment arrived from Nashville. All worked perfectly and after an hour we had the bonus tracks recorded and had the extra time to fill so just kept working and then eight, nine, ten tracks were cut and usable. We just repeated the whole process the next day and left feeling really good but reserving judgment until starting mixing after we finished a bunch of shows. So mixed 2/3 songs really happy with them so decided with the engineer to keep mixing result a better album than the one we already had! Now with new running order sent off to Mascot – they agreed.  Yes, we were inspired didn’t go with idea of making a record. Core was raw a jamming feel we are a bit of a schizophrenic group.  We mix tightly constructed songs around three minutes including Please and I Lied, these are concise songs. Others are vehicles for improvisation when playing live and recording, We enjoy doing both. The mix jam and structured songs bring a balance we love them both and gives records a balanced feel keep trying to achieve this on the next record as well.

BD: Everyone is always interested in guitars what are your preferred set-ups plus the obvious thrill it must have been playing Duane Allman’s 1957 Goldtop

JD Simo: Guitar set-up is minimal. I do not have a complicated rig – no pedals just plug straight into the amp. I have a great love of vintage equipment it is a passion and a hobby. Old Gibson electric is my main guitar and 1960’s Fender/Marshall amps. For me, this gives a clear sound not muddled in the way of playing. Leave it to the hands to decide what to do, treat it like a voice you sing straight into a microphone. It’s pure that is what I am trying to accomplish.

Playing Duane Allman’s Goldtop was a thrill all that history. I am friends with the gentleman who owns it and have used it multiple times, on display in the museum in Macon.  I was told I was welcome to use it what an honour, especially in that environment the Old House and old guitar. It is definitely one of those career moments you will always look back on and say Wow!

It is amazing that Duane is so well remembered not just in America but over here as well, the biggest pity is he never got to see the success. Allman’s were playing in front of fifty or so people in colleges and less in clubs often only around fifteen.  Filmore’s was the exception and being on big bills at a handful of festivals. He never experienced the full wack of all the hard work. Boy did the Allman’s work hard and then Duane was taken. When he passed in 1972 Allman’s then started to headline he missed the success by a matter of months a real shame.

Being a new group getting established equates  to the amount of hard work takes will play a lot and not sleep you have to be rigorous playing lots shows so climb to the point where people are aware of you. Nothing has really changed, it’s the same process. I am grateful people take time to listen, review, interview us and come to our shows it keeps the momentum building.

BD: I have always been interested in the lyrics of a song. Where do you get your inspiration for your songwriting?

JD Simo: All very personal. I Lied is me talking about not feeling very comfortable admitting when something is wrong. Expressing something that troubles me can do it in a song. Pulled a couple passages from Allen Ginsberg around his love of Jack Kerouac – being a man who is frightened not clear but the spoken phrasing encapsulates the inner madness and not having the acumen to do it. Then I’ll Always be Around is not a romantic song, but about a very close friendship coming to an end. There are also ethereal songs I’d Rather Die In Vain internal struggle of not letting negative side of one’s thoughts. One thing to be positive but often easier to yield to the more negative side. Internal struggle not always been easy. Songs have to be real not a penchant with something made-up. Normally I have to express a reality. Easier through songs than the spoken word.

BD: Having talked about guitars and lyrics do you consider yourself as a guitarist first, vocalist second or they equally important

JD Simo:  Always be a guitarist. Older I get the vocals become more important. People including me respond to the singer more than another instrument. The voice conveys the emotion in every song, so I get to express myself. Analogy of a guitarist or any instruments use it as a shield to express, it is what you hide behind. When you sing you have nothing raw as ever but nothing to hide behind. Taken long time to feel confident. Gratifying as no purer way to express yourself. With an instrument all the notes are right where you left them. Whereas the human voice is not like that, it is more temperamental, every night it is different. Depending on what you have eaten, how much talking on a daily basis the voice changes, how you express yourself with the voice is most human.

BD I am sure you have many plans for 2016 and beyond for SIMO – hope you are going to do a more extensive tour of UK.

JD Simo: We are back in Europe in July and have lots of festivals including Ramblin’ Man and Cornbury in the UK. Then we are back in the fall for extended Planet Rock tour throughout the UK. BD: I hope that includes Wales.

JD Simo: Love to visit there too. Be amazing how recognition of band has grown from first London gig last year then the recent three gigs London. Sheffield and York. Taken aback by the audience it was wonderful lovely that an unknown band was sold out in London and Sheffield. Real thrill to see people queuing to get in. Always been influenced by UK RnB. Thanks to British groups playing the sound was re-energized as beginning to wain in America back in the 60’s. Getting to play in the UK has been very cool and becoming a fan of sausage and mash.

BD: If you were putting together the perfect band with members from across the years (dead or alive) who would you have playing
JD Simo: This is fun….

Drums:  Elvin Jones – Jazz drummer Miles Davies, John Coltrane etc.

Bass: Carl Radle – Derek & the Dominoes, Joe Cocker, Eric Clapton etc.
Guitars:  Daune Allman and of course JD Simo have to be able to play with him on my fantasy band.
Vocals: Steve Winwood – Traffic, Blind Faith etc..

Organ:  Billy Preston
Steve Winwood

Horn Section:
Tenor Sax: King Curtis
Trombone: Tom Malone
Trumpet: Wayne Jackson

Now should I have two drums moment consideration and it was yes so

Second Drums Al Jackson Jnr joins the band drummer at Stax and Booker T drummer.

SIMO – Members: J. D. Simo, (guitar & Vocals) Adam Abrashoff, (Bass), Elad Shapiro (drums).
Albums: Let Love Show The Way, Love, Vol. 1
Genres: Blues-rock, Psychedelic rock, Jazz fusion
Read more about SIMO HERE
Read Bluesdoodles review Let Love Show You The Way HERE

Luscious Music as SIMO play Let Love Show The Way

SIMO Luscious Music as SIMO play Let Love Show The Way

SIMO
Let Love Show The Way
Mascot Label Group

 

The album, Let Love Show The Way full of luscious music hits you with blues that has a new psychedelic texture. SIMO’s version of Stranger Blues, it is exciting vibrant and flows with the swampy mix of guitar that squeals and bends its strings around the heat haze of the Mississippi delta and the combination of melodic and raw vocals.   This is an opening track full of hooks that make you want to hear much more of SIMO. This is a power trio that revolves around an authority mixed with the raw and blue talent that is JD Simo on guitar and vocals.

This is music with a deep blue psyche, bursting with anguish, hurt and life experiences. Lyrics embedded into the heart of the music with the guitar the dominant force as the chords act as the coloration of the moods and emotions expressed. None of this could happen without the balance and deep foundations of a rhythm section that is there in full force thanks to the drumming of Adam Abrashoff that has the capacity to punctuate the shape of the individual tracks and Elad Shapiro’s bass lines are full of tonal depth and energy allowing the guitar to build and soar into the blues stratosphere of an open sky.

Whoever says blues is boring and staid haven’t heard Let Love Show The Way, here SIMO plays the love of blues rooted deep in the musical lexicon continuing to delight with the mixes SIMO add to the Blues party.

Every track is different some are short almost fleeting as on Please which is upbeat with a nod across the Atlantic to The Beatles and upcountry to Motown, with its title not surprising this stomper is indebted to the legacy of Please Please Me. This is no cover but a short and sweet extension reworking the tempo with lyrics for now not the 1960’s! Change of mood texture and tone is what you get with Long May you Sail, this is a raw yearning as the tale of saying Goodbye unfolds. The choice of bounding rhythm and its hints of Celtic rock the roots of many a Southern person back to the Highlands and Islands of Scotland and Ireland is the perfect form for JD Simo’s guitar.

In contrast there are tracks that are much longer I’d Rather Die In Vain, with enthusiastic free form Blues, the guitar is king as JD takes SIMO on a road of musical exploration. The lyrics are darker exploring internal darkness, in contrast with quality guitar work of this calibre. The future is bright with guitarist  like this fronting the band reminiscent of Jimmy Page, yes a long track, is there the danger of the Trio loosing shape and form?… a big no with interludes from Adam and Elad this is class, experimental blues.  The penultimate track Ain’t Doin’ Nothing, is most certainly doing something the guitar is a jam from the Big House Sessions. Jamming is natural to SIMO and the fluidity of the melodic outpourings are mesmerizing. This is progressive blues a big ask of a Trio and it works. How did this track come about was it plane hell no it wasn’t. “it was the start of the 2nd day of recording and Adam and Elad started playing a groove I walked in the room and picked up Duane Allman’s old Goldtop and what you hear is what happened. A Good way to start the day”.  Let Love Show The Way, the first album recorded at Macon, Ga’s Big House – the communal home of the Allman Brothers Band during their late sixties /early 70’s heyday. Finishing as they started with a cover, Please Be With Me a song Cowboy did with Duane not long before he died, as a respect for the location. There is a fragility as the tempo quietens with an acoustic feel. This is a beautiful track to close an album that respects the Blues played by a band that want their voice heard with original thoughts and approach to music rooted in our past.

It is no wonder that JD Simo’s guitar playing has been noticed and considered by Joe Bonamassa as “one of the best out there right now”. This is definitely Southern Blues that excites and is full of modern twist and turns whilst the structure remains firmly rooted in the legacy of blues from the delta. This is a bluesdoodles band to watch out for in 2016 as they have lit the blues touch paper with Let Love show The Way.

Bluesdoodles gives this CD NINE pawprint half inchdoodle paws out of TEN ….

SIMO’s – Let Love Show The Way – out 29th January on Mascot Label Group

Track Listing

1. Stranger Blues
2. Two Timin’ Woman
3. Can’t Say Her Name
4. I Lied
5. Please
6. Long May You Sail
7. I’ll Always Be Around
8. Becky’s Last Occupation
9. I’d Rather Die Vain
10. Today I’m Here
11. Let Love Show The Way
12. Ain’t Doin’ Nothin’ verging on progressive huge ask for a trio…
13. Please Be With Me

They also are visiting UK for some dates in April

Upcoming Shows

5th April – Basement, York
6th April – Greystones, Sheffield
7th April – Barfly, London

Check out the video for Long May You Sail here:

SIMO Releasing new album ‘Let Love Show The Way’

Simo banner

SIMO Releasing new album

29th January 2016 via Provogue/Mascot Label Group

‘Let Love Show The Way’ + Free track download

 

As if creeping from the Southern swamps and mist-soaked cotton fields, SIMO’s “Stranger Blues” is the perfect table setter for the Nashville power trio’s vibrant new LP, Let Love Show the Way, The song is a blueprint for reinvigorating the fusion of jazz improvisation, downhome blues and classic R&B, as well as these genres’ psychedelic Brit Invasion and countrified Southern-rock manifestations. The rest of the record follows suit, a souped-up vehicle transporting the band on a deeply satisfying, off-the-cuff musical journey.
Cut entirely live in full, unbroken takes—vocals and solos included—the sound is primal, sweltering and immediate. “We live and die by the take,” says singer-guitarist JD Simo. “We don’t edit, and if there are overdubs, they’re minimal. I want it to be unaffected and pure. For me, the music that always resonates most is when a performance is captured. That’s what I love, and that’s what we go for.”
The first album ever recorded at Macon, Ga.’s Big House—the communal home of the Allman Brothers Band during their late ‘60s/early ‘70s heyday — Let Love Show the Way finds SIMO not just reveling in the hallowed space’s unique mojo and history, but taking it to a fresh and inspired place. As a musical unit, Simo, his longtime drummer Adam Abrashoff and bassist Elad Shapiro have an undeniable chemistry, taken to even greater heights with JD playing Duane Allman’s 1957 gold-top Les Paul for every track on the record. This is the same six-string heard on the first two Allman Brothers LPs, the same storied guitar that delivered the unforgettable riff on Derek & the Dominoes’ “Layla.” JD is now part of an elite group of artists—including Derek Trucks, Warren Haynes and Wilco’s Nels Cline—who share the rare honor of having wielded this talismanic instrument.

“There’s definitely a magical element to the recording,” Simo says of Let Love Show the Way. “The vibe of the Big House, using Duane’s guitar, plus all the touring we’d done leading up to it, all the refinement of the material on the road—it was a perfect storm.”

Simo – Let Love Show The Way – Album Trailer 29th January 2016 via Provogue/Mascot Label Group (Joe Bonamassa, Black Stone Cherry, Monster Truck, Walter Trout) SIMO went down a storm opening for Walter Trout at The Forum , London not surprising when you hear the swampy infectious blues vibe that rocks.

SIMO  impressed Get Ready To Rock, when they saw the band live: SIMO – St.Moritz Club, London, 23 November 2015 read what Pete Fenestra said HERE

Let Love Show the Way was not planned—results this potent are difficult to script. In fact, when SIMO headed down to Macon, the band had an entirely different set of songs already approved for release by its label, Mascot Label Group—this last-minute trip to the Big House was merely intended to yield a pair of bonus tracks for a deluxe edition. But with engineer Nick Worley at the boards of a stripped-down mobile recording unit, the band caught fire, burning through more than a dozen tracks in less than 48 hours. Once they heard the raw and electrifying intensity of the mixes, they didn’t think twice about abandoning the original plan and rolling with what suddenly felt so right.

“As the producer of the project, I couldn’t live with myself if we didn’t use these songs,” Simo says. “I just felt it was better than anything the band had ever captured—so we decided to scrap the original record and build this new one around everything we recorded at the Big House.”

By the time he was five, JD was begging his parents for a guitar. They obliged, and by age 10—much like his peers Derek Trucks and Joe Bonamassa—he was regularly playing bars backed by older musicians. By 15, he’d dropped out of school, put his own band together and was touring full time. “For six years,” he says, “I just lived in a van and played all over the country and never really had a home.”

When he was 21, JD moved to Nashville, where—after making a living as a session guitarist and moonlighting in bar bands for half a decade—he made an important decision. Though he’d learned much from his experiences as a sideman, the time had come for him to pursue his own muse. He met like minded musician Abrashoff and original SIMO bassist Frank Swart, and they set off on a journey together, hitting the road hard and honing their craft. Eventually, Swart left the band, making way for Shapiro to join on bass. “When we played with him it was so immediate,” JD says. “It was like, ‘Where the hell have you been?’”

While Simo is comfortable with his role as a bandleader, he’s never wanted to be a solo artist. “A band is something very unique and special,” he says. “You’re only as good as the people you surround yourself with. Adam is one of my best friends. He and I have been through the whole scope of the journey so far together. And now, with Elad—who has taken the band to a new level—we truly are a team. We’re brothers.”

Together, they’re an adventurous rock & roll trinity, a thriving creative partnership completed by JD’s combustible guitar playing and soulful vocals, and Let Love Show the Way is a game-changing album from a band in the midst of an evolutionary breakthrough. “I’m a stranger here,” JD belts on the record’s opening salvo, all mysterious swagger and smoky, downhome grit. But for a band with such with such memorable songs, uncommon rapport and awe-inspiring musicality, SIMO can take solace in knowing the line won’t hold true much longer.
You have read but the music says so much more here are two tracks from forthcoming album – Let Love Show The Way

I’ll Always Be Around

Becky’s Last Occupation

SIMOSIMO are:
JD Simo – vocals/guitar
Adam Abrashoff – Drums
Elad Shapiro – Bass

 

 

 

Thanks for staying until the end – here is a free download to appreciate until 29th January 2016 the release date of Let Love Show The Way

 Free Download

Bluesdoodles Reviews Let Love Show The Way – Read HERE