Bad Touch Single Baby Get It On featuring Mollie Marriott

Bad Touch Single Baby Get It On featuring Mollie Marriott
Photo credit Rob Blackham

Bad Touch Single Baby Get It On featuring Mollie Marriott

 

 

 

Bad Touch out on a headline tour with Mollie Marriott, opening in Sheffield 9th November and culminating at Planet Rock SOLD OUT Rockstock in December.  To celebrate Bad Touch’s headline tour a new single “Baby Get It On” featuring guest vocals from Mollie Marriott.  The single is a cover of Tina Turner’s 1975 classic.

 

 

The new Bad Touch single featuring Mollie Marriott will be released on Monday 23rdOctober as a free MP3 download.

Bluesdoodles    Already excited about seeing Bad Touch on Stage again in November the single confirms why we all should be putting the date in the diary. The music fizzes with excitement and Mollie Marriott’s vocals harmonise with Stevie’s adding texture tone. The reinterpretation of the Tina Turner number.  Baby Get It on first appeared on Tina Turner’s second solo album “Acid Queen” that was originally released in 1975. Although it was a Tina Turner solo album, the first single “Baby Get It On” was a duet with Ike Turner (who wrote the song for Tina). The tradition has been replicated here as Mollie Marriot join Bad Touch keeping the heart and soul of the original adding touch of 21st-century badness.

Bad Touch Single Baby Get It On featuring Mollie Marriott

 

Bad Touch headline tour in November with special guest Mollie Marriott. The tour is extensive as the visit all points on the compass, North & South plus West & East.

“We’re excited to be taking to the road in November with Mollie,” says Bad Touch’s lead singer, Stevie Westwood. “Not only is she only a great vocalist in her own right, but she’s also the daughter of the legendary guitarist and singer Steve Marriott (Small Faces, Humble Pie). She’s part of rock royalty. It will be great to have Mollie touring with us. She’s got a killer voice. It’s going to be a lot of fun.”

BAD TOUCH – NOVEMBER 2017 UK TOUR
WITH SPECIAL GUEST MOLLIE MARRIOTT

TICKETS: www.thegigcartel.com

Sheffield, Corporation                                    Thursday 9 November
Leek, Foxlowe Arts Centre                                        Friday 10 November
Hard Rock Hell Festival *Bad Touch Only                   Saturday 11 November
Bristol, Tunnels                                                                 Thursday 16 November

Manchester, Ruby Lounge                                                         Friday 17 November
Newcastle, Cluny                                                                        Saturday 18 November

Nottingham, Bodega                                                                        Sunday 19 November
Glasgow, Stereo                                                                             Thursday 23 November
Leeds, Brudenell                                                                           Friday 24 November
Coventry, Empire                                                                Saturday 25 November
London, Islington Academy                                           Sunday 26 November
Norwich, Waterfront Studio                                        Friday 1 December
Southampton, Talking Heads                              Saturday 2 December
Planet Rockstock                                               Sunday 3 December 

 

Bad Touch Single Baby Get It On featuring Mollie Marriott

Day Of Music Celebrating Life Cancer On The Rocks

Day Of Music Celebrating Life Cancer On The Rocks

Day Of Music Celebrating Life Cancer On The Rocks

 

 

Rick Palin of Skyfire Interactive has announced today a new event Cancer On The Rocks. The acts are varied and are mostly rock and blues. The event is close to Rick’s heart. This event is fundraising for Macmillan with the goal on the day is to raise £10,000.00 for the charity.

Background to Day Of Music Celebrating Life Cancer On The Rocks

In August Rick’s Father died of cancer, his death hit him very hard, especially the feeling of feeling so completely powerless to help him. The one constant that got me through the desperate times was the help and support given by Macmillan. They were such a support to both me and my dad and I will never forget what they did for him and in fact still are doing to help me. Having seen so many people die from cancer this year, including close family and friends, Rick is sickened to the stomach the number of people this disease is killing. Rick, made a vow to do something to help Macmillan as I thought simply writing them a £500 cheque was insufficient and a mere drop in the ocean in this horrible war. The outcome The Cancer On The Rocks. Whereon one day an 11 band spectacular taking place in Nantwich, Cheshire in January 2018.

This day is not just about raising funds for Macmillan it is about something equally special, it is about celebrating life.

 

Day Of Music Celebrating Life Cancer On The Rocks – Tickets go on sale today HERE

Every penny raised will go to Macmillan, so come along, have a fantastic day with some amazing bands and know that you are doing something important to help save lives.

 

Day Of Music Celebrating Life Cancer On The Rocks

Popa Chubby Announces New Album Two Dogs

Popa Chubby Announces New Album Two Dogs

Popa Chubby Announces New Album Two Dogs

 

 

Popa Chubby drops a big, bad, sonic bomb with his excellent and timely new album, “Two Dogs.” On it, Popa explores myriad musical styles and genres while keeping it close to his rock and soul core. You’ll hear the Popa you know and love and things you haven’t heard before.

Popa started work on “Two Dogs” with a lot of amazing sounds in his head and powerful feelings in his heart. Recorded at his home studio in New York’s Hudson Valley, Popa engineered and produced the record. He also plays drums, bass and percussion on some tracks. Renowned keyboard player and Popa’s long-time collaborator, Dave Keyes, appears throughout the album. Popa’s daughter, Tipitina Horowitz, plays the trumpet and contributes horn compositions. And ace drummer, Sam “Freightrain” Bryant keeps the beat real and rocking.

In the album’s liner notes, Popa expresses how he feels about the times we live in and expands on the inspiration behind the title song: “We have become polarized as a race. There is a battle inside each of us. Each day we rise and must choose our path calling upon each other and our own spirits for strength and courage. The dog we feed is the one that rules, the dog we starve dies of neglect. It is up to each of us to use our spirit to feed the dog that will enable all of us to thrive.”

This quote from a review of “Two Dogs” published in Blues Magazine does a good job of summing up the man and his music: “To call him a blues artist is to belittle who he is and what he stands for. Horowitz is so much more than that: Singer, songwriter, guitar stylist, his passions run deep and shine bright. With a performance style he describes as “the Stooges meets Buddy Guy, Motörhead meets Muddy Waters, and Jimi Hendrix meets Robert Johnson,” Popa Chubby is an endearing character who is one of the genre’s most popular and innovative figures.”

 

 

1. It’s Alright
2. Rescue Me
3. Preexisting Conditions
4. Sam Lay’s Pistol
5. Two Dogs
6. Dirty Old Blues
7. Shakedown
8. Wound Up Getting High
9. Cayophus Dupree
10. Me Won’t Back Down
11. Chubby’s Boogie
BONUS LIVE TRACKS
12. Sympathy for the Devil
13. Hallelujah

All songs written by T. Horowitz except tracks 4 and 7 by Galea-T. Horowitz; track 12 by Jagger-Richards; track 13 by Leonard Cohen All songs unless otherwise indicated ASCAP Dutch Daddy Music. Track 12: ABKCO Music Inc. Track 13: Sony/ATV Popa Chubby: Guitars, vocals and percussion on all tracks. Drums on Clayophus and Me Won’t Back Down. Bass on Rescue Me, Shakedown, Two Dogs, Clayophus and Me Won’t Back Down Sam “Freightrain” Bryant: Drums all other tracks Andy Paladino: Bass on It’s Alright, Chubby’s Boogie, Preexisting Conditions, Dirty Old Blues Dave Keyes: Keyboards on all tracks Tipitina Horowitz: Trumpet, composition of horns Andrew Garrison: Tenor Saxophone Andrea Beccaro: Drums on Sympathy for the Devil Francesco Beccaro: Bass on Sympathy for the Devil

All songs written by T. Horowitz except tracks 4 and 7 by Galea-T. Horowitz; track 12 by Jagger-Richards; track 13 by Leonard Cohen All songs unless otherwise indicated ASCAP Dutch Daddy Music. Track 12: ABKCO Music Inc. Track 13: Sony/ATV Popa Chubby: Guitars, vocals and percussion on all tracks. Drums on Clayophus and Me Won’t Back Down. Bass on Rescue Me, Shakedown, Two Dogs, Clayophus and Me Won’t Back Down Sam “Freightrain” Bryant: Drums all other tracks Andy Paladino: Bass on It’s Alright, Chubby’s Boogie, Preexisting Conditions, Dirty Old Blues Dave Keyes: Keyboards on all tracks Tipitina Horowitz: Trumpet, composition of horns Andrew Garrison: Tenor Saxophone Andrea Beccaro: Drums on Sympathy for the Devil Francesco Beccaro: Bass on Sympathy for the Devil

Popa Chubby Announces New Album Two Dogs

 

 

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

 

 

Tonight The Tunnels welcomed Erja Lyytinen and her support band Red Butler to Bristol for the first and definitely not the last time. Tuesday night was blues night that filled the arches with music that was full of energy and played with style.

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol TonightOpening tonight Red Butler with their new line-up that many in the audience had not had the opportunity to hear yet. Alex Butler, Mike Topp and Charlie Simpson are joined by Dan Spellman on vocals and guitar. With a change of vocalist, the dynamics of the band have definitely changed. The interactions between the four members on a cramped stage space was natural and full of energy that is the fuel for their rocky blues. With Dan as the vocalist adds a harder edge to their sound, which certainly suits the direction they took on Nothing To Loose. The set reflected this with the numbers taken predominately from the album. The new vitalized Red Butler tonight added to their skills some brilliant harmonization between Alex, Dan and Mike. The whole set was played with aplomb, the sound was very tight and the interplay between the guitarists was intuitive and worked well set against the rhythm section.

Calm Before The Storm was a highlight, they nailed it. Other highlights of a short set that showcased the band was Belly Of TheErja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight Blues, rearranged and sounds better with new vocalists adding a layer of drama. Crowd-pleasing cover of Bobby Bland’s Ain’t No Love In The Heart of the City. With the rocky edge more akin to Bernie Marsden/Whitesnake version and sounds wonderful and the audience gladly added their voice to the chorus. Mike took the role of the wolf, complete with a mask for Big Bad Wolf, combined with the music adding to the live experience. A great set, the only pity was not more people had turned out on a Tuesday to hear blues rock at The Tunnels.

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Short break, change of sound man, Mikko Kiviniemi takes charge of the desk as Erja Lyytinen and her band take control of The Tunnels. For those familiar with the queen of the slide guitar, already familiar with her new direction on Stolen Hearts her current album provided anticipation for a night of full-on blues that flexes its muscles. Her music explores and captures the vibes of funk, prog rock and more. The energy flowed from the stage and across the venue. The band was determined that everyone was going to have fun and be left with a memory of musicianship that brought music alive.

 

The band provided the cascading backdrop of sound from which Erja could fly with her vocals and guitar. Tonight in control of Hammond and keys from the magical energised fingers of Harri Taittonen. Whilst the deep and sometimes dark rhythms were delivered by bassist Juha Verona and Kai Jokiaho on drums. A powerhouse captured in a quartet.  Erja the flying Fin with her sparkling Sapphire blue guitar and glass slide set the second half of the evening into a tumultuous celebration of the blues, a theme she returned to throughout the evening.

Despite the disappointing turnout Erja did not disappoint with a wonderful balance of authentic Blues, Blues Rock and ‘ProggishErja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight Rock’ showcasing why she is so popular and is gaining a fan base whenever she plays in the UK.  Her guitar work is impeccable, full of grace and style and her interaction with the audience is warm Erja Is the real deal. The set delivered was storming as they played the last gig of the current UK tour.

With numbers from Stolen Hearts including the title track that was a highlight with lots of joyous interaction and community singing for the chorus. The centre piece and the absolute highlight of the evening was Black Ocean. With deep driving blues textures, heavy riffs and rhythms reflecting the ocean swell dark and dangerous. Erja tonight bought prog-blues to Bristol. We loved it. Showing the depth and breadth of style across the album we had slow blues a thing of beauty as Slowly Burning curled around the arches. Then Rocking Chair the interaction between guitar and bass is immense. As Juha, on bass reflects the rocking beat of the Rocking chair. Live musical magic.

With a Ko Ko Taylor cover, full of slide blues that is rooted firmly in the original African source; and delightful instrumental solo from Erja as she showed the styles of the greats. A medley full of subtle changes and interest that was delivered with fun as she asked the audience if they knew of BB King, Charlie Patton and many more.

With Cross Town Traffic given the Erja treatment along with her version of Steamy Windows an opportunity to be sexy with the audience and get close and personal with Juha on bass. All too soon it was time for the final numbers.  People get Ready where we were treated to guitar that resonated the tone and style of Jeff Beck. Erja tonight was Queen of the Blues. Her playing majestic, stylish with a hint of bedevilment and fun. Live music doesn’t get much better than this!

 

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Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

In Conversation Believe What Rebecca Downes Says

In Conversation Believe What Rebecca Downes Says

In Conversation Believe What Rebecca Downes Says

 

 

BD: Hi Rebecca it is great to speak to you. So much has happened since the UKBlues Challenge last year. Live album and so much more.

RD: No problem life is busy and good.

BD: Lots of touring, the band has been busy off the road. Supporting King King and Magnum as well as headline shows and Festivals. So tell us about your experiences on the road.

RD: I love supporting King King. Being around the King King crowds we knew where we are with fans of their blues-infused rock music. I was much more worried about opening for Magnum.  Would the fans like us and go for our music. They loved our music it was the best gig of last year.  The reaction blew me away. I am always nervous when playing as the support band. Magnum must have approved as we are supporting their 2018 show.  Headlining is different. I still worry, always worrying about getting people to them, how to manage the PR. There is a big difference between Europe and UK. In Europe, people go out and see live music all the time whether in the week or weekends and is on later. Life on the road is a bit of a whirlwind really.  For me, I am anxious and nervous. That said I love what I am doing such a privilege to play music. It does have its ups and downs. Music is not the kindest industry in the world. I have to remember that I chose this and get it all into perspective, at the end of the day I am lucky to be doing it. I got great reviews in the early days; that was fab, it is my baby. Then I got one arsey review, it was quite bitchy, no need for that, reviewers can say they don’t like it, not my cup of tea that is fine. I had to learn to leave the negatives behind and move on.

BD: What were your first musical influences growing up in Wolverhampton?
RD:
Through my Mum & Dad, they were older parents and loved swing and jazz. The likes of Ella Fitzgerald; Frank Sinatra, Sarah Vaughan, Billie Holiday, Julie Covington, Sammy Davis Jnr, etc. Both of my parents had been to see Ella Fitzgerald before they met so had this is common. Especially female singers of this era were the best of the best. The Carpenters were the most pop Mum listened to. She said to me if you are going to be a singer be like them.  It is the notes, choice of melody, tone, and timing that sets them apart. I know how tricky they are. As a vocal coach people ask me all the time how can I sing like Ella. The key is to have your pitch right. What unbelievable changes she achieves with her voice. Her voice can mimic even the brass section.

BD: There has been lots of Rebecca news. Your exciting trip to the States; will you be touring over there next year.

RD: Firstly, didn’t say I was going being careful as previously had a similar opportunity and it fell through. We were over in the States pitching what we do to a record company, how we can work with them. Before we went out had all new songs demoed and properly recorded with video. Been speaking with them this week so it will be interesting how this pans out – definitely watch this space.  I do lots of the PR & Admin work myself working until 11 pm. Life for a musician isn’t all the fun stuff but have to keep on top of it. Facebook, people put on a comment and they like you to react to it and say something. That takes time. I now try to only open the messages when I have time to answer them.

BD: I have always been interested in the lyrics of a song. Where do you get your inspiration for your songwriting?

RD:  Steve Birkett and I work together we both crossover between lyrics and melodies. Sometimes lyrics come first other times basic riffs sometimes both together. I almost always have a hand in the finished song.  I owe my Ex’s most of my PRS statements much of my inspiration comes from past relationships. Think the new album will see a change. It is true – a happy song cannot be written when sad, you just want to wallow in your misery. Uplifting songs will be on the new album along with those inspired by life experiences.

Some songs write themselves Believe is one I just wrote. It was almost as if I was downloading and I was just the vessel that spat it out it was a bizarre experience.

BD:  You are also in the studio at the moment making a new album. Will Chris Kimsey be involved in the whole album or just the re-mix of Sailing In A Pool Of Tears?

RD: Chris Kimsey is mixing and helping record the new album along with Mark T Stuart who records all our stuff. He is the nicest person he gets what we do. It is not strictly blues he gets where we are going slightly darker, slightly rockier. He is an absolute joy to work with. The new album is going to be released early 2018, the tracks include those we took to the States. It is ready to go now working out the release time, PR loads of things that are all in the pipeline.

BD: What plans have you in the pipeline for rest of 2017 and into 2018??

RD: Rest 2017 we have a headline tour of Germany throughout November and a T.V. show over there. Then back in the U.K. Tenby Blues Festival and King King’s Christmas party which will be fun. Then for 2018 making a video, our own tour of Europe and UK; opening for Magnum and more. It is gigging that keeps me alive. Music is my drug.

BD: What are the Blues or how do you define the Blues the perennial debate?

RD: What does blues mean to me? It is music with an emotional depth. Real blues goes back to the acoustic guitar through to the clean sound of the electric guitar. Today it is more rock than blues. With blues-tinged vocals and guitar with its roots firmly in the blues with other influences layered on top.  Blues is 12-bars why do we want to do it still when the past masters have done it better, the likes of John Lee Hooker and the other greats. Now we take the elements and shaped differently. Norman Beaker once said blues is anything that has got emotional depth. A melody link and a bluesy hook. Sound and guitar doing them as well, like the Blues Band who do the originals so well.

BD: If you were putting together your perfect fantasy band with members from across the years (dead or alive) who would you have playing
RD:

Vocals: Aretha Franklin
Guitar: Bonnie Raitt
Drums: Dave Grohl
Bass: Kevin McCormick

BD: Thanks for your time Rebecca and in the meantime catch Rebecca Live check out her tour dates HERE and keep listening to her albums they are infectious and will pass the time until her new album in 2018

Bluesdoodles Reviews:-

Be Live – The Leopard says Be Live With Rebecca Downes Rebecca is not defined by the blues but shaped by them with a soulful voice and a stage presence that shines out as wide as her dazzling smile. Rebecca is a singer who loves the stage and the audience loves her back as the music flows and Be Live captures the essence of a Downes live show. Read MORE HERE

Believe  – Believe has Rebecca Downes Singing the Blues …… The album does that crossing genre and with tempos and beats that will appeal far beyond the confines of blues clubs and blues aficionados. Read MORE HERE………

In Conversation Believe What Rebecca Downes Says

 

Rise & Shine With SIMO Taking Us In A New Direction

Rise & Shine With SIMO Taking Us In A New Direction

Rise & Shine With SIMO
Taking Us In A New Direction

 

 

Rise & Shine With SIMO Taking Us In A New Direction, from the first click of the fingers, a boom of the drum and sonic guitar you are taken to a different place that their previous releases have never been or brave enough to take us.  The previous critically acclaimed album Let Love Show the Way was retro, accessible and familiar. Get ready to be amazed, aurally challenged and delighted on the album that is in two words summed up as Superb Experimental.

This is an album that is personal, spiritual and encompasses lyrics that at times hurt when you take in the message. But we can relate to them we have all travelled to that stony place JD Simo is describing in many of the songs.

Return is a track that absorbs, starkly crafted around a vocal that is strong in its frailty. This is about sinking into yourself without being aware of the effect on other people and reality becomes a stranger. Lyrics fuelled for a blues inspired song. Not this time a contemporary twisted shape with space to consider the sonics and words. Full of funk with a rawness that burns. There are echoes of other musicians Prince, Beck and others; this is SIMO reaching out and creating a new musical pathway of their own. A powerful number that leaves you wondering where has this new style come from? The guitar moans and groans as JD is almost crooning to himself as we just want to enjoy this new sound; learn it understand it and embrace it. So let’s Rise up and listen to a highly original album as JD says ‘Let It Shine’.

They laid down an intriguing gauntlet with the opening track. How to follow that. We are taken to a trance-like state as we join SIMO in the Meditation zone. This is not a silent space, the mysticism is ever present in tone, the awareness of self is absorbed into the driving beat. The beat that ignites your inner happiness and connects to your feet that want to get up and dance.  The album is slippery to grab hold of. It is mercurial, enticing and slightly dangerous, the sonic shape reinvents itself for every track. The tracks are linked together by personal experience, hurt, haunting and anger. They are linked by the authority of JD’s vocals and his guitar just screams and twists around the strings for attention, the deep bass lines of Elad Shapiro,  and crisp impassioned drumming of Adam Abrashoff on the beat shaping the depths of the sonic landscape created on Rise and Shine

We are taken into a slightly wild place with shine, fast curling beats auditory delights are created by a trio that embrace change and experiment without ever losing the strength of melody. JD’s vocals provide a clarion call on Shine.  Space and time continuum changes with I Want love. The sonics fade and the vocals and guitar take the lead role for your attention as JD plaintively sings I Want Love. A soul ballad that grows and grows with every note that is sung as we are taken on a soulful, smoky emotional journey. I Want Love.

All change as The Climb starts with a rock infused predominately instrumental full of shifting multi-hued coloured sands of psychedelia. Vocals are sparse spoken as they quote from JF Kennedy “Our most basic common link is that we all inhabit the same planet” becoming another instrument added to the wild experimental mix. Music of darkness and light as we Rise and Shine in the company of SIMO on their aural journey.

The mood changes with the bluesiest number, Light The Candle.  The Sonics are measured and would be recognised as a blues driven sound by Howlin’ Wolf. This is blues for today different full of structure, sharp edges a harshness of modernity delivered by the instruments over the lyrics of JD. The Whoo Hoo of his vocals are straight out of the lexicon of blues sounds, whilst defying like the rest of the album to be captured within one industrial genre.

The album is masterful every track has a sense of purpose and direction. Listen to the whole album the numbers will cascade you into an aural wonderland. A theme park full of sonic adventures. Closing out the album with I Pray. Just over thirteen minutes where you are captivated in the land of SIMO. Starting off with measured, simple sounds and JD intones a prayer. A prayer that is a manifesto of a better more tolerant understanding world where we embrace difference. The track is progressive, full of rock and so much more. Thought provoking. Identifying the oppressed, addicted and those living under tyranny. It covers every issue the world is struggling with from climate change to social ills. The words have a message it is formidable. The music is structured each note and space is there for a reason. What a brilliant close for a brilliant album you want the licks, riffs and rounds of music to go on and on taking to a better place to Rise and Shine.

The sound comes from a trio of musicians that do not want to be contained in retro, repeating what others have done before. They want to produce their best music. Full of interpretations of the sounds the instruments take them as they explore the lyrics. The album had a long gestation as they toured relentlessly throughout 2017 to a point beyond exhaustion they found creativity.  The mutual understanding between the trio of musicians has made Rise and Shine a musical experimentation full of chemistry, harmonies bound in the heart of any song lyrics with something to say. Rise and Shine with SIMO and great a new day with the exciting new direction you will want to travel. Rise and Shine a real contender for my album of 2017. The album can be reviewed in one word EXCEPTIONAL!

Rise & Shine – SIMOProvogue/Mascot Label Group

Out 15th September 2017

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Return
  2. Meditation
  3. Shine
  4. People Say
  5. Don’t Waste Time
  6. I Want Love
  7. The Climb
  8. Light The Candle
  9. Be With You
  10. The Light
  11. I Pray

Rise & Shine With SIMO Taking Us In A New DirectionRise & Shine With SIMO Taking Us In A New DirectionRise & Shine With SIMO Taking Us In A New Direction

King King taking a new direction on Exile & Grace Album

King King taking a new direction on Exile & Grace Album

King King taking a new direction on
Exile & Grace Album

 

 

King King taking a new direction on Exile & Grace Album. The mix is matured and has a vibe of intent to deliver the music the growing army of fans want to hear.  The music has the solidity of granite rock and definitely a new cadence to the vocals from our kilt wearing Alan Nimmo.  The honeyed vocals have sharpened with a soulful considered delivery that rocks with a bluesy haze.

Opening number Gimme No Lovin will be instantly recognised thanks to the considerable airplay the number has received. There is definitely a nod towards Thunder. Danny Bowes’ vocals have curled their way into Alan’s vocal lexicon. On first listen that is what dominates, get to know the number then the vintage King King sound simmers and boils to the top, thanks to the stunning keys from Bob Fridzema who just keeps adding spicy phrasing to every number.  Exile & Grace has a fullness of tone modern and retro as Alan nods his head towards influences of his youth.

Nine tracks that take you on a winding road of textures and tones. Heed the Warning opens with a sound that is infectious as Wayne Proctor’s drumming combines with the bass of Lyndsey Coulson. Pulling in guitar riffs and scrumptious chords from Bob’s fingers. Then the vocals from Alan Nimmo.  Heed The Warning take note this is King King with a clear direction and a story to tell. Classic King King that is going to get the fans smiling when played live. As the notes fade, then the crescendo opening of Broken. This is a track where the lyrics dominate. Reflecting on society and no escape to higher ground. This is about a broken world punctuated by the King King Trademark instrument notations.  Heavier and reminiscent of early Whitesnake. this is a band defining the album. As they grow in stature carving out their own distinctive, recognisable sound.

How to follow that, take it down a notch or two. Draw a breath and a Nimmo ballad helps you Find Your Way Home. The angst and anguish flow out of the speakers and across the room from the vocals and the instrumentation. Alan begs for you to Find Your Way Home.  Broken hearted and trying to make sense this is a ballad we can all relate to. Another number that will be the next mainstay of the live set.

Wayne’s drums, crisply open up Long Time Running, a classic King King sound. As they said cowbell would have neatly fitted in but they resisted and the number is all the better for it.  Closing out with I Don’t Wanna Lie, Stevie Wonder style keys punctuate the lyrics framed by juicy tones from Alan Nimmo, A fun number leaving you on a High, you may be in Exile but you will always have Grace delivered by a King King quartet who have never strayed down an alleyway distracted by a musical style on an album full of rock credentials.

The Album is King King the band are a unit with a distinctive tone and musical approach. This is not a scatter gun approach trying to please blues and rock fans at the same time. The result was albums that at times disappointed them as seen as to blues for rock and to rock for blues. This is classic rock dipping their toes in the British Blues Explosion sound and reforming as the sound of King King 2017. Full of melodic intent, the cohesive force of a band enjoying the music they are playing. It took a few listens.  I had to cleanse my ears of previous albums including 2015 Reaching For the Light, where the music was so accessible. Preconceptions had to be washed away with the new King King approach.  My verdict it is a winner! Despite it being very short only thirty-nine minutes. The cover of Whitesnake’s 1987 classic Give Me All Your Love does not grace the CD but is a bonus track on the vinyl version of the Exile & Grace.

King King on Exile & Grace has found a mature structured sound.  The challenge they set themselves as a band definitely works. The production is crisp. Exile & Grace will never be exiled to the dusty corner of your collection, It will be in a constants state of Grace as the music is played often and loud lifting your mood every time. Rock just got classic again thanks to Exile & Grace with blues roots are never exiled. The fourth studio album builds on the past and King King sound shines brightly as they explore Exile & Grace.

 

King King – Exile & Grace – Manhaton Records

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. (She Don’t) Gimme No Lovin’
  2. Heed The Warning
  3. Broken
  4. Find Your way Home
  5. Tear It All Up
  6. Betrayed Me
  7. Long Time Running
  8. Nobody Knows Your Name
  9. I Don’t Wanna Lie

 

King King taking a new direction on Exile & Grace Album

 

Alan Nimmo from King King Talking about Album & Tours

Alan Nimmo from King King Talking about Album & Tours

Alan Nimmo from King King Talking about Album & Tours

BD: Hi Alan, thanks for taking the time to chat about Exile & Grace King King’s new album and tour dates brightening 2018.

Exile and Grace the much-anticipated album is released by Manhaton Records on 6th October 2017.

Their UK tour kicks off at London Shepherd’s Bush Empire on Wednesday 17th January 2018.

Tickets: www.kingking.co.uk/tour

 

Alan Nimmo from King King Talking about Album & ToursBD: Let’s start with Exile and Grace out 6th October on Manhaton Records. The album title feels different from previous titles. What inspired the title Exile & Grace?

AN:  The inspiration behind the album title came from a number of things really but all rolled into one! There is a huge concern that the future of our world and our species is very uncertain! There is so much conflict in the world and the way we treat the planet is a real worry for future generations. So it’s almost like “Exile” and “Grace” are like a yin and yang. We seem to exile the willingness and power to be graceful and live in harmony with one and other.

BD: Having listened to the album a number of times it is definitely rockier and has a cohesive sound. Is this the trajectory that you and King King plan to take the group in the future.

 AN:  It’s never a plan to take the musical style in any direction… it’s simply just how the songs turn out when we write them. I feel as the main songwriter that the more experience I gain from writing, the more relaxed I become and with that relaxation comes the early influences that I was listening to as a young kid.

BD: No title track as such – do you see any particular track as the number that defines the album.

AN: If I had to pick a tune that defined this album I’d probably say it was “Broken” It talks about the things I mentioned earlier about my concerns for our future as a human race.

 BD: Do the tracks have personal meaning and have you a favourite Track?

 AN: Everything I write has personal meaning as I tend to write about things and events that have gone on in my life or they can be subjects that matter to me too. They’re all my favourites!

BD: The first single of the album, (She Don’t) Gimme No Lovin’ has had plenty of radio play and excited the fans. Keeping King King’s profile high while you are off the road. How did you decide on this track to launch the album with its Thunder overtones.

 AN:  It’s great to add depth and real meaning to certain songs throughout an album but just sometimes it’s simply ok to write a quirky tune that still tells a story but doesn’t need to tax the brain too much! We just wanted to have a first single that had an immediate impact on the ears and made you tap your feet! Simple as that!

BD: Before we talk about the 2018 tour dates and beyond.  You must have been heartened by the support and loyalty of your fans who have joined at various points on the King King Musical journey. The fans want to know how your vocal chords are progressing and are you doing what has been ordered staying quiet and resting your voice.

AN: First of all I would just like to thank all of our fabulous fans for the staggering amount of support and love they have shown not only me but to everyone in the band! As you can imagine…this is a very difficult time for me and indeed the boys and I’m glad that we decided to take this time out to get a full recovery and I want everyone to know that I’m working my backside off to get into good health vocally and in every other way!

BD: Let’s talk 2018. UK tour dates kick off at London Shepherd’s Bush Empire on Wednesday 17th January 2018; then four further dates around the U.K. This will certainly start the gigging year on a high for your growing phalanx of loyal King King fans.  This will be the start of Exile & Grace Tour and hearing the tracks we will have time to have learned. Which tracks work particularly well on a live King King set?

AN:  Yes, we’re really looking forward to getting back on the road and playing our UK tour! We’ll be rehearsing for the tour pretty soon and we’ll find out which songs work best live but you can never tell which ones will go down well on a live show until you try them! We will try to choose wisely!

BD: What plans do you and King King have for 2018 and beyond whether playing Rock or blues?

AN: There is a very busy 2018 already shaping up so we just want to keep doing what we do and hope that our fans stay by our side and enjoy the journey with us. There is plenty more for King King to achieve so don’t worry… you’ll be seeing lots of us!

BD: Finally, while you are off the road relaxing! What music are you listening to and giving you inspiration? 

AN: When I’m in the gym or walking in the hills or even out on the motorbike then I tend to listen to everything in my music library… it’s basically on random shuffle all the time so it’s anything from Thunder to Prince to Chris Stapleton to Black Crows to Eric Clapton, Free, Whitesnake, Steve Vai… I could go on all day! I even listen to King King and I also love the “Sky Won’t Fall” album from my big bro!

Alan Nimmo from King King Talking about Album & Tours

 

 

 

Jared James Nichols Announces New Album Black Magic

Jared James Nichols Announces New Album Black Magic

Jared James Nichols Announces New Album Black Magic

Jared James Nichols Announces New Album Black Magic

 

Jared James Nichols Announces New Album Black Magic. The band bring rocking Blues magic
features Dennis Holm (drums), Jared James Nichols (guitar, vocals), and Erik Sandin (drums).

 

ALBUM TRACKS BY TRACK 
1. Last Chance (2:48) 
2. The Gun (3:22) 
3. Don’t Be Scared (3:27) 
4. Honey Forgive Me (2:22) 
5. Home (2:57) 
6. Got To Have You (2:50) 
7. End Of Time (2:46) 
8. Run (2:54) 
9. Keep Your Light on Mama (2:54) 
10. What Love (2:51) 

Listen to the opening track Last Chance and get the feel. described in Jared James Nichols own words as: “Last Chance is easily the hardest-hitting song I’ve ever wrote,” says Jared. “I completely let it all hang out and went wild. Even the guitar solo is off the wall, blazing fast, and absolutely crazy. I needed to set the bar high for the new record and come out with a bang.”

The single, produced by Tony Perry (Joe’s Son) and Jared James Nichols, features drummer Aquiles Priester (Angra, WASP, Tony McAlpine), and is mixed by Jay Ruston (Stone Sour, Anthrax).

 

Download the new single “Last Chance”
Available from Amazon UK 
Listen on Spotify

Bluesdoodles has listened to the whole album, review coming soon it is an exciting ride crossing genres and alighting your ear with searing music that burns.

Jared James Nichols knows how to deliver as Wisconsin-born, Los Angeles-based singer-songwriter and guitarist, Jared James Nichols, returns with his new album “Black Magic” which is the follow-up to 2015’s debut album “Old Glory & The Wild Revival”.

“Black Magic” features 10 tracks and will be released by Listenable Records on Friday 27th October. All tracks on the new album were recorded at The Boneyard in Boston as well as Johnny Depp’s home studio in Los Angeles and produced and co-written by Tony Perry and Jared James Nichols.

 

Check out these links where Bluesdoodles have reviewed Jared live and recorded.

In conversation – Talking about Black Magic, Music and Touring. Read More HERE

Playing Live – Opening for Glenn Hughes at The Robin 2. Read More HERE

EP Review –  Highwayman

CD Review – Old Glory & The Wild Revival

 

Jared James Nichols Announces New Album Black Magic

Steelhouse Fundraising Rock Out and Shout NO MORE MUD

Steelhouse Fundraising Rock Out and Shout NO MORE MUD

Steelhouse Fundraising Rock Out and Shout NO MORE MUD

Due to typical Welsh weather it made it very difficult for many people to attend due to the car park being bogged out and a situation with drainage.

So myself (Josh) and a good friend (Mark) have set up this funding project to help the amazing Steelhouse Team sort problems such as the above…

Plz donate as much or little you can spare as every penny donated will be used to make the necessary improvements to OUR AMAZING FAMILY ROCK FESTIVAL – BEST KNOWN AS STEELHOUSE FESTIVAL!

Steelhouse Fundraising Rock Out and Shout NO MORE MUD – 2017 was a wonderful festival but the Mud caused mayhem that did not overshadow the music BUT … Bluesdoodles had an awesome, wonderful Steelhouse 2017 the title of the review summed it up – Steelhouse 2017 Simply Marvellous Mud Music and Mates

Steelhouse Fundraising Rock Out and Shout NO MORE MUDMy poor boot will never be the same – in fact, Sunday morning saw boots being replaced. The organisers of Steelhouse feel the same. Things have to change Welsh Weather is changeable and unpredictable that i is the only certainty.  So Mark & Josh f have decided to set up a Fundraising goal of £5000 to help towards costs of Parking, Drainage and other things on site to help make our festival better and to help out the guys behind the scenes. Please donate and help us reach our goal! STEELHOUSE CROWD FUND

The money will help our Rock Festival family, let’s help the organisers and volunteers out with funding towards drainage, parking and walkway matting. There is no argument that Steelhouse Festival 2017 was an amazing year for all including the Festival itself. Selection of the shots what a memory!

 

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Due to typical Welsh weather it made it very difficult for many people to attend due to the car park being bogged out and a situation with drainage.

So myself (Josh) and a good friend (Mark) have set up this funding project to help the amazing Steelhouse Team sort problems such as the above…

Plz donate as much or little you can spare as every penny donated will be used to make the necessary improvements to OUR AMAZING FAMILY ROCK FESTIVAL – BEST KNOWN AS STEELHOUSE FESTIVAL!

Donate – share on Facebook & Twitter keep the energy and the music live and mud free at our favourite festival mountain – Steelhouse – Please donate what you can HERE keep music live.

Steelhouse Fundraising Rock Out and Shout NO MORE MUD