Robert Plant Solo Album Carry Fire Music Burns Deep

Robert Plant Solo Album Carry Fire Music Burns Deep

 

Robert Plant’s Solo Album Carry Fire the music burns deep. The music has hidden depths, as layers of tonal shapes and textures interlace with the thoughtful lyrics. Carry Fire is rooted in the earth, ethereal as air, turbulent as water and hot as fire as the four elements encapsulated across the eleven tracks. Joining Plant on his eleventh solo album for the second time are The Sensational Shape Shifters. The tonal range of the album is mellow and fruitful as Plant captures a misty melancholy yearning that is often felt in autumn. The colours are rich and fiery but these soon will fade as the year turns and seasons come and go.  The soundscapes are painted that weaves through the tracks shaped by the instruments chosen as the passions wax and wane. Opening Carry Fire, with a jaunty number The May Queen we start off looking forward or back to a different season. The percussive beats hint at dance, light and merriment and surrendering as folk and rock merge at a crossroads of Plant’s own design contemporary and rooted deep in the roots of world folk traditions from North Africa and closer to home. Beguiling leaving you wanting to hear more as we Carry Fire on a journey with the lyrics of Robert Plant once more.

The use of a myriad of instruments on Carry Fire reflects the wealth of tones available to artists like Plant and Steve Hackett’s album Siren Nights earlier this year. Modern folk/roots/rock music is not just guitar led it is strengthened with the tonal complexity of instruments used across the world rooted in the earth creating a fiery musical backdrop.   The array of instruments is a reflection of the virtuosity of The Sensational Space Shifters, who are with a selection of the instruments captured on Carry Fire. They are Austin Adams (Guitars, Oud, Percussion & Tambourine) Liam “Skin” Tyson, (Guitars, Dobro, twelve string, pedal steel etc.) John Baggott, (Keyboards, Moog, t’bal, bendir, slide guitar) Dave Smith (bendir, djembe, drums) and joining them are Seth Lakeman (Viola & fiddle) and Albanian Cellist Redi Hasa.

We are on the move, a feeling of urgency with the beating of drums as Plant explores the negativity of colonialism and modern topics that are part of the political, cultural and personal landscapes with nationalism addressed in Carving Up the World Again… A Wall Not A Fence. The beat is frenetic, his voice raised in passionate anger as he spits out the words. The instruments burn and coil around the lyrics, the attention is one-hundred percent on Plant’s impassioned lyrical outpouring. Powerful music for the age.

The title track coalesces around the instruments conjuring a fire in the deep darkness of a desert encampment. Plant once again captures the mood with the depth of lyric and the power of delivery. Deeper and with a sultry edge the younger Plant voice did not deliver. Age has shaped the interpretation of lyrics and music. The traditional North African instruments a song of love and the pain we inflict on ourselves and each other full of wistfulness and hope as Robert sings “I will Carry Fire for you….”  Once again the song is rooted in tradition ground deep in the desert sands.

The tonal resonance changes with Bones Of Saints, hard-edged less fusion more rock. On the only cover on the album, Ersel Hickey’s  Bluebirds Over The Mountain, Robert Plant is joined by a Chrissie Hynde the vocals reflect the changes in vocal ranges.  The play of percussive power and violin adds to the hunger and energy in the number. Closing the album with Heaven Sent, the embers of Carry Fire are fading and the song gently leads us to the closing notes. Seasons turn and we all age. This is a testament to the longevity of Robert Plant who has delivered a beautiful reflective album. The hints of his past musical explorations can be heard as gentle echoes. They never overwhelm Carry Fire an album-defining Robert Plant in 2017.

Robert Plant – Carry Fire – Nonesuch/Warner Bros. Records

EIGHTpawprint half inchdoodle paws out of TEN …

Track Listing

  1. The May Queen
  2. New World
  3. Season’s Song
  4. Dance With You Tonight
  5. Carving Up The World Again… A Wall Not A Fence
  6. A Way With Words
  7. Carry Fire
  8. Bones Of Saints
  9. Keep It Hid
  10. Bluebirds Over Mountains
  11. Heaven Sent

Robert Plant Solo Album Carry Fire Music Burns Deep

The Bad Flowers Debut Album Starting Gun Announced

The Bad Flowers Debut Album Starting Gun Announced

The Bad Flowers Debut Album Starting Gun Announced. 

The Bad Flowers are Out of the Starting Blocks as the announce Starting Gun there debut album following on from the release of Thunder Child as a single – We love the sound over at Bluesdoodles Tower – check out what we thought HERE  and listen below.  A brilliant opening track for the anticipated album Starting Gun out 16th February 2018

Following the September release of their recent single Thunder Child, The Bad Flowers were named as one of Planet Rock Radio’s “Ones To Watch”.  Thunder Childthe first single taken from the Starting Gun, gained heavy airplay described by the station as “pure, dynamic, riff-heavy rock ‘n’ roll delivered with passion and prowess.”

 

Midlands based hard rock band, The Bad Flowers, are set to release their debut studio album Starting Gun on Friday 16th of February 2018. The album is a follow-up to 2016’s self-titled EP and shows the great progression of songwriting and musicianship of The Bad Flowers over the past two years.

To dovetail the release of the debut album, The Bad Flowers will be special guests on Stone Broken’s nationwide 12 date UK tour that starts on Thursday 22nd of February at The Haunt BrightonThe tour also includes an appearance at Planet Rock’s Winters End Festival.

More about the Tour and links to Tickets HERE

 

Order the Bad Flowers CD, T-shirt, red vinyl and drum head bundlesThe Bad Flowers Debut Album Starting Gun Announced

An exclusive pre-sale of Starting Gun will begin on November 10th 2017 via the band website HERE.This includes the limited edition signed red vinyl edition of the album, exclusive t-shirts only available for pre-orders and hand-drawn, and signed, and numbered personalised drum heads.

 

 

The Bad Flowers Debut Album Starting Gun AnnouncedThe Bad Flowers deliver rock that grabs attention. Introducing the trio that creates exciting music – Tom Leighton (Vocals & Guitar); Dale Tonks (Bass); Karl Selickis (Drums).

Tom, talking about making the  album said “There’s all out songs with monster riffs and big chorus’ down to a song with just one acoustic guitar and vocals and plenty in between, I think this album will show that we have more than one trick up our sleeve and I’m really excited for people to hear what we have made”.

 

The Bad Flowers Debut Album Starting Gun Announced

 

Joe Satriani Touring England With John Petrucci Uli Jon Roth

Joe Satriani Touring England With John Petrucci Uli Jon Roth

G3 2018
JOE SATRIANI, JOHN PETRUCCI (DREAM THEATER)
& ULI JON ROTH (FORMERLY OF SCORPIONS)

 Joe Satriani Touring England With John Petrucci Uli Jon Roth

UK TOUR STARTS TUESDAY APRIL 24th 2018

G3 2018 APRIL UK TOUR
JOE SATRIANI, JOHN PETRUCCI (DREAM THEATER) ULI JON ROTH (FORMERLY OF SCORPIONS)

24-HOUR TICKET PRE-SALE FROM 9 AM THURSDAY NOVEMBER 9th FROM PLANET ROCK HERE

TICKETS: £35 – £45
PLATINUM TICKETS: £60 (FIRST 10 ROWS)
Plus Limited Ultimate and VIP Meet & Greet Packages

Tickets on sale to the general public from 9am on Friday November 10th via www.ticketline.co.uk or from the venues direct

TICKETS – £35 – £45 / PLATINUM TICKETS – £60 (FIRST 10 ROWS) Plus Limited Ultimate and VIP Meet & Greet Packages

Joe Satriani Touring England With John Petrucci Uli Jon Roth – G3  APRIL 2018 

 

Tuesday, April 24              Southend Cliffs Pavilion 

Wednesday, April 25       London Eventim Apollo

Thursday, April 26             Bristol Colston Hall

Friday, April 27                   Manchester Apollo

Sunday, April 29                Portsmouth Guildhall

Monday, April 30              Birmingham Symphony Hall

G3 equals three guitarists!  They will each perform their own set, followed by a massive jam at the end of the show.

 www.planetrock.com

World-renowned guitar virtuoso, Joe Satriani, announces the release of his 16th solo album, What Happens Next, set for release, January 12, 2018 on Sony/Legacy Recordings.

 

Satriani’s new, instrumentally electrifying album features a power trio of legendary status; Satriani on guitar and Rock and Roll Hall of Fame inductee bassist Glenn Hughes (Deep Purple/Black Country Communion) and drummer Chad Smith (Red Hot Chili Peppers), the latter reuniting with Satriani for the first time since their work in the supergroup Chickenfoot.

Satriani is once again joined by producer/engineer/mixer Mike Fraser, his frequent collaborator over the last 20 years, on What Happens Next. Fraser is well-known for recording/mixing every AC/DC album since 1990’s The Razors Edge along with his classic works with Satriani going back to the release of Crystal Planet in 1998.

The new tracks vibrate the soul with an energy rarely found these days. From the dynamic opening track, Energy, to the majestic crunch of Thunder High on the Mountain, and the easy, sensual chords of Smooth Soul. This unparalleled rock-rhythm section gives What Happens Next a depth of groove that sets it apart from Satriani’s previous work.

Joe Satriani Touring England  With John Petrucci Uli Jon Roth

Lookout for Bluesdoodles review of the album coming soon!

Joe Satriani Touring England  With John Petrucci Uli Jon Roth

 

 

 

 

 

 

 

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

RELEASED ON CD, 180 GRAM VINYL, MASTERED FOR iTUNES DIGITAL AND STANDARD DIGITAL DOWNLOAD

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

PERFECTION KILLS – MARCH 2018 UK TOUR

DAN PATLANSKY – PERFECTION KILLS MARCH 2018 UK TOUR

TICKETS –  The Gig Cartel or DanPatlansky 

Manchester, Deaf Institute             Thursday 15 March           

Newcastle, The Cluny                      Friday 16 March

Leek, Foxlowe Arts Centre              Saturday 17 March

Bristol, The Tunnel                          Sunday 18 March

Sheffield, Greystones                     Tuesday 20 March

London, Borderline                        Wednesday 21 March         

South African singer-songwriter and guitarist, Dan Patlansky, is set to the release his new studio album Perfection Kills in the UK on Friday 2nd February 2018. The album is the follow up to 2016’s critically acclaimed Introvertigo which was voted #1 BluesRock Album 2016 by Blues Rock Review.

Bluesdoodles loved the album Introvertivgo we said this and more “Introvertigo with its carefully crafted lyrics that blend urbane wit and honest observation, this is blues pertinent to today’s lifestyles, not so much whiskey and women more the corruption of power and social interaction. Ten tracks there are no fillers every number is full of strength and tonal power but there is not an off note or lyric”.

To dovetail with the release of the new album, Dan will be the special guest on Joanne Shaw Taylor’s nationwide 7-date UK tour that starts on Tuesday 7th November at Gateshead Sage. To coincide with the tour, he will release a new single Dog Day taken from the Perfection Kills album.  Dan said “There’s going to be a big emphasis on a lot of touring around the new record which I can’t wait for. November 2017 I will be touring with Joanne Shaw Taylor in the U.K and will perform the first single, Dog Day, live for the first time. March 2018 we return to U.K/Europe for the Perfection Kills album launch tour.

Check out the November UK tour dates HERE

Patlansky was nominated as one of Classic Rock magazine’s hotly tipped new artists of 2015. His album, Dear Silence Thieves received accolades and praise from the British press. He’s been voted Most Promising Male Blues Artist by Blues & Soul Magazine, and only recently has he been nominated as Best International Solo Artist at the Planet Rock Radio ‘Rocks’ Awards.

2018 Dan Patlansky UK Tour Plus New Album Perfection KillsPerfection Kills was recorded at Scherzo Productions, a recording studio in Dan’s hometown of Pretoria, South Africa. Dan chose Scherzo because he wanted to make a different sounding record and he felt it was the right studio for his vision.

Patlansky produced the album himself, something he hadn’t done in years. Says Dan, “I learnt so much working with Theo Crous who was the producer on previous two albums Dear Silence Thieves and Introvertigo. I worked on pre-production and songwriting with Theo on a couple of the tracks for Perfection Kills and applied what I learnt to the recording and production process of the album.”

Perfection Kills is all about my vision of making a record that still make the songwriting a priority as in the past, the final product delivers a far more real and organic result.”

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

Do not delay reserve you seat at shows that will heat up the coldest Winter Night

JOANNE SHAW TAYLOR NOVEMBER 2017 UK TOUR
WITH SPECIAL GUEST DAN PATLANSKY
TICKETS – 

24 HOUR BOX OFFICE – 0844 478 0898

BOOK ONLINE – The Gig Cartel or Dan Patlansky

 Gateshead, The Sage – Tuesday 7th November 2017

Tickets: £30, £27.30, £25.10, £21.80
Venue Box Office: 0191 443 4661 or Gig Cartel: 0844 478 0898
Book Online: The Sage  or The Gig Cartel

Cambridge, Corn Exchange – Thursday 9th November 2017

Venue Box Office: 01223 357 851 or Gig Cartel: 0844 478 0898
Book Online: Corn Exchange or  The Gig Cartel

Manchester, Bridgewater Hall – Friday 10th November 2017

 Venue Box Office: 0161 907 9000 or Gig Cartel: 0844 478 0898
Book Online: Bridgewater Hall or The Gig Cartel

Glasgow, Royal Concert Hall – Sunday 12th November 2017

Tickets: £27.50, £25.00, £23.50, £20.00
Venue Box Office: 0141 353 8000 or Gig Cartel: 0844 478 0898
Book Online: Glasgow Royal Concert Hall,  or The Gig Cartel

Bristol, Colston Hall – Tuesday 14th November 2017

Tickets: £21.50 to £29.56 incl. booking fee
Venue Box Office: 0117 203 4040 or Gig Cartel: 0844 478 0898
Book Online: Bristol Colston Hall or The Gig Cartel

London, Royal Festival Hall – Friday 15th November 2017

Tickets: £20 – £29.50 plus booking fee
Venue Box Office: 0844 875 0073 or Gig Cartel: 0844 478 0898
Book Online: Royal Festival Hall  or The Gig Cartel

Birmingham, Symphony Hall – Monday 20th November 2017

Tickets: £23 – £30.50 inc. booking fee 
Venue Box Office: 0121 780 3333 or Gig Cartel: 0844 478 0898
Book Online: Birmingham Symphony Hall or The Gig Cartel

As we said when we recently heard Dan play live in Cardiff he is – “Majestic, scintillating jaw-dropping good.”

2018 Dan Patlansky UK Tour Plus New Album Perfection Kills

New Album From Samantha Fish Plus UK Tour

New Album From Samantha Fish Plus UK Tour

New Album From Samantha Fish Plus UK Tour

 

 

SAMANTHA FISH RELEASES NEW ALBUM “BELLE OF THE WEST” ON FRIDAY 17TH NOVEMBER
UK TOUR STARTS ON MONDAY 20TH NOVEMBER

 

Multi-Award winning American Blues guitarist and singer-songwriter, Samantha Fish, will release her new studio album Belle of the West on Ruf Records on Friday 17th November 2017.  The new album will be supported by a nationwide 8-date UK tour that kicks off at The Stables in Milton Keynes on Monday 20th November.

“You should always get outside of the box,” Samantha Fish says while discussing her boundary-breaking new album Belle of the West. “Challenging yourself is how you grow.”

After launching her recording career in 2009, Samantha quickly established herself as a rising star in the contemporary blues world. Since then, the charismatic young singer-guitarist-songwriter has earned a reputation as a rising guitar hero and powerful live performer, while releasing a series of acclaimed albums that have shown her restless creative spirit consistently taking her in new and exciting musical directions.

The New York Times called Fish “an impressive blues guitarist who sings with sweet power” and “one of the genre’s most promising young talents.” Her hometown paper The Kansas City Star noted, “Samantha Fish has kicked down the door of the patriarchal blues club” and observed that the young artist “displays more imagination and creativity than some blues veterans exhibit over the course of their careers.”

Having already made it clear that she’s more interested in following her heart than she is in repeating past triumphs, Samantha Fish delivers some of her most compelling music to date with Belle of the West, her fifth studio album. The deeply soulful, personally charged 11-song set showcases Fish’s sublime acoustic guitar skills as well as her roots, emotionally resonant songwriting

Fish recorded Belle of the West in the relaxed, rural creative atmosphere of the legendary Zebra Ranch Studios in the North Hills of Mississippi with producer Luther Dickinson (of North Mississippi All-stars fame), with whom she worked previously on her 2015 album Wild Heart.

The studio team included some of the region’s most iconoclastic musicians, including Dickinson, solo artist and Jack White associate Lillie Mae (whose distinctive vocals are featured on Nearing Home), much-travelled juke-joint blues artist Lightnin‘ Malcolm (whose featured on Poor Black Mattie), Squirrel Nut Zippers founder Jumbo Mathus, upright bassist and beloved solo artist Amy LaVereTikyra JacksonTrina Raimey and ShardéThomas, granddaughter of the legendary Southern bluesman Otha Turner.

“I wanted to do this acoustic-electric record, and tap into the style and swagger of Mississippi,” Fish states, adding, “Any time you dive into another place, another vibe and a new group of people, you’re challenging yourself to grow musically. I felt very at home a Zebra Ranch, and I’ve known Luther and Malcolm for years, so it was a very comfortable situation. When you’re making a record like this, it has to feel natural if you want people to respond to it”.

New Album From Samantha Fish Plus UK Tour

 

Bluesdoodles has always loved Samantha Fish Live Her shows are full of energy and guitar wizardry. Bluesdoodles review when she played in Swansea with Mike Zito – HERE

Her recorded albums:- Wild Heart review HERE &  Chills & Fever review HERE

 

 

New Album From Samantha Fish Plus UK Tour
SAMANTHA FISH

SAMANTHA FISH – NOVEMBER 2017 UK TOUR DATES

 

Milton Keynes, The Stables        Monday 20 November                  Tickets
Bristol, The Tunnels                    Tuesday 21 November                  Tickets
Bilston, Robin 2                          Wednesday 22 November             Tickets
Southampton, The Brook          Thursday 23 November                 Tickets
London, Borderline                    Friday 24 November                      Tickets
Derby, The Flowerpot                Saturday 25 November                 Tickets
Keighley Blues Live                    Sunday 26 November                    Tickets
Edinburgh, Stramash                 Monday 27 November                  Tickets

 

New Album From Samantha Fish Plus UK Tour

Popa Chubby Announces New Album Two Dogs

Popa Chubby Announces New Album Two Dogs

Popa Chubby Announces New Album Two Dogs

 

 

Popa Chubby drops a big, bad, sonic bomb with his excellent and timely new album, “Two Dogs.” On it, Popa explores myriad musical styles and genres while keeping it close to his rock and soul core. You’ll hear the Popa you know and love and things you haven’t heard before.

Popa started work on “Two Dogs” with a lot of amazing sounds in his head and powerful feelings in his heart. Recorded at his home studio in New York’s Hudson Valley, Popa engineered and produced the record. He also plays drums, bass and percussion on some tracks. Renowned keyboard player and Popa’s long-time collaborator, Dave Keyes, appears throughout the album. Popa’s daughter, Tipitina Horowitz, plays the trumpet and contributes horn compositions. And ace drummer, Sam “Freightrain” Bryant keeps the beat real and rocking.

In the album’s liner notes, Popa expresses how he feels about the times we live in and expands on the inspiration behind the title song: “We have become polarized as a race. There is a battle inside each of us. Each day we rise and must choose our path calling upon each other and our own spirits for strength and courage. The dog we feed is the one that rules, the dog we starve dies of neglect. It is up to each of us to use our spirit to feed the dog that will enable all of us to thrive.”

This quote from a review of “Two Dogs” published in Blues Magazine does a good job of summing up the man and his music: “To call him a blues artist is to belittle who he is and what he stands for. Horowitz is so much more than that: Singer, songwriter, guitar stylist, his passions run deep and shine bright. With a performance style he describes as “the Stooges meets Buddy Guy, Motörhead meets Muddy Waters, and Jimi Hendrix meets Robert Johnson,” Popa Chubby is an endearing character who is one of the genre’s most popular and innovative figures.”

 

 

1. It’s Alright
2. Rescue Me
3. Preexisting Conditions
4. Sam Lay’s Pistol
5. Two Dogs
6. Dirty Old Blues
7. Shakedown
8. Wound Up Getting High
9. Cayophus Dupree
10. Me Won’t Back Down
11. Chubby’s Boogie
BONUS LIVE TRACKS
12. Sympathy for the Devil
13. Hallelujah

All songs written by T. Horowitz except tracks 4 and 7 by Galea-T. Horowitz; track 12 by Jagger-Richards; track 13 by Leonard Cohen All songs unless otherwise indicated ASCAP Dutch Daddy Music. Track 12: ABKCO Music Inc. Track 13: Sony/ATV Popa Chubby: Guitars, vocals and percussion on all tracks. Drums on Clayophus and Me Won’t Back Down. Bass on Rescue Me, Shakedown, Two Dogs, Clayophus and Me Won’t Back Down Sam “Freightrain” Bryant: Drums all other tracks Andy Paladino: Bass on It’s Alright, Chubby’s Boogie, Preexisting Conditions, Dirty Old Blues Dave Keyes: Keyboards on all tracks Tipitina Horowitz: Trumpet, composition of horns Andrew Garrison: Tenor Saxophone Andrea Beccaro: Drums on Sympathy for the Devil Francesco Beccaro: Bass on Sympathy for the Devil

All songs written by T. Horowitz except tracks 4 and 7 by Galea-T. Horowitz; track 12 by Jagger-Richards; track 13 by Leonard Cohen All songs unless otherwise indicated ASCAP Dutch Daddy Music. Track 12: ABKCO Music Inc. Track 13: Sony/ATV Popa Chubby: Guitars, vocals and percussion on all tracks. Drums on Clayophus and Me Won’t Back Down. Bass on Rescue Me, Shakedown, Two Dogs, Clayophus and Me Won’t Back Down Sam “Freightrain” Bryant: Drums all other tracks Andy Paladino: Bass on It’s Alright, Chubby’s Boogie, Preexisting Conditions, Dirty Old Blues Dave Keyes: Keyboards on all tracks Tipitina Horowitz: Trumpet, composition of horns Andrew Garrison: Tenor Saxophone Andrea Beccaro: Drums on Sympathy for the Devil Francesco Beccaro: Bass on Sympathy for the Devil

Popa Chubby Announces New Album Two Dogs

 

 

Joe Satriani Announcing New album For January 2018 What Happens Next

Joe Satriani Announcing New album For January 2018 What Happens Next

Joe Satriani Announcing New album For January 2018

What Happens Next

 

Joe Satriani Announcing New album For January 2018 What Happens Next

G3 U.S. TOUR SET TO LAUNCH ON JANUARY 11TH

Tour features Satriani, John Petrucci (Dream Theater) & Phil Collen (Def Leppard)

“Beyond the Supernova” Documentary by ZZ Satriani to Premiere at Mill Valley Film Festival – October 14th

 

Joe Satriani Announcing New album For January 2018 What Happens Next. World-renowned guitar virtuoso, JOE SATRIANI, announces the release of his 16th solo album, What Happens Next, set for release, January 12, 2018 on Sony/Legacy Recordings. Just a day prior to the album release, SATRIANI revives his G3 tour entity, inviting Dream Theater’s John Petrucci and Def Leppard lead guitarist, Phil Collen to join him. The G3 tour launches on January 11 in Seattle, WA and continues across the U.S. before winding up on February 25 in Milwaukee, WI. There is a special tour pre-sale promotion giving fans the opportunity to buy concert tickets with the new album as well as VIP packages.

The new, instrumentally electrifying album features a power trio of legendary status; SATRIANI on guitar and Rock and Roll Hall of Fame inductee bassist Glenn Hughes (Deep Purple/Black Country Communion) and drummer Chad Smith (Red Hot Chili Peppers), the latter reuniting with SATRIANI for the first time since their work in the supergroup Chickenfoot. SATRIANI is once again joined by producer/engineer/mixer Mike Fraser, his frequent collaborator over the last 20 years, on What Happens Next. Fraser is well-known for recording/mixing every AC/DC album since 1990’s The Razors Edge along with his classic works with SATRIANI going back to the release of Crystal Planet in 1998.

These new tracks literally vibrate the soul with an energy rarely found these days. From the dynamic opening track, “Energy”, to the majestic crunch of “Thunder High On The Mountain”, and the easy, sensual cords of “Smooth Soul”. This unparalleled rock-rhythm section gives What Happens Next a depth of groove that sets it apart from SATRIANI’s other work.

Since its debut in 1996, SATRIANI’s G3 tour has featured the world’s greatest guitarists (everyone from Steve Vai and Eric Johnson to Steve Lukather and Robert Fripp) and has become a consistent concert hall sell-out attraction in the U.S., South America, Europe, Australia, and Japan. “I could say that I’m surprised at the durability of G3 and how much it’s grown, but in a way I’m not,” SATRIANI says with a laugh, “I think part of its charm and its mojo is in the chemistry of having three top guitarists share what they do on stage. It’s fun, it’s unpredictable, it’s wild – it’s everything you could want in a show.”

In addition to this new album and exciting tour news, a new documentary “Beyond the Supernova” shot by SATRIANI’s filmmaker son, ZZ, makes its debut at the Mill Valley Film Festival this October. The tour documentary chronicles Joe, along with his band and crew, on their last “Shockwave Supernova” tour throughout Europe and Asia.

Satriani’s Strange Beautiful Music: A Musical Memoir first released in May 2014 will now be available in paperback. Pre-orders are available now with the official release on November 7, 2017. The paperback version includes a new chapter focusing on SATRIANI’s last album, Shockwave Supernova. Read an excerpt from the new chapter HERE.

For two decades, the guitar virtuoso has traveled the world, playing to sold-out crowds as both a headliner and as founder of the all-star “G3” guitar extravaganza. SATRIANI’s studio and live recordings have sold more than 10 million copies worldwide to date and of his many solo albums, two have gone platinum and four others went gold, with 15 Grammy nominations between them. His side project, Chickenfoot, featuring former Van Halen frontman Sammy Hagar, former bassist Michael Anthony, and Red Hot Chili Peppers’ drummer Chad Smith saw their debut album certified gold and their second studio album debuted at #9.

2018 G3 Tour featuring Joe Satriani, John Petrucci & Phil Collen itinerary:

January 11 – The Moore Theatre, Seattle, WA
January 12 – Historic Elsinore Theatre, Salem, OR
January 13 – Grand Sierra Theatre, Reno, NV
January 14 – Fox Theater, Oakland, CA
January 16 – Delta Hall at Eccles Theater, Salt Lake City, UT *
January 17 – Brooklyn Bowl, Las Vegas, NV
January 18 – Mesa Arts Center, Mesa, AZ *
January 19 – Orpheum Theatre, Los Angeles, CA
January 20 – Balboa Theatre, San Diego, CA
January 21 – Fox Tucson Theatre, Tucson, AZ *
January 24 – Historic Paramount Theatre, Denver, CO
January 26 – The Pavillion at The Toyota Music Factory, Irving, TX *
January 27 – Austin City Limits – Moody Theater, Austin, TX
January 28 – Hobby Center for the Performing Arts, Houston, TX *
January 30 – Hard Rock Live, Orlando, FL *
January 31 – Florida Theatre, Jacksonville, FL *
February 1 – Pompano Beach Amphitheatre, Pompano Beach, FL*
February 2 – Barbara B Mann Performing Arts Hall, Fort Myers, FL *
February 3 – Mahaffey Theater, St. Petersberg, FL *
February 6 – Raleigh Memorial Auditorium, Raleigh, NC
February 14 – Warner Theatre, Washington, DC *
February 15 – Orpheum Theatre, Boston, MA
February 16 – Beacon Theatre, New York, NY *
February 17 – Merriam Theater, Philadelphia, PA
February 18 – New Jersey Performing Arts Center, Newark, NJ *
February 20 – Auditorium Theatre, Rochester, NY *
February 21 – Massey Hall, Toronto, ONT
February 22 – Hard Rock Live, Northfield, OH
February 23 – Chicago Theatre, Chicago, IL *
February 24 – State Theatre, Minneapolis, MN
February 25 – Riverside Theater, Milwaukee, WI

(All dates on sale September 22nd except * on-sale October 6)

 

 

Joe Satriani Announcing New album For January 2018 What Happens Next

Pre-order HERE 

 

Joe Satriani Announcing New album For January 2018 What Happens Next

 

Joe Satriani Announcing New album For January 2018 What Happens Next

Q&A Session as we Rise and Shine with SIMO

Q&A Session as we Rise and Shine with SIMO

Q&A Session as we Rise and Shine with SIMO

 

 

BD: Hi JD delighted to have the opportunity to chat with you once again for Bluesdoodles. A year has passed and we have a new album to explore and enjoy Rise and Shine. The follow-up to the acclaimed Let Love Show You The Way. You have certainly gone off on a different journey as we Rise and Shine with SIMO.

JD Simo:  It is always a pleasure to talk with you. On our way to Nashville to Rise & Shine Record release show.

BD: Tell us about the making of Rise and Shine and how the eleven tracks were weaved together as a tour de force?

JD Simo:  Started the concept last year during that ridiculous touring schedule. There was a hint of the direction at the live shows on our last tour especially in the UK. We had so much material and not had time to work on so many songs. The concept came out as we got bored creatively with what we were putting out material wise. We wanted to push the sound by how we view this and push that so we could find a place that felt unfamiliar. That coupled with the determination to be the best we could be through writing and the music. We could have easily gone in and made an album that was familiar. We wanted to craft and make music with a purpose and with a refinement. Using a methodical approach to be the best possible. This takes time and effort and is a bit scary. It is easy to be lazy being tricked by praise and believing what you are telling yourself. That stops creativity.

The nucleus was when we finally got home in January. No shows and a month studio time already blocked off. So we bared down onto the album. It was a lot of hard work. Lots of time spent it was serious and fun definitely not stressful. It was like a good work out working through and feeling good at the end. Every day was a stretch, it took a long time to arrange and work out the songs. How we were going to do it, what the concept was how the track would sound and fit into the album.

Studio time we were there every day with long hours of crafting our music it was good not to have to rush. We had the time to capture a good performance. Sometimes a track took a long time others a lot shorter. It then took two months to mix. Making the album was a marathon rather than a sprint.

Rise and Shine is a piece of work that represents the best of what we are capable of. It feels like our first record.  If it reminds you of other works that is not intentional. In the past it was intentional. Here we said lets deconstruct I am really proud of the result.

 

BD: You have described the sound as Psychedelic Blues, many have fused soul and funk onto the blues base but you have gone one step further for me this is progressive blues, experimental. Why do you describe your music as Psychedelic ?

JD Simo:  What my music ends up being called is terms is meaning less and less to me. It has to be done in the world we live in. It is fun to hear everyone’s take on the music. Everyone has a different take, it is good that they are finding something that resonant.

Psychedelic is another way to say experimental not taking the norm. A lot of elements makes this experimental with different textures and sounds. The record is still Rock n Roll. Trying to push finding inspiring sounds is cool.

 

BD: How did you come up with the jaunty title Rise & Shine almost a pop feel?

JD Simo:  There is a pun in that behind the name is a concept of growth and your inner light/beauty and the ability to convey that. There are miracle themes, spiritual elements. Rising out of whatever you are dealing with. Shine the message is don’t hold it in, it is okay to let your inner self be seen. There were other names considered. In the end we all liked the title it is kind of funny and suited the album..

 

BD: You made the decision to take a month out and producing the album yourself. Did this give you more control combine the feeling of a live show, energy of a jam and the experimental sonic tones all into the same album that makes sense and is never disjointed?

JD Simo:  We had complete control it was incredible. I was astounded that I was given the opportunity, they had faith in me. So I was given the opportunity to see the vision through. We wanted the live energy on each song. They were treated singularly. There were lots of songs that didn’t make it and others were torn apart during pre-production. The aim was that on each song we nailed it, sonically what suited the track. Some link Meditate were laid back, with intense parts felt the track was laid back, not always easy to capture. It was great to have complete control. We took it really seriously there was no messing around.

 

BD: The opening track Return is a sonic assault as you tune in you realise that Return is not return to the same you have gone in a different direction as the band moulds influences from Beck to Prince with deep bass lines, vocals that are beguiling an opening track opening the doors on the new shape of SIMO?

JD Simo:   Once we got to the mixing stage we were fairly methodical as we considered how the album would flow. The choice of opening with Return was to knock you of your balance, a track you would not expect us to do. In the end it felt the best, felt right to start that way.

A lot of thought went into how to sequence the record. We really loved the opening of the record and the rest made sense. Return, was lyrically a good place to start. The songs get more and more persona. They are what JD personally gone through.  Light The Candle starts to gets heavier subject more about the world outside of me and more intense. It was just the way it worked out in the end.

BD: SIMO have been describe your sound as retro but that is for me too easy. Your sound is modern cutting edge how do you manage that?

JD Simo:  Retro is a fair assessment of what we were creating before Rise & Shine. Not indicative of where we are now. We have turned away from retro it is a natural evolution. Where we are getting more genuine and comfortable. It is like not putting on someone else’s cloths. This is what we were doing with the best of intentions before. It is like growing up, at High School you dress like everyone else. You think man I don’t like this shirt I am not going to wear that anymore. Musically it is like that. Retro was a way of exploring a range of influence. Yet we have as many influences that are contemporary, including Alabama Shakes and Wilco we needed to re-group.

BD: Following on from moving on from being Retro, did you use different equipment on Rise and Shine?

JD Simo: Great question. Yes we did use different equipment. Didn’t use anything used on previous albums. It was all stuff I had found myself it was my own equipment. In the past I had used equipment used by people I admire and love used trying to be authentic.

Now I have collected equipment that suits me in fact none of the equipment was used before it was fresh start on Rise & Shine.

BD: The lyrics are often deep, very personal how much have you been influenced by your extensive travels in 2016 and the election of President Trump last November?

JD Simo:  Majority a lot is about me. This is obvious the emotions I have been through and very observational. I was trying to work through stuff I had to deal with myself. I had to face myself.  It is more honest not alluding but very stark, uncomfortable at times to listen to. This was a conscious choice on my part. I know I am a decent musician as a writer I have never forced myself to write as good as I can. It is important to work on writing. It is absolutely the most important thing is the writing. I love writing it helped me to have the confidence to work to be better and better. Focusing as much on writing as being a good musician that is not being neglected though. Just working harder to be as good a writer as I am a good musician. It feels really good.

We had a listening party. A bunch of people came round I felt really uncomfortable, sick to the stomach. It was hard for me to do, listening to the songs. Bringing stuff up not expressed before in front of a group of people. Once I recovered it felt fine through this journey I have become a decent writer I have revealed everything I needed to. Writers like Jeff Buckley, Bob Dylan and Neil Young they do that all the time. I am not comparing myself to them but is sets the bar high to aim for that a better job than I have ever done before.

 BD: Will you be touring Europe with this new exciting album?

JD Simo:  Yes, have a three-week tour of Europe mainly Germany, one night Holland, Belgium and London. Just doing shorter tours, can’t do the 5-6 weeks just too draining for us. Early 2018 will be back in Europe more dates UK and some of the other countries missed including France, Italy, Switzerland and Spain. 2-3 week tours are so much more enjoyable and we are really looking forward to doing them. In fact some of the best gigs we have played have been in London so looking forward to 26th September at the Borderline.

 

BD:   Last time we finished with what your dream band would be this time – what are you listening to and what SIMO track would you liked covered and by whom?

JD Simo:  Without hesitation JD said – D’Angelo to cover I Want Love. That would be pretty sick, pretty incredible and a huge honour. Mind you it would make me never want to do the song every again.

I am a Spotify junkie, I have playlists of all types of stuff. I really am really love Jeff Tweedy solo record with its Meters influence. Also really digging Lily Mae from Nashville, who is on Jack Whites label Third Man. It is folk/country like Gordon Lightfoot. Classic country she is an incredible musician playing fiddle and guitar. Her vocals are unique at times frail sounding like she is crying.

BD: Thank you for your time and looking forward to hearing the new numbers live very soon.

 

Rise and Shine out on Mascot Label Group – out 15th September 2017 

 

Q&A Session as we Rise and Shine with SIMO

Ten Years After Celebrating 50th Anniversary With 10 CD Box Set

Ten Years After Celebrating 50th Anniversary With 10 CD Box Set

Ten Years After Celebrating 50th Anniversary With 10 CD Box Set

CTen Years After Celebrating 50th Anniversary With 10 CD Box Sethrysalis Records are proud to release a

50th Anniversary 10 CD Box Set celebrating the
band’s first nine albums, plus a CD of
previously unreleased material.

Released Friday 10th November 2017

Pre-order via Pledge

 

To coincide with the Ten Years After’s eponymous debut release in 1967 Chrysalis Records are proud to present a 50th Anniversary 10 CD Box Set. This limited edition set includes a CD of previously unreleased material.

To celebrate this special occasion, in November 2017 Chrysalis Records will release a brand new 10 CD Box Set, gathering for the first time, albums from both the Chrysalis and Deram periods from 1967 to 1974.

This set, limited to 1,500 copies worldwide, contains LPs which have been remastered from the original 1/4″ production master tapes along with the bonus disc entitled The CapFerrat Sessions”which consists of never heard before recordings from 1972, newly mixed by acclaimed record producer Chris Kimsey.  Fans can pre-order the box set from Pledge

The package comes in a luxury hardback format with slipcase and an accompanying book which includes newly commissioned in-depth 10,000 word sleeve notes written by legendary Melody Maker journalist and early champion of the band, Chris Welch, charting the band’s progress from their early beginnings in Nottingham, through iconic appearances at the Woodstock and the Isle of Wight festivals, right up to their eventual split in 1974. There are extensive interviews with the remaining band members plus members of Alvin Lee’s family, and additional recording notes by Chris Kimsey.

“I’m genuinely excited about the new Ten Years After box set that we’ve been working on with Chrysalis due for release in November to celebrate the band’s 50th Anniversary,” says Ten Years After’s founding drummer, Ric Lee. Continues Ric, “The box includes nine studio albums and a bonus CD that features the previously unreleased live album ‘The Cap Ferrat Sessions’. Originally recorded in 1972 in the South of France using The Rolling Stones Mobile recording truck, the session tracks were gathering dust until now. I remember we recorded the live tracks in a villa in Cap Ferrat, South of France. Each of the instruments were recorded in a different room – drums in the ballroom. Between Chris Kimsey, our recording engineer and I, we managed to get one of the best drum sounds on any Ten Years After recording. Natural ambience from the villa’s acoustics helped tremendously. The session tracks were originally planned for the ‘Rock N Roll Music To The World’ album, but due to vinyl restrictions of the time, the tracks were not included in the final album release. More details are on the sleeve notes written for us by Chris Kimsey, who kindly agreed to mix the tracks for this boxed set release 45 years after they were recorded. This is a must-have collection for any avid Ten Years After fan, and any new fans that want to soak up the band’s recorded history.”

Ten Years After stormed the stages of rock, they created a sensation that stunned audiences and quickly won them a coveted place among the pantheon of great British groups. Alvin Lee – one of the most charismatic and admired guitar players to emerge from the British blues boom of the era and deservedly ranked alongside his contemporaries Eric Clapton, Jeff Beck, Jimmy Page and Jimi Hendrix – headed a powerful team of talented musicians, Leo LyonsChick Churchill and Ric Lee.

During an intense seven-year period, they embarked on marathon tours, conquering America, enjoying success around the world, whilst also unleashing a succession of ground breaking albums. Their 1967 debut “Ten Years After”was swiftly followed by pioneering live album “Undead” (1968) through the critically acclaimed “A Space In Time”(1971),featuring one of their finest songs ‘‘I’d Love To Change The World”, which is very apt in today’s world, ending with 1974’s ‘Positive Vibrations’.

The Cap Ferrat Sessions” came as a result of a discovery by Alvin Lee’s wife, who found a box of recordings deep in the vaults of the studio in their house they shared in Spain. They originate from the Rock N Roll Music To The World album sessions, which were recorded at a seaside villa in Cap Ferrat, South of France and Olympic Studios in London. Chrysalis Records turned to world renowned producer Chris Kimsey (whose credits include the Rolling Stones, Bad Company, and Peter Frampton), who recorded and engineered the original sessions, to mix these tracks for the first time.

For avid collectors and fans of the band, the legendary Cap Ferrat sessions will have a special appeal and will be an essential addition to their collection.  This is a big deal for classic rock lovers and aficionados all over the world.

Ten Years After Celebrating 50th Anniversary
With 10 CD Box Set

 

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Ten Years After Celebrating 50th Anniversary With 10 CD Box Set

 

Alan Nimmo from King King Talking about Album & Tours

Alan Nimmo from King King Talking about Album & Tours

Alan Nimmo from King King Talking about Album & Tours

BD: Hi Alan, thanks for taking the time to chat about Exile & Grace King King’s new album and tour dates brightening 2018.

Exile and Grace the much-anticipated album is released by Manhaton Records on 6th October 2017.

Their UK tour kicks off at London Shepherd’s Bush Empire on Wednesday 17th January 2018.

Tickets: www.kingking.co.uk/tour

 

Alan Nimmo from King King Talking about Album & ToursBD: Let’s start with Exile and Grace out 6th October on Manhaton Records. The album title feels different from previous titles. What inspired the title Exile & Grace?

AN:  The inspiration behind the album title came from a number of things really but all rolled into one! There is a huge concern that the future of our world and our species is very uncertain! There is so much conflict in the world and the way we treat the planet is a real worry for future generations. So it’s almost like “Exile” and “Grace” are like a yin and yang. We seem to exile the willingness and power to be graceful and live in harmony with one and other.

BD: Having listened to the album a number of times it is definitely rockier and has a cohesive sound. Is this the trajectory that you and King King plan to take the group in the future.

 AN:  It’s never a plan to take the musical style in any direction… it’s simply just how the songs turn out when we write them. I feel as the main songwriter that the more experience I gain from writing, the more relaxed I become and with that relaxation comes the early influences that I was listening to as a young kid.

BD: No title track as such – do you see any particular track as the number that defines the album.

AN: If I had to pick a tune that defined this album I’d probably say it was “Broken” It talks about the things I mentioned earlier about my concerns for our future as a human race.

 BD: Do the tracks have personal meaning and have you a favourite Track?

 AN: Everything I write has personal meaning as I tend to write about things and events that have gone on in my life or they can be subjects that matter to me too. They’re all my favourites!

BD: The first single of the album, (She Don’t) Gimme No Lovin’ has had plenty of radio play and excited the fans. Keeping King King’s profile high while you are off the road. How did you decide on this track to launch the album with its Thunder overtones.

 AN:  It’s great to add depth and real meaning to certain songs throughout an album but just sometimes it’s simply ok to write a quirky tune that still tells a story but doesn’t need to tax the brain too much! We just wanted to have a first single that had an immediate impact on the ears and made you tap your feet! Simple as that!

BD: Before we talk about the 2018 tour dates and beyond.  You must have been heartened by the support and loyalty of your fans who have joined at various points on the King King Musical journey. The fans want to know how your vocal chords are progressing and are you doing what has been ordered staying quiet and resting your voice.

AN: First of all I would just like to thank all of our fabulous fans for the staggering amount of support and love they have shown not only me but to everyone in the band! As you can imagine…this is a very difficult time for me and indeed the boys and I’m glad that we decided to take this time out to get a full recovery and I want everyone to know that I’m working my backside off to get into good health vocally and in every other way!

BD: Let’s talk 2018. UK tour dates kick off at London Shepherd’s Bush Empire on Wednesday 17th January 2018; then four further dates around the U.K. This will certainly start the gigging year on a high for your growing phalanx of loyal King King fans.  This will be the start of Exile & Grace Tour and hearing the tracks we will have time to have learned. Which tracks work particularly well on a live King King set?

AN:  Yes, we’re really looking forward to getting back on the road and playing our UK tour! We’ll be rehearsing for the tour pretty soon and we’ll find out which songs work best live but you can never tell which ones will go down well on a live show until you try them! We will try to choose wisely!

BD: What plans do you and King King have for 2018 and beyond whether playing Rock or blues?

AN: There is a very busy 2018 already shaping up so we just want to keep doing what we do and hope that our fans stay by our side and enjoy the journey with us. There is plenty more for King King to achieve so don’t worry… you’ll be seeing lots of us!

BD: Finally, while you are off the road relaxing! What music are you listening to and giving you inspiration? 

AN: When I’m in the gym or walking in the hills or even out on the motorbike then I tend to listen to everything in my music library… it’s basically on random shuffle all the time so it’s anything from Thunder to Prince to Chris Stapleton to Black Crows to Eric Clapton, Free, Whitesnake, Steve Vai… I could go on all day! I even listen to King King and I also love the “Sky Won’t Fall” album from my big bro!

Alan Nimmo from King King Talking about Album & Tours