Bad Touch Single Baby Get It On featuring Mollie Marriott

Bad Touch Single Baby Get It On featuring Mollie Marriott
Photo credit Rob Blackham

Bad Touch Single Baby Get It On featuring Mollie Marriott

 

 

 

Bad Touch out on a headline tour with Mollie Marriott, opening in Sheffield 9th November and culminating at Planet Rock SOLD OUT Rockstock in December.  To celebrate Bad Touch’s headline tour a new single “Baby Get It On” featuring guest vocals from Mollie Marriott.  The single is a cover of Tina Turner’s 1975 classic.

 

 

The new Bad Touch single featuring Mollie Marriott will be released on Monday 23rdOctober as a free MP3 download.

Bluesdoodles    Already excited about seeing Bad Touch on Stage again in November the single confirms why we all should be putting the date in the diary. The music fizzes with excitement and Mollie Marriott’s vocals harmonise with Stevie’s adding texture tone. The reinterpretation of the Tina Turner number.  Baby Get It on first appeared on Tina Turner’s second solo album “Acid Queen” that was originally released in 1975. Although it was a Tina Turner solo album, the first single “Baby Get It On” was a duet with Ike Turner (who wrote the song for Tina). The tradition has been replicated here as Mollie Marriot join Bad Touch keeping the heart and soul of the original adding touch of 21st-century badness.

Bad Touch Single Baby Get It On featuring Mollie Marriott

 

Bad Touch headline tour in November with special guest Mollie Marriott. The tour is extensive as the visit all points on the compass, North & South plus West & East.

“We’re excited to be taking to the road in November with Mollie,” says Bad Touch’s lead singer, Stevie Westwood. “Not only is she only a great vocalist in her own right, but she’s also the daughter of the legendary guitarist and singer Steve Marriott (Small Faces, Humble Pie). She’s part of rock royalty. It will be great to have Mollie touring with us. She’s got a killer voice. It’s going to be a lot of fun.”

BAD TOUCH – NOVEMBER 2017 UK TOUR
WITH SPECIAL GUEST MOLLIE MARRIOTT

TICKETS: www.thegigcartel.com

Sheffield, Corporation                                    Thursday 9 November
Leek, Foxlowe Arts Centre                                        Friday 10 November
Hard Rock Hell Festival *Bad Touch Only                   Saturday 11 November
Bristol, Tunnels                                                                 Thursday 16 November

Manchester, Ruby Lounge                                                         Friday 17 November
Newcastle, Cluny                                                                        Saturday 18 November

Nottingham, Bodega                                                                        Sunday 19 November
Glasgow, Stereo                                                                             Thursday 23 November
Leeds, Brudenell                                                                           Friday 24 November
Coventry, Empire                                                                Saturday 25 November
London, Islington Academy                                           Sunday 26 November
Norwich, Waterfront Studio                                        Friday 1 December
Southampton, Talking Heads                              Saturday 2 December
Planet Rockstock                                               Sunday 3 December 

 

Bad Touch Single Baby Get It On featuring Mollie Marriott

New Album From Samantha Fish Plus UK Tour

New Album From Samantha Fish Plus UK Tour

New Album From Samantha Fish Plus UK Tour

 

 

SAMANTHA FISH RELEASES NEW ALBUM “BELLE OF THE WEST” ON FRIDAY 17TH NOVEMBER
UK TOUR STARTS ON MONDAY 20TH NOVEMBER

 

Multi-Award winning American Blues guitarist and singer-songwriter, Samantha Fish, will release her new studio album Belle of the West on Ruf Records on Friday 17th November 2017.  The new album will be supported by a nationwide 8-date UK tour that kicks off at The Stables in Milton Keynes on Monday 20th November.

“You should always get outside of the box,” Samantha Fish says while discussing her boundary-breaking new album Belle of the West. “Challenging yourself is how you grow.”

After launching her recording career in 2009, Samantha quickly established herself as a rising star in the contemporary blues world. Since then, the charismatic young singer-guitarist-songwriter has earned a reputation as a rising guitar hero and powerful live performer, while releasing a series of acclaimed albums that have shown her restless creative spirit consistently taking her in new and exciting musical directions.

The New York Times called Fish “an impressive blues guitarist who sings with sweet power” and “one of the genre’s most promising young talents.” Her hometown paper The Kansas City Star noted, “Samantha Fish has kicked down the door of the patriarchal blues club” and observed that the young artist “displays more imagination and creativity than some blues veterans exhibit over the course of their careers.”

Having already made it clear that she’s more interested in following her heart than she is in repeating past triumphs, Samantha Fish delivers some of her most compelling music to date with Belle of the West, her fifth studio album. The deeply soulful, personally charged 11-song set showcases Fish’s sublime acoustic guitar skills as well as her roots, emotionally resonant songwriting

Fish recorded Belle of the West in the relaxed, rural creative atmosphere of the legendary Zebra Ranch Studios in the North Hills of Mississippi with producer Luther Dickinson (of North Mississippi All-stars fame), with whom she worked previously on her 2015 album Wild Heart.

The studio team included some of the region’s most iconoclastic musicians, including Dickinson, solo artist and Jack White associate Lillie Mae (whose distinctive vocals are featured on Nearing Home), much-travelled juke-joint blues artist Lightnin‘ Malcolm (whose featured on Poor Black Mattie), Squirrel Nut Zippers founder Jumbo Mathus, upright bassist and beloved solo artist Amy LaVereTikyra JacksonTrina Raimey and ShardéThomas, granddaughter of the legendary Southern bluesman Otha Turner.

“I wanted to do this acoustic-electric record, and tap into the style and swagger of Mississippi,” Fish states, adding, “Any time you dive into another place, another vibe and a new group of people, you’re challenging yourself to grow musically. I felt very at home a Zebra Ranch, and I’ve known Luther and Malcolm for years, so it was a very comfortable situation. When you’re making a record like this, it has to feel natural if you want people to respond to it”.

New Album From Samantha Fish Plus UK Tour

 

Bluesdoodles has always loved Samantha Fish Live Her shows are full of energy and guitar wizardry. Bluesdoodles review when she played in Swansea with Mike Zito – HERE

Her recorded albums:- Wild Heart review HERE &  Chills & Fever review HERE

 

 

New Album From Samantha Fish Plus UK Tour
SAMANTHA FISH

SAMANTHA FISH – NOVEMBER 2017 UK TOUR DATES

 

Milton Keynes, The Stables        Monday 20 November                  Tickets
Bristol, The Tunnels                    Tuesday 21 November                  Tickets
Bilston, Robin 2                          Wednesday 22 November             Tickets
Southampton, The Brook          Thursday 23 November                 Tickets
London, Borderline                    Friday 24 November                      Tickets
Derby, The Flowerpot                Saturday 25 November                 Tickets
Keighley Blues Live                    Sunday 26 November                    Tickets
Edinburgh, Stramash                 Monday 27 November                  Tickets

 

New Album From Samantha Fish Plus UK Tour

High Temperature Conversation With JW Jones

High Temperature Conversation With JW Jones

High Temperature Conversation With JW Jones

BD: I was delighted when I was sent your latest album High Temperature out Friday 20th October 2017 the follow-up to Belmont Boulevard to review.  But first – let’s go back to the early days

 

BD: What were your first musical influences growing up in Ottawa, Ontario?
JWJ:
JWJ: I started out playing drums at 13 years old.  I was into classic rock: Led Zeppelin, Jimi Hendrix etc. As I explored their influences, I discovered blues greats like BB King, Howlin’ Wolf, and Muddy Waters. Then, when I was 15 I saw BB King live in Ottawa. I went to the show as a drummer and left wanting to pick up a guitar.

Growing up in Ottawa, there were a couple of great blues clubs. The Rainbow Bistro is still open, and when I’m in town I play there. Another club, Tucson’s, is closed. I saw tons of great blues bands there when I was younger and became friends with so many of my musical heroes. Most touring blues bands don’t come through Ottawa anymore, other than to perform at the Blues Festival.
When the festival started, it was truly a blues festival. Now it’s more of a general music festival with everyone from Kiss to Lady Gaga. But they still bring in great blues artists like Buddy Guy, Dr John, Luther Allison, The Fabulous Thunderbirds etc.

BD: High Temperature is certainly getting noticed for all the right reasons.  Awards seem to follow your releases including for High Temperature produced by Nashville-based Colin Linden, which recently won “Best Self-Released CD” at the 2017 ‘International Blues Challenge’ (via Blues Foundation in Memphis).

JWJ: It was a huge surprise to be nominated since I had not heard of the category. I thought the International Blues Challenge(IBC) was about performances. I have been a judge at the IBC, which was a great experience. The Ottawa Blues Society approached me saying they wanted to submit High Temperature. Out of 93 entries, I heard I was in the top 5 or 6, which was exciting enough. When they announced that it had won, it was a nice surprise.

BD: Tell us about the making of the album number NINE. BD: The album is full of blues, with the genre being mixed in with other influences including Country, was this due to Nashville-based Colin Linden’s influence?

JWJ: Colin Linden is well-versed in roots music. He was mentored by Howlin’ Wolf, so he has a long history with the blues. He also works on the TV show “Nashville” as the musical director, so he brought a combination of influences to the album.

One song that comes to mind is “Where Do You Think I Was”, which I wrote in drop “D” tuning on guitar at home. I had no idea which way it would go in the studio. When I went in there, the studio musicians played their parts, then vocal harmonies were added. All of a sudden, it sounded like it had a bit of a country tinge to it.
My last two albums were recorded in Nashville with producers. This one with Colin Linden, and my previous album, Belmont Boulevard, with Tom Hambridge. Both producers assumed that the albums would be made using studio musicians. I had to fight to get my own band on a few songs. I believe it is important to have my own touring band on the album because they bring a different approach to the songs. They know blues music well since it is what we play every day on the road.

BD: Does the Title of the album High Temperature have any particular significance?

JWJ: “High Temperature” is a song by Little Walter, which we recorded for the album. I thought it would be a good title for the record because it ties into our live show, which is high energy.

BD: The album is inspirational with the track Who I Am being deeply personal as you share life experiences. Do you find it easy to open up using the power of your lyrics, vocals and guitar?

JWJ: That changed on the last record. Before that, I had not written anything really personal. For Belmont Boulevard, I mentioned to Tom Hambridge that I wanted to write a song about my childhood. He said to do it. Once I did this and got a positive reaction, I felt liberated. So on High Temperature I dug deeper with the song “Who I Am”. It is so moving to get emails from people saying they went through similar experiences. It is a beautiful thing to have your songs appreciated and understood.

BD: I have always been interested in the lyrics of a song. How do you set about writing your music is it words first or sometimes a guitar lick or riff that inspires you?

JWJ: Songs are all individual. Some come all together at once, but that is rare. My brain works in two ways. One side gives me the chord changes, riffs that develop the melody and the other side the words that become the lyric. I then play match-up with the tune to the lyrics to the melodies. It takes a lot of trial and error just have to keep going until it clicks.

 BD: Where do you get your inspiration for your songwriting?

JWJ: Every song is different. Some come together all at once, but that is rare. In my brain, there are two sides to writing a song. One side is the chord changes and riffs. The other side is the words and lyrics. I then have to match the chords with the lyrics and melody. Sometimes I try a few different ideas with the same lyrics. It takes a lot of trial and error, so I just keep at it until it clicks.

BD: Having toured the U.K. for the first time in 2016, long overdue having heard you and the band play in Swansea. You are back in the U.K. in November. With 17 dates will you be touring with the same band?

JWJ: The band is Laura Greenberg on bass, who was on the first U.K. tour and has been in the band for over five years, and we’ve got a great new drummer, Will Laurin. The UK tour last year was my favourite tour to date. I was nervous about stepping into the unknown, but the response was incredible with people travelling miles to see us on multiple shows. We really started to develop a fan base.

Now we are coming back to new towns and venues. We are taking a risk by renting venues, when we normally get paid to play, so we have to sell tickets in advance. On the positive side, there is a huge potential for growth. I would love to make this a regular tour, so we need to get everybody talking about us on social media and building a buzz for the tour. I loved the British experience and I am looking forward to going back.

BD: With new album and touring do you have any exciting plans for 2018 and beyond?

JWJ: My goal is to keep playing festivals, clubs, and theatres. I am also planning a live record for 2018. The last nine albums have been studio recordings, so it will be a first. People have been asking about a live record for years, so I think it’s about time.

BD: If you were putting together the perfect band with members from across the years (dead or alive) who would you have playing
JWJ:

Drums: Richard Innes
Bass: Larry Taylor / James Jamerson
Guitar: Jimmie Vaughan
Harmonica: Little Walter
Organ: Jimmy Smith
Piano: Chuck Leavell
Vocals: Aretha Franklin / BB King

 

Find out more about JW Jones at – www.jw-jones.com

Read Bluesdoodles Reviews for JW Jones:-

High Temperature –  Review HERE

Beaumont Boulevard –  Review HERE

JW Jones Live in the U.K. HERE

JW Jones 2017 UK Tour Information HERE

 

High Temperature Conversation With JW Jones

 

 

Live Music Came Outta The Swamp to Play The Louisiana

Live Music Came Outta The Swamp to Play The Louisiana, Bristol.

Live Music Came Outta The Swamp to Play The Louisiana

 

 

Live Music Came Outta The Swamp to Play The Louisiana, Bristol.Live Music Came Outta The Swamp to Play The Louisiana. Who came outta the swamp? It had to be Big Boy Bloater and the Limits bringing Luxury Hobo to Bristol tonight. Opening the Friday live music delight was Ruzz Evans, flying solo tonight. His rockabilly guitar-fueled the energy. Creating that end of the week vibe. As he showcased numbers form his two albums with some spicy instrumentals.  Ruzz set the scene for Big Boy Bloater with his energetic mix of Rock n’ Roll, Bo Diddley and a twist of Country.

The room was full with a dark and atmospheric upstairs at The Louisiana, Bristol. Nothing subtle about these hard-edges hard-hitting blues. Bog Boy really got the crowd going with his unique interaction with the audience full of smiles, stories and the raising of his can with a hearty cheer.  A real gruff voice with lyrics that were as clear as a bell booming out. The Limits supporting provided a rhythmic base for the melodies of his guitar to fly. Creating a harmonious and heady mix of British R & B.

Live Music Came Outta The Swamp to Play The Louisiana, Bristol.Live Music Came Outta The Swamp to Play The Louisiana, Bristol.The drumming was superb from Matt Cowley, with a different drum set creating a distinctive and contemporary sound even with judicious use of a cowbell on the nearest thing to a title track of the current album Luxury Hobo Blues. The bassist Steve Oates add a throaty growl and rhythms that shaped the sound that was being created building the tension. Every note curling around the guitar of Big Boy Bloater.

Big Boy Bloater has a distinctive style. He exudes confidence as he explores the darker side of thinking. Never dampening the mood whether singing about murder or neurosis. This is due in no small part to his easy conversation with the audience sharing insights behind the numbers. With another song from Luxury Hobo. I Got The Feeling Someone’s Watching Me. He instills the gothic horror movie, with tension and the feeling that something is just about to happen. Great song, fantastic vibe live music that excites, intrigues and energises.

Live Music Came Outta The Swamp to Play The Louisiana, Bristol.

Now he may have a new album out early this year but the heart of the set was five new numbers. Forewarning his fans that another album is around the corner that is if these songs are representative going to be exciting with more Big Boy Bloater stories to be told.

A true story kicked this part of the set-off. Love and betrayal explored on She Didn’t Even Buy a Ticket. The drugs that keep us going are explored on Pills and on Unnaturally Charming a deep and heavy number with the slide that adds to the mood as we look into a murder’s mind. Then a highlight of the evening a wonderful shuffle with The Saturday Night Desperation Shuffle.

Time we were now deep in the clutches of the music. With Rocket Surgery a perfect way of addressing some technology gremlins we moved on to Robot Girlfriend.

Yes, Friday night we were Insanely Happy listening to the music that made you want to dance and smile. Far too soon it was the last song. Few minutes silence and then the encore It Came Outta The Swamp. What a highlight to leave us with. What a night of music to kick-start the weekend.

Now, this is live music and sometimes the band brings gremlins into the venue. Tonight BBB was beset with technology gremlins including his vintage amp deciding it needed a rest. The consummate professional, keeping the vibe going with quips and working through the issues. This did not dim the enthusiasm of the audience. This is live music we like the unexpected. Tonight, everybody went home happy having heard some brilliant contemporary blues-tinged R n’ B.

This slideshow requires JavaScript.

 

Live Music Came Outta The Swamp to Play The Louisiana, Bristol.

Do Not Hideaway as Dan Owen Is Back On Tour

Do Not Hideaway as Dan Owen Is Back On TourDo Not Hideaway as Dan Owen Is Back On Tour

Dan Owen has released his brand new single ‘Hideaway’ through Atlantic Records. The song finds the Shrewsbury singer at his most bold and determined yet, delivering an impressive statement as one of the most exciting new voices in the UK today.

Hideaway’ sees Dan enlisting huge blues riffs, which bolster the mighty soulful tones of his jaw-dropping vocal abilities. The song is currently gaining widespread exposure as it forms the soundtrack for the Boots No.7 televised and online advert.

Bluesdoodles has listened and approves of Hideaway the latest single from Dan Owen.  Dan’s vocals hit you in the solar plexus every time. He punches an emotional vocal punch full of emotions. Deep moving blues riffs drive Hideaway. A song that will live in the mind long after the last note fades away. Dan’s voice is glorious. Now let’s have a full album once we have all see you live on this winters Headline Tour.

Dan has gained attention and critical acclaim across the world following his debut release on Atlantic Records with ‘Moonlight’ earlier this year. He has become a big live draw across the UK and Europe and has sold out numerous headline tours. He’s also played a number of high-profile festivals this summer including Latitude and Barn On The Farm among many others.

Dan has announced a 16-date headline the UK and European tour in support of ‘Hideaway’. The eight-date UK leg kicks off at Leeds’ Brudenell Social Club on October 17th and finishes with a hometown show at Shrewsbury’s Theatre Seven on November 14th. Full Dan Owen tour dates can be found below:

DAN OWEN TOUR DATES
UK HEADLINE SHOWS
17/10 – Leeds, Brudenell Social Club
18/10 – Glasgow, King Tut’s Wah Wah Hut
19/10 – Manchester, Night And Day
21/10 – Birmingham, The Actress & Bishop
22/10 – Liverpool, Buyers Club
23/10 – Bristol, The Lantern
25/10 – London, Omeara
14/11 – Shrewsbury, Theatre Seven

EUROPEAN HEADLINE SHOWS
03/10 – Cologne, Studio 672
04/10 – Hamburg, Molotow
05/10 – Berlin, Badehaus
07/10 – Wiesbaden, Kesselhaus
08/10 – Nijmegen, Merleyn
09/10 – Paris, Les Étoiles
11/10 – Amsterdam, Bitterzoet
12/10 – Rotterdam, Rotown

 

ACCLAIM FOR DAN OWN

“Dan packs in more emotion, lyricism and the understanding through the medium of song that many achieve in a full album”
Bluesdoodles

“Dan Owen has a voice quite beyond his years, is a versatile guitarist and an electrifying live act as well”
The Independent

“Dan Owen has the voice from a soul who has lived a million years and experienced every element of life in its fullest”
TMRW

“Owen possesses one of the most arresting singing voices we’ve heard in a long time.”
Acoustic Magazine

“Dan straddles swooning soul and throaty blues”
Blues & Soul

“Singer-songwriter with a soaring high altitude voice”
Fred Perry Subculture

 

Do Not Hideaway as Dan Owen Is Back On Tour

Kirk Fletcher and Friends turn The Tunnels Blue

Kirk Fletcher and Friends turn The Tunnels Blue

 

Kirk Fletcher and Friends turn The Tunnels Blue

Sunday night in Bristol. Kirk Fletcher and Friends turn The Tunnels Blue.  The Sunday night buzz was full of warmth as friends and lovers of live music came together. This was our Sunday experience of light, music and being uplifted.

 

With Ruzz Guitar’s Blues Revue opening the night there was a real feeling of Déjà vu.  Why? They opened for Kirk Fletcher at The Tunnels last year. The difference was that I was in the audience. Last year a series of road chaos and other unplanned issues meant we never got to see the show! This year we left in plenty of time. Curse of roadworks around Newport struck again. The minutes ticking by with no progress would we fail for the second year running? After an hour of stop/very slow-moving the road cleared. We arrived with minutes to spare. Result!

Tonight Ruzz Guitar’s Blues Revue, the trio that delights their many fans in Bristol, were joined by Phil Quinn on keys adding another dimension.  Ruzz, Zachery and Joe managed to find space on the stage ready and waiting for Kirk.  The crowded stage did nothing to curtail the steaming tempo from the band that plays foot tapping rock n’ roll the interest is maintained with Texas Blues, with some slower numbers mixed in. The guitar in Ruzz’s hand was on fire with the energy that was warming the audience with the love of live music and building the anticipation of Kirk Fletcher later in the evening. Closing out the accomplished, crowd-pleasing set making rocking fun the order of the day this Sunday evening.

Kirk Fletcher and Friends turn The Tunnels BlueNow for the Kirk Fletcher moment. His surname takes us back to an age when arrows were made by the fletcher. Tonight the arrow sharpness and direction took us deep into the Blues. Fletcher maker of arrow flights tonight Kirk took us on a flight of blues delight. What an evening it was full of glorious live music that moved you. Kirk has surrounded himself with some of the UK’s best. With Westley Johnstone on drums, Jonny Henderson in complete control of his Hammond and Dudley Ross adding to the guitar sound. Kirk plugged his guitar straight into the 633 amp. The sound was clean and bright. The tone that defines Kirk Fletcher. The set flowed with a freedom as he and the band hit the ground running with Hip Hugger through to the last notes of the encore Rock With Me. Kirk’s riffs and licks purr as he makes the music shimmer. When you go to Kirk Fletcher a night of blues quality is assured. Tonight he stepped up the tone, tempo and energy he was inspired. The instrumental version of I’d Rather Go Blind was simply sublime. What a beautiful interpretation. His guitar wept and Jonny’s Hammond delivered the anguish which was pulled together by Dudley’s guitar shaping the melody.

As Dudley took some time out we were treated to a jam full of jazz chords and blues licks as Denny Ilett stepped onto the stage. The interaction between Denny & Jonny was magical as Kirk filled in the spaces with licks of glorious definition and tone. Breath-taking live music.

Interspersed with funk and shuffles we were taken on a journey through the tonal textures and sonics that pulled the band together and the audience stepped on board with enthusiasm. Live music doesn’t get much better.  Tonight was a night that will remain etched in the memory. Glad you were there never to be repeated solid gold performance. A real privilege to have been in the audience. Kirk Fletcher just gets better and better every time I see him live I am left amazed. Blown away by the quality of the guitar. Kirk is still on tour I thoroughly recommend catch him before he returns to the USA.

This slideshow requires JavaScript.

 

Tonight, was a celebration of the power of the guitar flexing its vocal depths as the six-strings celebrated the blues full of the complexity of tone, mood and emotional connection the audience tonight as Kirk Fletcher and Friends turn The Tunnels Blue.

 

Kirk Fletcher and Friends turn The Tunnels Blue

 

Kirk Fletcher and Friends turn The Tunnels Blue

 

As Mollie says Truth Is A Wolf on her Debut Album

As Mollie says Truth Is A Wolf on her Debut Album

As Mollie says Truth Is A Wolf on her Debut Album

 

 

Listen to the album in full, then again and then start to consider the review. Why? Get to know Mollie Marriott the musician, singer in her own right. Forever connected to her famous father. Judge the music for what it is, Mollie coming up front having been a backing singer. The album has a wolfish grin throughout, a little bit dark, a smidgen of hunger and a wildness that needs to be tamed as Mollie gets personal with the lyrics.

From the opening, this is a singer taking control of her destiny. Turning up the heat, beat and building from a rhythmic bass that lets the wolf in Mollie free grabbing control of her own destiny. The song co-written with Sam Tanner(Brother Strut) lays down the path Mollie wants to take, being her own person as she tames, shapes and most importantly is in control of her own music and artistry. This s the perfect show-stopping single to show to the world I want to be heard as I sing the music that moves me.

Mollie the songwriter and singer explores throughout the album the hurt and pain of loss and life’s bitter, sometimes dark experiences.  She empathises in vocal tone pulling on the hurt until scars are revealed. Importantly for the integrity of the music she never wallows or sinks into a pool of despair. Mollie is stronger and will Run With The Hounds fashioning her own distinctive creative pathway.

The vocals have an inner power that soars above the band’s melodic lines. They never dominate but always give Mollie a springboard to vocally soar from. The instrumentation and production are spot on. Thanks to the band who play with her live. This shines through with a mutual understanding an umbilical chord of understanding.  The title track Truth Is A Wolf is the perfect demonstration of this mutual harmonization between Mollie Marriott and her band, Johnson-Jay Medwik-Daley (guitar), Sam Tanner (keyboards), Henrik Irgens (bass), Alex Reeves (drums) and Izzy Chase-Phillmore (backing vocals). As her voice howls with crystal clarity that would be the envy of many a pop diva. She is no diva. The intricacy of the number written by Gary Nicholson defines her. There is an edge that has the swirl of rock a hook of grunge rooted in an authenticity of sound making this number catchy, bewitching and beguiling. The first three tracks lay down the gauntlet can the high standard be maintained? The answer is Yes & No, as she explores different styles and tempos.

The slow ballad, Give Me A Reason fails to ignite, it is too dreamy and wistful the number lacks that inner grit that pulls the lustrous pearl from the Oyster. Then it slowly picks up as we have the song Run With Hounds and the tempo builds again with Love Your Bones. A tribute to her friend who died the sadness is underlying emotion the power of loving your bones fulfilled by the strings of the cello. It is the power of love remaining and strangely uplifting forward moving number.

Then we turn the corner to the closing numbers many co-written. This strengthens the power in the numbers King Of Hearts, penultimate number co-penned with Judie Tzuke and Graham Kearns is full of the wolfish rock power of the earlier tracks. The number has a grungy edge that the guitar amplifies the sound that is built creating an electrofused crescendo that leads neatly into the closing number My Heaven Can Wait.  The number is full of epic proportions as the voice explores the lowest point of her emotional crash. Deeply personal the hurt can be experienced in the sonic ranges and shapes of the instruments as the last notes fade away.

Having explored the darker side of life. Truth Is A wolf surprisingly leaves you feeling content, uplifted with a spring in your step and ear-worm repeating guitar riffs.

Debut album that sets Mollie Marriott firmly on the road as a solo singer. The style that instantly identifies the voice still needs to be defined with a sharpness of direction. The second album will set this down. The melodic, crystal clear vocals that have the ability to shape the emotions suits the darker sound where her emotions can run with the pack of wolves. As Mollie says Truth Is A Wolf on her Debut Album.

Mollie Marriott – Truth Is A Wolf 

Release Date 3rd November 2017

EIGHTpawprint half inchdoodle paws out of TEN …

 

Track Listing

  1. Control
  2. Broken
  3. Truth Is A Wolf
  4. Give Me A Reason
  5. Run with The Hounds
  6. Love Your Bones
  7. Transformer
  8. Fortunate Fate
  9. King Of Hearts
  10. My Heaven Can Wait

    Pre-order Truth Is A Wolf TODAY 

 

As Mollie says Truth Is A Wolf on her Debut Album

Read what we talked about when we sat and talked about Music, touring, famous parents –  HERE

 

Mollie sets out on tour with Bad Touch in November.

Big Boy Bloater On Tour Arrives at The Louisiana Bristol

Big Boy Bloater On Tour Arrives at The Louisiana Bristol

Big Boy Bloater On Tour Arrives at The Louisiana Bristol

Some say he came out of the swamp. The truth is; the number is  It Came Outta The Swamp.  Check out this clever video below.  It Came Outta The Swamp is just one of the superb tracks on Big Boy Bloater & The Limits album Luxury Hobo. Bluesdoodles has listened and agrees this is a soundscape of what many of us feel but do not have the talent to encapsulate in a 4-minute display of blues that may not be pure but is definitely mean dirty and very good. Read more to find out why the album was a perfect TEN – HERE

 

Now you have read the review of the album, watched the video. Next move os to go and hear Big Boy Bloater and The Limits LIVE! The Band is out around the country September & October.

22nd September SHOREHAM Ropetackle Arts Centre
23rd September GRAVESEND: Bluesrock Fest, Red Lion
29th September BRISTOL: The Louisiana
30th September NEWBURY: Arlington Arts Centre
5th October NOTTINGHAM The Maze
6th October GLASGOW Stereo
7th October PRESTON The Continental 18th Beer Festival****
7th October BIRMINGHAM The Dark Horse
12th October SHEFFIELD The Greystones
13th October DARLINGTON The Forum
 
14th October HULL New Adelphi

**** Continental *** change of gig *** NOW headlining the Beer Fest – if you have a ticket already you will receive a refund of the difference on the door.

Looking forward to Big Boy Bloater at The Louisiana in Bristol on 29th September 2017 – Check out the Event, buy a ticket it will be so much fun – HERE

Bluesdoodles reviews & INterview with Big Boy Bloater:

Luxury Hobo CD review HERE

Interview with Big Bot Bloater HERE

 

Big Boy Bloater On Tour Arrives at The Louisiana Bristol

 

 

The Bad Flowers Single delivers Thunder Child Check It Out

The Bad Flowers Single delivers Thunder Child Check It Out

 The Bad Flowers Single delivers Thunder Child Check It Out

The Bad Flowers Single delivers Thunder Child Check It Out. Why? I smell rock that sizzles. The sound builds and builds with a rumble and roll of riff mayhem. The Black Country once again is serving up rock that packs a punch, full of melodic undertones pulling through on riffs that clap like a mighty thunderstorm. The single opens with a burst of cymbals introducing you to drummer Karl Selickis’; the beat is picked up with deep and full bass grooves provided by Dale Tonks. Then the outpouring of vocalist Tom Leighton. This is a rock power trio that keeps the music pumped up and full of intense tonal shapes and textured rhythms.  The Bad Flowers have a distinctive, compelling sound the three musicians interact creating a maelstrom of rock a bouquet of sound that no simple ribbon can hold in place as the notes are bent and turned into Thunder Child.

The ‘B’ side completes the tasty single with Lions Blood, two tracks that definitely leave you wanting more of the trio’s Black Country rock, full of fuzz, heavy grooves and a rawness that keeps an edge to the music which is sharp and imaginative with an energy. This means that the band are in a hurry to be noticed. They will achieve that with this couplet of rock tones as Thunder Child flows into Lions Blood.The single, Thunder Child, unsurprisingly is getting radio play and the trio is being noticed as they embark on an 8-day tour; including five dates supporting The Picturebooks in October.

The Bad Flowers, deliver a sweet rock riffy sound do not miss out on the chance to be in on the action.  Having formed in 2014 they have been making formidable rock foot in the past whilst full of  21st-century rock sensibilities.

 

OCT/NOV 2017 UK TOUR
*Supporting The Picturebooks
**Supporting Skinny Molly

Tickets: www.thebadflowers.uk

Birmingham, The Flapper – Thursday 5th October 2017
*Supporting The Picturebooks
Tickets: £8.00 – Book Online: See Tickets 

Manchester, Satan’s Hollow – Friday 6th October 2017
*Supporting The Picturebooks
Tickets: £8.80 – Book Online: See Tickets

Workington, Lounge 41 – Saturday 7th October 2017

Bristol, Mothers Ruin – Sunday 8th October 2017
Tickets: £6.25 (includes booking fee) – Book Online: IBA Events 

Grimsby, The Yardbirds – Friday 13th October 2017
*Supporting The Picturebooks
Tickets:£8 advance / £10 door – Book Online: See Tickets 

Swansea, The Pit – Saturday 14th October 2017
Tickets: £6.25 (includes booking fee) – Book Online: IBA Events 

Sheffield, Corporation – Sunday 15th October 2017
*Supporting The Picturebooks
Tickets: £9.56 – Book Online: See Tickets 

London, The Lexington – Monday 16th October 2017
*Supporting The Picturebooks
Tickets: £10.00 – Book Online: See Tickets 

Oxford, The Bullingdon – Tuesday 24th October 2017
**Supporting Skinny Molly
Book Online: We Got Tickets

Leicester, The Soundhouse – Friday 24th November 2017
Tickets: £6.60 (Inc. Booking Fee) – Book Online: We Got Tickets 

Planet Rock presents Winter’s End – Friday 23rd February 2018
Weekend Tickets / Tickets without Accommodation
Book Online: Planet Rock 
www.planetrock.com
Sandford Holiday Park, Holton Heath, Poole, Dorset, BH16 6JZ
www.planetrock.com

The Bad Flowers Single delivers Thunder Child Check It Out

Q&A with Erja Lytinnen Stolen Hearts Guitars and Touring

Q&A with Erja Lytinnen Stolen Hearts Guitars and Touring

Q&A with Erja Lytinnen Stolen Hearts Guitars and Touring

 

 

BD: Hi Erja hope you are well, thanks for taking time to speak to Bluesdoodles, for the second time this year as you embark on a UK tour.  

EL:  Yes, really well and looking forward to talking again as I am about to hit the road across the UK at the end of the month.

BD: Let’s start off with the tour seven nights in the UK starting in Sheffield at Greystones on the 20th   How do you prepare and plan for a tour?

EL: It is nice to be back touring, it is an extension of the tour that started back in April to promote Stolen Hearts. Always wonderful when new people come to a show as well as meeting old friends.  It is fun playing the music live. The twins see this as part of life, it is normal for them for Mum to go off playing her music. They go and stay with their father it is no different for them. They have grown so much they are now three and a half, they understand more and can talk about it. They love to help to load and acting as roadies. One is really good on the drums playing with two sticks and playing bass drum at the same time. (Laughing)  just need the other to play bass be the perfect band. Seriously they can do what they want to do. It is though important I think for everyone to enjoy music. Everyone can be creative and involvement in the arts is so good for the soul; it lets all the stress out.  I have been in rehearsals today preparing for the shows, and they went really well. I have new songs and a new pedal. One of the new songs gives me the chance to create a bit of chaos and develop the guitar sound. Chaos is a good thing and then take the music back to simplicity.

BD: For people seeing you for the first time how do you describe your special blues. Full of slide and magic and weaving in tones from across the modern music spectrum from Rock to Prog?

EL: I listen to lots of different music, guitar based and mostly bluesy.  I love mixing and matching the various elements I have learnt from my many and varied guitar teachers.  From my teachers, I learn different approaches and take what is good for me. I master as much as I can and add these skills into the mix. Blues always is the heaviest essence within my music; I like to go crazy with the music, playing free. Traditional blues are hard to play. Can be seen as boring by some. To take the best out of those three chords you need to be the master of the blues.

I have always been a bit of a rebel, wanting to deliver the unexpected, being unique. You cannot just copy you have to make your own stuff. Right now what is happening is a new thing and a new sound coming out of the guitar which is exciting.

BD: To sum up then your music is the blues with a twist of craziness and a lot of Erja uniqueness.

BD: Will the set list be heavy with tracks from your acclaimed album Stolen Hearts and do you have favourites from your whole back catalogue?

 EL: The set list will be 100% Erja Lyytinen. The set list will include tracks from Stolen Hearts. The songs will be different playing live they get their own shape and energy. Into the mix will be songs going back to Grip Of The Blues with Everything’s Fine released in 2008.  Wow, that is nearly ten years ago! Laughing.  You can hear the development over the decade now maybe when in a set can be eight minutes of heavy shuffle blues, with loud guitar, in the solo using delay and Whaing.  The cover song we love having in the set list and is pleasing for audiences is Steamy Windows; the Tony Joe White song a lot of fun, about sex and I can have a good time with the bass player.

BD:  Having performed the songs from Stolen Hearts live do you have a favourite and why?

EL: Rocking Chair, from Stolen Hearts, goes in, it is always a challenge to play live and is becoming its own number little by little as it develops when played on stage if you allow the music the change. Having played the number at around one hundred shows songs are taken in another direction from when recorded in the studio of first played live. It would be boring if played the same way every time. In the blues genre changing and developing is typical and expected.

BD: As you will be only too aware of the debate about what is the blues. What are the Blues to Erja Lyytinen? Do you feel British Blues has a different feel to what is being currently produced in Europe, United States and elsewhere in the world?

EL: Europe definitely has different Blues from U.S.A. The U.K. definitely trades in the whole blues revival of the sixties as the great rock bands emerged Led Zeppelin, Rolling Stones and so many more. A Blues band of every country has roots reaching back to the sixties. British Blues is stable with a clear identity.

American Blues is more conventional more towards the traditional roots. European bands are not afraid to mixing and making new sound being experimental. Without a doubt, rockier blues is trending at the moment after the phenomenon of Bonamassa and others have developed a great space a new thing and vibe.

We already have a great catalogue of blues from the past recordings of the 1940’s. We cannot go back.  Fortunately traditional and new are being combined as players take elements from the past to where we are now.

BD: During your travels, how often (if ever) have you experienced sexism, and if so where is it worst/most rife?

EL: Sexism, chuckling, it is in the fabric of the blues. Women and the blues have always been present. Blues is a man’s world.  It has been around since the days of Bessie Smith through to Rosetta Thorpe. They were all amazing musicians and women with an attitude to stride forward.  They all had so much talent that the sexism within the business could never overshadow.  It has changed so much over the last five years there are now more women in the blues. The change is thanks to many women including singer & guitarist Bonnie Raitt, who has been on the circuit for 40 plus years, Susan Tedeschi and Sue Foley and so many more. Women needed these idols. I was lucky my father played the guitar and my mother bass so there were no gender stereotypes of sexism what I was growing up.

BD: What projects have you in the pipeline for the rest of 2017 and into 2018 once the tour finishes in Bristol at The Tunnels on the 26th September?

EL: After the UK tour in September I am involved in a TV programme, Stars Stars (Tähdet Tähdet). It is a nationwide programme where ten singers who sing different genres each week. With over a million viewers every week. The viewers vote and it will stretch me singing Rap/Hip Hop/musicals and other genres each week, I hope the viewer’s votes mean I get through to the finals.

I have a big tour before Christmas in Finland at twelve big venues Erja Lyttinen & Friends: Blue Christmas with Sami Saari and Maria going to be fun. Then into 2018 still touring Stolen Hearts Europe in February and back in the U.K. in March.

We are already doing new songs so cool a shift in direction for the future. My music has been used in a documentary being premiered today. The programme is a big criminal case involving drug Police. So interesting to do different things

No album is being planned for 2018 as still touring Stolen Hearts. But I am writing lots. I noticed that Stolen Hearts full of emotions and my personal life. My writing has moved more base on the guitar a different sound more psychedelic. The stories are not ready yet, lots of guitar riffs and mood feels very different. So lots happening.

BD: Thank you for your time and looking forward to see you live on tour and reviewing the show on 26th September at The Tunnels, Bristol.

Bluesdoodles Stolen Hearts Album Review:  The only answer as the last notes fade is listen and explore Stolen Hearts again. Why? Stolen Hearts is an album of musical maturity that will remain a firm favourite for years to come in collections of lovers of contemporary blues without boundaries. Read more…

Erja Lyytinen is touring the U.K. in September Select the gig – BOOK HERE

 

SQ&A with Erja Lytinnen Stolen Hearts Guitars and Touring