Dan Patlansky Stunning Guitar Returns to The Globe

Dan Patlansky Stunning Guitar Returns to The Globe

Dan Patlansky Stunning Guitar Returns to The Globe

 

 

Back in Cardiff town again South African, guitar wizard, Dan Patlansky who invited Ash Wilson to join the May party as his special guest. A definite winning combination full of textured, tasty guitar that exploring the Blues.

Dan Patlansky Stunning Guitar Returns to The GlobeBy the number of Dan Patlansky T-shirts on display in the audience at The Globe; they had come to be entertained by the renowned guitar spectacular that is his trademark. Before, that Ash Wilson and his band took to the stage, to a venue that was slowly filling up. For the majority Ash was an unknown, the audience didn’t know what to expect. The result was a happy crowd, who enjoyed the opening numbers that gave justice to his debut album Broken Machine. Ash is a great performer letting the guitar and lyrics tell the story. It was a shame that the acoustic dampened the vocals. Ash did not disappoint with a rhythm section that set the shape of the blues he was displaying. On bass Steve Amadeo stepping into Roger Inniss shoes and Tristan Poole on drums. With a short strong set five songs from Broken Machine and closing with a Michael Jackson workout. Every number had persuasive listenability, with strong lyrics it is a dramatic slow blues ballad, domestic abuse through the eyes of a woman. It was the stand out moment.  The Wilson machine is definitely not broken the guitar delivering across the six strings.

 

 

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The Globe was buzzing with the hum of contentment; they had heard blues shuffle, slow blues and those with a rocky edge. Now for the main event.

Dan Patlansky Stunning Guitar Returns to The GlobeIn a few words. Majestic, scintillating jaw-dropping good, describes an Patlansky tonight. Tonight was a celebration for the acclaimed album Introvertigo. On the last few nights where this album will be centre stage. AS, on his return to South Africa it is back in the studio for another helping of studio work from Patlansky. A mouth-watering prospect, along with and promising to be back this time next year with album in hand.

Back to the live music being played tonight. With a trio of immensely musicians from Hamburg, joing Dan tonight in Cardiff. Smiling, Felix Dehmel with his imaginative and stylish drumming; Johnathan Murphy with his rhythmic bass and adding chords with hidden depths on the keys Tom Gatza and supplying tasty backing vocals.  Dan Patlansky is a blues-rock plays phenomenal guitar on his trusty 1962 Dan Patlansky Stunning Guitar Returns to The GlobeFender Strat ‘Old Red’ joined tonight by a guitar specially made for Slide from California with the maker Michael Couling in the audience to hear his masterpiece played live. Bright blue and cutting a sliding dash.

Opening with a  guitar driven instrumental jam, starting quiet Drone builds, holding the audience spellbound a we all listened in silence, then wham as his he exploded with all guitar cylinders firing, with his latest single from Introvertigo; Sonova Faith. Dan never plays the guitar with just his fingers, his whole body bends into the guitar with the energy flowing into the instrument. It is a workout of mind and body and add into the mix vocals that are strong full of emotional depths. A wonderful rendition of Jimmy Reeds Bright Lights Big City, as we floated on the reworking of this classic blues number. Into this mix we heard Stop The Messin’ and Heartbeat that had the crowds whooping with delight. The slow blues, which as he says is a must on every Dan album tonight was Introvertigo’s Still Wanna Be Your Man. So Dramatic and quite beautiful, clever use of silence then the build up to add drama. The dueling with Tom on keys was just one of the many highlights from this super-talented guitarists. He is one of the most innovative on the circuit.

Dan Patlansky Stunning Guitar Returns to The GlobeWith Backbite and My Chana from the wonderful Dear Silence Thieves album be wanted more. The guitar acrobatics, use of feed back, the power of the whole guitar is no party trick it is an artistry as Dan manipulates every inch of ‘Old Red’ who obliges every time. The band came back for two extended numbers we were awestruck in the presence of a virtuoso on the fender.

Dan Patlansky’s reputation and popularity continues to grow, reflecting the talent grown out of a true infinity with the guitar. All that is left to say Thank-you Dan for the blues and come back to Cardiff very soon.

 

 

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Check out more Bluesdoodles insights into the music of both Ash Wilson & Dan Patlansky

 

Dan Patlansky In Conversation Touring 2017 and Beyond Introvertigo Review HERE
Dear Silence Thieves Review HERE

Dan in conversation HERE

 

DAsh Wilson Broken Machine New Single & on Tour Broken Machine Review HERE

Ash In Conversation HERE

 

 

Dan Patlansky Stunning Guitar Returns to The Globe

Ash Wilson Broken Machine New Single & on Tour

Ash Wilson Broken Machine New Single & on Tour

DAsh Wilson Broken Machine New Single & on TourLincolnshire’s Ash Wilson launches the brand new music video for the single ‘Broken Machine’ taken from his critically acclaimed debut album Broken Machine.

The single is out on Friday 17th March and the album on Friday 21st April 2017.

 

 

 

 

ASH WILSON AS SPECIAL GUEST TO SARI SCHORR

London, Borderline     Monday 20th March

Tickets: HERE Box Office: 0844 847 2465

 ASH WILSON AS SPECIAL GUEST TO DAN PATLANSKY

http://www.ashwilsonmusic.com/shows

Tickets –  HERE  & HERE 

 

 

 

 

Poole, Mr. Kyps                                Saturday 15th April

London, Islington Academy 2     Tuesday 2nd May

Manchester, Deaf Institute         Wednesday 3rd May

Cardiff, The Globe                          Thursday 4th May

Bristol, The Tunnels                       Friday 5th May

Barnstaple, The Factory                Saturday 6th May

Bluesdoodles: Broken Machine Review – HERE

“The song Broken Machine came first, not a deliberate album title. Broken Machine is about relationships that do not work. The whole album is my life up to getting married. It is Ash from 15-30 nothing in the album covers the now it is set in the past. That said the track seemed the perfect words of the album title as it reflected the past.”  What else did Ash Wilson share read it  – HERE

Ash Wilson Broken Machine New Single & on Tour

Broken Machine Definitely NOT Ash Wilson in Conversation

Broken Machine Definitely NOT Ash Wilson in Conversation

 

Broken Machine Definitely NOT
Ash Wilson in Conversation

 

 

I was delighted when I was sent your debut album Broken Machine to review.  It is certainly an album full of blues strong guitar that makes compelling listening.

BD: What were your first musical influences growing up in Lincolnshire?
AW:
I played the guitar, but didn’t like guitar music, early on it was acoustic chords but had no interest despite being exposed to guitar music by my parents. It wasn’t until I heard a Kenny Wayne Shepherd tune on the radio, that I thought ‘I really like the sound of that’. Then I discovered Stevie Ray Vaughan, through him Jimi Hendrix and through him Howlin’ Wolf and further back through this one bit of exposure.  I met a guy when I was at Music College who had a friend who was into blues music. Other than Eric Clapton, who everyone knows I didn’t know many exponents of Blues.  If you like Blues you need to meet Trev he was my education in the blues and electric guitar.

Then I had a band with him for a few years called The Melts. He played harmonica and sang while I played guitar. It was my blues pilgrimage early on that is what got me into the music as such was pretty much Trevor to be fair. The kind of music Mum & Dad listened to was more Progressive Rock the likes of Genesis and Pink Floyd.  So not much blues guitar, though Dave Gilmour is a massive hero of mine and is a super blues player, I didn’t identify him as a blues guitarist until much later on. I come from a musical household, where everyone is well into music but blues was something I brought in after meeting different people. Then Dad came out of his shell and that he really liked Rory Gallagher it was a strange development really after not having any blues in the house. Dad brought all this old blues to the table that I hadn’t heard before on records saying you should listen to this and listen to that. I can remember saying to my Dad why didn’t you play this stuff years ago. He said, didn’t think you would be interested and to be fair I wasn’t. I played piano when younger I didn’t really have great yearning to play that instrument again. Until my cousin came over with an old acoustic and showed me a few chords I thought really cool and liked it.  I didn’t know where to look other than the likes of Gilmour and when you first start to play you have no idea how to deconstruct what was going on as couldn’t play the guitar. I asked for guitar lessons for my fourteenth birthday and then met a guy who had a band and Dad’s old records got really interested in sixties blues boom in the UK and further back. As I have got older I have gone further back, I hate to admit didn’t get into Hendrix for ages didn’t like the sound of the recordings I was so used to produced music. I didn’t like the fizzy guitar sound of Hendrix I couldn’t get my head around it then I got it. As I started to hear the depth of vinyl and the monstrous fuzz tones that we all try to get. Started to go further back and appreciate Leadbelly and Robert Johnson then came back through Muddy Waters. It was a cock-eyed way of finding music I didn’t go back in chronological order I was bouncing all over the place.

BD: Broken Machine is your debut album how did you decide on using Superfly Studios, your brother to produce the album and then Hoax guitarist Jesse Davey to guest and master the album?

Broken Machine Definitely NOT Ash Wilson in ConversationAW: Superfly, well I have been friends with Wayne Proctor for coming up to fifteen years now and worked together on Indie projects I was involved in. So after my first blues band parted company, I put together a Blues trio together with my brother Phil and Laurence Jones’ current bassist Greg Smith and we went out did local shows. Wayne came to a show and said should come to the studio after hearing track Throwing Knives which wasn’t bluesy at all. It was then called Bluewater and Wayne had just started producing and did an EP with him where Wayne played drums and Steve Amadeo  (Ainsley Lister’s bassist – and playing with Ian Parker at the time).  Alt Rock band Djune with no guitar solos the music was all about the song. We played for couple of years opened for Ocean Colour Scene despite that we never really got past the first rung, that said we were a good live band. It was in a way a vanity project with my brother Phil, alt rock inspired by Feeder, Queens of the Stone Age, etc. Recorded an album at home on a limited budget but no deadlines spent a year and learnt a lot. Then the opportunity to join Sean Webster. Not performed on the stage for a long time and not played lead very much had been locked into rhythm guitar. Sean plays a lot on the continent especially Netherlands. Played with him for about a year then got itchy feet, yes lots of work but all very specific whereas I like to do different types. So setup side project the idea was to record in the style of Jimmy Vaughan, a traditional blues album. Three guys in a room, with the whole album sounding similar to Peace & Love I was paranoid that the album would never get done, the obvious choice was Roger so rang him and he said yes so the eighth wonder of the world was on board. Only booked the studio for a week to lay down album of straight blues. I had known Andy at Superfly so obvious choice for engineer the studio close to where I live, love the music they have produced. I believed that it would be a speedy process seven days last the music job a good ‘un.

Jesse got involved as I had sung on his solo album, Big Blues. He has not got the public image that he deserves, I am a big fan of Jon Amor who is a superb guitarist, singer and writer who hasn’t got the wide public image he deserves. Met him through Barry Middleton at The Running Horse, same time as I met Wayne. The Hoax was before my time missed them in their heyday.  Jesse’s guitar is powerful and exciting, on Big Blues, by the first solo I was enraptured by it when Phil played it to me what a concept a record for a film. A Soundtrack but no movie. Jesse’s own guitar pedals sound just incredible and I was interested in his gear and wanted to buy a pedal. Listened to Infamous Vampire that JD has mastered and he asked if I would like to sing on the record. It was an amazing experience as we started by co-writing over Skype in one night we had Revelator. The lyrics are quite misogynistic but fun to listen too. It reflects on the fifties and sixties winking of an eye and Revelator is a party rather than the book of revelations! A bonus that Jesse didn’t hate it.

So with Broken Machine thought be cool to get Jesse to play on The Hitcher idea for the music came out of a jam. Late night drive, reminded me of a past experience. I though get Jesse on this song with a high ghostly vocal circa Glenn Miller and I’ll sing falsetto, visualising she was driving with the ghost of me. Told everyone else and the second guitar adds extra to the existing to a hypnotic level no difficult chords the other person is the emotional crux as I sing I was the last to know.

With Phil on Drums and the experience of producing the Djune album in our bedroom Phil as the producer was a perfect fit. As the album developed it became less a Jimmy Vaughan inspired collection. The songs took shape and the variations in sound reflected the purpose and meanings of the lyrics. We worked together Roger had his input he was clear when a song didn’t work and sent me away to build on the lyrics. Broken Machine was shaped by my experience and the interaction of Phil and Roger.

BD: Does the Title of the album Broken Machine have any particular significance?

AW:  The song Broken Machine came first, not a deliberate album title. Broken Machine is about relationships that do not work. The whole album is my life up to getting married. It is Ash from 15-30 nothing in the album covers the now it is set in the past. That said the track seemed the perfect words of the album title as it reflected the past.

BD: The album is in your name with the musicians chosen featured. Will this be the band you use when you tour? I am assuming here that you are going to be touring the album so we can hear the music live.

AW: Tour Plans… well, we are supporting South African guitarist Dan Patlansky when he tours in May. Really excited to be on the same bill and getting my music known across the U.K. we have other festivals and dates in the pipeline, it is all happening fast and once confirmed, there are some exciting Autumn dates in the pipeline I will be the first to be shouting about them through social media.

The band will definitely be Roger on bass and we are looking for a permanent drummer watch the space for the announcement. With the increasing number of gigs it would be impossible for Phil to continue in drumming role due to his commitment with Laurence Jones.  So answer is yes, lots of opportunities to hear Ash Wilson play Broken Machine and more live.

BD: I have always been interested in the lyrics of a song. The lyrics are very strong including Domestic Violence on Words Of A Woman. Do the lyrics always come first or sometimes a guitar lick or riff inspire you?

AW: This was written after the birth of my first child I was feeling emotional and vulnerable. I overheard a conversation and put myself in a wife’s place when husband has an affair, the emotional abuse when it is found out. The song is emotionally charged as the poor women thinks today is going to be the same as any other day and in a couple hours later her entire world is turned upside down.  Exploring how, why the lyrics are emotional and found them difficult to sing live.

BD: Where do you get your inspiration for your songwriting?

Broken Machine Definitely NOT Ash Wilson in ConversationAW: Normally my own experiences, the exception to date is Words Of A Woman. In fact, Roger loved that line hated the rest of the lyrics he felt were not so great, went away thought about it and remembered an event I had overheard a complete stranger. Talked to Roger as not sure about writing about someone else’s emotions, he said do it so wrote down a song that really works. Lots first on this album never written ballad before took a year to write. Could have gone to Sean but thought do it myself blaming my voice ability to level a room without doing anything but his voice. Played three years worked every time with Sean.

Moments that you had are gone we change, write and visually I try to make the words paint a picture then it is easy to write.  Often it is a phrase or even nonsense at the start and write over and around and the flow of the song builds. The story unfolds. Or it can start with a guitar solo and that inspires.

Emotional involvement is a must especially important for a ballad like Holding Hands

Next album more confidence singing about other people as well as myself. I am quite conscious of people watching anything that affects not sure about going political frustration what is on TV politic

BD: If you were putting together the perfect band with members from across the years (dead or alive) who would you have playing
AW:

Drums: Steve Gadd
Bass: Pino Palladino
Guitar: Jimmy Vaughan, Doyle Bramhall II (could have 10!)
Rhythm Guitar: Keith Richards
Keys: Stevie Wonder
Vocals: Etta James/Muddy Waters

These playing on the same stage would be really hard but interesting music would happen that I am positive.

Check out Bluesdoodles Review of Broken Machine HERE

Check out Ash Wilson’s Website HERE

http://www.ashwilsonmusic.com/shows

Debut Album Broken Machine from Ash Wilson

Debut Album Broken Machine from Ash Wilson

Debut Album Broken Machine
from Ash Wilson

 

Prodigiously talented in the studio guitar and vocals melded into a harmonious medley that leads you down deep into the lyrics. (Having seen Ash play live at Skegness this skill is transferred to the stage, his live performance is spellbinding.)

The album is a British blues brotherhood, joining Ash Wilson on Drums and production is his brother Phil Wilson on Drums; taking time out from Laurence Jones drumming duties. Completing the Rhythm section is iconic and instantly recognisable is Roger Inniss. On loan from King King, Bob Fridzema adds the colour and meaty textures of the Hammond and keys. Into the mix for good measure Hoaxes guitarist pops up to engineer the album and join in the fun on The Hitcher. Now we are all introduced sit back and enjoy an explosion of contemporary blues energy combined with the legacy of the sixties and beyond. The music is encapsulated not so much in a Broken Machine but a swirling vortex or a time machine garnering blues tones from across the decades.

Opening with Show Me How To Love You, with this playing skill Ash audiences cheers and whoops of delights will tell you loud and clear. With a fuzzy, chugging opening chords we are drawn through the river mists to the banks of the modern electric Mississippi blues with echoes of the Hoax in the delivery of the vocals from Ash. Followed by an aptly titled number, World’s Gone Crazy, with a swirl of Jagger as he delves into the political backdrop of 2016. The single from the album is the Hammond Drenched rumbling Peace and Love that would fit into a Hoax album neatly with the guitar reminiscent of Jon Amor with a swagger. Now for the title track, what is this Broken Machine? Definitely not the band they are on fire. The cadence of Ash’s vocal changes with standout riff’s that rocks the boat. This is a track that sets down the burning ambition and strength of Ash Wilson and his band.  The Hitcher crammed with the sound that makes British interpretation of the Blues such a delightful listening experience. From the first note, Ash Wilson’s guitar joined by Jesse Davey is taking us on a road trip we all want to be part on. This is a quieter more laid back number with the distinctive guitar solo’s this takes back to the sound of crooners and hints of the big band fullness of sound.  Like all the music on the album, the songs have a story personal with ghostly memories of hurts, frustrations and joys from the past.

Closing the album with Holding Hands, a sweetest duet between guitar and Hammond. Bob And Ash working in harmony as the heartfelt ballad unfolds. The ballad of damage that never goes away how you are left a broken machine by past experience. There is no doubt the Ash Wilson has a vast amount of skills in the tank of playing the blues and potential to grow.

As a debut album Broken Machine stands out from the crowd. Why? Ash Wilson’s vocals, powerful, gentle, crooning and always as clear as a bell. You expect guitar playing to electrify, percussion on the beat but the vocals make or break many an album. Broken Machine is made by vocals that will always connect and are the extra instrument that blues must have lead breaks however fast and furious do not cut the mustard. Vocals and Lyrics are the winning combination.  Added to this is the production which is crisp and the focused intent to take you on a musical journey of blues, contemporary and reflecting styles and textures through the Ash Wilson guitar. Another gem from Superfly Studios.

Ash WilsonBroken Machine – Wilson Brothers Music Via Cadiz Records

NINE pawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Show Me How To Love You
  2. World’s Gone Crazy
  3. Peace and Love
  4. Broken Machine
  5. Words Of A Woman
  6. Out Of Time
  7. The Hitcher
  8. Hold On Now
  9. Lonely Room
  10. Holding Hands

On Tour with Dan Patlansky

Cadiz Records

Broken Machine Never with Ash Wilson Find of 2017

Broken Machine Never with Ash Wilson Find of 2017

Broken Machine Never with Ash Wilson Find of 2017

Broken Machine Never with Ash Wilson Find of 2017The eagerly awaited debut album from UK Singer-Songwriter and Guitar Player Ash Wilson, Broken Machine. One listen to the single Peace and Love you are pulled deep into the machine. The band surrounding Ash Wilson add lay down great grooves. They are  Drummer and brother Phil Wilson, award-winning Bassist Roger Inniss, award-winning and talented dutchman, Bob Fridzema and special guest guitarist the mighty Jesse Davey.

The album is maybe best described by multi award-winning UK Blues Hall Of Fame inductee Wayne Proctor, (King King, Ben Poole, Stevie Nimmo), as “A fine record that grooves, rocks, twists and turns. You’re all gonna love it! Now grab a cuppa, press play and turn it up! LOUD!!”

 

Released Friday 21st April 2017
Available on CD and Digital Download
Pre-order the CD from Amazon UK or the
Digital Download from iTunes

Broken Machine Never with Ash Wilson Find of 2017Broken Machine Never with Ash Wilson Find of 2017Wilson Brothers Music in association with Cadiz Music Distribution are pleased to announce the release of singer-songwriter and guitarist Ash Wilson’s debut album ‘Broken Machine’ on Friday 21st April 2017.

Lincolnshire’s Ash Wilson is one of England’s most distinctive vocalists, guitarists and songwriters in contemporary blues music today. The debut album entitled ‘Broken Machine’is a watershed achievement for Wilson, both in terms of the many musical styles in the tracks, which begin and end with the blues at its core.

With the explorations and growth of him as a singer, songwriter and guitarist the album has resulted in spiritual growth expressed through the medium of his music.

‘Broken Machine’ sees Ash working together with his brother Phil Wilson who whilst drumming on the entire album also produces, mixes and co-writes the material on the debut album.

‘Broken Machine’ features the outstanding talents of bassist Roger Inniss (Chaka Khan, Laurence Jones), keyboardist Bob Fridzema (King King, Dana Fuchs), plus very special guest guitarist Jesse Davey (The Hoax) who plays on the ‘The Hitcher’.

Recorded at Superfly Studios, Ollerton, UK
Engineer: Andrew Banfield
Mixed By Phil Wilson
Mastered by Jesse Davey

 

Broken Machine Never with Ash Wilson Find of 2017