A self-titled debut from Teresa Watson Bandis a clarion call I am back says Teresa in fine voice. Teresa has on her return to the vibrant North East blues scene surrounded herself with musicians that compliment her crushed-velvet vocals; smooth with an edge. Three members of the Groove-a-matics in the mix are guitarist John Whitehill and the rhythm section of bassist John Morgan and Barry Race on Drums. Joining this trio adding the extra tone is her long-standing keyboard player Paul Donaldson on Piano.
The ten tracks of carefully selected songs opens with Come On Mama, Earl Randall/Willie Mitchell number, the melodic cry of the vocals and the determined beat underlying the song works perfectly; a band in harmony. There is from the oft an innate understanding between the musicians as Teresa sings Come To Mamma; with a mix of reflective yearning and a demand I am in charge.
Half-way through the album, Whitehall’s guitar acts as a melodic punctuation for Teresa as Leap of Faith reflects that it has taken self-belief to re-launch her career after a six-year break where she was sorely missed by her fans. Piano opening on Angel Of Montgomery a John Prine number, is the perfect foil of beat and tone for Teresa’s vocals full of yearning drama as the instrumentation grows.
Willie Dixon’s I Just Wanna Make Love To You is often covered and revitalized by this arrangement that suits the style of the band with its driving energy and reflective demands. The blues is strong throughout the album, tinted with soulful phrasing from Teresa Watson. As the album fades away you are left with the warm glowing memory of Need Your Love So Bad, slowly sung with a simplicity. The last number needs no introduction, here sung and played with an elegance that lingers.
Teresa Watson Band, delivers on their debut an album that is full of soulful blues, well sung, with the instrumentation shaped for the vocals. The album will be a welcomed addition for anyone who sees the band live and will via on-line sales increase the profile of a band that plays music that will always be pleasing to the ear.
Wildfire, perfectly captures in a word the burning power of Elles Bailey’s vocals and stage presence as she sings blues that have captured in its blue flame, country, roots and soul. The voice is smoky with textures and tones that pulls out lyrics and coats them in Elles special brand of Bristol fanned Wildfire.
Often the word unique is used when talking about an artist especially on a debut album. In the case of Elles Bailey it is most definitely true. Her blues fuelled sound is lived-in, and is the fortuitous result of a childhood illness. Having recovered from both viral and bacterial pneumonia; her voice at the age of three had changed, leading to her ENT specialist prophetically observing, “If she ever wants to sing, she’ll be a natural blues vocalist!”
Wildfire started out as a demo that she had arranged to cut in Nashville whilst on a family road trip as Elles explained, “You know, ‘when in Rome’ and all that? But what was meant to be just one solitary track took on a life of its own. Before I knew it, boom, we had a whole album!”
Elles has surrounded herself with musicians chosen so that your ears mine through rich veins of blues tones and textures. Using musicians from both sides of the Atlantic, from USA guitarist Brent Mason and Chris Leuzinger, pianist Bobby Wood; and the rhythm combo of bassist Mike Brignardello on bass and Wes Little on drums. We always love some more glitz so joining the Wildfire party legendary Ivor Novello Award-winning songwriter Roger Cook came on board. Once back in the UK adding their depths of musical talents and blending the music into a continuous perfectly woven tapestry are Jonny Henderson on Hammond organ and Joe Wilkins on blistering guitar. Without the skills, oversight and direction from producer Brad Nowell this could have been a fire burning out of control instead we have music that is balanced and sumptuous.
Opening with a howl of guitar conjuring up wilderness, Wild West the scene is set with the title track as blues meets country coming back down the road. What really captures your musical ear is the voice; Elles has an understanding of the lyric taking it slowly, giving the words space and building the tension. The music and lyrics paint a visual picture in your minds-eye creating cinematic music. The winning combination of Bobby’s piano and Jonny’s Hammond soothes the soul as her vocals drop with smoothness of whipped rich cream sharpened with a jolt of citric. The song is wistful and you empathise with the pain she is feeling as the drums beat out the road she has to travel as the perennial question What If I is asked again and again through the track. Leaving you wondering about your past asking your own What If I question.
Half way through the album and the delta slide guitar blues has an outing with Let Me Hear You Scream, again the shaping of the vocals gets the story told and we just want to hear her vocals growl with intent when she sings the title. The tempo rises as if the wind is fanning the fire with Shackles of Love her soulful modulation and backing vocals curl around the instrumentation that she has under total control.
Again, the tones are full of interest country with added values as we check in to Barrel Of Your Gun, starting smooth the vocals harden and the mesmeric qualities of music that is rooted in the blues and flowers free using the qualities of lyrics vocals and musicians she has surrounded herself with. With a tribute to the blues man on Howlin’ Wolf we hear her howl and celebrate the blues in her own way that will become a trademark as her career further establishes itself. The music slows, her vocals sung softly as we have a true blues number with Girl Who Owned The Blues; Elles Bailey already owns her style of blues in her hands, Wildfire is going to win her more. Closing the album out with Time’s A Healer; leaving us with a quiet gentle number reflective and the voice shimmering like a reflection in a pool of silver water. Another picture painted and we want to listen to the album all over again.
The only slight dampening of the flames in the music is that the tempo across the track is fairly similar, perhaps rather than blending the styles as she has in the majority of tracks. Some celebration of soul country and blues so listeners can see the variation and the power of the blending. This minor irritant did nothing to stop me enjoying the dozen tracks. Elles Bailey, has created a debut album that is sassy blues, modern using the rich treasure chest of roots, soul and country to create an album that burns hot and is fresh whilst being hot. This is music that crosses genres because it is excellent. The future of blues in UK is hot and strong with the fiery breath of Elles Bailey singing out to entertain and keep the blues alive. Wildfire, Elles Bailey What a Stunning Voice! Elles Bailey Scorching Debut Album Wildfire is hot with husky vocals blending roots sounds from Blues, country & soul set to be Voice of The Blues.
Elles Bailey – Wildfire – Release date 1st September
Burnt Out Wreck Springs into Action with debut Swallow
There is no doubt that the promise of the debut album from ex Heavy Pettin’s Gary Moat & Burnt Out Wreck, brings a tingle of anticipation. Do not expect a re-run of HP style this is Burnt Out Wreck with its own exciting take on the rock n roll the band want to play and you to love. Scotland’s rock n roll giant Gary Moat steps out from behind the drums and leads the charge on vocals and guitar. Joining Gary are Adrian Dunn and Miles Goodman adding layers of guitar tone, deep riffs and licks that excite. Now we need deep rhythms to build on Gary’s rhythm guitar, from bassist Alex Carmichael and Paul Gray’s drums. Adding another layer of voice to the band are Adrian and Alex on backing vocals.
The music rocks, with attitude and sears through the room turn it up loud, and party rock music, the rock is melodic and the beat infectious. Opening with Burnt Out Wreck, the band laid down its credentials. From the oft the music is British rock full of good time vibes and Gary Moats vocals have bluesy rock contour and at times gives the album an AC/DC feel, is the that a bad thing?.. not in my book. The instrumentation and play between guitars throughout gives the sound a texture that is melodic, gritty and at times with the lightest of touches on other tracks. Next on the Wreck airwaves is Swallow now the music hardens with a dirty grime ridden riff; nothing complicated this is classic rock for good times as you swallow the beverage of choice.
Medusa, where the guitar is blistering hot and not to be mistaken for the other 2010 number of the same name. This is like Burnt Out Wreck a number that is rising from the ashes a Phoenix of a number from the remnants of Mother’s Ruin. Followed by Flames, we are not ever getting burnt by this as the number is solid 70’s classic rock. As the album steps towards the closing number, we slow down after the fist-thumping previous numbers Your Love (Is All I Need) a ballad that belongs on every rock album and will have the audiences singing along. How to follow a ballad; explore the roots of rock, the parent and dip into the blues with Rocking Man. This is blues rock that will get everyone stamping the ground, and partying all night long. Closing with Best Of Your Life, this may not be the best or greatest album, but it will be one you return to with a smile on your face.
Burnt Out Wreck Springs into Action with debut Swallow; the action is good this is rock that puts a spring in any rockers boots.
Prodigiously talented in the studio guitar and vocals melded into a harmonious medley that leads you down deep into the lyrics. (Having seen Ash play live at Skegness this skill is transferred to the stage, his live performance is spellbinding.)
The album is a British blues brotherhood, joining Ash Wilson on Drums and production is his brother Phil Wilson on Drums; taking time out from Laurence Jones drumming duties. Completing the Rhythm section is iconic and instantly recognisable is Roger Inniss. On loan from King King, Bob Fridzema adds the colour and meaty textures of the Hammond and keys. Into the mix for good measure Hoaxes guitarist pops up to engineer the album and join in the fun on The Hitcher. Now we are all introduced sit back and enjoy an explosion of contemporary blues energy combined with the legacy of the sixties and beyond. The music is encapsulated not so much in a Broken Machine but a swirling vortex or a time machine garnering blues tones from across the decades.
Opening with Show Me How To Love You, with this playing skill Ash audiences cheers and whoops of delights will tell you loud and clear. With a fuzzy, chugging opening chords we are drawn through the river mists to the banks of the modern electric Mississippi blues with echoes of the Hoax in the delivery of the vocals from Ash. Followed by an aptly titled number, World’s Gone Crazy, with a swirl of Jagger as he delves into the political backdrop of 2016. The single from the album is the Hammond Drenched rumbling Peace and Love that would fit into a Hoax album neatly with the guitar reminiscent of Jon Amor with a swagger. Now for the title track, what is this Broken Machine? Definitely not the band they are on fire. The cadence of Ash’s vocal changes with standout riff’s that rocks the boat. This is a track that sets down the burning ambition and strength of Ash Wilson and his band. The Hitcher crammed with the sound that makes British interpretation of the Blues such a delightful listening experience. From the first note, Ash Wilson’s guitar joined by Jesse Davey is taking us on a road trip we all want to be part on. This is a quieter more laid back number with the distinctive guitar solo’s this takes back to the sound of crooners and hints of the big band fullness of sound. Like all the music on the album, the songs have a story personal with ghostly memories of hurts, frustrations and joys from the past.
Closing the album with Holding Hands, a sweetest duet between guitar and Hammond. Bob And Ash working in harmony as the heartfelt ballad unfolds. The ballad of damage that never goes away how you are left a broken machine by past experience. There is no doubt the Ash Wilson has a vast amount of skills in the tank of playing the blues and potential to grow.
As a debut album Broken Machine stands out from the crowd. Why? Ash Wilson’s vocals, powerful, gentle, crooning and always as clear as a bell. You expect guitar playing to electrify, percussion on the beat but the vocals make or break many an album. Broken Machine is made by vocals that will always connect and are the extra instrument that blues must have lead breaks however fast and furious do not cut the mustard. Vocals and Lyrics are the winning combination. Added to this is the production which is crisp and the focused intent to take you on a musical journey of blues, contemporary and reflecting styles and textures through the Ash Wilson guitar. Another gem from Superfly Studios.
The eagerly awaited debut album from UK Singer-Songwriter and Guitar Player Ash Wilson, Broken Machine. One listen to the single Peace and Love you are pulled deep into the machine. The band surrounding Ash Wilson add lay down great grooves. They are Drummer and brother Phil Wilson, award-winning Bassist Roger Inniss, award-winning and talented dutchman, Bob Fridzema and special guest guitarist the mighty Jesse Davey.
The album is maybe best described by multi award-winning UK Blues Hall Of Fame inductee Wayne Proctor, (King King, Ben Poole, Stevie Nimmo), as “A fine record that grooves, rocks, twists and turns. You’re all gonna love it! Now grab a cuppa, press play and turn it up! LOUD!!”
Released Friday 21st April 2017 Available on CD and Digital Download
Pre-order the CD from Amazon UK or the
Digital Download from iTunes
Wilson Brothers Music in association with Cadiz Music Distribution are pleased to announce the release of singer-songwriter and guitarist Ash Wilson’s debut album ‘Broken Machine’ on Friday21st April 2017.
Lincolnshire’s Ash Wilson is one of England’s most distinctive vocalists, guitarists and songwriters in contemporary blues music today. The debut album entitled ‘Broken Machine’is a watershed achievement for Wilson, both in terms of the many musical styles in the tracks, which begin and end with the blues at its core.
With the explorations and growth of him as a singer, songwriter and guitarist the album has resulted in spiritual growth expressed through the medium of his music.
‘Broken Machine’ sees Ash working together with his brother Phil Wilson who whilst drumming on the entire album also produces, mixes and co-writes the material on the debut album.
‘Broken Machine’ features the outstanding talents of bassist Roger Inniss (Chaka Khan, Laurence Jones), keyboardist Bob Fridzema (King King, Dana Fuchs), plus very special guest guitarist Jesse Davey (The Hoax) who plays on the ‘The Hitcher’.
Recorded at Superfly Studios, Ollerton, UK
Engineer: Andrew Banfield
Mixed By Phil Wilson
Mastered by Jesse Davey
Manhaton Records is pleased to announce the debut album “A Force of Nature” from one of the most exciting Blues rock singers, Sari Schorr. Released in the UK and Europe on Friday 2nd September 2016, the album is produced by the legendary Mike Vernon whose credits include Fleetwood Mac, John Mayall & the Blues Breakers, David Bowie, Savoy Brown, Chicken Shack, Eric Clapton, Peter Green, Christine McVie and Ten Years After.
In January 2015, Mike received a Keeping the Blues Alive award at the prestigious International Blues Challenge in Memphis, Tennessee. The award was not the only highlight of the weekend for Mike. The second highlight occurred when Mike witnessed the performance of one of the most amazing female blues singers he’d seen in years – SARI SCHORR.
The album delivers hard-driving Blues-Rock, influenced by the late ’60s British Blues movement. Sari (who trained as an opera singer) mixes Blues, Rock, and Soul with concrete melodies and poetic lyrics to striking effect.
Mike was so knocked out, he came out of semi-retirement to produce her new album. Already a consummate songwriter in her own right, with tracks on major labels, Sari has written or co-written almost all the songs on the debut album. Released by Manhaton Records (home of Robin Trower and King King) the new album features guitarists Walter Trout (John Mayall, Canned Heat), Innes Sibun (Robert Plant), Oli Brown (RavenEye) and keyboardist John Baggott (Massive Attack, Portishead).
New York-based Sari Schorr initially gained prominence throughout the blues world after several years of touring the US and Europe with Blues legend, Joe Louis Walker and renowned guitarist, Popa Chubby. Schorr was recently inducted into the New York Blues Hall of Fame.
“My songs are rooted in the blues and honouring that long tradition is important to me,” reflects Sari. “My song-writing draws heavily on contrasting melodic hooks with aching harmonies. I spend a lot of time working over and rewriting my lyrics. I rely heavily on imagery and enjoy using double-entendres that are entertaining to those who catch them. My influences are many and various and include Son House, Howlin’ Wolf, Muddy Waters, Lead Belly, Bessie Smith, Etta James, Ella Fitzgerald, Freddie King, Robert Johnson, B.B. King, Peter Green, Robert Plant, Martha Velez and Bob Dylan.”
Stop In The Name Of Love – Sari Schorr
Track from Sari’s new album “A Force Of Nature”
out on August 17th on Manhaton Records
Sari’s new band, The Engine Room, features stunning British guitarist Innes Sibun (former Robert Planet guitarist). “The Engine Room truly is a remarkable band,” says Sari. “Something magical happens when we’re on stage together. We’re fuelled further by the audiences’ reaction and everything’s possible. I love touring and enjoy the privilege of meeting so many like-minded people who share our love of the Blues.”
After many shows and festivals the nerve-wracking hurdles have been jumped by Rhythm Zoo, they stepped into the studio and gave birth to Sold For Love, their debut album. Sold For Love is one hundred percent heart and soul Rhythm Zoo, for fans new and yet to be found this is the band they play the blues with love and respect. The ambition is high and the determination gritty with seven tracks written by band members then into the mix the closing number Shemakia Copeland’s Whole Lotta Water.
The Zoo have rhythm and are dripping in the shades of blue but not caged by genres they shape their own musical animal. The whole album is shaped around the distinctive, sultry vocals of Andi Hall. The soulfulness and articulation of emotions ensure the lyrics curl around and drive the twin guitars of Phil Dean and Pete Rea. The rhythm is strong, the rhythm is deep and dark shaping the sound thanks to the powerful combination of Dermot Hall’s drumming and the rich bass lines of Pete Betts. The band has worked hard to achieve the style of the album from art work through to the final engineering of the Rhythm Zoo sound.
The title track is blues infused soulfulness it is the darker side of blue as Andi sings the line “Devil Can Take His Soul”, the rhythm picked up by instruments as the track fades, should be a great track live. Opening with lead guitar that sings to your soul, Coco Blue, the instrumentation stylish and timely are leading to one thing! The opportunity for Andi to step up and complete the construction with her warm chocolate infused vocals, soothing the ears. This is a recording that feels close up and personal as if the band are playing for you from the corner of the room. The beat picks up with some gravelly rock added to the mix, Andi’s voice deepens but doesn’t really add a rocky tempo to what feels like a rocking blues vibe on Red Moon. Ah! But then we see the rock chick as the last minute we hear Andi rock the Red Moon out of the sky.
At times though it feels just too controlled, too tense. It is as if they are trying just too hard to get a perfect sound. Despite the fact that the reality was this was an album recorded live with the vocals often in a single take. Closing with Whole Lotta Water the band seems to relax. The band is heating up the guitars are sharp and the addition of keys adds another dimension. Andi’s voice speeds up and has a different timbre suiting the song and leaves you with a feel good number. Sold For Love has class and will get the band lots more opportunity to step on the stage the environment they come into their own.
Bluesdoodles gives this CD SEVEN doodle paws out of TEN ….
‘West of Flushing South of Frisco’
Out via Provogue/Mascot Label Group
on 26th February 2016
Featuring: Billy F. Gibbons, Warren Haynes, Chris Duarte, Eric Gales,
Walter Trout & Robben Ford
At the heart of it is Bassist/Producer Fabrizio Grossi, Guitarist/singer Lance Lopez and drummer Kenny Aronoff as well as a host of guest of the highest calibre; ZZ Top’s Billy F. Gibbons, Warren Haynes (Gov’t Mule/Allman Bros Band), Chris Duarte, Eric Gales, Walter Trout and Robben Ford.
Listen and enjoy – ‘I Ain’t Falling Again’ here:
It happened in 2012, Texan guitarist-singer-songwriter Lance Lopez was planning a visit to Los Angeles to record a new album and producer Fabrizio Grossi suggested they hook up and work on some ideas. The following whirlwind day and a half in the studio resulted in three songs which became the foundation of an exciting new project before they knew it. With a prolific career as a producer, mixer and bass player Fabrizio has worked with some of the finest musicians around today pulling into an array of eclectic styles, from Steve Vai to Tina Arena, Nina Hagen to Alice Cooper as well as Glenn Hughes, Joe Bonamassa, Leslie West, Zakk Wylde, the list is endless.
Supersonic Blues Machine isn’t just a band; it’s a mood, a comradeship, a melting pot of ideas with like-minded people bringing their own unique talents to create something with feeling that is very organic. “I was thinking of all the people we know and thought, how about putting together something like The Who or The Rolling Stones used to do in the early 70s” he adds, “they would put together a record and bring all of their friends on board, I thought that would be cool. Bringing back the spirit of camaraderie between musicians.”
Before the name, before the album, entwined circles of friendship and respect began cooking up the music storm that was to become Supersonic Blues Machine.
Before Supersonic Blues Machine even existed as it is, the seeds began to be sewn from a hook up with Billy F. Gibbons, “I was telling Billy about my work with Lance” explains Fabrizio before excitedly adding the ZZ Top legends response was “‘Oh, you know Lance? He’s fantastic, I’ve known him since he was a little kid, you two should seriously consider working on something together.’” Add into the mix drummer Kenny Aronoff thanks to Toto’s Steve Lukather. Aronoff brought with him the experience of working with a huge collection of artists such as John Mellencamp, Smashing Pumpkins, Meat Loaf, Brandon Flowers, John Fogerty, Red Hot Chili Peppers and Joe Cocker amongst a host of others.
Debut album West of Flushing, South of Frisco is a sprawling and emotional journey that has an emphasis on peace, hope, forgiveness and empowerment. Grossi said, “We could have done a record that was jam-packed of famously random guests, but we didn’t want to do that that’s not the idea.”
Sneak a peak with this album trailer…
More friends started to feel the vibe; with tracks being added featuring the wealth of talent among friends. Warren Haynes, Gov’t Mule main man and former Allman Brothers Band, features on Remedy. , and next up was guitarist Warren Haynes. Then joining the mix Tennessee guitar virtuoso Eric Gales can turn his hand to dazzling effect to a number of genres and the pair first worked together with funk father George Clinton on a cover of Hendrix Voodoo Child back in 2001. Playing on the album Nightmares And Dreams.
Eric long time fan of Walter Trout contacted Marie after his liver transplant and was back playing guitar do you fancy joining in the fun. I said ‘hey Marie, I’m doing this thing, and I would really like to see if we could get Walter to play with us.’” Within 5 mins, Walter called back and said “are you fucking shitting me, I’ll bring the guitar.” A few months later they were in the studio recording Can’t Take it No More.
Chris Duarte has been friends with Lance with a long time and started to show interest in working with the Supersonic family and immediately started sending ideas to and forth with the others which became That’s My Way. When it came to subtle jazz-rock maestro Robben Ford, who collaborated on Let’s Call It A Day the final piece slotted it magnificently.
The winding exploration through the album takes you through different emotions, themes and tones and when Lance himself takes on the lead vocals some of those are profound and some are pure foot to the floor stomp from the bar room rocking of Bone Bucket Blues to the opener Miracle Man which is a twist on the theme from Beyoncé’s Single Ladies and the even more sad “Gold-digger/Free loaders” attitude fortified by Reality trends TV shows. “If you read between the lines, the stereotype: the guy is the dog and the girl gets the short end of the stick, but that isn’t always the case, especially in LA, where there’s a lot of great decent guys out there where but, one has ever given these guys a voice…well we just did, in our “gospelly” type of way.”
The album has moments that come from a dark place and a very personal part of Fabrizio life, he lost his birth mother aged 11 and was growing resentful of God and all related to him. “Around 15-16, I got curious and involved with readings about Aleister Crowley ,The Golden Dawn , Magic or sort, he offers, “then weird things started happening which affected me quite a bit. Even though the whole “dark” infatuation, phased out by the time I was 18/19, it took me a really long time to get rid of the negative vision of matters” and it was this that fed into I Ain’t Falling. Let It Be is about the power of forgiveness and regardless of what an individuals’ background is.
Album closer Whatchagonnado is about what Jesus would say if he came back around and talked to people right now. “We’re not a Christian band, we don’t endorse any specific belief, other than what works for you” asserts Fabrizio, “but it seems that everybody embraces this figure and builds his own agenda with it, but how would Jesus really react if he would come back and see all of his teaching twisted around? And we did that with our funky mould.”
West of Flushing, South of Frisco is a reminder of an era that embraced collaborations, one that shared a vision and shared moments, both good and hard, one that put every ounce of their experiences into it, its bleeds emotion but is an uplifting and powerful listen. Now that the Supersonic Blues Machine has begun its journey, there’s a lot more to experience from it.
West of Flushing, South of Frisco – Track Listing
1. Miracle Man
2. I Ain’t Fallin’ Again
3. Running Whiskey (Feat. Billy F. Gibbons)
4. Remedy (Feat. Warren Haynes)
5. Bone Bucket Blues
6. Let It Be
7. That’s My Way (Feat. Chris Duarte)
8. Ain’t No Love (In The Heart Of The City)
9. Nightmares And Dreams (Feat. Eric Gales)
10. Can’t Take It No More (Feat. Walter Trout)
11. Whiskey Time (Running Whiskey’s extended ending)
12. Let’s Call It A Day (Feat. Robben Ford)
British classic hard rock bandINGLORIOUS have launched the official music video for their forthcoming single Until I Die. The single is taken from the eponymous debut album released by Frontiers Music SRL on Friday 19 February 2016.
Watch the video here:
Fans can pre-order the album from either iTunes or Amazon, and get a free track of the song Breakaway, plus the new single Until I Die. Pre-order the album on iTunes: HERE Pre-order the album on Amazon: HERE
INGLORIOUS are being championed by Queen’sBrian May who recently told the band, “You guys really do look like a potent young Deep Purple but with a new slant – very Classic! “The musicianship is stunning. Good luck with it all – I’m sure you will do great. Amazing vocals, by the way!”
INGLORIOUS will support their debut album by supporting The Winery Dogs on their European tour from 29 January until 17 February, followed by their official album launch concert a London’s Islington Assembly Hall on Sunday 21st February.
INGLORIOUS are being hailed as one of the UK’s heaviest new hard rock bands to emerge from the British underground scene. Originally formed in February 2014, the band is fronted by Nathan James, who made a name for himself having sung for the multi-platinum selling Trans-Siberian Orchestra, and Scorpions guitar legend Uli Jon Roth. Inspired by musical giants such as Deep Purple, Led Zeppelin, Whitesnake, Bad Company, Aerosmith, the band’s song Breakaway has already found its way on to UK rock radio. the other members of Inglorious are Wil Taylor (rhythm guitarist),Andreas Eriksson (lead guitarist), Colin Parkinson (bass) and Phil Beaver (drums).
INGLORIOIUS special guests on
THE WINERY DOGS’ European Tour 2016
Esseigfabrik – Cologne, Germany Jan 29
Kulturfabrik – Esch-Sur-Alzette, Luxembourg Jan 30