Dan Patlansky Joins Joanne Shaw Taylor November Tour

Dan Patlansky Joins Joanne Shaw Taylor November Tour

Dan Patlansky Joins Joanne Shaw Taylor November Tour

The UK tour dates includes Gateshead Sage (Nov 7), Cambridge Corn Exchange (Nov 9), Manchester Bridgewater Hall (Nov 10), Glasgow Royal Concert Hall (Nov 12), Bristol Colston Hall (May Nov 14), London Royal Festival Hall (Nov 15), and Birmingham Symphony Hall (Nov 20). Tickets are available from the 24 hour box office 0844 478 0898 or The Gig Cartel  and Dan Patlansky  

Two of Bluesdoodles Favourite guitarist with 10 paws albums from 2016.

Pick of the Albums Reviewed - 2016: July - Sept 2016Joanne Shaw Taylor’s Wild 

We said: There is a ferocity in the delivery that makes this an album where you want to hear the music live, the tempo and a sense of purpose that has a wildness in its sense of freedom. Joanne Shaw Taylor’s mighty potential has been unleashed and set free resulting in a ride of musical delights that is compelling and Wild.

Our full review can be found HERE

 

Dan Patlansky In Conversation Touring 2017 and Beyond

Dan Patlansky’s Introvertigo

We said:  Introvertigo with its carefully crafted lyrics that blend urbane wit and honest observation, this is blues pertinent to today’s lifestyles, not so much whiskey and women more the corruption of power and social interaction. Ten tracks there are no fillers

Our full review can be found HERE

In the studio they are outstanding, live they take Blues-Rock to another level the shows are going to be a sparkling manipulation of the guitar. Joanne Shaw Taylor’s special guest  according to Music News “On record Dan Patlansky is quite superb but on stage, with a capacity crowd in his pocket from the off, he takes it to another level.”

 

Do not delay reserve you seat at shows that will heat up the coldest Winter Night

JOANNE SHAW TAYLOR NOVEMBER 2017 UK TOUR
WITH SPECIAL GUEST DAN PATLANSKY
TICKETS – 

24 HOUR BOX OFFICE – 0844 478 0898

BOOK ONLINE – The Gig Cartel or Dan Patlansky

 Gateshead, The Sage – Tuesday 7th November 2017

Tickets: £30, £27.30, £25.10, £21.80
Venue Box Office: 0191 443 4661 or Gig Cartel: 0844 478 0898
Book Online: The Sage  or The Gig Cartel

Cambridge, Corn Exchange – Thursday 9th November 2017

Venue Box Office: 01223 357 851 or Gig Cartel: 0844 478 0898
Book Online: Corn Exchange or  The Gig Cartel

Manchester, Bridgewater Hall – Friday 10th November 2017

 Venue Box Office: 0161 907 9000 or Gig Cartel: 0844 478 0898
Book Online: Bridgewater Hall or The Gig Cartel

Glasgow, Royal Concert Hall – Sunday 12th November 2017

Tickets: £27.50, £25.00, £23.50, £20.00
Venue Box Office: 0141 353 8000 or Gig Cartel: 0844 478 0898
Book Online: Glasgow Royal Concert Hall,  or The Gig Cartel

Bristol, Colston Hall – Tuesday 14th November 2017

Tickets: £21.50 to £29.56 incl. booking fee
Venue Box Office: 0117 203 4040 or Gig Cartel: 0844 478 0898
Book Online: Bristol Colston Hall or The Gig Cartel

London, Royal Festival Hall – Friday 15th November 2017

Tickets: £20 – £29.50 plus booking fee
Venue Box Office: 0844 875 0073 or Gig Cartel: 0844 478 0898
Book Online: Royal Festival Hall  or The Gig Cartel

Birmingham, Symphony Hall – Monday 20th November 2017

Tickets: £23 – £30.50 inc. booking fee
Venue Box Office: 0121 780 3333 or Gig Cartel: 0844 478 0898
Book Online: Birmingham Symphony Hall or The Gig Cartel

As we said when we recently heard Dan play live in Cardiff he is – “Majestic, scintillating jaw-dropping good.”

Dan Patlansky Joins Joanne Shaw Taylor November Tour
Photo Credit Edyta Kzesak

Dan Patlansky Stunning Guitar Returns to The Globe

Dan Patlansky Stunning Guitar Returns to The Globe

Dan Patlansky Stunning Guitar Returns to The Globe

 

 

Back in Cardiff town again South African, guitar wizard, Dan Patlansky who invited Ash Wilson to join the May party as his special guest. A definite winning combination full of textured, tasty guitar that exploring the Blues.

Dan Patlansky Stunning Guitar Returns to The GlobeBy the number of Dan Patlansky T-shirts on display in the audience at The Globe; they had come to be entertained by the renowned guitar spectacular that is his trademark. Before, that Ash Wilson and his band took to the stage, to a venue that was slowly filling up. For the majority Ash was an unknown, the audience didn’t know what to expect. The result was a happy crowd, who enjoyed the opening numbers that gave justice to his debut album Broken Machine. Ash is a great performer letting the guitar and lyrics tell the story. It was a shame that the acoustic dampened the vocals. Ash did not disappoint with a rhythm section that set the shape of the blues he was displaying. On bass Steve Amadeo stepping into Roger Inniss shoes and Tristan Poole on drums. With a short strong set five songs from Broken Machine and closing with a Michael Jackson workout. Every number had persuasive listenability, with strong lyrics it is a dramatic slow blues ballad, domestic abuse through the eyes of a woman. It was the stand out moment.  The Wilson machine is definitely not broken the guitar delivering across the six strings.

 

 

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The Globe was buzzing with the hum of contentment; they had heard blues shuffle, slow blues and those with a rocky edge. Now for the main event.

Dan Patlansky Stunning Guitar Returns to The GlobeIn a few words. Majestic, scintillating jaw-dropping good, describes an Patlansky tonight. Tonight was a celebration for the acclaimed album Introvertigo. On the last few nights where this album will be centre stage. AS, on his return to South Africa it is back in the studio for another helping of studio work from Patlansky. A mouth-watering prospect, along with and promising to be back this time next year with album in hand.

Back to the live music being played tonight. With a trio of immensely musicians from Hamburg, joing Dan tonight in Cardiff. Smiling, Felix Dehmel with his imaginative and stylish drumming; Johnathan Murphy with his rhythmic bass and adding chords with hidden depths on the keys Tom Gatza and supplying tasty backing vocals.  Dan Patlansky is a blues-rock plays phenomenal guitar on his trusty 1962 Dan Patlansky Stunning Guitar Returns to The GlobeFender Strat ‘Old Red’ joined tonight by a guitar specially made for Slide from California with the maker Michael Couling in the audience to hear his masterpiece played live. Bright blue and cutting a sliding dash.

Opening with a  guitar driven instrumental jam, starting quiet Drone builds, holding the audience spellbound a we all listened in silence, then wham as his he exploded with all guitar cylinders firing, with his latest single from Introvertigo; Sonova Faith. Dan never plays the guitar with just his fingers, his whole body bends into the guitar with the energy flowing into the instrument. It is a workout of mind and body and add into the mix vocals that are strong full of emotional depths. A wonderful rendition of Jimmy Reeds Bright Lights Big City, as we floated on the reworking of this classic blues number. Into this mix we heard Stop The Messin’ and Heartbeat that had the crowds whooping with delight. The slow blues, which as he says is a must on every Dan album tonight was Introvertigo’s Still Wanna Be Your Man. So Dramatic and quite beautiful, clever use of silence then the build up to add drama. The dueling with Tom on keys was just one of the many highlights from this super-talented guitarists. He is one of the most innovative on the circuit.

Dan Patlansky Stunning Guitar Returns to The GlobeWith Backbite and My Chana from the wonderful Dear Silence Thieves album be wanted more. The guitar acrobatics, use of feed back, the power of the whole guitar is no party trick it is an artistry as Dan manipulates every inch of ‘Old Red’ who obliges every time. The band came back for two extended numbers we were awestruck in the presence of a virtuoso on the fender.

Dan Patlansky’s reputation and popularity continues to grow, reflecting the talent grown out of a true infinity with the guitar. All that is left to say Thank-you Dan for the blues and come back to Cardiff very soon.

 

 

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Check out more Bluesdoodles insights into the music of both Ash Wilson & Dan Patlansky

 

Dan Patlansky In Conversation Touring 2017 and Beyond Introvertigo Review HERE
Dear Silence Thieves Review HERE

Dan in conversation HERE

 

DAsh Wilson Broken Machine New Single & on Tour Broken Machine Review HERE

Ash In Conversation HERE

 

 

Dan Patlansky Stunning Guitar Returns to The Globe

Dan Patlansky In Conversation Touring 2017 and Beyond

Dan Patlansky In Conversation Touring 2017 and Beyond

Dan Patlansky In Conversation
Touring 2017 and Beyond

BD: Morning Dan, great to see and catch up with you in Sheffield at HRH Blues and the opportunity to talk this morning

 BD: Dan Patlansky, Back in UK and Europe for an exciting tour. Latest single Sonova Faith from the award-winning and acclaimed album Introvertigo.  Returning to venues new and old favourites? With a new band tell us about your touring plan. Starting off at Mr Kyps with Ash Wilson opening and HRH festival you have hit the ground running

DP: Yes, back in UK and Europe with second round touring with Introvertigo.  Following the achievement of Introvertigo being number 1 Blues Rock Album of 2016 by the influential American website Blues Rock Review.  So we are back with a new band of session musicians from Germany bringing a different feel from my South African band. Part tour back at The Globe in Cardiff which will be such fun with Ash Wilson opening a great band, great songs the combination will be a good night of live music following on from Mr Kyps. HRH Blues was amazing great crowd and some amazing bands the atmosphere was really positive.

BD: Having heard your acoustic set at HRH which was wonderful, elegant, beautiful with lingering notes that I wanted to last forever; have you thought about doing more acoustic in the UK?

DP: Yes, it was fun. Acoustic is a different beast to playing electric. In some ways limiting with the change of guitar style. It is a challenge in the way you play and think about the music. As for playing acoustic in the UK; back in South Africa we often do the combination acting as our own support act. Yet to do that in the UK. Perhaps for the future; the logistic of travelling with an Acoustic rig as well as electric will be another travelling challenge. For acoustic at HRH I borrowed Big Boy Bloaters guitar, it was great to play and a big thank you to Big Boy Bloater’s loan of his lovely acoustic guitar. It was a different vibe when I played the guitar showing the power of acoustic.

BD: We all love to hear you get that special sound out of your Strat Old Red and is certainly how you continue to build your fan base. Tell us about strings, pickups and I believe you are retiring the beautiful guitar. How will you find a replacement?

DP: I play with twelve gauge strings, they are considered heavy, but I have always used them. I don’t just use them for the showmanship of the last number. I like the sound they produce. I use standard Fender pickup. For the last number, I turn my amp up to achieve sonic textures, feedback making it as musical as possible.  I always have the amp fairly high, I play loud which is why I have speakers facing the wings and turn them up which can surprise front of house guys.

Old Red not being retired just refining parts of her. Just the neck is being overhauled. The neck has become a liability, 1960’s Fenders used Brazilian Rosewood, this is now a restricted wood and can cause a problem at customs in some countries. In addition, the neck is getting tired and twisted. When I get back home from this tour I’ll be getting a new neck for the guitar.  A face-lift, not retirement.

BD: How do you keep the tracks we love to hear you play the sound is so fresh and vibrant when playing live? It is as if we are hearing the tracks for the first time as you add interest and surprises.

DP: This tour there is a new dynamic with the German musicians. It is though the nature of the music improvising. I may be playing the same song every night on tour, yes the melody, lyrics and chords stay the same but I go in different directions. Not always the way I expect, I grew up playing Jazz music the king of improvisation so every night has its own journey. Can be good or not that is the nature of the beast. It keeps the music exciting for us as musicians and puts a fresh breath into every night’s performance. We are definitely not playing by numbers, traditional blues is steeped in improvisation. I am just keeping that tradition alive and flourishing through my music.

BD: With a hectic touring schedule here, Europe and South Africa what are your plans for 2017 and beyond?

DP: Yes touring is hectic but always great to catch up with friends and fans we make on the tour. This will be the last UK tour focused on Introvertigo. I have dates in South Africa when I return. Then in June we go back in the studio with new songs, new ideas for my next album which will be released Spring 2018. Then back touring South Africa. We are also possibly back in the UK November 2017; where we could be previewing new tracks from the forthcoming album. So watch this space once dates finalized we will be letting the fans know.

BD:  You are back in Cardiff at The Globe, what makes venues fun to return to? Is it building the fan base?

DP: Yes, excited to be playing back in Cardiff. I love the vibe of the venue. Why return to venues, it is a bit of both the venue and the audience is a big part of the show. The Globe is a great little venue, great audience who have such a positive response. I love the sound of the venue, the guitar always sounds good to me on stage which is really satisfying. The Globe is a loud room, lots hard surfaces. It is a venue I will always look forward to playing. The Cardiff crowd are always up for loud music and to enjoy the blues.

BD: Thank you for sharing with your growing group of fans. We have asked you your fantasy band, what you are listening to in previous interviews. So today who would you invite to play with Dan Patlansky band?

DP: Dream scenario would be David Gilmore from Pink Floyd. Gilmore got me into music generally and in particular the guitar.

BD: Thanks for taking the time out of your busy schedule and looking forward to seeing you play live in Cardiff on 4th May.

Dan Patlansky In Conversation Touring 2017 and Beyond

 

Dan Patlansky In Conversation Touring 2017 and Beyond

READ what Bluesdoodles said about the TEN Doodle paw album  Introvertigo – We voted the album as the best Overseas album heard over at Bluesdoodles HQ.

Introvertigo with its carefully crafted lyrics that blend urbane wit and honest observation, this is blues pertinent to today’s lifestyles, not so much whisky and women more the corruption of power and social interaction. Ten tracks there are no fillers every number is full of strength and tonal power but there is not an off note or lyric.  

FULL Review – HERE

Dan Patlansky In Conversation Touring 2017 and Beyond

Ash Wilson Broken Machine New Single & on Tour

Ash Wilson Broken Machine New Single & on Tour

DAsh Wilson Broken Machine New Single & on TourLincolnshire’s Ash Wilson launches the brand new music video for the single ‘Broken Machine’ taken from his critically acclaimed debut album Broken Machine.

The single is out on Friday 17th March and the album on Friday 21st April 2017.

 

 

 

 

ASH WILSON AS SPECIAL GUEST TO SARI SCHORR

London, Borderline     Monday 20th March

Tickets: HERE Box Office: 0844 847 2465

 ASH WILSON AS SPECIAL GUEST TO DAN PATLANSKY

http://www.ashwilsonmusic.com/shows

Tickets –  HERE  & HERE 

 

 

 

 

Poole, Mr. Kyps                                Saturday 15th April

London, Islington Academy 2     Tuesday 2nd May

Manchester, Deaf Institute         Wednesday 3rd May

Cardiff, The Globe                          Thursday 4th May

Bristol, The Tunnels                       Friday 5th May

Barnstaple, The Factory                Saturday 6th May

Bluesdoodles: Broken Machine Review – HERE

“The song Broken Machine came first, not a deliberate album title. Broken Machine is about relationships that do not work. The whole album is my life up to getting married. It is Ash from 15-30 nothing in the album covers the now it is set in the past. That said the track seemed the perfect words of the album title as it reflected the past.”  What else did Ash Wilson share read it  – HERE

Ash Wilson Broken Machine New Single & on Tour

Broken Machine Definitely NOT Ash Wilson in Conversation

Broken Machine Definitely NOT Ash Wilson in Conversation

 

Broken Machine Definitely NOT
Ash Wilson in Conversation

 

 

I was delighted when I was sent your debut album Broken Machine to review.  It is certainly an album full of blues strong guitar that makes compelling listening.

BD: What were your first musical influences growing up in Lincolnshire?
AW:
I played the guitar, but didn’t like guitar music, early on it was acoustic chords but had no interest despite being exposed to guitar music by my parents. It wasn’t until I heard a Kenny Wayne Shepherd tune on the radio, that I thought ‘I really like the sound of that’. Then I discovered Stevie Ray Vaughan, through him Jimi Hendrix and through him Howlin’ Wolf and further back through this one bit of exposure.  I met a guy when I was at Music College who had a friend who was into blues music. Other than Eric Clapton, who everyone knows I didn’t know many exponents of Blues.  If you like Blues you need to meet Trev he was my education in the blues and electric guitar.

Then I had a band with him for a few years called The Melts. He played harmonica and sang while I played guitar. It was my blues pilgrimage early on that is what got me into the music as such was pretty much Trevor to be fair. The kind of music Mum & Dad listened to was more Progressive Rock the likes of Genesis and Pink Floyd.  So not much blues guitar, though Dave Gilmour is a massive hero of mine and is a super blues player, I didn’t identify him as a blues guitarist until much later on. I come from a musical household, where everyone is well into music but blues was something I brought in after meeting different people. Then Dad came out of his shell and that he really liked Rory Gallagher it was a strange development really after not having any blues in the house. Dad brought all this old blues to the table that I hadn’t heard before on records saying you should listen to this and listen to that. I can remember saying to my Dad why didn’t you play this stuff years ago. He said, didn’t think you would be interested and to be fair I wasn’t. I played piano when younger I didn’t really have great yearning to play that instrument again. Until my cousin came over with an old acoustic and showed me a few chords I thought really cool and liked it.  I didn’t know where to look other than the likes of Gilmour and when you first start to play you have no idea how to deconstruct what was going on as couldn’t play the guitar. I asked for guitar lessons for my fourteenth birthday and then met a guy who had a band and Dad’s old records got really interested in sixties blues boom in the UK and further back. As I have got older I have gone further back, I hate to admit didn’t get into Hendrix for ages didn’t like the sound of the recordings I was so used to produced music. I didn’t like the fizzy guitar sound of Hendrix I couldn’t get my head around it then I got it. As I started to hear the depth of vinyl and the monstrous fuzz tones that we all try to get. Started to go further back and appreciate Leadbelly and Robert Johnson then came back through Muddy Waters. It was a cock-eyed way of finding music I didn’t go back in chronological order I was bouncing all over the place.

BD: Broken Machine is your debut album how did you decide on using Superfly Studios, your brother to produce the album and then Hoax guitarist Jesse Davey to guest and master the album?

Broken Machine Definitely NOT Ash Wilson in ConversationAW: Superfly, well I have been friends with Wayne Proctor for coming up to fifteen years now and worked together on Indie projects I was involved in. So after my first blues band parted company, I put together a Blues trio together with my brother Phil and Laurence Jones’ current bassist Greg Smith and we went out did local shows. Wayne came to a show and said should come to the studio after hearing track Throwing Knives which wasn’t bluesy at all. It was then called Bluewater and Wayne had just started producing and did an EP with him where Wayne played drums and Steve Amadeo  (Ainsley Lister’s bassist – and playing with Ian Parker at the time).  Alt Rock band Djune with no guitar solos the music was all about the song. We played for couple of years opened for Ocean Colour Scene despite that we never really got past the first rung, that said we were a good live band. It was in a way a vanity project with my brother Phil, alt rock inspired by Feeder, Queens of the Stone Age, etc. Recorded an album at home on a limited budget but no deadlines spent a year and learnt a lot. Then the opportunity to join Sean Webster. Not performed on the stage for a long time and not played lead very much had been locked into rhythm guitar. Sean plays a lot on the continent especially Netherlands. Played with him for about a year then got itchy feet, yes lots of work but all very specific whereas I like to do different types. So setup side project the idea was to record in the style of Jimmy Vaughan, a traditional blues album. Three guys in a room, with the whole album sounding similar to Peace & Love I was paranoid that the album would never get done, the obvious choice was Roger so rang him and he said yes so the eighth wonder of the world was on board. Only booked the studio for a week to lay down album of straight blues. I had known Andy at Superfly so obvious choice for engineer the studio close to where I live, love the music they have produced. I believed that it would be a speedy process seven days last the music job a good ‘un.

Jesse got involved as I had sung on his solo album, Big Blues. He has not got the public image that he deserves, I am a big fan of Jon Amor who is a superb guitarist, singer and writer who hasn’t got the wide public image he deserves. Met him through Barry Middleton at The Running Horse, same time as I met Wayne. The Hoax was before my time missed them in their heyday.  Jesse’s guitar is powerful and exciting, on Big Blues, by the first solo I was enraptured by it when Phil played it to me what a concept a record for a film. A Soundtrack but no movie. Jesse’s own guitar pedals sound just incredible and I was interested in his gear and wanted to buy a pedal. Listened to Infamous Vampire that JD has mastered and he asked if I would like to sing on the record. It was an amazing experience as we started by co-writing over Skype in one night we had Revelator. The lyrics are quite misogynistic but fun to listen too. It reflects on the fifties and sixties winking of an eye and Revelator is a party rather than the book of revelations! A bonus that Jesse didn’t hate it.

So with Broken Machine thought be cool to get Jesse to play on The Hitcher idea for the music came out of a jam. Late night drive, reminded me of a past experience. I though get Jesse on this song with a high ghostly vocal circa Glenn Miller and I’ll sing falsetto, visualising she was driving with the ghost of me. Told everyone else and the second guitar adds extra to the existing to a hypnotic level no difficult chords the other person is the emotional crux as I sing I was the last to know.

With Phil on Drums and the experience of producing the Djune album in our bedroom Phil as the producer was a perfect fit. As the album developed it became less a Jimmy Vaughan inspired collection. The songs took shape and the variations in sound reflected the purpose and meanings of the lyrics. We worked together Roger had his input he was clear when a song didn’t work and sent me away to build on the lyrics. Broken Machine was shaped by my experience and the interaction of Phil and Roger.

BD: Does the Title of the album Broken Machine have any particular significance?

AW:  The song Broken Machine came first, not a deliberate album title. Broken Machine is about relationships that do not work. The whole album is my life up to getting married. It is Ash from 15-30 nothing in the album covers the now it is set in the past. That said the track seemed the perfect words of the album title as it reflected the past.

BD: The album is in your name with the musicians chosen featured. Will this be the band you use when you tour? I am assuming here that you are going to be touring the album so we can hear the music live.

AW: Tour Plans… well, we are supporting South African guitarist Dan Patlansky when he tours in May. Really excited to be on the same bill and getting my music known across the U.K. we have other festivals and dates in the pipeline, it is all happening fast and once confirmed, there are some exciting Autumn dates in the pipeline I will be the first to be shouting about them through social media.

The band will definitely be Roger on bass and we are looking for a permanent drummer watch the space for the announcement. With the increasing number of gigs it would be impossible for Phil to continue in drumming role due to his commitment with Laurence Jones.  So answer is yes, lots of opportunities to hear Ash Wilson play Broken Machine and more live.

BD: I have always been interested in the lyrics of a song. The lyrics are very strong including Domestic Violence on Words Of A Woman. Do the lyrics always come first or sometimes a guitar lick or riff inspire you?

AW: This was written after the birth of my first child I was feeling emotional and vulnerable. I overheard a conversation and put myself in a wife’s place when husband has an affair, the emotional abuse when it is found out. The song is emotionally charged as the poor women thinks today is going to be the same as any other day and in a couple hours later her entire world is turned upside down.  Exploring how, why the lyrics are emotional and found them difficult to sing live.

BD: Where do you get your inspiration for your songwriting?

Broken Machine Definitely NOT Ash Wilson in ConversationAW: Normally my own experiences, the exception to date is Words Of A Woman. In fact, Roger loved that line hated the rest of the lyrics he felt were not so great, went away thought about it and remembered an event I had overheard a complete stranger. Talked to Roger as not sure about writing about someone else’s emotions, he said do it so wrote down a song that really works. Lots first on this album never written ballad before took a year to write. Could have gone to Sean but thought do it myself blaming my voice ability to level a room without doing anything but his voice. Played three years worked every time with Sean.

Moments that you had are gone we change, write and visually I try to make the words paint a picture then it is easy to write.  Often it is a phrase or even nonsense at the start and write over and around and the flow of the song builds. The story unfolds. Or it can start with a guitar solo and that inspires.

Emotional involvement is a must especially important for a ballad like Holding Hands

Next album more confidence singing about other people as well as myself. I am quite conscious of people watching anything that affects not sure about going political frustration what is on TV politic

BD: If you were putting together the perfect band with members from across the years (dead or alive) who would you have playing
AW:

Drums: Steve Gadd
Bass: Pino Palladino
Guitar: Jimmy Vaughan, Doyle Bramhall II (could have 10!)
Rhythm Guitar: Keith Richards
Keys: Stevie Wonder
Vocals: Etta James/Muddy Waters

These playing on the same stage would be really hard but interesting music would happen that I am positive.

Check out Bluesdoodles Review of Broken Machine HERE

Check out Ash Wilson’s Website HERE

http://www.ashwilsonmusic.com/shows

Dan Patlansky back In The UK on Tour with Ash Wilson April and May 2017

Dan Patlansky back In The UK on Tour with Ash Wilson April and May 2017
DAN PATLANSKY ANNOUNCES APRIL / MAY 2017 UK TOUR
WITH SPECIAL GUEST
ASH WILSON

 

Back in the UK Dan Patlansky fans will be delighted with festival and venues to catch his superlative blues-rock guitar. With special guest Ash Wilson who is attracting attention for his crooning blues that delights his audiences.

South African guitarist is undertaking his first tour since triumphant support slots with King King & Joe Satriani. Now back in 2017  as headline act with special guest Ash Wilson.

www.ashwilsonmusic.comThe UK tour follows Patlansky’s recent accolade when his current album INTROVERTIGO was voted the #1 Blues Rock Album of 2016 by the Blues Rock Review.  Introvertigo was Bluesdoodles Overseas Artist Album of 2016. His previous studio album Dear Silence Thieves which featured the rock radio favourites Backbite and Fetch Your Spade.

Dan Patlansky back In The UK on Tour with Ash Wilson April and May 2017

Tickets are available from the 24 hour box office 0844 478 0898 

or book online – The Gig Cartel or Dan Patlansky 

Mr. Kyps, Poole                                                                Saturday 15 April

HRH Blues Festival, Sheffield Academy                Sunday 16 April (SOLD OUT)

Islington O2 Academy, London                                  Tuesday 2 May

The Deaf Institute, Manchester                                Wednesday 3 May

The Globe, Cardiff                                                          Thursday 4 May

The Tunnels, Bristol                                                       Friday 5 May

The Factory, Barnstable                                                Saturday 6 May

Not heard Dan Patlansky Live read what Bluesdoodles said:-

Salisbury City Hall,  2016 Opening for King KingHERE

“First opportunity to hear tracks live from his latest superb studio album Introvertigo. They sound even more exciting when you can see Dan’s magic fingers playing with the six-strings.”

St Davids Hall 2015 Opening for Joe SatrianiHERE

“All of the musical fireworks were let off in St David’s Hall tonight with the crackling combination of blues spangled rocket man Dan Patlansky opening the proceeding Special guest of the complete guitar firework display that is Joe Satriani.”

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Dan Patlansky back In The UK on Tour with Ash Wilson April and May 2017Bluesdoodles caught up with Ash Wilson at Skegness January 2017 – joining him on stage British blues stalwarts bassist Roger Inniss, drummer Wayne Proctor and on the Hammond Bob Fridzema we said – “The set was mature, accomplished a quality performance of R n’B from everyone on stage. We heard covers like My Babe done the Ash way.  Ash’s vocals are strong at times sounding like molasses with the bass drum the heartbeat like cotton popping in a sun-drenched field as Holding Hands was sung.”

Dan Patlansky back In The UK on Tour with Ash Wilson April and May 2017

Ash also has stunning album Broken Machine out April 2017.

 

Bluesdoodles In Conversation Across The Years

It is always fascinating, hence Bluesdoodles In Conversation Across The Years. Read about the thinking behind making albums, producing albums and who would be in their fantasy band.

Bluesdoodles Interviews – 2016

JD SIMO – SIMO
Eric Johnson
Fee Waybill – The Tubes
Paul Bowe – Federal Charm
Walter Trout
Debbie Bond
Sari Schorr
Coleen Rennison – No Sinner
Jared James Nichols
Joe Louis Walker
JJ Grey 
Wayne Proctor
Kaz Hawkins
Dan Patlansky 
Dan Reed 
JD Simo

Bluesdoodles Interviews – 2015

Laurence Jones – In Conversation February 2015
Dan Patlansky – In Conversation April 2015
Alan Nimmo – In Conversation May 2015
Julian Moores – In Conversation May 2015
Chantel McGregor – In Conversation October 2015
Erja Lyytinen – In Conversation October 2015
Rob Richings – In Conversation November 2015

Blues is back in Sheffield HRH 2017

 

Blues is back in Sheffield HRH 2017

 

Blues is back in Sheffield HRH 2017

 

HRH Blues 2016 was superb read what we said HERE

 

New Jersey’s Billy Walton Band join King King, Ten Years After, Stan Webb, Simon Mc Bride & Dan Patlansky to complete the cycle 3 line up of HRH Blues.

What a line-up this not just promises to be exciting it will be with scintillating guitars, powerful voices as blues is twisted, turned creating a rainbow faceted jewel of every shade of blue. will be rocked, amazed and excited by the music from the first to the last note.

HRH Blues are proud to fly in yet another incredible talent for its 3rd round of Blues rock infused fun in Sheffield.

The Billy Walton Band compliment an already stellar Blues Rock line up and with under 90 tickets remaining, it looks like it will sell out even earlier than last year.

 Ten Years After and Bernie Marsden performing at last year’s HRH Blues 2

 Ten Years After

Bernie Marsden

HRH CEO Jonni Davis praised the band by saying  “ Walton’s talents are no secret among everyone in the Jersey shore music scene and with the founding of the Billy Walton Band, there’s little doubt his reputation will grow far beyond the Garden State. The Billy Walton Band’s sound is a combination of hard blues reminiscent of Hendrix, Clapton and Vaughn mixed with a healthy dose of Warren Hayes and Derrick Trucks.

“Live, Walton has always been an explosive performer with Jaw dropping talent but with the addition of bassist William Paris, Richie Taz on sax and drummer Johnny D’Angelo the Billy Walton band churns out a singular brand of funky blues that has deep roots in both the jam band musical tradition as well as the Jersey shore Walton has cut his teeth on. We can’t wait to see him perform next year in Sheffield.”

 

HRH Blues 3 takes place on 15th & 16th April 2017 @ the 02 Academy , Sheffield and the last few tickets can be booked online HERE  or by ringing Lisa on 0207 097 1521

 

 

Pick of the Albums Reviewed – 2016: April – June

Pick of the Albums Reviewed – 2016:
April – June

Bluesdoodles listens to music recorded and live from across the genres. Bluesdoodles reviews all albums received with an open-mind and will always look for the elements that make the music stand out from the crowd!. The albums we award 10 doodle paws too, for us have a special connection, and acknowledge like all reviewers our scoring is subjective. Between 1st April and 30th June 2016 Bluesdoodles reviewed 33 albums that reflect the depth and breadth of music being recorded in studios around the world. Remember albums not included on the lists are still excellent; definitely worth listening to and purchasing especially go see music live at venues near you support music and the artists who travel the roads so we can hear music full of passion and the special ingredient of a live performance.

This is the second quarter of 2016 and all of these will be in with a shout for the Bluesdoodles Dozen of 2016.


Kaz Hawkins – Feelin Good
Dan Patlansky – Introvertigo
Giles Robson – For Those Who Need The Blues


Albany Down – The Outer Reach
Jimbo Mathus – Band of Storms
The Rides – Pierced Arrow


No Sinner – Old Habits Die Hard
Rival Sons – Hollow Bones
Black Stone Cherry – Kentucky

Cardiff Globe Shining Hot With Guitar Magic

Cardiff Globe Shining Hot With Guitar MagicDan Patlansky-2371

Cardiff Globe Shining Hot With Guitar Magic

 

 

 

Tonight Cardiff is in for a treat a double helping of scintillating guitar work over two different complexions. Opening with lyric driven blues/roots Tristan MacKay with his percussive acoustic. Tristan lays down a blues riff on the guitar, melded in with folk and roots. The short set exploring Wire and Wood both the guitar and his latest critically acclaimed album. The title track was included, it being an homage to the salvation he found in his guitar during his teenage years. He is a busker that has found his vocation and the third album he promises will be really special.
Tristan and Dan are like a British Summer – the calm, warm cloudless skies with Tristan’s lyrics the clouds that always appear on the horizon. The tension rises, the humidity rises and then the violence of the power of a thunderstorm and lightning flashes of brilliance that is Dan Patlansky full of electric energy. Wow what an array of sounds the manipulation of wood and wire makes in the hands of these skillful practitioners.

Dan produced a set of full-on hefty blues-rock of the highest quality. The guitar work was breathtaking from the first note to the last, highly charged, emotional one-hundred percent full-on that excited enchanted and amazed the crowds at The Globe tonight. Everyone present was hot, the room was sweltering and the guitar and vocals made the temperature rise even higher. Tonight we were treated to an object lesson in how to manipulate the six-strings whilst maintaining the perfect shape and control for hefty blues-rock.

Opening with an instrumental Drone which builds the tension as it leads into Sonnava Faith from the superb album Introvertigo. The vocals soared above the guitar and the band adding textural contexts to the power of Dan’s lyrics. The set wasn’t all about hefty chords as Dan adds Loosen The Grip a ballad that cools the heat down and Dan’s gruff, emotionally charged vocals take centre stage with ‘Old Red’ his trusty guitar playing to the voices tune. His battered, bruised and beautiful guitar is given a rest as he moved onto the slide-dominated Heatbeat on his shiny white Strat. Dan has the capacity to squeeze every ounce of energy, emotion and power out of every single number, making the hairs on the back of your neck stand out.

Back to “Old Red” with a slow blues number the music shows that there is nothing introverted about Introvertigo. Stop The Messin’ is superb, no wonder it is having lots of radio play on Planet Rock, and then as the set reaches its climax we dip into Dear Silence Thieves with Backbite and Fetch Your Spade. Dan is delighted that we have turned out to hear his music thanking us, the appreciation is all from us. Completing the set My Channa, those who are seeing Dan live for the first time had no idea what guitar antics they were in for. Dan manipulates every part of the guitar; his fingers explore every part his right-hand dancing up and down the frets in a complex choreographic amazing ballet. Whilst, his left-hand was an acrobatic display then, the left and right joined together high on a fret in a gavotte of modern rock. There was more to come visually absorbing and tonally charged Dan was in control as the set closed with one finger holding the guitar high, but not as loud and high as the applause and cheers of an audience that wanted more. The encore of two more amazing numbers closed a night where Dan turned guitar playing into a pure art-form.

 

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