Kev Minney Debut Album Inspired By Stories of The Skies

Kev Minney Debut Album Inspired By Stories of The Skies

Kev Minney Debut Album Inspired By Stories of The Skies

 

 

Looking to the stars Kev Minney combines his passions, guitar, songwriting, and astronomer to create a debut album Stories of the Skies. The singer-songwriter’s acoustic debut shows the depths of style the Brighton-based musician has explored. The album has a simplicity on first listening. Underneath the lyrics and change in guitar, tempo creates a layering reflecting when you first look into the night skies it takes a while to distinguish the stars and constellations spread out before you.

The use of instruments from violin to piano to augment the tonal shaping of the acoustic guitar includes using open tuning to create a melodic haunting sound. The combination works throughout the album. There is always just enough to add but never dominate.  This is an album created with thought and attention to detail. The one constant is Kev’s vocals that gently caresses the lyrics and floats above the instruments giving the tracks an ethereal feeling.

Opening with the title track you are instantly transported into the world the Minney has created. The beat changes with a dance rhythm a pop melody as the essence of the Bossa Nova is captured in Like I Always, as anxiety when trying to o beyond the horizon facing a challenge. The narrative told with innate sensitivity.

Inspired by Joni Mitchel and Nick Drake he has created a sound that is uniquely his. Dark Skies demonstrates once again his skills on the acoustic guitar. The track that was the starting point of the album showcasing the perfectionist element of the singer obsessed with astronomy.  The haunting violin pulses through the melody with Fairy Tales and Chains a track that looks at changing times, asking questions that are relevant and emotionally engaging. The stars once again a certainty and constant grounding force.

Closing with the most upbeat number the piano adds a twinkle to the tone as we explore Stardust. Minney’s vocals are more relaxed the journey examining stars, change and emotions have been cathartic and Stardust is the magic ingredient of release and freedom.

The ten tracks on the debut album without the backing of a label were made possible with help from the Arts Council in the form of a grant awarded in 2016, so Kev has been able to pay everyone involved in creating the album.  There is no argument this is an album for lovers of acoustic. For those who appreciate sparsity the space between notes and lyrics where you can gather your thoughts as you try to make sense of life and emotions.

A debut album with promise. The only thing that holds it back is the sound blends at times there feels like there is no definite change in mood and feeling between the tracks as they meld together. Your attention to the lyrics gets lost at times. Anger sometimes is a good thing combined with on occasion a more assertive sound.

Soon to be out in tour, the translation of the songs from studio to stage will be interesting. Having battled with a stutter and stage fright he has used his obsessive nature to overcome and master the power of being a singer/songwriter to share your inner feelings and turmoil with sensitivity and openness.

Kev Minney –  Stories of The Skies

Release Date 8th September

SEVENpawprint half inchdoodle paws out of TEN ….

Track Listing

    1. Chaos In The Sky
    2. Like I Always
    3. Just Another Day
    4. Dark Stars
    5. Time
    6. Can You Feel It Too
    7. Fairy Tales & Chains
    8. Gravity
    9. Chances
    10. Stardust

 

Like I Always  the second single from Stories of The Skies

 

Kev Minney Debut Album Inspired By Stories of The Skies

 

Bluesdoodles Album Picks Second Quarter 2017

Bluesdoodles Album Picks Second Quarter 2017

Bluesdoodles Album Picks Second Quarter 2017

 

 

Bluesdoodles Album Picks Second Quarter 2017  the recorded music keeps arriving such diversity and quality the excitement of sound captured to be relived again & again. It is proving to be a bumper year for music from Blues to Americana – Rock to Prog Rock many intriguing albums and musicians skills that cross the genres merging styles, melding influences into  a diversity of sonic delights that intrigues and keeps your entertained. 2017 is going to have a overflowing memory box of special music as the cascade of albums arriving through the letterbox both the electronic format and the traditional front door.

Bluesdoodles Album Picks Second Quarter 2017Over the last thirteen weeks, I have listened to many and thirty-four reviewed by Bluesdoodles keyboard warrior, Liz Aiken loves the listening, enjoys the typing. The hard part is deciding the number of doodle paws for the superb musicianship and variety of styles we listen to. At the end of the second quarter of 2017 from the 1st of April through to 30th June 2017: TEN albums shone bright, thus ten doodle paws stamped on the cover.

Ever wonder about the doodle paws category?

All numbers given to artistry are subjective, mine are no different; they are indicative in relationship of previous music released by the musicians; also how the music compares to the current releases.  We rarely give below five as so many excellent albums below satisfactory rarely see the light of scrutiny.

Bluesdoodles Album Picks Second Quarter 2017

10 Doodle Paws Stupendous

9 Doodle Paws Exceptional

8 Doodle Paws Marvellous

7 Doodle Paws Splendid

6 Doodle Paws  Pleasing

5 Doodle Paws Satisfactory

Clicking the album cover takes you to the review:-

Bluesdoodles Album Picks Second Quarter 2017 Bluesdoodles Album Picks Second Quarter 2017Bluesdoodles Album Picks Second Quarter 2017Bluesdoodles Album Picks Second Quarter 2017

Bluesdoodles Album Picks Second Quarter 2017

Thomas Wynn and The Believers Album Wade Waist DeepBluesdoodles Album Picks Second Quarter 2017Bluesdoodles Album Picks Second Quarter 2017Bluesdoodles Album Picks Second Quarter 2017

Bluesdoodles Album Picks Second Quarter 2017

 

 

 

 

 

 

 

 

 

Check out the other albums reviewed they are an exciting mix of music many not to be missed and will become firm favourites.

All albums reviewed by Bluesdoodles can be found over at – Recorded Music Reviews

Justin Townes Earle New Album Kids In The Street

Justin Townes Earle New Album Kids In The Street

Justin Townes Earle New Album Kids In The Street

 

 

For the first time Justin Townes Earle has worked with an outside producer and he chose Mike Moogis, for Kids In The Street as he releases the album on his New West Records and the first not recorded in Nashville, a trio of debuts that definitely gives the album curbside appeal.

Following his previous critically acclaimed albums Single Mothers followed by  Absent Fathers; this album, Kids In The Street completes the trio has an upbeat, optimistic feel that makes you want to play hopscotch on the street as you did as a child; kick off your shoes and run through the grass and make daisy chains. The originals have a fresh simplicity, an enchanting fluidity as the meaningful lyrics entwine themselves around the melodic guitar chords.

The album kicks off in high rolling fast-moving rock n roll beat as we toast Champagne Corolla. With this upbeat number we hear the refrain Pretty little thing riding by in a champagne Corolla; an ode to car life and far much more as you explore his clever lyrics. Achieving the goal from the off-classic rhythms with a modern lyric. We have the country twang of steel guitar and piano and a clicking rhythm building up to a swirl of sadness and Justin sings What’s She Crying For leads in to a 15-25 looking back with the feel of New Orleans the keys have a Professor Longhair feel as his vocals drawl and have a lopping lazy feel as the tempo picks up. Leading into the title track, taking us back with the simple guitar intro the vocals “ My best friend lived in this house we played ball after school…”  looking back to simpler times of 1990’s; full of nostalgia but not rose-tinted glasses just memories that have smoothed out the rough edges. Is this a track that pops out at you? Bringing the album together, not really just misses as so much of the album on first listen it is good, but delving deeper it never raises the game to excellent.

The reflective, retro hazy feel is the tonal phrasing for much of the album; the tone is  brought up with a jolt with Justin’s version of Stagolee, the guitar is harsher, his voice deeper and seems not to fit a pebble sending ripples across Kids In The Street. The re-working is subtle a more drastic re-arrangement may have slotted in but this feels like the unwanted guest at a party. Same Old Stagolee certainly has not received the gentrification that the streets of Nashville referred to in many of the tracks on Kids In The Street.

Closing the album with There Goes A Fool, deep, darker and full of introspective and skillful songwriting, before hitting the bonus track Paul Simon’s Graceland. This acoustic version closes out an album that just doesn’t quite reach the potential that sets it apart from other Americana albums,

The album is reflective and moves on from his last album Single Mothers and Absent Fathers delivering his own innovative Americana feel, where Justin leads others have followed. The music is to Muscle Shoals to be Country – too retro to be cutting edge. Who cares? Kids In The Streets with its layers of music with old style guitar and lyrics that have something to say it is a good listen and has a purpose in its commentary. What more do you want from an album. For Bluesdoodles Kids In The Street is a welcomed addition and will be played for the sheer enjoyment of listening to Justin Townes Earle.

 

Justin Townes Earle – Kids In The Street –  New West Records

EIGHTpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Champagne Corolla
  2. Maybe A Moment
  3. What’s She Crying
  4. 15-25
  5. Kids In the Street
  6. Faded Valentine
  7. What’s Goin’ Wrong
  8. Short Hair Woman
  9. Same Old Stagolee
  10. If I Was The Devil
  11. There Go A Fool
  12. Graceland (Bonus Track)

Earle has announced a quartet of UK dates in the summer:
Monday 26 June – The Tunnels – Bristol
Saturday 01 July – Maverick Festival – Suffolk
Monday 03 July – The Crescent – York
Tuesday 04 July – Omeara – London

 

 

Justin Townes Earle New Album Kids In The Street

Kaz Hawkins Solo Album Don’t You Know

Kaz Hawkins Solo Album Don’t You Know

Kaz Hawkins Solo Album Don’t You Know

 

 

Some albums can be dipped in and out of and others have to be listened to with an open heart and mind from the beginning to the end. This is such an album. This unexpected solo delivery from Kaz Hawkins is a concept album that is full of anguish, a glimpse of sunshine behind the tears and the sunny uplands, a journey where you learn about pain of walking a mile In someone else’s shoes. The individual segments are short, full of lyrical depth and the full glory of Kaz’s vocals powers soulful deep and then soaring into the clouds with freedom of tonal shape and texture.  Kaz without her band there is a vulnerability juxtaposed with a forceful strength as Sam York on the piano accompanies her on this the most personal of journeys.   The songs are all written by Kaz, with the inclusion of Hallelujah Happy People linking back to her album Get Ready.

The opening track Nendrum is a tonal poem, taking us back to the chants of a cloister combining with the clarity of her vocals as she sings ‘Hold Me Let me know…. And I’ll Meet you there’ gospel meets modernity. This mix of ancient and modern makes perfect sense as Nendrum refers to a 10th Century Monastic Site in Northern Ireland that Kaz visited during her mental illness melding the many voices with the eighty-one vocal takes from Kaz woven into the power of the opening number.

How to follow this intensity, complexity and simplicity captured in just over two minutes, with a melodic piano and our first introduction to Sam York and the choral delivery full of slow and a begging demand as Kaz begs ‘Don’t Slip Away’. The first single from the album, every download benefiting Aware NI. The spoken interludes bring this spiritual and meaningful album back into the now with her daughters Avril & Amy. The family is integral to the album with Amy singing backing vocals on My Daughter My Reflection and on the album cover Kaz’s Grandson, reflecting that her journey of trauma and anguish has bought her to this crossroad of confidence, love and family. The fourth track is well-known to anyone who has heard Kaz live, dedicated to her daughters Because I Love You working so beautiful in this re-arrangement, followed by the gentle spoken words from Professor Meg Tyler of Boston University who has worked with Kaz over the past few years where she has given lectures to BU Students on using music as a mental health tool; ending Don’t You Know.

Half way through and the power and confidence grows as the tone begins to change with a hint of defiance as Kaz sings about Surviving, seamlessly moving into Better Days. Pandora has dropped once again the magic of hope into the tempo. You can hear the smile, the hint of an infectious chuckle as Kaz sings this jazzy number that is accompanied by a chirpy piano beat.

The album is a different direction but we dip into soulful Alabama Blues with Alabama Love. Opening with a recording of a conversation and Kaz’s chuckle, these are people of Muscle Shoals Kaz met on a recent trip to Alabama.  The River That Sings, written about Tom Hendrix’s Wall and the legend behind the story the wall tells of his great Grandmother Te-lah-nay part of the Yuchi Indian Tribe who named the Tennessee River the River That Sings.  The piano adds a tension and undercurrent to Lipstick and Cocaine reflecting the props used as we go down the river of hell to emerge the other side to sing with joy in your voice Hallelujah Happy People. This is a song of life, dance and living the dream that is a reality built on a hurtful past.

The penultimate and title track, Don’t You Know is the gathering of the journey we have been on with Kaz her voice is deep soulful shimmering in blood red rubies nothing is crystalline clear like a diamond life led and prizes earned are much more complicated Don’t You Know.  Guitar from Sam opens the final number a homage to the beauty of her daughter with Amy joining in on the backing vocals pulling the album together, music and love the strength and heart of every breath, laugh and note sung by the amazing Kaz Hawkins.

Kaz Hawkins Featuring Sam York – Don’t You Know –                     ALBUM RELEASE 22nd July 2017

5% of album sales are to be donated to Aware NI for Charity Single Don’t Slip Away.

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Nendrum
  2. Don’t Slip Away
  3. *Avril’s Interlude
  4. Because You Love Me
  5. Don’t You Know (Spoken Word)
  6. Surviving
  7. Better Days
  8. Alabama Love
  9. The River That Sings
  10. Lipstick & Cocaine
  11. Hallelujah Happy People
  12. Don’t You Know
  13. *Amy Interlude
  14. My Daughter My Reflection
  15. *Amy’s End

Pre-orders available until 27th June. Click HERE 

Sneaky preview

 

Kaz Hawkins Solo Album Don’t You Know

Justin Townes Earle New Album and UK Tour Dates

Justin Townes Earle New Album and UK Tour Dates

Justin Townes Earle New Album and UK Tour Dates

Justin Townes Earle is set to release his New West Records debut Kids in The Street on 26th May. The 12-song set was produced by Mike Mogis (Bright Eyes, First Aid Kit) at his ARC Studios, and is the first time in his career that Earle has worked with an outside producer.

Earle has announced a quartet of UK dates in the summer:

Monday 26 June – The Tunnels – Bristol
Saturday 01 July – Maverick Festival – Suffolk
Monday 03 July – The Crescent – York

Tuesday 04 July – Omeara – London

 Track from new album, Kids In The Street, Maybe A Moment. Directed by Alicia J. Rose, follows two young girls hitchiking together and ending up in a bar where Justin is playing. He told Billboard: “It reminded me a lot of playing the Springwater in Nashville. When I was 15 years old I would play from noon ’til seven at night there. There used to be this [girl] that showed up in mini-skirts and halter tops and she and her friends would dance in front of the stage. There’d be two old drunks at the bar, the girls dancing in front of me – and those girls never looked like the ones in the video, that’s for sure.”

Justin Townes Earle New Album and UK Tour Dates‘Kids In the Street’ will be available digitally, as well as compact disc and vinyl. The album is now available for pre-order via PledgeMusic including an exclusive, limited edition colored vinyl version of the LP, special 7” single including ‘Maybe A Moment’ as well as Earle’s reading of Paul Simon’s ‘Graceland’, and cassette.

‘Kids In The Street’ Track Listing:
1. Champagne Corolla
2. Maybe A Moment
3. What’s She Crying For
4. 15-25
5. Kids In The Street
6. Faded Valentine
7. What’s Goin’ Wrong
8. Short Hair Woman
9. Same Old Stagolee
10. If I Was The Devil
11. Trouble Is
12. There Go A Fool
Justin Townes Earle New Album and UK Tour Dates

Lewis Watson New Album Midnight Simply Pops

Lewis Watson New Album Midnight Simply Pops

Lewis Watson New Album Midnight Simply Pops

 

 

The clocks change in March, but Midnight is still the witching, hour, mysterious dark or starlight with a hint of romance and forthcoming days.  Lewis Watson is back with a powerful new album Midnight, following on from his acclaimed debut The Morning. Midnight cements him firmly as a talented pop orientated singer/songwriter with hints of melancholy and shafts of joy running through the album.

Midnight has a fresh feel, nothing is over produced and there is a lightness of touch reflecting that the Oxford based musician recorded the entire album in a fortnight with a live band, under the watchful guidance of producer Anthony West.

The influences are present but with the lightest of touches as the voice of Lewis Watson is the dominant force combined with his acoustic power. Opening with reverb underneath the vocals adding to a mixed reaction that of uncertainty and the power of the music it has a force that makes a pop song stand out as it fizzes with energy. The dominance of the simplicity of the form of singer/songwriter with the acoustic guitar is apparent in When The Water Meets The Mountain, the sound fills out with melodic and harmonising backing vocals. The number has a sense of purpose within its elegant searing musical beauty.

The short and catchy Forever is a catchy number leading into Run with its ear catching opening of movements in a room a record player and clicking clock, with a harder edge of grand piano and strumming guitar picking up the melody. Then Lewis’ vocals picking up the lyrics sad and questioning as the nights are getting longer. Counting in for Slumber featuring Lucy Rose, the acoustic guitar is strummed and the two voices harmonise with a simplicity as a lullaby sinks you into sleep.  The closing track is the title song, Midnight again the simplicity of a piano as the intro adds rather diminishes the power as we visualize the cold and Northern Lights and a feeling of contentment.

This is a pop album with the added elements of songs with depth of feeling and interesting layering of tones and effects so that the listeners ears remain focused on the music at Midnight.  Lewis Watson, is beguiling and a songster who uses the idiom of pop to deliver his songs. Lewis Watson new album Midnight Simply Pops!

 

Lewis Watson – Midnight – Cooking Vinyl

SEVENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Maybe We’re Home
  2. Little Light
  3. Deep The Water
  4. La Song
  5. When Water Meets Mountains
  6. Hello Hello
  7. Forever
  8. Run
  9. Give Me Life
  10. Slumber feat. Lucy Rose
  11. Midnight (hidden track)

 

New Single ‘Deep The Water’

Lewis Watson New Album Midnight Simply Pops

Sneaky Preview and Video Thea Gilmore The Counterweight

Sneaky Preview and Video Thea Gilmore The Counterweight Sneaky Preview and Video
Thea Gilmore The Counterweight

 

 

 

Thea Gilmore who is back with her brand new album The Counterweight, which will be released on June 2nd through Cooking Vinyl.

Check out the brand new single ‘Sounds Good To Me’ here and would love to know your thoughts and if Thea is someone you would consider for some coverage around the release.

 

“I like to think of it as a bit of an anarchist’s polka…” says Thea of the single. “Calling the dispossessed, the downtrodden, the weary to arms. Lighting a fire… remembering there’s more than one way to live and who wants to walk when you can dance!”

It’s been 13 years and eight albums since Thea released Avalanche, her critically acclaimed fifth release and the album deemed to be her breakthrough record. The then 23-year-old was writing with a fire inside her post 9/11 about global anxiety and the increasingly vacuous celebrity culture.

Calling upon the spirit of this predecessor, Thea is back with the album she feels follows it. Having never entirely lost her voice of protest, on subsequent albums Thea was looking inward more, singing songs about the depression she had been diagnosed with, love songs in uncertain times and songs about parenthood.

Now though, she is back with The Counterweight, an album full of passion and fire inside to protest, and an album that echoes the rapid change in our social and political landscape that 2016 brought with it.

When finishing the album in September, Thea was forced to look back at the spring and summer recording period and the tumultuous times that happened throughout the year including working on ‘Reconcile’ as Britain voted to leave the EU, and recording ‘Johnny Gets A Gun’ three days after the Orlando shooting.

That day was also most harrowingly of all, the day when the world was watching the tragedy of Jo Cox’s murder unfold and at the very eleventh hour became the inspiration for the final track ‘The War’, with the first and last verses directly referencing her.

Thea quotes “I was throwing a cautionary message in a bottle into the shifting tide, but also singing a reminder that acts of kindness and humanity are never in vain: ‘You can cut that stem, but wild flowers grow again, all you can do is just tend to them and know that you tried’”

“I’d finished the album pretty much. All the shit that had gone down in 2016, the world changing moments… everything had shifted and this song fell out of me on one of the last mix days. The first and last verses directly reference Jo Cox and in between. I like to think it shines a light on these dark days, but also offers hope.”

The track is also possibly the mission statement of the album, going to war on the negativity and bleakness of the current world mesmerized by fake news and futility.

The Counterweight tries to be exactly that. A redressing of the balance, a tool of pressure, an exertion of opposite force and as such, a flag of hope.

Thea Gilmore will be heading out on a UK headline tour to support the album, with full details to be announced soon.

“The best British singer-songwriter of the last ten years – and then some” Uncut          “The best wordsmith of her generation” The Independent

 

Sneaky Preview and Video Thea Gilmore The Counterweight

 

Thea Gilmore – The Counterweight, released on June 2nd through Cooking Vinyl.

For Oh Susanna 2017 Equals New Album New Tour Dates

For Oh Susanna 2017 Equals New Album New Tour Dates

For Oh Susanna 2017 Equals
New Album New Tour Dates

 

 

New Album – A Girl in Teen City

“Here is my story of A Girl in Teen City. Trying to find out who she is while trying to be something she isn’t. Falling in love, getting drunk, having her heart broken, hanging out with friends in bedrooms, basements and parking lots, sneaking into shows in burnt out warehouses, watching the waves, walking home over bridges and railroad tracks in all that endless rain.” Oh Susanna/Suzie Ungerleider

 

A Girl in Teen City reunites Suzie Ungerleider with producer Jim Bryson. Jim and Suzie collaborated on her previous release Namedropper, an album featuring the songs of Canada’s top songwriters written specifically for Oh Susanna to interpret.  With six other critically-acclaimed albums of original songs in her carpet bag, Oh Susanna tells stories of troubled souls who rebel against their circumstances to attain a quiet dignity.  They are outsiders, real and imagined, but rarely herself. This time, with the urging by her friend and co-conspirator, Jim Bryson, she embarked on a time machine to visit her teenage self in a sleepy port town that she thought no one had ever heard of.

The Juno-nominated and Genie award-winning Canadian songstress began performing as Oh Susanna in the mid-1990s, crafting a persona that matched the timeless qualities of her music, sounds that drew from the deep well off early 20th Century folk, country and blues, yet rooted in her finely-honed storytelling skills.

Oh Susanna · Spring 2017 UK Tour · April 19-27

Oh Susanna is touring the UK in April, including four special shows with Hannah Sanders & Ben Savage, which they’ll be performing in a trio format.

Oh Susanna · Spring 2017 UK Tour · April 19-27

Wed 19      London – Cecil Sharp House

Thu 20       Sheffield – The Greystones  co-bill with Hannah Sanders & Ben Savage
Fri 21         Saltaire, West Yorks – The Live Room, Caroline Social Club
Sat 22        Glasgow  – The Admiral
Sun 23       Bury – The Met  co-bill with Hannah Sanders & Ben Savage
Tue 25       Hereford  House Concert  co-bill with Hannah Sanders & Ben Savage
Wed 26      High Wycombe – Kingsmead House Concert
Thu 27       Basingstoke  – The Forge co-bill with Hannah Sanders & Ben Savage

 

 

BRENT COBB UK Dates Plus Debut Album OUT March 24th

BRETT COBB UK Dates Plus Debut Album OUT March 24th

BRENT COBB UK Dates Plus Debut Album OUT March 24th

SHINE ON RAINY DAY
DEBUT ALBUM OUT MARCH 24TH
via Atlantic Records

 

 

Black Crow – from Debut album Shine on Rainy Day

Brent performing the laid-back, melancholic album track ‘Black Crow’ from a session recorded at the Sam Philips Studio in Tennessee.

Full of textures, tones rooted deep in the lexicon that is the sound of Americana.

After the huge success of his debut dates in the UK in February, Brent Cobb will be returning for a full UK tour in May plus two festival appearances including The Great Escape. On his earlier visit Brent sold-out headline shows in London and Manchester and stunned crowds in Glasgow at the Celtic Connections festival with his raconteur’s wit, tales of rural life in the Deep South and heart-rending performances of songs from his critically acclaimed debut album Shine On Rainy Day.

UK shows – May 2017

Sat 20th – Brighton, The Great Escape
Sun 21st – Oxfordshire, Wood Festival
Tue 23rd – Manchester, Deaf Institute
Wed 24th – London, The Borderline
Thurs 25th – Birmingham, Hare & Hounds
Sun 28th – Glasgow, King Tut’s Wah Wah

Released in the US last year to widespread praise, Shine On Rainy Day made number 11 in Rolling Stone Country’s Top 40 Albums of 2016. The album saw him enlist the help of his cousin and fellow Georgian, Dave Cobb, the Grammy Award-winning producer who has worked with Chris Stapleton, Jamey Johnson, Sturgill Simpson and album guest Jason Isbell.

2017 is a busy year for Brent with him heading out on the road across the US supporting the likes of Nikki Lane The Cadillac Three, Little Big Town, Jamey Johnson and the aforementioned Chris Stapleton, as well as playing California’s Stagecoach Festival, before hitting the UK in May.

“…what promises to be Cobb’s breakout LP as a singer-songwriter.”— Rolling StoneBRETT COBB UK Dates Plus Debut Album OUT March 24th

“…masterfully understated wit…”— NPR Music

“It’s a soft, acoustic ballad, different from what you may have already heard from Cobb. The Georgia-born singer/songwriter has a knack for joyous, energetic songs that celebrate life and the good things in it.”— Noisey

“Let me just say that Brent Cobb is pretty damn good.”— Sounds Like Nashville

 

 

Martin Harley and Daniel Kimbro – Static In The Wire UK Tour

Martin Harley and Daniel Kimbro - Static In The Wire UK Tour

Martin Harley and Daniel Kimbro –
Static In The Wire UK Tour

 

With a new album, Static In The Wire recorded and released on 10th February 2017 – so  Martin Harley & Daniel Kimbro are on the road throughout March across the U.K.  This follows on from the critically acclaimed album 2015’s Live at Southern Ground

 

TOUR DATES MARCH 2017

MARCH

Fri 3             Leicester – The Donkey
Sat 4            Barton upon Humber –  The Ropewalk
Sun 5           Gateshead –  Sage Gateshead
Tue 7           PerthInchyra Arts Club
Wed 8          Glasgow – Cottiers
Thu 9           Manchester – Band on the Wall
Fri 10           Liverpool – Liverpool Philharmonic
Sat 11          Barnsley – The Civic
Tue 14         Wimborne  Tivoli Theatre
Wed 15        Farnham – Farnham Maltings
Thu 16         London – The Forge
Fri 17           Canterbury  – The Marlowe Theatre
Sat 18          Lewes – The Con Club
Tue 21         Cardiff  – St David’s Hall
Wed 22        Bristol – The Lantern, Colston Hall
Thu 23         Exeter – Exeter Phoenix
Fri 24           Falmouth – Princess Pavilion
Sat 25          Dorchester  – Dorchester Corn Exchange
Sun 26         Didcot – Cornerstone Arts Centre

Static in the Wires is the new album from blues-Americana singer-songwriter Martin Harley and bass player extraordinaire Daniel Kimbro (Jerry Douglas, Larkin Poe).

Martin Harley is a supremely talented acoustic roots and blues guitarist, singer and songwriter with a burgeoning global reputation. Static in the Wires is his seventh album and the second with Daniel. The two first met through mutual friend, Sam Lewis, at Hippie Jack’s music festival in Crawford Tennessee. After a brief backstage rehearsal the two took to the stage for an hour of largely improvised music. A few weeks later they were cutting a record at Zac Brown’s iconic Southern Ground studios. Their live shows bring aspects of blues, Americana and folk to the table; Martin playing a 100 year Weissenborn (Hawaiian acoustic lap guitar), while Daniel beats scratches and bows a double bass to create an unexpected array of textures and sounds.

Static in the Wires was tracked live at Wow & Flutter Studios in East Nashville over four days. Engineered and mixed by analogue guru Joe V. McMahan making use of every corner of the space. The drums sounded great in the kitchen and if you listen carefully you can hear the freight trains rolling past. At one point heavily armed police sealed off the area to conduct a manhunt.

Mixing elements of Santo & Johnny, JJ Cale and Taj Mahal, Static in the Wires follows 2015’s Live at Southern Ground, glowingly described by The Observer as“A spellbinding 50 minutes”.

Guests on Static in the Wires include multiple Grammy Award-winner Jerry Douglas (Ray Charles, Eric Clapton, Dolly Parton), Derek Mixon (Chris Stapleton, Sam Lewis), and Micah Hulsher (Alabama Shakes).