The Night Siren Steve Hackett Charms St David’s Hall Cardiff
Tonight the last Friday of April the packed St David’s Hall was treated to a programme of two halves. A musical programme of two movements. The first Prog Rock modern, progressive and pertinent as Steve Hackettunveiled live numbers from his stunning album The Night Siren and dipping onto four of his many solo albums. The second helping on this musical palette of delights was a revisiting of Genesis, the majority drawn from Wind and Wuthering celebrating forty years since its release.
For two hours, reality suspended as St David’s Hall was bathed in the multi-instrumental tones and textures created by Steve Hackett and the musicians that surround him. With an array of wind instruments including flute, penny whistle and soprano sax, keys, and a mixture of electronic wizardry, Rob Townsend; behind him surround by keys Roger King; the rhythm section of Gary O’Toole behind a sparkling shield of cymbals and bassist Nick Beggs with fretless and twin-necked instruments; and joining the stage for the second half vocalist Nad Sylvan.
With a discography full of depth and interest the night started with a dip into his third solo album Spectral Mornings and Every Day with the soprano sax adding brightness and colour we knew this wasn’t going to be an everyday performance we were in for something special. Gently easing us in with the familiar we were soon hearing the new album, the dramatic instrumental El Niňo so early on a number that was going to be one of the many highlights of the evening. The music from the instruments was woven in to a sonic technicolour coat of shape and form, prog rock that enthralled, informs and takes you deep within yourself. Three other tracks from the Night Siren were incorporated into the first set, as he stepped back into the past The Steppes fitted seamlessly into the collection with its Eastern feel.
The light show throughout added a sense of drama as the swirling patterns fell across the stage then up through the tiers that form the many faceted auditorium of St David’s Hall. As we stepped into The Skeleton Gallery the music live reinforcing the power of Steve Hackett’s latest recording and then to the album’s opening track Behind The Smoke. With a political comment about Brexit, an audience divided Steve reminded us that his lineage included Polish refugees. He sang the lyrics that explore the despair of the displaced and how borders contain. Whilst the music crossed all boundaries finding a common coming together through the power of the musical note tonight in Cardiff. This emotional masterpiece should be the earworm that dictates our walk through life and how we meet and greet strangers from a different place. Last visit to the album is Serpentine, dedicated to his father and gentler times. Inspired by his father selling paintings in Hyde Park, London. Closing out the set with Rise Again and Shadow Of The Hierophant; with Nick Beggs sitting on the floor using his bass pedals creating a spellbinding atmosphere. We had been on a voyage as acolytes and the feet of superb musicians who deliver prog rock that is mesmerizing, entertaining and often beautiful music, that cascades and falls away leaving a thoughtful phrase or question.
The Second set, was much anticipated with the Cardiff crowd looking forward to old favourites and hearing Wind & Wuthering tracks live once again. Opening with Eleventh Earl of Mar we were once again introduced to the vocals of Nad Sylvan. They are a beguiling mix of Peter Gabriel and Phil Collins yet never pale imitations Nad brings his own sonic quality and vocal interpretations to every number. The cheer for One For the Vine, when announced was loud and very happy. Cardiff prog rockers were delighted. Then the atmosphere changed as we were treated to an Acoustic Noodle, Steve on stage with acoustic guitar joined by the band at the end a quiet interlude, with classical guitar playing, hints of flamenco and a moment of reflection. The quiet was broken with Blood on the Rooftops, and with Inside Out written by Phil Collins, an early lyric that was left off the final cut of Wind And Wuthering; a Cinderella song quipped Hackett, included tonight as it fits in with the rest. Closing out the set that highlighted the power of Genesis was Musical Box, a wonderful atmospheric number, Nad, using the tambourine to great effect as he added drama to the lyrics. Tonight was a great nostalgic set of Genesis classics.
St David’s Hall was resplendent in the glow of Prog Rock from Steve Hackett and his band of musicians, we had been bathed in lights of every hue and taken on a journey through the power of lyrics and the complexities of multi-instruments exploring the notes of the octaves. The sound was superb, the audience attentive and as one rose as The Musical Box faded. The encore the perfect Genesis titled number Los Endos. This must not be the end, Steve Hackett and his Progressive Rock is welcome back in town anytime. For me I enjoyed the reminiscent quality of the Genesis numbers, they are familiar and safe, BUT the new solo numbers have an edge and intimacy they are modernity looking forward not back.
The tour continues check out dates and venues HERE A musical journey to be enjoyed and definitely not missed!
The Kentucky Headhunters Invite The U.K. On Safari
Following on from last year’s performance at the Ramblin’ Man Fair, Grammy Award-winners The Kentucky Headhunters are set to return to the UK in October, for a handful of shows in support of twelfth album, ‘On Safari’. Released last November by Plowboy Records/Practice House Records, the southern rock LP tips the hat to family and the southern way of life in the USA.
Bluesdoodles loved the album “On Safari, is a jukebox of sounds that never crash and burn, they all fit into the album” Why the Album title On Safari? The music is taken from the inspiration gained on their first time trip overseas. Pushed out of their comfort zone by Richard’s son John Fred Young they traveled to Europe. The result is music that sparkles with the excitement of traveling and being On Safari. Band members/brothers Richard and Fred Young poignantly lost their father just three days before heading into the studio to record the album, which they have dedicated in his memory. Read what else we said HERE
Southern Rock and Live music fans now have eight opportunities to catch The Kentucky Headhunters play their music live, loud and let you join in On Safari with a band that will always excite. With their trademark rock n roll music this Grammy winning, chart-topping band will never disappoint when you want fun.
Throughout their envious five decade career, the band have toured the USA extensively, but only ventured to Europe for the first time in 2016. The band credits Richard Young’s son, John Fred, and his Black Stone Cherryband mates for pushing them out of their comfort zone to make the trek abroad, where many of the Headhunters’ rock influences call home.
Lauded by Billboard as a “great American rock ‘n’ roll band,” don’t miss this rare chance to catch The Kentucky Headhunters live, and witness their one of a kind sound that has given them the longevity in this industry that many acts only dream of.
The Kentucky Headhunters Invite The U.K. On Safari it would rude not to catch them on one of the eight dates.
Joe Bonamassa Live At Carnegie Hall – An Acoustic Evening Out June 2017 – On January 21st and 22nd 2016 world-renowned platinum-selling and Grammy-nominated blues-rock, singer-songwriter and guitarist Joe Bonamassa performed two unique all-acoustic shows at the iconic Carnegie Hall in New York City. Both performances were filmed and made into “Joe Bonamassa Live At Carnegie Hall – An Acoustic Evening”.
“Joe Bonamassa Live At Carnegie Hall – An Acoustic Evening” is an evening of extraordinary music with new arrangements of favourite songs as well as brand new, never-before-heard songs.
The line-up is completed with Reese Wynans (piano), Anton Fig (Drums) Eric Bazilian (mandolin, hurdy-gurdy, saxophone, acoustic guitar, vocals), and three Australian backing vocalists, Mahalia Barnes, Juanita Tippins and Gary Pinto.
Bonamassa comments: “Despite being among the most ambitious things I’ve done – I played with a 9 piece acoustic band – It came out great. It was a typical Joe freak show.”
Everyone knows the old saying about how to get to Carnegie Hall, but Bonamassa has truly lived that advice. His entire life and musical career had been practice for this moment, and a young blues-boy finally made good on a childhood dream of playing one of the most hallowed stages in the world.
This stripped-down, all-acoustic show allowed his fans a glimpse into his soul and presented a thrilling and musically dangerous spectacle akin to walking a tightrope without a net.
“JOE BONAMASSA LIVE AT CARNEGIE HALL – AN ACOUSTIC EVENING” – TRACKLISTING
The Valley Runs
Driving Towards The Daylight
Black Lung Heartache
Blue And Evil
Get Back My Tomorrow
How Can A Poor Man Stand Such Times And Live
Song Of Yesterday
Woke Up Dreaming
Joe Bonamassa Live At Carnegie Hall – An Acoustic Evening Out June 2017
Joe Bonamassa is the winner of the Sena Performers European Guitar Award 2017 (SEGA). He will receive the award at a special ceremony on 21st May in the Dutch city of Bergen op Zoom. Last year Steve Vai won and accepted the award in person in the same town. An impressive list of former winners of the Sena Performers European Guitar Award led the way for him: Slash from Guns N’ Roses, Brian May from Queen, Walter Trout and Steve Lukather from the band Toto.
Joe says: “This is really a big thing for me, looking at the people who won it before me. Guitar players like Brian May, Steve Vai, Steve Lukather and Walter Trout are such an inspiration. I’m honoured by this.”
The continuing popularity of former Genesis guitarist and prog legend Steve Hackett is in no doubt as 4 dates on his latest 15-date UK tour have already sold out. They are in Cambridge, Reading, London & Manchester. Tickets for the remaining eleven gigs in April & May are going fast.
Steve will also be introducing fans to music from his new studio albumThe Night Siren..
Truly a show not to be missed!
SOLUTION GET YOUR TICKETS NOW!!! From My Tickets or Box Offices
It’s 40 years since Hackett recorded his last studio album with prog giants Genesis before leaving the band to embark on his highly successful solo career. That album was Wind and Wuthering. Now Steve and his incredible band celebrate this classic work’s 40th anniversary by treating audiences to thrilling renditions of tracks from the album.
The show features more Genesis gems, including fan favourites such as ‘The Musical Box’, as well as Genesis tracks ‘Inside & Out’ (released on an EP shortly after Wind & Wuthering) and ‘One for the Vine’ which have never been performed by Steve and his band until now.
Steve’s brilliance, of course, is not limited to his years with Genesis and the show will include plenty of ‘Classic Hackett’ from his remarkable solo catalogue, including popular hits such as ‘The Steppes’, ‘Serpentine’, ‘Every Day’ and the first ever live performance of ‘Rise Again’ from his 1999 album Darktown.
“I’m thrilled to bring my latest show of Genesis and Hackett numbers to the UK, adding additional numbers such as ‘One for the Vine’ and celebrating the 40th anniversary of ‘Wind and Wuthering’, one of my favourite Genesis albums and popular with Genesis fans the world over…” Steve Hackett
But Steve isn’t the only one excited by this latest live offering… the American leg of the “Genesis Revisited with Classic Hackett” tour has received consistently excellent reviews from media across the USA:
All in all, an evening of flawlessly performed music played to a very appreciative audience of prog fans who rarely get to see this genre of music played live in this day and age as well as it was this evening. Elmore Magazine
Steve Hackett was masterful in revisiting Genesis, unfurling solo gems in Grand Rapids. Local Spins Magazine
Hackett’s soaring guitar work still sounded as vibrant that evening as it did nearly 50 years ago when he first joined Genesis. With a calm and almost stoic demeanour that contrasted him from the more flamboyant axe masters, Hackett showed a dexterity and versatility in his performances, from strumming Latin-style acoustic to tapping on the electric numbers. Ultimate Classic Rock
Bluesdoodles reviewed Cut Against The Grain “Aaron Keylock is a Cut Against The Grain Definitely on to keep watching a listening where will Aaron’s music journey take us? Get Onboard now!” – read the rest HERE
Tues 4th April: The Black Heart, London: Headline – TICKETS Sun 16th April: HRH Blues Festival, O2 Academy, Sheffield – TICKETS Sun 30 July: Ramblin’ Man Fair, Mote Park Maidstone – TICKETS
“A fabulous new talent” Bob Harris, BBC Radio 2 “Aaron Keylock is on the brink of international stardom” Daily Mirror – Top Tips for 2017 ““If anyone can shred like Gary Moore, this young buck can” Metal Hammer “The New UK guitar hero” Shindig “Toe-tapping electric blues beast” Total Guitar
Weds 24 May – Voodoo Rooms, Edinburgh UK TICKETS Thurs 25 May – The Ferry, Glasgow UKTICKETS Fri 26 May – Arlington Arts, Newbury UK TICKETS Sat 27 May – Worthing Pier South Pavillion, Worthing UK TICKETS Sun 28 May – Mr Kyps, Bournemouth UK TICKETS Mon 29 May – Sage, Gateshead UK – Weds 31 May – Robin 2, Wolverhampton UK TICKETS Fri 2 Jun – Nell’s Jazz & Blues, London UK w/special guest Gary Hoey TICKETS Sat 3 Jun – Grolsch Festival – Shoppingen, GERMANY – TICKETS Weds 7 Jun – Tonelades – Valencia, SPAIN – TICKETS Fri 9 Jun – Leganes Blues Festival South Side – Leganes, SPAIN – TICKETS Sun 30 Jul – Ramblin’ Man Fair UK w/ Supersonic Blues Machine TICKETS
Bluesdoodles reviewedMiddle Of The Road – No doubting that Eric Gales is back producing the best music yet. Blues guitar with attitude, lyrics with a heartfelt understanding of the myriad emotions this album lays bare for the listener to explore and understand ….. Read the rest HERE
“One of the best, if not the best guitar player in the world” Joe Bonamassa “He is absolutely incredible” Carlos Santana “How Eric Gales isn’t the hugest name in rock guitar is a total mystery”Dave Navarro “This guy could be the best player on Earth” Mark Tremonti “Sounds like ZZ Top covering Stevie Wonder…If you’re looking for the blues album of 2017. This is going to be very hard to beat” Total Guitar 5/5 “The injection of danger and unpredictability that the blues-rock scene desperately needs…some of his best songs yet” Guitar & Bass 8/10 “The more you listen to it the more the brilliance of Eric Gales becomes apparent” Powerplay
Erja Lyytinen Talking about
Stolen Hearts and Being On Tour
BD:Hi Erja hope you are well, thanks for taking time to speak to Bluesdoodles, lots happening new album Stolen Hearts released 7th April and lots of touring including the UK from 9th April
EL: Really well thank you it is great to catch up with you again Liz.
BD: Before we talk lyrics, songs and touring how is life back in Finland juggling being Queen of The Slide Guitar with being a Mother
EL: Basically lots of balancing. Right now the twins are in daycare. Touring needs to be planned just organising life as off on a mini tour of Germany & Holland. It is all a rollercoaster ride often rather manic but definitely fun. You just have to jump-in and hope it all goes smoothly, often it doesn’t and you just go with the flow, that way you minimise the stress. Society and others have high expectations, which we are expected to obey. That we are all brilliant multi-taskers. Well, sometimes you have to concentrate on one thing and let the rest wait. The twins are used to me touring I have been doing it since they were two and half months old. February was a period of intense touring across Scandinavia with 24 shows in 27 days it was rather manic, we got through. Sometimes when I am in Finland the children can come on tour with me which is fun. I have a nanny to help and the twins love sitting in on the sound checks, playing with guitars we have really fun moments making lots of memories. I am a musician, a rock star but when I get home after a tour I am Mama again. The secret is to be versatile and I am definitely super happy. So glad I had the courage to have children, continue my musical journey one thing for certain is three years on I am a different person motherhood has definitely changed me.
BD: Stolen Hearts, your tenth album. Has a different shape to your Live In London and studio The Sky Is Crying. With eleven tracks that shimmer with blues that rock. Tell us about the thinking behind the album?
EL: Tenth album is definitely not a scary place to be. My expectations through life was that I would record lots of music. In fact, Number 10 does feel a good figure. This one feels like me, it is honest and a way for me to open up on the album. Reflects my life since motherhood and my life over the last two and half years has changed the way I look at things. I now try not to stress, not to be perfect. By the same token, I do lots of things and want to be good at what I do. On the album, this new feeling of relaxedness comes out. I now really enjoy being on stage, I now can open up and share. The album is very personal, the lyrics are heartbreaking stories. It is the end of a period of my life when I had the feeling that everything was going to collapse, eventually, it did, it took time to get out of that dark place. Music became my analyst where I could analyse my thoughts and feelings. This process deepened my musical expressions, now I am not afraid of being vulnerable, not afraid of being weak through that knowledge I have found an inner strength.
BD: You took the decision to record the album in two countries your homeland Finland and then U.K. Was it the lure of Chris Kempsey at the State of The Ark Studios?
EL: We recorded the backing tracks in Helsinki, some of the songs I had recorded one and half years ago and I needed to give myself more time as they didn’t sound right. We used Sonic Pump studios in Helsinki it is new with energetic young guys running the studio. Perfect place to record the backing tracks with the band. I wanted to take the album to the next level to give something new. Not just go to my home studio for the vocals and guitar, thought it would be nice to go abroad. I love England, I sing in English, so be good to have a producer who could check out my lyrics and pronunciation. It is so easy to phrase words that should be beautiful but mean something else English is so complicated with sayings and double meanings. I spoke to Alan Darby who is the songwriter I worked with in 24 Angels, which has a brilliant video. He suggested Chris, I checked out his CV and was blown away what an amazing history behind him having worked with so many Rock greats including The Rolling Stones, Peter Frampton and Bad Company. I contacted him and we started emailing, sent a demo from my home studio of rough over dubs. He instantly messaged back lets do it. He was so active in the 70’s & 80’s and the album was using lots of sounds from that era.
We went through studios and State Of The Ark was available it was cool a small boutique studio, with a homely atmosphere. It was an amazing experience from the first to the last track. I would recommend that everyone explores new soul mates in music it is invigorating.
BD:When reviewing the album, on the first listen what struck me was the range of tones and styles across the album from Heavy, brooding Rocking Chair (a new sound for Erja) through to the acoustic feel of Broken Eyes and the prog of Black Ocean. The diversity works there is a continuity in the lyrics, the emotional journey and the heartbeat of the blues ensures they all make sense. How did you come to create such different sounds and take the decision to record them?
EL: Yes, you are right it is the power of the lyrics they give the whole album a sense of context. I had other songs left out these were the ones that worked brilliant together. The album is about sadness, heartbreak, fear of loss, frustrations. Into the personal mix there is hope, happiness lust and sex. I cried when I listened to the whole finished album the emotions are so close to me they are personal. I did for a moment consider dropping Broken Eyes as it is a different tone from the rest but then I realised that it fitted perfectly lyrically. The lyrics are the link but Chris Kempsey is the genius that mixed the album. The engineer that mixes the album can either kill it or make it. Chris used a mix of Pro Tools and Analogue a mix of old and new reflecting the essence of the album. Old rock is behind the music, Led Zeppelin, Jimi Hendrix. I decided to forget about the radio, I am not pop, so like the bands of the seventies if the track is seven minutes like Black Ocean it stays that length, I wanted the long killer guitar solos. It is my music, my album and it was a joy to work with Chris. The mastering done at Air studios started by Beatles producer George Martin; working with Ray Staff was a professional joy. What a humble, lovely guy who had mastered icons including Bowie.
BD: 24 Angels, a single from the album, how do you make the decision on which track works as a standalone track? This number Co-written with Alan Darby, certainly sounds like your vocals are flirting with the mic and blues guitar that rocks?
EL: This track was the second, the first single was the title track Stolen Hearts last autumn to boost my tour last year and highlight the forthcoming album. The album was planned to be released earlier with crowdfunding campaign but for various reason it was delayed that is the way often in the music world. 24 Angels is a story worthwhile telling to people with pictures. It is multi-dimensional with lyrics that are about morality and forgiveness; about doing something to someone or someone doing something to you and the resulting suffering.
In the video, a relationship ends in a fight with hints of him dying in a car crash. It is that mix of forgiveness and regrets. Whilst writing the lyrics I was thinking of people walking the last walk on death row would you be regretting, how much you would suffer do you understand all that when walking the path. When I write I go to the very extremes. I have now opened that box and have for the first time explained my thinking behind my songwriting. This one I co-wrote with Alan Darby, a few years back he came up with the lyrics for the chorus ‘Bring me water, make me stronger’. He also put his emotions into the song. There were only simple chords before Alan jumped in and worked on the Erja idea. He made it rock more which really works. He is a sensitive guy with a long experience in songwriting for many including Eric Clapton & Bonnie Raitt among others.
BD: With the album taking you on new directions where are you planning to take us on the next road in Erja’s musical journey?
EL: Blues will always be at the heart of my music. I mainly listen to blues at home. But I like to make it modern for these times. It is more acceptable to do blues differently. There is a blues revival, with European invasion into blues music. I will always have my own style, I do not want to go back for one thing, it is impossible to get the sound nowadays. I am involved in a Jimi Hendrix tribute in May already sold 1000 seats. The show will be a celebration of fifty years since he visited Helsinki.
In music, you meet people and we all know that Rock n Roll can kill you. You have to take care of yourself so take care of myself try and eat healthy. Returning home after 31 shows in 37 days where you have no time for sports. It is important that you take it easy and do exercise take care of your heart physically and spiritually.
Now I have opened Erja’s box I have a couple of songs in the style of Stolen Hearts and have some ideas for the next album but they are my thoughts at the moment. I feel really strong about my writing new stuff at the moment.
BD: Having toured the new album, I believe you had a February launch date in Scandinavia. Do you have a personal favourite that really works on stage in front of an audience?
EL: I have had positive feedback in Scandinavia, where audiences can be a bit tight on the blues. I did wonder if they would like the new songs, a different Erja, but they seemed to like my new songs the edginess. So the feedback has been amazing. Personal favourite Black Ocean.
Looking forward to being back in the UK for five shows including launch party at 100 Club, London; HRH Blues and a double-header with your own Chantel McGregor. Hoping to be back to do more later on with a longer run of shows.
BD: Last time we finished with what your dream band would be this time – what are you listening to and what Erja Lyytinen track would you liked covered and by whom?
EL: Listening to Robert Randolph, his steel guitar sound is fabulous. Also, listening to John Mayer he is smooth, easy-going and Eric Johnson loving his new album EJ,
Who to cover my song What a question! It would have to be Stolen Hearts by Jimi Hendrix.
BD: Thank you for your time and looking forward to hearing the new numbers live at HRH in Sheffield.
Michael Schenker announces four UK concerts in November for his “Michael Schenker Fest” Tour that will reunite the original three M.S.G. vocalists, Gary Barden, Graham Bonnet and Robin McAuley, plus MSG musicians Steve Mann (guitar, keyboards), Chris Glen (bass) and Ted McKenna (drums).
Michael will be bringing his spectacular show of live Rock to London; Sheffield; Manchester and Hull.
Tickets for the Hull 12 noon on Friday 17th March (today).
Tickets for the London, Sheffield and Manchester shows goes on sale to the general public at 10am on Monday 20th March, but O2 Priority customers can take advantage of the pre-sale which starts at 12 noon on Friday 17th March (today).
Featuring the original MSG vocalists, Gary Barden, Graham Bonnet and Robin Macauley and MSG musicians, Steve Mann (guitar & keys); Chris Glenn (Bass); Ted Mckenna (drums)
If you have ever heard Michael Schenker play live these are dates not to be missed. The opportunity to hear live in a UK Venue his latest Fest, recorded in Tokyo a superb boxed set, however good is not the same as being in the concert Hall with the musicians. Read what Bluesdoodles said about the recording HERE
SHEPHERD’S BUSH EMPIRE, LONDON – THURS 2nd NOVEMBER 2017 12 noon Friday 17th March 2017 O2 Priority Pre-Sale HERE
General Sale 10:00 am on Monday 20th March 2017 HERE
ACADEMY SHEFFIELD – FRI 3rd NOVEMBER 2017
12 noon Friday 17th March 2017 O2 Priority Pre-Sale HERE
General Sale 10:00 am on Monday 20th March 2017 HERE
O2 RITZ, MANCHESTER – SAT 4th NOVEMBER 2017 O2 Priority Pre-Sale HERE
General Sale 10:00 am on Monday 20th March 2017 HERE
HULL CITY HALL – SUN 5th NOVEMBER 2017
General Sale 12:00 noon on Friday 17th March 2017 HERE
Michael Schenker says, “It’s a miracle that after all these years, a tour like this will take place with the original band members of “M.S.G.”. Being able to go back to those days and celebrate the music is an exciting experience for us, as well as for old and new fans. To being able to re-experience, and for the new audience to get a feel of what it was like, is incredibly enjoyable.”
Continues Schenker, “It’s an amazing feeling to have all of my M.S.G. Family from the ’80’s performing together and especially with Graham Bonnet, who I never got to play any concerts after our Assault Attack album that was originally released in 1982. Fortunately, being able to have the participation of original M.S.G. members including Gary Barden, Chris Glen (bass) and Ted McKenna (drums) being part of it, and to perform with Robin McAuley and Steve Mann (guitar, keyboards) again as well, is pretty awesome.”
For Oh Susanna 2017 Equals
New Album New Tour Dates
New Album – A Girl in Teen City
“Here is my story of A Girl in Teen City. Trying to find out who she is while trying to be something she isn’t. Falling in love, getting drunk, having her heart broken, hanging out with friends in bedrooms, basements and parking lots, sneaking into shows in burnt out warehouses, watching the waves, walking home over bridges and railroad tracks in all that endless rain.” Oh Susanna/Suzie Ungerleider
A Girl in Teen City reunites Suzie Ungerleider with producer Jim Bryson. Jim and Suzie collaborated on her previous release Namedropper, an album featuring the songs of Canada’s top songwriters written specifically for Oh Susanna to interpret. With six other critically-acclaimed albums of original songs in her carpet bag, Oh Susanna tells stories of troubled souls who rebel against their circumstances to attain a quiet dignity. They are outsiders, real and imagined, but rarely herself. This time, with the urging by her friend and co-conspirator, Jim Bryson, she embarked on a time machine to visit her teenage self in a sleepy port town that she thought no one had ever heard of.
The Juno-nominated and Genie award-winning Canadian songstress began performing as Oh Susanna in the mid-1990s, crafting a persona that matched the timeless qualities of her music, sounds that drew from the deep well off early 20th Century folk, country and blues, yet rooted in her finely-honed storytelling skills.
Oh Susanna · Spring 2017 UK Tour · April 19-27
Oh Susanna is touring the UK in April, including four special shows with Hannah Sanders & Ben Savage, which they’ll be performing in a trio format.
Thu 20 Sheffield – The Greystonesco-bill with Hannah Sanders & Ben Savage Fri 21 Saltaire, West Yorks –The Live Room, Caroline Social Club
Sat 22 Glasgow – The Admiral
Sun 23 Bury – The Metco-bill with Hannah Sanders & Ben Savage Tue 25 Hereford House Concert co-bill with Hannah Sanders & Ben Savage Wed 26 High Wycombe – Kingsmead House Concert
Thu 27 Basingstoke – The Forgeco-bill with Hannah Sanders & Ben Savage
“The song Broken Machine came first, not a deliberate album title. Broken Machine is about relationships that do not work. The whole album is my life up to getting married. It is Ash from 15-30 nothing in the album covers the now it is set in the past. That said the track seemed the perfect words of the album title as it reflected the past.” What else did Ash Wilson share read it – HERE