Here We Go says Simpson and Flemons Sing Favourites






Here We Go says Simpson and Flemons Sing Favourites

Here We Go says Simpson and Flemons Sing Favourites

Having heard all of the twelve tracks on the album live in 2016 when Simpson & Flemons visited Cardiff, I was delighted to be able to relive the night of live music once again. In fact, can re-live the experience as often as I like. The only things that are missing the presence of two great musicians and the interesting anecdotes and facts between the numbers giving context and a deeper understanding of the deep roots of the acoustic music being played. All twelve tracks have a purpose and in addition to the new arrangements and musicianship we have the blending, and mixing of British traditional music and blues in many guises and the common heritage of themes, lyrics and melodies the two traditions share.

The twelve tracks that are as they state ever popular to lovers of acoustic music, were recorded live during their sell-out autumn 2015 tour. Simpson and Flemons find a unity as they harmonise what are the common core of roots acoustic music from each side of the Atlantic. They find the common threads that show a deep psyche of roots music in the cultural memories of folk.  Martin Simpson and Dom Flemons champion traditional music that is still relevant and speaking to us today the modern audiences that packed their shows. The people travelled as did their music creating a river of creativity. Opening the album of delights with  Here we go as they pick up instruments and play.  Short Time Come Again No More reflects back across the Atlantic the suffering of the factory workers of the North West as well as those hit by the cotton famine of the American Civil War. A mirror image, re-working of Stephen Foster’s Hard Times Come Again No More it hits the message home hard and the lyrics win through. The instrumentation throughout is fresh, lively with an energy that makes your feet tap and becoming engaged. For many this album will be an introduction to the Quills as part of the multi-instrumentalist repertoire that is Dom Flemons, this pipe-like instrument can be heard on Bulldoze Blues, inspiration for Canned Heat’s Going Up Country this combined with his vocals that have an authority and intensity as he spans the octaves with a purity and a mighty fine holler when required. Combining Martin’s scintillating slide and acoustic finger picking style joining in with Dom’s Quills with a piping call and the percussive bones this is music that sings from the heart deep into your musical DNA. The vocals are full of emotional intensity, yet at the same time, every song has a simplicity letting the words tell that tale of people’s experiences we all recognise today. The mix is enticing with Champagne Charlie re-invigorated and Coalman Blues telling the story full of humour and pathos. Every track has something to say to you the whole album zings with the energy of a live performance with emotions,  and the charm of music delivered with love and care.  All the traditional numbers are arranged by Simpson and Flemons and into the mix is a Flemon’s original Too Long I’ve Been Gone fitting into the mix perfectly.  A definite for your acoustic collection. I recommend close the curtains block out the world, sit back and be absorbed into the music and the power of the lyrics.

Mr Martin Simpson & Mr Dom Flemons – Ever Popular Favourites – Fledgling Records

TEN pawprint half inchdoodle paws out of TEN ….

Track Listing

  1. My Money Never Runs Out
  2. John Hardy
  3. If I Lose
  4. Little Sadie
  5. Pay Day
  6. Short Time Come Again No More
  7. Too Long (!’ve Been Gone)
  8. Bulldoze Blues
  9. Stealin
  10. Champagne Charlie
  11. Coalman Blues
  12. Buckeye Jim