Steelhouse 2017 Simply Marvellous Mud Music and Mates

Steelhouse 2017 Simply Marvellous Mud Music and Mates

Steelhouse 2017 Simply Marvellous Mud Music and Mates


Steelhouse family came together on a Welsh Mountain united by rain, sun and MUD! The glue binding us was live music and the super glue the brilliance of Bernie Marsden not once, not twice but all three days on the stage entertaining.  We had dragon magic gracing the festival that you climb up slowly to the top driving up a rough track to the top of a Welsh Mountain above Aberbeeg. The weather may at times be trying, we all know the welcome and cwtch from the Steelhouse volunteers will be full of warmth. So many memories for the music memory box, friends, brilliant bands Planet Rock DJs and the array of stalls to kept us fed and watered, the endless cuppa’s from Motley Brew hot and refreshing the gallons of Trooper consumed and the selection of cocktails. The festival is for everyone young and old, family friendly with a play area, camping, glamping and merchandise. We may only be in each other’s company for a few days but the friendships forged last forever.


Bluesdoodles, Liz Aiken could not make Friday night, rain, parking and other issues conspired against her. Nothing though was going to deter us from getting to the festival on Saturday that started warm and sunny with the weather for now set fair. We missed Free Friday, but those who got here in time were entertained with Revival, the awesome Hand of Dimes joined by Bernie Marsden already a festival favourite and Trucker Diablo.


The two bands that open the show were local bands, Saturday, Florence Black & Texas Flood on the final day all setting the bar high rocking the show for the first notes always a challenging slot and they got our attention. Then the new line-up from Tequila Mockingbyrd who flew the flag for women and rock Steelhouse know how to weave the line-up reflecting styles of rock and peoples different tastes.

So many thoughts whirl around as I edit the photographs, the excitement that the festival has left spilling over to Monday, continue to be motivated as the work continues listening to the music that fuelled the weekend, Steelhouse 2017 delivered the best line-up ever and it was a triumph. Music for all tastes across rock. There are always bands and for everyone the list will vary for us at Bluesdoodles it was Rival Sons, Last In Line, Monster Truck, Stone Broken, Broken Witt Rebels, Jared James Nichols, Wayward Sons, Saxon and the hero of the hour Bernie Marsden across the festival Friday, Saturday and the unplanned return on Sunday. The list is a mix of styles, ages and experience the common link was quality, performances.

Steelhouse 2017 Simply Marvellous Mud Music and MatesStone Broken bought a vitality, energy and love of performance to the stage, heating up the atmosphere. The set was played out with every note played and song sung confirming the meteoric rise from a self-funded album to the band they are today.  The journey has just begun they will soon be headliners wherever they play, why the crowds will demand it the Broken Army will not be silenced.  With a follow-up album to debut All In Time tantilisingly close live performance will keep us entertained until the release date early 2018. Every fan is waiting in anticipation which will just build and build, with every performance and radio play. Stone Broken play the music rock fans want to hear. Every time they play live they grow in stature tighter, more confident. Everyone’s day is brightened by Robyn’s infectious smile and drumming.  Rich leading from the front energised with vocals that demand to be listened to. Chris & Kieran, guitar and bass creating the sting in the tail with the strings ensuring there is nothing broken about Stone Broken. They nailed it at Steelhouse 2017.


Steelhouse 2017 Simply Marvellous Mud Music and MatesMonster Truck, were monstrously good, the guitar sound is loud and we are pulled into the hot atmosphere they create. It was so hot it was as if the rain vapourised before it hit the ground! Awesome sums up the performance lifting the crowd’s mood into the stratosphere.  The set included all the numbers you want to hear live from Sittin’ Heavy as we heard staggering vocals, hard rhythm and licks that curl around the stage and cascade across the field in melodic delights.  There will be other bands but for now it doesn’t get better than this performance or will I eat my words?

Steelhouse 2017 Simply Marvellous Mud Music and MatesHaving never heard Last in Line live, this was a band I was looking forward to having listened to Heavy Crown, loud and often since reviewing early in 2016. The band named after Dio’s second album carried the torch shining high and burning bright with a set that was full of Dio classics. The two orginal members of Dio’s band Vinny Appice on Drums and guitarist Vivian Campbell are joined by vocalist Andrew Freeman, Phil Soussan on Bass an keys from Erik Norlander.  They delivered adrenalin fuelled rock that pounded the mud and the sound that was Dio. Andrew’s vocals were reminiscent of Ronnie James Dio. The rain did not wash away the sound and atmosphere of a festival that was now rocking as the skies darkened on the Saturday.


Steelhouse 2017 Simply Marvellous Mud Music and MatesSunday dawned bright and clear with blues skies and warm sunshine we all knew the music was going to be hot. The Sunday came alive as Broken Witt Rebels may have opened with Low from Georgia Pines but the music took us to new highs. Danny Core’s vocals are outstanding they pierce with a depth of emotion. The feel of the guitar sound tinged with blue, heated by southern rock from James Tranters lead guitar. The sound builds with tambourine and rhythm added by Danny and a rhythm section that burns the groove as Luke Davis and James Dudley join forces. This is a young band who are growing in stature as with every performance the layers of polish are burnished, the beat tightens and the sound gets bigger, bolder as the Broken Witt Rebels blow the mist away through Georgia Pines, what a Steelhouse 2017 Simply Marvellous Mud Music and Matesnumber.  They were quickly followed by the guitar-led blues-rocking power trio of Jared James Nichols. The talent of the guitarist who is making a name for himself as he flashes his prowess with the six-strings, this set was the most guitar-dominated set of the weekend.  Another young performer who never fails to deliver, always improving developing the Nichols tone and sound. Building on his album and the last EP Highway Man.

A new band, Wayward Sons that has every one talking. Why? It is a Toby Jepson band this, the bands third gig and first festival appearance, did not disappoint. The opening was intriguing as we entered the Twilight Zone before the opening line of Carry On Wayward Son by Kansas and then the band stepped on stage.  With a debut album out in August, Ghosts Of Yet To Come the sound we heard was grittier this is a rocky sound that sets quivers of an earthquake erupting through the audience on top of a mountain.  As to be expected Toby’s vocal shone through the rain drops With the Little Angels – Young Gods – song dedicated to Alan Nimmo, who to many people’s disappointment was not swirling his kilt with King King on a mountain. The whole Steelhouse family wish Alan a speedy recovery.

Steelhouse 2017 Simply Marvellous Mud Music and MatesRival Sons, well worth the wait in the mud and rain they delivered with music that sears the heart and soul. Jay Buchanan’s voice is always stunning as he strode down the stage in rolled down wellies he captivated – what a band. The only slide guitar of the weekend cascading notes swirled across the mountain courtesy of the slide of Scott Holiday. The rhythm and structure added a depth of tone thanks to David Beste and Michael Miley. There is nothing hollow in the bones of the rock they deliver every track has something to say with sweet licks, righteous riffs and lyrics that draw you deep into the heart of the music Rival Sons are simply electric.

Steelhouse 2017 Simply Marvellous Mud Music and MatesClosing the festival with lights, pyrotechnics and a metal eagle Saxon left their mark on the mountain once again.  A band that the fans wanted to see many so excited seeing a band that was one of the first bands they had seen back at Steelhouse once again. The rain did not deter Biff as he strode down the runway kneeling on a towel and rising again hands aloft uniting with the fans as he sang in the rain. The festival went wild as Biff sung to them Battering Ram soared out across the mountain quickly joined by many classics Princess Of The Night & 747 Strangers In The Night. By now there were no strangers in the crowd, we were united by music, mud and Steelhouse friendship.


Steelhouse 2017 Simply Marvellous Mud Music and MatesCometh the hour cometh the man. Steelhouse 2017 it had to be the one and only Bernie Marsden.  Scheduled to play with Hand of Dimes of Friday and the acoustic set on Saturday that was a delight. With King King having to pull out there was a yawning gap. Hand of Dimes stepped in with Bernie on electric guitar that was exciting but this was the Steelhouse Band with two special Planet Rock guests.  Hand of Dimes always popular and they know how to please as they add keys and harmonica to Nev’s special brand of rock. Nev was back on stage with Bernie Marsden joining after a couple of Hand of Dimes numbers to massive cheers of Bernie, Bernie!! Hand of Dimes has a new album out Raise so we heard Guilty and Pin-Stripped Arrogance, what a band. Then we had the change as Ian Danter took control of the drums and Darren Redick on Bass for a couple of numbers this is what festival magic is all about memories never to be repeated. The ‘cover’ of Whitesnake classic Here I Go Again was superb vocals from Neville McDonald took the roof of if there was one! Bottom of Form

The heroic Steelhouse Band created a great atmosphere what fun a pleasure for everyone listening to Hand of Dimes and friends over the Bernie weekend.

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Then if I could only pick a band it would be  a toss-up between Rival Sons and Broken Witt Rebels both were superb the vocals stunning, out I have made the rule only one band so it will be Rival sons, why? Soul made me cry as I was absorbed by the music an even stopped photographing during Electric Man.

Steelhouse 2017 raised the bar in terms of music and fun we are counting down the days until Steelhouse 2018. Thanks once again to the band of volunteers and Mikey and Max  who make sure we all have a wonderful Mountain top festival.

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Steelhouse 2018 the clock is ticking ! show your interest and keep to-date on Facebook Event

July 27th – July 29th 2018

Steelhouse 2017 Simply Marvellous Mud Music and Mates

HRH Turning Sheffield Weekend Blue

HRH Turning Sheffield Weekend Blue

HRH Turning Sheffield Weekend Blue

This was a weekend where the colour blue was stretched and melded with a range of musical shades. From Deep hard rock blues through to Texan clear blue skies and the British Royal Blue of blues taking everyone back to the 60’s British Blues revolution. The music was fantastic from the opening act Sugarman Sam & The Voodoo Men through to the closing notes of Dr Feelgood.
HRH Blues ensured that music was the thread that bound the sold-out crowd in the O2 Academy over the weekend. The outside may have been bright April sunshine inside we left that reality, it was dark and the stage lights beckoned. What didn’t excite and beckon was the price of the beer, resulting in people stepping outside the festival to sample the ales in town that were more affordable. I and many who I spoke to would have liked coffee and some food to eat the schedule was packed so going out of the venue for food and beverage ate into the time you wanted to be listening to the bands live. With these irritations set-aside the weekend was about the fabulous music.

The opening set confirmed this was a blues weekend, Sugarman Sam and The Voodoo Men delivered blues that appeals and on the back of winning a slot on the main stage of Skegness 2017 he has the confidence and the desired swagger to deliver. This they did with a mix of classics and their own tunes including Coming Home off their EP. How to follow that lets have a duo drum and guitar the Welsh wizardry of Henry’s Funeral Shoe delivered a festival set that excited especially people who haven’t seen the antics and heavy blues they deliver with showmanship. Slipped between some of the acts were the ‘unplugged’ sessions on a small stage upstairs; the first of these showcasings was The Dirty Thrills. The sound was interesting and certainly whetted the appetite and anticipation for the full festival set later in the afternoon. For this the drum kit became a Cahon, the guitar acoustic slide, bass and vocals. First of the weekend trio’s was next on the main festival stage. The Mudcat Blues Trio were a young band, and delivered an energetic set of authentic blues. The difference being the drummer was the vocalist, this local Sheffield band kept the blues pure and the festival tempo growing. Then two more unplugged sessions, an introduction and a promise of what was to come with Pig Iron including the first harmonica of the weekend; followed by Sam sugared and with his voodoo spin stripped down and it really worked. Sam’s vocals were reminiscent of a young Tommy Allen. The unplugged sets work giving an insight into the base-line of the main stage act.

The turnaround time of the main stage was kept to a minimum throughout the weekend. Now it was time for The Dirty Thrills what a difference a hyper rocky sound. These guys owned the stage as they moved with choreographed grace and kept the beat. This was a high octane fuelled modern twist on rock where the blues were hidden in the shadows but the band knew how to entertain. Live music with attitude and sparks that spat off the guitar and across the venue.


The excitement and anticipation for Ten Years After was high and we had a chance for a sneaky preview a toned down version with the members on the small unplugged stage up close and personal. This is a new line-up Marcus Bonfanti on vocals and bassist Colin Hodginson joining Rick Lee and Chick Churchill. This was a magnificent trio of songs, Hear Me Calling, I’d Love To Change The World, Me and My Baby. What a band tonight’s main stage show is going to be exciting. Marcus and Colin have added an extra dimension. The time was moving on the music flowing with Pig Iron on main stage. This was blues drowning in heavy rock that really packed a musical punch. This was a band that added heat to the line-up they knew how to excite the music ears of the festival goers. The combination of the Firebird Gibson and Rickenbacker bass worked so well the tonal qualities were deep and shaded with blue granite. This was a powerful set where the band worked in harmony and the vocals shone. Now for the last unplugged session of the day a duo from Mick Ralphs Blues Band. Adam Barron on vocals and guitarist Jim Maving. This was acoustic, bluesy, mellow and sublime. A real authentic blues set for the weekend leaving you wanting to hear more when the full band entertain later tonight. Three bands left to entertain us on the main stage. Ten Years After, Mick Ralphs Blues Band and The Yardbirds how could the excitement not be rising. Ten Years After may have had a change of personnel but the music continues and there is a spicy freshness. The re-energizing of the music excites. Marcus Bonfanti on vocals is electrifying and his guitar skill is Alvin Lee with his own hooks and bells added extending the phrasing. We had harp and scintillating guitar fireworks topped off with his deep and honeyed vocals. We had the drums take centre stage with Rick Lee’s masterpiece The Hobbit, surrounding this was a chance to hear I Would Love To Change the World, a dramatic, lengthened version of this classic number, took your breath away with the spirit and magic of the sound. Ten Years After just kept weaving the melodic groove that meant they were still going to be talked about when the was festival over. No wonder they were many people’s favourite of the night and even the weekend. How to follow that uplifting and exciting set? HRH Blues had the answer in the Mick Ralphs Blues Band. Mick Ralphs formerly of Bad Company and Mott The Hoople was on form tonight with new songs and a new album. If It Ain’t Broke not only the album’s title but the ethos of the blues. The music taking us back to the British blues scene so loved and valued of the 1960’s and ‘70’s. Interspersed was some Bad Company tinged with the blues and delighting the crowds. They lapped up Too Bad, a number Bad Company never played live and Feel Like Making Love and Can’t Get Enough. Then Freddie King’s Same Old Blues proving the blues is timeless. Adam’s vocals curled around the music the timing was crafted and Mick Ralphs guitar work shining through with a gilded touch. Saturday was drawing to close not with a whimper but a shout for The Yardbirds, keeping the feel of the 1960’s in the building. The members may have changed once or twice but the music stays the same ending day one with so much music, friendships made and others strengthened through the power of music that is the Blues.

Sunday was another day that promised to bring new bands to your attention and hear the music from your favourites. Once again the blues was shaken up, and the R n’B vibe promised this was going to be a blues Sunday brunch, Tea and Dinner.



Sunday Brunch, was hardcore not for the faint-hearted this was rock heavy blues from the Tasmanian Devil himself Rob Tognoni. He tore up the main stage what a start to the second day of HRH Blues. The set was Rob through and through, the rhythm section was the base that allowed the blues to be scorching. We had some jamming and then the gentler side with Butterfly Girl written for his German wife setting up the day with Antipodean Blues power. From the heat of the Tasmanian it was cooler Scandinavian blues from Pontus Snibb. Texan blues was strong throughout the set with the tone and shape of SRV. This trio knew how to show the bluesy side of Swedish music. The third trio, John Verity hit the main stage. His unplugged session was inspired. Now on the main stage the depth and breadth of his tasty blues licks became apparent, as he showcased numbers from his latest album My Religion. Blues runs deep in the music when playing re-vamped classics and new material. John played genuine electric blues with buckets loads of panache. He certainly kept the blues with a capital B in the festival. This was blues guitar heaven, pleasure for your ears as Prove Your Love flowed live and his version of Peter Green’s I Need Someone To Love was a joy. HRH Blues proved the Sunday afternoon did not need to be tame, three trio’s on the trot did not have to be about power guitar the mixing up of styles and approaches kept your music ear interested. Back upstairs to hear Pontus Snibb as a duo Pontus on guitar and his Dad on snare drum with brushes. What an absorbing duo great vocals and rhythm stripped down superb blues. The simplicity and purity shone through with a stellar version of Jimmy Reed’s Ain’t That Lovin’ and closing with Texas Flood. Tasty!

Pontus Snibb unplugged WM-9391 HRH Turning Sheffield Weekend Blue

Now the shadows outside were lengthening and the intensity of the music grew. First, Irish distilled blues form Pat McManus. It was fantastic to see Pat on stage, still with a smile playing the music we love as he mixes Irish Roots, Rory Gallagher and a touch of Pat’s own leprechaun emerald green dust. What a trooper did he give up when his equipment was stolen at the beginning of the current tour… not a chance. This is a trio that blends and twists the rock into a shape that they want you to hear. The first violin of HRH Blues added a dancing intensity. Entertaining, pleasurable as we listened spellbound to an acoustic tribute to Rory Gallagher. The rendition of Parisian Walkways from the late great Gary Moore was breathtaking. This was classy blues, with the energy and verve that colours the music with every shade of blue. Pat plays and we listen.

HRH Turning Sheffield Weekend BlueNow for the first piece of Whitesnake history at HRH Blues on a Sunday with the Micky Moody Band. The band featuring Ali Maas, vocals the first women of the weekend who sang the blues with soulful intensity. Stuart Dixon on rhythm/lead guitar added another depth and breadth to the sound. This was another classy set ranging from rip-roaring Southern Rock to really subtle quiet soulful ballads, punctuated with spine-chilling breaks from Stuart’s Strat. Micky entertained with finger-picking slide and guitars that sang deep with the feel of the blues. Same Blues, Different Day, full of salivating Moody slide delight. The set also included a taste of numbers from the forthcoming Moody & Maas album, like their great take on Dylan’s Serve Somebody. Closing the set that thrilled when Ali sang A Cappella interspersed with tasty mouth-watering licks from Micky. Closing out with a medley of Rolling Stone’s numbers we were flying with the music.

HRH Turning Sheffield Weekend BlueNext up was Bernie Marsden ever the entertainer. The next segment of Whitesnake past playing the blues Bernie up front with the original bass player Neil Murray. We had one Whitesnake number from Mickey would Bernie deliver as well? The set was a mixture of blues, with tracks from his current album Shine. The blues rocked and the smiles on people’s faces gleamed there was no need to ask if they were enjoying this. We had rollicking blues, instrumentals and Bernie’s version of Born Under a Bad Sign. There was nothing bad about the music the chords were full of power whipping up the energy throughout the auditorium. A tribute to Jack Bruce we were Sitting on Top of the world with Bernie as he played the classic Howlin’ Wolf number. Bernie plays real mean blues when he wants to. Dragonfly from his latest album was beautiful as was his intuitively delivered Peter Green’s, Need Your Love So Bad. Then the temperature rose for Whitesnake’s Here I Go Again, Bernie orchestrated the crowds singing we need no reminding of the lyrics the whole venue erupted with the pure joy that is live music. As the lights dimmed and the band left the football like chant was taken up Bernie! Bernie repeated louder and louder. He is a very popular guy in the Country, and we had more, the encore included the Bobby Bland number Whitesnake made their own! Ain’t No Love In The Heart Of The City, we were now in heaven the energy from the music was more powerful than any drug. Closing with Fool For Your Loving. The silence was deep and sudden then everyone started to talk about the magic that is Bernie and the blues.. Starter was tasty Micky Moody, the Main Course the depths of flavour of Bernie and his band and now for the sweet course. Dr Feelgood. The energy was electric, the words rolled out like our much-loved anthems. We just loved the tasty blues, rock punk sound that is Dr Feelgood.

HRH Turning Sheffield Weekend BlueSunday closed with a set from Dr Feelgood. The music was definitely the power that was driving the weekend forward, this is music that pleases, yes everyone has a favourite. The favourites varied and led to warm and intense discussions what shone through was the music which was top-notch.

Throughout the festival, the lighting was varied and interesting and the sound was spot on the vocals were warm cadences of tones that could be heard and enjoyed.

HRH, may stand for ‘Hard Rock Hell’ but they know how to deliver the blues. Now HRH Blues is alive and kicking up a dust storm of music, the community and the aim of the organisation is strong with staff listening to the views of the attendees of the weekend. This is the third blues event the momentum’s growing for HRH Blues 3 in Sheffield 15th & 16th April 2017!!!

Blood Money – Blues from Master Danny Bryant

Danny Bryant Blood MoneyBlood Money –

Blues from Master Danny Bryant.

With a moody bounce of the drum, stinging guitar and vocals from Danny Bryant means only one thing the Blues are back in the room. Full of moody lyrics and riffs and lead breaks that are spellbinding, everyone will have a willingness to exchange Blood Money for a copy of Danny’s latest work.

Danny is a bluesman finding his roots deep in a dirtier, rougher sound less about guitar power more about cadences, the exploration of the light and shade with the chords. Yes, the lead breaks are full of electric energy but there is also a controlled verve that gives a venomous feel to every track on Blood Money – Blues from Master Danny Bryant.
Danny Bryant is never far from a stage playing live the music that he loves and this studio album captures a deep inner spirit that glows with the fingertips of the past and is at the same time a complete contemporary album, full of lyrics of hurt and pain of living each day in the modern world.
Blood Money is intense, driven by a personal mission every lyric is delivered with heartfelt passion that grinds out a guitar that picks up the mood and embellishes the tone from the high to the low notes.

Opening with the title track the guitars growl around the chords as Danny is joined by Walter Trout. The number written explicitly with Walter in mind. Why? Walter has been his guitar mentor since a chance meeting when he was thirteen, the emotion on Danny’s voice as he says “take it” and Walter takes the lead break and closes the track making it very personal. Danny’s guitar is the heart soul and musical lifeblood of the album the fingering and phrasing is intricate and adds depth and underpins the lyrical sentiment on moving tracks including Slow Suicide and On The Rocks; you need no words as the instrument says it all.

This is an album full of musical tones and textures Sugar Sweet is not sweet but full of huge sounds, this is rock that has stepped into Blues and then expanded it beyond the horizon. Bernie Marsden joins Danny’s guitar on Just Won’t Burn, with a Hammond and two huge guitars this isn’t clash of the titans but a melodic co-operation that produces a huge deep sound it works perfectly. How do you bring this immense album to a close with its variety of styles, sweat drenched emotions and cascading chords, you sing Sara Jayne a poignantly beautiful ballad.
This is his third album produced by Richard Hammerton, and will get Danny noticed for all the right reasons mature musicianship and stunning guitar.
RELEASE DATE: 29th January 2016, – Jazzhaus Records; YES it is too early to be album of 2016 but I have no doubt come the end of December we will still be playing the album and it will be in the mix.

Bluesdoodles gives this CD TEN pawprint half inchdoodle paws out of TEN ….

Track Listing

1. Blood Money (featuring Walter Trout),
2. Master Plan
3. Slow Suicide
4. Unchained
5. On The Rocks
6. Sugar Sweet
7. Fool’s Game
8. Holding All The Cards
9. Just Won’t Burn (featuring Bernie Marsden)
10. Sara Jayne

Dannyy is on tour throughout FEBRUARY 2016 – Check out dates and book your tickets HERE

Joanne Shaw Taylor @ The Globe Cardiff with Bernie Marsden

Joanne Shaw Taylor - The Globe - Nov 2014_0181lBernie Marsden supporting Joanne Shaw Taylor
The Globe, Cardiff
18th November 2014



The Globe was a sell-out, no surprise when the live music on offer tonight the combination of Bernie Marsden (Whitesnake) and the British female Joe Bonamassa – Joanne Shaw Taylor, the music lovers from Cardiff and beyond definitely wanted to be at this event tonight.
Bernie Marsden showcased his new alJoanne Shaw Taylor - The Globe - Nov 2014_0086lbum Shine leading the acoustic duo of himself and Jim Kirkpatrick, who accompanied on guitar including sliding and backing vocals. Bernie played a very entertaining set and a real advertisement for his latest album Shine. The highlights were the outing with his famous double-necked guitar on Ain’t Gonna Cry No More and wonderful cover of Fleetwood Mac’s Dragonfly. This was a great set from a class act!

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Joanne Shaw Taylor - The Globe - Nov 2014_0166lAfter a short break Joanne Shaw Taylor and her band stepped out on the stage to an excited crowd who all had great anticipation for the next musical delights on tonight’s menu.
The Albert Collins signature telecaster was definitely dancing to Joanne’s tune tonight. All members of the band were attired in black the exception was the orange suede shoes Joanne was wearing – there was nothing dark about the music this was electric blues.
The sound guys had done a great job which meant Joanne’s vocals were sounding on top form, and she had the confidence that her band were tight never missing the beat and acting as the perfect backdrop for her searing guitar performance as she delivered a set including numbers from previous albums and her latest The Dirty Truth.
Joanne lets her guitar tell the story, tonight we saw her warm smile and banter about never thought when she started performing blues guitar at 14 she would have to defend herself over a song title, Wrecking Ball which is inspired by Bruce Springsteen rather that Miley Cyrus! She then showed she had no need to justify anything this was a vintage JST number oozing zinging passion from the strings and heart.
Bernie joined her for a couple of songs adding his guitar and vocals for a duelling of guitar work that they both thoroughly enjoyed, this energy spread across the audience as they loved to see such fine guitarists in Cardiff on a Tuesday.
This was a night where the guitar was played by the Queen of Guitars Joanne Shaw Taylor, tonight was an evening many will be talking about the amazing gig they were at and Going Home, from her latest album was the perfect finale.

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Bernie Marsden Set List
Ain’t No Love In The Heart of the City
Linin’ Track;
Wedding Day;
Till the Day I Die;
Who Do We Think We Are?;;
Ain’t Gonna Cry No More;
Here I Go Again.

Joanne Shaw Taylor Set List

Mud Honey* – The Dirty Truth Album
Just Another Word – White Sugar
Watch ‘em Burn – White Sugar
Jealousy – Almost, Always, Never Album
Diamonds in the Dirt – Diamonds in the Dirt Album
Wrecking Ball* – The Dirty Truth Album
Tried, Tested And True* – The Dirty Truth Album
Walking in the Shadow of the Blues (w/ Bernie Marsden)
Let It Burn (w/ Bernie Marsden) – Diamonds in the Dirt Album
Tied and Bound* – The Dirty Truth Album
Going Home – White Sugar

The Dirty Truth* – The Dirty Truth Album