Tonight Bad Touch Headline The Tunnels Majestically

Tonight Bad Touch Headline The Tunnels Majestically

Tonight Bad Touch Headline The Tunnels Majestically. The third night of the first headline tour was a phenomenal success but as Stevie Westwood said, tonight is not about one band as he praised the two acts that set  The tunnels alight for the Headliners.  Opening the night local band Flowerpot and then Mollie Marriott, live music doesn’t get much better.

Tonight Bad Touch Headline The Tunnels MajesticallyFlowerpot, an all-women outfit have been gaining the momentum of attention by opening for acts visiting Bristol and headlining their own shows. This young band full of raw energy had seven numbers to showcase their own brand of grungy, punk-driven rock.  The music was not hewn from a particular vein of rock. The band had their own sound and energy that flowed from the classy drumming from Jess which defined the shape of the music that allowed Morgan on Bass pick up the rhythm and rock as her flowing and at times revolving hair orchestrated her sound. Pulling the sound together Ellie on guitar provided the melodic chords and riffs for Steph on vocals to hook onto. Up front Steph on vocals controlled the band and had the audience captured as they listened to the lyrics that had something to say as we heard about snails, loser girl and a debut of a new number Bruised.  After their raw, eclectic and blistering set, we were left not battered and bruised or trailing along at a snail’s pace but ready for the next two acts as The Tunnels filled and the temperature raised by Flowerpot.

 

Tonight Bad Touch Headline The Tunnels MajesticallyMollie Marriott with her critically acclaimed album Truth Is A Wolf was the next band. Quick change round and the band was on stage. A complete contrast to Flowerpot. The raw intensity was replaced by a softer more malleable sculptured rock. Mollie’s voiced captivated with its purity from the first note of her opening number Run With The Hounds with the organ looped in so the full sound achieved on the album can be heard live.   Tonight surrounded by her band Mollie warmed the crowded venue with her winning smile and a vocal range that captured the depth of the lyrics and topics covered.

The rhythm section was solid and the lead guitar giving Mollie the chords, melody and hooks for her vocals to soar.  Early in the set, she slipped in a new number Nobody To Love and if this is what is going to be on the follow-up album I am counting down the days. One of the highlights of the too short set was Broken, the power, emotion and passion shined from Mollie’s face through to the vocal delivery.  We all connected with the feeling of being broken after a failed relationship and hurting people close to us. In this case Mollie’s daughter and her relationship with her.   In the set was title track Truth is a  Wolf and the rockier number King Of Hearts later in the set sleazier, dirty and filled the venue with another side of multifaceted Mollie.  Vocals coloured the stage along with a band that flexed its muscles as she blended rock with jazz, blues and soul a sonic landscape full of texture and tone. Dressed in Black with White guitars and bass the monochromatic visuals contrasted with the music.  Mollie has a famous surname as the daughter of Steve. Tonight she conquered the venue, with her own name Mollie Marriott, and an act to see live. Her voice is better live than in the studio. The voice is warmer and more personal as the lyrics on the numbers take on emotional meaning. She was in total control of the stage as her final number Control finished an accomplished set and we were now in the mood for Bad Touch.

Tonight Bad Touch Headline The Tunnels MajesticallyThe excitement fizzed like a can of shaken pop as Bad Touch exploded on the stage on their first headlining appearance in Bristol. The crowd were hot for their spectacular feel-good sound captured on the album Truth Be Told. We were definitely not disappointed as they opened with Take Me Away. Yes, we were taken away on the rollercoaster of a band on fire playing the music they love to an audience that was up to be given the Bad Touch treatment from this effervescent five-piece.  The first all-male band of the evening and they knew the audience as already hot for live music so no warm-up numbers for the band they were straight in with high voltage music with a ringing sting that excited The Tunnels tonight. The set definitely elevated them to the deserved headline status one this tour with the hefty heavy/southern rock influences and bags of attitude this is a band that knows how to party. All the musicians understand their role and play to each other’s strengths. With the power of a rhythm section that lays now a depth of sound that grounds the sound as George Drewry’s drumming is timely, powerful and into this he mixes when required a subtleness, a gentle touch. Joining his rhythmic tones is Michael Bailey on bass with his hair flowing, and moving in time with the deep southern hot chords. The guitarist adds the next layer that smarts and stings cajole and weeps as Rob Glendinning takes the lead with stylish slide or plectrum lead guitar work that is simply stupendous. Daniel ‘Seeks’ Seekings adds with top-drawer rhythm guitar work filling in and drawing out the guitar. This quartet is loud and full of imposing attitude and sound. How do you top that? Easy add Stevie Westwood into the vocals as vocals frontman and the glossiest, curly mane of hair and that cheeky waxed moustache, He steps into the frontman role with a swagger, style and talent. Phenomenal!

We have the musicians on stage, full of vim and swagger now for the music. They delivered with a mix of old and new we all were touched with their majestic interpretation of Rock N’ Tonight Bad Touch Headline The Tunnels Majesticallyroll Norfolk style tonight. The set list was the perfect blending of fast, faster furious and the breather we all need. Not once did the band lose control of the sound they are so good at delivering. Stevie’s vocals perfect for the genre and the quality of the backing vocals take the sound to another level. We shared a Sweet Little Secret with the band and delighted as the guitarist played off each other both with their confident cool, arrogant swagger that fills the stage with a six-string punch.  Highlights – every number played. Those that stood out Wise Water and great to hear Down one of their earliest numbers that morphed seamlessly into Lynyrd Skynyrd’s classic Can’t You See. Down it doesn’t appear on any album must be a contender for the much anticipated follow up to Truth Be Told. A definite keeper for the forthcoming album is the new song aired tonight  I Belong that makes full use of Rob’s ace slide work.  Something Someone took the tempo down with an acoustic ballad as the Stevie and Rob duet and then the band return picking up the beat and building the energy for the last few numbers of the set. We were rocking and singing along to a perennial favourite My Mother Told Me. With one of their signature tracks Take  Your Time they ruled it as the favourites flowed with Outlaw and closing with the might The Mountain.  What a great atmosphere generated as we wanted the band to play on this was a night to remember. We had two more numbers as the encore-closing with the single from the album 99% that got them noticed by Planet Rock and others closing the night leaving us on a high. But before that, a special moment as Mollie Marriott returned to duet with Stevie and the band on Baby Get it On Tina Turner’s classic given the Westwood/Marriott treatment. What a night! Tonight Bad Touch Headline The Tunnels Majestically

This slideshow requires JavaScript.

 

 Tonight Bad Touch Headline The Tunnels Majestically

 

 

Tonight Bad Touch Headline The Tunnels Majestically

 

 

 

Tonight Bad Touch Headline The Tunnels Majestically

 

 

 

 

 

 

 

 

 

Crow Black Chicken Bringing Deep Southern Vibe to The Tunnels Tonight

Crow Black Chicken Bringing Deep Southern Vibe to The Tunnels Tonight

 

Crow Black Chicken Bringing Deep Southern Vibe to The Tunnels TonightFirst opening the night of live music The Blue Horizon, the Weston-super-Mare band the rocks out on the blues that always attracts attention. Tonight, the trio of Iain Ecclestone the charismatic frontman whose guitar sparkles lightning up the vocals. The Rhythm section is the power base provided by bassist Ed Gerlach and Josh Armitage behind the drums.  The set was a mix of originals and covers re-affirming the heavy seventies infused blues that make the horizon blue. They are gaining a reputation that is justified as laid down on one of the Rory Gallagher covers. They set the scene laying down the energy that was going to define the evening. Blue Horizon with local support provided the music and brightened the evening to get a Wednesday night in Bristol off to a flying start.

 

This slideshow requires JavaScript.

 

Crow Black Chicken Bringing Deep Southern Vibe to The Tunnels TonightShort break, anticipation was high as everyone in the audience wanted to hear Crow Black Chicken Bringing Deep Southern Vibe to The Tunnels Tonight. Straight off Crow Black Chicken gave a full-on great show, the slide work was amazing; the sound was rough, raw, and distinctive. This approach continued for the next two hours Crow Black Chicken was on stage. The second trio of the evening showing the depth and breadth of music styles influenced by the blues. Throughout the set, there was the innovative use of pedals by bassist Steven McGrath, who provided some wicked sounds coming from his four-string bass combined with the drumming that shaped the texture from Gev Barrett. The yin and yang of Christy O’Halon’s stunning guitar and Steven’s bass balance the sound.  Christy’s vocals are clear in the blues storytelling tradition and every song from their albums and carefully selected covers gave the night the depth of southern-infused vibe. Crow Black Chicken is from deepest Southern Ireland and the charm and wit interweaves the songs. The music was the focus and they insured we were awash with the distinctive sound, the trademark of the band.

Crow Black Chicken Bringing Deep Southern Vibe to The Tunnels TonightThe songs chosen were stunning, the band played tight never added more than was necessary. The sound flowed there was no competition this is a band that is in harmony with the delivery pulled together with Christy’s great voice.  From their latest album Pariah Brothers, a selection of the numbers was showcased. Anyone who didn’t have a copy was in the queue to purchase one at the end. These included Jonestown, inspired by Jim Jones a cult figure and Deer Meat Unloaded a real hefty, loud rocky number of experiences on a Spanish Tour. The lyrics told the story we were all on tour with the band in Spain.  The vivid delivery of Ray Wylie Hubbard’s Snake Farm was simple; another shining example of the band’s brilliance. They have fun playing music they love, the audience just wanted the party to go on this is finger licking spicy guitar music. Blues inspired music as they played a tribute to Jessie Mae, a blues woman from Texas that made her mark, as the song was introduced with a quip we should arm the Granny’s reflecting on the six shooters Jessie Mae always wore.

Crow Black Chicken Bringing Deep Southern Vibe to The Tunnels TonightThis is a band that makes friends and keeps them. Loyal to the people who inspire them and the aptly named Pat McManus a musical tribute to the fellow Irishman.  The night of music that uplifted and flowed delighting everyone who was in the room. A great set of two hours was not enough we wanted more with energetic bounce the boys were back on stage with their version of John The Revelator. This was a really heavy dirty take on this blues classic. Wow, the music was majestic. Blues delivered with panache, charm and a great night that on a dark Wednesday night Crow Black Chicken came to Bristol and stamped their mark. We want you back sooner rather than later.

This slideshow requires JavaScript.

Crow Black Chicken Bringing Deep Southern Vibe to The Tunnels Tonight

Simon McBride Triumphantly Ends this Tour at The Tunnels

Simon McBride Triumphantly Ends this Tour at The Tunnels

Simon McBride Triumphantly Ends this Tour at The Tunnels

Monday night in November heats up in Bristol as Simon McBride triumphantly ends this tour at The Tunnels. With the week full of quality live music, combined with a Monday night the turnout was respectable. That does not disguise the fact when a guitarist of this quality comes to town with his band it should be a sell-out every time, whatever the night whatever the weather. If you love guitar driven blues fused rock then and you haven’t seen Simon McBride you have missed a musician at the top of his game. He demonstrated this tonight with every chord, note, lick and riff as the music filled the venue. With Marty McCloskey behind the drums and bassist Dave Marks to kick up the fireworks, this is a trio that has power, attitude and control shaping the tempo and textures to create a wall of sound full of depth and interest.

Simon McBride Triumphantly Ends this Tour at The Tunnels Tonight, The Tunnels reverberated with stunning blues- rock that captured the classics, Simon’s back catalogue and a glimpse of the new on the long and patiently awaited next album. Tentatively promised tonight as next year-end of 2018 it will be a Christmas Album Simon quipped. As would often happen the rhythm section picked up the words as they played jingle bells with the band laughing. Last night of a six-month tour there was a mix of end-of-term party and the delight of playing live music to an appreciative audience.

The covers were special including Free’s, The Stealer with a great key change halfway through and wonderfully controlled powerful lead breaks. This was a foot-tapping joy. His version of Hendrix’s Little Wing was sublime the re-working made you listen to this oft-heard and covered classic. The timing was immense and when combined with the super tone of his signature PRS Guitar was sublime.

Simon McBride Triumphantly Ends this Tour at The Tunnels The new music was punchy with the formidable tone and guitar textures with strings bent and the vocals pulling the song along.  Change gave the rhythm section the opportunity to come to the fore with a bass display from Dave Marks that was full of rhythmic punch. As the bass was slapped, the bass guitar now dominated as we heard jazz, rock and blues melded in a reprise of delight. Then we had the duel between guitar and bass the energy flowed from the stage across the venue. Live music quality and fun.  A definite keeper and as the audience was quick to tell Simon a single from the next album, Show Me How To Love. What a cracking number live full of emotional integrity and up-lifting playing from all three musicians.

Every number played was special, go hear Simon McBride play live when he is next in town. The other numbers that stood out were So Much Love, with glimpses of Prog and more in this brilliant instrumental interlude. The real highlight of the night for many including myself was So Much Love and One More Try. These display the virtuosity of McBride’s guitar mastery. Don’t Be  A fool was a rousing finale with audience participation. This was party-time and fun with the band losing control of the audience as we repeated the lines to the beat of Marty’s drum.

Tonight Simon McBride conquered The Tunnels with the power of live music.

 

Simon McBride Triumphantly Ends this Tour at The Tunnels

 

New Album From Samantha Fish Plus UK Tour

New Album From Samantha Fish Plus UK Tour

New Album From Samantha Fish Plus UK Tour

 

 

SAMANTHA FISH RELEASES NEW ALBUM “BELLE OF THE WEST” ON FRIDAY 17TH NOVEMBER
UK TOUR STARTS ON MONDAY 20TH NOVEMBER

 

Multi-Award winning American Blues guitarist and singer-songwriter, Samantha Fish, will release her new studio album Belle of the West on Ruf Records on Friday 17th November 2017.  The new album will be supported by a nationwide 8-date UK tour that kicks off at The Stables in Milton Keynes on Monday 20th November.

“You should always get outside of the box,” Samantha Fish says while discussing her boundary-breaking new album Belle of the West. “Challenging yourself is how you grow.”

After launching her recording career in 2009, Samantha quickly established herself as a rising star in the contemporary blues world. Since then, the charismatic young singer-guitarist-songwriter has earned a reputation as a rising guitar hero and powerful live performer, while releasing a series of acclaimed albums that have shown her restless creative spirit consistently taking her in new and exciting musical directions.

The New York Times called Fish “an impressive blues guitarist who sings with sweet power” and “one of the genre’s most promising young talents.” Her hometown paper The Kansas City Star noted, “Samantha Fish has kicked down the door of the patriarchal blues club” and observed that the young artist “displays more imagination and creativity than some blues veterans exhibit over the course of their careers.”

Having already made it clear that she’s more interested in following her heart than she is in repeating past triumphs, Samantha Fish delivers some of her most compelling music to date with Belle of the West, her fifth studio album. The deeply soulful, personally charged 11-song set showcases Fish’s sublime acoustic guitar skills as well as her roots, emotionally resonant songwriting

Fish recorded Belle of the West in the relaxed, rural creative atmosphere of the legendary Zebra Ranch Studios in the North Hills of Mississippi with producer Luther Dickinson (of North Mississippi All-stars fame), with whom she worked previously on her 2015 album Wild Heart.

The studio team included some of the region’s most iconoclastic musicians, including Dickinson, solo artist and Jack White associate Lillie Mae (whose distinctive vocals are featured on Nearing Home), much-travelled juke-joint blues artist Lightnin‘ Malcolm (whose featured on Poor Black Mattie), Squirrel Nut Zippers founder Jumbo Mathus, upright bassist and beloved solo artist Amy LaVereTikyra JacksonTrina Raimey and ShardéThomas, granddaughter of the legendary Southern bluesman Otha Turner.

“I wanted to do this acoustic-electric record, and tap into the style and swagger of Mississippi,” Fish states, adding, “Any time you dive into another place, another vibe and a new group of people, you’re challenging yourself to grow musically. I felt very at home a Zebra Ranch, and I’ve known Luther and Malcolm for years, so it was a very comfortable situation. When you’re making a record like this, it has to feel natural if you want people to respond to it”.

New Album From Samantha Fish Plus UK Tour

 

Bluesdoodles has always loved Samantha Fish Live Her shows are full of energy and guitar wizardry. Bluesdoodles review when she played in Swansea with Mike Zito – HERE

Her recorded albums:- Wild Heart review HERE &  Chills & Fever review HERE

 

 

New Album From Samantha Fish Plus UK Tour
SAMANTHA FISH

SAMANTHA FISH – NOVEMBER 2017 UK TOUR DATES

 

Milton Keynes, The Stables        Monday 20 November                  Tickets
Bristol, The Tunnels                    Tuesday 21 November                  Tickets
Bilston, Robin 2                          Wednesday 22 November             Tickets
Southampton, The Brook          Thursday 23 November                 Tickets
London, Borderline                    Friday 24 November                      Tickets
Derby, The Flowerpot                Saturday 25 November                 Tickets
Keighley Blues Live                    Sunday 26 November                    Tickets
Edinburgh, Stramash                 Monday 27 November                  Tickets

 

New Album From Samantha Fish Plus UK Tour

Live Music Came Outta The Swamp to Play The Louisiana

Live Music Came Outta The Swamp to Play The Louisiana, Bristol.

Live Music Came Outta The Swamp to Play The Louisiana

 

 

Live Music Came Outta The Swamp to Play The Louisiana, Bristol.Live Music Came Outta The Swamp to Play The Louisiana. Who came outta the swamp? It had to be Big Boy Bloater and the Limits bringing Luxury Hobo to Bristol tonight. Opening the Friday live music delight was Ruzz Evans, flying solo tonight. His rockabilly guitar-fueled the energy. Creating that end of the week vibe. As he showcased numbers form his two albums with some spicy instrumentals.  Ruzz set the scene for Big Boy Bloater with his energetic mix of Rock n’ Roll, Bo Diddley and a twist of Country.

The room was full with a dark and atmospheric upstairs at The Louisiana, Bristol. Nothing subtle about these hard-edges hard-hitting blues. Bog Boy really got the crowd going with his unique interaction with the audience full of smiles, stories and the raising of his can with a hearty cheer.  A real gruff voice with lyrics that were as clear as a bell booming out. The Limits supporting provided a rhythmic base for the melodies of his guitar to fly. Creating a harmonious and heady mix of British R & B.

Live Music Came Outta The Swamp to Play The Louisiana, Bristol.Live Music Came Outta The Swamp to Play The Louisiana, Bristol.The drumming was superb from Matt Cowley, with a different drum set creating a distinctive and contemporary sound even with judicious use of a cowbell on the nearest thing to a title track of the current album Luxury Hobo Blues. The bassist Steve Oates add a throaty growl and rhythms that shaped the sound that was being created building the tension. Every note curling around the guitar of Big Boy Bloater.

Big Boy Bloater has a distinctive style. He exudes confidence as he explores the darker side of thinking. Never dampening the mood whether singing about murder or neurosis. This is due in no small part to his easy conversation with the audience sharing insights behind the numbers. With another song from Luxury Hobo. I Got The Feeling Someone’s Watching Me. He instills the gothic horror movie, with tension and the feeling that something is just about to happen. Great song, fantastic vibe live music that excites, intrigues and energises.

Live Music Came Outta The Swamp to Play The Louisiana, Bristol.

Now he may have a new album out early this year but the heart of the set was five new numbers. Forewarning his fans that another album is around the corner that is if these songs are representative going to be exciting with more Big Boy Bloater stories to be told.

A true story kicked this part of the set-off. Love and betrayal explored on She Didn’t Even Buy a Ticket. The drugs that keep us going are explored on Pills and on Unnaturally Charming a deep and heavy number with the slide that adds to the mood as we look into a murder’s mind. Then a highlight of the evening a wonderful shuffle with The Saturday Night Desperation Shuffle.

Time we were now deep in the clutches of the music. With Rocket Surgery a perfect way of addressing some technology gremlins we moved on to Robot Girlfriend.

Yes, Friday night we were Insanely Happy listening to the music that made you want to dance and smile. Far too soon it was the last song. Few minutes silence and then the encore It Came Outta The Swamp. What a highlight to leave us with. What a night of music to kick-start the weekend.

Now, this is live music and sometimes the band brings gremlins into the venue. Tonight BBB was beset with technology gremlins including his vintage amp deciding it needed a rest. The consummate professional, keeping the vibe going with quips and working through the issues. This did not dim the enthusiasm of the audience. This is live music we like the unexpected. Tonight, everybody went home happy having heard some brilliant contemporary blues-tinged R n’ B.

This slideshow requires JavaScript.

 

Live Music Came Outta The Swamp to Play The Louisiana, Bristol.

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

 

 

Tonight The Tunnels welcomed Erja Lyytinen and her support band Red Butler to Bristol for the first and definitely not the last time. Tuesday night was blues night that filled the arches with music that was full of energy and played with style.

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol TonightOpening tonight Red Butler with their new line-up that many in the audience had not had the opportunity to hear yet. Alex Butler, Mike Topp and Charlie Simpson are joined by Dan Spellman on vocals and guitar. With a change of vocalist, the dynamics of the band have definitely changed. The interactions between the four members on a cramped stage space was natural and full of energy that is the fuel for their rocky blues. With Dan as the vocalist adds a harder edge to their sound, which certainly suits the direction they took on Nothing To Loose. The set reflected this with the numbers taken predominately from the album. The new vitalized Red Butler tonight added to their skills some brilliant harmonization between Alex, Dan and Mike. The whole set was played with aplomb, the sound was very tight and the interplay between the guitarists was intuitive and worked well set against the rhythm section.

Calm Before The Storm was a highlight, they nailed it. Other highlights of a short set that showcased the band was Belly Of TheErja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight Blues, rearranged and sounds better with new vocalists adding a layer of drama. Crowd-pleasing cover of Bobby Bland’s Ain’t No Love In The Heart of the City. With the rocky edge more akin to Bernie Marsden/Whitesnake version and sounds wonderful and the audience gladly added their voice to the chorus. Mike took the role of the wolf, complete with a mask for Big Bad Wolf, combined with the music adding to the live experience. A great set, the only pity was not more people had turned out on a Tuesday to hear blues rock at The Tunnels.

This slideshow requires JavaScript.

Short break, change of sound man, Mikko Kiviniemi takes charge of the desk as Erja Lyytinen and her band take control of The Tunnels. For those familiar with the queen of the slide guitar, already familiar with her new direction on Stolen Hearts her current album provided anticipation for a night of full-on blues that flexes its muscles. Her music explores and captures the vibes of funk, prog rock and more. The energy flowed from the stage and across the venue. The band was determined that everyone was going to have fun and be left with a memory of musicianship that brought music alive.

 

The band provided the cascading backdrop of sound from which Erja could fly with her vocals and guitar. Tonight in control of Hammond and keys from the magical energised fingers of Harri Taittonen. Whilst the deep and sometimes dark rhythms were delivered by bassist Juha Verona and Kai Jokiaho on drums. A powerhouse captured in a quartet.  Erja the flying Fin with her sparkling Sapphire blue guitar and glass slide set the second half of the evening into a tumultuous celebration of the blues, a theme she returned to throughout the evening.

Despite the disappointing turnout Erja did not disappoint with a wonderful balance of authentic Blues, Blues Rock and ‘ProggishErja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight Rock’ showcasing why she is so popular and is gaining a fan base whenever she plays in the UK.  Her guitar work is impeccable, full of grace and style and her interaction with the audience is warm Erja Is the real deal. The set delivered was storming as they played the last gig of the current UK tour.

With numbers from Stolen Hearts including the title track that was a highlight with lots of joyous interaction and community singing for the chorus. The centre piece and the absolute highlight of the evening was Black Ocean. With deep driving blues textures, heavy riffs and rhythms reflecting the ocean swell dark and dangerous. Erja tonight bought prog-blues to Bristol. We loved it. Showing the depth and breadth of style across the album we had slow blues a thing of beauty as Slowly Burning curled around the arches. Then Rocking Chair the interaction between guitar and bass is immense. As Juha, on bass reflects the rocking beat of the Rocking chair. Live musical magic.

With a Ko Ko Taylor cover, full of slide blues that is rooted firmly in the original African source; and delightful instrumental solo from Erja as she showed the styles of the greats. A medley full of subtle changes and interest that was delivered with fun as she asked the audience if they knew of BB King, Charlie Patton and many more.

With Cross Town Traffic given the Erja treatment along with her version of Steamy Windows an opportunity to be sexy with the audience and get close and personal with Juha on bass. All too soon it was time for the final numbers.  People get Ready where we were treated to guitar that resonated the tone and style of Jeff Beck. Erja tonight was Queen of the Blues. Her playing majestic, stylish with a hint of bedevilment and fun. Live music doesn’t get much better than this!

 

This slideshow requires JavaScript.

 

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

Big Boy Bloater On Tour Arrives at The Louisiana Bristol

Big Boy Bloater On Tour Arrives at The Louisiana Bristol

Big Boy Bloater On Tour Arrives at The Louisiana Bristol

Some say he came out of the swamp. The truth is; the number is  It Came Outta The Swamp.  Check out this clever video below.  It Came Outta The Swamp is just one of the superb tracks on Big Boy Bloater & The Limits album Luxury Hobo. Bluesdoodles has listened and agrees this is a soundscape of what many of us feel but do not have the talent to encapsulate in a 4-minute display of blues that may not be pure but is definitely mean dirty and very good. Read more to find out why the album was a perfect TEN – HERE

 

Now you have read the review of the album, watched the video. Next move os to go and hear Big Boy Bloater and The Limits LIVE! The Band is out around the country September & October.

22nd September SHOREHAM Ropetackle Arts Centre
23rd September GRAVESEND: Bluesrock Fest, Red Lion
29th September BRISTOL: The Louisiana
30th September NEWBURY: Arlington Arts Centre
5th October NOTTINGHAM The Maze
6th October GLASGOW Stereo
7th October PRESTON The Continental 18th Beer Festival****
7th October BIRMINGHAM The Dark Horse
12th October SHEFFIELD The Greystones
13th October DARLINGTON The Forum
 
14th October HULL New Adelphi

**** Continental *** change of gig *** NOW headlining the Beer Fest – if you have a ticket already you will receive a refund of the difference on the door.

Looking forward to Big Boy Bloater at The Louisiana in Bristol on 29th September 2017 – Check out the Event, buy a ticket it will be so much fun – HERE

Bluesdoodles reviews & INterview with Big Boy Bloater:

Luxury Hobo CD review HERE

Interview with Big Bot Bloater HERE

 

Big Boy Bloater On Tour Arrives at The Louisiana Bristol

 

 

July Arrives with Live Music King King & Bad Touch

July Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad Touch

July Arrives with Live Music King King & Bad Touch

 

The anticipation had been growing day by day as June faded fueled by the release of (She Don’t) Gimme No Lovin’ from the forthcoming King King album Exile & Grace. Having not seen the band we love to follow hear live, six months had past since we welcomed Alan Nimmo, Wayne Proctor, Lindsey Coulson and Bob Fridzema on stage. Before that moment Bad Touch had the task of warming an audience already hot with excitement.

July Arrives with Live Music King King & Bad TouchBad Touch filled the stage with charisma and the driving force of their Southern Rock, Rock n’ Roll energy and panache.  With Robert Glendinning back on lead guitar after a short sabbatical, adding his vibe to the quintet, and with the vivacious head of hair on vocals, Stevie Westwood; rhythm guitarist Daniel Seekings and a rhythm section drummer George Drewry & Michael Bailey on Bass they were on top form.  This was a set where they may have sung 99% but the energy was off the richter scale they wanted Bristol to have fun tonight. The slide guitar work from Glendinning cemented his role in the band and the interaction with Daniel Seekings had the guitars singing in a disorderly, melodic party of Rock n Roll mayhem.  Truth Be Told, the apt title of their latest album, the set was short, no time for small talk as they squeezed in every ounce of energy into the songs, we have heard on Planet Rock and Outlaw, every band should have a cowboy song.  The cheers were huge as Bob Fridzema joined in the last night party atmosphere at the Fleece to warm up before the main event. Bad Touch, turn every note into golden southern rock nuggets absolutely modern as they build on retro power; they are back on the road again very soon.

This slideshow requires JavaScript.

July Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchA short break ensued allowing friends to catch up at The Fleece, and then King King stepped on stage the warmth flowed from the band and the crowded venue.  King King were back in Bristol and on fine form. We wanted to hear old favourites and be part of the lucky few to hear live the first single to have been released from Exile & Grace; (She Don’t) Gimme No Loving. Tonight they did not disappoint they gave us so much happiness, feeling of joy King King have the knack of pleasing the fans, leave us wanting more always something from the back catalogue we wished they had played.  Tonight they were happy to be on stage combined with a raw energy they wanted to play above the expectations of the fans and connect to those hearing the band the first time.

Alan’s smile was broad and genuine, not a showman’s face; with his red kilt , guitar in hand including a blue plaster over a cut finger he made every one welcome to Saturday night at  The Fleece.

The set comprised nine numbers plus Let Love In the encore we have come to expect and gives the audience the opportunity to be the community choir led by the kilted wonder that is Alan Nimmo.  The mutual joy was definitely shared on stage and in the audience

With a mix of numbers from the live and studio albums saw the welcomed return of Heavy Load. Originally a Free number given the Nimmo treatment his guitar work was as ever magical and the slight slip of the stings replicated a rare Free outtake! Alan chortled at the end of the song.  Interspersed were crowd pleasers that have become the heart of the bands DNA You Stopped The Rain and Long History of Love. The opportunity for the band to get funky and the audience to dance, despite being curtailed by space clap our hands on All Your Life. What fun with Bob’s hands as ever throughout the evening caressing the Hammond making it sing in harmony with Alan’s vocals that were on top form tonight. Into the mix the muscle of the rhythm from bassist Lindsay whose strings gave a rich depth of funkiness and Wayne’s drumming hitting out a vibe that showered The Fleece with percussive force and energy.

Then there was the first opportunity to hear (She Don’t) Gimme No Lovin’. The cheers were rapturous before a note was played as Alan thanked everyone for buying the single so it was No.1 on UK Blues Chart.  The number is a perfect single, introducing us to the album Exile & Grace out later this year. The hooks are sharp, the lyric memorable and beat infectious. Rockier that many of their other numbers, the sound invokes sound of British Rock ‘n Roll with a definite hint of Thunder in the air. The single is 100% King King and will become a firm favourite as it is an ear worm of ticklish delight.

Having reviewed King King for many years two things always strike me after the show. Firstly; you are left euphoric the blues rock they deliver pleases the crowd, they always entertain. Secondly, King King connect to your soul, with a feeling of friendship, belonging to a fellowship cemented by this is why LIVE MUSIC has a special power every time.

This slideshow requires JavaScript.

King King set List
More Than I Can Take (Standing In The Shadows)
Wait On Time (Live)
Rush Hour (Reaching For The Light)
You Stopped The Rain (Reaching For The Light)
Long History of Love (Standing In The Shadows)
Waking Up (Reaching For The Light)
Heavy Load (Standing In The Shadows)
Gimme No Lovin’ (Exile & Grace)
All Your Life (Take My Hand)
Stranger To Love (Reaching For The Light)

Encore
Let Love In

 

July Arrives with Live Music King King & Bad Touch

Bristol – Trio of Bands, Women, Punk Revival and Politics

Bristol - Trio of Bands, Women, Punk Revival and Politics

Trio of Bands, Women, Punk Revival and Politics

Opening the proceedings of a night organised by Victoria Bourne of Husky Tones are a young band Drunken Butterfly. The trio is retro punk with modern lyrics. At times it was so retro it was nostalgic, bring back memories (well for the older members) of a diverse audience at The Louisiana tonight.

Tonight the trio bought energy as they performed their own numbers form current EP and a cover of PJ Harvey a big inspirational force on Darcie, bassist & vocalist, Alice guitarist & Katie on drums summing up the power behind them with the slogan Girls Unite. The band is raw and youthful as they open tonight’s proceedings; With Sister, Not all Men and Socialist in The City, title track of the EP with confidence they played a new number performing it live for the first time tonight,; Good Bye Union, reflecting on Brexit. Drunken Butterfly with hints of many bands from the past including Poly Styrene have the potential to make a noise that will be long appreciated on the music scene.

This slideshow requires JavaScript.

Bristol Trio of Bands, Women , Punk Revival and PoliticsNext Husky Tones, a duo that re-defines what combining  vocals, guitar and drums can achieve. Tonight the music was loud, punk-blues fitting in with the evening. Victoria Bourne & Chris Harper have a wide catalogue, always shaping the music to the audience.  Opening with Round The Wrekin from the inspirational album Who Will I Turn To Now. The title track a salutary tale of the reality of the UK benefits system in 2017.  The music fell out of the speakers with spirited, raw attitude from the power of the sticks and the sublime edgy and raw licks of the guitar. . Momentum; one of the highlights live with the combination of Victoria’s drumming, vocals, strong lyrics and  deep chugging rhythm from Chris’ guitar.  The upbeat party vibe lifted the mood These Hips Are Made For You, fast furious and still angry hence ‘punk-blues. Short set, including to celebrating living in Bristol for six-years a Portishead cover, Glory Box they may have sung the lyric-‘ I’m so tired, of playing’, truth is we never tire of listening to the duo that is never afraid to stretch the blues with punk and fun.

This slideshow requires JavaScript.

Bristol Trio of Bands, Women , Punk Revival and PoliticsClosing the night, the legendary Rita Lynch. Rita has sung punk since the days in London with her own band in the 1980’s. He fame rose as  bassist in Bristol band Blue Aeroplanes. Her music is always edgy politically motivated and so much more. Rita creates sonic imaginary as she explores social, philosophical thoughts and sexuality . Music with a clear message.  Closing with an authentic true Punk Rock sound with hefty chords, great rhythm guitar from Rita tonight augmented her voice as she stood on tip toes to deliver here recognizable sound.  The set was accomplished weaving in tones of Patti Smith, Pat Rook and The Kinks. A very infectious sound played by a top-notch performer.  The set list was full of numbers and we were left wanting to hear more; opening with Tied To You , with hope and losing included this was a set where the lyrics covered the hurt and never-ending cycle of life, at the heart Hope. We all say thank you Pandora for leaving that in the box.

This slideshow requires JavaScript.

Tonight, we heard three bands united by feminist lead attitude. Led by three strong musicians who happen to be women and for once women on the stage outnumbered the men.  A great night of local music celebrating beliefs, hope and above all punk inspired entertaining sounds and lyrics that cut through to the heart of the issues. Long live music and welcome the day when fairness and equality is a reality not a hope.

Tuesday Night Brightened Devon Allman Live in Bristol

Tuesday Night Brightened Devon Allman Live in Bristol

Tuesday Night Brighten with Devon Allman Playing Live in Bristol

 

Tuesday Night Brightened Devon Allman Live in BristolKick starting the evening loud, Mark Pontin Group who had traveled over the bridge to open for Devon Allman once again tonight. His set had a jam feel that didn’t showcase the music from his albums. Joined by Gwyn Ashton slide guitar was added to the rock-blues mix. They certainly got the crowd ready and impatient to hear Devon Allman in Bristol tonight.

Tuesday Night was definitely brightened with Devon Allman Band in town to play live music at The Tunnels. We were in for a guitar driven festival of music that hits all the right pleasure spots. Devon, jams, moulding the southern riffs and licks with vocals that have a tale to tell. Tonight Devon dipped into his back numbers from Honeytribe through to the last three superb albums.

Tuesday Night Brightened Devon Allman Live in BristolThe band that surrounded Devon, had a raw energy that bounced of the tone and textural delight that is the winning combination that sets Devon above many other troubadours of modern song; his and voice, he warms the room, engages the audience and leaves them wanting more of his music. This is why the atmosphere was electric, the audience surged forward as Devon played from the edge of the stage. Tonight, weaving the numbers together from his three Devon Allman Band albums on this Ride Or Die World Tour, with artful covers and a dip back into time to the Honeytribe his glorious licks from his Les Paul, a beautiful listening experience.

Following on from a favourite opening number Wash In A, we stepped on the Ragged & Dirty trail with Half The Truth, with that familiar yell of inclusion from Devon as he got the crowd clapping. Flowed by the distinctive open cascading of notes leads us into Can’t Lose ‘Em All leading us as the dance rhythm hits into Devon’s vocals, rich more and emotive.  The room ant the The Tunnels was awash with the vibe of music that flows with an organic texture and form, not contrived this is music from the hearts, soul and talented fingers of every musician on stage. The interaction between Jackson Stokes animated playing and Devon was spellbinding it was music that you want every track to last longer.  The rhythm section, powerhouse to any band did so much more that keep the beat. Between bassist Justin Corgan and drummer Anthony Steinhaur they shaped the music; providing the strong base for Devon to fly from.

Tuesday Night Brightened Devon Allman Live in BristolFrom his time with Royal Southern Brotherhood, Left My Heart In Memphis joined the party, and it was a true Tuesday night party atmosphere as the wonderful lyrically driven Turn Off The World from Turquoise held us all in the hands of Devon’s guitar hands, with pick in his mouth and the fret board manipulated under his powerful direction.

Dipping into Honey tribe we heard Mahalo (Hawaiian for Thank you) from their debut album back in 2006, a wonderful instrumental that allows the instruments to communicate with you. The vibe is cool hints of Santana but one-hundred percent Allman a jam full of depth and wonder. We collectively thanked Devon for the music by loud cheers, clapping and dancing. We didn’t need any encouragement to participate in Bob Marley & The Wailers, No Woman No Cry. The Tunnels rocked on a Tuesday.

The music was an amalgamation that is all the strong with southern rock and the interpretations of the blues with Checking In On My Baby (Junior Wells); the music has a raw edge, slightly dangerous as Devon grins you are never sure what trickery will come out of the Les Paul. It always weaves its magic and tonight was no different.

Closing the set with Midnight Lake Michigan, we could not believe the time had flown by. The interludes and extras that Devon and the band blended into the set list let everyone shine a true celebration of music, live, dirty and energised. There had to be more in the bands tank of music. Yes, there was as they came back for a demanded encore. First, Devon teased us, with licks and riffs, named that tune. Before two numbers from Ride or Die Night Like This and Say Your Prayers. If we are good and say our prayers lets hope Devon Allman is back in Bristol real soon. As the last notes of the encore faded away with, we were all on a live music, Tuesdays just became a Saturday night as no-one was thinking about work the next day we had the uplifting melodies of live music, meeting of friends lingering in a haze of delights from Devon and the band.

You know it was a fabulous night when writing the review the music you choose has to be Turquoise, Ragged & Dirty & Ride or Die. However, good words can be let live music do the talking for you the energy s dramatic, uplifting and the perfect tonic for a Tuesday night in Bristol.

Tuesday Night Brightened Devon Allman Live in Bristol