Day Of Music Celebrating Life Cancer On The Rocks

Day Of Music Celebrating Life Cancer On The Rocks

Day Of Music Celebrating Life Cancer On The Rocks

 

 

Rick Palin of Skyfire Interactive has announced today a new event Cancer On The Rocks. The acts are varied and are mostly rock and blues. The event is close to Rick’s heart. This event is fundraising for Macmillan with the goal on the day is to raise £10,000.00 for the charity.

Background to Day Of Music Celebrating Life Cancer On The Rocks

In August Rick’s Father died of cancer, his death hit him very hard, especially the feeling of feeling so completely powerless to help him. The one constant that got me through the desperate times was the help and support given by Macmillan. They were such a support to both me and my dad and I will never forget what they did for him and in fact still are doing to help me. Having seen so many people die from cancer this year, including close family and friends, Rick is sickened to the stomach the number of people this disease is killing. Rick, made a vow to do something to help Macmillan as I thought simply writing them a £500 cheque was insufficient and a mere drop in the ocean in this horrible war. The outcome The Cancer On The Rocks. Whereon one day an 11 band spectacular taking place in Nantwich, Cheshire in January 2018.

This day is not just about raising funds for Macmillan it is about something equally special, it is about celebrating life.

 

Day Of Music Celebrating Life Cancer On The Rocks – Tickets go on sale today HERE

Every penny raised will go to Macmillan, so come along, have a fantastic day with some amazing bands and know that you are doing something important to help save lives.

 

Day Of Music Celebrating Life Cancer On The Rocks

Popa Chubby Announces New Album Two Dogs

Popa Chubby Announces New Album Two Dogs

Popa Chubby Announces New Album Two Dogs

 

 

Popa Chubby drops a big, bad, sonic bomb with his excellent and timely new album, “Two Dogs.” On it, Popa explores myriad musical styles and genres while keeping it close to his rock and soul core. You’ll hear the Popa you know and love and things you haven’t heard before.

Popa started work on “Two Dogs” with a lot of amazing sounds in his head and powerful feelings in his heart. Recorded at his home studio in New York’s Hudson Valley, Popa engineered and produced the record. He also plays drums, bass and percussion on some tracks. Renowned keyboard player and Popa’s long-time collaborator, Dave Keyes, appears throughout the album. Popa’s daughter, Tipitina Horowitz, plays the trumpet and contributes horn compositions. And ace drummer, Sam “Freightrain” Bryant keeps the beat real and rocking.

In the album’s liner notes, Popa expresses how he feels about the times we live in and expands on the inspiration behind the title song: “We have become polarized as a race. There is a battle inside each of us. Each day we rise and must choose our path calling upon each other and our own spirits for strength and courage. The dog we feed is the one that rules, the dog we starve dies of neglect. It is up to each of us to use our spirit to feed the dog that will enable all of us to thrive.”

This quote from a review of “Two Dogs” published in Blues Magazine does a good job of summing up the man and his music: “To call him a blues artist is to belittle who he is and what he stands for. Horowitz is so much more than that: Singer, songwriter, guitar stylist, his passions run deep and shine bright. With a performance style he describes as “the Stooges meets Buddy Guy, Motörhead meets Muddy Waters, and Jimi Hendrix meets Robert Johnson,” Popa Chubby is an endearing character who is one of the genre’s most popular and innovative figures.”

 

 

1. It’s Alright
2. Rescue Me
3. Preexisting Conditions
4. Sam Lay’s Pistol
5. Two Dogs
6. Dirty Old Blues
7. Shakedown
8. Wound Up Getting High
9. Cayophus Dupree
10. Me Won’t Back Down
11. Chubby’s Boogie
BONUS LIVE TRACKS
12. Sympathy for the Devil
13. Hallelujah

All songs written by T. Horowitz except tracks 4 and 7 by Galea-T. Horowitz; track 12 by Jagger-Richards; track 13 by Leonard Cohen All songs unless otherwise indicated ASCAP Dutch Daddy Music. Track 12: ABKCO Music Inc. Track 13: Sony/ATV Popa Chubby: Guitars, vocals and percussion on all tracks. Drums on Clayophus and Me Won’t Back Down. Bass on Rescue Me, Shakedown, Two Dogs, Clayophus and Me Won’t Back Down Sam “Freightrain” Bryant: Drums all other tracks Andy Paladino: Bass on It’s Alright, Chubby’s Boogie, Preexisting Conditions, Dirty Old Blues Dave Keyes: Keyboards on all tracks Tipitina Horowitz: Trumpet, composition of horns Andrew Garrison: Tenor Saxophone Andrea Beccaro: Drums on Sympathy for the Devil Francesco Beccaro: Bass on Sympathy for the Devil

All songs written by T. Horowitz except tracks 4 and 7 by Galea-T. Horowitz; track 12 by Jagger-Richards; track 13 by Leonard Cohen All songs unless otherwise indicated ASCAP Dutch Daddy Music. Track 12: ABKCO Music Inc. Track 13: Sony/ATV Popa Chubby: Guitars, vocals and percussion on all tracks. Drums on Clayophus and Me Won’t Back Down. Bass on Rescue Me, Shakedown, Two Dogs, Clayophus and Me Won’t Back Down Sam “Freightrain” Bryant: Drums all other tracks Andy Paladino: Bass on It’s Alright, Chubby’s Boogie, Preexisting Conditions, Dirty Old Blues Dave Keyes: Keyboards on all tracks Tipitina Horowitz: Trumpet, composition of horns Andrew Garrison: Tenor Saxophone Andrea Beccaro: Drums on Sympathy for the Devil Francesco Beccaro: Bass on Sympathy for the Devil

Popa Chubby Announces New Album Two Dogs

 

 

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

 

 

Tonight The Tunnels welcomed Erja Lyytinen and her support band Red Butler to Bristol for the first and definitely not the last time. Tuesday night was blues night that filled the arches with music that was full of energy and played with style.

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol TonightOpening tonight Red Butler with their new line-up that many in the audience had not had the opportunity to hear yet. Alex Butler, Mike Topp and Charlie Simpson are joined by Dan Spellman on vocals and guitar. With a change of vocalist, the dynamics of the band have definitely changed. The interactions between the four members on a cramped stage space was natural and full of energy that is the fuel for their rocky blues. With Dan as the vocalist adds a harder edge to their sound, which certainly suits the direction they took on Nothing To Loose. The set reflected this with the numbers taken predominately from the album. The new vitalized Red Butler tonight added to their skills some brilliant harmonization between Alex, Dan and Mike. The whole set was played with aplomb, the sound was very tight and the interplay between the guitarists was intuitive and worked well set against the rhythm section.

Calm Before The Storm was a highlight, they nailed it. Other highlights of a short set that showcased the band was Belly Of TheErja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight Blues, rearranged and sounds better with new vocalists adding a layer of drama. Crowd-pleasing cover of Bobby Bland’s Ain’t No Love In The Heart of the City. With the rocky edge more akin to Bernie Marsden/Whitesnake version and sounds wonderful and the audience gladly added their voice to the chorus. Mike took the role of the wolf, complete with a mask for Big Bad Wolf, combined with the music adding to the live experience. A great set, the only pity was not more people had turned out on a Tuesday to hear blues rock at The Tunnels.

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Short break, change of sound man, Mikko Kiviniemi takes charge of the desk as Erja Lyytinen and her band take control of The Tunnels. For those familiar with the queen of the slide guitar, already familiar with her new direction on Stolen Hearts her current album provided anticipation for a night of full-on blues that flexes its muscles. Her music explores and captures the vibes of funk, prog rock and more. The energy flowed from the stage and across the venue. The band was determined that everyone was going to have fun and be left with a memory of musicianship that brought music alive.

 

The band provided the cascading backdrop of sound from which Erja could fly with her vocals and guitar. Tonight in control of Hammond and keys from the magical energised fingers of Harri Taittonen. Whilst the deep and sometimes dark rhythms were delivered by bassist Juha Verona and Kai Jokiaho on drums. A powerhouse captured in a quartet.  Erja the flying Fin with her sparkling Sapphire blue guitar and glass slide set the second half of the evening into a tumultuous celebration of the blues, a theme she returned to throughout the evening.

Despite the disappointing turnout Erja did not disappoint with a wonderful balance of authentic Blues, Blues Rock and ‘ProggishErja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight Rock’ showcasing why she is so popular and is gaining a fan base whenever she plays in the UK.  Her guitar work is impeccable, full of grace and style and her interaction with the audience is warm Erja Is the real deal. The set delivered was storming as they played the last gig of the current UK tour.

With numbers from Stolen Hearts including the title track that was a highlight with lots of joyous interaction and community singing for the chorus. The centre piece and the absolute highlight of the evening was Black Ocean. With deep driving blues textures, heavy riffs and rhythms reflecting the ocean swell dark and dangerous. Erja tonight bought prog-blues to Bristol. We loved it. Showing the depth and breadth of style across the album we had slow blues a thing of beauty as Slowly Burning curled around the arches. Then Rocking Chair the interaction between guitar and bass is immense. As Juha, on bass reflects the rocking beat of the Rocking chair. Live musical magic.

With a Ko Ko Taylor cover, full of slide blues that is rooted firmly in the original African source; and delightful instrumental solo from Erja as she showed the styles of the greats. A medley full of subtle changes and interest that was delivered with fun as she asked the audience if they knew of BB King, Charlie Patton and many more.

With Cross Town Traffic given the Erja treatment along with her version of Steamy Windows an opportunity to be sexy with the audience and get close and personal with Juha on bass. All too soon it was time for the final numbers.  People get Ready where we were treated to guitar that resonated the tone and style of Jeff Beck. Erja tonight was Queen of the Blues. Her playing majestic, stylish with a hint of bedevilment and fun. Live music doesn’t get much better than this!

 

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Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

In Conversation Believe What Rebecca Downes Says

In Conversation Believe What Rebecca Downes Says

In Conversation Believe What Rebecca Downes Says

 

 

BD: Hi Rebecca it is great to speak to you. So much has happened since the UKBlues Challenge last year. Live album and so much more.

RD: No problem life is busy and good.

BD: Lots of touring, the band has been busy off the road. Supporting King King and Magnum as well as headline shows and Festivals. So tell us about your experiences on the road.

RD: I love supporting King King. Being around the King King crowds we knew where we are with fans of their blues-infused rock music. I was much more worried about opening for Magnum.  Would the fans like us and go for our music. They loved our music it was the best gig of last year.  The reaction blew me away. I am always nervous when playing as the support band. Magnum must have approved as we are supporting their 2018 show.  Headlining is different. I still worry, always worrying about getting people to them, how to manage the PR. There is a big difference between Europe and UK. In Europe, people go out and see live music all the time whether in the week or weekends and is on later. Life on the road is a bit of a whirlwind really.  For me, I am anxious and nervous. That said I love what I am doing such a privilege to play music. It does have its ups and downs. Music is not the kindest industry in the world. I have to remember that I chose this and get it all into perspective, at the end of the day I am lucky to be doing it. I got great reviews in the early days; that was fab, it is my baby. Then I got one arsey review, it was quite bitchy, no need for that, reviewers can say they don’t like it, not my cup of tea that is fine. I had to learn to leave the negatives behind and move on.

BD: What were your first musical influences growing up in Wolverhampton?
RD:
Through my Mum & Dad, they were older parents and loved swing and jazz. The likes of Ella Fitzgerald; Frank Sinatra, Sarah Vaughan, Billie Holiday, Julie Covington, Sammy Davis Jnr, etc. Both of my parents had been to see Ella Fitzgerald before they met so had this is common. Especially female singers of this era were the best of the best. The Carpenters were the most pop Mum listened to. She said to me if you are going to be a singer be like them.  It is the notes, choice of melody, tone, and timing that sets them apart. I know how tricky they are. As a vocal coach people ask me all the time how can I sing like Ella. The key is to have your pitch right. What unbelievable changes she achieves with her voice. Her voice can mimic even the brass section.

BD: There has been lots of Rebecca news. Your exciting trip to the States; will you be touring over there next year.

RD: Firstly, didn’t say I was going being careful as previously had a similar opportunity and it fell through. We were over in the States pitching what we do to a record company, how we can work with them. Before we went out had all new songs demoed and properly recorded with video. Been speaking with them this week so it will be interesting how this pans out – definitely watch this space.  I do lots of the PR & Admin work myself working until 11 pm. Life for a musician isn’t all the fun stuff but have to keep on top of it. Facebook, people put on a comment and they like you to react to it and say something. That takes time. I now try to only open the messages when I have time to answer them.

BD: I have always been interested in the lyrics of a song. Where do you get your inspiration for your songwriting?

RD:  Steve Birkett and I work together we both crossover between lyrics and melodies. Sometimes lyrics come first other times basic riffs sometimes both together. I almost always have a hand in the finished song.  I owe my Ex’s most of my PRS statements much of my inspiration comes from past relationships. Think the new album will see a change. It is true – a happy song cannot be written when sad, you just want to wallow in your misery. Uplifting songs will be on the new album along with those inspired by life experiences.

Some songs write themselves Believe is one I just wrote. It was almost as if I was downloading and I was just the vessel that spat it out it was a bizarre experience.

BD:  You are also in the studio at the moment making a new album. Will Chris Kimsey be involved in the whole album or just the re-mix of Sailing In A Pool Of Tears?

RD: Chris Kimsey is mixing and helping record the new album along with Mark T Stuart who records all our stuff. He is the nicest person he gets what we do. It is not strictly blues he gets where we are going slightly darker, slightly rockier. He is an absolute joy to work with. The new album is going to be released early 2018, the tracks include those we took to the States. It is ready to go now working out the release time, PR loads of things that are all in the pipeline.

BD: What plans have you in the pipeline for rest of 2017 and into 2018??

RD: Rest 2017 we have a headline tour of Germany throughout November and a T.V. show over there. Then back in the U.K. Tenby Blues Festival and King King’s Christmas party which will be fun. Then for 2018 making a video, our own tour of Europe and UK; opening for Magnum and more. It is gigging that keeps me alive. Music is my drug.

BD: What are the Blues or how do you define the Blues the perennial debate?

RD: What does blues mean to me? It is music with an emotional depth. Real blues goes back to the acoustic guitar through to the clean sound of the electric guitar. Today it is more rock than blues. With blues-tinged vocals and guitar with its roots firmly in the blues with other influences layered on top.  Blues is 12-bars why do we want to do it still when the past masters have done it better, the likes of John Lee Hooker and the other greats. Now we take the elements and shaped differently. Norman Beaker once said blues is anything that has got emotional depth. A melody link and a bluesy hook. Sound and guitar doing them as well, like the Blues Band who do the originals so well.

BD: If you were putting together your perfect fantasy band with members from across the years (dead or alive) who would you have playing
RD:

Vocals: Aretha Franklin
Guitar: Bonnie Raitt
Drums: Dave Grohl
Bass: Kevin McCormick

BD: Thanks for your time Rebecca and in the meantime catch Rebecca Live check out her tour dates HERE and keep listening to her albums they are infectious and will pass the time until her new album in 2018

Bluesdoodles Reviews:-

Be Live – The Leopard says Be Live With Rebecca Downes Rebecca is not defined by the blues but shaped by them with a soulful voice and a stage presence that shines out as wide as her dazzling smile. Rebecca is a singer who loves the stage and the audience loves her back as the music flows and Be Live captures the essence of a Downes live show. Read MORE HERE

Believe  – Believe has Rebecca Downes Singing the Blues …… The album does that crossing genre and with tempos and beats that will appeal far beyond the confines of blues clubs and blues aficionados. Read MORE HERE………

In Conversation Believe What Rebecca Downes Says

 

Kenny Wayne Shepherd says Lay It On Down on New Album

Kenny Wayne Shepherd says Lay It On Down on New Album

Kenny Wayne Shepherd says Lay It On Down on New Album

 

Kenny Wayne Shepherd new album Lay It On Down; Bluesdoodles can sum up his eighth solo album as searingly confident modern blues.  You want to read a little bit more? Happy to oblige as I listen once again with intense pleasure to Lay It On Down.

Lay It On Down, on Mascot Group Label with a release date of 21st July 2017. The album was recorded in January as Shepherd and his band entered the Echophone Studios in Shreveport, Louisiana. New Year, New Project , with an ambitious mission statement: the greatest songs of Shepherd’s career. No more. No less. “The point of this album,” he says, “was that I wanted to put a heavy emphasis on the songs themselves and the writing behind them. I wanted each song to really stand on its own with the songwriting, the music, the words.” Having listened mission accomplished full of fresh vibes; strong lyrics surrounded with the brilliance of electric blues.

Throughout the album the guitar sizzles with a controlled intent. The shining Goldilocks never too hot, never too long and definitely not cold. Kenny always leaves you wondering as the voice is hooked in what guitar lick was left out for the main event the lyrics.  It is that feeling of intrigue, the notes that have not been played that leaves you not wanting more but satisfied, intrigued and with melodies and lines that flash into your head as the most welcomed of earworms. Lay It Down, the music has been laid down with thought, commitment and self-belief that less is often more when it comes to electric guitar lead breaks.

Opening the narrative that connects the album’s eleven tracks is Baby Got Gone; starting off at full throttle with rock that is full of attitude we know we are embarking on a musical journey that will take us around an interesting circuit of songs recorded in Nashville out of Louisiana as rocks in the road are explored.  Rock and romance in the air combine on romantic number Nothing But the Night. Diamonds & Gold is full of soulful luxuriousness, a cascade of notes on guitar, drum and horns the sound is funky, modern and energised. The title is two objects of desire signifying for many power, and wealth giving us our status and identity.  Shepherd manages through the lyrics to look beyond to bigger more meaningful and fulfilling things as the guitar squeals delivering a crescendo of sound more valuable to the listener than Diamonds & Gold.

With a floating, Americana feel of the title track, Lay It On Down takes the musical road in another direction. This light and fresh number has a darker lyric trapped in a gilded cage as Shepherd sings “Who broke your will now honey who stole your dreams like money who made you think you were keeping around”. The lyrics build the story, the guitar break fills in the gap as we travel the road knowing we need to look at the inner beauty to pass the self-doubts that we often show to the world. .

The lap-steel curls with a depth of tone on Hard Lesson Learned and the electric guitar adds a salty sharpness. Then into blues shuffling glory that is the signature of Kenny Wayne shepherd for many. Followed by another vintage bluesy number we are then showered with Louisiana Rain.  The acoustic guitar is gentle reflecting rain on a window, distorting the view with its shades of grey. A song sung with heartfelt personal emotions. As we are led to the final stop on the journey that is Ride Of Your Life.  The music hooks back to the driving rocky feel of the opener. This is as it says a Ride Of Your Life the guitar crackles with static electric power, the flashes of sparks are iridescent with every shade of blue from baby blue to darkest indigo.  The encore is an acoustic version of the title track; we revisit the bird in the gilded cage the lyrics suit the acoustic sound. Lay It On Down is an album that will grow with very outing and tracks will become live favourites..

By the eighth album an artist can become predictable, all feels like heard that before. DEFINITELY NOT with Lay It On Down, Kenny Wayne Sheppard, picking up on his other passion motor cars has given his music a complete overhaul, the guitar driven engine still has its power and integrity but added to the accelerator taking us on a journey are strong lyrics and modern Americana influence. As KWS said recently, “I feel like the band’s best days are still ahead of us. And the next album could be completely different…”  He has certainly succeeded as Kenny Wayne Shepherd says Lay It On Down on New Album. While we wait for the next re-vamp we can Lay It On Down with pleasure in the company of Kenny Wayne Shepherd and his band.

Kenny Wayne Shepherd – Lay It On Down – Mascot Label Group

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Baby Got Gone
  2. Diamonds & Gold
  3. Nothing But The Night
  4. Lay It On Down
  5. She’s $$$
  6. Hard Lesson Learned
  7. Down For Love
  8. How Low Can You Go
  9. Louisiana Rain
  10. Ride Of Your Life
  11. Lay It On Down (Acoustic)

 

Kenny Wayne Shepherd says Lay It On Down on New Album

 

Simon McBride On Tour Across U.K. November 2017

Simon McBride On Tour Across U.K. November 2017

Simon McBride On Tour Across U.K. November 2017

 

 

Fast becoming the next Irish blues guitar hero in the footsteps of Rory Gallagher and Gary Moore, the Belfast-born guitarist has gained a pile of accolades. 

Here are the UK dates in November. You will find ticket links Simon McBride’s Website HERE

2 Nov WORCESTER: Huntingdon Hall  7.30pm  £16
Booking Office 01905 611427 – Online HERE

3 Nov ST HELENS: itadel 7.30pm  £15
Booking Office 01905 611427 – Online HERE

6 Nov BILSTON: Robin2  7.30pm  £14
Booking Office 01905 611427 – Online HERE

7 Nov HULL: Fruit 7.30pm  £15
Booking Office 01482 221113 – Online HERE

8 Nov LONDON: O2 Academy 7pm £16
0844 477 2000 – Online HERE

9 Nov SHEFFIELD: Greystones 7.30pm  £15
0114 266 5599 – Online HERE

11 Nov ILFRACOME BLUES FESTIVAL: Ilfracombe Holiday Park £119-£145
01472 349222  – Online HERE

13 Nov BRISTOL Tunnels 7.30pm  £15
0845 6050255  – Online HERE

 More news to follow about my European mainland tour in Sep/Oct Check out dates HERE

 

“The Holy Trinity of Belfast rock ‘n roll – Van Morrison, Rory Gallagher & Gary Moore – might just be on the verge of becoming a four-leaf clover.” PERFORMER MAGAZINE USA

Simon is a favourite of Bluesdoodles his live performances is a guitar workout full of entertainment and smoking blues rock. We saw him last at The Tunnels in Bristol and wrote; “Opening with Heartbreaker, from Crossing The Line Album we were off with the classy guitar we expect from the Irish guitar wizard.”  READ the review HERE

The end of 2016 saw McBride touring with Ian Gillan, filling the shoes of Ritchie Blackmore in a programme of Deep Purple songs that played across Europe. The first half of 2017 has him touring with uber-keyboardist Don Airey (another member of Deep Purple), followed by an outing with Whitesnake offshoot, Snakecharmer.

With his band of fellow Irishmen Marty McCloskey (drums) and Dave Marks (bass) Simon delivers his own distinctive songs (“Hugely accomplished” MOJO) along with crowd-pleasers from the likes of Hendrix and Free plus of course, explosive guitar playing!

Do not miss out on the opportunity to watch, listen and be mesmerised by the playing of Simon McBride and his Band  BOOK YOUR TICKET HERE NOW!

Simon McBride On Tour Across U.K. November 2017

July Arrives with Live Music King King & Bad Touch

July Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad Touch

July Arrives with Live Music King King & Bad Touch

 

The anticipation had been growing day by day as June faded fueled by the release of (She Don’t) Gimme No Lovin’ from the forthcoming King King album Exile & Grace. Having not seen the band we love to follow hear live, six months had past since we welcomed Alan Nimmo, Wayne Proctor, Lindsey Coulson and Bob Fridzema on stage. Before that moment Bad Touch had the task of warming an audience already hot with excitement.

July Arrives with Live Music King King & Bad TouchBad Touch filled the stage with charisma and the driving force of their Southern Rock, Rock n’ Roll energy and panache.  With Robert Glendinning back on lead guitar after a short sabbatical, adding his vibe to the quintet, and with the vivacious head of hair on vocals, Stevie Westwood; rhythm guitarist Daniel Seekings and a rhythm section drummer George Drewry & Michael Bailey on Bass they were on top form.  This was a set where they may have sung 99% but the energy was off the richter scale they wanted Bristol to have fun tonight. The slide guitar work from Glendinning cemented his role in the band and the interaction with Daniel Seekings had the guitars singing in a disorderly, melodic party of Rock n Roll mayhem.  Truth Be Told, the apt title of their latest album, the set was short, no time for small talk as they squeezed in every ounce of energy into the songs, we have heard on Planet Rock and Outlaw, every band should have a cowboy song.  The cheers were huge as Bob Fridzema joined in the last night party atmosphere at the Fleece to warm up before the main event. Bad Touch, turn every note into golden southern rock nuggets absolutely modern as they build on retro power; they are back on the road again very soon.

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July Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchJuly Arrives with Live Music King King & Bad TouchA short break ensued allowing friends to catch up at The Fleece, and then King King stepped on stage the warmth flowed from the band and the crowded venue.  King King were back in Bristol and on fine form. We wanted to hear old favourites and be part of the lucky few to hear live the first single to have been released from Exile & Grace; (She Don’t) Gimme No Loving. Tonight they did not disappoint they gave us so much happiness, feeling of joy King King have the knack of pleasing the fans, leave us wanting more always something from the back catalogue we wished they had played.  Tonight they were happy to be on stage combined with a raw energy they wanted to play above the expectations of the fans and connect to those hearing the band the first time.

Alan’s smile was broad and genuine, not a showman’s face; with his red kilt , guitar in hand including a blue plaster over a cut finger he made every one welcome to Saturday night at  The Fleece.

The set comprised nine numbers plus Let Love In the encore we have come to expect and gives the audience the opportunity to be the community choir led by the kilted wonder that is Alan Nimmo.  The mutual joy was definitely shared on stage and in the audience

With a mix of numbers from the live and studio albums saw the welcomed return of Heavy Load. Originally a Free number given the Nimmo treatment his guitar work was as ever magical and the slight slip of the stings replicated a rare Free outtake! Alan chortled at the end of the song.  Interspersed were crowd pleasers that have become the heart of the bands DNA You Stopped The Rain and Long History of Love. The opportunity for the band to get funky and the audience to dance, despite being curtailed by space clap our hands on All Your Life. What fun with Bob’s hands as ever throughout the evening caressing the Hammond making it sing in harmony with Alan’s vocals that were on top form tonight. Into the mix the muscle of the rhythm from bassist Lindsay whose strings gave a rich depth of funkiness and Wayne’s drumming hitting out a vibe that showered The Fleece with percussive force and energy.

Then there was the first opportunity to hear (She Don’t) Gimme No Lovin’. The cheers were rapturous before a note was played as Alan thanked everyone for buying the single so it was No.1 on UK Blues Chart.  The number is a perfect single, introducing us to the album Exile & Grace out later this year. The hooks are sharp, the lyric memorable and beat infectious. Rockier that many of their other numbers, the sound invokes sound of British Rock ‘n Roll with a definite hint of Thunder in the air. The single is 100% King King and will become a firm favourite as it is an ear worm of ticklish delight.

Having reviewed King King for many years two things always strike me after the show. Firstly; you are left euphoric the blues rock they deliver pleases the crowd, they always entertain. Secondly, King King connect to your soul, with a feeling of friendship, belonging to a fellowship cemented by this is why LIVE MUSIC has a special power every time.

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King King set List
More Than I Can Take (Standing In The Shadows)
Wait On Time (Live)
Rush Hour (Reaching For The Light)
You Stopped The Rain (Reaching For The Light)
Long History of Love (Standing In The Shadows)
Waking Up (Reaching For The Light)
Heavy Load (Standing In The Shadows)
Gimme No Lovin’ (Exile & Grace)
All Your Life (Take My Hand)
Stranger To Love (Reaching For The Light)

Encore
Let Love In

 

July Arrives with Live Music King King & Bad Touch

Borderline Beckons Mollie Marriott and Debut Album

Borderline Beckons Mollie Marriott and Debut Album

In Conversation as
Borderline Beckons Mollie Marriott and Debut Album

Mollie Marriott, daughter of former Small Faces and Humble Pie singer/guitarist Steve Marriott and step-daughter to singer Joe Brown took time out to chat with Bluesdoodles. With debut album Truth Is A Wolf due out later this year Mollie is performing an intimate concert at London Borderline on Thursday 1st June 2017. Mollie took time out of a busy schedule having recently toured with Wilko Johnson & Paul Weller.

BD: Mollie thank you for taking the time to chat to Bluesdoodles
MM: Thank you as well, always good to talk about music.

BD: You are the daughter of Steve Marriott; until now your music career as a backing singer for many musicians including your step-father Joe Brown. What was the motivation to step out front taking centre stage?
MM: Stepping out on centre stage, felt right now was the right time. I was not bothered before I loved being a backing vocalist. I could turn up sing and go; not get involved with all the other stuff. I had seen the scary stuff connected with the industry. I had watched what it can do to people, it put me off. I wanted to write my own stuff, I knew that I had to live life first. I am influenced by Stevie Nicks  &  Alanis Morissette; raw and dark honest that is who I wanted to write. I now have the head space; with a few breakdowns to write about. In the family the last is called Crash 2012. Hitting Rock bottom is good as the only way is up to rebuild your life as you want it. Now I am in a good place since I hit 30; being in your thirties is great. I was a young mum at 23; when your twenties are about having fun with people in your life because they are around. Thirty, you become your own person now where you want to go and who you are so all is good.

BD: With a Debut Album Truth is A Wolf announced. How did you decide upon releasing as the first single the number Control?
MM: Previously I had a testing tie with record label; basically had no control It was a case of Beautiful women using their beauty to control and trample you. A Mother figure who then betrayed and let you down, as line in my songs says “You saved me to break me”. Taking back control of my music was important so this was the right single to start again with my career, I am in the driver’s seat going where I want to go. I co-wrote this number with Sam Tanner, lead vocalist with Brother Strut. We wrote the song together, we knew right from the beginning Control was the perfect song to release as the first single off the album Truth Is A Wolf.

BD: Tell our readers about the forthcoming album, how did you decide on the title the type of music that best describes your debut?
MM:  I went to Nashville to start writing the album. The title track Truth  Is A Wolf written by Gary Nicholson, he was going to give it to Bonnie Raitt or Susan Tedeschi who are lots of my influences. I heard the demo just wurli and vocals and thought that sums up my album it was the perfect tile song. With tracks that reflect my life Broken, ending of a relationship and the effect that had on me and my daughter. The song Truth Is A Wolf, tied it all in a bow.  So many types of music can be used in the description. It is a Rock Album. Yes, many people I have asked as I really do not know have said it is bluesy-rock. Within the Backing vocals there are elements of gospel and country. It is a Rock mix definitely NOT pop laughing. Also, grungy elements. I am a grunge girl love Chris Cornell, Pearl Jam, Jagged Little Pill a favourite album sounds a bit like that as well.

BD:  Mollie you are definitely making a statement with your next Gig coming up on the 1st June at The Borderline with guests?
MM: Yes, so exciting, this is my first proper headline gig. With support from Anna Kratz, a special friend. We met in Nashville I went to one of her shows as she sung I was completely broken, sobbing she was singing y life, Anna is a wonderful songwriter writing with Ed Sheeran and many more. Pocket dragon are a cool band, with a female lead. It is so important to me that the night is Woman led. I want people to o listen to me as Mollie, Mollie Marriott; NOT “Mollie Marriott daughter of Steve Marriott” – that was not the name on my Birth Certificate. People have said well why not Mollie Brown? Joe Brown my step-dad then there is all that baggage as well. So sticking to the name I was given at birth Mollie Marriott.

BD: With a London Gig under your belt. Are you taking Mollie and her band to be heard outside of London?
MM: Yes, definitely tour outside of London. I love getting outside of London to venues in towns and cities. Played The Tramshed in Cardiff when opening for Wilko Johnson BD: Had to miss that show to my disappointment as away in Sheffield.  
MM: What a great venue loved playing Cardiff, Nottingham was fun as was Apex in Bury St Edmunds. Playing Liverpool with Paul Weller was mad, even a little bit scary a room full of mods. My show will be exciting to watch, all my band is very visual to watch we move about.

BD: If you were putting together the perfect band with members from across the years (dead or alive) who would you have playing?
MM: Oh My God that is such a difficult question, will change the moment I put down the ‘phone Mollie laughs and says:-

Bass: Has to be Flea visually rocks.
Drummer: Richie Hayward – he has to have been the best drummer ever!
Guitar:  This is so difficult going to upset so many people has to be Stevie Marriott (such an under-rated guitarist)
Guitar: Joe Bonamassa
Vocals: Chris Cornell (he has such an amazing voice)

BD: Thank you for your time, looking forward to hearing the whole album and seeing your show when you take it on the road.

Borderline Beckons Mollie Marriott and Debut AlbumMOLLIE MARRIOTT LIVE AT LONDON’S BORDERLINE
THURSDAY 1 JUNE 2017

WITH SPECIAL GUESTS

POCKET DRAGON & ANNA KRANTZ

Daughter of legendary Small Faces and Humble Pie
singer/guitarist Steve Marriott, plays intimate London show

24 Hour Box Office – O8444 780 898
Book tickets from 
The Gig CartelAlt TicketsSee Tickets

King King UK Tour With Bad Touch Summer 2017

King King UK Tour With Bad Touch Summer 2017

King King UK Tour With Bad Touch Summer 2017

 

 

 

King King are pleased to announce a raft of new UK tour dates in April – July 2017.  Special guests on all April and May dates will be “Bad Touch”. All tickets are priced £20, are on sale from the 24 Hour Box Office: 0844 478 0898 and www.thegigcartel.com.

Due to front man Alan Nimmo having an acute laryngitis, King King have re-scheduled the following four UK tour dates. Existing tickets for re-scheduled shows remain valid –

  • King King at The Cube in Corby now on Friday 30th June
  • King King at The Wharf in Tavistock now on Friday 28th July
  • King King at The Tivoli in Wimborne now on Friday 16th June
  • King King at The Fleece in Bristol now on Saturday 1st July

The tour dovetails the release of King King’s forthcoming single taken from the much anticipated new studio album, and follow-up to 2015’s multi-award winning Reaching For The Light. The new album is scheduled for release in early September 2017- while we wait for the release of the album catch King King with special guests Bad Touch as they tour the UK

 

 

MAY 2017 UK TOUR

ALL TICKETS: £20.00
24 HOUR BOX OFFICE: 0844 478 0898
BOOK ONLINE: www.thegigcartel.com

Kendal Brewery – Thursday 4th May 2017

Tickets: £20 / 24 Hour Box Office: 0844 478 0898
Venue Box Office: 01539 725133
Book Online: www.thegigcartel.com

Glasgow, O2 ABC – Friday 5th May 2017

Tickets: £20 / Box Office: 0141 332 2232
Book Online: www.thegigcartel.com
www.o2abcglasgow.co.uk

Holmfirth Picturedrome – Saturday 6th May 2017

Tickets: £20 / Box Office: 0844 478 0898
Book Online: www.thegigcartel.com

Nottingham, Rescue Rooms – Sunday 7th May 2017

Tickets: £20 / 24 Hour Box Office: 0844 478 0898
Venue Box Office: 0115 828 3173
Book Online: www.thegigcartel.com,  www.alttickets.com

Newcastle, Wylam Brewery – Thursday 11th May 2017

Tickets: £20 / 24 Hour Box Office: 0844 478 0898
Venue Box Office: 0191 650 0651
Book Online: www.thegigcartel.com

Glenrothes, Rothes Hall – Friday 12th May

Tickets: £20 / 24 Hour Box Office: 0844 478 0898
Venue Box Office: 01592 611101
Book Online: www.thegigcartel.com

Inverness, Ironworks – Saturday 13th May

Tickets: £20 / 24 Hour Box Office: 0844 478 0898
Venue Box Office: 0871 789 4173
Book Online: www.thegigcartel.com

Aberdeen, Lemon Tree – Sunday 14th May

Tickets: £20 / 24 Hour Box Office: 0844 478 0898
Book Online: www.thegigcartel.com
Venue Box Office: 01224 641 122

Leamington Spa, Assembly – Thursday 18th May

Tickets: £20 / Box Office:  0844 854 1358
Book Online: www.thegigcartel.com
Venue Enquiries: 01926 311 311

Harpenden, Public Halls – Friday 19th May

Tickets: £20 / 24 Hour Box Office: 0844 478 0898
Venue Box Office: 01582 767 525
Book Online: www.thegigcartel.com

Southport, Atkinson – Saturday 20th May

Tickets: £20 /24 Hour Box Office: 0844 478 0898
Venue Box Office: 01704 533 333
Book Online: www.thegigcartel.com

York, Fibbers – Sunday 21st May

Tickets: £20 /24 Hour Box Office: 0844 478 0898
Book Online: www.thegigcartel.com

RE-SCHEDULED TOUR DATES

JUNE 2017

Wimborne, Tivoli – Friday 16th June 2017

Tickets £20 / Venue Box Office: 01202 885 566
Book Online: www.thegigcartel.com

Corby, The Cube – Friday 30th June

Tickets: £20 / 24 Hour Box Office: 0844 478 0898
Venue Box Office: 01536 470470
Book Online:
www.thegigcartel.com

JULY 2017

Bristol, Fleece – Saturday 1st July 2017

Tickets: £20 /24 Hour Box Office: 0844 478 0898
Venue Box Office: 0117 945 0996
Book Online: www.thegigcartel.com
www.bristolticketshop.co.uk

Tavistock, Wharf – Friday 28th July

Tickets: £20 / 24 Hour Box Office: 0844 478 0898
Venue Box Office: 01822 611 166
Book Online: www.thegigcartel.com, www.wegottickets.com

King King UK Tour With Bad Touch Summer 2017

King King UK Tour With Bad Touch Summer 2017In 2014, King King’s second album Standing in the Shadows, firmly established them as a formidable force on the British Blues scene.  They still retain that accolade today with a growing legions of fans.

King King features Alan Nimmo (vocals, guitar), Lindsay Coulson (bass), Wayne Proctor (drums) and Bob Fridzema (keyboards).  The band are widely recognized as the UK’s hottest rock blues band. They continue to push the envelope by providing their fans with the best live experience and musicianship.

Says King King’s frontman, Alan Nimmo, “We’re really excited to perform the new single live. It’s rockier than our previous material, but it still has an inherent King King sound to it. The new single is a nice taster from the upcoming album.”

Having scored three radio hit singles on Planet Rock radio with the songs Crazy, Hurricane, and Rush Hour, the band recently went to Planet Rock’s studios to perform three acoustic tracks that will be aired on the station in early 2017.

King King UK Tour With Bad Touch Summer 2017Bad Touch – the 5-piece rock band from Norfolk, who recently supported the Kentucky Headhunters on their critically acclaimed sell-out UK tour, recently released their second studio album Truth Be Told on Bad Touch Records, with distribution via Cadiz, on Friday 2nd December 2016.

To coincide with the new album, the band embarked on a UK co-headline tour on November 19th with the Australian rockers Massive.  They recently announced a March 2017 UK tour with Broken Witt Rebels.

The new album, recorded at Mwnci Studios in Wales, includes the singles 99% and Made To Break, both remixed for radio by Rolling Stones engineer and co-producer, Chris Kimsey.  In early 2017, Made To Break will be released as a single alongside an official music video.

“99% is a great song to ride around in cars and drink beer and smoke pot and listen to rock and roll on the radio,” says Chris Kimsey. “Not that I drink beer or smoke pot , but I remember the simplicity of music and life so it’s good to hear it is alive and kicking with Bad Touch.”

King King UK Tour With Bad Touch Summer 2017

Chocolate Free Music Fueled HRH Blues Easter

Chocolate Free Music Fueled HRH Blues Easter

 

 

Chocolate Free Music Fueled HRH Blues Easter

 

Back in the O2 Sheffield for the second year HRH Blues III promised with a deep blues infused line-up to be an Easter full of music. They certainly delivered across the two stages, as ever clashes were at times frustrating, demonstrating the wealth of blues in town this weekend.

HRH Blues once again created an ambience, professional on the outside, inside pure unadulterated fun of listening to live music. The two days had a mix of blues from heavy and raw through to delicate and everything in-between. More people this year stepping on the bright blue HRH Blues Train crammed with live music in Sheffield.

With two stages, we heard a total of twenty-two bands and for some Royalty Passes & Media an extra five acoustic acts early on Sunday morning. The one disappointment for many was the missing act. King King had to pull out at the last-minute – now we know it was due to Alan Nimmo having acute Laryngitis.  With the number of King King T-shirts in the audience you could have expected annoyance, but all you heard and saw on social media was empathy, love and get well. The bands that did play filled the gap with extended sets from Simon McBride and Ten Years After and a slightly early Saturday.

Getting the Easter music fest started was Dani Wilde who set the scene with quality opening act it was going to be high quality blues form the first to last note. Highlights in the main stage on Saturday were…

Chocolate Free Music Fueled HRH Blues EasterFor the vast majority that I spoke to the stand out band of the first day and the festival were Billy Walton Band, they bought fun, blues and music that just gets every one excited.  Following on from the band that wowed the audience and were still being talked about as the festival closed. Why? A full on band who really get that good-time vibe flowing the boys from New Jersey bring that East Coast joie-de-vie. Billy and the band want you want to party all night. With a horn section adding texture and tone they are just very entertaining and totally enjoyable. They were ready to party with the festival a fan supplied an array of hats and they were delighted to play with the donated headgear. The atmosphere was now loud, electric with blues flowing through the O2.

Follow that, well this is HRH nothing safe, nothing out-of-bounds as The Graveltones, a duo took to the stage. Heavy, raucous, energetic and loud they divided the room just as Marmite on toast would! The guitar was raw and the drumming hard with splinters of wood being torn from the sticks. Heavy, hard with complex rhythms and bucket loads of feel, delivering a punchy set that re-defines duos and the blues.

Chocolate Free Music Fueled HRH Blues EasterAll aboard the next station on the blues train journey to Finnish Blues with Erja Lyytinen and her band. For many of her fans the first time we have had the opportunity to listen to the music from her acclaimed album Stolen Hearts. I was definitely excited having given her the full 10-doodle paws. High class set from the renowned queen of the blues slide guitar. In the set is Black Ocean for me a highlight and favourite on the album now a live favourite as prog meets blues under the charms and skills of Erja.  We joined her on the rocking Chair, sang along with Stolen hearts. Then the trained steamed up the hill with her interpretation of Tina Turner’s Steamy windows. This was blues that sparkled as Erja smiled, played and won our hearts.

Chocolate Free Music Fueled HRH Blues EasterThis year with the addition of food stalls and coffee there was no need to leave the arena and miss a single note of blues that was weaving their magic over the audience.  Now we had two stages running parallel always a conundrum what to stay and listen too. Quick run upstairs to catch some of Will Wilde, this was the decision of many as the second stage was rammed and Will’s harmonica playing won him many new fans. For some the band of the weekend having never heard him play before. Will delivers more ‘authentic’ blues almost a match for Erja, a shame about the clash of blues titans. Will is one of the best blues-harp players on the UK circuit. Now we had a festival exploding under the glories of blues in full flight.

Back downstairs for Pig Iron returning for the second year. Describing themselves as Blues Metal this was pounding heavy blues that incorporates some delicate harp playing. Upstairs was Troy Redfern, the Welsh slide guitar troubadour.  With tracks from his current album Backdoor Hoodoo. His rendition of John The Revelator is always a crowd-pleasing winner as it was tonight in Sheffield. The HRH Blues train was now gathering speed and pulling in a wide variety of acts.

Chocolate Free Music Fueled HRH Blues EasterNow back to the main stage for Simon McBride and the headliners returning for the second year Ten Year After. First, a stunning blues rock guitarist Simon McBride. The set saturated with scintillating riffs and licks making Simon’s PRS guitar sing and squeal. An accomplished set strewn with covers to extend the time on stage and numbers from his last two albums.  What a set it was a tone the festival wanted to hear that mix of SRV, Hendrix woven together with McBride magic. The dueling between bass and guitar was magnificent. As he played Good Times Roll, following a McBride favourite Down To The Wire we were definitely having a great Easter Saturday as he closed with Deadman Walking we were all alive with festival fever.

Chocolate Free Music Fueled HRH Blues EasterAfter fifty years of touring with Ten Years After Chick Churchill & Ric Lee are now joined by bassist Colin Hodgkinson and the charismatic Marcus Bonfanti.  Marcus’ vocals are full of power, tonal texture, his guitar playing sharp and the harp adds another dimension to the Ten Year After sound of 2017. No Ten Year After set is complete without The Hobbit, Ric Lee and his drumming acrobatics. A wonderful set blending old stalwarts and new numbers from the forthcoming album A Sting In The Tale out later this year.  The whole set is a perfect platform for showcasing what a great and oft underrated guitarist Marcus is.  Wow moments of the festival with Love Like A Man and Good Morning Little Schoolgirl. Ten Years After strong after Fifty-years and the thrill of a new album. What a Saturday now for Sunday’s delights.

Chocolate Free Music Fueled HRH Blues Easter

Sunday, started with a Smörgåsbord of acoustic showcases, including Chantel McGregor; Big Boy Bloater, Crow Black Chicken and Dan Patlansky who we would be hearing in full amplified glory during the day. The sets were chilled whilst also demonstrating the varied sounds achievable from the acoustic. This was personified by the difference between Big Boy Bloater and Dan Patlansky, same guitar totally different tone and approach.  We heard hollers, blues and songs given new shapes a perfect slow wake up call to join the main blues train downstairs on stage one. Into the mix the wonderful vocals and charm of Jack Hutchinson a welcomed addition to any blues gathering, with a new band album, Set Your Heart For The Sun, let’s hope he is back electric in 2018.

 

Chocolate Free Music Fueled HRH Blues EasterWhat a stunning set once again from the mighty Sean Webster with his new band The Deadlines. Having heard Sean many times he never disappoints, unsurprisingly he was the find of the weekend for many. His rendition of I’d Rather Go Blind moved many to tears with the raw, intense emotion he puts into every word sung and note played. Sean has the winning combination of a superb blues voice and plays the guitar with lightning blue touch.  Now living in Netherlands, Sean is the enigma of the British Blues scene never reaching the heights his playing should be taking him. Let’s hope the station stop on HRH Blues Train will be the launch pad for a renaissance of Sean the bluesman. Following on from Sean, in a bright red dress is Chantel McGregor always a firm favourite with her many fans. The set was a mix of favourites and her latest album. Anyone hoping for some new material would be disappointed, though there was a new drummer in the band. The set was safe, definitely rockier than the early days of   Chantel. She still smiles with warmth and affection and Freefalling was a guitar blazing delight as were the other guitar improvisations. Her rhythm section gives her a solid platform, bassist Chocolate Free Music Fueled HRH Blues EasterColin Sutton and Ollie Goss on Drums. The mischievous Chantel was ever present with ‘Aving A Giraffe a fun out take celebrating the April the Giraffe giving birth the story that Chantel has been following on Social media. The set overall felt a little flat, come on Chantel lets have some new McGregor gems soon. This is the nuances that makes live music fun a have to be there moment. British Blues celebration continues with Laurence Jones with his new band.  Laurence is maturing the new band seems to fit his style and the addition of Bennet Holland on keys certainly adds some textures to the music complementing Laurence’s stinging guitar. We are enjoying this stop on the train. Yes, this is British blues-rock personified; what is great to see Laurence continuing to grow in stature, developing his sound and staying fresh. The longer lead breaks played with growing confidence adds interest and variance in the live sound. Fantastic audience participation during JJ Cale’s Cocaine, conducted with vigour and winning smile from Laurence more Cream and Clapton than Cale. That is no bad thing in a stalwart of the blues circuit who wins fans whenever he picks up his guitar and plays. .

Chocolate Free Music Fueled HRH Blues Easter

Quick sojourn to Stage 2 for StoneWire a band from the South coast that I had heard about. This is a five-piece led by a big voice. Another great female vocalist out front shaping the StoneWire sound.  Whilst on stage one, young gun Aaron Keylock, was completing the very British Blues opening to the day.  Solid set as this man’s stage presence grows. He is full of potential and the setlist was a perfect showcasing opportunity for Across The Grain his debut album. The slide guitar was over loud and the vocals slurred but every time you hear him there is improvement, Spin The Bottle a set residence that suits this young man who is truly motivated and shaped by the blues.  Not to be missed, if you get the opportunity another HRH Blues festival favourites are definitely Black Crow Chicken. The sound is earthy, dirty blues. Every song has a colourful story as they take the blues train down an Irish lane as roots blues collide with Irish Tradition through the amplifier. The humour is dry and all-encompassing that follows through into the strong lyrics. With Jonestown and a tribute to Pat Chocolate Free Music Fueled HRH Blues EasterMcManus from Pariah Brothers, the latest album. This is a band I could have listened to for longer. A definite bring back next year request.  With Big Boy Bloater following, his acoustic set was superb so we were looking forward to electric Luxury Hobo. The sound was too loud for the small stage area and that meant the music lost its edge. That said what a rendition of bloater blues pushing them to the limits and he knows how to entertain the crowds vital for any set and sometimes missing. The superb track from his album Luxury Hobo, It Came From The Swamp won him many fans another strong contender for stage one 2018.

Chocolate Free Music Fueled HRH Blues EasterNow back to Stage 1  for South African, Dan Patlansky who always delivers fireworks from his Strat.  Tonight, with a band of session players from Germany we were treated to a stand out set of guitar acrobatics. Old Red is the signatures Strat of Dan, and is off for a refurb after this UK tour.  With his latest single from Introvertigo, Sonova Faith given a live airing we hear the clever improvisation that is part of the live show. Never expect to hear the songs the same, chords and lyrics are a constant but the interpretation every time is a certainty. Dan can rock his blues, and then with an application of the blues breaks will slow it right down. Then you listen with care as it is as good as it gets. Dan Patlansky is a showman. He brings Laurence Jones back to play Bright Lights, Big City that sees a guitar dueling that sparked with jaw dropping intensity. Closing the set, instrumental My Chana is a majestic exploration of the every sound a strat can make. As he experiments with feedback, ringing single notes. The audience are spellbound, a collective holding of breath with wonderment. No one wanted the moment to end. Sadly, it did one more act Stan Webbs Chicken Shack and 2017 HRH Blues fell silent.

Chocolate Free Music Fueled HRH Blues Easter

Easter Sunday, this year more music that chocolate. What a tasty day once again HRH train ride was full of blues hooks, licks and riffs, laughs and friends the perfect festival journey.

HRH Blues III blues train was full of exciting stops along the complex musical map that incorporates The Blues. The festival does not rely on have the same favourite acts returning each year. Weaving into the acts surprises and variance in the sound of blues.

With such an array of blues it is unsurprising, with not a single act announced HRH Blues IV; 14-15th April 2018 is already over eighty percent sold. People want to come back, reserving there spot for when the HRH Blues train leaves the station once again in Sheffield 2018. HRH Blues a definite for Blues lovers diaries.

 

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