Blues is back in Sheffield HRH 2017

 

Blues is back in Sheffield HRH 2017

 

Blues is back in Sheffield HRH 2017

 

HRH Blues 2016 was superb read what we said HERE

 

New Jersey’s Billy Walton Band join King King, Ten Years After, Stan Webb, Simon Mc Bride & Dan Patlansky to complete the cycle 3 line up of HRH Blues.

What a line-up this not just promises to be exciting it will be with scintillating guitars, powerful voices as blues is twisted, turned creating a rainbow faceted jewel of every shade of blue. will be rocked, amazed and excited by the music from the first to the last note.

HRH Blues are proud to fly in yet another incredible talent for its 3rd round of Blues rock infused fun in Sheffield.

The Billy Walton Band compliment an already stellar Blues Rock line up and with under 90 tickets remaining, it looks like it will sell out even earlier than last year.

 Ten Years After and Bernie Marsden performing at last year’s HRH Blues 2

 Ten Years After

Bernie Marsden

HRH CEO Jonni Davis praised the band by saying  “ Walton’s talents are no secret among everyone in the Jersey shore music scene and with the founding of the Billy Walton Band, there’s little doubt his reputation will grow far beyond the Garden State. The Billy Walton Band’s sound is a combination of hard blues reminiscent of Hendrix, Clapton and Vaughn mixed with a healthy dose of Warren Hayes and Derrick Trucks.

“Live, Walton has always been an explosive performer with Jaw dropping talent but with the addition of bassist William Paris, Richie Taz on sax and drummer Johnny D’Angelo the Billy Walton band churns out a singular brand of funky blues that has deep roots in both the jam band musical tradition as well as the Jersey shore Walton has cut his teeth on. We can’t wait to see him perform next year in Sheffield.”

 

HRH Blues 3 takes place on 15th & 16th April 2017 @ the 02 Academy , Sheffield and the last few tickets can be booked online HERE  or by ringing Lisa on 0207 097 1521

 

 

Bluesdoodles – Pick Of The Bunch 2015

Pick Of The Bunch 2015 ~
The order is random all are brilliant and in with a shout for the Bluesdoodles Dozen of 2015..

These are from the albums I have listened to and reviewed throughout 2015 – this is my subjective collection happy for others to disagree. Bluesdoodles wants to thank every artist who has submitted music to be reviewed I listen and will always be honest and fair

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Fish – A Feast Of Consequences
Joel Fisk & The Breakdown – The Well
Dan Patlansky – Dear Silence Thieves
John Mayall – A Special Life
Giles Hedley – Rain Is Such A Lonesome Sound
Lisa Mills – I’m Changing re-mix
Kathryn Roberts & Sean Lakeman – Tomorrow Will Follow Today
Ian Siegal – One Night In Amsterdam
Dani Wilde – Songs About
Joe Satriani – Shockwave Supernova
Guy Tortora – Bluesman In A Boneyard
Danny & The Champions of the World – What Kind Of Love
Gill Landry – Gill Landry
LaVendore Rogue – Light Up With
Mark Pontin – Textures
Aynsley Lister – Home
Samantha Fish – Wild Heart
Little Devils – The Storm Inside
Erja Lyytinen – Live In London
Beth Hart – Better Than Home
David Phillips – If I Had Wings
Karen Lovely – Ten Miles of Bad Road
Micke Bjorklof & Blues Strip – Ain’t Bad Yet
King King – Reaching For The Light
Devon Allman – Ragged and Dirty
Joe Louis Walker – Everybody Wants A Piece
Danni Nicholls – Mockingbird Lane
Layla Zoe – Live at The Spirit of 66
Joel Hoekstra’s 13 – Dying To Live
Chantel McGregor – Lose Control
Babajack – Babajack Live
Jar Family – Family First
Craig Finn – Faith In The Future
Buddy Guy – Born To Play Guitar
Delta Deep – Delta Deep
Kaz Hawkins – Get Ready
Groanbox – Groanbox
Jimbo Mathus – Blue Healer
Eddie Martin Big Red Radio- Live in Tuscany
Mike Zito & The Wheel – Keep Coming Back
Connie Lush – Renaissance
AndersonPonty Band – Better Late Than Never
Walter Trout – Battle Scars

CD Review: Dani Wilde: Songs About You

Layout 1Dani Wilde

Songs About You

Bri-Tone Records

 

 

There is an elegance in both the guitar playing and the vocals and the percussive undertones throughout Songs About You, creating a mood board of musical textures and the songs are relevant to everyone with feelings apparent on fist listening and after listening to on repeat it is indeed a mighty fine album. Every song composed by the multi-talented Dani Wilde and all eleven tracks are strong with lyrics that reflect an emotional connection to circumstances of life.
The opening track Open Road is evocative of a trip with the opening guitar, piano and country twang and then the glories of Dani’s soprano purity as the lyrics unfold full of memories and yearning; this is a track that hooks you in with its jaunty chorus line and the twang of guitar and clear piano notes you just want to hear more.
This is an album where the music and vocals blend to produce a full acoustic sound with layers of tonal contrasts with Dan’s pure bell like quality and the raunchy voice lower down the scale combine with a backing waterfall of tones with the mid-tone of Bethany on cello which for me connects to my music radar every-time. The rhythm section, guitars courtesy of Todd Sharpeville & Stuart Dixon and Rhodes piano effectively add in the layers to create a tonal sculpture of delight as seen on That Ain’t Love.

Fancy something a bit different well track four pleases you as Change is certainly a break in feel and tempo from the beginning of the album, the lyrics just draw you in with some superb drumming with the backing singers adding another layer of interest. Half way through and I was mesmerised by the quality of production every note is played and meshed together to create a whole sound that has the sole purpose of showcasing the talents of Dani and her vocals that are very special they combine a purity and every word is sung so they can be heard and the emphasis is put on certain phrases so that the song makes perfect sense. Flame has the feel of a contemporary twist on a Lieder song it would work as well with just a piano accompaniment; there is a simplicity that can only be created when talent works in harmony.

Begging For Love has a wonderful intro that with Piano and drums has a Latino dance feel and your hips move to the sultry tones and your brain engages with the words and you smile with the cheeky percussion and use of male backing vocals including her brother Will. The closing track is Time and we have a southern country blues riff that meanders like a bayou, this is a perfect end to an album that is such a joy to listen to, want to hear more of the cello guitar and vocals, then make the time to put on replay and listen again, I did.

This is an accomplished album from Dani Wilde reflecting the maturity of the vocalization and the projection of her voice to portray the emotion and feeling of the song and connects to the listener’s inner soul, while still keeping that skillful finger touch that makes her six-strings resonate in harmony this is undoubtedly a powerful album.

Bluesdoodles gives this CD TEN doodle paws out of TEN ….pawprint half inch

 

Tracks
All songs composed by Dani Wilde
1. Open Road
2. Change Your Mind
3. That Ain’t Love
4. Change
5. Loving You
6. Flame
7. Cruel World
8. Begging For Love
9. Diamond In The Dark
10. Let Me Be Your Sunshine
11.Time

Band

Dani Wilde: Lead Vocals, Acoustic Guitar and Backing Vocals
Stuart Dixon: Electric Guitar, and Acoustic Guitar on Tracks 3 and 9
Roger Inniss: Bass Guitar and Upright Bass
Janos Barrista: Piano
Gregory Coulson: Rhodes and Organ
Fergus Gerrand: Drums and Percussion
Bethany Porter: Cello
Todd Sharpville: Acoustic Lead Guitar on Track 3
Backing Vocals: Katey Brooks
Ross Alexander
Will Wilde

 

Produced, Mixed and Mastered by Stuart Dixon at Platform Studio

Shrewsbury 2013

With less than a week to go and tickets going fast what better way of dispelling the late winter blues than Theatre of Blues Festival in Shrewsbury Friday 5th and Saturday 6th April
shrewsbury fest

The first Festival at Theatre Severn, was a resounding success as the review published in Blues Matters shows; definitely one of the many highlights was the talented young singer/guitarist Blues Boy Dan who was for me the find of the festival; what will they be pulling out of the hat this year? Blues Boy Dan will be making a special appearance at the festival this year following the recent news coverage in The Standard
Blues Boy Dan - Shrewsbury 2012 - DSC_0264l

5th April – Friday Night at The Lion Stage, The Lion HotelGetting the festival of the a flying start at 7pm – is the talented Jenna Hooson
The Legendary Slack Alice and headlining a quality evening of live music is the award-winning who are without doubt one of the UK’s most exciting and original crossover blues band 24 Pesos.

6th April – Saturday 2pm – 11.30pm. at Walker Stage, Theatre Severnopening the day of exceptional live music are The Drivetones a local band who always pleases, followed by the delightful Bex Marshall fresh from her successful tour of U.S.A.
the ebullient and energetic Tim Aves & The Wolfpack will certainly energize and delight the audience with blues straight from Chicago town. Fuschi 4 bring their own funk blues to the proceedings they definitely wow! festival audiences when ever they play. Dani Wilde will certainly add some glamour combined with her gorgeous voice and beautiful guitar playing and the band are excellent musicians in their own right this will certainly up the tempo even further. The topping the evening of is the Six-string Svengali himself all the way from Texas Buddy Whittington what a finale to a line-up that will definitely thrill and delight you. Live music at its best.

 

Abertillery Blues Rock Festival – reviewed

Abertillery  Rock Blues Festival 2013Abertillery Blues Rock Festival will be returning for it’s ninth year on Friday 12th and Saturday 13th July with an amazing weekend of live music.

Line-up will be announced soon – early confirmation is on Saturday 13th July – the Kings of Rockin’ Rhythm & Blues, The Nightporters, together again marking 20 years since the band formed.
Ticket Prices:- (discounts for Blues club Members)                                                           Friday – £25 ——– Saturday – £35 ——– Weekend – £40

Held under a marquee in the picturesque setting of Abertillery Park, this year’s festival brings you the very best in British and International Blues.Previous festivals have had great line-ups as demonstrated in Blues Matters Magazine Reviews demonstrating why this should be a reserved date in your 2013 diary,

2011 Festival:-

Abertillery Blues Festival, got underway in the majestic setting of Abertillery Park , deep in the valleys of South Wales under the shadow of the Arael Mountain. The now familiar tradition of a big top circus tent and comparing supplied by Bob and Norm from GTFM, famous for their Monday night blues show. The festival showcased a selection of local bands, including The Hideaway Trio who started the 2011 show off and then Saturday afternoon, Bluesey Susie, who bought talent and style with her great voice that is both smooth and raunchy delivering old favourites and self-penned straight-edge traditional blues. Pat Grover and the Hawks delivered a great set with slide guitar strong vocals this was blues that took you on the hobo train ride. Luke Doherty Band this new line-up with vocals provided by Paul Morgan provides the perfect backdrop to allow Luke Doherty to concentrate on his guitar skills producing a brilliant sound that excites the crowds. Now he needs to develop a set that includes more than covers delivered in his inimitable high speed blues style.
Around this strong local backbone great bands from England and beyond delivered a fantastic weekend. Giles Robson and the Dirty Aces, a combination of great musicians and songs produced a dirty sound that whilst evocative of the past was contemporary and relevant, as they showcased their latest CD “Crooked Heart of Mine”. The highlights of the set included, ‘The Mighty Incinerator’, ‘Solidor’ with Giles providing an emotive harp solo and giving the band a break as they left the stage and Ian Jennings swapped his double bass for electric bass with fuzz pedal providing a different but strong bass line for ‘Ain’t Dead Yet’. This band definitely is one that gets your foot tapping and dancing along to the strong blues tempo. The encore was ‘House of the Rising Sun’ re-arranged with the distinctive Dirty Aces signature and it worked. Never The Bride with their effervescent stage presence delivered a selection of Rock Ballads. With their larger than life sound ‘The Living Tree’ and ‘April Rain’, they bought rock to the valleys pleasing the crowds and got the festival a buzzing and a talking. Friday closed with The Hamsters, making a welcome return as part of their farewell progress across the country went through an eclectic mix delivering a selection of there extensive back catalogue including a self penned track which was a mix of song titles and band names with the riff indicative of Tom Principato’s guitar style. As ever superb Hendrix covers, some traditional blues and rock & roll overall a great festival set.
Eugene Hideaway Bridges, bought a touch of Texas sun and magic. ‘Never Alone’, delivered as a capella was haunting and spellbinding captivating the audience. Very much a crowd pleaser, he uses clever changes of tempo between straightforward blues and more soulful numbers. Whilst delivering a mixed-up set from his extensive back catalogue.
This was followed by the surprise of the weekend, Hokie Joint, one night only Ian Siegel would be guest singer for the band! With no set list and no rehearsal the guys strode and strutted onto the stage. This was jamming at the highest level and gave credence to the expression living on the edge… Fortune favours the brave and with Ian knowing only two of Hokie’s tracks demonstrating the skilful song-writing of this dynamic, modern and exciting British blues band. Thus, ‘Back Where We Are Going’ and ‘The Way It Goes Sometimes’ were given the Siegal touch ……. The whole audience, whether Hokie, Siegal fans or seeing the artists for the first time were blown away by a demonstration of blues at its best; a delightful mix of covers and originals this was jamming, performing and musicality at the highest level.
To close the festival Mike Sanchez built on the energy that Hokie and Ian had instilled into the festival crowd. Mike was as ever enthusiastic, energetic and not only got the feet a tapping, but suddenly the chairs were folded away and the dancing began. There is no argument that this flamboyant front-man pounding the piano keys, licking up and down the scales resembling a whirling dervish of the piano, making this performance highly charged and delivered at break neck speed, and bringing the festival to a rousing finale. This festival bought music and sunshine to the valleys, and the numbers increasing this year.
As with all festivals its is the hard work of the organisers, stewards and bar staff that make the weekend a success and there is no doubt that Abertillery is lucky to have a great team making this event happen every year. So for another year the music fall silence and the hard work starts to make next years another positive event, feedback has been that this was one of the best yet… looking forward to 2012 already.
Liz Aiken
Slide Show – 2012 copyright all photographs LizAiken

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For 2012 – Blues Matters were back and delighted by the musicianship they heard and the friendly vibe they experienced over Friday 13th and Saturday 14th July 2012.
Opening 2012 were local band J Alexander and The Blues Devils playing a solid set of traditional and ever popular blues numbers, taking a chance by singing Muddy Waters, ‘Forty Days and Forty Nights’ with the long wet summer and St Swithin’s day just around the corner… The tempo was pushed up by Cornwall’s, Devil’s Creek, a confident mix of covers and own numbers with their rockier take on the blues so in the first two acts the Rock & Blues element of the festival had been met. What a great start to the evening and crowds were enthusiastic about the bands and waiting in anticipation for the next two bands as the evening flew by, next the McMahon brothers from Aberystwyth stormed onto the stage raising the temperature with atmospheric and stellar guitar playing that is the hall mark of Virgil and The Accelerators. This is a young British band which has taken its influences from Stevie Ray Vaughan and modified the sound with influences from Joanne Shaw Taylor and The Hoax creating their own take on the blues which continues to develop as they relentlessly improve their musicianship and stage craft. The comments from the audience were complimentary as jaws dropped at the quality and precision of the guitar playing supported by brilliant percussion and solid bass playing, the audience was captivated. Finally, Vintage Trouble what an ending to a brilliant opening night, this band hits all the right chords and gets the crowds up, dancing and feeling good about themselves. Vintage generated a real unique ‘party atmosphere a real contrast to the typical 2012 summer festival weather yes, it was pouring down outside of the marquee! They took the roof off the place and had the audience feeding out of their collectively talented hands. Charismatic lead vocalist, Ty Taylor, built an amazing rapport with the crowds with up tempo blues soul music with great songs including ‘You gotta believe me’ with enthusiastic audience participation.

Saturday was full of promise with a great mix of local, solo, young and famous artists and bands so the anticipation was high. Opening an afternoon session is always daunting and local band Panic Station were certainly up to the task with their mix of covers and own tracks showcasing blues musicianship they certainly kick started the proceedings getting people into the marquee to hear the music and soak up the atmosphere and the pleased the locals with self-penned ‘Rocking Down the A48’, the highway 49 of South Wales. For the next solo artist no stage is either too big or daunting as he fills it with his gigantic presence and personality of solo artist, Dave Arcari, love him or hate him this guy has bucketfuls of talent and is in my opinion, with his high octane stage presence, a Scottish Wizard of the resonator. His set was full of verve and energy and showcased his talent on the slide guitar with a selection of his tracks including ‘MacPherson’s Lament’ he is magic and as he leaps around the stage his energetic performance leaves the audience gasping for breath. Steve Roux and The Brass Knuckle Blues Band changed the tempo yet again with their brass instrument section and opening with an instrumental ‘You’re Gonna Need Me’ got the crowds swinging and swaying, the horn/sax section adding an extra dimension to the proceedings. The sound is very full rounded off with Steve’s slick guitar licks and soulful voice. This was a band where the whole was greater than the sum of the individual parts and great afternoon festival set, pleasing the crowds and raising the spirits. Next up strutting the stage was Dani Wilde Band, with Dani showcasing her guitar skills throughout the set, ably accompanied by her brother Will with superb blues harp playing and Stuart Dixon on lead/rhythm guitar. As a band they produced a set of controlled professional musicianship of the highest order, with Dani’s vocals providing the icing of a rich cake of musicianship. The title track of their latest CD ‘Juice me Up’ – demonstrated the great interchange between Stuart and Dani, during what overall was a great set delivered with real authority by Dani, leading the band from the front. They are definitely growing from strength to strength they certainly gave, aptly as their previous CD, ‘Shine’ to the festival.
Jon Amor Blues Group, the band members complimenting each other creating their own distinctive sound were the penultimate act. The band took the opportunity to showcase of two new tracks that may be included on their next CD due to be recorded very soon, ‘Wayfarer’ and ‘Good Thing Back’ As ever this band delivered a polished British blues set of the highest order and the members of the audience who had not heard Jon Amor before were blown away; they certainly gained a few fans at Abertillery. Once again a great set at a fast pace with Jon letting the music do the talking and keeping the talking between songs to the minimum. All too soon it was the last act and eagerly awaited by everyone as there was a definite surge to the front to hear The Zombies. They took us back to the ’60’s and early 70’s with a selection of their classics spanning fifty years. Rod Argent delighted the fans with an excellent display of keyboard work, and the appreciative crowds really enjoyed the set. They haven’t lost their voices after over fifty years, and were formed before the Rolling Stones. This was a headlining act that took many of the audiences down a road of nostalgic memories and the fans enjoyed the set immensely. Overall the running order of the festival worked really well with the atmosphere growing and moving on an upward spiral to a crescendo on each day. Yet again a fantastic festival with everyone saying roll on Abertillery 2013….
Liz Aiken

2012 saw
“IT’S not like Cardiff at all.” The precipitous hills and brooding clouds over Abertillery Park gave Vintage Trouble frontman, Ty Taylor, a whole new outlook on Wales as the band headlined the opening night of Abertillery Blues and Rock Festival.

2012 saw Vintage Trouble – a brilliant band as highlighted in Wales On-Line review – ”
“IT’S not like Cardiff at all.” The precipitous hills and brooding clouds over Abertillery Park gave Vintage Trouble frontman, Ty Taylor, a whole new outlook on Wales as the band headlined the opening night of Abertillery Blues and Rock Festival”. Read more: Wales Online