Dan Patlansky Guitar and Vocals asks if Perfection Kills

Perfection Kills as We Talk to Dan Patlansky

Raw, authentic hot guitar like molten fire pouring around the mould created by lyrics that captivate. No-one needs to seek perfection under the aural hug of Dan Patlansky’s latest album Perfection Kills. Following on from a pair of critically acclaimed albums Dear Silence Thieves & Introvertigo; Dan needs no introduction. We have come to expect a guitar sound that stings and vocals that are a beguiling mix of melodic rock and deep down dirty as the vocals are spat out or become a melodic ballad. Then there is the third element, those deep dark slow blues that melt the Strat’s six-strings. If Perfection Kills as Dan suggests I say throw away the quest sit back and let the latest album wash away the day’s demands with the tracks that will delight from the first to the last note.

The opening phrasing of Johnny is gently melodic building with a crescendo that announces the mighty guitar of Dan Patlansky in the room. Followed by our first hit of vocals spat out by Dan’s distinctive vocalization, gruff, clear and melodic always in total control. Dan controls the number by stunning licks and vocals that just demand your attention. The first thing you notice is the warmth of tone it has a texture and tone that is vibrant, organic and a living being that Dan has shaped through his production of the album. Halfway through Johnny, the guitar is sharp stinging with Satriani inspired imploring as the six strings are made to sing with a melodic purity. Johnny’s challenging upbringing comes to the fore as the guitar tone and lyrical intensity ebbs and flows. Johnny has controlled volatility, summing up Dan’s amazing approach to Blues-Rock.

Like the last two albums, there is no title track, but a loose thematic flowing through the structure of the album. The theme being explored is our perpetual goal of finding perfection, in relationships, the work we do, and how we project ourselves through social media. As Dan says, Perfection Kills. The relentless pursuit of perfection always just around the next corner is slowly destroying the artistry within us all as humans. Captured in Never Long Enough; how time is catching up with us and the next departure is always too soon.

Slowing the tempo down with slow melodic blues. Mayday with the vocals softer, yearning drenched in a feeling of regret.  We are on a whirligig of daily demands as the refrain of the title over and over. Building the tension, the rush, and then the guitar cools the frenzy down. Focusing on the important things in life love, anger and frustration spills over into the guitar on Too Far Gone. A despairing wildness in the delivery of the vocals.  The question being asked can we turn the clock back and be more caring about the environment and can mankind be kinder, fairer and less stupid. The lead breaks have glimmers of hope with a cascade of notes combine with a harder edge questioning if we have any hope of taking this positive view.  Once again guitar and vocals add tonal layering to the lyrics adding more this is music to be heard, enjoyed and listened to. Not analysis for perfection but gaining a clear understanding of the question the album asks from the album cover to the last notes of Dog Day.

On Introvertigo, there was Queen Puree to his daughter. Now we have a song for My Dear Boy – his son and allows him to imagine with freedom and a sense of positivity as he imagines the life of his dear boy. The lyrics sit on top of stinging guitar coloured electric blue as the strat delivers the notes that make this outpouring of love and hopefulness into a melodic song that will leave live audiences demanding more.

Unusually the first single from the album is the final track and Dog Day hard-edged rocking your socks off with its booming bass line and once again Dan is challenging the stress we create that is, in reality, a first world problem. Self-absorbing, making us run faster-seeking something that cannot be defined. Yes as Dan Patlansky says Perfection Kills defining the sound and approach on his latest album. Dan may say Perfection Kills – one thing for certain very track is a Killer and who cares about perfection? We love the tone, texture, feel and organic energy captured by voice and guitar that define Dan Patlansky on every track he plays. Blues that definitely rocks perfection of its pedestal.

Dan Patlansky Guitar and Vocals asks if Perfection Kills

TENpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Johnny
  2. Never Long Enough
  3. Mayday
  4. Too Far Gone
  5. Judge a Man
  6. Junket Man
  7. Eyes
  8. Shake The Cage
  9. My Dear Boy
  10. Dog Day

Dan Patlansky chatted to Liz about making the album, the repair on Old Red and more check out what was said:-

Perfection Kills as We Talk to Dan Patlansky

 

 

Dan Patlansky Guitar and Vocals asks if Perfection Kills

Perfection Kills as We Talk to Dan Patlansky

Perfection Kills as We Talk to Dan PatlanskyPerfection Kills as We Talk to Dan Patlansky: 2018 already looks massive with exciting new albums, tours and more. Music rules 2018 that is a certainty. Kickstarting 2018 with his new album Perfection Kills, Dan Patlansky is smoking hot as he follows up his critically acclaimed 2016 album Introvertigo.

BD: Thank you once again for taking time out to chat to Bluesdoodles from South Africa. I was so disappointed not to have been able to catch up with you in Bristol when the Joanne Shaw Taylor show you were the special guest of was re-scheduled as she was not well. That said New Year, New Album and back touring England in March.

 

BD: When we last chatted we talked about the rebuilding of Old Red. How did the face-lift go and does the guitar feature on Perfection Kills?

DP: It does appear on Perfection Kills and the facelift went really well. I found a vintage neck to use so that was a great start. For the first few shows, it felt different but now feels and sounds right, and is on the whole of Perfection Kills and feels like home now. Old Red has been played for the last twenty years and time was having its effect. When over in the UK last April, Ash Wilson was opening the shows. He loved the sound of the guitar and at the soundcheck at The Globe in Cardiff, he asked if he could have a play. So I said yes, he picked it up and said wow how do you play, this guitar is impossible to play. I have got used to the imperfections and adapted either way I play. Ash said, take my guitar with a straight neck. I then realised how hard it was to play, at that point it was a no-brainer to have Old Red refurbished BD: So you adjusted like we all do when something is worn like the temperature guide on your cooker, it is not until someone else points it out you realise there is a problem DP: Yes, just like that the changes happen gradually and you adapt to the little flaws and I have adapted over time as the neck twisted. The new neck is easier to play, easier on my hands now I do not have to work quite so hard.

Perfection Kills as We Talk to Dan PatlanskyBD: Ten new tracks, before we talk about the inspiration behind them what is behind the Title Perfection Kills and the artwork of the Album cover with its dark, retro feel?

DP: Well I do like the thing of the dark laughing. The album cover is a representation of the title, Perfection Kills. There is no such thing as perfection in art. There is no yardstick to measure any art form against. By trying to obtain perfection the music is over polished. Polishing out the imperfections, rawness of sound the live organic feel. That is why I decided to produce this album myself.  The producer of Introvertigo and other albums, Theo Crous will always be my mentor. The concept of Perfection Kills called for this new approach.

The cover reflects that I have always been a massive Pink Floyd fan, their album covers are my favourites. This album cover is supposed to be intriguing going outside of music and arts with a family and the vibe being killed. The mum is turning into a plastic mannequin, the girl cannot breathe in the atmosphere being created and Dad may look complacent in fact he has given up living every hour as it comes.

BD: You have recorded the album in Scherzo Production, what prompted this choice other than it being based in your hometown?

DP: Having recorded both Dear Silence Thieves & Introvertigo at Theo’s studio, I had a clear picture of the sound I wanted. It wasn’t going to be achieved in a traditional, very clinical studio with a sound deadened room. The studio that would work for me happened to be close to where I lived. The recording space sounded like a living room with a natural sound the wooden walls made the sound like playing live especially the drum and guitar sound not just close to the mic in a sterile space.  Also, it was fantastic coming home at the end of the day rather than in another hotel room.  I could come home and sleep on it, still many sleepless nights, over what is working, why other parts are not working what needs to be changed to make it good. Sleepless nights at home are definitely better than in a sterile hotel room.

 BD: The first single from the album Dog Day has been receiving airplay ramping up attention for the album and getting the fans excited. How and why did you choose the number that closes the album to be the first out of the traps in the public sphere?

DP: I didn’t choose Dog Day, I initially thought Johnny would be a better single. I am happy with the choice made by my team here in South Africa and U.K that this was the first single. In fact, I just popped Dog Day on last without any thought. It was not my decision, not unhappy as that is why I pay people to make these decisions. In fact, it is perfect that Dog Day is the last track on the album – people will listen to the whole album before hearing what has become familiar the first single Dog Day.

BD: The songs are impactive with many tones and textures and wide-ranging topics covered reflecting the modern world bringing a darker side to the lyrics on tracks such as Too Far Gone, Mayday and even iEyes.  Many of your songs are about stepping out of our and your comfort zone does the guitar playing help you reach those tricky places.

DP: Playing guitar is comfortable, it is my security blanket. I am more confident playing the guitar. My approach to creating the album is about embracing change and taking risks with change speaks to the picture-taking and embracing change. It was a high risk, high reward strategy, I closed my eyes and just hoped that it would turn out successful and as I had imagined it.

BD: iEyes subject makes it a crossover number with many younger people who are getting disillusioned with Social Media?

DP: Yes, we are all entranced with our phones and pads. The inspiration goes back to when I looked up while I was playing to a sold-out gig in London a couple of years ago I saw that 90% were watching the live music they had paid to see and hear was being viewed through the back of a phone as they were filming it. I fail at times, as I am just as guilty spending too much time on the phone. We need quality interaction with people and music not just through our phones.

 BD: On Introvertigo, you had a song dedicated to your daughter, Queen Purree now we have My Dear Boy for your son Jack.

DP: I felt it was a little bit unfair just for my girl to have a song. My wife was pregnant with him while recording the album so felt very relevant topic to write about for the album absolutely had to be on the album. It is gentle and bit more melodic as if speaking to him. Now I have got to know him it suits his personality.

BD: What tracks will you be taking on the road with you when touring England in March.  I know many of your fans will be disappointed that you haven’t fitted in Scotland and Wales. Touring is addressed in Junket Man, how do you plan where to visit when you visit the U.K?

DP:  I don’t plan, I get given the tour by my booking agent/promoter. I was disappointed no Cardiff or Glasgow dates, I know fans will be disappointed. Will only decide the tracks to be played live after rehearsing them with the band along with a couple of shows in South Africa will have a better indication of which tracks. All of the tracks on Perfection Kills should work live so hopefully all of them will appear on the set list.  For the UK tour I will have the German band I toured with it works better logistically they drive the van across and pick me up at Heathrow and the tour begins. This time we start in Bahrain & Dubai so while in the Middle East will have couple days to rehearse the new material and the shows to warm us up before UK tour starting in Manchester.

BD:  Thank you, Dan, for once again taking time to talk to me and sharing your thoughts on the new album, touring and more. Be fantastic to hear the new music played live and loud in 2018.

Perfection Kills as We Talk to Dan Patlansky

 

 

 

 

Advent Day 18 What Bluesdoodles Talked about in 2017

Advent Day 18 What Bluesdoodles Talked about in 2017

Throughout 2017 Bluesdoodles has had the opportunity to talk to some wonderful musicians. Adding to the excitement We now have Wes O’Neill who will continue throughout out 2018 bringing you insightful interviews; Liz will be adding some as well. Bluesdoodles giving you an inside view of the artists we love to hear play live and recorded. Everyone at Bluesdoodles thanks, to the PR and Record Companies and most of all our gratitude to all the artists for their valuable time and willingness to answer the questions.
Bluesdoodles discussed, new albums, debut Albums, first Headliner Tour and what makes a great song.  Explore the thirty conversations, listen and buy the music and see artist live where and whenever possible

Now to explore our conversations 2017!

Alastair Greene

Chantel McGregor

Jack J. Hutchinson

Dan Reed – Dan Reed Network

Fabrizio Grossie – Supersonic Blues Machine

Brian Downey – Alive and Dangerous

Stevie Westwood – Bad Touch

JW Jones

Mollie Marriott

Rebecca Downes

SIMO

Erja Lytinnen

Five Bands talking about UK Blues Challenge (LaVendore Rogue – Elles BaileyRobert J HunterZoe Schwarz Blue CommotionRainbreakers)

Alan Nimmo – King King

A Thousand Horses

Ray Dorsett – Aka Mungo Jerry

Kenny Wayne Shepherd

Feargal Sharkey

Sonny Landreth

Jared James Nichols

Wilko Johnson

Dan Patlansky

Sari Schorr

Ash Wilson

Husky Tones

Ronnie Baker Brooks

Danny Core – The Broken Witt Rebels

 

 

 

 

 

 

 

 

Noble DAY EIGHT Bluesdoodles Advent Calendar

Noble DAY EIGHT Bluesdoodles Advent Calendar

Noble DAY EIGHT Bluesdoodles Advent Calendar

 

 

 

 

It is definitely a Noble DAY EIGHT Bluesdoodles Advent Calendar. This is a huge thank you for the music that has inspired and motivated Bluesdoodles, with exciting albums and tours that makes the music year speed by.

 

ALBUM REVIEWS – IN CONVERSATION WITH – BANDS ON TOUR

DAsh Wilson Broken Machine New Single & on TourAsh Wilson

Broken Machine Album Review HERE

In Conversation – This is what we Talked About HERE

Live Show in Bristol – What a night of live music HERE

 

Rainbreakers Talks About 2017 UK Blues ChallengeRainbreakers       

Rise Up Album Review HERE

In Conversation – This is what we Talked About HERE

 

 

Michael Schenker Live In Tokyo Rocks Your Socks OffMichael Schenker

Live In Tokyo Album Review HERE

 

 

Q&A with Erja Lytinnen Stolen Hearts Guitars and TouringErja Lyytinen

Stolen Hearts Album Review HERE

In Conversation – This is what we Talked About HERE

Live Show in Bristol – What a night of live music HERE

 

Joe Bonamassa Live at Carnegie Hall Acoustic Album

Joe Bonamassa

Live In Carnegie Hall Album Review HERE

 

 

Manhaton Records Delivering Quality BluesRobin Trower

Time and Emotion Album review HERE

 

 

High Temperature Conversation With JW Jones

JW Jones

High Temperature Album review HERE

In Conversation – This is what we Talked About HERE

Live Show in Bristol – What a night of live music HERE

 

Suzi Quatro The Best Is Legend Her New AlbumSuzi Quatro The Best Is Legend Her New AlbumSuzi Quatro The Best Is Legend Her New AlbumSuzi Quatro The Best Is Legend Her New AlbumSuzi Quatro The Best Is Legend Her New AlbumSuzi Quatro The Best Is Legend Her New AlbumSuzi Q

Legends Album review HERE

 

Wilko Johnson

In Conversation – This is what we Talked About HERE

Sari Schorr

In Conversation – This is what we Talked About HERE

Live Show in Bristol – What a night of live music HERE

Live Show in Pontypridd – What a night of live music HERE

As Mollie says Truth Is A Wolf on her Debut AlbumMollie Marriott

Truth Is A Wolf Album review HERE

In Conversation – This is what we Talked About HERE

Live Show in Bristol – What a night of live music HERE

 

Who will join Stone Broken on Probably The Tour 2018The Bad Flowers

Single review HERE

 

 

Manhaton Records Delivering Quality BluesKing King

Exile & Grace Album review HERE

In Conversation – This is what we Talked About HERE

Live Show in Bristol – What a night of live music HERE

 

Black Country Communion Marches In With Rock on BCCIVBlack Country Communion

BCCIV Album review HERE

 

 

Bad Touch

In Conversation – This is what we Talked About HERE

Live Show in Bristol – What a night of live music HERE

 

 

Samantha Fish the Belle of The West on this AlbumSamantha Fish

Belle Of The West Album review HERE

Live Show in Bristol – What a night of live music HERE

 

Dan Reed Network New Album Video plus Supporting ExtremeDan Reed

In Conversation – This is what we Talked About HERE

Live Show in Cardiff – What a night of live music HERE

 

 

Dan Patlansky Stunning Guitar Returns to The GlobeDan Patlansky

In Conversation – This is what we Talked About HERE

Live Show in Cardiff – What a night of live music HERE

 

 

Steelhouse 2017 Simply Marvellous Mud Music and MatesJared James Nichols

In Conversation – This is what we Talked About HERE

Festival Fun Steelhouse HERE

 

 

 

 

 

Read Why Tonight Glenn Hughes was pure Gold as he Resonated across The FleeceGlenn Hughes

Live Show in Bristol – What a night of live music HERE

 

 

 

 

Noble DAY EIGHT Bluesdoodles Advent Calendar

 

 

 

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

RELEASED ON CD, 180 GRAM VINYL, MASTERED FOR iTUNES DIGITAL AND STANDARD DIGITAL DOWNLOAD

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

PERFECTION KILLS – MARCH 2018 UK TOUR

DAN PATLANSKY – PERFECTION KILLS MARCH 2018 UK TOUR

TICKETS –  The Gig Cartel or DanPatlansky 

Manchester, Deaf Institute             Thursday 15 March           

Newcastle, The Cluny                      Friday 16 March

Leek, Foxlowe Arts Centre              Saturday 17 March

Bristol, The Tunnel                          Sunday 18 March

Sheffield, Greystones                     Tuesday 20 March

London, Borderline                        Wednesday 21 March         

South African singer-songwriter and guitarist, Dan Patlansky, is set to the release his new studio album Perfection Kills in the UK on Friday 2nd February 2018. The album is the follow up to 2016’s critically acclaimed Introvertigo which was voted #1 BluesRock Album 2016 by Blues Rock Review.

Bluesdoodles loved the album Introvertivgo we said this and more “Introvertigo with its carefully crafted lyrics that blend urbane wit and honest observation, this is blues pertinent to today’s lifestyles, not so much whiskey and women more the corruption of power and social interaction. Ten tracks there are no fillers every number is full of strength and tonal power but there is not an off note or lyric”.

To dovetail with the release of the new album, Dan will be the special guest on Joanne Shaw Taylor’s nationwide 7-date UK tour that starts on Tuesday 7th November at Gateshead Sage. To coincide with the tour, he will release a new single Dog Day taken from the Perfection Kills album.  Dan said “There’s going to be a big emphasis on a lot of touring around the new record which I can’t wait for. November 2017 I will be touring with Joanne Shaw Taylor in the U.K and will perform the first single, Dog Day, live for the first time. March 2018 we return to U.K/Europe for the Perfection Kills album launch tour.

Check out the November UK tour dates HERE

Patlansky was nominated as one of Classic Rock magazine’s hotly tipped new artists of 2015. His album, Dear Silence Thieves received accolades and praise from the British press. He’s been voted Most Promising Male Blues Artist by Blues & Soul Magazine, and only recently has he been nominated as Best International Solo Artist at the Planet Rock Radio ‘Rocks’ Awards.

2018 Dan Patlansky UK Tour Plus New Album Perfection KillsPerfection Kills was recorded at Scherzo Productions, a recording studio in Dan’s hometown of Pretoria, South Africa. Dan chose Scherzo because he wanted to make a different sounding record and he felt it was the right studio for his vision.

Patlansky produced the album himself, something he hadn’t done in years. Says Dan, “I learnt so much working with Theo Crous who was the producer on previous two albums Dear Silence Thieves and Introvertigo. I worked on pre-production and songwriting with Theo on a couple of the tracks for Perfection Kills and applied what I learnt to the recording and production process of the album.”

Perfection Kills is all about my vision of making a record that still make the songwriting a priority as in the past, the final product delivers a far more real and organic result.”

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

Do not delay reserve you seat at shows that will heat up the coldest Winter Night

JOANNE SHAW TAYLOR NOVEMBER 2017 UK TOUR
WITH SPECIAL GUEST DAN PATLANSKY
TICKETS – 

24 HOUR BOX OFFICE – 0844 478 0898

BOOK ONLINE – The Gig Cartel or Dan Patlansky

 Gateshead, The Sage – Tuesday 7th November 2017

Tickets: £30, £27.30, £25.10, £21.80
Venue Box Office: 0191 443 4661 or Gig Cartel: 0844 478 0898
Book Online: The Sage  or The Gig Cartel

Cambridge, Corn Exchange – Thursday 9th November 2017

Venue Box Office: 01223 357 851 or Gig Cartel: 0844 478 0898
Book Online: Corn Exchange or  The Gig Cartel

Manchester, Bridgewater Hall – Friday 10th November 2017

 Venue Box Office: 0161 907 9000 or Gig Cartel: 0844 478 0898
Book Online: Bridgewater Hall or The Gig Cartel

Glasgow, Royal Concert Hall – Sunday 12th November 2017

Tickets: £27.50, £25.00, £23.50, £20.00
Venue Box Office: 0141 353 8000 or Gig Cartel: 0844 478 0898
Book Online: Glasgow Royal Concert Hall,  or The Gig Cartel

Bristol, Colston Hall – Tuesday 14th November 2017

Tickets: £21.50 to £29.56 incl. booking fee
Venue Box Office: 0117 203 4040 or Gig Cartel: 0844 478 0898
Book Online: Bristol Colston Hall or The Gig Cartel

London, Royal Festival Hall – Friday 15th November 2017

Tickets: £20 – £29.50 plus booking fee
Venue Box Office: 0844 875 0073 or Gig Cartel: 0844 478 0898
Book Online: Royal Festival Hall  or The Gig Cartel

Birmingham, Symphony Hall – Monday 20th November 2017

Tickets: £23 – £30.50 inc. booking fee 
Venue Box Office: 0121 780 3333 or Gig Cartel: 0844 478 0898
Book Online: Birmingham Symphony Hall or The Gig Cartel

As we said when we recently heard Dan play live in Cardiff he is – “Majestic, scintillating jaw-dropping good.”

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

Dan Patlansky Joins Joanne Shaw Taylor November Tour

Dan Patlansky Joins Joanne Shaw Taylor November Tour

Dan Patlansky Joins Joanne Shaw Taylor November Tour

The UK tour dates includes Gateshead Sage (Nov 7), Cambridge Corn Exchange (Nov 9), Manchester Bridgewater Hall (Nov 10), Glasgow Royal Concert Hall (Nov 12), Bristol Colston Hall (May Nov 14), London Royal Festival Hall (Nov 15), and Birmingham Symphony Hall (Nov 20). Tickets are available from the 24 hour box office 0844 478 0898 or The Gig Cartel  and Dan Patlansky  

Two of Bluesdoodles Favourite guitarist with 10 paws albums from 2016.

Pick of the Albums Reviewed - 2016: July - Sept 2016Joanne Shaw Taylor’s Wild 

We said: There is a ferocity in the delivery that makes this an album where you want to hear the music live, the tempo and a sense of purpose that has a wildness in its sense of freedom. Joanne Shaw Taylor’s mighty potential has been unleashed and set free resulting in a ride of musical delights that is compelling and Wild.

Our full review can be found HERE

 

Dan Patlansky In Conversation Touring 2017 and Beyond

Dan Patlansky’s Introvertigo

We said:  Introvertigo with its carefully crafted lyrics that blend urbane wit and honest observation, this is blues pertinent to today’s lifestyles, not so much whiskey and women more the corruption of power and social interaction. Ten tracks there are no fillers

Our full review can be found HERE

In the studio they are outstanding, live they take Blues-Rock to another level the shows are going to be a sparkling manipulation of the guitar. Joanne Shaw Taylor’s special guest  according to Music News “On record Dan Patlansky is quite superb but on stage, with a capacity crowd in his pocket from the off, he takes it to another level.”

 

Do not delay reserve you seat at shows that will heat up the coldest Winter Night

JOANNE SHAW TAYLOR NOVEMBER 2017 UK TOUR
WITH SPECIAL GUEST DAN PATLANSKY
TICKETS – 

24 HOUR BOX OFFICE – 0844 478 0898

BOOK ONLINE – The Gig Cartel or Dan Patlansky

 Gateshead, The Sage – Tuesday 7th November 2017

Tickets: £30, £27.30, £25.10, £21.80
Venue Box Office: 0191 443 4661 or Gig Cartel: 0844 478 0898
Book Online: The Sage  or The Gig Cartel

Cambridge, Corn Exchange – Thursday 9th November 2017

Venue Box Office: 01223 357 851 or Gig Cartel: 0844 478 0898
Book Online: Corn Exchange or  The Gig Cartel

Manchester, Bridgewater Hall – Friday 10th November 2017

 Venue Box Office: 0161 907 9000 or Gig Cartel: 0844 478 0898
Book Online: Bridgewater Hall or The Gig Cartel

Glasgow, Royal Concert Hall – Sunday 12th November 2017

Tickets: £27.50, £25.00, £23.50, £20.00
Venue Box Office: 0141 353 8000 or Gig Cartel: 0844 478 0898
Book Online: Glasgow Royal Concert Hall,  or The Gig Cartel

Bristol, Colston Hall – Tuesday 14th November 2017

Tickets: £21.50 to £29.56 incl. booking fee
Venue Box Office: 0117 203 4040 or Gig Cartel: 0844 478 0898
Book Online: Bristol Colston Hall or The Gig Cartel

London, Royal Festival Hall – Friday 15th November 2017

Tickets: £20 – £29.50 plus booking fee
Venue Box Office: 0844 875 0073 or Gig Cartel: 0844 478 0898
Book Online: Royal Festival Hall  or The Gig Cartel

Birmingham, Symphony Hall – Monday 20th November 2017

Tickets: £23 – £30.50 inc. booking fee
Venue Box Office: 0121 780 3333 or Gig Cartel: 0844 478 0898
Book Online: Birmingham Symphony Hall or The Gig Cartel

As we said when we recently heard Dan play live in Cardiff he is – “Majestic, scintillating jaw-dropping good.”

Dan Patlansky Joins Joanne Shaw Taylor November Tour
Photo Credit Edyta Kzesak

Dan Patlansky Stunning Guitar Returns to The Globe

Dan Patlansky Stunning Guitar Returns to The Globe

Dan Patlansky Stunning Guitar Returns to The Globe

 

 

Back in Cardiff town again South African, guitar wizard, Dan Patlansky who invited Ash Wilson to join the May party as his special guest. A definite winning combination full of textured, tasty guitar that exploring the Blues.

Dan Patlansky Stunning Guitar Returns to The GlobeBy the number of Dan Patlansky T-shirts on display in the audience at The Globe; they had come to be entertained by the renowned guitar spectacular that is his trademark. Before, that Ash Wilson and his band took to the stage, to a venue that was slowly filling up. For the majority Ash was an unknown, the audience didn’t know what to expect. The result was a happy crowd, who enjoyed the opening numbers that gave justice to his debut album Broken Machine. Ash is a great performer letting the guitar and lyrics tell the story. It was a shame that the acoustic dampened the vocals. Ash did not disappoint with a rhythm section that set the shape of the blues he was displaying. On bass Steve Amadeo stepping into Roger Inniss shoes and Tristan Poole on drums. With a short strong set five songs from Broken Machine and closing with a Michael Jackson workout. Every number had persuasive listenability, with strong lyrics it is a dramatic slow blues ballad, domestic abuse through the eyes of a woman. It was the stand out moment.  The Wilson machine is definitely not broken the guitar delivering across the six strings.

 

 

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The Globe was buzzing with the hum of contentment; they had heard blues shuffle, slow blues and those with a rocky edge. Now for the main event.

Dan Patlansky Stunning Guitar Returns to The GlobeIn a few words. Majestic, scintillating jaw-dropping good, describes an Patlansky tonight. Tonight was a celebration for the acclaimed album Introvertigo. On the last few nights where this album will be centre stage. AS, on his return to South Africa it is back in the studio for another helping of studio work from Patlansky. A mouth-watering prospect, along with and promising to be back this time next year with album in hand.

Back to the live music being played tonight. With a trio of immensely musicians from Hamburg, joing Dan tonight in Cardiff. Smiling, Felix Dehmel with his imaginative and stylish drumming; Johnathan Murphy with his rhythmic bass and adding chords with hidden depths on the keys Tom Gatza and supplying tasty backing vocals.  Dan Patlansky is a blues-rock plays phenomenal guitar on his trusty 1962 Dan Patlansky Stunning Guitar Returns to The GlobeFender Strat ‘Old Red’ joined tonight by a guitar specially made for Slide from California with the maker Michael Couling in the audience to hear his masterpiece played live. Bright blue and cutting a sliding dash.

Opening with a  guitar driven instrumental jam, starting quiet Drone builds, holding the audience spellbound a we all listened in silence, then wham as his he exploded with all guitar cylinders firing, with his latest single from Introvertigo; Sonova Faith. Dan never plays the guitar with just his fingers, his whole body bends into the guitar with the energy flowing into the instrument. It is a workout of mind and body and add into the mix vocals that are strong full of emotional depths. A wonderful rendition of Jimmy Reeds Bright Lights Big City, as we floated on the reworking of this classic blues number. Into this mix we heard Stop The Messin’ and Heartbeat that had the crowds whooping with delight. The slow blues, which as he says is a must on every Dan album tonight was Introvertigo’s Still Wanna Be Your Man. So Dramatic and quite beautiful, clever use of silence then the build up to add drama. The dueling with Tom on keys was just one of the many highlights from this super-talented guitarists. He is one of the most innovative on the circuit.

Dan Patlansky Stunning Guitar Returns to The GlobeWith Backbite and My Chana from the wonderful Dear Silence Thieves album be wanted more. The guitar acrobatics, use of feed back, the power of the whole guitar is no party trick it is an artistry as Dan manipulates every inch of ‘Old Red’ who obliges every time. The band came back for two extended numbers we were awestruck in the presence of a virtuoso on the fender.

Dan Patlansky’s reputation and popularity continues to grow, reflecting the talent grown out of a true infinity with the guitar. All that is left to say Thank-you Dan for the blues and come back to Cardiff very soon.

 

 

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Check out more Bluesdoodles insights into the music of both Ash Wilson & Dan Patlansky

 

Dan Patlansky In Conversation Touring 2017 and Beyond Introvertigo Review HERE
Dear Silence Thieves Review HERE

Dan in conversation HERE

 

DAsh Wilson Broken Machine New Single & on Tour Broken Machine Review HERE

Ash In Conversation HERE

 

 

Dan Patlansky Stunning Guitar Returns to The Globe

Dan Patlansky In Conversation Touring 2017 and Beyond

Dan Patlansky In Conversation Touring 2017 and Beyond

Dan Patlansky In Conversation
Touring 2017 and Beyond

BD: Morning Dan, great to see and catch up with you in Sheffield at HRH Blues and the opportunity to talk this morning

 BD: Dan Patlansky, Back in UK and Europe for an exciting tour. Latest single Sonova Faith from the award-winning and acclaimed album Introvertigo.  Returning to venues new and old favourites? With a new band tell us about your touring plan. Starting off at Mr Kyps with Ash Wilson opening and HRH festival you have hit the ground running

DP: Yes, back in UK and Europe with second round touring with Introvertigo.  Following the achievement of Introvertigo being number 1 Blues Rock Album of 2016 by the influential American website Blues Rock Review.  So we are back with a new band of session musicians from Germany bringing a different feel from my South African band. Part tour back at The Globe in Cardiff which will be such fun with Ash Wilson opening a great band, great songs the combination will be a good night of live music following on from Mr Kyps. HRH Blues was amazing great crowd and some amazing bands the atmosphere was really positive.

BD: Having heard your acoustic set at HRH which was wonderful, elegant, beautiful with lingering notes that I wanted to last forever; have you thought about doing more acoustic in the UK?

DP: Yes, it was fun. Acoustic is a different beast to playing electric. In some ways limiting with the change of guitar style. It is a challenge in the way you play and think about the music. As for playing acoustic in the UK; back in South Africa we often do the combination acting as our own support act. Yet to do that in the UK. Perhaps for the future; the logistic of travelling with an Acoustic rig as well as electric will be another travelling challenge. For acoustic at HRH I borrowed Big Boy Bloaters guitar, it was great to play and a big thank you to Big Boy Bloater’s loan of his lovely acoustic guitar. It was a different vibe when I played the guitar showing the power of acoustic.

BD: We all love to hear you get that special sound out of your Strat Old Red and is certainly how you continue to build your fan base. Tell us about strings, pickups and I believe you are retiring the beautiful guitar. How will you find a replacement?

DP: I play with twelve gauge strings, they are considered heavy, but I have always used them. I don’t just use them for the showmanship of the last number. I like the sound they produce. I use standard Fender pickup. For the last number, I turn my amp up to achieve sonic textures, feedback making it as musical as possible.  I always have the amp fairly high, I play loud which is why I have speakers facing the wings and turn them up which can surprise front of house guys.

Old Red not being retired just refining parts of her. Just the neck is being overhauled. The neck has become a liability, 1960’s Fenders used Brazilian Rosewood, this is now a restricted wood and can cause a problem at customs in some countries. In addition, the neck is getting tired and twisted. When I get back home from this tour I’ll be getting a new neck for the guitar.  A face-lift, not retirement.

BD: How do you keep the tracks we love to hear you play the sound is so fresh and vibrant when playing live? It is as if we are hearing the tracks for the first time as you add interest and surprises.

DP: This tour there is a new dynamic with the German musicians. It is though the nature of the music improvising. I may be playing the same song every night on tour, yes the melody, lyrics and chords stay the same but I go in different directions. Not always the way I expect, I grew up playing Jazz music the king of improvisation so every night has its own journey. Can be good or not that is the nature of the beast. It keeps the music exciting for us as musicians and puts a fresh breath into every night’s performance. We are definitely not playing by numbers, traditional blues is steeped in improvisation. I am just keeping that tradition alive and flourishing through my music.

BD: With a hectic touring schedule here, Europe and South Africa what are your plans for 2017 and beyond?

DP: Yes touring is hectic but always great to catch up with friends and fans we make on the tour. This will be the last UK tour focused on Introvertigo. I have dates in South Africa when I return. Then in June we go back in the studio with new songs, new ideas for my next album which will be released Spring 2018. Then back touring South Africa. We are also possibly back in the UK November 2017; where we could be previewing new tracks from the forthcoming album. So watch this space once dates finalized we will be letting the fans know.

BD:  You are back in Cardiff at The Globe, what makes venues fun to return to? Is it building the fan base?

DP: Yes, excited to be playing back in Cardiff. I love the vibe of the venue. Why return to venues, it is a bit of both the venue and the audience is a big part of the show. The Globe is a great little venue, great audience who have such a positive response. I love the sound of the venue, the guitar always sounds good to me on stage which is really satisfying. The Globe is a loud room, lots hard surfaces. It is a venue I will always look forward to playing. The Cardiff crowd are always up for loud music and to enjoy the blues.

BD: Thank you for sharing with your growing group of fans. We have asked you your fantasy band, what you are listening to in previous interviews. So today who would you invite to play with Dan Patlansky band?

DP: Dream scenario would be David Gilmore from Pink Floyd. Gilmore got me into music generally and in particular the guitar.

BD: Thanks for taking the time out of your busy schedule and looking forward to seeing you play live in Cardiff on 4th May.

Dan Patlansky In Conversation Touring 2017 and Beyond

 

Dan Patlansky In Conversation Touring 2017 and Beyond

READ what Bluesdoodles said about the TEN Doodle paw album  Introvertigo – We voted the album as the best Overseas album heard over at Bluesdoodles HQ.

Introvertigo with its carefully crafted lyrics that blend urbane wit and honest observation, this is blues pertinent to today’s lifestyles, not so much whisky and women more the corruption of power and social interaction. Ten tracks there are no fillers every number is full of strength and tonal power but there is not an off note or lyric.  

FULL Review – HERE

Dan Patlansky In Conversation Touring 2017 and Beyond

Ash Wilson Broken Machine New Single & on Tour

Ash Wilson Broken Machine New Single & on Tour

DAsh Wilson Broken Machine New Single & on TourLincolnshire’s Ash Wilson launches the brand new music video for the single ‘Broken Machine’ taken from his critically acclaimed debut album Broken Machine.

The single is out on Friday 17th March and the album on Friday 21st April 2017.

 

 

 

 

ASH WILSON AS SPECIAL GUEST TO SARI SCHORR

London, Borderline     Monday 20th March

Tickets: HERE Box Office: 0844 847 2465

 ASH WILSON AS SPECIAL GUEST TO DAN PATLANSKY

http://www.ashwilsonmusic.com/shows

Tickets –  HERE  & HERE 

 

 

 

 

Poole, Mr. Kyps                                Saturday 15th April

London, Islington Academy 2     Tuesday 2nd May

Manchester, Deaf Institute         Wednesday 3rd May

Cardiff, The Globe                          Thursday 4th May

Bristol, The Tunnels                       Friday 5th May

Barnstaple, The Factory                Saturday 6th May

Bluesdoodles: Broken Machine Review – HERE

“The song Broken Machine came first, not a deliberate album title. Broken Machine is about relationships that do not work. The whole album is my life up to getting married. It is Ash from 15-30 nothing in the album covers the now it is set in the past. That said the track seemed the perfect words of the album title as it reflected the past.”  What else did Ash Wilson share read it  – HERE

Ash Wilson Broken Machine New Single & on Tour

Broken Machine Definitely NOT Ash Wilson in Conversation

Broken Machine Definitely NOT Ash Wilson in Conversation

 

Broken Machine Definitely NOT
Ash Wilson in Conversation

 

 

I was delighted when I was sent your debut album Broken Machine to review.  It is certainly an album full of blues strong guitar that makes compelling listening.

BD: What were your first musical influences growing up in Lincolnshire?
AW:
I played the guitar, but didn’t like guitar music, early on it was acoustic chords but had no interest despite being exposed to guitar music by my parents. It wasn’t until I heard a Kenny Wayne Shepherd tune on the radio, that I thought ‘I really like the sound of that’. Then I discovered Stevie Ray Vaughan, through him Jimi Hendrix and through him Howlin’ Wolf and further back through this one bit of exposure.  I met a guy when I was at Music College who had a friend who was into blues music. Other than Eric Clapton, who everyone knows I didn’t know many exponents of Blues.  If you like Blues you need to meet Trev he was my education in the blues and electric guitar.

Then I had a band with him for a few years called The Melts. He played harmonica and sang while I played guitar. It was my blues pilgrimage early on that is what got me into the music as such was pretty much Trevor to be fair. The kind of music Mum & Dad listened to was more Progressive Rock the likes of Genesis and Pink Floyd.  So not much blues guitar, though Dave Gilmour is a massive hero of mine and is a super blues player, I didn’t identify him as a blues guitarist until much later on. I come from a musical household, where everyone is well into music but blues was something I brought in after meeting different people. Then Dad came out of his shell and that he really liked Rory Gallagher it was a strange development really after not having any blues in the house. Dad brought all this old blues to the table that I hadn’t heard before on records saying you should listen to this and listen to that. I can remember saying to my Dad why didn’t you play this stuff years ago. He said, didn’t think you would be interested and to be fair I wasn’t. I played piano when younger I didn’t really have great yearning to play that instrument again. Until my cousin came over with an old acoustic and showed me a few chords I thought really cool and liked it.  I didn’t know where to look other than the likes of Gilmour and when you first start to play you have no idea how to deconstruct what was going on as couldn’t play the guitar. I asked for guitar lessons for my fourteenth birthday and then met a guy who had a band and Dad’s old records got really interested in sixties blues boom in the UK and further back. As I have got older I have gone further back, I hate to admit didn’t get into Hendrix for ages didn’t like the sound of the recordings I was so used to produced music. I didn’t like the fizzy guitar sound of Hendrix I couldn’t get my head around it then I got it. As I started to hear the depth of vinyl and the monstrous fuzz tones that we all try to get. Started to go further back and appreciate Leadbelly and Robert Johnson then came back through Muddy Waters. It was a cock-eyed way of finding music I didn’t go back in chronological order I was bouncing all over the place.

BD: Broken Machine is your debut album how did you decide on using Superfly Studios, your brother to produce the album and then Hoax guitarist Jesse Davey to guest and master the album?

Broken Machine Definitely NOT Ash Wilson in ConversationAW: Superfly, well I have been friends with Wayne Proctor for coming up to fifteen years now and worked together on Indie projects I was involved in. So after my first blues band parted company, I put together a Blues trio together with my brother Phil and Laurence Jones’ current bassist Greg Smith and we went out did local shows. Wayne came to a show and said should come to the studio after hearing track Throwing Knives which wasn’t bluesy at all. It was then called Bluewater and Wayne had just started producing and did an EP with him where Wayne played drums and Steve Amadeo  (Ainsley Lister’s bassist – and playing with Ian Parker at the time).  Alt Rock band Djune with no guitar solos the music was all about the song. We played for couple of years opened for Ocean Colour Scene despite that we never really got past the first rung, that said we were a good live band. It was in a way a vanity project with my brother Phil, alt rock inspired by Feeder, Queens of the Stone Age, etc. Recorded an album at home on a limited budget but no deadlines spent a year and learnt a lot. Then the opportunity to join Sean Webster. Not performed on the stage for a long time and not played lead very much had been locked into rhythm guitar. Sean plays a lot on the continent especially Netherlands. Played with him for about a year then got itchy feet, yes lots of work but all very specific whereas I like to do different types. So setup side project the idea was to record in the style of Jimmy Vaughan, a traditional blues album. Three guys in a room, with the whole album sounding similar to Peace & Love I was paranoid that the album would never get done, the obvious choice was Roger so rang him and he said yes so the eighth wonder of the world was on board. Only booked the studio for a week to lay down album of straight blues. I had known Andy at Superfly so obvious choice for engineer the studio close to where I live, love the music they have produced. I believed that it would be a speedy process seven days last the music job a good ‘un.

Jesse got involved as I had sung on his solo album, Big Blues. He has not got the public image that he deserves, I am a big fan of Jon Amor who is a superb guitarist, singer and writer who hasn’t got the wide public image he deserves. Met him through Barry Middleton at The Running Horse, same time as I met Wayne. The Hoax was before my time missed them in their heyday.  Jesse’s guitar is powerful and exciting, on Big Blues, by the first solo I was enraptured by it when Phil played it to me what a concept a record for a film. A Soundtrack but no movie. Jesse’s own guitar pedals sound just incredible and I was interested in his gear and wanted to buy a pedal. Listened to Infamous Vampire that JD has mastered and he asked if I would like to sing on the record. It was an amazing experience as we started by co-writing over Skype in one night we had Revelator. The lyrics are quite misogynistic but fun to listen too. It reflects on the fifties and sixties winking of an eye and Revelator is a party rather than the book of revelations! A bonus that Jesse didn’t hate it.

So with Broken Machine thought be cool to get Jesse to play on The Hitcher idea for the music came out of a jam. Late night drive, reminded me of a past experience. I though get Jesse on this song with a high ghostly vocal circa Glenn Miller and I’ll sing falsetto, visualising she was driving with the ghost of me. Told everyone else and the second guitar adds extra to the existing to a hypnotic level no difficult chords the other person is the emotional crux as I sing I was the last to know.

With Phil on Drums and the experience of producing the Djune album in our bedroom Phil as the producer was a perfect fit. As the album developed it became less a Jimmy Vaughan inspired collection. The songs took shape and the variations in sound reflected the purpose and meanings of the lyrics. We worked together Roger had his input he was clear when a song didn’t work and sent me away to build on the lyrics. Broken Machine was shaped by my experience and the interaction of Phil and Roger.

BD: Does the Title of the album Broken Machine have any particular significance?

AW:  The song Broken Machine came first, not a deliberate album title. Broken Machine is about relationships that do not work. The whole album is my life up to getting married. It is Ash from 15-30 nothing in the album covers the now it is set in the past. That said the track seemed the perfect words of the album title as it reflected the past.

BD: The album is in your name with the musicians chosen featured. Will this be the band you use when you tour? I am assuming here that you are going to be touring the album so we can hear the music live.

AW: Tour Plans… well, we are supporting South African guitarist Dan Patlansky when he tours in May. Really excited to be on the same bill and getting my music known across the U.K. we have other festivals and dates in the pipeline, it is all happening fast and once confirmed, there are some exciting Autumn dates in the pipeline I will be the first to be shouting about them through social media.

The band will definitely be Roger on bass and we are looking for a permanent drummer watch the space for the announcement. With the increasing number of gigs it would be impossible for Phil to continue in drumming role due to his commitment with Laurence Jones.  So answer is yes, lots of opportunities to hear Ash Wilson play Broken Machine and more live.

BD: I have always been interested in the lyrics of a song. The lyrics are very strong including Domestic Violence on Words Of A Woman. Do the lyrics always come first or sometimes a guitar lick or riff inspire you?

AW: This was written after the birth of my first child I was feeling emotional and vulnerable. I overheard a conversation and put myself in a wife’s place when husband has an affair, the emotional abuse when it is found out. The song is emotionally charged as the poor women thinks today is going to be the same as any other day and in a couple hours later her entire world is turned upside down.  Exploring how, why the lyrics are emotional and found them difficult to sing live.

BD: Where do you get your inspiration for your songwriting?

Broken Machine Definitely NOT Ash Wilson in ConversationAW: Normally my own experiences, the exception to date is Words Of A Woman. In fact, Roger loved that line hated the rest of the lyrics he felt were not so great, went away thought about it and remembered an event I had overheard a complete stranger. Talked to Roger as not sure about writing about someone else’s emotions, he said do it so wrote down a song that really works. Lots first on this album never written ballad before took a year to write. Could have gone to Sean but thought do it myself blaming my voice ability to level a room without doing anything but his voice. Played three years worked every time with Sean.

Moments that you had are gone we change, write and visually I try to make the words paint a picture then it is easy to write.  Often it is a phrase or even nonsense at the start and write over and around and the flow of the song builds. The story unfolds. Or it can start with a guitar solo and that inspires.

Emotional involvement is a must especially important for a ballad like Holding Hands

Next album more confidence singing about other people as well as myself. I am quite conscious of people watching anything that affects not sure about going political frustration what is on TV politic

BD: If you were putting together the perfect band with members from across the years (dead or alive) who would you have playing
AW:

Drums: Steve Gadd
Bass: Pino Palladino
Guitar: Jimmy Vaughan, Doyle Bramhall II (could have 10!)
Rhythm Guitar: Keith Richards
Keys: Stevie Wonder
Vocals: Etta James/Muddy Waters

These playing on the same stage would be really hard but interesting music would happen that I am positive.

Check out Bluesdoodles Review of Broken Machine HERE

Check out Ash Wilson’s Website HERE

http://www.ashwilsonmusic.com/shows