Tonight Bad Touch Headline The Tunnels Majestically

Tonight Bad Touch Headline The Tunnels Majestically

Tonight Bad Touch Headline The Tunnels Majestically. The third night of the first headline tour was a phenomenal success but as Stevie Westwood said, tonight is not about one band as he praised the two acts that set  The tunnels alight for the Headliners.  Opening the night local band Flowerpot and then Mollie Marriott, live music doesn’t get much better.

Tonight Bad Touch Headline The Tunnels MajesticallyFlowerpot, an all-women outfit have been gaining the momentum of attention by opening for acts visiting Bristol and headlining their own shows. This young band full of raw energy had seven numbers to showcase their own brand of grungy, punk-driven rock.  The music was not hewn from a particular vein of rock. The band had their own sound and energy that flowed from the classy drumming from Jess which defined the shape of the music that allowed Morgan on Bass pick up the rhythm and rock as her flowing and at times revolving hair orchestrated her sound. Pulling the sound together Ellie on guitar provided the melodic chords and riffs for Steph on vocals to hook onto. Up front Steph on vocals controlled the band and had the audience captured as they listened to the lyrics that had something to say as we heard about snails, loser girl and a debut of a new number Bruised.  After their raw, eclectic and blistering set, we were left not battered and bruised or trailing along at a snail’s pace but ready for the next two acts as The Tunnels filled and the temperature raised by Flowerpot.

 

Tonight Bad Touch Headline The Tunnels MajesticallyMollie Marriott with her critically acclaimed album Truth Is A Wolf was the next band. Quick change round and the band was on stage. A complete contrast to Flowerpot. The raw intensity was replaced by a softer more malleable sculptured rock. Mollie’s voiced captivated with its purity from the first note of her opening number Run With The Hounds with the organ looped in so the full sound achieved on the album can be heard live.   Tonight surrounded by her band Mollie warmed the crowded venue with her winning smile and a vocal range that captured the depth of the lyrics and topics covered.

The rhythm section was solid and the lead guitar giving Mollie the chords, melody and hooks for her vocals to soar.  Early in the set, she slipped in a new number Nobody To Love and if this is what is going to be on the follow-up album I am counting down the days. One of the highlights of the too short set was Broken, the power, emotion and passion shined from Mollie’s face through to the vocal delivery.  We all connected with the feeling of being broken after a failed relationship and hurting people close to us. In this case Mollie’s daughter and her relationship with her.   In the set was title track Truth is a  Wolf and the rockier number King Of Hearts later in the set sleazier, dirty and filled the venue with another side of multifaceted Mollie.  Vocals coloured the stage along with a band that flexed its muscles as she blended rock with jazz, blues and soul a sonic landscape full of texture and tone. Dressed in Black with White guitars and bass the monochromatic visuals contrasted with the music.  Mollie has a famous surname as the daughter of Steve. Tonight she conquered the venue, with her own name Mollie Marriott, and an act to see live. Her voice is better live than in the studio. The voice is warmer and more personal as the lyrics on the numbers take on emotional meaning. She was in total control of the stage as her final number Control finished an accomplished set and we were now in the mood for Bad Touch.

Tonight Bad Touch Headline The Tunnels MajesticallyThe excitement fizzed like a can of shaken pop as Bad Touch exploded on the stage on their first headlining appearance in Bristol. The crowd were hot for their spectacular feel-good sound captured on the album Truth Be Told. We were definitely not disappointed as they opened with Take Me Away. Yes, we were taken away on the rollercoaster of a band on fire playing the music they love to an audience that was up to be given the Bad Touch treatment from this effervescent five-piece.  The first all-male band of the evening and they knew the audience as already hot for live music so no warm-up numbers for the band they were straight in with high voltage music with a ringing sting that excited The Tunnels tonight. The set definitely elevated them to the deserved headline status one this tour with the hefty heavy/southern rock influences and bags of attitude this is a band that knows how to party. All the musicians understand their role and play to each other’s strengths. With the power of a rhythm section that lays now a depth of sound that grounds the sound as George Drewry’s drumming is timely, powerful and into this he mixes when required a subtleness, a gentle touch. Joining his rhythmic tones is Michael Bailey on bass with his hair flowing, and moving in time with the deep southern hot chords. The guitarist adds the next layer that smarts and stings cajole and weeps as Rob Glendinning takes the lead with stylish slide or plectrum lead guitar work that is simply stupendous. Daniel ‘Seeks’ Seekings adds with top-drawer rhythm guitar work filling in and drawing out the guitar. This quartet is loud and full of imposing attitude and sound. How do you top that? Easy add Stevie Westwood into the vocals as vocals frontman and the glossiest, curly mane of hair and that cheeky waxed moustache, He steps into the frontman role with a swagger, style and talent. Phenomenal!

We have the musicians on stage, full of vim and swagger now for the music. They delivered with a mix of old and new we all were touched with their majestic interpretation of Rock N’ Tonight Bad Touch Headline The Tunnels Majesticallyroll Norfolk style tonight. The set list was the perfect blending of fast, faster furious and the breather we all need. Not once did the band lose control of the sound they are so good at delivering. Stevie’s vocals perfect for the genre and the quality of the backing vocals take the sound to another level. We shared a Sweet Little Secret with the band and delighted as the guitarist played off each other both with their confident cool, arrogant swagger that fills the stage with a six-string punch.  Highlights – every number played. Those that stood out Wise Water and great to hear Down one of their earliest numbers that morphed seamlessly into Lynyrd Skynyrd’s classic Can’t You See. Down it doesn’t appear on any album must be a contender for the much anticipated follow up to Truth Be Told. A definite keeper for the forthcoming album is the new song aired tonight  I Belong that makes full use of Rob’s ace slide work.  Something Someone took the tempo down with an acoustic ballad as the Stevie and Rob duet and then the band return picking up the beat and building the energy for the last few numbers of the set. We were rocking and singing along to a perennial favourite My Mother Told Me. With one of their signature tracks Take  Your Time they ruled it as the favourites flowed with Outlaw and closing with the might The Mountain.  What a great atmosphere generated as we wanted the band to play on this was a night to remember. We had two more numbers as the encore-closing with the single from the album 99% that got them noticed by Planet Rock and others closing the night leaving us on a high. But before that, a special moment as Mollie Marriott returned to duet with Stevie and the band on Baby Get it On Tina Turner’s classic given the Westwood/Marriott treatment. What a night! Tonight Bad Touch Headline The Tunnels Majestically

This slideshow requires JavaScript.

 

 Tonight Bad Touch Headline The Tunnels Majestically

 

 

Tonight Bad Touch Headline The Tunnels Majestically

 

 

 

Tonight Bad Touch Headline The Tunnels Majestically

 

 

 

 

 

 

 

 

 

Reality Hits as Jack J Hutchinson Paints No Fiction

Reality Hits as Jack J Hutchinson Paints No FictionReality Hits as Jack J Hutchinson Paints No Fiction

Jack J Hutchinson, causes a stir whenever and wherever he plays live. His music catches the ear and pulls you deep into his dirty interpretation of the blues. The hooks are deep in the roots and the riffs have the energy of the contemporary music. On Paint No Fiction Jack is joined on this twelve track album that was six months in the making by an intoxicating and exciting array of U.K Blues, Rock and Americana musicians. Genres reflected in an album redolent with raw and dirty dripping with genre-busting intrigue and excitement as he Paints No Fiction; the music is authentic 21st Century British blues-infused music.

Before you listen to a note, the artwork by Aaron Gardner has an inner power, capturing Jack’s personality in shades of brown and yellow. You want to hear the music from a man who dominates the front cover and reflects back images in his sunglasses. You want to uncover what makes the musician tick.

Opening with Deal With The Devil, you are assailed by full on rock crescendo. No traditional blues fuelled deal with the devil. The rock is countered by beats and textures that fall within Americana,  as we get to know the Paint No Fiction music of eleven self-penned numbers. The guitar is raw fuzzy energised with the fluidity of a jam captured and ordered in a studio. As Jack sings ‘The World Don’t Own You A Dime…. Deal With The Devil – The Devil Ain’t Mine’, your attention is truly captured. Moving swiftly into Written In Stone the tone changes as we have hints of dirty rawness inspired by Mississippi Hill Country with guitar work with its fuzzy tone that demands your ears take note whilst your feet just absorb the beat with pure delight.

Each number has its own clear texture tone and approach, Jack has chosen the group of musicians used on each track with care. On the slower Hold Me Close, the acoustic guitar picks out the melodic path and Hutchinson’s vocals still have the signature gruffness but delivered with a gentler cadence. The keys pick up the melodic flow building the tension and creating a soundscape of emotional tension as Jack yearns to be held close. As we Cut The Noose, the blues is strong and pure, considered and reflecting the lyrical depths.  Halfway through the album and we are still in reflective mood with Set Your Heart For The Sun. The percussive tones reflecting and adding shadows to the vocals from Jack that are at the heart of every number.

The tempo heats up the rawness is cutting through the beat on the first single from the album Rattlesnake Woman. This is blues that is mysterious and reflects the psychedelic elements of the cover. The guitar duelling is immense as Hutchinson and Ross battle it out with the six-strings – rather that than a six-shooter. The blues theme is picked up with a harmonica driven whip cracking Skin and Bone.  Jack may sing about Skin and Bone, the sound is full boned nuanced with sharp and sweet licks and melodies as we turn the corner into the last three tracks of the album.

The penultimate track is calmer with Send Me A Signal with a countryesque phrasing of the vocals contrasting with the guitar picked with precision.  The album closes with a full-on luscious sound that floats as we explore Hard Right In My Dreams. Jack Hutchinson and his myriad of guests have created an album that is a sonic exploration of music dipped in the wealth of roots music, shaken and stirred with flashes of modernity.   Every number is a chapter in the story Jack J Hutchinson is creating in Paint No Fiction. It is music genuine to the here and now. The lasting truth of this work of musical art is authenticity.

Hutchinson album launches Paint No Fiction with a special ‘Last Waltz’ style gig at Ain’t Nothing But, Soho London featuring all the musicians on the album.
A Date for your diaries that is a certainty – 8th December 2017.

Musicians:
Jack J. Hutchinson: Vocals and guitar
Mike Ross: Electric Bass and guitar
Alberto Manuzzi: Keyboards
Marc Burguera: Guitar
Tom Brundage: Harmonica
Stuart Moir: Violin & 8 string bass
Dani Rock: Double bass
Loris Peverani: Drums and percussion
Morgan Platt: Drums and percussion

Producer: Tony Perretta

Paint No Fiction – Jack J. Hutchinson

EIGHTpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Deal With The Devil
  2. Written In Stone
  3. Hip Slickin’
  4. Hold Me Close
  5. Cut The Noose
  6. Set Your Heart For The Sun
  7. Rattlesnake Woman
  8. Skin and Bone
  9. I Got Your Number
  10. Send Me A Signal
  11. Hard Right In My Dreams

Explore A Small World Enlarged Beautifully by Dan Burnett

Explore A Small World Enlarged Beautifully by Dan BurnettSometimes an E.P. disappoints, not just because it leaves you wanting more but as often with a collection of Short Stories the artist has not used the six tracks to truly promote the nuances that make an artist demand attention. This is not the case on Dan Burnett’s Small World E.P. Yes, you are left wanting more. But he opens the door into his world of musical tones and shapes on Small World a collection of five originals and the bonus track a stylish cover of the oft-covered Bob Dylan’s All Along The Watchtower.  Explore A Small World Enlarged by Dan Burnett, on an E.P. that connects to you personally up close with intimate insights into Burnett’s music.

Opening with the title track, Small World is a light ditty with strong piano with hints of New Orleans as we are in Pittsburg with Dan as he realizes how small and connected we are in a world where contact with each other is easy.  The harmonica moans as we eavesdrop on a drunken conversation in the early hours at a hotel bar. The power is in our hands to change relationships and feelings to communicate.  The Piano from Dan is superb promising more of what is to come. The mood changes with Battle Scars, Dan refers to this as his ‘mental health anthem’. Taking us behind visible scars with a simple number sung with passion and empathy and deep understanding as the organ takes up the melodic tones. The next two tracks explore relationships as the deepness of keys are added with another set of strong lyrically driven songs. The last of the originals Reason For Living, written for Dan’s son Alfie and life-affirming about the changing power of his son in his life. The piano is strong with a driving beat and leaves you understanding Dan and yourself a bit more.

The bonus track Dan re-arranges the Dylan classic All Along The Watchtower. Stripped back with grand piano and organ intermingling creating the atmosphere that lets the lyrics pop out with intensity and poetry. Reminding us of the influence of Dylan on songwriting, Burnett has reclaimed this classic for the singer-songwriter and not just for a would-be Hendrix. The atmosphere is built and the laughter heard in response to the words adds to the intimacy of the album. For twenty-four minutes we are in a deeply personal space, the songs sung for us in the most intimate of shows that you can listen to whenever you want. These are six shining gems produced and delivered with love Get close and personal and explore a Small World enlarged beautifully by Dan Burnett.

Small World – Dan Burnett 

EIGHTpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Small World
  2. Battle Scars
  3. Last First Kiss
  4. Time Has Come
  5. Reason For Living
  6. All Along The Watchtower

Explore A Small World Enlarged Beautifully by Dan Burnett

Robert Plant Solo Album Carry Fire Music Burns Deep

Robert Plant Solo Album Carry Fire Music Burns Deep

 

Robert Plant’s Solo Album Carry Fire the music burns deep. The music has hidden depths, as layers of tonal shapes and textures interlace with the thoughtful lyrics. Carry Fire is rooted in the earth, ethereal as air, turbulent as water and hot as fire as the four elements encapsulated across the eleven tracks. Joining Plant on his eleventh solo album for the second time are The Sensational Shape Shifters. The tonal range of the album is mellow and fruitful as Plant captures a misty melancholy yearning that is often felt in autumn. The colours are rich and fiery but these soon will fade as the year turns and seasons come and go.  The soundscapes are painted that weaves through the tracks shaped by the instruments chosen as the passions wax and wane. Opening Carry Fire, with a jaunty number The May Queen we start off looking forward or back to a different season. The percussive beats hint at dance, light and merriment and surrendering as folk and rock merge at a crossroads of Plant’s own design contemporary and rooted deep in the roots of world folk traditions from North Africa and closer to home. Beguiling leaving you wanting to hear more as we Carry Fire on a journey with the lyrics of Robert Plant once more.

The use of a myriad of instruments on Carry Fire reflects the wealth of tones available to artists like Plant and Steve Hackett’s album Siren Nights earlier this year. Modern folk/roots/rock music is not just guitar led it is strengthened with the tonal complexity of instruments used across the world rooted in the earth creating a fiery musical backdrop.   The array of instruments is a reflection of the virtuosity of The Sensational Space Shifters, who are with a selection of the instruments captured on Carry Fire. They are Austin Adams (Guitars, Oud, Percussion & Tambourine) Liam “Skin” Tyson, (Guitars, Dobro, twelve string, pedal steel etc.) John Baggott, (Keyboards, Moog, t’bal, bendir, slide guitar) Dave Smith (bendir, djembe, drums) and joining them are Seth Lakeman (Viola & fiddle) and Albanian Cellist Redi Hasa.

We are on the move, a feeling of urgency with the beating of drums as Plant explores the negativity of colonialism and modern topics that are part of the political, cultural and personal landscapes with nationalism addressed in Carving Up the World Again… A Wall Not A Fence. The beat is frenetic, his voice raised in passionate anger as he spits out the words. The instruments burn and coil around the lyrics, the attention is one-hundred percent on Plant’s impassioned lyrical outpouring. Powerful music for the age.

The title track coalesces around the instruments conjuring a fire in the deep darkness of a desert encampment. Plant once again captures the mood with the depth of lyric and the power of delivery. Deeper and with a sultry edge the younger Plant voice did not deliver. Age has shaped the interpretation of lyrics and music. The traditional North African instruments a song of love and the pain we inflict on ourselves and each other full of wistfulness and hope as Robert sings “I will Carry Fire for you….”  Once again the song is rooted in tradition ground deep in the desert sands.

The tonal resonance changes with Bones Of Saints, hard-edged less fusion more rock. On the only cover on the album, Ersel Hickey’s  Bluebirds Over The Mountain, Robert Plant is joined by a Chrissie Hynde the vocals reflect the changes in vocal ranges.  The play of percussive power and violin adds to the hunger and energy in the number. Closing the album with Heaven Sent, the embers of Carry Fire are fading and the song gently leads us to the closing notes. Seasons turn and we all age. This is a testament to the longevity of Robert Plant who has delivered a beautiful reflective album. The hints of his past musical explorations can be heard as gentle echoes. They never overwhelm Carry Fire an album-defining Robert Plant in 2017.

Robert Plant – Carry Fire – Nonesuch/Warner Bros. Records

EIGHTpawprint half inchdoodle paws out of TEN …

Track Listing

  1. The May Queen
  2. New World
  3. Season’s Song
  4. Dance With You Tonight
  5. Carving Up The World Again… A Wall Not A Fence
  6. A Way With Words
  7. Carry Fire
  8. Bones Of Saints
  9. Keep It Hid
  10. Bluebirds Over Mountains
  11. Heaven Sent

Robert Plant Solo Album Carry Fire Music Burns Deep

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

RELEASED ON CD, 180 GRAM VINYL, MASTERED FOR iTUNES DIGITAL AND STANDARD DIGITAL DOWNLOAD

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

PERFECTION KILLS – MARCH 2018 UK TOUR

DAN PATLANSKY – PERFECTION KILLS MARCH 2018 UK TOUR

TICKETS –  The Gig Cartel or DanPatlansky 

Manchester, Deaf Institute             Thursday 15 March           

Newcastle, The Cluny                      Friday 16 March

Leek, Foxlowe Arts Centre              Saturday 17 March

Bristol, The Tunnel                          Sunday 18 March

Sheffield, Greystones                     Tuesday 20 March

London, Borderline                        Wednesday 21 March         

South African singer-songwriter and guitarist, Dan Patlansky, is set to the release his new studio album Perfection Kills in the UK on Friday 2nd February 2018. The album is the follow up to 2016’s critically acclaimed Introvertigo which was voted #1 BluesRock Album 2016 by Blues Rock Review.

Bluesdoodles loved the album Introvertivgo we said this and more “Introvertigo with its carefully crafted lyrics that blend urbane wit and honest observation, this is blues pertinent to today’s lifestyles, not so much whiskey and women more the corruption of power and social interaction. Ten tracks there are no fillers every number is full of strength and tonal power but there is not an off note or lyric”.

To dovetail with the release of the new album, Dan will be the special guest on Joanne Shaw Taylor’s nationwide 7-date UK tour that starts on Tuesday 7th November at Gateshead Sage. To coincide with the tour, he will release a new single Dog Day taken from the Perfection Kills album.  Dan said “There’s going to be a big emphasis on a lot of touring around the new record which I can’t wait for. November 2017 I will be touring with Joanne Shaw Taylor in the U.K and will perform the first single, Dog Day, live for the first time. March 2018 we return to U.K/Europe for the Perfection Kills album launch tour.

Check out the November UK tour dates HERE

Patlansky was nominated as one of Classic Rock magazine’s hotly tipped new artists of 2015. His album, Dear Silence Thieves received accolades and praise from the British press. He’s been voted Most Promising Male Blues Artist by Blues & Soul Magazine, and only recently has he been nominated as Best International Solo Artist at the Planet Rock Radio ‘Rocks’ Awards.

2018 Dan Patlansky UK Tour Plus New Album Perfection KillsPerfection Kills was recorded at Scherzo Productions, a recording studio in Dan’s hometown of Pretoria, South Africa. Dan chose Scherzo because he wanted to make a different sounding record and he felt it was the right studio for his vision.

Patlansky produced the album himself, something he hadn’t done in years. Says Dan, “I learnt so much working with Theo Crous who was the producer on previous two albums Dear Silence Thieves and Introvertigo. I worked on pre-production and songwriting with Theo on a couple of the tracks for Perfection Kills and applied what I learnt to the recording and production process of the album.”

Perfection Kills is all about my vision of making a record that still make the songwriting a priority as in the past, the final product delivers a far more real and organic result.”

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

Do not delay reserve you seat at shows that will heat up the coldest Winter Night

JOANNE SHAW TAYLOR NOVEMBER 2017 UK TOUR
WITH SPECIAL GUEST DAN PATLANSKY
TICKETS – 

24 HOUR BOX OFFICE – 0844 478 0898

BOOK ONLINE – The Gig Cartel or Dan Patlansky

 Gateshead, The Sage – Tuesday 7th November 2017

Tickets: £30, £27.30, £25.10, £21.80
Venue Box Office: 0191 443 4661 or Gig Cartel: 0844 478 0898
Book Online: The Sage  or The Gig Cartel

Cambridge, Corn Exchange – Thursday 9th November 2017

Venue Box Office: 01223 357 851 or Gig Cartel: 0844 478 0898
Book Online: Corn Exchange or  The Gig Cartel

Manchester, Bridgewater Hall – Friday 10th November 2017

 Venue Box Office: 0161 907 9000 or Gig Cartel: 0844 478 0898
Book Online: Bridgewater Hall or The Gig Cartel

Glasgow, Royal Concert Hall – Sunday 12th November 2017

Tickets: £27.50, £25.00, £23.50, £20.00
Venue Box Office: 0141 353 8000 or Gig Cartel: 0844 478 0898
Book Online: Glasgow Royal Concert Hall,  or The Gig Cartel

Bristol, Colston Hall – Tuesday 14th November 2017

Tickets: £21.50 to £29.56 incl. booking fee
Venue Box Office: 0117 203 4040 or Gig Cartel: 0844 478 0898
Book Online: Bristol Colston Hall or The Gig Cartel

London, Royal Festival Hall – Friday 15th November 2017

Tickets: £20 – £29.50 plus booking fee
Venue Box Office: 0844 875 0073 or Gig Cartel: 0844 478 0898
Book Online: Royal Festival Hall  or The Gig Cartel

Birmingham, Symphony Hall – Monday 20th November 2017

Tickets: £23 – £30.50 inc. booking fee 
Venue Box Office: 0121 780 3333 or Gig Cartel: 0844 478 0898
Book Online: Birmingham Symphony Hall or The Gig Cartel

As we said when we recently heard Dan play live in Cardiff he is – “Majestic, scintillating jaw-dropping good.”

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

Beth Hart Vocal Power Captivates The Forum Tonight

Beth Hart Vocal Power Captivates The Forum Tonight

 

The Forum, a former Art Deco Cinema in Bath tonight is the backdrop for a Beth Hart Solo Concert. The lights dimmed and Beth strode onto the stage full of smiles and confidence. Her opening number was stunning setting the tone of the evening. Alone on the stage, she did not sit behind the Grand Piano but knelt on the stage and sung A Capella giving the audience a true taste of her incredible vocal talent. She greeted the audience, welcomed her sister sitting in the auditorium who had flown in from the States especially for the concert tonight.

 

Beth Hart Vocal Power Captivates The Forum TonightThen with a grace, she sat behind the Grand Piano her first instrument of choice. Tonight without a band Beth was her own accompaniment choosing the instrument that suited the song, so we heard her play acoustic guitar, acoustic bass and electric piano as the evening progressed. We heard her version of Tom Waits Chocolate Jesus and by the third song in Beth had the audience entranced. We were hanging onto every note played and every word she sung and the openness with which she shared her bad times that were at times painful to hear, this was not self-pity but gave context to the songs. Many of the experiences the audience could personally relate to. Beth Hart’s music stripped back, with the lyrics laid bare was an emotional journey for everyone tears were shed on stage and in the auditorium tonight. This is music that connects a great performer with the audience.

Beth Hart Vocal Power Captivates The Forum TonightThe frailty of trying to set yourself free from abuse, it was as if while singing the title song from her album Better Than Home alone on a stage behind the Grand Piano we all experienced a cathartic experience, as the vocal crescendo rose up over the piano in a beautiful art deco setting. Music has power and Beth harnessed it tonight majestically. St Teresa was the next Hart classic sung with pure emotion, the words flowed like a blessing for everyone in the room tonight, touching our inner soul healing hurts and uniting us.

Stepping out from behind the piano with a huge smile she picked up the acoustic sharing family tales and how Scott and her bought an affectionate wreck resulting in a song written in his honour The Ugliest House On the Block from her Bang Bang Boom Boom album.  The Boogieman with soft gentle guitar, calming almost a lullaby despite the dark words. Closing the number with whistling that was sublime, eerie and stunning as the song closed the silence was filled once again with rousing applause. Third instrument of the evening, acoustic bass for Spiders In My Bed from her first album Immortal. The inspiration from the effects of sleep deprivation being wired and tired.

Now a change of tone, that moving from instrument to instrument achieved as she sat behind the electric piano. We heard how after her first career crashed, she was ashamed of the drugs, drink and failure. She had screwed up everything. “For the first time since I was four” she told us she stopped playing the piano. Then she wrote Leave The light On emotional, Beth was wrung out, the tempo was warm with a gospel feel. Tears were spilt with the emotional beauty. Then the mood lighted with Coca-Cola, summertime, beach and boys. Inspired from when the younger ten-year-old Beth thought boys would taste of Coca-Cola! What a set of tubes Beth Has. Warm, sultry, angry, soft and beguiling shape the highest to the lowest notes.  The voice rose up to the top of the vaulted dome as the theatre reverberated with the pure joy of hearing Beth Hart’s voice tonight.

Beth Hart Vocal Power Captivates The Forum TonightWith a wave, a smile and thank you for being a lovely audience Beth left the stage, the audience erupted standing on our feet cheering clapping shouting for more. We were not disappointed Beth obliged. With another four songs from behind the Grand Piano. Starting with Tell Her You Belong To Me from Better Than Home, with more tales, some laughs and the inspiration behind Love Is A Lie when Mark left her eighty-two-year-old Mum for another woman!

Two hours of glorious entertainment and Beth left the stage we wanted more as the applause continued as the house lights went up. A Very special evening in the company of Beth Hart and her wonderful voice.

Many of the numbers were taken from her critically acclaimed album Fire on the Floor they worked perfectly in this setting. Beth Hart’s solo performance was special. Interweaving her performance were songs that reflect her life as her career grows from strength to strength the second time around.

Tonight, Beth Hart at The Forum captivated the audience. Loving every moment Beth was on stage. The music was stripped back, exposed at times showing vulnerability, then brutal and beautiful the link between all the emotions Beth shared tonight was heartfelt honesty.

 

Beth Hart Vocal Power Captivates The Forum Tonight

 

 

Missing the voice already? Not long to wait. Beth is back in the UK April 2018 with her band Check out the dates below and book your tickets.

Beth Hart plus Her Band Tours UK Spring 2018

DUBLIN VICAR STREET  – TUESDAY 10th APRIL 2018
VENUE BOX OFFICE: +353 1 775 5800
BOOK ONLINE: Ticket Master or Beth Hart Website 

IPSWICH REGENT THEATRE – THURSDAY 12th APRIL 2018
VENUE BOX OFFICE: 01473 433 100
BOOK ONLINE: Alt Tickets or  Beth Hart Website 

BEXHILL DE LA WARR PAVILION – SATURDAY 14th APRIL 2018
VENUE BOX OFFICE: 01424 229 111
BOOK ONLINE: Alt Tickets or  Beth Hart Website 

NOTTINGHAM CONCERT HALL – SUNDAY 15th APRIL 2018
VENUE BOX OFFICE: 0115 989 5555
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

OXFORD NEW THEATRE – WEDNESDAY 18th APRIL 2018
VENUE BOX OFFICE: 0844 871 3020
BOOK ONLINE: Alt Tickets or  Beth Hart Website 

FOLKESTONE LEAS HALL – THURSDAY 19th APRIL 2018
VENUE BOX OFFICE: 01303 228 600
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

CARDIFF ST DAVIDS HALL – SATURDAY 21st APRIL 2018
VENUE BOX OFFICE: 0292 087 8444
BOOK ONLINE: Alt Tickets  or  Beth Hart Website  

CAMBRIDGE CORN EXCHANGE  – TUESDAY 24th APRIL 2018
VENUE BOX OFFICE: 01223 357 851
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

BLACKPOOL OPERA HOUSE – THURSDAY 26th APRIL 2018

VENUE BOX OFFICE: 01253 625 252
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

HULL CITY HALL – FRIDAY 27th APRIL 2018
VENUE BOX OFFICE: 01482 300300
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

READING HEXAGON – MONDAY 30th APRIL 2018
VENUE BOX OFFICE: 0118 960 6060
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

PORTSMOUTH GUILDHALL – TUESDAY 1st MAY 2018
VENUE BOX OFFICE: 023 9387 0200
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

SOLD OUT LONDON ROYAL ALBERT HALL SOLD OUT – FRIDAY 4th MAY 2018
PLUS SPECIAL GUEST
VENUE BOX OFFICE: 0207 589 8212
BOOK ONLINE: Alt Tickets  or Royal Albert Hall
or   Beth Hart Website 

CHELTENHAM JAZZ FESTIVAL – SATURDAY 5th MAY 2018
TICKETS GO ON SALE FRIDAY 3 NOVEMBER 
VENUE BOX OFFICE: 01242 850 270 
BOOK ONLINE: Cheltenham Jazz Festival or   Beth Hart Website 

Beth Hart Vocal Power Captivates The Forum Tonight

Kenny Wayne Shepherd plays a Halloween Treat at The Tramshed

Kenny Wayne Shepherd plays a Halloween Treat at The Tramshed

 

Kenny Wayne Shepherd plays a Halloween Treat at The TramshedKenny Wayne Shepherd plays a Halloween Treat at The Tramshed tonight. Opening the cauldron of fiery guitar curling around the blues, we have Laurence Jones Band. Tonight over six numbers Laurence and his new(ish) band demonstrated a maturity the love of rock infused with blues and so much more. Tonight his guitar cried and fought off any ghouls and demons in the room. This you have come to expect of this young British Gunslinger who has been wooing the crowds for many a year despite his youth. Tonight, at The Tramshed Laurence’s vocals came of age adding to the act as he played a mix of numbers, including two tracks from his latest album The Truth – Give Me Your Time & Never Good Enough, and they were definitely rawer rockier. The rhythm combination of Phil Wilson & Greg Smith works really well creating an imaginative and solid foundation for Laurence to soar from. The addition of Bennett Holland’s lively keys gives the band an additional range of tones and structure for the numbers. Closing with Hendrix’s version of Dylan’s Classic All Along The Watchtower. We had had a fizzing and bubbling helping of live music the band played tight and the music excited. This is modern melodic rock hardened blues this is a band that connects with the music and are enjoying playing for the audience. It was appreciated.

This slideshow requires JavaScript.

Kenny Wayne Shepherd plays a Halloween Treat at The TramshedShort break as the stage was rearranged and the main event started as the stage darkened the band took their place to cheers of anticipation. The lights went up as the first of many sweet guitar chords was struck from Kenny Wayne Shepherd’s Stratocaster and resounded around the Tramshed. We were off on a journey of blues guitar extravaganza with some rock, hints of country and a very large swirling dollop of Kenny Wayne Shepherd magic.

The lead breaks were scintillating Kenny certainly makes the Strat bend to his fingers demands as it weeps, curls around tones of joy and pain. Tonight the setlist was a mix of old and new with six tracks from his current acclaimed album Lay It On Down. Of the six numbers, Diamonds and Gold stood out. It was a superb and stellar highlight among the many that the band shared with us tonight. The ballad Hard Lesson Learned with Noel’s vocals also caught the ear and raised the joy of the audience. SRV’s House Is  Rockin definitely got the Tramshed bouncing and rocking with pure delight.

Kenny Wayne Shepherd plays a Halloween Treat at The Tramshed

As Kenny introduces the band in the absence of Chris Clayton, for this tour sees the return of Sylvester “Sam” Bryant (toured with the band in the 1990’s); bassist Kevin McCormick, Joe Krown presiding over the keys and the mighty vocals of Noah Hunt. A marvellous live version of Baby Got Gone from his latest album, they really have this number captured for the energy of a live performance, with its emotional lead break simply breathtaking. Kenny inserted into the set a number from his side project The Rides from their 2013 album Can’t Get Enough; Talk To Me Baby a superb re-shaping of this Elmore James’ blues classic.

Kenny Wayne Shepherd plays a Halloween Treat at The TramshedKenny Wayne Shepherd closed the night with some blues, slow and full of authentic Chicago Blues with a medley of BB King numbers and then Shotgun Blues. What an evening full of exploration of the power of the six-stringed Stratocaster. Tonight we saw three forms including his signature guitar and what tone KWS pulled from the black beast. The lights dimmed, silence fell on the stage as the band left. The noise though was reaching crescendo point as they stamped their feet and demanded more. The band did not resist. Back on stage with two more numbers his signature tune Black on Blue followed by the second Hendrix of the night.  Both acts ended with Hendrix, and so appropriate for tonight we were entertained by KWS, Voodoo Chile and phenomenal playing.

From the first few notes the temperature in the Tramshed definitely rose, there was that feeling of electric joy and anticipation that only live music brings. When you hear a band you love to play in a venue near to where you live, welcome to Wales KWS; come back very soon there will always be a warm welcome for the band and the music that you showcased tonight. By the end of the evening, the cauldron was boiling with energised musical magic on Halloween in Cardiff.

This slideshow requires JavaScript.

 

 

Kenny Wayne Shepherd plays a Halloween Treat at The Tramshed

New Album New style The Truth still Laurence Jones

New Album New style The Truth still Laurence Jones

New Album New style The Truth still Laurence Jones

How to get noticed in the world replete with Social Chatter?  As a Musician release a new album and change your style. Laurence Jones has done just that on The Truth. In an age where intro’s over 10 seconds are deemed too long, will fans of Laurence’s previous releases take the time to listen to the album a few times. As the truth is, it is still Laurence’s melodic vocals, his stinging guitar licks and timing. What has changed, the blues have been mellowed no rich veins of blues shuffles, riffs and hooks. The Truth is accomplished and more commercial. The album definitely has listenability appeal.

The opening track has grab appeal.  This is a different side of Laurence with the vocals strong and the guitar slinger is letting his voice be heard. The power of the chorus on What Would You Do will have audiences singing along. Echoes of Hamilton Loomis in tone and delivery.

The inner funkiness of the new Laurence glimmers on Don’t Look Back. That is what I advise listeners to do; don’t compare enjoy the album for what it has to offer. The guitar and vocals play off each other and the harmonies are sweet. Nothing on the album is overplayed. The drama builds and catches you unexpectedly. The album is not a set of ten tracks that are shaped by the guitar. The instruments are the base for the song. The slick and smooth blues licks are there, just not in your face.

The refrain throughout the album is relationships, love and how it makes you feel. The yearning to be loved is explored on Keep Me Up At Night. This is another cross-genre tracks, with radio play potential outside of the inner blues circuit. The sound of the album is mature, catchy and full of great tone with textures smoothed out and an understanding of what is pleasing on the ear.

We have a deep groove laid down by Greg Smith on Bass as Laurence asks you to Give Me Your Time, listening to The Truth is time well spent. Expect it to be different no longer guitar led blues. The replacement is subtle with the feel of blues ever present just under the dominant chorus and strong song.

The title track opens with mellow simple keys from Bennett Holland picked up by Laurence’s guitar with the sweetest refrain, with a beat of Phil Wilson’s drum heralding the vocals as Jones asks, ‘Do you ever wonder what It feels like?’ The tone is mellow, reflective the gentler side then the number builds and the old energy is once again glimpsed. Looking forward to hearing the numbers live under the heat of the lights.

The album livens up with a rocky beat on Gone Away. The instruments howl and wail once again his vocals have the strength to demand centre stage and the harmonizing of the chorus stands out then the guitar punches out the lick that curls and weaves itself around the vocals. The blues guitar is back on Can’t Go On Without You.  The timing is spot-on as it is throughout the album. Loving the way there is never a battle between guitar and voice both have their time and place to make a statement across The Truth.

The album is a crossroad moment for Laurence Jones. I am positive The Truth will win him many new fans. Recorded in Miami, produced by Gregory Elias and mixed by Juan Mario Aracil; The Truth hits the mark it is an album that will be returned to and explored with pleasure every time.

NINEpawprint half inchdoodle paws out of TEN …

Track Listing

  1. What Would You Do
  2. Don’t You Let Me Go
  3. Hold Me Close
  4. Keep Me Up At Night
  5. Give Me Your Time
  6. The Truth
  7. Take Me
  8. Gone Away
  9. Can’t Go On Without You
  10. Never Good Enough

 

New Album New style The Truth still Laurence Jones

Gov’t Mule Triumphant First Live Show in Wales

Gov’t Mule Triumphant First Live Show in WalesGov’t Mule Triumphant First Live Show in Wales. Friday night was alive as the energy of the Mule filled The Tramshed in Cardiff with over two hours of music that fills your soul. Tonight with the recent release we were expecting tracks from Revolution Come Revolution Go but what else with the versatility of Warren Haynes would the band produce tonight? Joining vocalist & guitarist Warren drummer Matt Abs; bassist Jorgen Carlsson providing rhythmic grooves and the fourth member Danny Louis behind keys and with a trombone in reserve.  The Tramshed was buzzing with excitement many had not seen the band live and the anticipation was hot, as Gov’t Mule stood on a Welsh stage for the first time.

The show started with a series of revolutionary inspired musical snippets warming the stage as Warren picked up his twelve-string and started the night of a musical pleasure dome of a journey with Railroad Boy. What a powerful number to start the show we all knew as Warren asked how we all were that we were fabulous let the show take us on a musical adventure.  We were taken back to the second studio album Dose released in 1998 and forward to the latest in the first set.  The whole set was spell-binding the interaction between the band mesmerizing. The lead breaks from Warren sparkled with interest, meaty chords were sat next to delicate riffs as tones and textures mixed up. We never knew what was coming next, the only certainty in a Gov’t Mule live show. The whole set was a crescendo of highlights with fabulous instrumental breaks and vocals that pulled out the depth of the words being sung by Warren.

Gov’t Mule Triumphant First Live Show in WalesEvery number was stretched out and explored revitalised the studio versions with a raw energy. For me two numbers stood out Gordon James from the By A Thread album, the words have a ringing power. Personal and a story of a life sung with tonal passion and empathy.  Plus the title track Revolution Come… Revolution Go played powerfully full of revolutionary intent. Highly charged music that set The Tramshed on fire. Now we knew why there was a Trombone on stage as Danny added the sound of brass that vibrated across the venue. Now we were in the zone of the Mule from the front to the back of the balcony. The set closed with two more numbers from the album. As the first hour and a half in their company flew by, the last number of part one may have been Stone Cold Rage. No-one was in a rage we were all high on the mighty drug of music played live with verve passion and style.

Short break as friends caught up and celebrated set one and anticipated what was going to be the second helping. No-one was going to be disappointed as the next hour and a half in the company of Gov’t Mule got underway as Pink Floyd’s One Of These Days was given the treatment by the band.

Gov’t Mule Triumphant First Live Show in WalesThe second set upped the tempo, the atmosphere was growing the venue was hot.  Warren was true to this when he said this is our first time in Wales and we are going to give you a flavour of the Mule’s music. They did dipping into ten of their albums with some tasty covers and hints of other pieces as well. With Monkey Hill ending with The Beatles, I Want You (She’s So Heavy) Superb!!!

The inner rock of the Mule displayed in all its glory with Tastes Like Wine as the number starts slow and then builds and builds with guitar intensity and urgency.  We were rocking on a Friday night as we returned to the latest album with Travelling Tune.  We were travelling tonight on a journey as guitars were changed the tone developed and we explored the inner depths of the music. Next up Mr Man with the riff of Highway Star as a mental teaser to make sure we were listening and alert to the intricacies of the music.

All too soon the clocking ticking was catching up as we heard Blind Man In The dark, an instrumental from Band of Gypsys Machine Gun and back to Blind Man In the Dark. What a band the timing, the clever additions the gentle licks this is music that makes you glad to be at The Tramshed on a Friday night.

Gov’t Mule Triumphant First Live Show in WalesThe crowd cheered, roared and demanded more. We were all entranced as the crew bought on another amp who was going to be joining the band? It was mighty Bernie Marsden who always delights whenever he plays in Wales. The two numbers were magical first, Bobby Bland’s Ain’t No Love in The Heart of The City a Whitesnake/Bernie classic. Closing this truly memorable night of music with The Allman Brothers Band cover Blues Sky. How awesome to hear the number live in Cardiff.  Two legends, geniuses of modern music jamming the night way brilliant it just doesn’t get better than this. Gig of the year, highly likely in my opinion.

Gov’t Mule live is special as they weave their magic, Jamband, Rock and Blues meld and colour the music, with shuffles and grooves and the heat of Southern Rock. Who cares how they are defined this is jolly good music, entertaining, exciting music you want to hear. Time is suspended in The Tramshed tonight, realities are switched off all that matters is the moment and music.

Set List
Part 1
Railroad Boy – (By A Thread 2009)
Thorazine Shuffle – (Dose 1998)
Banks of the Deep – (The Deep End Vol 1 2001)
Time To Confess – (The Deep end Vol 2 2002)
Thelonious  Beck – (Dose 1998)
Gordon James – (By A Thread 2009)
Revolution Come Revolution Go – (Revolution Come … Revolution Go 2017)
Dreams & Songs – (Revolution Come … Revolution Go 2017)
Stone Cold Rage – (Revolution Come … Revolution Go 2017)

 

Part 2
One Of These Days – (Dark Side of The Mule 2014)
Fool’s Moon – (The Deep End Vol 1 2001)
Monkey Hill – (Gov’t Mule 1995)
Funny Little Tragedy – (Shout 2013)
Tastes Like Wine – (Life Before Insanity 2000)
Travelling Tune – (Revolution Come … Revolution Go 2017)
Mr Man – (Deja Voodoo 2004)
Lola – (Deja Voodoo 2004)
Blind Man In the Dark – – (Dose 1998)
Machine Gun

Encore (With special Guest Bernie Marsden)
Ain’t No Love In the Heart Of The City
Blue Sky

 

Gov’t Mule Triumphant First Live Show in Wales

Wonderful One-Man Band Steve Hill – Solo recordings Vol 3

Wonderful One-Man Band Steve Hill - Solo recordings Vol 3

Wonderful One-Man Band Steve Hill – Solo recordings Vol 3

 

 

Well, why have I not heard of Steve Hill? Why have I had to wait until Volume Three to discover Steve Hill as a Phenomenon? A One Man Band who is loud, bad and a little bit dangerous. His love of blues and rock spills out of every number he plays on the album Solo Recordings Vol 3. All the instruments are played to an incredibly high-standard live, vocals, guitar and kick drum creating a fluid and fluent sound that makes you want to drink and party. You can hear some amazing bass notes as well how? By feeding 3 strings through an octaver guitar pedal hooked up to a bass amp.  He is ready to amaze you on this album.

Steve is no longer one of Canada’s best-kept secrets. The cat is out of the bag, Steve has burst, with tone and attitude, onto the international stage an overnight sensation that’s 20 years in the making. He’s an ambitious and raucous force to be reckoned with on the Canadian blues-rock scene. Now, he’s ready to break out internationally

Steve Hill is a multi-instrumentalist with a shelf of awards including 2015 JUNO award winner for Blues Album of the Year. With Solo Recordings – Volume 3 more awards must be just following along…

The album has three distinct elements all portraying the depth of imagination of tone and power that defines Steve Hill One-Man band on Solo Recordings Volume 3. The first element is powered by rock, beats that are raw, raucous and exciting, there are six originals. Then we have a further two sets of three songs, stripped backed melodic acoustic and the re-imagined, mainstays of man tables band set list. There may be three styles and approaches but this is for certain they are equally exciting, colourful and brilliant.

Your first exclamation when Damned pours through your speakers. Is dam that must be a band who else is playing with Steve Hill?  The rock with influences that are mined deep in the heart of the blues is rich and multi-layered. How can one person make this sound as a one-man band?  This is an individual that wants to recreate the sound and energy of rock without bandmates.  He achieves that and as he proclaims on Rhythm all over. Joining guitar and his wonderful rich vocals is the harmonica as he is now a Smoking Hot Machine.

This is a one-band band that has a multitude of tonal facets that glisten and make your speakers purr with delight.  As he slots in through the album his solo renditions of blues with the deepest blue seas flowing through Still A Fool & A Rollin’ Stone. As he constructs the mood, it is deep, dark and there is a feeling that there is something lurking just out of eyesight. Is it the devil to see if Steve Hill should be down at his infamous crossroads? The guitar takes on new tonal cadence hard-hitting as we are Rollin and Tumblin with Hill’s solo experience he is sharing with us.  Lovers of music want to join Steve and be part of the moment he creates. The energy, authenticity and raw power make every track red hot. We definitely will not be Breaking Down in despair in front of the monstrous sound created by Hill.

Joining the blues to the rock and the rock to the blues are the trio of acoustic tracks Slowly Slipping Away, Troubled Times and Emily. The harmonica and the gentle punctuation of the guitar as the vocals become deep and personal singing the lyrics for you. One thing for certain no-one would be Slowly Slipping Away in Steve Hill’s company. Troubled Times a song with a gentle rendition of harsh and thoughtful lyrics with finger-picking showing another facet of his skills. The number flows into Emily and the beat picks up with a country vibe. The tone changes we are having fun.

Steve closes out the musical journey with a rocking original Walking Grave completing the circle of sound he began Damned. The album proving once again Steve Hill performs with his heart on his sleeve, using the textures and tones of all the instruments creating a mood. He plays with instinctive feel letting each part of his band have a voice. Throughout Steve Hill’s voice is in control commanding your attention.

 

Steve Hill – Solo Recordings: Volume 3 – No Label Records

NINEpawprint half inchdoodle paws out of TEN …

Track Listing

    1. Damned
    2. Dangerous
    3. Still A Fool & A Rollin Stone
    4. Slowly Slipping Away
    5. Rhythm All Over
    6. Smoking Hot Machine
    7. Troubled Times
    8. Emily
    9. Can’t Take It With You
    10. Rollin Tumblin / Stop Breaking Down
    11. Walking Grave

Wonderful One-Man Band Steve Hill - Solo recordings Vol 3