Tonight Bad Touch Headline The Tunnels Majestically

Tonight Bad Touch Headline The Tunnels Majestically

Tonight Bad Touch Headline The Tunnels Majestically. The third night of the first headline tour was a phenomenal success but as Stevie Westwood said, tonight is not about one band as he praised the two acts that set  The tunnels alight for the Headliners.  Opening the night local band Flowerpot and then Mollie Marriott, live music doesn’t get much better.

Tonight Bad Touch Headline The Tunnels MajesticallyFlowerpot, an all-women outfit have been gaining the momentum of attention by opening for acts visiting Bristol and headlining their own shows. This young band full of raw energy had seven numbers to showcase their own brand of grungy, punk-driven rock.  The music was not hewn from a particular vein of rock. The band had their own sound and energy that flowed from the classy drumming from Jess which defined the shape of the music that allowed Morgan on Bass pick up the rhythm and rock as her flowing and at times revolving hair orchestrated her sound. Pulling the sound together Ellie on guitar provided the melodic chords and riffs for Steph on vocals to hook onto. Up front Steph on vocals controlled the band and had the audience captured as they listened to the lyrics that had something to say as we heard about snails, loser girl and a debut of a new number Bruised.  After their raw, eclectic and blistering set, we were left not battered and bruised or trailing along at a snail’s pace but ready for the next two acts as The Tunnels filled and the temperature raised by Flowerpot.

 

Tonight Bad Touch Headline The Tunnels MajesticallyMollie Marriott with her critically acclaimed album Truth Is A Wolf was the next band. Quick change round and the band was on stage. A complete contrast to Flowerpot. The raw intensity was replaced by a softer more malleable sculptured rock. Mollie’s voiced captivated with its purity from the first note of her opening number Run With The Hounds with the organ looped in so the full sound achieved on the album can be heard live.   Tonight surrounded by her band Mollie warmed the crowded venue with her winning smile and a vocal range that captured the depth of the lyrics and topics covered.

The rhythm section was solid and the lead guitar giving Mollie the chords, melody and hooks for her vocals to soar.  Early in the set, she slipped in a new number Nobody To Love and if this is what is going to be on the follow-up album I am counting down the days. One of the highlights of the too short set was Broken, the power, emotion and passion shined from Mollie’s face through to the vocal delivery.  We all connected with the feeling of being broken after a failed relationship and hurting people close to us. In this case Mollie’s daughter and her relationship with her.   In the set was title track Truth is a  Wolf and the rockier number King Of Hearts later in the set sleazier, dirty and filled the venue with another side of multifaceted Mollie.  Vocals coloured the stage along with a band that flexed its muscles as she blended rock with jazz, blues and soul a sonic landscape full of texture and tone. Dressed in Black with White guitars and bass the monochromatic visuals contrasted with the music.  Mollie has a famous surname as the daughter of Steve. Tonight she conquered the venue, with her own name Mollie Marriott, and an act to see live. Her voice is better live than in the studio. The voice is warmer and more personal as the lyrics on the numbers take on emotional meaning. She was in total control of the stage as her final number Control finished an accomplished set and we were now in the mood for Bad Touch.

Tonight Bad Touch Headline The Tunnels MajesticallyThe excitement fizzed like a can of shaken pop as Bad Touch exploded on the stage on their first headlining appearance in Bristol. The crowd were hot for their spectacular feel-good sound captured on the album Truth Be Told. We were definitely not disappointed as they opened with Take Me Away. Yes, we were taken away on the rollercoaster of a band on fire playing the music they love to an audience that was up to be given the Bad Touch treatment from this effervescent five-piece.  The first all-male band of the evening and they knew the audience as already hot for live music so no warm-up numbers for the band they were straight in with high voltage music with a ringing sting that excited The Tunnels tonight. The set definitely elevated them to the deserved headline status one this tour with the hefty heavy/southern rock influences and bags of attitude this is a band that knows how to party. All the musicians understand their role and play to each other’s strengths. With the power of a rhythm section that lays now a depth of sound that grounds the sound as George Drewry’s drumming is timely, powerful and into this he mixes when required a subtleness, a gentle touch. Joining his rhythmic tones is Michael Bailey on bass with his hair flowing, and moving in time with the deep southern hot chords. The guitarist adds the next layer that smarts and stings cajole and weeps as Rob Glendinning takes the lead with stylish slide or plectrum lead guitar work that is simply stupendous. Daniel ‘Seeks’ Seekings adds with top-drawer rhythm guitar work filling in and drawing out the guitar. This quartet is loud and full of imposing attitude and sound. How do you top that? Easy add Stevie Westwood into the vocals as vocals frontman and the glossiest, curly mane of hair and that cheeky waxed moustache, He steps into the frontman role with a swagger, style and talent. Phenomenal!

We have the musicians on stage, full of vim and swagger now for the music. They delivered with a mix of old and new we all were touched with their majestic interpretation of Rock N’ Tonight Bad Touch Headline The Tunnels Majesticallyroll Norfolk style tonight. The set list was the perfect blending of fast, faster furious and the breather we all need. Not once did the band lose control of the sound they are so good at delivering. Stevie’s vocals perfect for the genre and the quality of the backing vocals take the sound to another level. We shared a Sweet Little Secret with the band and delighted as the guitarist played off each other both with their confident cool, arrogant swagger that fills the stage with a six-string punch.  Highlights – every number played. Those that stood out Wise Water and great to hear Down one of their earliest numbers that morphed seamlessly into Lynyrd Skynyrd’s classic Can’t You See. Down it doesn’t appear on any album must be a contender for the much anticipated follow up to Truth Be Told. A definite keeper for the forthcoming album is the new song aired tonight  I Belong that makes full use of Rob’s ace slide work.  Something Someone took the tempo down with an acoustic ballad as the Stevie and Rob duet and then the band return picking up the beat and building the energy for the last few numbers of the set. We were rocking and singing along to a perennial favourite My Mother Told Me. With one of their signature tracks Take  Your Time they ruled it as the favourites flowed with Outlaw and closing with the might The Mountain.  What a great atmosphere generated as we wanted the band to play on this was a night to remember. We had two more numbers as the encore-closing with the single from the album 99% that got them noticed by Planet Rock and others closing the night leaving us on a high. But before that, a special moment as Mollie Marriott returned to duet with Stevie and the band on Baby Get it On Tina Turner’s classic given the Westwood/Marriott treatment. What a night! Tonight Bad Touch Headline The Tunnels Majestically

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 Tonight Bad Touch Headline The Tunnels Majestically

 

 

Tonight Bad Touch Headline The Tunnels Majestically

 

 

 

Tonight Bad Touch Headline The Tunnels Majestically

 

 

 

 

 

 

 

 

 

Robert Plant Solo Album Carry Fire Music Burns Deep

Robert Plant Solo Album Carry Fire Music Burns Deep

 

Robert Plant’s Solo Album Carry Fire the music burns deep. The music has hidden depths, as layers of tonal shapes and textures interlace with the thoughtful lyrics. Carry Fire is rooted in the earth, ethereal as air, turbulent as water and hot as fire as the four elements encapsulated across the eleven tracks. Joining Plant on his eleventh solo album for the second time are The Sensational Shape Shifters. The tonal range of the album is mellow and fruitful as Plant captures a misty melancholy yearning that is often felt in autumn. The colours are rich and fiery but these soon will fade as the year turns and seasons come and go.  The soundscapes are painted that weaves through the tracks shaped by the instruments chosen as the passions wax and wane. Opening Carry Fire, with a jaunty number The May Queen we start off looking forward or back to a different season. The percussive beats hint at dance, light and merriment and surrendering as folk and rock merge at a crossroads of Plant’s own design contemporary and rooted deep in the roots of world folk traditions from North Africa and closer to home. Beguiling leaving you wanting to hear more as we Carry Fire on a journey with the lyrics of Robert Plant once more.

The use of a myriad of instruments on Carry Fire reflects the wealth of tones available to artists like Plant and Steve Hackett’s album Siren Nights earlier this year. Modern folk/roots/rock music is not just guitar led it is strengthened with the tonal complexity of instruments used across the world rooted in the earth creating a fiery musical backdrop.   The array of instruments is a reflection of the virtuosity of The Sensational Space Shifters, who are with a selection of the instruments captured on Carry Fire. They are Austin Adams (Guitars, Oud, Percussion & Tambourine) Liam “Skin” Tyson, (Guitars, Dobro, twelve string, pedal steel etc.) John Baggott, (Keyboards, Moog, t’bal, bendir, slide guitar) Dave Smith (bendir, djembe, drums) and joining them are Seth Lakeman (Viola & fiddle) and Albanian Cellist Redi Hasa.

We are on the move, a feeling of urgency with the beating of drums as Plant explores the negativity of colonialism and modern topics that are part of the political, cultural and personal landscapes with nationalism addressed in Carving Up the World Again… A Wall Not A Fence. The beat is frenetic, his voice raised in passionate anger as he spits out the words. The instruments burn and coil around the lyrics, the attention is one-hundred percent on Plant’s impassioned lyrical outpouring. Powerful music for the age.

The title track coalesces around the instruments conjuring a fire in the deep darkness of a desert encampment. Plant once again captures the mood with the depth of lyric and the power of delivery. Deeper and with a sultry edge the younger Plant voice did not deliver. Age has shaped the interpretation of lyrics and music. The traditional North African instruments a song of love and the pain we inflict on ourselves and each other full of wistfulness and hope as Robert sings “I will Carry Fire for you….”  Once again the song is rooted in tradition ground deep in the desert sands.

The tonal resonance changes with Bones Of Saints, hard-edged less fusion more rock. On the only cover on the album, Ersel Hickey’s  Bluebirds Over The Mountain, Robert Plant is joined by a Chrissie Hynde the vocals reflect the changes in vocal ranges.  The play of percussive power and violin adds to the hunger and energy in the number. Closing the album with Heaven Sent, the embers of Carry Fire are fading and the song gently leads us to the closing notes. Seasons turn and we all age. This is a testament to the longevity of Robert Plant who has delivered a beautiful reflective album. The hints of his past musical explorations can be heard as gentle echoes. They never overwhelm Carry Fire an album-defining Robert Plant in 2017.

Robert Plant – Carry Fire – Nonesuch/Warner Bros. Records

EIGHTpawprint half inchdoodle paws out of TEN …

Track Listing

  1. The May Queen
  2. New World
  3. Season’s Song
  4. Dance With You Tonight
  5. Carving Up The World Again… A Wall Not A Fence
  6. A Way With Words
  7. Carry Fire
  8. Bones Of Saints
  9. Keep It Hid
  10. Bluebirds Over Mountains
  11. Heaven Sent

Robert Plant Solo Album Carry Fire Music Burns Deep

The Bad Flowers Debut Album Starting Gun Announced

The Bad Flowers Debut Album Starting Gun Announced

The Bad Flowers Debut Album Starting Gun Announced. 

The Bad Flowers are Out of the Starting Blocks as the announce Starting Gun there debut album following on from the release of Thunder Child as a single – We love the sound over at Bluesdoodles Tower – check out what we thought HERE  and listen below.  A brilliant opening track for the anticipated album Starting Gun out 16th February 2018

Following the September release of their recent single Thunder Child, The Bad Flowers were named as one of Planet Rock Radio’s “Ones To Watch”.  Thunder Childthe first single taken from the Starting Gun, gained heavy airplay described by the station as “pure, dynamic, riff-heavy rock ‘n’ roll delivered with passion and prowess.”

 

Midlands based hard rock band, The Bad Flowers, are set to release their debut studio album Starting Gun on Friday 16th of February 2018. The album is a follow-up to 2016’s self-titled EP and shows the great progression of songwriting and musicianship of The Bad Flowers over the past two years.

To dovetail the release of the debut album, The Bad Flowers will be special guests on Stone Broken’s nationwide 12 date UK tour that starts on Thursday 22nd of February at The Haunt BrightonThe tour also includes an appearance at Planet Rock’s Winters End Festival.

More about the Tour and links to Tickets HERE

 

Order the Bad Flowers CD, T-shirt, red vinyl and drum head bundlesThe Bad Flowers Debut Album Starting Gun Announced

An exclusive pre-sale of Starting Gun will begin on November 10th 2017 via the band website HERE.This includes the limited edition signed red vinyl edition of the album, exclusive t-shirts only available for pre-orders and hand-drawn, and signed, and numbered personalised drum heads.

 

 

The Bad Flowers Debut Album Starting Gun AnnouncedThe Bad Flowers deliver rock that grabs attention. Introducing the trio that creates exciting music – Tom Leighton (Vocals & Guitar); Dale Tonks (Bass); Karl Selickis (Drums).

Tom, talking about making the  album said “There’s all out songs with monster riffs and big chorus’ down to a song with just one acoustic guitar and vocals and plenty in between, I think this album will show that we have more than one trick up our sleeve and I’m really excited for people to hear what we have made”.

 

The Bad Flowers Debut Album Starting Gun Announced

 

Joe Satriani Touring England With John Petrucci Uli Jon Roth

Joe Satriani Touring England With John Petrucci Uli Jon Roth

G3 2018
JOE SATRIANI, JOHN PETRUCCI (DREAM THEATER)
& ULI JON ROTH (FORMERLY OF SCORPIONS)

 Joe Satriani Touring England With John Petrucci Uli Jon Roth

UK TOUR STARTS TUESDAY APRIL 24th 2018

G3 2018 APRIL UK TOUR
JOE SATRIANI, JOHN PETRUCCI (DREAM THEATER) ULI JON ROTH (FORMERLY OF SCORPIONS)

24-HOUR TICKET PRE-SALE FROM 9 AM THURSDAY NOVEMBER 9th FROM PLANET ROCK HERE

TICKETS: £35 – £45
PLATINUM TICKETS: £60 (FIRST 10 ROWS)
Plus Limited Ultimate and VIP Meet & Greet Packages

Tickets on sale to the general public from 9am on Friday November 10th via www.ticketline.co.uk or from the venues direct

TICKETS – £35 – £45 / PLATINUM TICKETS – £60 (FIRST 10 ROWS) Plus Limited Ultimate and VIP Meet & Greet Packages

Joe Satriani Touring England With John Petrucci Uli Jon Roth – G3  APRIL 2018 

 

Tuesday, April 24              Southend Cliffs Pavilion 

Wednesday, April 25       London Eventim Apollo

Thursday, April 26             Bristol Colston Hall

Friday, April 27                   Manchester Apollo

Sunday, April 29                Portsmouth Guildhall

Monday, April 30              Birmingham Symphony Hall

G3 equals three guitarists!  They will each perform their own set, followed by a massive jam at the end of the show.

 www.planetrock.com

World-renowned guitar virtuoso, Joe Satriani, announces the release of his 16th solo album, What Happens Next, set for release, January 12, 2018 on Sony/Legacy Recordings.

 

Satriani’s new, instrumentally electrifying album features a power trio of legendary status; Satriani on guitar and Rock and Roll Hall of Fame inductee bassist Glenn Hughes (Deep Purple/Black Country Communion) and drummer Chad Smith (Red Hot Chili Peppers), the latter reuniting with Satriani for the first time since their work in the supergroup Chickenfoot.

Satriani is once again joined by producer/engineer/mixer Mike Fraser, his frequent collaborator over the last 20 years, on What Happens Next. Fraser is well-known for recording/mixing every AC/DC album since 1990’s The Razors Edge along with his classic works with Satriani going back to the release of Crystal Planet in 1998.

The new tracks vibrate the soul with an energy rarely found these days. From the dynamic opening track, Energy, to the majestic crunch of Thunder High on the Mountain, and the easy, sensual chords of Smooth Soul. This unparalleled rock-rhythm section gives What Happens Next a depth of groove that sets it apart from Satriani’s previous work.

Joe Satriani Touring England  With John Petrucci Uli Jon Roth

Lookout for Bluesdoodles review of the album coming soon!

Joe Satriani Touring England  With John Petrucci Uli Jon Roth

 

 

 

 

 

 

 

Who will join Stone Broken on Probably The Tour 2018

Jared James Nicholls & The Bad flowers Support Stone Broken

February & March 2018

PLANET ROCK 48-HOUR TICKET PRE-SALE STARTS WEDNESDAY 25TH OCTOBER FROM: http://bit.ly/2gCIO5V

TICKETS ON SALE TO THE GENERAL PUBLIC ON FRIDAY 27th OCTOBER FROM http://bit.ly/2y1BxEA

 

Who will join Stone Broken on Probably The Tour 2018American singer-songwriter and guitarist Jared James Nichols and British rock band The Bad Flowers are thrilled to announce that they will be supporting Stone Broken on their February/March 2018 UK Tour.  The tour starts at the Brighton Haunt on Thursday 22nd February.

Planet Rock will start an exclusive 48-hour ticket pre-sale on Wednesday 25th October.  Tickets can be purchased via http://bit.ly/2gCIO5V.  Tickets will go on general sale on Friday 27th October via MyTicket – http://bit.ly/2y1BxEA.

 

Who will join Stone Broken on Probably The Tour 2018Out Of Walsall Stone Broken have been creating a rocking stir whenever and wherever they play their rock infused good time music. The foursome are a force of raw vibrant energy. With Robyn Haycock lead from behind her drum kit. Piling on the rhythm as she joins forces with bassist Kieron Conroy. No-one can ignore vocals from Rich Moss, the lyrics will never be lost in the maelstrom of the sound they produce. Completing the quartet is guitarist Chris Davis, adding the combination of raw riffs, powerful licks and hooks for the rest of the band to build on. Stone Broken have been causing excitement because they create solid rock music that entertains. With a debut album All In Time released in 2016, fans are awaiting the follow-up. Having recently announced that they joined Spinefarm Records/Universal Music Group roster. Buy a ticket to hear the music, with a new album, Ain’t Always Easy out Spring 2018 it is going to be fresh and fantastic.

 

Who will join Stone Broken on Probably The Tour 2018The Wisconsin-born, Los Angles-based singer and guitarist, Jared James Nichols, releases his new album “Black Magic” on Friday 27th October via Listenable Records. All tracks on the new album were recorded at The Boneyard in Boston as well as Johnny Depp’s home studio in Los Angeles and produced and co-written by Tony Perry and Jared James Nichols. Over the past four years, Jared has built up a solid reputation as a stunning heavy edged blues rock act and stage beast, having shared stages with the likes of ZZ Top, Lynyrd Skynyrd, Zaak Wylde, Glenn Hughes, Walter Trout, Blue Oyster Cult, UFO and Saxon.

 

Who will join Stone Broken on Probably The Tour 2018The Bad Flowers formed from the depths of the Black Country in 2014 comprised of lead vocalist and guitarist, Tom Leighton, whose signature riffs, fuzz emotive guitar and pure vocals have a distinctive sound unlike anybody else. Bassist Dale Tonks provides a deep heavy groove and tasty bass runs that underpins Karl Selickis’ chest pumping drums and impeccable rhythmic feel. The band will release a new single “Secrets” in January to support the release of their debut album, “Starting Gun”, released on February 16th, 2018. The band just finished supporting The Picturebooks on their recent UK tour.

 

Stone Broken February/March 2018 UK Tour with Special Guests Jared James Nichols & The Bad Flowers

Brighton, The Haunt                                       Thursday 22 February
London, Islington Assembly Hall              Saturday 24 February
Manchester, Club Academy                        Sunday 25 February
Glasgow, G2                                                      Monday 26 February
Newcastle, Riverside                                     Wednesday 28 February
Nottingham, Rescue Rooms                       Thursday 01 March
Pontypridd, Muni Arts Centre                   Friday 02 March
Birmingham, O2 Institute2                          Saturday 03 March
Sheffield, Corporation                                  Sunday 04 March
Chester, Live Rooms                                      Tuesday 06 March
Bristol, The Fleece                                          Wednesday 07 March

Who will join Stone Broken on Probably The Tour 2018

 

Day Of Music Celebrating Life Cancer On The Rocks

Day Of Music Celebrating Life Cancer On The Rocks

Day Of Music Celebrating Life Cancer On The Rocks

 

 

Rick Palin of Skyfire Interactive has announced today a new event Cancer On The Rocks. The acts are varied and are mostly rock and blues. The event is close to Rick’s heart. This event is fundraising for Macmillan with the goal on the day is to raise £10,000.00 for the charity.

Background to Day Of Music Celebrating Life Cancer On The Rocks

In August Rick’s Father died of cancer, his death hit him very hard, especially the feeling of feeling so completely powerless to help him. The one constant that got me through the desperate times was the help and support given by Macmillan. They were such a support to both me and my dad and I will never forget what they did for him and in fact still are doing to help me. Having seen so many people die from cancer this year, including close family and friends, Rick is sickened to the stomach the number of people this disease is killing. Rick, made a vow to do something to help Macmillan as I thought simply writing them a £500 cheque was insufficient and a mere drop in the ocean in this horrible war. The outcome The Cancer On The Rocks. Whereon one day an 11 band spectacular taking place in Nantwich, Cheshire in January 2018.

This day is not just about raising funds for Macmillan it is about something equally special, it is about celebrating life.

 

Day Of Music Celebrating Life Cancer On The Rocks – Tickets go on sale today HERE

Every penny raised will go to Macmillan, so come along, have a fantastic day with some amazing bands and know that you are doing something important to help save lives.

 

Day Of Music Celebrating Life Cancer On The Rocks

Black Country Communion Marches In With Rock on BCCIV

Black Country Communion Marches In With Rock on BCCIV

Black Country Communion Marches In With Rock on BCCIV

 

With the album full of golden energy. A burning saffron Phoenix. The cover shouts to you listen I am a mighty album ready and waiting for your attention. When you are a reviewer sometimes you forget to write and just let the music pour out of the speaker. This is just one of those occasions. I kept listening filled with a golden rock glow but could not find the words. Now here are my humble thoughts.

Like the Roman Legions march straight and true BCCIV rock goes straight to your Rock jugular and connects. Mark Anthony may have led the IV legion – did he ever visit The Black Country… that is a History lesson! In the here and now Black Country Communion fourth studio album is firmly in the grip of the vocal might of Black Country’s son Glenn Hughes.

Opening the album with the first single Collide, it is the count in from the studio you here first. Then the Collision as guitar meets the mighty vocal tubes of Glenn. The Rhythm section gives the track power and shape provided by the keys. It is undeniably Glenn Hughes’ vocals that demand attention the rest is just the platform.

The hype of Black Country Communion being back in the studio is justified from the first to the last, not across the ten tracks. The coming together of musicians who individually shine, sometimes is a disappointment, not this time it is a communion that is holy.  The album flows as the shapes change burning brightly from hot red to amber glows. Out of the embers is the epic Joe Bonamassa number The Last Song For My Resting Place. For nearly eight minutes you are captured entwined in a warm Celtic fused magic as the album calms down, takes a breath but never loses its energy. With a lyrical story reaching back to harvest and music around the fire created by the judicious inclusion of fiddle and mandolin. It is the crying pain and glory of Bonamassa’s guitar that holds you in the grip of the music with its soul and passion pain and joy. A truly inspirational tale of the Titanic’s Violinist Wallace Hartley.  The magic as the guitar fades and the hook for mandolin and the story continues. What a number, follow that BCC. They do. Upping the tempo with sharp guitar collecting together the muscle of Classic Rock on Sway.

Now we are taken to the ocean shore for The Cove. Full of atmospheric swirls of guitar and keys as Joe guitar takes the helm. Ode to the dolphin is breathtaking. A tribute to the senseless killing of dolphins every year at The Killing Cove, Taiji, Japan.  The heartache is captured through the assured delivery of the message. Parcelled in instrumentation that reflects words and builds the emotions.

An album that has no fillers, The Crow, full of guitar the urgency picked up by the bass then Jason Bonham’s drums. The urge to move is then pulled together with the keys of Derek Sherinian, leading you into the longest track Wanderlust. Full of tempo changes, melodic as if you were walking down Abbey Road. Masterful playing and an inspired use of a Grand piano leading us into the last verse.

Tribute to Glenn Hughes’ Dad, sung for both his parents. Melodic, and leaves you in the certainty that at the end it is love that remains.  Closing out the album with When The Morning Comes. Returning home, dream-time and we are left with the glorious echoes of an album that is classic, modern, entertaining and has a message.

The legions of Classic rock are mighty. The influence and legacy of the greats can be heard echoing throughout. BCCIV rises from these ashes creating an album that heralds a new golden age of rock for now. Relevant, contemporary and magnificent.

TENpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Collide
  2. Over My Head
  3. The Last Song For My Resting Place
  4. Sway
  5. The Cove
  6. The Crow
  7. Wanderlust
  8. Love Remains
  9. Awake
  10. When Morning Comes

Black Country Communion Marches In With Rock on BCCIV

Wayward Sons Explore through Rock Our Ghosts Of Yet To Come

Wayward Sons Explore through Rock Our Ghosts Of Yet To Come

Wayward Sons Explore through Rock Our Ghosts Of Yet To Come

Debut albums are the calling card of any new band. Wayward Sons as they explore their brand of Rock on Ghosts Yet To Come deliver a gold-plated debut. If you have seen them play live you know what to expect high-octane vocal powered heavy melodic rock. If you are yet to catch the licks and riffs that define Wayward Sons welcome aboard as you explore Our Ghosts Of Yet To Come. The band vocalist needs no introduction Toby Jepson, as he flamboyantly uses his vocal prowess to curl around the guitar-driven

sound. Providing the backdrop of cascading power are guitarist Sam Wood, keys Dave Kemp and the powerhouse rhythm section of bassist Nic Wastell and Phil Martini on Drums. The band bring together an impressive collection of bands they have played and life on the rocky road of touring.

With the album named Ghosts of Yet To Come, are we looking forward into an apocalyptic landscape? No. This is an album like the ghost in Scrooge who is looking back connecting to sounds, politics and moods that have shaped the here and now. This is one-hundred percent rock n‘ roll back to the basics that have made Rock the tour de force for over sixty years in popular, crowd driving music.

Opening with Alive, Sam Wood’s mesmeric and powerful guitar catches your ear as Toby’s vocals take on the licks set down. You feel alive, well and kicking listening to Wayward Sons.  This is setting the trend of an album that is loud, determined, when needed raunchy and drenched in listenability. Ghost is the title track at the heart of the album. The bass line is deep dark reflecting the lyrics about consumerism and spending.  Summed up in phrases like “You got a First World problem we will take care of that”, “ Buy yourself a happy life with your plastic friend let them tie the noose as you spend….” I recommend listen once to let the music flow and fill your soul. Then again really listening to the lyrics this is an album with something to say.

All ten tracks add a voice and textured shape to the album. The bass is given centre stage to introduce I Don’t Wanna Go. Dirty grooves laid down thick with textured energy. Full of swagger and style this is a heavier track that you just have to agree I want to be a rock n roller and keep on listening to Wayward Sons. Killing Time, definitely the killer track of the album strong and forceful. Grinding rock that drives you on as the excitement mounts. Your inner soul ignites with the force of the power of rock.  To follow we are in a delightful Crush with Sam’s guitar taking centre stage as the inner Thin Lizzy is harnessed and let fly.

Closing out a majestic debut is Something Wrong. One thing for certain there is nothing wrong with Wayward Son’s debut album. In the studio, they unleashed the spirit of rock n roll and flew as Wayward Sons Explore through Rock Our Ghosts Of Yet To Come

What sets Ghosts Of Yet To Come ahead of many of the albums recently released is that it is an honest authentic guitar-driven rock with lyrics that have something to say. Rock n’ roll, raw genuine, inspirational and you just want to turn up the volume and listen again and again.

NINEpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Alive
  2. Until The End
  3. Ghost
  4. Don’t Wanna Go
  5. Give It Away
  6. Killing Time
  7. Crush
  8. Be Still
  9. Small Talk
  10. Something Wrong
  11. Get Loose

Wayward Sons Explore through Rock Our Ghosts Of Yet To Come

Lionize In The Studio Produces New Album Nuclear Soul

Lionize In The Studio Produces New Album Nuclear Soul

Lionize In The Studio Produces New Album Nuclear Soul

 

Lionize In The Studio Produces New Album Nuclear Soul. The Maryland rockers have captured maturity in sound; the lyrics are emotionally driven. Modern cutting rock for today as the genres are captured under the skilful direction of Clutch’s Jean Paul Gaster with J. Robbins and the band themselves. The album is an explosion of sounds and sonic shapes that hits the speakers with a blast of keys from Chris Brooks’ Hammond – what an intro. The opening track draws you into the music on their sixth album. This is classic rock bending and blending influences full of funky attitude. Darkest Timeline is a great introduction to the sound of rock for 2017 and beyond with lines including You know I’ve got American Blues”, We’re on the darkest timeline.  This theme is returned to. This is not a dark, discordant album it is one crafted with care pulling thoughts together through the medium of rock. Lionize entertains with the power of the quartet throughout Nuclear Soul.

The album flows with a passionate dexterity. What sets Nuclear Soul apart from the pack is the crafted blending into the rock beat, funk, jazz, blues at times the beat of heavy metal. This mix of influences packaged with a ribbon of grunge and sparkle of the energy of Rock n Roll labelled with lyrics that tell a story. Lyrics to reflect the times. Lionize on Nuclear Soul have captured the soul of our times. Nailed it across the eleven tracks.

The beauty, yes beauty, of Fire In Athena as they take the sound down the acoustic guitar is exquisite. Unexpected with the sound building an undercurrent of Thin Lizzie. This is a highlight only three tracks in. The band delivers energy and lyrics with a poignancy. The sound swells and fades. Nate Bergman sings fragile and alone Burning In The Streets … What was left ringing in our ears. Was a bell with a never-ending toll … then the power as we have a crescendo of sound riffy guitar from Nat, rhythmic beats from Hank’s bass & Chase’s Drums. Follow that. They do with Power Grid fast dirty greasy bluesy funk that excites.  Election Year, reflecting the time of recording the album. The phrase Don’t Trust The Government ring with a truth in your ears combined with we get what we deserve. There is a fearful driving urgency across the number as Lionize re-shape their sound and approach.

One track that perhaps doesn’t quite mesh in is aptly titled Let You Down. What it does do is showcasing Nate’s vocal versatility with its bluesy feel.  The title track is a humdinger as the quiet opening with the Brooks keys reflecting Nate’s vocals is counterintuitive to the lyrics. This is a drama of being cast into a post-apocalyptic wasteland. Reflecting the news headlines of impending disaster all around us from nuclear and environmental threats. A song for our times.

Lionize close out Nuclear Soul with a band member saying play it faster. Blindness to Danger is a fast furious up-tempo number. With the final chorus ringing in your ears. Lionize are a band on a crest of a wave of global success

Lionize throughout the album flaunt their immense collective talent. One listen and Lionize have their hooks into your ears. An album that will be played loud, with pleasure and often. A real go-to album when rock music is the order of the day.

Lionize –  Nuclear Soul – The End Records

NINEpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Darkest Timeline
  2. Face Of Mars
  3. Fire In Athena
  4. Power Grid
  5. Aint It A Shame
  6. Election Year
  7. March Of The Clones
  8. Let You Down
  9. The Mad Scientist Of Sunshine
  10. Nuclear Soul

Lionize In The Studio Produces New Album Nuclear Soul

 

Beth Hart plus Her Band Tours UK Spring 2018

Beth Hart plus Her Band Tours UK Spring 2018

If you are impatient then Beth Hart plays three solo shows late 2017.

EXCLUSIVE SOLO SHOWS IN BEAUTIFUL SETTINGSOCTOBER / NOVEMBER 2017

LEEDS TOWN HALL – 30th OCTOBER
BATH FORUM – 1st NOVEMBER
COVENTRY CATHEDRAL – 3rd NOVEMBER

24 HOUR TICKET PRE-SALE ON THURSDAY 1st JUNE
FROM www.alttickets.com/beth-hart-presale

TICKETS ON SALE FRIDAY 2nd JUNE
BOOK ONLINE: www.alttickets.com/beth-hart-tickets
www.gigantic.com

24 HOUR BOX OFFICE: 0844 871 8819

Beth Hart plus Her Band Tours UK Spring 2018

DUBLIN VICAR STREET  – TUESDAY 10th APRIL 2018
VENUE BOX OFFICE: +353 1 775 5800
BOOK ONLINE: Ticket Master or Beth Hart Website 

IPSWICH REGENT THEATRE – THURSDAY 12th APRIL 2018
VENUE BOX OFFICE: 01473 433 100
BOOK ONLINE: Alt Tickets or  Beth Hart Website 

BEXHILL DE LA WARR PAVILION – SATURDAY 14th APRIL 2018
VENUE BOX OFFICE: 01424 229 111
BOOK ONLINE: Alt Tickets or  Beth Hart Website 

NOTTINGHAM CONCERT HALL – SUNDAY 15th APRIL 2018
VENUE BOX OFFICE: 0115 989 5555
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

OXFORD NEW THEATRE – WEDNESDAY 18th APRIL 2018
VENUE BOX OFFICE: 0844 871 3020
BOOK ONLINE: Alt Tickets or  Beth Hart Website 

FOLKESTONE LEAS HALL – THURSDAY 19th APRIL 2018
VENUE BOX OFFICE: 01303 228 600
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

CARDIFF ST DAVIDS HALL – SATURDAY 21st APRIL 2018
VENUE BOX OFFICE: 0292 087 8444
BOOK ONLINE: Alt Tickets  or  Beth Hart Website  

CAMBRIDGE CORN EXCHANGE  – TUESDAY 24th APRIL 2018
VENUE BOX OFFICE: 01223 357 851
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

BLACKPOOL OPERA HOUSE – THURSDAY 26th APRIL 2018

VENUE BOX OFFICE: 01253 625 252
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

HULL CITY HALL – FRIDAY 27th APRIL 2018
VENUE BOX OFFICE: 01482 300300
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

READING HEXAGON – MONDAY 30th APRIL 2018
VENUE BOX OFFICE: 0118 960 6060
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

PORTSMOUTH GUILDHALL – TUESDAY 1st MAY 2018
VENUE BOX OFFICE: 023 9387 0200
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

SOLD OUT LONDON ROYAL ALBERT HALL SOLD OUT – FRIDAY 4th MAY 2018
PLUS SPECIAL GUEST
VENUE BOX OFFICE: 0207 589 8212
BOOK ONLINE: Alt Tickets  or Royal Albert Hall
or   Beth Hart Website 

CHELTENHAM JAZZ FESTIVAL – SATURDAY 5th MAY 2018
TICKETS GO ON SALE FRIDAY 3 NOVEMBER 
VENUE BOX OFFICE: 01242 850 270 
BOOK ONLINE: Cheltenham Jazz Festival or   Beth Hart Website 

Beth Hart plus Her Band Tours UK Spring 2018

Beth Hart plus Her Band Tours UK Spring 2018

Bluesdoodles Reviews Live Shows and Recorded Music:

Read about her live show at Colston Hall, Bristol HERE

Fire On The Floor Review – Bluesdoodles Album of 2016 Read Why HERE

Beth Hart plus Her Band Tours UK Spring 2018