Laurence Jones speaks the truth, the whole truth and nothing but the truth

Laurence Jones speaks the truth, the whole truth and nothing but the truthLaurence Jones speaks the truth, the whole truth and nothing but the truth.

4 albums in, what do you do next? You look for something new and fresh, dig deep into your heart and see what comes out, to see what other sides there are to you. This is what Laurence Jones has done with his new album “The Truth”. Laurence continues to make a name for himself on the blues-rock circuit in the UK and Europe and his new album with its commercial feel but rocky edge will no doubt win him new fans further afield. Laurence took a few moments out from rehearsals and over a drink at an after-show party to chat as we were seeking honest answers…


“The Truth” is a few steps down a different path than your previous albums in its sound and arrangements…

Well, and between us, I want to be the next Justin Bieber, he’s my hero! Hahaha! But seriously, it is a crossover album for me in terms of the writing and production for sure. You know, all of my real heroes like John Mayer and Eric Clapton have stepped into different territory before and not just relied upon the guitar playing so I guess it’s my turn to do that. I don’t want to churn out the same album time after time as nobody wants to hear that and I’d get bored. I like challenges and I like to challenge myself which is what I’ve done with “The Truth”. Before we go any further, assure your readers that this album was all made with real instruments and real players!

You had me worried for a moment there thinking this isn’t the Laurence Jones I know…

There’s different sides to all of us and I wanted to show a different side of me with this album. I really focused on the songwriting, lyrics and melodic content. I’ve really been building up to making a record like this is taking the guitar side of things and mixing it with something that’s modern but true to itself. We talked about guitar playing when we were at the Black Country Communion after show party at Hammersmith (man what a gig eh!) and I’ve really pushed myself in the guitar solos to make them memorable, like a song in a song. Take the solo in “Hotel California”, that’s crazy long but you can sing it and it tells a story in itself. I hope that mine on this album do that for anyone who listens to it.

We’re talking about putting yourself out there and opening up here…

Absolutely. I can only write about things I know, not what’s up in the sky that I don’t know about. The songs really do the talking on this album and they’ve been finely picked from a whole bunch of demos. It was a dream to have a few weeks of pre-production in Curacao which is a Dutch island in the Caribbean, before heading to Miami to record at the old Sony Studios. Such a cool place man. The legendary Gregory Elias has produced this album and he brought so much to the table but still allowed me the freedom to go my own way. You know, Gregory is the man who brought The Rolling Stones to Cuba and put on a free gig for everyone, how cool is that! That just shows what a nice guy he is and inspirational. If you take songs such as “Hold Me Close”, “The Truth” and “Take Me” my heart’s on my sleeve right there, for better or for worse and I want the listener to feel that. Sure, there’s some rockier moments in “Give Me Your Time” and “Gone Away” but the emotional content is there in all of the songs. It was all about writing catchy songs with guitar solos and I keep up to date with all music out there, it’d be great to hear more guitar in the charts and these songs are more of a commercial feel than my rockier stuff so you never know!


What can we expect from your live shows this time around with this fresh take on your writing?

20-minute guitar solos! Hahaha!, not really. There will be some moments where we’ll be jamming out on a few songs, extending the solo’s a bit, in fact, I’m at rehearsals now and we’ve been working the set-out. I’ve got a really cool new band in Bennet Holland on keys, Phil Wilson on drums and Greg Smith on bass. We were playing in Holland before and everything just went super well. The crowds were great, singing along and getting right into it. It’s sounding really slick, the new songs are transferring well to a live setup and we’re psyched to be taking them out on the road. I love playing live and it’s great to connect with the audience and bring something to their day – you never know what’s going on with people and them coming out to your gig may be something they really need in that moment so we’ll be giving everything, every night of the tour. We’ve got a show January 23 at The Borderline in London, love that venue, and the UK tour really begins on May 3 in Manchester at Band On The Wall.


What do you think of the current scene in the UK and any advice for those younger than yourself as you had some great success at an early age?

When I first started all this, there was really only myself, Joanne Shaw Taylor and Simon McBride out doing what we do. That was cool, but it’s a lot cooler that there’s more and more bands and artists on the blues-rock scene in the UK now. I never view it as competition and it’s great to see people out playing, the new festivals that have come about as that shows there’s a demand for the music we play and love. As for those starting out, just don’t be afraid to try things. Don’t copy, take influences and mix them up and try and put your own stamp on things.


If you could pick any album to have written and made yourself, what would it be?

Oh, that’s tricky. C’mon man, can I have two? Yes? Ah great…it’d have to be “Riding With The Kings” of Eric Clapton and BB King, such a great record and has that crossover feel to it like my new album and Jimi Hendrix’s “Are You Experienced”, just because I’d love to know what was going on in his mind when he was writing it!


New Album New style The Truth still Laurence Jones


Laurence Jones new album “The Truth” is due for release Friday, March 9th 2018. Tour dates and ticket links can be found below and pre-order “The Truth” 

Just a Click away

Line-up touring The Truth Tour 2018:-

Laurence Jones (Vocals, Guitar)
Bennett Holland (Keyboards, Backing Vocals)
Phil Wilson (Drums, Percussion)
Greg Smith (Bass Guitar)

Planet Rock presents
All Tickets: £15.00

London, Borderline – Tuesday 23 January

Book Online: Gig Cartel; See Tickets
24 HR Box Office: 0844 478 0898
Ticket Hotline: 0844 847 1678

Manchester, Band on the Wall – Thursday 3 May

Book Online:  GigCartel; Ticketline
24 HR Box Office: 0844 478 0898
Venue Tel: 0161 834 1786

Leamington Spa, Zephyr Lounge – Friday 4 May

24 HR Box Office: 0844 478 0898 – Venue Tel: 01926 311 311
Book Online: Gig Cartel or Eventbrite

Southampton Talking Heads – Saturday 5 May

Book Online: Gig Cartel  – Venue Tel: 02380 361 970

Birmingham, Hare & Hounds – Thursday 10 May

Book Online: Gig Cartel 24 HR Box Office: 0844 478 0898
Venue Tel: 0121 444 2081

Nottingham, The Bodega – Friday 11 May

Book Online: Gig Cartel or Alttickets

24 HR Box Office: 0844 478 0898 – Venue Box Office: 0115 896 4456

York, Fulford Arms – Saturday 12 May

Book Online: Gig Cartel 24 HR Box Office: 0844 478 0898
Venue Tel: 01904 620 410

Newcastle, The Cluny – Sunday 13 May

Book Online: Gig Cartel or See Tickets

24 HR Box Office: 0844 478 0898 – Venue Tel: 0191 230 4474


Laurence Jones has built his reputation in the studio and playing live check out his discography 

Albums in BOLD checkout Bluesdoodles review.


The Truth (2018)
Take Me High(2016)
What’s It Gonna Be (2015)
Temptation (2014)
Blues Caravan (2014)
Thunder In The Sky (2012)

Laurence Jones speaks the truth, the whole truth and nothing but the truth


Q&A with Erja Lytinnen Stolen Hearts Guitars and Touring

Q&A with Erja Lytinnen Stolen Hearts Guitars and Touring

Q&A with Erja Lytinnen Stolen Hearts Guitars and Touring



BD: Hi Erja hope you are well, thanks for taking time to speak to Bluesdoodles, for the second time this year as you embark on a UK tour.  

EL:  Yes, really well and looking forward to talking again as I am about to hit the road across the UK at the end of the month.

BD: Let’s start off with the tour seven nights in the UK starting in Sheffield at Greystones on the 20th   How do you prepare and plan for a tour?

EL: It is nice to be back touring, it is an extension of the tour that started back in April to promote Stolen Hearts. Always wonderful when new people come to a show as well as meeting old friends.  It is fun playing the music live. The twins see this as part of life, it is normal for them for Mum to go off playing her music. They go and stay with their father it is no different for them. They have grown so much they are now three and a half, they understand more and can talk about it. They love to help to load and acting as roadies. One is really good on the drums playing with two sticks and playing bass drum at the same time. (Laughing)  just need the other to play bass be the perfect band. Seriously they can do what they want to do. It is though important I think for everyone to enjoy music. Everyone can be creative and involvement in the arts is so good for the soul; it lets all the stress out.  I have been in rehearsals today preparing for the shows, and they went really well. I have new songs and a new pedal. One of the new songs gives me the chance to create a bit of chaos and develop the guitar sound. Chaos is a good thing and then take the music back to simplicity.

BD: For people seeing you for the first time how do you describe your special blues. Full of slide and magic and weaving in tones from across the modern music spectrum from Rock to Prog?

EL: I listen to lots of different music, guitar based and mostly bluesy.  I love mixing and matching the various elements I have learnt from my many and varied guitar teachers.  From my teachers, I learn different approaches and take what is good for me. I master as much as I can and add these skills into the mix. Blues always is the heaviest essence within my music; I like to go crazy with the music, playing free. Traditional blues are hard to play. Can be seen as boring by some. To take the best out of those three chords you need to be the master of the blues.

I have always been a bit of a rebel, wanting to deliver the unexpected, being unique. You cannot just copy you have to make your own stuff. Right now what is happening is a new thing and a new sound coming out of the guitar which is exciting.

BD: To sum up then your music is the blues with a twist of craziness and a lot of Erja uniqueness.

BD: Will the set list be heavy with tracks from your acclaimed album Stolen Hearts and do you have favourites from your whole back catalogue?

 EL: The set list will be 100% Erja Lyytinen. The set list will include tracks from Stolen Hearts. The songs will be different playing live they get their own shape and energy. Into the mix will be songs going back to Grip Of The Blues with Everything’s Fine released in 2008.  Wow, that is nearly ten years ago! Laughing.  You can hear the development over the decade now maybe when in a set can be eight minutes of heavy shuffle blues, with loud guitar, in the solo using delay and Whaing.  The cover song we love having in the set list and is pleasing for audiences is Steamy Windows; the Tony Joe White song a lot of fun, about sex and I can have a good time with the bass player.

BD:  Having performed the songs from Stolen Hearts live do you have a favourite and why?

EL: Rocking Chair, from Stolen Hearts, goes in, it is always a challenge to play live and is becoming its own number little by little as it develops when played on stage if you allow the music the change. Having played the number at around one hundred shows songs are taken in another direction from when recorded in the studio of first played live. It would be boring if played the same way every time. In the blues genre changing and developing is typical and expected.

BD: As you will be only too aware of the debate about what is the blues. What are the Blues to Erja Lyytinen? Do you feel British Blues has a different feel to what is being currently produced in Europe, United States and elsewhere in the world?

EL: Europe definitely has different Blues from U.S.A. The U.K. definitely trades in the whole blues revival of the sixties as the great rock bands emerged Led Zeppelin, Rolling Stones and so many more. A Blues band of every country has roots reaching back to the sixties. British Blues is stable with a clear identity.

American Blues is more conventional more towards the traditional roots. European bands are not afraid to mixing and making new sound being experimental. Without a doubt, rockier blues is trending at the moment after the phenomenon of Bonamassa and others have developed a great space a new thing and vibe.

We already have a great catalogue of blues from the past recordings of the 1940’s. We cannot go back.  Fortunately traditional and new are being combined as players take elements from the past to where we are now.

BD: During your travels, how often (if ever) have you experienced sexism, and if so where is it worst/most rife?

EL: Sexism, chuckling, it is in the fabric of the blues. Women and the blues have always been present. Blues is a man’s world.  It has been around since the days of Bessie Smith through to Rosetta Thorpe. They were all amazing musicians and women with an attitude to stride forward.  They all had so much talent that the sexism within the business could never overshadow.  It has changed so much over the last five years there are now more women in the blues. The change is thanks to many women including singer & guitarist Bonnie Raitt, who has been on the circuit for 40 plus years, Susan Tedeschi and Sue Foley and so many more. Women needed these idols. I was lucky my father played the guitar and my mother bass so there were no gender stereotypes of sexism what I was growing up.

BD: What projects have you in the pipeline for the rest of 2017 and into 2018 once the tour finishes in Bristol at The Tunnels on the 26th September?

EL: After the UK tour in September I am involved in a TV programme, Stars Stars (Tähdet Tähdet). It is a nationwide programme where ten singers who sing different genres each week. With over a million viewers every week. The viewers vote and it will stretch me singing Rap/Hip Hop/musicals and other genres each week, I hope the viewer’s votes mean I get through to the finals.

I have a big tour before Christmas in Finland at twelve big venues Erja Lyttinen & Friends: Blue Christmas with Sami Saari and Maria going to be fun. Then into 2018 still touring Stolen Hearts Europe in February and back in the U.K. in March.

We are already doing new songs so cool a shift in direction for the future. My music has been used in a documentary being premiered today. The programme is a big criminal case involving drug Police. So interesting to do different things

No album is being planned for 2018 as still touring Stolen Hearts. But I am writing lots. I noticed that Stolen Hearts full of emotions and my personal life. My writing has moved more base on the guitar a different sound more psychedelic. The stories are not ready yet, lots of guitar riffs and mood feels very different. So lots happening.

BD: Thank you for your time and looking forward to see you live on tour and reviewing the show on 26th September at The Tunnels, Bristol.

Bluesdoodles Stolen Hearts Album Review:  The only answer as the last notes fade is listen and explore Stolen Hearts again. Why? Stolen Hearts is an album of musical maturity that will remain a firm favourite for years to come in collections of lovers of contemporary blues without boundaries. Read more…

Erja Lyytinen is touring the U.K. in September Select the gig – BOOK HERE


SQ&A with Erja Lytinnen Stolen Hearts Guitars and Touring

September 2017 Stolen Hearts Erja Lyytinen UK Tour

September 2017 Stolen Hearts Erja Lyytinen UK Tour

September 2017 Stolen Hearts Erja Lyytinen UK Tour


The tour follows hot on the heels of her critically acclaimed new album Stolen Hearts 
released on CD, 180 gram vinyl and digital download

Award-winning Finnish slide guitarist and singer-songwriter, Erja Lyytinen,  announcing her return to the UK for her Stolen Hearts” UK tour from September 20–26th.

 Dates include Sheffield Greystones (20 Sept), Edinburgh, The Caves (21 Sept), Nottingham Bodega (22 Sept), Chester Live Rooms (23 Sept), Manchester, Band on the Wall (24 Sept), London, Borderline (25 Sept) and Bristol, The Tunnels (26 Sept).

Tickets priced £12.50, can be ordered from the debit/credit card hotline number 01472 349 222 (between 9am-5pm), from Solid Entertainment, or booked directly at the venue box offices.

The tour will feature songs from her critically acclaimed album “Stolen Hearts” mixed by, and vocals recorded by the legendary Chris Kimsey (The Rolling Stones, Bad Company, Marillion, Peter Frampton).


September 2017 Stolen Hearts Erja Lyytinen UK Tour

 Sheffield, Greystones                                   Wednesday 20 September
Edinburgh, The Caves                                    Thursday 21 September
Nottingham, The Bodega                             Friday 22 September
Chester, Live Rooms                                      Saturday 23 September

Manchester, Band On The Wall                 Sunday 24 September
London, Borderline                                        Monday 25 September
Bristol, The Tunnels                                       Tuesday 26 September


Erja, always entertains and Bluesdoodles loves to having the opportunity to catch up with the sparkling sapphire Blues from Erja; at festivalsin conversation or recorded music.

The set from Erja at HRH Blues in Sheffield this Easter was a highlight of the festival “High class set from the renowned queen of the blues slide guitar. In the set is Black Ocean for me a highlight and favourite on the album now a live favourite as prog meets blues under the charms and skills of Erja.  We joined her on the rocking Chair, sang along with Stolen hearts. Then the trained steamed up the hill with her interpretation of Tina Turner’s Steamy windows. This was blues that sparkled as Erja smiled, played and won our hearts.”


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September 2017 Stolen Hearts Erja Lyytinen UK Tour

Borderline Beckons Mollie Marriott and Debut Album

Borderline Beckons Mollie Marriott and Debut Album

In Conversation as
Borderline Beckons Mollie Marriott and Debut Album

Mollie Marriott, daughter of former Small Faces and Humble Pie singer/guitarist Steve Marriott and step-daughter to singer Joe Brown took time out to chat with Bluesdoodles. With debut album Truth Is A Wolf due out later this year Mollie is performing an intimate concert at London Borderline on Thursday 1st June 2017. Mollie took time out of a busy schedule having recently toured with Wilko Johnson & Paul Weller.

BD: Mollie thank you for taking the time to chat to Bluesdoodles
MM: Thank you as well, always good to talk about music.

BD: You are the daughter of Steve Marriott; until now your music career as a backing singer for many musicians including your step-father Joe Brown. What was the motivation to step out front taking centre stage?
MM: Stepping out on centre stage, felt right now was the right time. I was not bothered before I loved being a backing vocalist. I could turn up sing and go; not get involved with all the other stuff. I had seen the scary stuff connected with the industry. I had watched what it can do to people, it put me off. I wanted to write my own stuff, I knew that I had to live life first. I am influenced by Stevie Nicks  &  Alanis Morissette; raw and dark honest that is who I wanted to write. I now have the head space; with a few breakdowns to write about. In the family the last is called Crash 2012. Hitting Rock bottom is good as the only way is up to rebuild your life as you want it. Now I am in a good place since I hit 30; being in your thirties is great. I was a young mum at 23; when your twenties are about having fun with people in your life because they are around. Thirty, you become your own person now where you want to go and who you are so all is good.

BD: With a Debut Album Truth is A Wolf announced. How did you decide upon releasing as the first single the number Control?
MM: Previously I had a testing tie with record label; basically had no control It was a case of Beautiful women using their beauty to control and trample you. A Mother figure who then betrayed and let you down, as line in my songs says “You saved me to break me”. Taking back control of my music was important so this was the right single to start again with my career, I am in the driver’s seat going where I want to go. I co-wrote this number with Sam Tanner, lead vocalist with Brother Strut. We wrote the song together, we knew right from the beginning Control was the perfect song to release as the first single off the album Truth Is A Wolf.

BD: Tell our readers about the forthcoming album, how did you decide on the title the type of music that best describes your debut?
MM:  I went to Nashville to start writing the album. The title track Truth  Is A Wolf written by Gary Nicholson, he was going to give it to Bonnie Raitt or Susan Tedeschi who are lots of my influences. I heard the demo just wurli and vocals and thought that sums up my album it was the perfect tile song. With tracks that reflect my life Broken, ending of a relationship and the effect that had on me and my daughter. The song Truth Is A Wolf, tied it all in a bow.  So many types of music can be used in the description. It is a Rock Album. Yes, many people I have asked as I really do not know have said it is bluesy-rock. Within the Backing vocals there are elements of gospel and country. It is a Rock mix definitely NOT pop laughing. Also, grungy elements. I am a grunge girl love Chris Cornell, Pearl Jam, Jagged Little Pill a favourite album sounds a bit like that as well.

BD:  Mollie you are definitely making a statement with your next Gig coming up on the 1st June at The Borderline with guests?
MM: Yes, so exciting, this is my first proper headline gig. With support from Anna Kratz, a special friend. We met in Nashville I went to one of her shows as she sung I was completely broken, sobbing she was singing y life, Anna is a wonderful songwriter writing with Ed Sheeran and many more. Pocket dragon are a cool band, with a female lead. It is so important to me that the night is Woman led. I want people to o listen to me as Mollie, Mollie Marriott; NOT “Mollie Marriott daughter of Steve Marriott” – that was not the name on my Birth Certificate. People have said well why not Mollie Brown? Joe Brown my step-dad then there is all that baggage as well. So sticking to the name I was given at birth Mollie Marriott.

BD: With a London Gig under your belt. Are you taking Mollie and her band to be heard outside of London?
MM: Yes, definitely tour outside of London. I love getting outside of London to venues in towns and cities. Played The Tramshed in Cardiff when opening for Wilko Johnson BD: Had to miss that show to my disappointment as away in Sheffield.  
MM: What a great venue loved playing Cardiff, Nottingham was fun as was Apex in Bury St Edmunds. Playing Liverpool with Paul Weller was mad, even a little bit scary a room full of mods. My show will be exciting to watch, all my band is very visual to watch we move about.

BD: If you were putting together the perfect band with members from across the years (dead or alive) who would you have playing?
MM: Oh My God that is such a difficult question, will change the moment I put down the ‘phone Mollie laughs and says:-

Bass: Has to be Flea visually rocks.
Drummer: Richie Hayward – he has to have been the best drummer ever!
Guitar:  This is so difficult going to upset so many people has to be Stevie Marriott (such an under-rated guitarist)
Guitar: Joe Bonamassa
Vocals: Chris Cornell (he has such an amazing voice)

BD: Thank you for your time, looking forward to hearing the whole album and seeing your show when you take it on the road.

Borderline Beckons Mollie Marriott and Debut AlbumMOLLIE MARRIOTT LIVE AT LONDON’S BORDERLINE



Daughter of legendary Small Faces and Humble Pie
singer/guitarist Steve Marriott, plays intimate London show

24 Hour Box Office – O8444 780 898
Book tickets from 
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Little Hurricane New Album Same Sun Same Moon Listen To The Single NOW

Little Hurricane New Album Same Sun Same Moon Listen To The Single NOW

Little Hurricanethe San Diego dirty-blues duo of front man Anthony “Tone” Catalano and drummer Celeste “C.C.” Spina are gearing up for the release of their third full-length studio album Same Sun Same Moon on April 14, on their new home Mascot Records

Their story began in San Diego, where Little Hurricane formed. Having recently resumed playing drums after an eight-year hiatus, CC placed a musicians-wanted ad on Craigslist. Among the myriad of respondents was Tone, a studio engineer who’d worked with artists ranging from John Paul Jones to Gwen Stefani. The two musicians were neighbours who had never met, and bonded over mutual interests including the blues, unusual and vintage gear, and their individual experiences playing in high school jazz bands. A year later, Little Hurricane won three San Diego Music Awards, including Album of the Year for 2011 debut Homewrecker. Little Hurricane’s explosive live show soon landed them slots at major festivals including Austin City Limits and Lollapalooza, and garnered media attention from outlets including Rolling Stone, which profiled them in an extensive behind-the-scenes piece at SXSW 2012.

The evolution of Little Hurricane is especially evident on the album’s first single “OTL”, a love song woven from understated keyboards and intertwined vocals. Married in summer 2016, the creative partners elected to openly share their happiness with listeners for the first time.

Little Hurricane New Album Same Sun Same Moon Listen To The Single NOW




April 12, 2017 Washington, DC, USA Songbyrd
April 13, 2017 New York, NY, USA Mercury Lounge
April 14, 2017 Philadelphia, PA, USA Boot and Saddle
April 15, 2017 Boston, MA, USA Great Scott
April 18, 2017 Akron, OH, USA Musica
April 20, 2017 Columbus, OH, USA A&R Music Bar
April 21, 2017 Chicago, IL, USA Double Door
April 22, 2017 Omaha, NE, USA Slowdown
April 25, 2017 Denver, CO, USA Globe Hall
April 29, 2017 Groningen, the Netherlands Rhythm & Blues Nights
April 30, 2017 Breda, the Netherlands Mezz
May 2, 2017 London, UK Borderline
May 4, 2017 Brussels, Belgium ABClub
May 6, 2017 Cologne, Germany Studio 672
May 7, 2017 Amsterdam, the Netherlands Paradiso
May 9, 2017 Paris, France Espace B
May 28, 2017 Napa, CA, USA BottleRock Music Fest