Debut Album A Rebel’s Story By Big Wolf Band

Debut Album A Rebel’s Story By Big Wolf Band

Debut Album A Rebel’s Story By Big Wolf Band

 

Debut Album A Rebel’s Story By Big Wolf Band. Out of Birmingham, the band have a big blues sound as Honky Tonk piano rocks out with deep vocals a swing guitar. The Blues Rock sound is strong as the quartet not from Birmingham Alabama but Birmingham West Midlands share over thirteen tracks blues that are spiced with rock.

The album has is easy on the blues ear and captivating with its controlled energy. A Rebel’s Story is an album that grows with every listen as you become acquainted with Big Wolf Band on their debut album. The quartet are guitarist & vocalist, Jonathan Earp, bassist Mick Jeynes, Drummer Tim Jones and on the keys Paul Bambani.  The foursome opens the album with Heaven’s Got The Blues. That may be true, the absolute truth is Big Wolf Band definitely have.  The sound has a distinctive mix as the keys lead into a huge guitar riff, laying down the scene for an album that will surprise as the hues of the blues are explored with a mix of the traditional that has been re-shaped but never loses its musical form into a contemporary sound. The foot-tapping rock’n’ roll is fused with a shuffle in Done Wrong By You. Earp’ s guitar work is fresh with the cadences that take you back deep into the seventies with more than a tipping of a hat to Gary Moore.

The tone changes with the Honky Tonk Piano leading the pack as we get to know Long Time Mary, Earp’s vocals pierce through the melody set down and links seamlessly in with the percussive drumming.  The vocals are intense but never overpower as they rest and the lead break is taken up by Bambani’s fingers caressing the keys. Intoxicating blues.

A debut album full of blues shades and hidden depths, never overproduced the warm live slightly dangerous sound is captured in the studio. You can expect a full-on live performance on the strength of A Rebel’s Story, Big Wolf Band’s debut album. The album never shocks but as A Rebel’s Story unfurl you are never left disappointed.

The title track in the middle of the album has a harder rockier edge. The title has a raw energy contained within the control of musicians in the studio. Live, it is easy to imagine the track stretched out with lead breaks that up the pace and leave you breathless as a rebel hound.

A quartet of songs with love in the title brings this stylish and enjoyable album to its close.  I Don’t Love You opens with a classic blues beat fast with an urgency and the vocals have an ear-pleasing tonal quality. You know exactly what is meant in a song about love ending it. There is no future for this love story. What is clear Big wolf Band have a future delivering blues that give a contemporary edge to the blues. They may not be shaking any Willow Tree or delivering the unexpected what they are delivering is blues with ear appeal.

EIGHTpawprint half inchdoodle paws out of TEN …

 

  1. Heaven’s Got The Blues
  2. Done Wrong By You
  3. Hot Blooded Woman
  4. Darkest Of My Days
  5. Long Time Mary
  6. Rolling With Thunder
  7. One More Time
  8. A Rebel’s Story
  9. Been Here Too Long
  10. Love That Hurts
  11. I Don’t Love
  12. Love Isn’t Free
  13. If I Ever Loved Another Woman

 

 

Pariah Brothers Never Exile Crow Black Chicken Music

Pariah Brothers Never Exile Crow Black Chicken Music on the latest album from the band that hails from the deepest South with their own distinctive blues-rock. The music feels homegrown deep southern America. Yes, the sound is true but the trio hail from the Deep South of Ireland.  Crow Black Chicken are a blues powerhouse live as the Clonmel based trio whirl the audience into a perfect maelstrom of excitement with their energized blues rock show. Christy O’Hanlon, the consummate entertainer with witty tales, stories to make the hair curl combined with his gravelled infused vocals and guitar leads the boys into music that cajoles and hits you straight in your music radar fair and square with a bullseye. Joining him providing deep, dark fulsome rhythms are Gev Barrett drumming and providing backing vocals and high-octane fueled riffs, the showman on bass Steven McGrath.  Will this sound be contained, dampened in the controlled atmosphere of the recording studio? The answer is an emphatic NO!  From the opening track, Jonestown through to the title track closing the album out you are captured in the mesmeric musical web of Crow Black Chicken.

 

The band weave their magic, they have thrown down the black chicken bones and weaving a dark alchemy of blues-infused rock, traditional yet absolutely contemporary. The opening track sets down a marker full of dark heavy blues and lyrics that take you to darkest Guyana, cults and mass suicide.  Followed by a groove-laden bass opening as the slide guitar wails and picks up the groove, we experience Justice Crow Black Chicken style. What a hefty start to the album can this momentum continue? No, we couldn’t take the pace.  Everyone has a semi-respite from intensity as we step up South Roman Street, the music curls around the greasy full licks from guitar and bass. The melodic laid-back approach captured in The Prophet now we have gained our breath the album builds and fires on all four cylinders once again. Exploring Deer Meat Unloaded a tale from a Spanish tour, writing songs from experiences on the road allows the guitar to whine and the bass to lay down the melody with attitude and cowbell is always a useful addition.

The beat is picking up as the album turns for home looking for the Pariah Brothers. A tribute to fellow Irishman Pat McManus, picks up the McManus groove. The guitar wails and squeals under Christy’s hand as his vocals unveil another tale gruff and full of emotional intent. Closing the album with the title track Pariah Brothers, Steven’s bass is deep dark and considered as he opens the number joined by a sharp bright guitar sound from Christy. The two sounds contradict but work perfectly well together as Brothers who are outsiders are introduced. Closing the album you are left with a greasy musical taste and the feeling that this is bluesy with rocking intent a band that will jam and change a song when played live. The songs may have been recorded in a studio but you know live they will retain the energy and intent and evolve as the band interact with the audience.  Across the dozen tracks Crow Black Chicken is definitely never curtailed by the studio walls as their brand of Southern bluesy rock is delivered. Pariah Brothers Never Exile Crow Black Chicken Music, Why? It will be often on the turntable, or whatever device you decide to use to get your Crow Black Chicken fix of the day.

 

Pariah Brothers – Crow Black Chicken

NINEpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Jonestown
  2. Justice
  3. Bleedin
  4. Calib
  5. South Roman Street
  6. The Prophet
  7. Panta Rhei
  8. Deer Meat Unloaded
  9. Ripples In The Sand
  10. Freedom
  11. Pat McManus
  12. Pariah Brothers

Check out the review of Crow Black Chicken Live in Bristol – HERE

 

Pariah Brothers Never Exile Crow Black Chicken Music

Simon McBride Triumphantly Ends this Tour at The Tunnels

Simon McBride Triumphantly Ends this Tour at The Tunnels

Simon McBride Triumphantly Ends this Tour at The Tunnels

Monday night in November heats up in Bristol as Simon McBride triumphantly ends this tour at The Tunnels. With the week full of quality live music, combined with a Monday night the turnout was respectable. That does not disguise the fact when a guitarist of this quality comes to town with his band it should be a sell-out every time, whatever the night whatever the weather. If you love guitar driven blues fused rock then and you haven’t seen Simon McBride you have missed a musician at the top of his game. He demonstrated this tonight with every chord, note, lick and riff as the music filled the venue. With Marty McCloskey behind the drums and bassist Dave Marks to kick up the fireworks, this is a trio that has power, attitude and control shaping the tempo and textures to create a wall of sound full of depth and interest.

Simon McBride Triumphantly Ends this Tour at The Tunnels Tonight, The Tunnels reverberated with stunning blues- rock that captured the classics, Simon’s back catalogue and a glimpse of the new on the long and patiently awaited next album. Tentatively promised tonight as next year-end of 2018 it will be a Christmas Album Simon quipped. As would often happen the rhythm section picked up the words as they played jingle bells with the band laughing. Last night of a six-month tour there was a mix of end-of-term party and the delight of playing live music to an appreciative audience.

The covers were special including Free’s, The Stealer with a great key change halfway through and wonderfully controlled powerful lead breaks. This was a foot-tapping joy. His version of Hendrix’s Little Wing was sublime the re-working made you listen to this oft-heard and covered classic. The timing was immense and when combined with the super tone of his signature PRS Guitar was sublime.

Simon McBride Triumphantly Ends this Tour at The Tunnels The new music was punchy with the formidable tone and guitar textures with strings bent and the vocals pulling the song along.  Change gave the rhythm section the opportunity to come to the fore with a bass display from Dave Marks that was full of rhythmic punch. As the bass was slapped, the bass guitar now dominated as we heard jazz, rock and blues melded in a reprise of delight. Then we had the duel between guitar and bass the energy flowed from the stage across the venue. Live music quality and fun.  A definite keeper and as the audience was quick to tell Simon a single from the next album, Show Me How To Love. What a cracking number live full of emotional integrity and up-lifting playing from all three musicians.

Every number played was special, go hear Simon McBride play live when he is next in town. The other numbers that stood out were So Much Love, with glimpses of Prog and more in this brilliant instrumental interlude. The real highlight of the night for many including myself was So Much Love and One More Try. These display the virtuosity of McBride’s guitar mastery. Don’t Be  A fool was a rousing finale with audience participation. This was party-time and fun with the band losing control of the audience as we repeated the lines to the beat of Marty’s drum.

Tonight Simon McBride conquered The Tunnels with the power of live music.

 

Simon McBride Triumphantly Ends this Tour at The Tunnels

 

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

RELEASED ON CD, 180 GRAM VINYL, MASTERED FOR iTUNES DIGITAL AND STANDARD DIGITAL DOWNLOAD

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

PERFECTION KILLS – MARCH 2018 UK TOUR

DAN PATLANSKY – PERFECTION KILLS MARCH 2018 UK TOUR

TICKETS –  The Gig Cartel or DanPatlansky 

Manchester, Deaf Institute             Thursday 15 March           

Newcastle, The Cluny                      Friday 16 March

Leek, Foxlowe Arts Centre              Saturday 17 March

Bristol, The Tunnel                          Sunday 18 March

Sheffield, Greystones                     Tuesday 20 March

London, Borderline                        Wednesday 21 March         

South African singer-songwriter and guitarist, Dan Patlansky, is set to the release his new studio album Perfection Kills in the UK on Friday 2nd February 2018. The album is the follow up to 2016’s critically acclaimed Introvertigo which was voted #1 BluesRock Album 2016 by Blues Rock Review.

Bluesdoodles loved the album Introvertivgo we said this and more “Introvertigo with its carefully crafted lyrics that blend urbane wit and honest observation, this is blues pertinent to today’s lifestyles, not so much whiskey and women more the corruption of power and social interaction. Ten tracks there are no fillers every number is full of strength and tonal power but there is not an off note or lyric”.

To dovetail with the release of the new album, Dan will be the special guest on Joanne Shaw Taylor’s nationwide 7-date UK tour that starts on Tuesday 7th November at Gateshead Sage. To coincide with the tour, he will release a new single Dog Day taken from the Perfection Kills album.  Dan said “There’s going to be a big emphasis on a lot of touring around the new record which I can’t wait for. November 2017 I will be touring with Joanne Shaw Taylor in the U.K and will perform the first single, Dog Day, live for the first time. March 2018 we return to U.K/Europe for the Perfection Kills album launch tour.

Check out the November UK tour dates HERE

Patlansky was nominated as one of Classic Rock magazine’s hotly tipped new artists of 2015. His album, Dear Silence Thieves received accolades and praise from the British press. He’s been voted Most Promising Male Blues Artist by Blues & Soul Magazine, and only recently has he been nominated as Best International Solo Artist at the Planet Rock Radio ‘Rocks’ Awards.

2018 Dan Patlansky UK Tour Plus New Album Perfection KillsPerfection Kills was recorded at Scherzo Productions, a recording studio in Dan’s hometown of Pretoria, South Africa. Dan chose Scherzo because he wanted to make a different sounding record and he felt it was the right studio for his vision.

Patlansky produced the album himself, something he hadn’t done in years. Says Dan, “I learnt so much working with Theo Crous who was the producer on previous two albums Dear Silence Thieves and Introvertigo. I worked on pre-production and songwriting with Theo on a couple of the tracks for Perfection Kills and applied what I learnt to the recording and production process of the album.”

Perfection Kills is all about my vision of making a record that still make the songwriting a priority as in the past, the final product delivers a far more real and organic result.”

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

Do not delay reserve you seat at shows that will heat up the coldest Winter Night

JOANNE SHAW TAYLOR NOVEMBER 2017 UK TOUR
WITH SPECIAL GUEST DAN PATLANSKY
TICKETS – 

24 HOUR BOX OFFICE – 0844 478 0898

BOOK ONLINE – The Gig Cartel or Dan Patlansky

 Gateshead, The Sage – Tuesday 7th November 2017

Tickets: £30, £27.30, £25.10, £21.80
Venue Box Office: 0191 443 4661 or Gig Cartel: 0844 478 0898
Book Online: The Sage  or The Gig Cartel

Cambridge, Corn Exchange – Thursday 9th November 2017

Venue Box Office: 01223 357 851 or Gig Cartel: 0844 478 0898
Book Online: Corn Exchange or  The Gig Cartel

Manchester, Bridgewater Hall – Friday 10th November 2017

 Venue Box Office: 0161 907 9000 or Gig Cartel: 0844 478 0898
Book Online: Bridgewater Hall or The Gig Cartel

Glasgow, Royal Concert Hall – Sunday 12th November 2017

Tickets: £27.50, £25.00, £23.50, £20.00
Venue Box Office: 0141 353 8000 or Gig Cartel: 0844 478 0898
Book Online: Glasgow Royal Concert Hall,  or The Gig Cartel

Bristol, Colston Hall – Tuesday 14th November 2017

Tickets: £21.50 to £29.56 incl. booking fee
Venue Box Office: 0117 203 4040 or Gig Cartel: 0844 478 0898
Book Online: Bristol Colston Hall or The Gig Cartel

London, Royal Festival Hall – Friday 15th November 2017

Tickets: £20 – £29.50 plus booking fee
Venue Box Office: 0844 875 0073 or Gig Cartel: 0844 478 0898
Book Online: Royal Festival Hall  or The Gig Cartel

Birmingham, Symphony Hall – Monday 20th November 2017

Tickets: £23 – £30.50 inc. booking fee 
Venue Box Office: 0121 780 3333 or Gig Cartel: 0844 478 0898
Book Online: Birmingham Symphony Hall or The Gig Cartel

As we said when we recently heard Dan play live in Cardiff he is – “Majestic, scintillating jaw-dropping good.”

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

Stevie Westwood Talking About Bad Touch Headline Tour

Stevie Westwood Talking About Bad Touch Headline Tour

Stevie Westwood Talking About Bad Touch Headline Tour

 

 

BD: Thank you for taking time to talk to Bluesdoodles again before you head out on a headline tour with Mollie Marriott, Celebrating the tour you have just released a video with the download available from Monday 23rd October.  The number Baby Get It On sounds fab love the inclusion of Mollie’s vocals.  Let’s start off with how did you decide on this Tina Turner Classic?
SW: We wanted a new number to promote the tour for our first headline tour. Delighted to have the amazing Mollie Marriott as our special guest real privilege she has such an amazing voice. Seeks our guitarist said let’s try this one and he had a cracking arrangement. We demoed it and recorded the number and sent it to Mollie. Mollie liked it as so she came up to the studio and we recorded the video. The whole this was a quick turnaround from Seeks first suggesting Baby Get It On and then half day in the studio recording the number.

 


 

BD: Bad Touch has been touring with some great acts including King King and recently Kentucky Headhunters how does it feel to be Headliners?

SW:  Headlining, yes feel bizarre weird place excited nervous, a good nervous will give chance for fans a chance to come out and support us. We are planning to get everyone who has seen us play live out the nights will be good value for money. Good times to be had. The support from Mollie will be immense. So we are asking everyone who has heard a radio play or seen us supporting some amazing acts, come out and support live music.  We have as everyone keeps saying come a long way in a relatively short time we just now have to keep moving forward.
BD: How do you keep the music contemporary when the influences are clearly out of the 1970’s, that bluesy Southern Rock sound. How do you manage not to be a retro band, but one with a relevance for audiences here and now despite being compared to Black Crowes and others?

SW: Ha! Yes, we do keep getting compared to bands of the ‘70’s. We didn’t go out to do that. Yes, we are all fans of many bands from Lynyrd Skynyrd through to Led Zeppelin. The music we write is what we want to write the music we want to play to audiences. We are also influenced by contemporary bands, including Temperance Movement, The Answer, Rival Sons and Blackberry Smoke. Listening and absorbing music from a variety of bands keeps our finger on the pulse. The truth is Bad Touch sound is the one we have shaped by all the members of the band.  You have to keep going nowadays, writing the music you want to write, Bad Touch are creating a sound that is getting us heard.
BD: Your album Truth Be Told was out last year and has gained you lots of fans with radio airplay. Will we be hearing some new music in the Headline set list?

SW:  Yes thanks to stations like Planet Rock for the support. We have four new songs that will probably be on the new album which we are planning to release in the first half of 2018. It is good to play them live, can see what people think. How audience reacts to them and keeps the set list fresh.  So yes there will be some new music on the set list every night we play.

Check out Tour Venues, Dates and a click away from buying your Ticket  HERE

BD: For people who have missed out on seeing Bad Touch Live how would you describe your sound and live performance. What makes Bad Touch the band to see in 2017.
SW:  Mmmm… honestly that is hard to answer.  None of us has seen ourselves play live or reviewed our shows! What I can say is we play to make people feel good about themselves. We are a feel good Rock N’ Roll Band. We aim to break down the space between band and audiences we want to create that one good party feel. You have reviewed us what do you say?

BD: Ha! That is cheating turning the tables. Yes, feel good music that makes you smile. You certainly are a high energy performers that raise the temperature of any venue.
SW: Glad you have enjoyed the show.

BD: Stevie, you are the vocalist and frontman of Bad Touch share with our readers how you interact with the band.  From your performance on stage, it always appears that you are having fun.
SW:  Truthfully why would we be doing this, playing in a band, if we were not having fun? Without being too pessimistic it is certainly not for the money! As a band, we look at it as we are all brothers together. We all communicate on stage I find a raised eyebrow works well along with a quick word in ears. We do talk to each other between numbers. The fun is doing the numbers different to the studio version, keeping it fresh reacting to the audience building a conversation between the band and the audiences.

BD: Having seen you play live a few times, you always include a couple of covers how do you choose them. Also, will the new single Baby Get It On make an appearance in the forthcoming tour?
SW: Mmm…. playing number live, the stage could be cramped come to a show and find out. Would be fun Mollie is such a great singer full of talent. So may make an appearance. We always have a couple covers up our sleeves, audiences know these songs which is great if it is the first time they are seeing us live, Secondly used to feel up the time of the set if we have run ahead of ourselves, in fact, that is generally the reason why we add them into the set.

BD: The world of music is tough. Bad Touch seems to have an upward trajectory getting your music heard is a challenge and you have had lots of Radio Plays from the album. What impact both positive and negative is of downloads and streaming services such as YouTube, Sound Cloud, Spotify for Bad Touch’s music and getting the sound heard to a wide audience?
SW:
Music business is tough. Thank you, we like to think we are moving upwards long may that continue. I am old fashioned I like to buy the CD. I like building my collection and being able to browse and choose what I am going to play. I cherish what I have bought.  That said I am definitely not poo pooing anyone who listens to their music using streaming services. That said though I do feel that there has been a huge devaluation in the value of music now have the ability to have what you want without paying(or only paying minimal amount) for it. It is very hard, don’t know really we use YouTube and Sound Cloud for our music and it is a way to find music. I do though believe that streaming stops people from having to pay for music if you pay you put more value on the music you are listening to. BD: Read recently that people only listen to few seconds of intro before trying another track. SW: Yes, attention spans are now so short need to catch people attention in first few seconds or they move on. Technology is both amazing and scary everything is available in the instant which definitely has positives and negatives. I still like having my CD’s on a shelf they are always available even when Wi-Fi is down.

 BD: What other plans and excitements have you got planned for 2018 following a very busy 2017?

SW: Taking it as it comes. First priority is the new album follow-up to Truth Be Told. Bookings for 2018 are coming in so we will be keeping getting out there performing in front of audiences.
BD: What was the first album you bought and what is the most recent?

SW: Big Willie Style – Will Smith Like an Arrow by Blackberry Smoke
BD: We asked you your fantasy band when we talked last year so what are you listening to at the moment; whether on the tour bus or relaxing?

SW: Everything and anything. When out on tour we all bring the music we are listening to. We talk about it what we like about it.  All that we listen to sculpt the Bad Touch sound as we get down and write new stuff together. Currently, we have been listening to lots of Country having been on Tour with Kentucky Headhunters. Some great music out there to be discovered.

Bad Touch are:

Stevie Westwood
Rob Glendinning
Daniel ‘Seeks’ Seeking
George Dewry
Michael Bailey

BD: Once again thanks for your time and looking forward to seeing you with Bad Touch and Mollie Marriott at The Tunnels, Bristol

 

Day Of Music Celebrating Life Cancer On The Rocks

Day Of Music Celebrating Life Cancer On The Rocks

Day Of Music Celebrating Life Cancer On The Rocks

 

 

Rick Palin of Skyfire Interactive has announced today a new event Cancer On The Rocks. The acts are varied and are mostly rock and blues. The event is close to Rick’s heart. This event is fundraising for Macmillan with the goal on the day is to raise £10,000.00 for the charity.

Background to Day Of Music Celebrating Life Cancer On The Rocks

In August Rick’s Father died of cancer, his death hit him very hard, especially the feeling of feeling so completely powerless to help him. The one constant that got me through the desperate times was the help and support given by Macmillan. They were such a support to both me and my dad and I will never forget what they did for him and in fact still are doing to help me. Having seen so many people die from cancer this year, including close family and friends, Rick is sickened to the stomach the number of people this disease is killing. Rick, made a vow to do something to help Macmillan as I thought simply writing them a £500 cheque was insufficient and a mere drop in the ocean in this horrible war. The outcome The Cancer On The Rocks. Whereon one day an 11 band spectacular taking place in Nantwich, Cheshire in January 2018.

This day is not just about raising funds for Macmillan it is about something equally special, it is about celebrating life.

 

Day Of Music Celebrating Life Cancer On The Rocks – Tickets go on sale today HERE

Every penny raised will go to Macmillan, so come along, have a fantastic day with some amazing bands and know that you are doing something important to help save lives.

 

Day Of Music Celebrating Life Cancer On The Rocks

Popa Chubby Announces New Album Two Dogs

Popa Chubby Announces New Album Two Dogs

Popa Chubby Announces New Album Two Dogs

 

 

Popa Chubby drops a big, bad, sonic bomb with his excellent and timely new album, “Two Dogs.” On it, Popa explores myriad musical styles and genres while keeping it close to his rock and soul core. You’ll hear the Popa you know and love and things you haven’t heard before.

Popa started work on “Two Dogs” with a lot of amazing sounds in his head and powerful feelings in his heart. Recorded at his home studio in New York’s Hudson Valley, Popa engineered and produced the record. He also plays drums, bass and percussion on some tracks. Renowned keyboard player and Popa’s long-time collaborator, Dave Keyes, appears throughout the album. Popa’s daughter, Tipitina Horowitz, plays the trumpet and contributes horn compositions. And ace drummer, Sam “Freightrain” Bryant keeps the beat real and rocking.

In the album’s liner notes, Popa expresses how he feels about the times we live in and expands on the inspiration behind the title song: “We have become polarized as a race. There is a battle inside each of us. Each day we rise and must choose our path calling upon each other and our own spirits for strength and courage. The dog we feed is the one that rules, the dog we starve dies of neglect. It is up to each of us to use our spirit to feed the dog that will enable all of us to thrive.”

This quote from a review of “Two Dogs” published in Blues Magazine does a good job of summing up the man and his music: “To call him a blues artist is to belittle who he is and what he stands for. Horowitz is so much more than that: Singer, songwriter, guitar stylist, his passions run deep and shine bright. With a performance style he describes as “the Stooges meets Buddy Guy, Motörhead meets Muddy Waters, and Jimi Hendrix meets Robert Johnson,” Popa Chubby is an endearing character who is one of the genre’s most popular and innovative figures.”

 

 

1. It’s Alright
2. Rescue Me
3. Preexisting Conditions
4. Sam Lay’s Pistol
5. Two Dogs
6. Dirty Old Blues
7. Shakedown
8. Wound Up Getting High
9. Cayophus Dupree
10. Me Won’t Back Down
11. Chubby’s Boogie
BONUS LIVE TRACKS
12. Sympathy for the Devil
13. Hallelujah

All songs written by T. Horowitz except tracks 4 and 7 by Galea-T. Horowitz; track 12 by Jagger-Richards; track 13 by Leonard Cohen All songs unless otherwise indicated ASCAP Dutch Daddy Music. Track 12: ABKCO Music Inc. Track 13: Sony/ATV Popa Chubby: Guitars, vocals and percussion on all tracks. Drums on Clayophus and Me Won’t Back Down. Bass on Rescue Me, Shakedown, Two Dogs, Clayophus and Me Won’t Back Down Sam “Freightrain” Bryant: Drums all other tracks Andy Paladino: Bass on It’s Alright, Chubby’s Boogie, Preexisting Conditions, Dirty Old Blues Dave Keyes: Keyboards on all tracks Tipitina Horowitz: Trumpet, composition of horns Andrew Garrison: Tenor Saxophone Andrea Beccaro: Drums on Sympathy for the Devil Francesco Beccaro: Bass on Sympathy for the Devil

All songs written by T. Horowitz except tracks 4 and 7 by Galea-T. Horowitz; track 12 by Jagger-Richards; track 13 by Leonard Cohen All songs unless otherwise indicated ASCAP Dutch Daddy Music. Track 12: ABKCO Music Inc. Track 13: Sony/ATV Popa Chubby: Guitars, vocals and percussion on all tracks. Drums on Clayophus and Me Won’t Back Down. Bass on Rescue Me, Shakedown, Two Dogs, Clayophus and Me Won’t Back Down Sam “Freightrain” Bryant: Drums all other tracks Andy Paladino: Bass on It’s Alright, Chubby’s Boogie, Preexisting Conditions, Dirty Old Blues Dave Keyes: Keyboards on all tracks Tipitina Horowitz: Trumpet, composition of horns Andrew Garrison: Tenor Saxophone Andrea Beccaro: Drums on Sympathy for the Devil Francesco Beccaro: Bass on Sympathy for the Devil

Popa Chubby Announces New Album Two Dogs

 

 

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

 

 

Tonight The Tunnels welcomed Erja Lyytinen and her support band Red Butler to Bristol for the first and definitely not the last time. Tuesday night was blues night that filled the arches with music that was full of energy and played with style.

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol TonightOpening tonight Red Butler with their new line-up that many in the audience had not had the opportunity to hear yet. Alex Butler, Mike Topp and Charlie Simpson are joined by Dan Spellman on vocals and guitar. With a change of vocalist, the dynamics of the band have definitely changed. The interactions between the four members on a cramped stage space was natural and full of energy that is the fuel for their rocky blues. With Dan as the vocalist adds a harder edge to their sound, which certainly suits the direction they took on Nothing To Loose. The set reflected this with the numbers taken predominately from the album. The new vitalized Red Butler tonight added to their skills some brilliant harmonization between Alex, Dan and Mike. The whole set was played with aplomb, the sound was very tight and the interplay between the guitarists was intuitive and worked well set against the rhythm section.

Calm Before The Storm was a highlight, they nailed it. Other highlights of a short set that showcased the band was Belly Of TheErja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight Blues, rearranged and sounds better with new vocalists adding a layer of drama. Crowd-pleasing cover of Bobby Bland’s Ain’t No Love In The Heart of the City. With the rocky edge more akin to Bernie Marsden/Whitesnake version and sounds wonderful and the audience gladly added their voice to the chorus. Mike took the role of the wolf, complete with a mask for Big Bad Wolf, combined with the music adding to the live experience. A great set, the only pity was not more people had turned out on a Tuesday to hear blues rock at The Tunnels.

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Short break, change of sound man, Mikko Kiviniemi takes charge of the desk as Erja Lyytinen and her band take control of The Tunnels. For those familiar with the queen of the slide guitar, already familiar with her new direction on Stolen Hearts her current album provided anticipation for a night of full-on blues that flexes its muscles. Her music explores and captures the vibes of funk, prog rock and more. The energy flowed from the stage and across the venue. The band was determined that everyone was going to have fun and be left with a memory of musicianship that brought music alive.

 

The band provided the cascading backdrop of sound from which Erja could fly with her vocals and guitar. Tonight in control of Hammond and keys from the magical energised fingers of Harri Taittonen. Whilst the deep and sometimes dark rhythms were delivered by bassist Juha Verona and Kai Jokiaho on drums. A powerhouse captured in a quartet.  Erja the flying Fin with her sparkling Sapphire blue guitar and glass slide set the second half of the evening into a tumultuous celebration of the blues, a theme she returned to throughout the evening.

Despite the disappointing turnout Erja did not disappoint with a wonderful balance of authentic Blues, Blues Rock and ‘ProggishErja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight Rock’ showcasing why she is so popular and is gaining a fan base whenever she plays in the UK.  Her guitar work is impeccable, full of grace and style and her interaction with the audience is warm Erja Is the real deal. The set delivered was storming as they played the last gig of the current UK tour.

With numbers from Stolen Hearts including the title track that was a highlight with lots of joyous interaction and community singing for the chorus. The centre piece and the absolute highlight of the evening was Black Ocean. With deep driving blues textures, heavy riffs and rhythms reflecting the ocean swell dark and dangerous. Erja tonight bought prog-blues to Bristol. We loved it. Showing the depth and breadth of style across the album we had slow blues a thing of beauty as Slowly Burning curled around the arches. Then Rocking Chair the interaction between guitar and bass is immense. As Juha, on bass reflects the rocking beat of the Rocking chair. Live musical magic.

With a Ko Ko Taylor cover, full of slide blues that is rooted firmly in the original African source; and delightful instrumental solo from Erja as she showed the styles of the greats. A medley full of subtle changes and interest that was delivered with fun as she asked the audience if they knew of BB King, Charlie Patton and many more.

With Cross Town Traffic given the Erja treatment along with her version of Steamy Windows an opportunity to be sexy with the audience and get close and personal with Juha on bass. All too soon it was time for the final numbers.  People get Ready where we were treated to guitar that resonated the tone and style of Jeff Beck. Erja tonight was Queen of the Blues. Her playing majestic, stylish with a hint of bedevilment and fun. Live music doesn’t get much better than this!

 

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Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

In Conversation Believe What Rebecca Downes Says

In Conversation Believe What Rebecca Downes Says

In Conversation Believe What Rebecca Downes Says

 

 

BD: Hi Rebecca it is great to speak to you. So much has happened since the UKBlues Challenge last year. Live album and so much more.

RD: No problem life is busy and good.

BD: Lots of touring, the band has been busy off the road. Supporting King King and Magnum as well as headline shows and Festivals. So tell us about your experiences on the road.

RD: I love supporting King King. Being around the King King crowds we knew where we are with fans of their blues-infused rock music. I was much more worried about opening for Magnum.  Would the fans like us and go for our music. They loved our music it was the best gig of last year.  The reaction blew me away. I am always nervous when playing as the support band. Magnum must have approved as we are supporting their 2018 show.  Headlining is different. I still worry, always worrying about getting people to them, how to manage the PR. There is a big difference between Europe and UK. In Europe, people go out and see live music all the time whether in the week or weekends and is on later. Life on the road is a bit of a whirlwind really.  For me, I am anxious and nervous. That said I love what I am doing such a privilege to play music. It does have its ups and downs. Music is not the kindest industry in the world. I have to remember that I chose this and get it all into perspective, at the end of the day I am lucky to be doing it. I got great reviews in the early days; that was fab, it is my baby. Then I got one arsey review, it was quite bitchy, no need for that, reviewers can say they don’t like it, not my cup of tea that is fine. I had to learn to leave the negatives behind and move on.

BD: What were your first musical influences growing up in Wolverhampton?
RD:
Through my Mum & Dad, they were older parents and loved swing and jazz. The likes of Ella Fitzgerald; Frank Sinatra, Sarah Vaughan, Billie Holiday, Julie Covington, Sammy Davis Jnr, etc. Both of my parents had been to see Ella Fitzgerald before they met so had this is common. Especially female singers of this era were the best of the best. The Carpenters were the most pop Mum listened to. She said to me if you are going to be a singer be like them.  It is the notes, choice of melody, tone, and timing that sets them apart. I know how tricky they are. As a vocal coach people ask me all the time how can I sing like Ella. The key is to have your pitch right. What unbelievable changes she achieves with her voice. Her voice can mimic even the brass section.

BD: There has been lots of Rebecca news. Your exciting trip to the States; will you be touring over there next year.

RD: Firstly, didn’t say I was going being careful as previously had a similar opportunity and it fell through. We were over in the States pitching what we do to a record company, how we can work with them. Before we went out had all new songs demoed and properly recorded with video. Been speaking with them this week so it will be interesting how this pans out – definitely watch this space.  I do lots of the PR & Admin work myself working until 11 pm. Life for a musician isn’t all the fun stuff but have to keep on top of it. Facebook, people put on a comment and they like you to react to it and say something. That takes time. I now try to only open the messages when I have time to answer them.

BD: I have always been interested in the lyrics of a song. Where do you get your inspiration for your songwriting?

RD:  Steve Birkett and I work together we both crossover between lyrics and melodies. Sometimes lyrics come first other times basic riffs sometimes both together. I almost always have a hand in the finished song.  I owe my Ex’s most of my PRS statements much of my inspiration comes from past relationships. Think the new album will see a change. It is true – a happy song cannot be written when sad, you just want to wallow in your misery. Uplifting songs will be on the new album along with those inspired by life experiences.

Some songs write themselves Believe is one I just wrote. It was almost as if I was downloading and I was just the vessel that spat it out it was a bizarre experience.

BD:  You are also in the studio at the moment making a new album. Will Chris Kimsey be involved in the whole album or just the re-mix of Sailing In A Pool Of Tears?

RD: Chris Kimsey is mixing and helping record the new album along with Mark T Stuart who records all our stuff. He is the nicest person he gets what we do. It is not strictly blues he gets where we are going slightly darker, slightly rockier. He is an absolute joy to work with. The new album is going to be released early 2018, the tracks include those we took to the States. It is ready to go now working out the release time, PR loads of things that are all in the pipeline.

BD: What plans have you in the pipeline for rest of 2017 and into 2018??

RD: Rest 2017 we have a headline tour of Germany throughout November and a T.V. show over there. Then back in the U.K. Tenby Blues Festival and King King’s Christmas party which will be fun. Then for 2018 making a video, our own tour of Europe and UK; opening for Magnum and more. It is gigging that keeps me alive. Music is my drug.

BD: What are the Blues or how do you define the Blues the perennial debate?

RD: What does blues mean to me? It is music with an emotional depth. Real blues goes back to the acoustic guitar through to the clean sound of the electric guitar. Today it is more rock than blues. With blues-tinged vocals and guitar with its roots firmly in the blues with other influences layered on top.  Blues is 12-bars why do we want to do it still when the past masters have done it better, the likes of John Lee Hooker and the other greats. Now we take the elements and shaped differently. Norman Beaker once said blues is anything that has got emotional depth. A melody link and a bluesy hook. Sound and guitar doing them as well, like the Blues Band who do the originals so well.

BD: If you were putting together your perfect fantasy band with members from across the years (dead or alive) who would you have playing
RD:

Vocals: Aretha Franklin
Guitar: Bonnie Raitt
Drums: Dave Grohl
Bass: Kevin McCormick

BD: Thanks for your time Rebecca and in the meantime catch Rebecca Live check out her tour dates HERE and keep listening to her albums they are infectious and will pass the time until her new album in 2018

Bluesdoodles Reviews:-

Be Live – The Leopard says Be Live With Rebecca Downes Rebecca is not defined by the blues but shaped by them with a soulful voice and a stage presence that shines out as wide as her dazzling smile. Rebecca is a singer who loves the stage and the audience loves her back as the music flows and Be Live captures the essence of a Downes live show. Read MORE HERE

Believe  – Believe has Rebecca Downes Singing the Blues …… The album does that crossing genre and with tempos and beats that will appeal far beyond the confines of blues clubs and blues aficionados. Read MORE HERE………

In Conversation Believe What Rebecca Downes Says

 

Kenny Wayne Shepherd says Lay It On Down on New Album

Kenny Wayne Shepherd says Lay It On Down on New Album

Kenny Wayne Shepherd says Lay It On Down on New Album

 

Kenny Wayne Shepherd new album Lay It On Down; Bluesdoodles can sum up his eighth solo album as searingly confident modern blues.  You want to read a little bit more? Happy to oblige as I listen once again with intense pleasure to Lay It On Down.

Lay It On Down, on Mascot Group Label with a release date of 21st July 2017. The album was recorded in January as Shepherd and his band entered the Echophone Studios in Shreveport, Louisiana. New Year, New Project , with an ambitious mission statement: the greatest songs of Shepherd’s career. No more. No less. “The point of this album,” he says, “was that I wanted to put a heavy emphasis on the songs themselves and the writing behind them. I wanted each song to really stand on its own with the songwriting, the music, the words.” Having listened mission accomplished full of fresh vibes; strong lyrics surrounded with the brilliance of electric blues.

Throughout the album the guitar sizzles with a controlled intent. The shining Goldilocks never too hot, never too long and definitely not cold. Kenny always leaves you wondering as the voice is hooked in what guitar lick was left out for the main event the lyrics.  It is that feeling of intrigue, the notes that have not been played that leaves you not wanting more but satisfied, intrigued and with melodies and lines that flash into your head as the most welcomed of earworms. Lay It Down, the music has been laid down with thought, commitment and self-belief that less is often more when it comes to electric guitar lead breaks.

Opening the narrative that connects the album’s eleven tracks is Baby Got Gone; starting off at full throttle with rock that is full of attitude we know we are embarking on a musical journey that will take us around an interesting circuit of songs recorded in Nashville out of Louisiana as rocks in the road are explored.  Rock and romance in the air combine on romantic number Nothing But the Night. Diamonds & Gold is full of soulful luxuriousness, a cascade of notes on guitar, drum and horns the sound is funky, modern and energised. The title is two objects of desire signifying for many power, and wealth giving us our status and identity.  Shepherd manages through the lyrics to look beyond to bigger more meaningful and fulfilling things as the guitar squeals delivering a crescendo of sound more valuable to the listener than Diamonds & Gold.

With a floating, Americana feel of the title track, Lay It On Down takes the musical road in another direction. This light and fresh number has a darker lyric trapped in a gilded cage as Shepherd sings “Who broke your will now honey who stole your dreams like money who made you think you were keeping around”. The lyrics build the story, the guitar break fills in the gap as we travel the road knowing we need to look at the inner beauty to pass the self-doubts that we often show to the world. .

The lap-steel curls with a depth of tone on Hard Lesson Learned and the electric guitar adds a salty sharpness. Then into blues shuffling glory that is the signature of Kenny Wayne shepherd for many. Followed by another vintage bluesy number we are then showered with Louisiana Rain.  The acoustic guitar is gentle reflecting rain on a window, distorting the view with its shades of grey. A song sung with heartfelt personal emotions. As we are led to the final stop on the journey that is Ride Of Your Life.  The music hooks back to the driving rocky feel of the opener. This is as it says a Ride Of Your Life the guitar crackles with static electric power, the flashes of sparks are iridescent with every shade of blue from baby blue to darkest indigo.  The encore is an acoustic version of the title track; we revisit the bird in the gilded cage the lyrics suit the acoustic sound. Lay It On Down is an album that will grow with very outing and tracks will become live favourites..

By the eighth album an artist can become predictable, all feels like heard that before. DEFINITELY NOT with Lay It On Down, Kenny Wayne Sheppard, picking up on his other passion motor cars has given his music a complete overhaul, the guitar driven engine still has its power and integrity but added to the accelerator taking us on a journey are strong lyrics and modern Americana influence. As KWS said recently, “I feel like the band’s best days are still ahead of us. And the next album could be completely different…”  He has certainly succeeded as Kenny Wayne Shepherd says Lay It On Down on New Album. While we wait for the next re-vamp we can Lay It On Down with pleasure in the company of Kenny Wayne Shepherd and his band.

Kenny Wayne Shepherd – Lay It On Down – Mascot Label Group

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Baby Got Gone
  2. Diamonds & Gold
  3. Nothing But The Night
  4. Lay It On Down
  5. She’s $$$
  6. Hard Lesson Learned
  7. Down For Love
  8. How Low Can You Go
  9. Louisiana Rain
  10. Ride Of Your Life
  11. Lay It On Down (Acoustic)

 

Kenny Wayne Shepherd says Lay It On Down on New Album