Divine and Dirty talking with Kris Barras About Guitars and Albums

In 2016 Kris Barras released “Lucky 13”. The album was titled as such as it was his 13th year as a professional musician and a “now or never” moment.

That moment led to a first European tour, playing a crowd-drawing set at Ramblin Man Fair and a headline slot at the world’s largest indoor arena blues festival in RAWA Blues Poland the following year. Strutting into December 2017, Kris signed with Mascot Label Group amidst all sorts of conspiracy theories; including one of a suspected terror incident in London upon his first visit to their UK office. The Kris Barras Band new album “The Divine and Dirty” is due for release March 23.

Being an ex-professional Mixed Martial Arts fighter, Kris Barras will take a punch, endure and toy with it after. He’ll then fire it back at you when you least expect it…

The Divine and Dirty” comes out March 23 in the UK, are folk about to hear two sides of the Kris Barras Band?
Possibly, but we’ll get into that later…It was kind of based on the fact that there’s the dirty, slidey, rockier elements that’s contrasted by the gospel side on the album which brings a balance to it. I felt it summed up the album with the riffs and songs I had written and bringing in the ace backing vocalists really added to it, there’s different sides to everyone and the title came about later on whilst writing.

It’s a great collection of songs that’s going to have a wide appeal to blues rock fans everywhere, what was going through your mind whilst writing?
I started writing for it about 18 months ago and songs like “Hail Mary” and “Propane” have been in our live set for at least a year. I wrote the album quite gradually really, rather than at the end of the process going “Right, I’ve got 30 songs, which ones am I going to do?”. I was sifting through them as I was writing them, throwing out what didn’t work or feel right for where I wanted the album to go and sound. I’d write a song, leave it for a bit, come back to it and if it wasn’t sticking with me, I’d chuck it on the pile aside, perhaps for another time.

Did you draw from moments in your life for the songs such as “Kick Me Down” and “Lovers or Losers” and were there any specific messages you wanted to throw out there?
Some of the songs, you know they’re just stories to tell, are not necessarily things that have happened to me but there are a fair few autobiographical tunes in there and people can figure that out for themselves. It’s quite a nice release to be able to write about things that have happened, people, places etc but they’re not always about me even if they’re sung in the first person. I think anyone who plays music enjoys that release and to let people find something for themselves in a song.

You recorded your last album “Lucky 13” in your own studio, but this time round you’ve had a change of guard…
Yeah, I and the keyboard player Matt recorded, engineered, produced, mixed, the lot on “Lucky 13” which was really well received and led on to a really great year for me. With this album, I really wanted to work with a dedicated producer, a guy that was going to tell me what to do so I could just concentrate on the playing and singing. We recorded it at Momentum Studios in Plymouth UK with Josiah J Manning producing. Josiah was a guy I knew of from a gig and I knew a lot of bands that had recorded with him and I really liked the sound of their albums. We got together, had a chat and it went from there. During the recording, my band line up changed as we recorded the album in two halves. When I started it I was self-financed so could only afford to get 4 tracks down with Huw Weston on the keys and Ricky Mitchell on bass. As the band’s developed over time, signing with Mascot Label Group and commitments getting bigger and bigger by the weeks they’ve had to drop out due to work and family commitments. As a result, Josiah has joined the band as permanent keyboard and organ player which is really exciting and his playing is on the album.

When it comes to your guitar playing, do you find it difficult from trying to get as much guitar on the album as a player or do you consider yourself to be more of a songwriter/guitarist?
I don’t really like placing a label on it, to be honest so I’ve not put much thought into which one I am! Hahaha! You know, I just write songs that I want to write and some songs on the album have lent themselves more to the vocal and melody and others are clearly balls out guitar tunes…I don’t sit down and decide what I’m going to write or play it’s really just what comes out at the time. I like to think that I’m not just writing songs where the verse and chorus is just passing time to get to the guitar solo, my songs have more substance to them than that. I really put a lot of effort into creating these songs, with all the songs I’ve written and I hope that people enjoy them and get something out of them for themselves. I think that’s already been reflected in the airplay from Planet Rock with “Hail Mary”.

You mentioned guitar solos, and you knew I was going to ask anyway, what’s your approach to them as there’s a bunch of “less is more” moments (which I think are going to surprise some listeners) on this album…
It varied from song to song how I approached them. To be honest, and don’t tell anyone, I’m not very good at writing solos or playing the same thing twice! Hahaa! I never have been – I’ve always been about improvising. I’ve had to work really hard re-learning some of the solos from my songs to actually play them on this coming tour as some of them are memorable to the audience so I need to give them the actual thing rather than widdling with new ideas all the time!

Everything’s off the cuff when you record then?
For some of them I do have a rough structure, some themes or ideas I want to include so I’ll bang a few takes out and we’ll pick the best one. On some of the solos on “The Divine and Dirty” there was no preparation at all – I was just gonna play whatever I was going to there and then.

…all in one take then, none of the cutting and pasting nonsense?
Well if there was I wasn’t aware of it! Maybe Josiah did that after I left, you’ll have to ask him mate! Nah, not really, all solid, one take, it’s the only way. I know some of your readers like their gear so here we go: most of the album I played my Fender Custom Shop Telecaster that we talked about before, the one I took a punt on eBay for and really liked it. A few tracks had a couple of overdubs with my Strat, but the Tele always sounded best. Amps wise my Laney Lionheart which is a beast of an amp with a 2 12 cab was the main one. For 4 tracks I recorded first prior to my Laney endorsement, I used my Roberts 50W all valve combo amp and that amps still a bit of a mystery if anyone knows who built it?

The first round bell of your Divine and Dirty tour rings out Tuesday March 20 at Thousand Island in London –  are people in for it, but in the nicest possible way?
Definitely! We’ve been rehearsing so much and really putting a lot of effort into making the best show that we possibly can. It’s not just about having new songs to play and a new set, but really making a show in the way that songs run from one into the other. It’s really polished, yet raw and we’re really looking forward to getting out there and hitting people with it at Thousand Island and debuting songs from “The Divine and Dirty” for the first time. The other dates of the tour are going to be great also; one venue in Sittingbourne has been upgraded to a larger venue in UKP Leisure as the original venue sold out and Tavistock Wharf is a few tickets shy of selling out…

With your full band on the tour, there’s going to be a bit of a difference when you’re opening for Beth Hart on her UK tour shortly afterwards…
Yes, we’re doing an acoustic trio for that and it’s gonna be great to be out on tour with such a cool and powerful singer in Beth, who’s a label friend. Again, for that we’ve come up with a really cool set with some different takes on the songs which people will love and I’m really pleased with how it’s turned out. The audience will see a different side of me on that tour and not just the guitar player some may think I am.

In your MMA fighting days, you stepped into the ring with a whole heap of characters and went toe to toe. Not that music is a competition and shouldn’t be, but if you were to step into the guitar face off ring with anyone living who would that be?
Bloody hell…that’s a good one…give me a minute. It would have to be Joe Bonamassa. He’s the biggest name in my genre and there’d be no competition as you say – it’d be great for a laugh! Joe’s been a big influence on me in the past recent years and is a really nice bloke so that would be awesome to have that shot.

…and a guitarist who has passed on?
C’mon now, you know it’s Gary Moore! That guy played with such balls and passion – it’d of been great to share a stage with him and feel that passion and intensity up close.


The Divine And Dirty out 23rd March 2018 on Mascot Label Group


Bluesdoodles review – “The Divine And Dirty is a very good album. He is an excellent guitarist and with so many hooks and bristling solos, the album has drive, intensity and passion”. Read what else we said HERE


Divine and Dirty talking with Kris Barras About Guitars and Albums


Women in Music – International Women’s Day

This is a place for all women involved in Music who celebrate their art through Blues, Americana, Roots and Rock music the focus of Bluesdoodles. Welcome aboard and join the day women’s voices were heard louder with confidence. Email your story to liz@bluesdoodles.com and get involved with Bluesdoodles Women in Music. Today and every day.

Today is International Women’s Day and thought how male-dominated Bluesdoodles the ration is dismal not deliberately but how music is promoted perhaps or internal and unrecognized biases.

As a woman and blogger of music, it dawned on me that this needed to be rectified not for one day but every day. So to celebrate International Women’s Day 2018 a new page is being launched Women In Music.

The Women In Music Zone is a place for women involved in the music business, singers, musicians and as importantly women involved across the industry. Photographers, Sound & Lighting Engineers, Producers, Promoters, bloggers etc.

This is a place for all women involved in Music who celebrate their art through Blues, Americana, Roots and Rock music the focus of Bluesdoodles.

Welcome aboard and join the day women’s voices were heard louder with confidence.

Email your story to liz@bluesdoodles.com and get involved with Bluesdoodles Women in Music. Today and every day.


You can find the fledgeling Women in Music Page HERE

Made My Peace With You New Album from Paul Dunbar

Made My Peace With You New Album from Paul Dunbar

Made My Peace With You New Album from Paul Dunbar & The Black Winter Band arriving was a reason to be excited at Bluesdoodles HQ, having first heard the gloriously distinctive vocals of Paul Dunbar performing with his previous band The Midnight Ramble at Blues on The Farm 2014. Now back as Paul Dunbar & The Black Winter Band, yes, new band, new album but same instantly recognisable vocals. Opening Made My Peace with Losing Game dripping in soulful and melodic music that pours out of the speaker. The timing and shaping of the chords are sublime when your ears are not being entertained by Dunbar’s vocals. What makes the vocals stand out as you listen to the album? There is a myriad of reasons the power, emotion and the integrity in the way the lyrics are delivered always with clarity and sensitivity to the bands playing. Then there is the grittiness and rawer edge that ensure the album is not just saccharin but full of sharp spiciness as well.

The title track opens with a crescendo of sound from the band. You know what is to come as the lyrics are shaped and given vocal heat by Dunbar. Who does he sound like? What are the bands influences? Dunbar sounds like himself a skilful mix of crooners meets bluesman via soul of Motown. The band The Black Winter is the perfect vehicle of delightful tones and textures that joins the dots with skilful interplay before Paul Dunbar’s voice rejoins the musical jamboree throughout the album.
Joining Paul on vocals and guitars are the Black Winter sound of Liam Atkinson on guitars, bassist Chris Pearce and, completing the album rhythm, drummer Phil Stevens. The band members also add voices as backing vocals they are the complete package.
Ten Tracks, nine originals and one from his previous incarnation, The Midnight Ramble, Ballad of Four Eyes. His voice screeches in tune capturing Joe Cocker vibes and bluesmen and ballads of the past.
Three tracks in and you are emotionally engaged. Inner Springsteen an acknowledged influence is captured in the rockier Friends. The tone is huskier, the guitar tone has an edge and the rhythm deep as it grows hewn from the original riff. This is an example of Dunbar’s raw talent, playing music with friends. Then roots of air, earth, sky and Raging Sea with rootsy tones rooted in the music of folks. This number is darker, deeper, moodier capturing the heart of musicians that keep giving music that clicks onto your musical DNA radar.
Closing out the album of ten tracks with Who’s Gonna Love You; the title asks a question and the listeners of music full of rocky soul and lovers of music are gonna love your sound. As you mix and meld rocking, the soulful rootsy mayhem of delights. Melodies hit the harmonies creating an energy that leaves you wanting more.

NINEpawprint half inchdoodle paws out of TEN …

  1. The Losing Game
  2. Made My Peace With You
  3. Ballad of Four Eyes
  4. Barely Holding On
  5. Set Free To Emotion
  6. Friends
  7. Earth Sky Or The Raging Sea
  8. Contort Yourself
  9. Hands Down
  10. Who’s Gunna Love You

Before booking your ticket listen to the fabulous single from the album Barely Holding On

Made My Peace With You New Album from Paul Dunbar

Rockin The Blues From Mascot Label Group

Rockin The Blues From Mascot Label Group

Rockin The Blues From Mascot Label Group

The album does exactly what it says in the title. Nothing cryptic in the packaging Mascot Label Group have on this compilation album pulled together a selection of fine purveyors of blues that rocks.

Fourteen tracks that Wow you from the first note to the last. This is a sampler that you want to return to. Each track is a perfect reason to buy the complete album to add to your rocking blues treasures. The album is a rich seam hewed out of the vaults at Mascot Label Group. The names are a mix of established stars and up and coming players and then the addition of special guests bring their own brilliance to the music.

Opening with Kenny Wayne Shepherd, Diamonds and Gold the quality if the album is set down. Bluesdoodles has reviewed all the albums that the songs have been selected from. We then hear from young guitar slinger who is stepping on the Midnight Highway, Quinn Sullivan delivers traditional with a youthful verve a sound that is full of potential as it grows and develops. Whereas, Eric Gales is now back in the Middle of The Road and reacquainting his fans with his blues that are deep with soulful rhythm. Been So Long with its curling guitar and lyrics of regrets this is a blues number full of feeling as experiences are considered.

We’re All In This Together is a celebration of guitar that hits the sweet spot as Joe Bonamassa joins Walter Trout. A classy number that drives the rhythm and the vocals hit home as Joe and Walter trade words. This is a classic. Now for a shot of feminine power and mystery as Beth Hart sings Love is A Lie. The number drags you across the floor and fills your belly with fire. Beth’s voice is sultry, inviting and full of majesty with its dark undercurrents.

Dust & Bones is the title selected to highlight Gary Hoey. There is nothing dusty and the guitar and vocals put layers of delicious musical flesh on the bones of the rocking rhythm captured by the band. You are so fortunate if this is the first introduction to Lance Lopez. Mr Lucky is full of strength. To play and sing like this has nothing to do with luck. It is about talent, practice and honing your skills so that I sounds like playing with this verve is as easy as one –two –three… Lopez achieves that and more on this excellent track.

Now People Say – blues is all the same. Rock just spices it up a bit. How wrong are they? Now we have SIMO from Rise & Shine album. This is exceptional music, experimental exciting and taking us in a new direction that you definitely want to dip your musical ears in. How do you follow that! Bring it down sooth the soul with Wade Waist Deep from Thomas Wynn And The Believers. Olivia, Thomas’s sister adds a purity shaping the harmonies giving the compilation another deep dimension. This is the title track from the album with hypnotic drums and guitar that weeps full of tonal texture a country is woven into rockin blues.

Now we turn the corner and take a different west coast sun-soaked approach L.O.V.E. from Californisoul makes you smile as blues goes supersonic. This is the track from the album that captures the essence of the Supersonic Blues Machine. Now Stronger Together from Jonny Lang’s Signs album signals that we are back on the main highway of guitar/vocal led Rockin Blues. The album is taking us up the highways and byways of modern Blues/Rock. May not always be for the purist but that sounds for me have a freshness and the artists have an inner zeal to play music that they connect to.

With Sonny Landreth Live at Lafayette, we leave the studio and capture Blues Attack in a club. Zydeco pours from the speakers and your feet immediately tap you want to get up clap your hands and dance with Landreth. Blues-tinged with Louisiana spice and it is definitely attacking your senses for all the right reasons. Now the sound deepens with a track from Black Stone Cherry –  Black to Blue EP where they explore six covers one of which is Champagne & Reefer. The band are exploring their roots and they stomp out this classic from Muddy Waters. This is a faster louder more raucous version that gets you loving the classics again.

The closing number, the title track of Ronnie Baker Brooks latest album brings in another dimension as he captures Memphis influenced stinging blues guitar with an ultra-modern hip-hop from guest Al Kapone. Proving that Rockin’ The Blues is not trapped in heritage, theme park mode as you listen to this and the other thirteen tracks this is contemporary music. Lyrics with something to say about today. This is music that moves you.

Yet, the album does have a place in my collection. Having listened to the album not once or twice but often, it has become what do I fancy listening too? I know Rockin’ The Blues will entertain, provide variation and above all every number is a winner in its own right. We have title tracks, favourite tracks, those moments that capture the essence of a guitarist or singer moved and shaped by the blues.

Sometimes, compilation albums let you own. They do not have a sense of purpose. Rockin’ The Blues purpose is simple. A collection of tracks that mixes the breadth and depth of blues that rocks.

NINEpawprint half inchdoodle paws out of TEN …

Various – Rockin The Blues – Mascot Label Group

Track Listing

  1. Diamonds & Gold – Kenny Wayne Shepherd (Lay It On Down)
  2. Midnight Highway – Quinn Sullivan (Midnight Highway)
  3. Been So Long – Eric Gales (Middle of The Road)
  4. We’re All In This Together – Walter Trout (Feat. Joe Bonamassa) (We’re All In This Together)
  5. Love Is A Lie – Beth Hart (Fire on the Floor)
  6. Dust & Bones – Gary Hoey  (Dust & Bones)
  7. Mr Lucky – Lance Lopez (Tell The Truth)
  8. People Say – SIMO (Rise & Shine)
  9. Wade Waist Deep – Thomas Wynn And The Believers  (Wade Waist Deep)
  10. L.O.V.E. – Supersonic Blues Machine (Californisoul)
  11. Stranger Together- Jonny Lang (Signs)
  12. Blues Attack (Live) – Sonny Landreth (Live in Lafayette)
  13. Champagne & Reefer – Black Stone Cherry (Black To Blue)
  14. Times Have Changed – Ronnie Baker Brooks (Feat. Al Kapone) (Times Have Changed)

The Mascot Label Group is home to some of the worlds’ finest modern Blues artists and the Label are thrilled to announce their first Rockin’ The Blues 2018 Tour featuring the exceptional talents of Eric Gales, Quinn Sullivan and Gary Hoey for a triple guitar hero extravaganza.

The tour will be calling through Germany, The Netherlands and the UK and will see each artist headline on the revolving line up with them all coming together for a final jam. It will also give the audience the chance to get up close and personal to meet the artists, to get their personal items signed, and also take part in a guitar clinic where fans will get the opportunity to ask the artists for tips, techniques and what makes them tick.





Fiftieth Anniversary Ten Years After 1967-1974

Fiftieth Anniversary Ten Years After 1967-1974

Fiftieth Anniversary Ten Years After 1967-1974

The golden age of Ten Years After celebrated by Chrysalis Records as they release a 50th Anniversary 10 CD Box set. The first nine albums from Ten Years After 1967-74 and a CD of previously unreleased material. Bluesdoodles review sampler is a pick n’ mix of ten tracks. A taster, sampler to relish the full anniversary box Set. This is an opportunity to dip into albums that bring back so many memories from 1967 mono self-titled album through to Positive Vibrations 1974 release.  This is a test as the tracks are not in chronological order but fit together as a musical journey of a band that captures the feel of the time.

Opening the sampler we go back to 1971 and A Space in Time album with I’d Love To Change The World. The pure unadulterated joy to hear Ten Years After again with their infectious and beguiling mix of Ric Lee’s drumming and Alvin Lee soaring above with guitar playing that takes your breath away.  Into the heady mix add Chick Churchill’s keys and the grooved bass lines from Leo Lyons. Yes, we want to change the world back to then the music was fresh, new and exciting. Changing perceptions of how the guitar and rock should sound. This was a heady time for popular music and should be celebrated with a box set that captures the moment forever.

Ten Years After moved from mono recording on the self-titled album of 1967 with I Can’t Keep From Crying Sometimes. Then we had stereo as we updated our record players the sound was joyous. We take so much for granted today with instant music wherever we go. The unadulterated pleasure of coming home with a treasured album and putting it onto your deck and hearing the album for the first time. This feeling of wonderment is rekindled in the sampler and will be a wheelbarrow of memories with ten CD’s to enjoy. Sit back relax and listen from the first track to the last as the band intended you to hear their music.

This is music that was changing our thoughts it was experimental, pioneering taking us deep into the wonders of guitar-led music. The lyrics had power and the melodies weaved in and out of our lives.  For a few short tears 1967 – 1974 Ten Years After were conquering audiences wherever they played. Their albums and creativity was raw and ground-breaking it was a musically fertile period that has never been bettered.

Every track is a gem on the sampler and re-kindled the joy in listening to Ten Years After 1967-1974. Really did it all start fifty years ago! The closing track of the sampler I’m Going Home from the Undead album opening with a stinging Alvin Lee solo feels just like I’m Going Home to the music of my youth the energy is powerful. Ten Years After a quartet that captured the musical hearts of a generation, forming our musical tastes as part of the British blues boom.

The cuckoo in the pack is the superb I Hear You Calling My Name from The Cap Ferret Sessions in 1972 that were not mixed until 1972 this is a hidden gem in the musical box of delights that is Ten Years After.

“This box set, limited to 1,500 copies worldwide, contains LPs which have been remastered from the original 1/4″ production master tapes along with the bonus disc entitled “The Cap Ferrat Sessions”, which consists of never heard before recordings from 1972, newly mixed by acclaimed record producer Chris Kimsey. The package has a luxury hardback format with slipcase and an accompanying book which includes newly commissioned in-depth 10,000 word sleeve notes written by legendary Melody Maker journalist and early champion of the band, Chris Welch, charting the band’s progress from their early beginnings in Nottingham, through iconic appearances at the Woodstock and the Isle of Wight festivals, right up to their eventual split in 1974. There are extensive interviews with the remaining band members plus members of Alvin Lee’s family, and additional recording notes by Chris Kimsey.”

Ten Years After – The Albums 1967 – 1974 is definitely one for avid collectors and fans of the band, the legendary Cap Ferrat sessions will have a special appeal and will be an essential addition to their collection.

NINEpawprint half inchdoodle paws out of TEN …

Track Listing

  1. I’d Love To Change (The World A Space In Time 1971)
  2. Hear Me Calling (Stonedhenge 1969)
  3. Love Like A Man (Cricklewood Green 1970)
  4. I Hear You Calling My Name (The Cap Ferret Sessions 1972 [mixed 2017])
  5. Tomorrow I’ll Be Out of Town (Rock & Music To The World 1972)
  6. Nowhere To Run (Positive Vibrations 1974)
  7. Good Morning Little Schoolgirl (Ssssh 1969)
  8. I Say Yeah (Watt 1970)
  9. I Can’t Keep From Crying Sometimes (Ten Years After Mono 1967)
  10. I’m Going (Undead 1968)


Ten Years After Celebrating 50th Anniversary
With 10 CD Box Set


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Fiftieth Anniversary Ten Years After 1967-1974

Never In Exile Full Of Grace King King Back Touring

Never In Exile Full Of Grace King King Back Touring

Never In Exile Full Of Grace King King Back Touring


BOOK ONLINE: Tour Tickets

Huntington Hall, Worcester
Saturday 14th April 2018

Book Online: www.worcesterlive.co.uk/events
24 Chapel Walk, Worcester WR1 3LD

HRH Blues, Sheffield
Sunday 15th April 2018

Book Online: www.hrhblues.com/tickets
Facebook / Twitter
O2 Academy Sheffield, 37-43 Arundel Gate, Sheffield S1 2PN

The Lemon Tree, Aberdeen
Friday 20th April 2018

Book Online: www.aberdeenperformingarts.com/events 
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5 West North Street, Aberdeen, AB24 5AT


Darvel Town Hall, Darvel
Saturday 21st April 2018

Book Online: www.darvelmusiccompany.com/shop 
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10-12 West Main Street, Darvel, East Ayrshire KA17 0AQ

St. Mary in The Castle, Hastings
Thursday 3rd May 2018

Tickets: 01323 841414
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7 Pelham Crescent, Hastings, East Sussex, TN34 3AF
http://spyboy.co.uk/ / http://stmaryinthecastle.co.uk/

Muni Arts Centre, Pontypridd
Friday 4th May 2018

Book Online: www.seetickets.com 
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Municipal Buildings, Gelliwastad Rd, Pontypridd CF37 2DP

The 1865, Southampton
Saturday 5th May 2018

Book Online: www.seetickets.com 
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Brunswick Square, Southampton, SO14 3AR

Epstein Theatre, Liverpool
Thursday 10th May 2018

Book Online: www.epsteinliverpool.co.uk/events 
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Hanover House, 85 Hanover Street, Liverpool, L1 3DZ

Playhouse, Whitley Bay
Friday 11th May 2018

Book Online: www.thegigcartel.com
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Marine Ave, Whitley Bay NE26 1LZ

The Grand, Clitheroe
Saturday 12th May 2018

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18 York St, Clitheroe BB7 2DL

The Live Rooms, Chester
Thursday 17th May 2018

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1 Station Rd, Chester CH1 3DR

Brudenell Social Club, Leeds
Friday 18th May 2018

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33 Queen’s Rd, Leeds LS6 1NY

The Picturedome, Holmfirth
Saturday 19th May 2018

Book Online: www.thegigcartel.com
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Market Walk, Holmfirth HD9 7DA

Cheese & Grain, Frome
Saturday 26th May 2018

Book Online: https://cheeseandgrain.ticketsolve.com 
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Market Yd, Justice Ln, Frome BA11 1BE

Phoenix Arts Centre, Exeter
Sunday 27th May 2018

Book Online:www.exeterphoenix.org.uk/events 
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Gandy St, Exeter EX4 3LS

Robin 2, Bilston
Thursday 31st May 2018

Book Online: www.thegigcartel.com 
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20-28 Mount Pleasant, Bilston WV14 7LJ

The Apex, Bury St Edmunds
Friday 1st June 2018

Book Online: www.thegigcartel.com 
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1 Charter Square, Bury Saint Edmunds IP33 3FD

Rock & Blues Festival, Newport
Saturday 2nd June 2018

Book Online: www.newportbluesfestival.co.uk/tickets 
The Neon, Clarence Place, NP19 0 Newport, Wales

King King released their fourth studio album “Exile & Grace” in October 2017 via Manhaton Records. The album features the band’s singles (She Don’t) Gimme No Lovin’ and Long Time Running which have been big hits on Planet Rock radio in the UK.

Hot on the heels of King King’s January 2018 UK tour – including their biggest London show at the Shepherd’s Bush Empire to date – Britain’s No. 1 rock blues band announce their April – June 2018 UK Tour including shows at HRH Blues in Sheffield and the Rock & Blues Festival in Newport.


Special Guest Steve Hill is an act not to be missed –  When it comes to one-man bands, guitarist and singer extraordinaire Steve Hill has no limits. The truest definition of a one-Never In Exile Full Of Grace King King Back Touringman band; Hill performs standing up while singing and playing guitar, his feet playing bass drum, snare drum, hi-hats and with a drumstick fused to the head of his trusty guitar, any other percussion within reach. An overnight sensation 20 years in the making, Steve Hill is an ambitious and raucous force to be reckoned with.

Throughout his career, Hill has shared the stage with many of his musical heroes including Ray Charles, BB King, ZZ Top, Jimmie Vaughan, Hubert Sumlin, Jeff Beck and many others. Over the course of nine albums, he’s explored everything from hard rock, country, and stoner rock to folk music while always incorporating the essence of his first love, the blues.


Never In Exile Full Of Grace King King Back Touring


Bluesdoodles said, ” The music has the solidity of granite rock and definitely a new cadence to the vocals from our kilt-wearing Alan Nimmo.” Read the rest Exile & Grace Review




Never In Exile Full Of Grace King King Back TouringWith Four nominations for 2018 inaugural FORM, UKBlues Awards 2018 Exile & Grace is following in the footsteps of 2015’s multi-award winning “Reaching For The Light.”

King King nominated Categories are:-

  • Male Blues Vocalist
  • Blues Band of The Year
  • Blues Album of The Year
  • Blues Song Writer of The Year

Register to vote NOW! Voting Open 1st – 28th February

REMEMBER The Rules: UKBlues Federations states – Whilst it is appreciated that voters may not wish to vote in every category, voters are requested to cast votes in as many categories as possible. To avoid the possibility of the voting being ‘hijacked’ or unduly biased, the UKBlues Federation reserves the right to disallow votes from voters who have not voted in at least six of the nine main categories (1 to 9 inclusive).


Never In Exile Full Of Grace King King Back Touring
copyright Laurence Harvey



Dan Patlansky Guitar and Vocals asks if Perfection Kills


Raw, authentic hot guitar like molten fire pouring around the mould created by lyrics that captivate. No-one needs to seek perfection under the aural hug of Dan Patlansky’s latest album Perfection Kills. Following on from a pair of critically acclaimed albums Dear Silence Thieves & Introvertigo; Dan needs no introduction. We have come to expect a guitar sound that stings and vocals that are a beguiling mix of melodic rock and deep down dirty as the vocals are spat out or become a melodic ballad. Then there is the third element, those deep dark slow blues that melt the Strat’s six-strings. If Perfection Kills as Dan suggests I say throw away the quest sit back and let the latest album wash away the day’s demands with the tracks that will delight from the first to the last note.

The opening phrasing of Johnny is gently melodic building with a crescendo that announces the mighty guitar of Dan Patlansky in the room. Followed by our first hit of vocals spat out by Dan’s distinctive vocalization, gruff, clear and melodic always in total control. Dan controls the number by stunning licks and vocals that just demand your attention. The first thing you notice is the warmth of tone it has a texture and tone that is vibrant, organic and a living being that Dan has shaped through his production of the album. Halfway through Johnny, the guitar is sharp stinging with Satriani inspired imploring as the six strings are made to sing with a melodic purity. Johnny’s challenging upbringing comes to the fore as the guitar tone and lyrical intensity ebbs and flows. Johnny has controlled volatility, summing up Dan’s amazing approach to Blues-Rock.

Like the last two albums, there is no title track, but a loose thematic flowing through the structure of the album. The theme being explored is our perpetual goal of finding perfection, in relationships, the work we do, and how we project ourselves through social media. As Dan says, Perfection Kills. The relentless pursuit of perfection always just around the next corner is slowly destroying the artistry within us all as humans. Captured in Never Long Enough; how time is catching up with us and the next departure is always too soon.

Slowing the tempo down with slow melodic blues. Mayday with the vocals softer, yearning drenched in a feeling of regret.  We are on a whirligig of daily demands as the refrain of the title over and over. Building the tension, the rush, and then the guitar cools the frenzy down. Focusing on the important things in life love, anger and frustration spills over into the guitar on Too Far Gone. A despairing wildness in the delivery of the vocals.  The question being asked can we turn the clock back and be more caring about the environment and can mankind be kinder, fairer and less stupid. The lead breaks have glimmers of hope with a cascade of notes combine with a harder edge questioning if we have any hope of taking this positive view.  Once again guitar and vocals add tonal layering to the lyrics adding more this is music to be heard, enjoyed and listened to. Not analysis for perfection but gaining a clear understanding of the question the album asks from the album cover to the last notes of Dog Day.

On Introvertigo, there was Queen Puree to his daughter. Now we have a song for My Dear Boy – his son and allows him to imagine with freedom and a sense of positivity as he imagines the life of his dear boy. The lyrics sit on top of stinging guitar coloured electric blue as the strat delivers the notes that make this outpouring of love and hopefulness into a melodic song that will leave live audiences demanding more.

Unusually the first single from the album is the final track and Dog Day hard-edged rocking your socks off with its booming bass line and once again Dan is challenging the stress we create that is, in reality, a first world problem. Self-absorbing, making us run faster-seeking something that cannot be defined. Yes as Dan Patlansky says Perfection Kills defining the sound and approach on his latest album. Dan may say Perfection Kills – one thing for certain very track is a Killer and who cares about perfection? We love the tone, texture, feel and organic energy captured by voice and guitar that define Dan Patlansky on every track he plays. Blues that definitely rocks perfection of its pedestal.

Dan Patlansky Guitar and Vocals asks if Perfection Kills

TENpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Johnny
  2. Never Long Enough
  3. Mayday
  4. Too Far Gone
  5. Judge a Man
  6. Junket Man
  7. Eyes
  8. Shake The Cage
  9. My Dear Boy
  10. Dog Day

Dan Patlansky chatted to Liz about making the album, the repair on Old Red and more check out what was said:-

Perfection Kills as We Talk to Dan Patlansky



Dan Patlansky Guitar and Vocals asks if Perfection Kills

Cameo of Rob Tognoni live Performance Centre Stage Skegness 2018

Cameo of Rob Tognoni live Performance Centre Stage Skegness 2018Cameo of Rob Tognoni live Performance Centre Stage Skegness 2018

Marmite of the blues from Tasmania via Germany Rob Tognoni gave the devils music a rocking workout across the Centre Stage. On Centre Stage heard and loved the range of blues of every hue across the weekend.

Joining Rob Tognoni on stage for the ultimate power trio a rhythm section that allows his trusty guitar to deliver.  A sound full of energy and tonal magic. The guitar may be travel-worn, battered and bruised the sound is addictive as he pulls you into the party-time rock n’ roll sound via influences from Rory Gallagher woven deep into the sound.  Rob, is no clone of Rory other influence pulled from playing Blues-rock live, loud and with vigour caught by your ear as a fleeting moment a soupçon of Hendrix, and curl of AC/DC and a huge dollop of his own effervescent style. Today has he hit the stage he was on sparkling good form in his shirt red, shiny and bright reflecting is wild personality.

His guitar is like a third limb connected with an invisible chord that electrifies his whole performance. He is the ultimate show-off with a set that delights and Dark Angel blow you away, allowing the trio of Rob, Mike Hellier drumming and bassist Gaz Rackman interact with each other with an explosive sound on a Sunday afternoon in Skegness.

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Read overview of the Great Rock and Blues Weekend over at Bluesdoodles


Cameo of Rob Tognoni live Performance Centre Stage Skegness 2018


Live Music Delights Skegness Crowds Rock and Blues Festival 2018

Live Music Delights Skegness Crowds Rock and Blues Festival 2018

Live Music Delights Skegness Crowds At Rock and Blues Festival 2018

Every January there is a migration of blues and rock fans they all have one destination on the sat nav Skegness, Butlins for three days and nights of music, fun and meeting friends. This year the anticipation was higher than ever since the line-up was the best in years. Yes, we would have liked some more rock but the quality was there across the four stages that fill your ears with music that you talk about all year. The Introducing stage does just that you find new bands and the main stages put on the shows that fill your heart with musical gladness. Then there is Jaks that special bar that plays on into the early hours of the next day, memories are made and are recounted do you remember this set and that and will the magic of Larry Miller’s set be repeated this year? The rumours about Jaks permeated the weekend the only dark spot on the horizon, being knocked down, not being replaced and every variant in between. The common cry was we need a venue with a smaller stage, creating an intimate atmosphere and playing live music long into the night. Now for what made this year very special to bring smiles to people faces.

Live Music Delights Skegness Crowds At Rock and Blues Festival 2018 –


Live Music Delights Skegness Crowds Rock and Blues Festival 2018

Live Music Delights Skegness Crowds Rock and Blues Festival 2018The Introduction stage is now an integral part of the Skeggy narrative in January. Twelve bands play over the weekend attracting enthusiastic crowds. The success of the concept of the winning bands appearing on one of the main stages the following year has proved a winning formula they all step up and perform to the audience’s delight. This year the bands raised the bar with each night a difficult choice as to who to award the blue discs that get counted and decide the fate of three bands, they will be back next year on either Centre or Reds Stage. The winners were, Mike Ross, Storm Warning and STAN The Band. They wowed the crowds, got them dancing loving the music and we wanted to hear them again and we will in 2019.

Live Music Delights Skegness Crowds Rock and Blues Festival 2018

So how did last year’s winners do? First of the three bands, Tom Walker Trio now a four-piece and by the end of the set, there were five musicians on stage. The fifth was special a guest with his Hammond Bob Fridzema who would be playing as part of the new Engine Room when Sari Schorr stepped on the stage. We saw Bob for the third time later when Ash Wilson played Jaks to close Friday night’s entertainment. They had the privilege of opening Centre stage for the weekend. Wow! They performed and for many were one of the highlights. The rocky blues and soulful sound of Southbound started the day’s bands at Reds on Saturday. Whilst, on Sunday Greg Coulson, warmed the Centre stage. His guitar, keys and vocals were stunning and the interaction with guitarist Stuart Dixon was mesmerizing.

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Live Music Delights Skegness Crowds Rock and Blues Festival 2018Across the festival, women were ruling the stages! Friday Night,  Monica vocals opened the weekend as Saiichi Sugiyama Band stepped onto the Introductory stage,  Maya on vocals that caught your ears attention as Deep Blue Sea entertained from the Introducing Stage as the closing act. Centre stage was set alight as Sari Schorr arrived with the power of her voice and the Engine Room’s ability to play the deep blues that reflect the tonal qualities of her voice. Saturday saw the return of Rebecca Downes, what a rising trajectory her career has taken after performing on the introducing stage back in 2015. This was not the first or last time we heard Rebecca this weekend, as she joined Slack Alice and then a special duet with Connie Lush on Sunday. Yoka with her Sugarbeats captured the ears of everyone in the Introducing stage audience. Another day I am sure she would have won her vocals we stunning combined with the magic of her flute and saxophone. Centre stage was silenced by the performance of Jo Harman as her vocals with the clarity of a bell and warmth of an open fire reached out and touched the audience. Amnesty is always a spine-tingling emotive journey and as a rock fan said to me I just sat and listened with delight. Sunday night three stages and three different women Live Music Delights Skegness Crowds Rock and Blues Festival 2018who knew how to entertain. Connie Lush on Centre stage full of warmth with her voice that tells a story with her old favourites and tracks from her latest album renaissance. Blame (It All On Me) the band flexing their depth of tone and power with the vocals shining above them and the women in the audience were still singing the refrain long after the set finished. Then the guitar wizardry of Chantel McGregor as she captured the rock power with her new band and tracks for her forthcoming third album. Closing out the festival in Jaks, the final set being played on the stage run by Blues Matters who tonight celebrated their hundredth edition. Elles Bailey, is a Wildfire on the stage and she kept the partygoers awake and ready to party until Jaks closed ad Clive Rawlings put on Freebird for one last time. So it was Goodbye to Jaks a scene of so many happy memories and a farewell to Clive Rawlings who has worked the DJ slot for the last ten years.


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Live Music Delights Skegness Crowds At Rock and Blues Festival 2018 –


Live Music Delights Skegness Crowds Rock and Blues Festival 2018This weekend is billed as The Great British Rock & Blues Festival. 2018 line-up is strong this year a huge improvement on last year but rock was here not in capital letters. Reds stage was cool not just temperature but the level of quality British Rock acts. Some acts from the past but where were the up and upcoming rock acts in every hue. Classic, heavy, metal and everything in-between. With that moan over Screaming Eagles from Belfast certainly got the Friday night off to a flying rock n’ roll start. They certainly raised the temperature and showed us that young rock bands know how to entertain. For many, Roger Chapman Family and Live Music Delights Skegness Crowds Rock and Blues Festival 2018Friends took people back to days gone by they certainly delighted the audience who happily sang with passion and the fans were very happy. Stray and Dare if you look at feedback were among the favourites. Del Bronham and Stray set the stage on fire and they rocked the crowds on a Sunday afternoon. The stage was packed for Nazareth showing once again the pulling power of quality rock. With two acoustic rock acts entertaining with tales, acoustic guitars and old favourites revisited with Bernie Marsden and then Edgar Broughton. Always interesting to see a different side of the rocker we love and Ain’t No Love still works and the crowd willingly gives voice.

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Live Music Delights Skegness Crowds Rock and Blues Festival 2018The Blues of Rock and Blues was strong with young bands, those from States and Europe. Blues of every hue and shade were covered.  Robin Bibi delighting the crowds in Jaks as the first band of the weekend on the stage. His stage presence and guitar playing always capturing the blues vibe. For so many, the act of weekend was Thorbjørn Risager and Black Tornado who played a Saturday afternoon slot. With the joy and pleasure a top band, that never disappoints with their Danish blues; with a brass section that wowed and added that depth of tone that makes this brand of blues very special. The set was as strong as Thorbjorn’s fantastic vocals and charismatic delivery, as they showcase their superb album, Change My Game. With playing like this we say keep playing the same game. They deliver a very modern take on the authentic R&B sound in a word BRILLIANT! Marmite of the blues from Tasmania via Germany Rob Tognoni gave the devils music a rocking workout.  Sunday evening and music gremlins stormed the stage whilst Lucky Peterson delivered a wonderful set despite the troublesome Hammond. The fault was repaired by the techs and we heard Lucky explore the keys and driving power of the Hammond. Whilst the Hammond was silent we explored through Lucky’s slide guitar southern delivery of classics, including Dust My Broom. The trumpeter with the Live Music Delights Skegness Crowds Rock and Blues Festival 2018judicious use of his wah pedal added a wonderful unique tone. Lucky continued despite in his words ‘shit happens’ and his wonderful rendition of Stand By Me was impressive and the audience was on his side we loved singing back the words and this was a set full of fun, blues and deep musical delights. What a weekend of fun and mayhem in Jaks, Jack J Hutchinson fitted in perfectly. With his the Boom Boom Brotherhood following his guest appearance the day before on the introducing Stage with Mike Ross. Jack, with his latest album Paint No Fiction is set was a blinder including Mike Ross guesting for him and a double guitar we saw every dimension of the Hutchinson Blues artillery.  Troy Redfern in Jaks played fast and furious he excites the audience and Jaks was jumping. Benjamin Bassford, Sunday afternoon had an unexpected opportunity to showcase his acoustic talents before the band’s set. He filled the shoes left vacant as Al Hughes was ill with music that was filled with blues that flowed from the stage and across Jaks. Both his acoustic and bands sets were talked about for the right reasons they hit the blues spot.  Billy Walton New Jersey style rocking blues-fueled party music. Whenever and wherever they step onto a stage the crowd is warmed by the music we are all looking forward to the next album, as they delivered the music that makes you feel good.

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Live Music Delights Skegness Crowds Rock and Blues Festival 2018Festivals are often remembered by the headliners did they deliver it was a mixed bag Yes, No and maybe. Those that didn’t quite fit the billing fade into the background as they are subsumed by the highlights. For the second time tonight we heard the delicious guitar work of Ash Wilson, first with Sari Schorr and now with his band in Jaks. With the set list filled with tracks from Broken Machine, one thing for certain is there is nothing broken about the vocals and guitar work. Ash struts the stage with such authority and confidence now, a complete artist Is there anyone better in the UK at playing this style of blues as he closed with Peace & Love. Saturday saw a trio of headliners who delivered Earl Thomas, picking up the soul vibe left lingering in the air as Jo Harman left the stage. Earl really is Mr Charisma, super cool, big voice and stylish footwork. A genuine get-up and dance party sound. With a clever story that continued through his delivery of track eight on Live Music Delights Skegness Crowds Rock and Blues Festival 2018his new CD, it was a clever sales pitch infections fitting perfectly into a marvellous set of soulful blues. Quick check-in at Reds to catch up with Xander & The Peace Pirates and what a wonderful set as he filled the stage with glorious southern rocking blues. It is unsurprising that he was a firm favourite of the weekend. The music engaged and captured your musical soul impressive playing and a band to catch paying live whenever the opportunity arises. Back in Jaks Rainbreakers let us party through Saturday night and into the early hours. This is a young band that delivers with music that you dance and party to they certainly Rise Up to every occasion. Sunday night needs music that keeps us on our feet we have heard so many good bands. We had perennial favourites Dr Feelgood to keep the crowds hot, happy and enjoying Milk & Alcohol as someone in the crowd said while we were waiting they are the double cherry on top of the most delicious ice-cream sundae.  The opposite sound on Live Music Delights Skegness Crowds Rock and Blues Festival 2018Reds with the rockier Chantel McGregor. Chantel has matured and changed her style since her first time on Reds when she was invited after her set to play with Deborah Bonham. Her new style is different and is still guitar focused, winning new fans and now definitely rock not blues.  Now the clock is ticking down to the closing of the weekend. As the other stages fall silent the final midnight shift of the weekend Elles Bailey. She delivered a great set to send everyone off in a good mood. It was somehow appropriate that another great powerful female vocalist closes such a fabulous weekend.

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Before we talk highlights and close for another year, Bluesdoodles wants to register that thanks and appreciation on the thousands that attend of all the staff at Butlins who work so hard to make sure the food is hot, the public areas are clean and always have a ready smile. You are a big part of why the migration will happen once again in 2019.

The highlights are so many we have tried to capture them in the net of words and photographs, I will always remember that 2018 delivered Lucky Peterson, Connie Lush, Rebecca Downes, Xander & The Peace Pirates, Jack Hutchison, The Rainbreakers, Tom Walker Band, Stray all on the same bill plus so many more amazing acts. Bring on Butlins 2019; three winning acts have already been announced Mike Ross Band, Storm Warning & STAN The Band!


Laurence Jones speaks the truth, the whole truth and nothing but the truth

Laurence Jones speaks the truth, the whole truth and nothing but the truthLaurence Jones speaks the truth, the whole truth and nothing but the truth.

4 albums in, what do you do next? You look for something new and fresh, dig deep into your heart and see what comes out, to see what other sides there are to you. This is what Laurence Jones has done with his new album “The Truth”. Laurence continues to make a name for himself on the blues-rock circuit in the UK and Europe and his new album with its commercial feel but rocky edge will no doubt win him new fans further afield. Laurence took a few moments out from rehearsals and over a drink at an after-show party to chat as we were seeking honest answers…


“The Truth” is a few steps down a different path than your previous albums in its sound and arrangements…

Well, and between us, I want to be the next Justin Bieber, he’s my hero! Hahaha! But seriously, it is a crossover album for me in terms of the writing and production for sure. You know, all of my real heroes like John Mayer and Eric Clapton have stepped into different territory before and not just relied upon the guitar playing so I guess it’s my turn to do that. I don’t want to churn out the same album time after time as nobody wants to hear that and I’d get bored. I like challenges and I like to challenge myself which is what I’ve done with “The Truth”. Before we go any further, assure your readers that this album was all made with real instruments and real players!

You had me worried for a moment there thinking this isn’t the Laurence Jones I know…

There’s different sides to all of us and I wanted to show a different side of me with this album. I really focused on the songwriting, lyrics and melodic content. I’ve really been building up to making a record like this is taking the guitar side of things and mixing it with something that’s modern but true to itself. We talked about guitar playing when we were at the Black Country Communion after show party at Hammersmith (man what a gig eh!) and I’ve really pushed myself in the guitar solos to make them memorable, like a song in a song. Take the solo in “Hotel California”, that’s crazy long but you can sing it and it tells a story in itself. I hope that mine on this album do that for anyone who listens to it.

We’re talking about putting yourself out there and opening up here…

Absolutely. I can only write about things I know, not what’s up in the sky that I don’t know about. The songs really do the talking on this album and they’ve been finely picked from a whole bunch of demos. It was a dream to have a few weeks of pre-production in Curacao which is a Dutch island in the Caribbean, before heading to Miami to record at the old Sony Studios. Such a cool place man. The legendary Gregory Elias has produced this album and he brought so much to the table but still allowed me the freedom to go my own way. You know, Gregory is the man who brought The Rolling Stones to Cuba and put on a free gig for everyone, how cool is that! That just shows what a nice guy he is and inspirational. If you take songs such as “Hold Me Close”, “The Truth” and “Take Me” my heart’s on my sleeve right there, for better or for worse and I want the listener to feel that. Sure, there’s some rockier moments in “Give Me Your Time” and “Gone Away” but the emotional content is there in all of the songs. It was all about writing catchy songs with guitar solos and I keep up to date with all music out there, it’d be great to hear more guitar in the charts and these songs are more of a commercial feel than my rockier stuff so you never know!


What can we expect from your live shows this time around with this fresh take on your writing?

20-minute guitar solos! Hahaha!, not really. There will be some moments where we’ll be jamming out on a few songs, extending the solo’s a bit, in fact, I’m at rehearsals now and we’ve been working the set-out. I’ve got a really cool new band in Bennet Holland on keys, Phil Wilson on drums and Greg Smith on bass. We were playing in Holland before and everything just went super well. The crowds were great, singing along and getting right into it. It’s sounding really slick, the new songs are transferring well to a live setup and we’re psyched to be taking them out on the road. I love playing live and it’s great to connect with the audience and bring something to their day – you never know what’s going on with people and them coming out to your gig may be something they really need in that moment so we’ll be giving everything, every night of the tour. We’ve got a show January 23 at The Borderline in London, love that venue, and the UK tour really begins on May 3 in Manchester at Band On The Wall.


What do you think of the current scene in the UK and any advice for those younger than yourself as you had some great success at an early age?

When I first started all this, there was really only myself, Joanne Shaw Taylor and Simon McBride out doing what we do. That was cool, but it’s a lot cooler that there’s more and more bands and artists on the blues-rock scene in the UK now. I never view it as competition and it’s great to see people out playing, the new festivals that have come about as that shows there’s a demand for the music we play and love. As for those starting out, just don’t be afraid to try things. Don’t copy, take influences and mix them up and try and put your own stamp on things.


If you could pick any album to have written and made yourself, what would it be?

Oh, that’s tricky. C’mon man, can I have two? Yes? Ah great…it’d have to be “Riding With The Kings” of Eric Clapton and BB King, such a great record and has that crossover feel to it like my new album and Jimi Hendrix’s “Are You Experienced”, just because I’d love to know what was going on in his mind when he was writing it!


New Album New style The Truth still Laurence Jones


Laurence Jones new album “The Truth” is due for release Friday, March 9th 2018. Tour dates and ticket links can be found below and pre-order “The Truth” 

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Line-up touring The Truth Tour 2018:-

Laurence Jones (Vocals, Guitar)
Bennett Holland (Keyboards, Backing Vocals)
Phil Wilson (Drums, Percussion)
Greg Smith (Bass Guitar)

Planet Rock presents
All Tickets: £15.00

London, Borderline – Tuesday 23 January

Book Online: Gig Cartel; See Tickets
24 HR Box Office: 0844 478 0898
Ticket Hotline: 0844 847 1678

Manchester, Band on the Wall – Thursday 3 May

Book Online:  GigCartel; Ticketline
24 HR Box Office: 0844 478 0898
Venue Tel: 0161 834 1786

Leamington Spa, Zephyr Lounge – Friday 4 May

24 HR Box Office: 0844 478 0898 – Venue Tel: 01926 311 311
Book Online: Gig Cartel or Eventbrite

Southampton Talking Heads – Saturday 5 May

Book Online: Gig Cartel  – Venue Tel: 02380 361 970

Birmingham, Hare & Hounds – Thursday 10 May

Book Online: Gig Cartel 24 HR Box Office: 0844 478 0898
Venue Tel: 0121 444 2081

Nottingham, The Bodega – Friday 11 May

Book Online: Gig Cartel or Alttickets

24 HR Box Office: 0844 478 0898 – Venue Box Office: 0115 896 4456

York, Fulford Arms – Saturday 12 May

Book Online: Gig Cartel 24 HR Box Office: 0844 478 0898
Venue Tel: 01904 620 410

Newcastle, The Cluny – Sunday 13 May

Book Online: Gig Cartel or See Tickets

24 HR Box Office: 0844 478 0898 – Venue Tel: 0191 230 4474


Laurence Jones has built his reputation in the studio and playing live check out his discography 

Albums in BOLD checkout Bluesdoodles review.


The Truth (2018)
Take Me High(2016)
What’s It Gonna Be (2015)
Temptation (2014)
Blues Caravan (2014)
Thunder In The Sky (2012)

Laurence Jones speaks the truth, the whole truth and nothing but the truth