Steelhouse 2017 Simply Marvellous Mud Music and Mates

Steelhouse 2017 Simply Marvellous Mud Music and Mates

Steelhouse 2017 Simply Marvellous Mud Music and Mates

 

Steelhouse family came together on a Welsh Mountain united by rain, sun and MUD! The glue binding us was live music and the super glue the brilliance of Bernie Marsden not once, not twice but all three days on the stage entertaining.  We had dragon magic gracing the festival that you climb up slowly to the top driving up a rough track to the top of a Welsh Mountain above Aberbeeg. The weather may at times be trying, we all know the welcome and cwtch from the Steelhouse volunteers will be full of warmth. So many memories for the music memory box, friends, brilliant bands Planet Rock DJs and the array of stalls to kept us fed and watered, the endless cuppa’s from Motley Brew hot and refreshing the gallons of Trooper consumed and the selection of cocktails. The festival is for everyone young and old, family friendly with a play area, camping, glamping and merchandise. We may only be in each other’s company for a few days but the friendships forged last forever.

 

Bluesdoodles, Liz Aiken could not make Friday night, rain, parking and other issues conspired against her. Nothing though was going to deter us from getting to the festival on Saturday that started warm and sunny with the weather for now set fair. We missed Free Friday, but those who got here in time were entertained with Revival, the awesome Hand of Dimes joined by Bernie Marsden already a festival favourite and Trucker Diablo.

 

The two bands that open the show were local bands, Saturday, Florence Black & Texas Flood on the final day all setting the bar high rocking the show for the first notes always a challenging slot and they got our attention. Then the new line-up from Tequila Mockingbyrd who flew the flag for women and rock Steelhouse know how to weave the line-up reflecting styles of rock and peoples different tastes.

So many thoughts whirl around as I edit the photographs, the excitement that the festival has left spilling over to Monday, continue to be motivated as the work continues listening to the music that fuelled the weekend, Steelhouse 2017 delivered the best line-up ever and it was a triumph. Music for all tastes across rock. There are always bands and for everyone the list will vary for us at Bluesdoodles it was Rival Sons, Last In Line, Monster Truck, Stone Broken, Broken Witt Rebels, Jared James Nichols, Wayward Sons, Saxon and the hero of the hour Bernie Marsden across the festival Friday, Saturday and the unplanned return on Sunday. The list is a mix of styles, ages and experience the common link was quality, performances.

Steelhouse 2017 Simply Marvellous Mud Music and MatesStone Broken bought a vitality, energy and love of performance to the stage, heating up the atmosphere. The set was played out with every note played and song sung confirming the meteoric rise from a self-funded album to the band they are today.  The journey has just begun they will soon be headliners wherever they play, why the crowds will demand it the Broken Army will not be silenced.  With a follow-up album to debut All In Time tantilisingly close live performance will keep us entertained until the release date early 2018. Every fan is waiting in anticipation which will just build and build, with every performance and radio play. Stone Broken play the music rock fans want to hear. Every time they play live they grow in stature tighter, more confident. Everyone’s day is brightened by Robyn’s infectious smile and drumming.  Rich leading from the front energised with vocals that demand to be listened to. Chris & Kieran, guitar and bass creating the sting in the tail with the strings ensuring there is nothing broken about Stone Broken. They nailed it at Steelhouse 2017.

 

Steelhouse 2017 Simply Marvellous Mud Music and MatesMonster Truck, were monstrously good, the guitar sound is loud and we are pulled into the hot atmosphere they create. It was so hot it was as if the rain vapourised before it hit the ground! Awesome sums up the performance lifting the crowd’s mood into the stratosphere.  The set included all the numbers you want to hear live from Sittin’ Heavy as we heard staggering vocals, hard rhythm and licks that curl around the stage and cascade across the field in melodic delights.  There will be other bands but for now it doesn’t get better than this performance or will I eat my words?

Steelhouse 2017 Simply Marvellous Mud Music and MatesHaving never heard Last in Line live, this was a band I was looking forward to having listened to Heavy Crown, loud and often since reviewing early in 2016. The band named after Dio’s second album carried the torch shining high and burning bright with a set that was full of Dio classics. The two orginal members of Dio’s band Vinny Appice on Drums and guitarist Vivian Campbell are joined by vocalist Andrew Freeman, Phil Soussan on Bass an keys from Erik Norlander.  They delivered adrenalin fuelled rock that pounded the mud and the sound that was Dio. Andrew’s vocals were reminiscent of Ronnie James Dio. The rain did not wash away the sound and atmosphere of a festival that was now rocking as the skies darkened on the Saturday.

 

Steelhouse 2017 Simply Marvellous Mud Music and MatesSunday dawned bright and clear with blues skies and warm sunshine we all knew the music was going to be hot. The Sunday came alive as Broken Witt Rebels may have opened with Low from Georgia Pines but the music took us to new highs. Danny Core’s vocals are outstanding they pierce with a depth of emotion. The feel of the guitar sound tinged with blue, heated by southern rock from James Tranters lead guitar. The sound builds with tambourine and rhythm added by Danny and a rhythm section that burns the groove as Luke Davis and James Dudley join forces. This is a young band who are growing in stature as with every performance the layers of polish are burnished, the beat tightens and the sound gets bigger, bolder as the Broken Witt Rebels blow the mist away through Georgia Pines, what a Steelhouse 2017 Simply Marvellous Mud Music and Matesnumber.  They were quickly followed by the guitar-led blues-rocking power trio of Jared James Nichols. The talent of the guitarist who is making a name for himself as he flashes his prowess with the six-strings, this set was the most guitar-dominated set of the weekend.  Another young performer who never fails to deliver, always improving developing the Nichols tone and sound. Building on his album and the last EP Highway Man.

A new band, Wayward Sons that has every one talking. Why? It is a Toby Jepson band this, the bands third gig and first festival appearance, did not disappoint. The opening was intriguing as we entered the Twilight Zone before the opening line of Carry On Wayward Son by Kansas and then the band stepped on stage.  With a debut album out in August, Ghosts Of Yet To Come the sound we heard was grittier this is a rocky sound that sets quivers of an earthquake erupting through the audience on top of a mountain.  As to be expected Toby’s vocal shone through the rain drops With the Little Angels – Young Gods – song dedicated to Alan Nimmo, who to many people’s disappointment was not swirling his kilt with King King on a mountain. The whole Steelhouse family wish Alan a speedy recovery.

Steelhouse 2017 Simply Marvellous Mud Music and MatesRival Sons, well worth the wait in the mud and rain they delivered with music that sears the heart and soul. Jay Buchanan’s voice is always stunning as he strode down the stage in rolled down wellies he captivated – what a band. The only slide guitar of the weekend cascading notes swirled across the mountain courtesy of the slide of Scott Holiday. The rhythm and structure added a depth of tone thanks to David Beste and Michael Miley. There is nothing hollow in the bones of the rock they deliver every track has something to say with sweet licks, righteous riffs and lyrics that draw you deep into the heart of the music Rival Sons are simply electric.

Steelhouse 2017 Simply Marvellous Mud Music and MatesClosing the festival with lights, pyrotechnics and a metal eagle Saxon left their mark on the mountain once again.  A band that the fans wanted to see many so excited seeing a band that was one of the first bands they had seen back at Steelhouse once again. The rain did not deter Biff as he strode down the runway kneeling on a towel and rising again hands aloft uniting with the fans as he sang in the rain. The festival went wild as Biff sung to them Battering Ram soared out across the mountain quickly joined by many classics Princess Of The Night & 747 Strangers In The Night. By now there were no strangers in the crowd, we were united by music, mud and Steelhouse friendship.

 

Steelhouse 2017 Simply Marvellous Mud Music and MatesCometh the hour cometh the man. Steelhouse 2017 it had to be the one and only Bernie Marsden.  Scheduled to play with Hand of Dimes of Friday and the acoustic set on Saturday that was a delight. With King King having to pull out there was a yawning gap. Hand of Dimes stepped in with Bernie on electric guitar that was exciting but this was the Steelhouse Band with two special Planet Rock guests.  Hand of Dimes always popular and they know how to please as they add keys and harmonica to Nev’s special brand of rock. Nev was back on stage with Bernie Marsden joining after a couple of Hand of Dimes numbers to massive cheers of Bernie, Bernie!! Hand of Dimes has a new album out Raise so we heard Guilty and Pin-Stripped Arrogance, what a band. Then we had the change as Ian Danter took control of the drums and Darren Redick on Bass for a couple of numbers this is what festival magic is all about memories never to be repeated. The ‘cover’ of Whitesnake classic Here I Go Again was superb vocals from Neville McDonald took the roof of if there was one! Bottom of Form

The heroic Steelhouse Band created a great atmosphere what fun a pleasure for everyone listening to Hand of Dimes and friends over the Bernie weekend.

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Then if I could only pick a band it would be  a toss-up between Rival Sons and Broken Witt Rebels both were superb the vocals stunning, out I have made the rule only one band so it will be Rival sons, why? Soul made me cry as I was absorbed by the music an even stopped photographing during Electric Man.

Steelhouse 2017 raised the bar in terms of music and fun we are counting down the days until Steelhouse 2018. Thanks once again to the band of volunteers and Mikey and Max  who make sure we all have a wonderful Mountain top festival.

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Steelhouse 2018 the clock is ticking ! show your interest and keep to-date on Facebook Event

July 27th – July 29th 2018

Steelhouse 2017 Simply Marvellous Mud Music and Mates

Four Excited Bands Talking About 4th UK Blues Challenge

Four Excited Bands Talking About 4th UK Blues Challenge

 

Four Excited Bands Talking About 4th UK Blues Challenge

 

 

Who are the four excited bands talking about 4th UK Blues Challenge? They are Zoe Schwarz Blue Commotion; LaVendore Rogue, The Rainbreakers and Elles Bailey. There will be a fifth band joining the quartet of superb bands. The fifth band will be announced shortly after the Great British Rhythm and Blues Festival taking place at Colne 25th-27th August. The Jessica Foxley Unsigned bands who will be playing on the main stages have now been selected. From these Eight bands one will be chosen to join the bands already announced to take part in the Challenge on the 10th September. Find out who the eight bands that are in with a chance HERE.   

While we all wait in anticipation as to which band are joining the four who have already been nominated read about the bands and what they said when Bluesdoodles spoke to them.

Four Excited Bands Talking About 4th UK Blues ChallengeFour Excited Bands Talking About 4th UK Blues ChallengeTell us what it means to Zoe Schwarz Blue Commotion to have been nominated to participate in the challenge with the chance of representing the UK in Hell, Norway and Memphis U.S.A in 2018?

 ZSBC: Firstly, the fact that the number of our peers nominating is so large gives real credibility to the artists involved, so we are also proud about that.    We are also proud to be nominated as we see it as a recognition of our original music, concept and style.  We don’t write the songs to any kind of formula or to fit in with any cliche or pre-conceived ideas of what defines blues in 2017. Read more…..

Four Excited Bands Talking About 4th UK Blues ChallengeFour Excited Bands Talking About 4th UK Blues Challenge

Tell us what it means to LaVendore Rogue to have been nominated to participate in the challenge with the chance of representing the UK in Hell, Norway and Memphis U.S.A in 2018?

LVR: We’ve been to hell and back a few times over the years, and playing in the states has to be a dream of any UK musician, so it’s an honour to be considered for the UK British Blues Challenge – we’ve been working hard over the last few years, and it’s great to see its been recognised by the UK Blues Federation. Read More …

Four Excited Bands Talking About 4th UK Blues ChallengeRainbreakers Talks About 2017 UK Blues Challenge

Tell us what it means to The Rainbreakers to have been nominated to participate in the challenge with the chance of representing the UK in Hell, Norway and Memphis U.S.A in 2018?

RB: We were overwhelmed to have been nominated, especially when we don’t really consider ourselves to be a blues band as such. We think it shows willingness from the scene to accept the new approach to the blues that some of the younger bands of today are displaying. Obviously we would be thrilled to go through to the European and American challenges especially as we are hugely influenced by a plethora of bands from the states! Read More….

 

Four Excited Bands Talking About 4th UK Blues Challenge

Four Excited Bands Talking About 4th UK Blues Challenge

Tell us what it means to Elles Bailey to have been nominated to participate in the challenge with the chance of representing the UK in Hell, Norway and Memphis U.S.A in 2018?

EB: Love the fact that European Challenge at Hell – didn’t know it existed on Earth. I am chuffed to bits to be performing in the Challenge this year. I am a newbie on the scene over the last twelve to eighteen months I have been quickly accepted in the Blues community. It has just exceed my expectations, definitely delighted to be performing in Liverpool and looking forward to seeing the other acts. It is definitely going to be a great night. Read More…

More about The UK Blues Challenge

What is the UK Blues Challenge (UKBC)?

An annual event organised by the UK Blues Federation (UKBlues) at a different location in the UK at which a number of bands/acts compete in front of a panel of judges drawn from across the blues spectrum. The winning band/act is invited to represent the UK at the following year’s International Blues Challenge (IBC) in Memphis and European Blues Challenge (EBC) which is held in a different European country each year.

The International and European Blues Challenges are organised by, respectively, the Blues Foundation  and the European Blues Union (EBU)

We are very pleased that this year’s event will take place at the legendary Cavern Club in Liverpool on Sunday 10th September 2017 starting at 16.00. More details can be found  and how to buy a ticket for the event HERE. UKBlues is excited to be bringing the blues back to the Cavern sixty years on!

How are the contestants in the UKBC chosen?

As an Active Member of the EBU meeting the EBU’s laid down criteria (see EBC rules here) and the sole UK Affiliate of the Blues Foundation, UKBlues are honoured to be invited to create and manage the selection process to choose the band or artist who will represent the UK at these prestigious events each year.
The first stage of the process this year saw a panel of more than 250 people from across the blues spectrum in the UK which included members of UKBlues, all UK based Active Members of the EBU, members of the Independent Blues Broadcasters Association, festival and gig promoters, writers (both online and print media), musicians, fans and blues supporters etc. being invited to submit the three UK acts that they felt would best represent the UK at the EBC and IBC.

Members of this panel were asked to place their choices in order (first, second, third) and points were awarded according to the position in which the acts are placed by you.

The 4 top scoring available acts after this process was complete were invited to participate in the UKBC where the contestants will perform in front of a panel of judges who will use the same criteria to award points to the contestants as are used at the EBC and IBC.
In a new departure this year, a fifth band will be invited to participate which will be selected from the bands who have been invited by Jessica Foxley Unsigned to play at the Great British Rhythm ‘n’ Blues Festival which takes place in Colne over the August Bank Holiday weekend –  These bands are, generally, under the radar and being selected to play at Colne is a big step up for them.

The band will be chosen by a panel of representatives of the Jessica Foxley Unsigned project and will be chosen on the strength of their performance at Colne.

The winner of the UKBC will be invited to represent the UK at both the 2018 EBC and IBC.

What are the selection and judging criteria?

When making their selections, the members of the panel are asked to bear in mind the following EBC rules which apply:

  • The leader of the band must have the nationality of the country he/she represents.
  • At least 50% of the members of the contestant bands must reside in the country they represent.
  • Acts who participated in a previous edition of the EBC, but did not win, may compete again after a period of 3 years.
  • Bands of which half or more of the musicians participated in a previous EBC with another band, may compete again after a period of 3 years.
  • Bands of which less than half of the musicians participated in a previous EBC with another band, may compete again after a period of 2 years.

Contestants at the UKBC, EBC and IBC are expected to perform at least 50% original music in their set and they are awarded points using the following criteria as laid down by the EBU:

  • Originality
  • Instrumental talent
  • Vocal talent
  • Stage presence
  • Blues content

You can read the full EBC rules here

This process is the same as that which has been used in previous years and is approved by the Blues Foundation and the European Blues Union

Four Excited Bands Talking About 4th UK Blues Challenge

News from Colne August Music Festival Jessica Foxley Bands Announced

News from Colne August Music Festival Jessica Foxley Bands AnnouncedNews from Colne August Music Festival Jessica Foxley Bands Announced

Unsigned Artist Competition – Winners Announced playing live on main  stage at Great British Rhythm & Blues Festival, Colne on Saturday & Sunday.

The festival requested unsigned acts… and received them by the bucket-load! Following an overwhelming response, The Jessica Foxley Unsigned judging panel chose 8 finalists to open the festival main stages this summer.

The finalists are:
Robert J Hunter Band
Tom McCartney
Tom Walker Trio
Lem And The White Fire
The Ragamuffins
Old Bohemia
The Greasy Slicks
The Joe Anderton Band

The eight bands all bring to the stage all the excitement of live music.  One of the eight will then be chosen toparticipate in the UK Blues Challenge on 10th September 2017 at the Iconic venue The Cavern Club in Liverpool.
 
Jessica Foxley Unsigned Band will be performing alongside the four bands, LaVendore Rogue; Elles Bailey; Zoe Schwarz & The Rainbreakers. The winning band will step into the shoes of Kaz Hawkins who in 2017 was semi-finalist at The International Blues Challenge in Memphis and Winner of the European Blues Challenge.
Read more about the 4th UK Blues Challenge and the UKBlues Federation who organise the event HERE


News from Colne August Music Festival Jessica Foxley Bands AnnouncedSeeking Festival Volunteers
The festival seek volunteers to help at the event.In return for skills, time and energy, volunteers receive free festival tickets, vouchers for food and refreshments, an exclusive crew t-shirt, plus of course, be part of what is shaping up to be one of the best blues-rock based event of the year.Colin Hill, the CEO of Colne Town Council comments “And… for any young person over 16, not yet experienced in the workplace and wanting to gain some hands-on experience of what running an event like this entails, this a great opportunity to be part of something exciting and challenging…”To register interest and for further information, here’s more…Festival ‘Headline’ Sponsors Announced
Colne Town Council are delighted to announce that Barnfield Construction Ltd and Roaming Roasters have kindly agreed to support the Town Council as main partners.


Barnfield Construction are based in Nelson and have been established for over 40 years. The family run contractors, developers and investors offer honest, thought-through and practical solutions to a diverse array of new and refurbishment building contracts ranging from industrial, commercial, retail, leisure, plus hospitality and residential schemes.

Roaming Roasters are a farm shop and deli on Barrowford Rd, Higham, and sell locally sourced, grass fed and free range meat, along with handmade pies and loads more tasty stuff.

Further information on the festival supporters is right here.

 

Main Stage Evening Line-ups:

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News from Colne August Music Festival Jessica Foxley Bands AnnouncedHippodrome Theatre, Friday Evening, 25th August 

Ian Siegal & Band
 – celebrating 25 years of professional touring with his songs that are real, shows that resonate and vocals served raw + 

The Lachy Doley Group – “The Jimi Hendrix of the Hammond Organ” +
Tom Attah & The Bad Man Clan – A modern, living bluesman…

News from Colne August Music Festival Jessica Foxley Bands AnnouncedThe Muni, Friday Evening, 25th August 

Joanne Shaw Taylor
 – UK’s number one star in the blues rock world +
S
tevie Nimmo Trio – one half of Scotland’s highly respected ‘Nimmo Brothers’ +
The Revelator Band – unpredictable, fun festival-style blues.

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News from Colne August Music Festival Jessica Foxley Bands AnnouncedHippodrome Theatre, Saturday Evening, 26th August

Aynsley Lister When explosive natural ability collides with fiery, emotionally charged compositions, the result is Aynsley Lister… +
Rob Tognoni Explosive guitar playing and unique songs +
TJ & The Suitcase Vocal / Harmonica / Suitcase drum / Home made tambourine beater pedal… Its time to get packed!

 

News from Colne August Music Festival Jessica Foxley Bands AnnouncedThe Muni, Saturday Evening, 26th August

Grammy nominee Janiva Magness + the blues, soul, gospel of Jo Harman + The Kaz Hawkins Band – Northern Ireland’s fun, heartfelt, soulful rock ‘n’ roll-blues…, Lisa Mills

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News from Colne August Music Festival Jessica Foxley Bands AnnouncedHippodrome Theatre, Sunday Evening, 26th August

Lucky Peterson –
Searing lead guitarist, fantastic organist, and first-rate vocalist
Clay Shelburn – 
Funk, rock, blues and country from this incredible self­taught multi­-talented artist
Michael Messer’s Mitra – A remarkable fusion of country blues with Hindustani music

News from Colne August Music Festival Jessica Foxley Bands AnnouncedThe Muni, Sunday Evening, 26th August

King King – Soulful, dynamic, blues-rock from Glasgow
John Fairhurst – The Wigan Jimi Hendrix
Gwyn Ashton – Solo, hardcore, 21st Century, alternative blues
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This is just a snap shot of the array of music available at the Festival:-
The Great British Rhythm and Blues Festival:
3 Days
12 Official venues
100+ Acts
150+ Gigs
1 Great Festival
News from Colne August Music Festival Jessica Foxley Bands Announced

Ray Dorset aka Mungo Jerry Talking About Ealing, Festivals and Blues

Ray Dorset aka Mungo Jerry Talking About Ealing, Festivals and Blues

Ray Dorset aka Mungo Jerry Talking About Ealing, Festivals and Blues

In 1970, Mungo Jerry enjoyed world-wide fame with a song called “In The Summertime”. That song went to number three on the US chart and number one in England. Ray Dorset of Mungo Jerry talked with us about the history of the group. Now performing as Mungo Jerry and popular at Blues Festivals, performing this July at Ealing Blues Festival.

BD: I was delighted to have the opportunity to talk with you today, the writer of In The Summertime

BD: Lets start off with the here and Now. Mungo Jerry not in the 1970’s band format performing at Ealing Blues Festival July 2017.
RD: Mungo Jerry is me Ray Dorset. I am Mungo Jerry the artist performer. I have owned the name since 1972. Before I was even fired from the band. Once I was fired they considering the vocalist from the Strawbs to replace me it wouldn’t work. BD: Why? RD: They very quickly realised without Mungo there was no band called Mungo Jerry. In retrospect having the Mungo Jerry was a good move for me. Gives me an identity linking back to the band and suits the widespread music I play, African and world music rooted in the blues.

BD: Now playing in the Summertime in West London at Ealing’s Blues Festival what will you associated with 70’s pop bring to the Blues vibe?
RD: Mungo Jerry is not pop as it is known today. I will be playing In The Summertime it is expected. You can be assured I will not be doing what Shaggy did at Glastonbury with In The Summertime get crowds to wave arms in the air never expect a worldwide performer to keep asking people put arms in the air just can’t do it. The hit the band Mungo Jerry had with In The Summertime was one of many. Even then the essence of blues was present. BD: How? RD: We had no drummer; the percussion was from Cabasa combined with my foot stomping on the floor picking up from John Lee Hooker’s style..

BD: Back to Ealing Festival
RD: As I said I don’t do pop. I play some of my hits that is to be expected. Most importantly I play music I enjoy playing. I gauge the crowds reaction and what else is on the festival line-up. I am not there to educate or display a virtuoso performance. I am at a festival to entertain, hopefully the music will be a positive and therapeutic experience. I give something in my performance and get something back from the crowds it is karma. What will be fun at Ealing will be playing music the audience wants to hear. You have to remember the majority of the crowd what to be entertained on a summer’s day. They really do not care about the genre and if it is recorded music who produced it is of little importance. Music for them they either like or dislike. Hopefully they will like my music and I am really looking forward to playing Ealing this July and you never know there may even be schools mates from when I lived in West London.

BD: What were your introduction to music growing up in West London?
RD: I grew up in Ashford Middlesex in 1955 the population was approximately 16,500 the whole family was very, very musical. My Father played the harmonica and Mum the Piano and sang. On any occasion, Christmas, birthdays, family get-togethers we all did our turn playing and singing. I had no brothers or sisters so was taken by my Gran to lots of movies, particularly Ginger Rogers and Fred Astaire and especially musicals. Such as Annie Get Your Gun, The King & I, and Singin’ In The Rain. There was something in the rhythm and groove that had a therapeutic effect. When I was eight or nine my Great Uncle would take me to the local football club socials; I would sit as close to the band as possible I could feel what it would like to be the drummer. I started playing the washboard, then made a tea-chest bass and then saw it up to make a guitar. I had for Christmas a terrible plastic guitar and then when I was ten I got a proper guitar for Christmas. By the time I was eleven I was in my first skiffle band with friends from school, rehearsing around each other’s houses, yet never thought about being a professional musician.

I had an interest in electronics and had a crystal set for Christmas one year, build that and then investigated how it worked. A friend discovered transistors used to buy ex-government components and old radios and take them apart. Then I got a job in Timex in Brentford working in research drawing up quality control equipment. Hand –in-hand whilst I was playing in a band in the evenings and weekends. By the time I was fifteen I was playing in the White Hart and Red Lion in Sutton, on alternate Saturday evenings. The Rolling Stones played there on a Thursday evening. We were running out of repertoire from across various genres so started to write songs.

BD: You obviously loved playing music and the effect music had on yourself when listening and others when playing. Who influenced you?
RD: So many, from across the genres. From playing in the same venue as the Rolling Stones to when my band supported the Yardbirds, they were phenomenal, unique and real. Then bands like The Who created a fantastic groove the maximum R n’ B from three musicians; and rooted in the blues. From the British Blues Scene I explored the music that influenced them I have always been inquisitive and asked questions.
As I found music I explored the roots and the road led back to blues whether Bob Dylan or Woody Guthrie; who played a lot of Leadbelly. I listened to music from far and wide and continue to find new experiences like Daddy Long Legs based in America he does a great version of Bourgeoise Blues full of raw energy. Through discovering his music recorded in jail by Alan Lomax I found the other artist captured on Lomax’s tapes. Blues run deep from Robert Johnson through to Muddy Waters & BB King the list could go on they have been so influential.

BD: That leads us nicely to and linking back to Ealing Blues Festival. What does the Blues mean to you and can it be defined?
RD: Blues has a fundamental drive it is honest music. I have always listened to music associated with the blues, the old timers, British Jazz and my Mother loved Frankie & Johnny with Elvis Presley and I was paying in a Skiffle and Blues Band. Rock N Roll came to the fore with Bill Halley then Elvis Presley they go back to rural blues. Country and blues and of course Rockabilly white ghetto blues.
Enough people have defined the blues intellectually and socially for me it is about a feeling. There are so many different aspects of blues. There is an element of soul to it the feel is kind of rooted in the blues. The feel and soul reaches back to slavery, servitude working in the fields creating rural blues. Rising out of intense misery singing about the discontent, hurt complaining to a beat can be persuasive. Blues is about writing about what is happening and can be triggered by an event such as a hurricane or newspaper headline or a phrase overheard. You could say the roots of I Don’t Like Monday title and theme is a link in the chain of blues impacting popular music.
Blues is personified by for example, Sleepy John Estes, Married Women Blues electric guitar into a basic amp both bought from a department store yet created music that was timeless. The same goes for the legendary twelve-string played by Leadbelly both influential musicians over the decades. Stripped down to its basics it is guitar and foot stomping, from likes of John Lee Hooker as you get more excited the stomping gets harder creating a fundamental tempo. The instruments, lyrics and player meld into one delivering the blues. Blues has always been commercial once they sold records Howlin’ Wolf wanted to sell his records and was commercial and there is so much more than 12-bar blues it is a much more complex genre. It has to have an element of being unique not just replicated what has already been done and definitely for me in the blues less is more; I have definitely made that mistake. I find that today so many blues artists play the same style all the time reflecting what seems to be taught and the influence of X-factor type programmes. Take Joe Bonamassa he can play the guitar BUT it has all been done before.
I have written blues in various styles always been an influence. Looking to write and record in the future something that has not already been done in the past. It will definitely be influenced by all the soulful blues energy and hopefully create something unique. Music that isn’t just for a black guy to sing. American population is made up of immigrants from Europe, Asia and Africa. The music became the melting pot with influences from Eastern Europe, Germany, Ireland as they got together in homesteads and East met West. The instruments were mixed together whatever was available, parlour piano, banjo, harmonica, accordion all got mixed together as remembered folk music formed and re-formed into music we recognise today.

BD: During your long career, a jam with Peter Green & Vincent Crane resulted in the Katmandu Album, Case For The Blues
RD: I first met Peter Green when he was in Fleetwood Mac; he recommended a guitar shop to me. Then met him again when I was living in Grayshott Surrey where I lived for a while in a large house with a recording studio. Chris Hollands asked me if I fancied a jam with Peter Green I said yes, come round to my studio. Few days later another phone call Vincent Crane fancies a jam. So we got together with Peter Green, Vincent Crane(Keyboards), Len Surtees an old school friend on bass and cousin of motorbike racer John Surtees; Jeff Whittaker on percussion with sharp skills. We realised that we didn’t have a drummer so asked Jackie Lynton Band’s drummer Greg Terry to come round. So we had a big jam session, and thought possibly have a record from this so recorded on a cassette and 2” multi track.

BD: If you were putting together the perfect / fantasy band with members from across the years (dead or alive) who would you have playing
RD: No not doing that the past is the past only now. BUT I would love to have a jam with Bob Dylan; Bruce Springsteen and Eric Clapton. If I could bring someone back to play it would be Vincent Crane he was a genius the way he played, whether classical progressive or rock. There would have been no ELP or Crazy World of Arthur Brown without his influence and keyboard skills. So sad he committed suicide a real loss.

 

Thank you for your time, been wonderful chatting with you as we wondered around the world of music, Mungo Jerry and In The Summertime

 

 

Ealing Blues Festival Leads with The Blockheads and Mungo Jerry

 

Tickets on sale here.

 

Leading the line-up this year are The Blockheads, one of the most underrated British bands of all time. Since 2000, Derek Hussey has been fronting the band, adding 21st century bite to the everyday observations of their late frontman Ian Dury. They will be celebrating the 40th anniversary of their album ‘New Boots & Panties’ by bringing their witty lyrics to their biggest London show of the summer.

Joining them as headliners across the weekend are Mungo Jerry, the blues, jugband & skiffle influenced band whose frontman and founder Ray Dorset played a number of Ealing venues in his formative years. The group are famous for their feel good summer anthems and responsible for one of the best-selling singles of all time, “In The Summertime”, which has sold over 30 million copies.

As always, Ealing Blues Festival will present the artists at the heart of the British blues scene, with performances from 2016 British Blues Awards finalists Tim AvesNorthsydeSam Kelly & Laura Holland, 2016 Sky Arts Guitar Star series finalist Steve Morrison and Amy Mayes, who recently performed with Jools Holland’s band for his Radio Two show. It is also proud to champion a number of emerging blues artists, and will feature showcases from Winnie & The RockettesGeorgie ChappleDu BellowsAndy Twyman and Tom Walker.

Ealing Blues Festival began as an independently-sponsored ‘free’ event in 1987. Over the years, the festival has developed in partnership with Ealing Council & The Event Umbrella to become one of the biggest blues festivals in the UK, with almost 6,000 people attending last year alone. Acts will perform across three stages in Ealing’s beautiful Walpole Park.

Ealing Blues Festival is one of 2017’s Ealing Summer Festivals, a series of eight separate events taking place in the borough between July and September. Set in some of Ealing’s most beautiful parks, the festivals bring people together in a collective appreciation of exceptional local and international talent across a range of artistic disciplines.

 

The Line UP

Blockheads
Mungo Jerry
Tom Walker Band
Laura Holland Band
Bourbon Street Revival
Du Bellows
Greg Coulson
Amy Mayes Band
John Crampton
Northsyde
Georgie Chapple Band
Tim Aves & Wolfpack
Steve Morrison & Blues Abuse
Marky Dawson
Andy Twyman
Sam Kelly’s Station House
Dan Sowerby & Hugh Budden
Winnie & The Rockettes
Mumbo Jumbo
Geoff Garbow Band
Robert Hokum’s Blues Festival All Stars
Uncle Buck
Little Steam
Mack
King Buster Blues Band

Ealing Blues Festival details

22th – 23th July 2017

Walpole Park, London, W5 5HS

12pm – 11pm

Tickets available from here

Advance tickets: £5 per day or £10 for the weekend (plus booking fees)

 

Ray Dorset aka Mungo Jerry Talking About Ealing, Festivals and Blues

 

2nd Hereford Blues Festival Announced November 2017

2nd Hereford Blues Festival Announced November 2017

 

2nd Hereford Blues Festival Announced November 2017

Building on the success of the inaugural Hereford Blues Festival held in 2016, the event is back for its second year at The Left Bank, Hereford on Saturday 18th November 2017.

 

 

The music will be full of  British Blues from bands & artist who delight the crowds whenever and wherever they play as Hereford Blues Festival firmly plants itself on the Blues Calendar.

The 2017 line-up is full of energy  with the bands making sure this will be a day of music from the beginning to the end. One thing for certain the crowds will not want the music to stop!

The acts playing for your delight from 1:00 pm – 12:00 pm are:

Red Butler
Kyla Brox Band
Tommy Allen’s Trafficker
Della Grants
The Rainbreakers
Troy & Violet Redfern

Advance tickets are £15 and are available here

 

 

2nd Hereford Blues Festival Announced November 2017