Joe Satriani Announcing New album For January 2018 What Happens Next

Joe Satriani Announcing New album For January 2018 What Happens Next

Joe Satriani Announcing New album For January 2018

What Happens Next

 

Joe Satriani Announcing New album For January 2018 What Happens Next

G3 U.S. TOUR SET TO LAUNCH ON JANUARY 11TH

Tour features Satriani, John Petrucci (Dream Theater) & Phil Collen (Def Leppard)

“Beyond the Supernova” Documentary by ZZ Satriani to Premiere at Mill Valley Film Festival – October 14th

 

Joe Satriani Announcing New album For January 2018 What Happens Next. World-renowned guitar virtuoso, JOE SATRIANI, announces the release of his 16th solo album, What Happens Next, set for release, January 12, 2018 on Sony/Legacy Recordings. Just a day prior to the album release, SATRIANI revives his G3 tour entity, inviting Dream Theater’s John Petrucci and Def Leppard lead guitarist, Phil Collen to join him. The G3 tour launches on January 11 in Seattle, WA and continues across the U.S. before winding up on February 25 in Milwaukee, WI. There is a special tour pre-sale promotion giving fans the opportunity to buy concert tickets with the new album as well as VIP packages.

The new, instrumentally electrifying album features a power trio of legendary status; SATRIANI on guitar and Rock and Roll Hall of Fame inductee bassist Glenn Hughes (Deep Purple/Black Country Communion) and drummer Chad Smith (Red Hot Chili Peppers), the latter reuniting with SATRIANI for the first time since their work in the supergroup Chickenfoot. SATRIANI is once again joined by producer/engineer/mixer Mike Fraser, his frequent collaborator over the last 20 years, on What Happens Next. Fraser is well-known for recording/mixing every AC/DC album since 1990’s The Razors Edge along with his classic works with SATRIANI going back to the release of Crystal Planet in 1998.

These new tracks literally vibrate the soul with an energy rarely found these days. From the dynamic opening track, “Energy”, to the majestic crunch of “Thunder High On The Mountain”, and the easy, sensual cords of “Smooth Soul”. This unparalleled rock-rhythm section gives What Happens Next a depth of groove that sets it apart from SATRIANI’s other work.

Since its debut in 1996, SATRIANI’s G3 tour has featured the world’s greatest guitarists (everyone from Steve Vai and Eric Johnson to Steve Lukather and Robert Fripp) and has become a consistent concert hall sell-out attraction in the U.S., South America, Europe, Australia, and Japan. “I could say that I’m surprised at the durability of G3 and how much it’s grown, but in a way I’m not,” SATRIANI says with a laugh, “I think part of its charm and its mojo is in the chemistry of having three top guitarists share what they do on stage. It’s fun, it’s unpredictable, it’s wild – it’s everything you could want in a show.”

In addition to this new album and exciting tour news, a new documentary “Beyond the Supernova” shot by SATRIANI’s filmmaker son, ZZ, makes its debut at the Mill Valley Film Festival this October. The tour documentary chronicles Joe, along with his band and crew, on their last “Shockwave Supernova” tour throughout Europe and Asia.

Satriani’s Strange Beautiful Music: A Musical Memoir first released in May 2014 will now be available in paperback. Pre-orders are available now with the official release on November 7, 2017. The paperback version includes a new chapter focusing on SATRIANI’s last album, Shockwave Supernova. Read an excerpt from the new chapter HERE.

For two decades, the guitar virtuoso has traveled the world, playing to sold-out crowds as both a headliner and as founder of the all-star “G3” guitar extravaganza. SATRIANI’s studio and live recordings have sold more than 10 million copies worldwide to date and of his many solo albums, two have gone platinum and four others went gold, with 15 Grammy nominations between them. His side project, Chickenfoot, featuring former Van Halen frontman Sammy Hagar, former bassist Michael Anthony, and Red Hot Chili Peppers’ drummer Chad Smith saw their debut album certified gold and their second studio album debuted at #9.

2018 G3 Tour featuring Joe Satriani, John Petrucci & Phil Collen itinerary:

January 11 – The Moore Theatre, Seattle, WA
January 12 – Historic Elsinore Theatre, Salem, OR
January 13 – Grand Sierra Theatre, Reno, NV
January 14 – Fox Theater, Oakland, CA
January 16 – Delta Hall at Eccles Theater, Salt Lake City, UT *
January 17 – Brooklyn Bowl, Las Vegas, NV
January 18 – Mesa Arts Center, Mesa, AZ *
January 19 – Orpheum Theatre, Los Angeles, CA
January 20 – Balboa Theatre, San Diego, CA
January 21 – Fox Tucson Theatre, Tucson, AZ *
January 24 – Historic Paramount Theatre, Denver, CO
January 26 – The Pavillion at The Toyota Music Factory, Irving, TX *
January 27 – Austin City Limits – Moody Theater, Austin, TX
January 28 – Hobby Center for the Performing Arts, Houston, TX *
January 30 – Hard Rock Live, Orlando, FL *
January 31 – Florida Theatre, Jacksonville, FL *
February 1 – Pompano Beach Amphitheatre, Pompano Beach, FL*
February 2 – Barbara B Mann Performing Arts Hall, Fort Myers, FL *
February 3 – Mahaffey Theater, St. Petersberg, FL *
February 6 – Raleigh Memorial Auditorium, Raleigh, NC
February 14 – Warner Theatre, Washington, DC *
February 15 – Orpheum Theatre, Boston, MA
February 16 – Beacon Theatre, New York, NY *
February 17 – Merriam Theater, Philadelphia, PA
February 18 – New Jersey Performing Arts Center, Newark, NJ *
February 20 – Auditorium Theatre, Rochester, NY *
February 21 – Massey Hall, Toronto, ONT
February 22 – Hard Rock Live, Northfield, OH
February 23 – Chicago Theatre, Chicago, IL *
February 24 – State Theatre, Minneapolis, MN
February 25 – Riverside Theater, Milwaukee, WI

(All dates on sale September 22nd except * on-sale October 6)

 

 

Joe Satriani Announcing New album For January 2018 What Happens Next

Pre-order HERE 

 

Joe Satriani Announcing New album For January 2018 What Happens Next

 

Joe Satriani Announcing New album For January 2018 What Happens Next

Q&A Session as we Rise and Shine with SIMO

Q&A Session as we Rise and Shine with SIMO

Q&A Session as we Rise and Shine with SIMO

 

 

BD: Hi JD delighted to have the opportunity to chat with you once again for Bluesdoodles. A year has passed and we have a new album to explore and enjoy Rise and Shine. The follow-up to the acclaimed Let Love Show You The Way. You have certainly gone off on a different journey as we Rise and Shine with SIMO.

JD Simo:  It is always a pleasure to talk with you. On our way to Nashville to Rise & Shine Record release show.

BD: Tell us about the making of Rise and Shine and how the eleven tracks were weaved together as a tour de force?

JD Simo:  Started the concept last year during that ridiculous touring schedule. There was a hint of the direction at the live shows on our last tour especially in the UK. We had so much material and not had time to work on so many songs. The concept came out as we got bored creatively with what we were putting out material wise. We wanted to push the sound by how we view this and push that so we could find a place that felt unfamiliar. That coupled with the determination to be the best we could be through writing and the music. We could have easily gone in and made an album that was familiar. We wanted to craft and make music with a purpose and with a refinement. Using a methodical approach to be the best possible. This takes time and effort and is a bit scary. It is easy to be lazy being tricked by praise and believing what you are telling yourself. That stops creativity.

The nucleus was when we finally got home in January. No shows and a month studio time already blocked off. So we bared down onto the album. It was a lot of hard work. Lots of time spent it was serious and fun definitely not stressful. It was like a good work out working through and feeling good at the end. Every day was a stretch, it took a long time to arrange and work out the songs. How we were going to do it, what the concept was how the track would sound and fit into the album.

Studio time we were there every day with long hours of crafting our music it was good not to have to rush. We had the time to capture a good performance. Sometimes a track took a long time others a lot shorter. It then took two months to mix. Making the album was a marathon rather than a sprint.

Rise and Shine is a piece of work that represents the best of what we are capable of. It feels like our first record.  If it reminds you of other works that is not intentional. In the past it was intentional. Here we said lets deconstruct I am really proud of the result.

 

BD: You have described the sound as Psychedelic Blues, many have fused soul and funk onto the blues base but you have gone one step further for me this is progressive blues, experimental. Why do you describe your music as Psychedelic ?

JD Simo:  What my music ends up being called is terms is meaning less and less to me. It has to be done in the world we live in. It is fun to hear everyone’s take on the music. Everyone has a different take, it is good that they are finding something that resonant.

Psychedelic is another way to say experimental not taking the norm. A lot of elements makes this experimental with different textures and sounds. The record is still Rock n Roll. Trying to push finding inspiring sounds is cool.

 

BD: How did you come up with the jaunty title Rise & Shine almost a pop feel?

JD Simo:  There is a pun in that behind the name is a concept of growth and your inner light/beauty and the ability to convey that. There are miracle themes, spiritual elements. Rising out of whatever you are dealing with. Shine the message is don’t hold it in, it is okay to let your inner self be seen. There were other names considered. In the end we all liked the title it is kind of funny and suited the album..

 

BD: You made the decision to take a month out and producing the album yourself. Did this give you more control combine the feeling of a live show, energy of a jam and the experimental sonic tones all into the same album that makes sense and is never disjointed?

JD Simo:  We had complete control it was incredible. I was astounded that I was given the opportunity, they had faith in me. So I was given the opportunity to see the vision through. We wanted the live energy on each song. They were treated singularly. There were lots of songs that didn’t make it and others were torn apart during pre-production. The aim was that on each song we nailed it, sonically what suited the track. Some link Meditate were laid back, with intense parts felt the track was laid back, not always easy to capture. It was great to have complete control. We took it really seriously there was no messing around.

 

BD: The opening track Return is a sonic assault as you tune in you realise that Return is not return to the same you have gone in a different direction as the band moulds influences from Beck to Prince with deep bass lines, vocals that are beguiling an opening track opening the doors on the new shape of SIMO?

JD Simo:   Once we got to the mixing stage we were fairly methodical as we considered how the album would flow. The choice of opening with Return was to knock you of your balance, a track you would not expect us to do. In the end it felt the best, felt right to start that way.

A lot of thought went into how to sequence the record. We really loved the opening of the record and the rest made sense. Return, was lyrically a good place to start. The songs get more and more persona. They are what JD personally gone through.  Light The Candle starts to gets heavier subject more about the world outside of me and more intense. It was just the way it worked out in the end.

BD: SIMO have been describe your sound as retro but that is for me too easy. Your sound is modern cutting edge how do you manage that?

JD Simo:  Retro is a fair assessment of what we were creating before Rise & Shine. Not indicative of where we are now. We have turned away from retro it is a natural evolution. Where we are getting more genuine and comfortable. It is like not putting on someone else’s cloths. This is what we were doing with the best of intentions before. It is like growing up, at High School you dress like everyone else. You think man I don’t like this shirt I am not going to wear that anymore. Musically it is like that. Retro was a way of exploring a range of influence. Yet we have as many influences that are contemporary, including Alabama Shakes and Wilco we needed to re-group.

BD: Following on from moving on from being Retro, did you use different equipment on Rise and Shine?

JD Simo: Great question. Yes we did use different equipment. Didn’t use anything used on previous albums. It was all stuff I had found myself it was my own equipment. In the past I had used equipment used by people I admire and love used trying to be authentic.

Now I have collected equipment that suits me in fact none of the equipment was used before it was fresh start on Rise & Shine.

BD: The lyrics are often deep, very personal how much have you been influenced by your extensive travels in 2016 and the election of President Trump last November?

JD Simo:  Majority a lot is about me. This is obvious the emotions I have been through and very observational. I was trying to work through stuff I had to deal with myself. I had to face myself.  It is more honest not alluding but very stark, uncomfortable at times to listen to. This was a conscious choice on my part. I know I am a decent musician as a writer I have never forced myself to write as good as I can. It is important to work on writing. It is absolutely the most important thing is the writing. I love writing it helped me to have the confidence to work to be better and better. Focusing as much on writing as being a good musician that is not being neglected though. Just working harder to be as good a writer as I am a good musician. It feels really good.

We had a listening party. A bunch of people came round I felt really uncomfortable, sick to the stomach. It was hard for me to do, listening to the songs. Bringing stuff up not expressed before in front of a group of people. Once I recovered it felt fine through this journey I have become a decent writer I have revealed everything I needed to. Writers like Jeff Buckley, Bob Dylan and Neil Young they do that all the time. I am not comparing myself to them but is sets the bar high to aim for that a better job than I have ever done before.

 BD: Will you be touring Europe with this new exciting album?

JD Simo:  Yes, have a three-week tour of Europe mainly Germany, one night Holland, Belgium and London. Just doing shorter tours, can’t do the 5-6 weeks just too draining for us. Early 2018 will be back in Europe more dates UK and some of the other countries missed including France, Italy, Switzerland and Spain. 2-3 week tours are so much more enjoyable and we are really looking forward to doing them. In fact some of the best gigs we have played have been in London so looking forward to 26th September at the Borderline.

 

BD:   Last time we finished with what your dream band would be this time – what are you listening to and what SIMO track would you liked covered and by whom?

JD Simo:  Without hesitation JD said – D’Angelo to cover I Want Love. That would be pretty sick, pretty incredible and a huge honour. Mind you it would make me never want to do the song every again.

I am a Spotify junkie, I have playlists of all types of stuff. I really am really love Jeff Tweedy solo record with its Meters influence. Also really digging Lily Mae from Nashville, who is on Jack Whites label Third Man. It is folk/country like Gordon Lightfoot. Classic country she is an incredible musician playing fiddle and guitar. Her vocals are unique at times frail sounding like she is crying.

BD: Thank you for your time and looking forward to hearing the new numbers live very soon.

 

Rise and Shine out on Mascot Label Group – out 15th September 2017 

 

Q&A Session as we Rise and Shine with SIMO

Ten Years After Celebrating 50th Anniversary With 10 CD Box Set

Ten Years After Celebrating 50th Anniversary With 10 CD Box Set

Ten Years After Celebrating 50th Anniversary With 10 CD Box Set

CTen Years After Celebrating 50th Anniversary With 10 CD Box Sethrysalis Records are proud to release a

50th Anniversary 10 CD Box Set celebrating the
band’s first nine albums, plus a CD of
previously unreleased material.

Released Friday 10th November 2017

Pre-order via Pledge

 

To coincide with the Ten Years After’s eponymous debut release in 1967 Chrysalis Records are proud to present a 50th Anniversary 10 CD Box Set. This limited edition set includes a CD of previously unreleased material.

To celebrate this special occasion, in November 2017 Chrysalis Records will release a brand new 10 CD Box Set, gathering for the first time, albums from both the Chrysalis and Deram periods from 1967 to 1974.

This set, limited to 1,500 copies worldwide, contains LPs which have been remastered from the original 1/4″ production master tapes along with the bonus disc entitled The CapFerrat Sessions”which consists of never heard before recordings from 1972, newly mixed by acclaimed record producer Chris Kimsey.  Fans can pre-order the box set from Pledge

The package comes in a luxury hardback format with slipcase and an accompanying book which includes newly commissioned in-depth 10,000 word sleeve notes written by legendary Melody Maker journalist and early champion of the band, Chris Welch, charting the band’s progress from their early beginnings in Nottingham, through iconic appearances at the Woodstock and the Isle of Wight festivals, right up to their eventual split in 1974. There are extensive interviews with the remaining band members plus members of Alvin Lee’s family, and additional recording notes by Chris Kimsey.

“I’m genuinely excited about the new Ten Years After box set that we’ve been working on with Chrysalis due for release in November to celebrate the band’s 50th Anniversary,” says Ten Years After’s founding drummer, Ric Lee. Continues Ric, “The box includes nine studio albums and a bonus CD that features the previously unreleased live album ‘The Cap Ferrat Sessions’. Originally recorded in 1972 in the South of France using The Rolling Stones Mobile recording truck, the session tracks were gathering dust until now. I remember we recorded the live tracks in a villa in Cap Ferrat, South of France. Each of the instruments were recorded in a different room – drums in the ballroom. Between Chris Kimsey, our recording engineer and I, we managed to get one of the best drum sounds on any Ten Years After recording. Natural ambience from the villa’s acoustics helped tremendously. The session tracks were originally planned for the ‘Rock N Roll Music To The World’ album, but due to vinyl restrictions of the time, the tracks were not included in the final album release. More details are on the sleeve notes written for us by Chris Kimsey, who kindly agreed to mix the tracks for this boxed set release 45 years after they were recorded. This is a must-have collection for any avid Ten Years After fan, and any new fans that want to soak up the band’s recorded history.”

Ten Years After stormed the stages of rock, they created a sensation that stunned audiences and quickly won them a coveted place among the pantheon of great British groups. Alvin Lee – one of the most charismatic and admired guitar players to emerge from the British blues boom of the era and deservedly ranked alongside his contemporaries Eric Clapton, Jeff Beck, Jimmy Page and Jimi Hendrix – headed a powerful team of talented musicians, Leo LyonsChick Churchill and Ric Lee.

During an intense seven-year period, they embarked on marathon tours, conquering America, enjoying success around the world, whilst also unleashing a succession of ground breaking albums. Their 1967 debut “Ten Years After”was swiftly followed by pioneering live album “Undead” (1968) through the critically acclaimed “A Space In Time”(1971),featuring one of their finest songs ‘‘I’d Love To Change The World”, which is very apt in today’s world, ending with 1974’s ‘Positive Vibrations’.

The Cap Ferrat Sessions” came as a result of a discovery by Alvin Lee’s wife, who found a box of recordings deep in the vaults of the studio in their house they shared in Spain. They originate from the Rock N Roll Music To The World album sessions, which were recorded at a seaside villa in Cap Ferrat, South of France and Olympic Studios in London. Chrysalis Records turned to world renowned producer Chris Kimsey (whose credits include the Rolling Stones, Bad Company, and Peter Frampton), who recorded and engineered the original sessions, to mix these tracks for the first time.

For avid collectors and fans of the band, the legendary Cap Ferrat sessions will have a special appeal and will be an essential addition to their collection.  This is a big deal for classic rock lovers and aficionados all over the world.

Ten Years After Celebrating 50th Anniversary
With 10 CD Box Set

 

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Ten Years After Celebrating 50th Anniversary With 10 CD Box Set

 

Alan Nimmo from King King Talking about Album & Tours

Alan Nimmo from King King Talking about Album & Tours

Alan Nimmo from King King Talking about Album & Tours

BD: Hi Alan, thanks for taking the time to chat about Exile & Grace King King’s new album and tour dates brightening 2018.

Exile and Grace the much-anticipated album is released by Manhaton Records on 6th October 2017.

Their UK tour kicks off at London Shepherd’s Bush Empire on Wednesday 17th January 2018.

Tickets: www.kingking.co.uk/tour

 

Alan Nimmo from King King Talking about Album & ToursBD: Let’s start with Exile and Grace out 6th October on Manhaton Records. The album title feels different from previous titles. What inspired the title Exile & Grace?

AN:  The inspiration behind the album title came from a number of things really but all rolled into one! There is a huge concern that the future of our world and our species is very uncertain! There is so much conflict in the world and the way we treat the planet is a real worry for future generations. So it’s almost like “Exile” and “Grace” are like a yin and yang. We seem to exile the willingness and power to be graceful and live in harmony with one and other.

BD: Having listened to the album a number of times it is definitely rockier and has a cohesive sound. Is this the trajectory that you and King King plan to take the group in the future.

 AN:  It’s never a plan to take the musical style in any direction… it’s simply just how the songs turn out when we write them. I feel as the main songwriter that the more experience I gain from writing, the more relaxed I become and with that relaxation comes the early influences that I was listening to as a young kid.

BD: No title track as such – do you see any particular track as the number that defines the album.

AN: If I had to pick a tune that defined this album I’d probably say it was “Broken” It talks about the things I mentioned earlier about my concerns for our future as a human race.

 BD: Do the tracks have personal meaning and have you a favourite Track?

 AN: Everything I write has personal meaning as I tend to write about things and events that have gone on in my life or they can be subjects that matter to me too. They’re all my favourites!

BD: The first single of the album, (She Don’t) Gimme No Lovin’ has had plenty of radio play and excited the fans. Keeping King King’s profile high while you are off the road. How did you decide on this track to launch the album with its Thunder overtones.

 AN:  It’s great to add depth and real meaning to certain songs throughout an album but just sometimes it’s simply ok to write a quirky tune that still tells a story but doesn’t need to tax the brain too much! We just wanted to have a first single that had an immediate impact on the ears and made you tap your feet! Simple as that!

BD: Before we talk about the 2018 tour dates and beyond.  You must have been heartened by the support and loyalty of your fans who have joined at various points on the King King Musical journey. The fans want to know how your vocal chords are progressing and are you doing what has been ordered staying quiet and resting your voice.

AN: First of all I would just like to thank all of our fabulous fans for the staggering amount of support and love they have shown not only me but to everyone in the band! As you can imagine…this is a very difficult time for me and indeed the boys and I’m glad that we decided to take this time out to get a full recovery and I want everyone to know that I’m working my backside off to get into good health vocally and in every other way!

BD: Let’s talk 2018. UK tour dates kick off at London Shepherd’s Bush Empire on Wednesday 17th January 2018; then four further dates around the U.K. This will certainly start the gigging year on a high for your growing phalanx of loyal King King fans.  This will be the start of Exile & Grace Tour and hearing the tracks we will have time to have learned. Which tracks work particularly well on a live King King set?

AN:  Yes, we’re really looking forward to getting back on the road and playing our UK tour! We’ll be rehearsing for the tour pretty soon and we’ll find out which songs work best live but you can never tell which ones will go down well on a live show until you try them! We will try to choose wisely!

BD: What plans do you and King King have for 2018 and beyond whether playing Rock or blues?

AN: There is a very busy 2018 already shaping up so we just want to keep doing what we do and hope that our fans stay by our side and enjoy the journey with us. There is plenty more for King King to achieve so don’t worry… you’ll be seeing lots of us!

BD: Finally, while you are off the road relaxing! What music are you listening to and giving you inspiration? 

AN: When I’m in the gym or walking in the hills or even out on the motorbike then I tend to listen to everything in my music library… it’s basically on random shuffle all the time so it’s anything from Thunder to Prince to Chris Stapleton to Black Crows to Eric Clapton, Free, Whitesnake, Steve Vai… I could go on all day! I even listen to King King and I also love the “Sky Won’t Fall” album from my big bro!

Alan Nimmo from King King Talking about Album & Tours

 

 

 

Jared James Nichols Announces New Album Black Magic

Jared James Nichols Announces New Album Black Magic

Jared James Nichols Announces New Album Black Magic

Jared James Nichols Announces New Album Black Magic

 

Jared James Nichols Announces New Album Black Magic. The band bring rocking Blues magic
features Dennis Holm (drums), Jared James Nichols (guitar, vocals), and Erik Sandin (drums).

 

ALBUM TRACKS BY TRACK 
1. Last Chance (2:48) 
2. The Gun (3:22) 
3. Don’t Be Scared (3:27) 
4. Honey Forgive Me (2:22) 
5. Home (2:57) 
6. Got To Have You (2:50) 
7. End Of Time (2:46) 
8. Run (2:54) 
9. Keep Your Light on Mama (2:54) 
10. What Love (2:51) 

Listen to the opening track Last Chance and get the feel. described in Jared James Nichols own words as: “Last Chance is easily the hardest-hitting song I’ve ever wrote,” says Jared. “I completely let it all hang out and went wild. Even the guitar solo is off the wall, blazing fast, and absolutely crazy. I needed to set the bar high for the new record and come out with a bang.”

The single, produced by Tony Perry (Joe’s Son) and Jared James Nichols, features drummer Aquiles Priester (Angra, WASP, Tony McAlpine), and is mixed by Jay Ruston (Stone Sour, Anthrax).

 

Download the new single “Last Chance”
Available from Amazon UK 
Listen on Spotify

Bluesdoodles has listened to the whole album, review coming soon it is an exciting ride crossing genres and alighting your ear with searing music that burns.

Jared James Nichols knows how to deliver as Wisconsin-born, Los Angeles-based singer-songwriter and guitarist, Jared James Nichols, returns with his new album “Black Magic” which is the follow-up to 2015’s debut album “Old Glory & The Wild Revival”.

“Black Magic” features 10 tracks and will be released by Listenable Records on Friday 27th October. All tracks on the new album were recorded at The Boneyard in Boston as well as Johnny Depp’s home studio in Los Angeles and produced and co-written by Tony Perry and Jared James Nichols.

 

Check out these links where Bluesdoodles have reviewed Jared live and recorded.

In conversation – Talking about Black Magic, Music and Touring. Read More HERE

Playing Live – Opening for Glenn Hughes at The Robin 2. Read More HERE

EP Review –  Highwayman

CD Review – Old Glory & The Wild Revival

 

Jared James Nichols Announces New Album Black Magic

Steve Hill on Tour and New Solo Recordings Album

Steve Hill on Tour and New Solo Recordings Album

Steve Hill on Tour and New Solo Recordings Album

2015 JUNO AWARD WINNER FOR “BLUES ALBUM OF THE YEAR”

2016 MAPLE BLUES AWARD WINNER FOR “ELECTRIC ACT OF THE YEAR”,
“GUITARIST OF THE YEAR” & “ENTERTAINER OF THE YEAR”

Steve Hill whose New album has new Album Solo recordings Volume 3 released in the UK 6th October 2017.

Check out the video, from  Canadian One-man band playing at the top of the Canadian Blues Scene.

FEATURING THE EXPLOSIVE NEW SINGLE 
“DANGEROUS”

 

 

Steve Hill on Tour and New Solo Recordings Album

 

Steve Hill, the one-man band blues rock machine, will release his new album “Solo Recordings: Volume 3” on No Label Records in the UK on Friday 6th October 2017. To support the release, Steve will support Wishbone Ash on their 27-date October UK tour.

“The one-man band style has made him the top star in the
Canadian blues scene right now.” 
– Bob Mersereau, CBC

 

 

When it comes to one-man bands, guitarist and singer extraordinaire Steve Hill there are no limits! Anything goes. He is the true exponent of a one-man band. Steve performs standing up while singing and playing the guitar, his feet playing the bass drum, snare drum, hi-hats and with a drum stick fused to the head of his trusty guitar, any other percussion within reach.

Steve Hill on Tour and New Solo Recordings Album

 

Following the success of his JUNO nominated Solo Recordings Volume 1, which also won “Album of The Year” at the International Blues Challenge in 2013, and JUNO Award winner Solo Recordings Volume 2, Steve Hill first released his brand new album Solo Recordings Volume 3 in Canada on March 4, 2016. Now, a year later, the album will finally be released domestically in the UK on Friday 6th October 2017.

Solo Recordings Volume 3

Steve Hill on Tour and New Solo Recordings Album

Steve’s reputation as an exciting performer has provided him with the opportunity to showcase his talents at some of Canada’s biggest music festivals including the Montreal Jazz Festival, Ottawa Bluesfest, Jazz Winnipeg Festival, Saskatchewan Jazz Festival, Kitchener Blues Festival and more. Steve Hill is clearly in his element as a solo artist and one-man band, inviting listeners into a world of musical madness in the form of blues and rock ‘n’ roll. Now we can experience the energy when he is Special Guest of Wishbone Ash UK tout throughout the U.K.

WISHBONE ASH – OCTOBER 2017 UK TOUR
WITH SPECIAL GUEST STEVE HILL

Wednesday 18th October 2017 – Dorking Halls, Dorking

Thursday 19th October 2017 – O2 Academy Islington, London

Friday 20th October 2017 – The Coliseum Theatre, Aberdare

Saturday 21st October 2017 – Cheese & Grain, Frome

Sunday 22nd October 2017 – The Arts Centre, Swindon

Tuesday 24th October 2017 – Ropetackle Arts Centre, Shoreham-By-Sea

Wednesday 25th October 2017 – The Brook, Southampton

Thursday 26th October 2017 – Tivoli Theatre, Wimborne

Friday 27th October 2017 – The Hub, Plymouth

Saturday 28th October 2017 – The Railway, Ipswich

Sunday 29th October 2017 – King Edward VII Memorial Hall, Newmarket

Tuesday 31st October 2017 – Princess Theatre, Hunstanton

Thursday 2nd November 2017 – Floral Pavilion Theatre, New Brighton, Wirral

Friday 3rd November 2017 – The Tivoli, Buckley

Saturday 4th November 2017 – Whitby Pavilion Theatre, Whitby

Sunday 5th November 2017 – The Lowry, Manchester

Tuesday 7th November 2017 – The Flowerpot, Derby

Wednesday 8th November 2017 – The Irish Centre, Leeds

Thursday 9th November 2017 – Bootleggers, Kendal

Friday 10th November 2017 – The Jam House, Edinburgh

Saturday 11th November 2017 – The Lemon Tree, Aberdeen

Sunday 12th November 2017 – The Ferry, Glasgow

Tuesday 14th November 2017 – Riverside Lodge, Morpeth

Wednesday 15th November 2017 – ARC, Stockton-on-Tees

Thursday 16th November 2017 – The Layton, Blackpool

Friday 17th November 2017 – The Picturedrome, Holmfirth

Saturday 18th November 2017 – ASHCON, Clitheroe

Steve Hill on Tour and New Solo Recordings Album

Re-Scheduled Dates King King Exile & Grace Tour 2018

KING KING – EXILE & GRACE October 2017 UK Tour

Re-Scheduled Dates King King Exile & Grace Tour 2018

EXILE & GRACE” – THE NEW ALBUM
RELEASED ON CD, VINYL AND DIGITAL DOWNLOAD ON FRIDAY 6TH OCTOBER 2017
AVAILABLE FOR PRE-ORDER FROM www.kingking.co.uk

RESCHEDULED JANUARY 2018 UK TOUR DATES

King King are pleased to announce the release of their fourth studio album “Exile & Grace” released by Manhaton Records on Friday 6th October 2017. The album features the band’s current single (She Don’t) Gimme No Lovin’ which is currently a big hit on Planet Rock radio in the UK.

Due to a throat condition with lead singer and guitarist Alan Nimmo, the band’s October 2017 UK tour dates have been re-scheduled to January 2018.  All October 2017 tickets are valid for the rescheduled shows in January 2018.

The rescheduled dates include London’s Shepherd’s Bush Empire (Wednesday 17 January), Birmingham Town Hall (Thursday 18 January), Bath Forum (Saturday 20 January), Edinburgh Queen’s Hall (Friday 26 January), and Sheffield Leadmill (Saturday 27 January).
Tickets are available via the 24 Hour Box Office: 0844 478 0898 and can be ordered from www.thegigcartel.com.

The new album “Exile & Grace” promises to deliver a bigger punch, with killer songs performed with true passion by a fist tight line-up. The album was recorded at Superfly Studios and mixed by Chris Sheldon (Foo Fighters, Feeder and Therapy).

 

KING KING – EXILE & GRACE October 2017 UK Tour

Tour Dates
TICKETS: Planet Rock or Gig Cartel

London Shepherd’s Bush Empire    Wednesday 17th January 2018
Birmingham, Town Hall    Thursday 18th January 2018
Bath, Forum   Saturday 20th January 2018
Edinburgh Queen’s Hall Friday 26th January 2018
Sheffield, Leadmill   Saturday 27th January 2018

 

KING KING – EXILE & GRACE October 2017 UK TourForthcoming Album Exile & Grace was recorded at Superfly Studios, the quartet’s first album of new material since 2015’s multi-award winning “Reaching For The Light features the upcoming single “(She Don’t) Give Me No Lovin’”.
The new single was mixed by Chris Sheldon (Foo Fighters, Feeder and Therapy) and was released on Friday 23rd June.

Says King King’s frontman and guitarist, Alan Nimmo, “Exile & Grace definitely has a rockier feel and sound to it. We are following our influences from the Classic Rock genre, Bad Company, Whitesnake and Thunder. We really set out to challenge ourselves with this album. We’ve stepped up the quality of songwriting and pushed ourselves physically in both performance and delivery!”

King King’s 2011 debut album “Take My Hand” was crowned Blues Album of the month in Classic Rock. Following this success, King King’s next album Standing in The Shadows was the highlight of Classic Rock Blues magazine’s Top 50 Albums of 2013. It’s no surprise then that King King won Best Album and Best Band at the 2012 and the 2014 British Blues Awards.

2015 saw the band fly even higher with the release of their “Reaching For The Light” album. King King were nominated for Best New Band at Classic Rock’s prestigious Roll of Honour and inducted into the British Blues Awards Hall of Fame for three consecutive Band wins.

King King have played in all corners of the globe. From the Mahindra Festival in Mumbai, India, to Ottawa Bluesfest in Canada, and numerous festivals throughout the whole of Europe. One of the highlights of 2016 was a UK arena tour with the mighty Thunder, which included playing to over 10,000 people at Wembley Arena and a sell-out headline show on home turf in Glasgow.

Their headlining tour in 2017 took them to mainland Europe and the UK. The band are back with a vengeance in October 2017 to perform songs from their new album “Exile & Grace.”
King King are widely recognised as the UK’s hottest rock blues band, the band continue to push the envelope by performing unforgettable live shows with first class musicianship.

 

King King live shows are a not to be missed event – this is what Bluesdoodles has said:- 

Artrix, Bromsgrove – Reaching For the Light, Bluesdoodles said ..album of platinum proportions…..  Tonight we heard tracks that prove a studio album sounds even better when the music is live and you can see, feel and hear up close and personal. King King the quartet that has a cascade of sounds with layers of tonal textures ……….with the sparkling vocals of Alan, he can whip up a frenzy, make you cry, laugh and definitely makes you want to get up and dance it is the infection that is King King live.

The Globe, Cardiff – Crazy, yes, the room went crazy with this perennial favourite. Then far too soon it was time for an encore Let Love In and another opportunity for Choir Globe to get involved.

City Hall, Salisbury – This is a night many will talk about do you remember when South African Dan Patlansky and then the mighty King King took Salisbury by a Blues storm. Yes, King King Reaching Spiraling Heights in Salisbury tonight.

 

Re-Scheduled Dates King King Exile & Grace Tour 2018

 

 

 

Collide riff driven first single from BCCIV

Collide riff driven first single from BCCIV Collide riff driven first single from BCCIV

Black Country Communion

Collide riff driven first single from BCCIV

 

 

Collide riff driven first single from BCCIV  just what is required as Summer fades into Autumn. The news that Black Country Communion are releasing BCCIV on 22nd September via Mascot Label Group fills the world with a rich golden album cover of a fiery Phoenix rising, the album artwork reflecting the coming together of the supergroup four years after the release of Afterglow.  The original quartet is back together again, Glenn Hughes, Joe Bonamassa Derek Sherinian and Jason Bonham joining forces to deliver rock that fills the room.

The album BBCIV will definitely cause a stir, welcomed by fans of Glenn Hughes and Joe Bonamassa and the Black Country Communion hard rock driven explosion of sonic delights.  As Joe says; If you’re looking for a folk album, this ain’t the one.”

The album was written over four months, expanding and deepening the sound on the three previous albums.  All ten tracks on the album are co-written by Glenn Hughes and Joe Bonamassa.  Glenn wrote all the lyrics on the album except for the song ‘The Last Song For My Resting Place’ written by Joe.

We have a taster as the first single Collide is released.

 

 

Opening the album, the single lays down the ground the album will travel over, on a collision course of being the song to set the pace of the album. Collide was a collision of the original riff played by Glenn Hughes, written on the first day of working on BCCIV, then Joe came over and by lunch the song was complete. A collision of talents of Glen and Joe have created a riff driven number that swirls with rocking force through the speaker and cascades in tonal shape and force.

Opening with a count we have the opening chords and then Glenn’s vocals power in. With a controlled screech of determination Jason’s drums pick up the groove with a cascade of symbols and the guitar and bass drive Collide on to a point of no return. The throttle is eased and Derek’s keys add a tonal contrast. We have sonic distortion as the lead break pulls you deep into the music with its classic feel with added gritty edginess rock of the twenty-first century.  After just over four minutes you are left breathless with anticipation of what the next nine tracks will bring to the speaker. A date for your diary is definitely 22nd September for the big reveal.

Collide riff driven first single from BCCIV

 

I am confident that Collide is a true reflection of the sound tempo and tonal shape of BCCIV. As Glenn explains “I wanted the new album to physically shake your soul. It’s a wake-up call.”

Collide riff driven first single from BCCIV Black Country Communion back together for the 4th studio album. Collide ensures a collision course for a torrent of accolades that will challenge the Autumn fall.

 

 


Collide first Single from BCCIV Collision of Rock Delight

BCCIV Tracklisting

  1. Collide (4:07)
  2. Over My Head (4:06)
  3. The Last Song For My Resting Place (7:57)
  4. Sway (5:24)
  5. The Cove (7:11)
  6. The Crow (6:00)
  7. Wanderlust (8:18)
  8. Love Remains (4:53)
  9. Awake (4:42)
  10. When The Morning Comes (7:56)

 

BCCIV release on 22 September and early 2018 there are two exclusive concerts in Europe at Wolverhampton Civic Hall (2 January 2018) and London Hammersmith Apollo (4 January 2018).

 

Read more about BCCIV HERE

HEAT New Album Takes Us Into The Great Unknown

HEAT New Album Takes Us Into The Great Unknown

HEAT New Album Takes Us Into The Great Unknown

HEAT New Album Takes Us Into The Great Unknown, has been long awaited released on Friday 22nd September 2017 via earMUSIC.

“What can you say about H.E.A.T? If you don’t like these energetic Swedes you must be dead inside, as this year they’ve shown the UK crowd how to be the most complete band on the planet.” – Classic Rock Magazine

 

After one and a half years of intense songwriting, with guitarist Dave Dalone (aka Sky Davis) back in the mix, the band went on a questionable trip to record an album in Thailand, once again with Swedish Grammy award-winning producer Tobias Lindell. With 10 top songs in their cannon, H.E.A.T  entered the heavenly Karma Sound studios in the outskirts of Bangkok to record what would become the fifth studio album. Once again the band continue the musical landscape with an innovative, highly explosive and refreshing melodic rock sound and an unforgettable collection of fantastic new songs.

 

“Into The Great Unknown” is the follow-up to 2014’s critically acclaimed “Tearing Down The Walls”.  2012’s successful “Address The Nation” album praised worldwide as one of the best albums of the year, and consolidated the H.E.A.T’s growing reputation as the new leading band in hard-edged melodic rock.

In 2009, H.E.A.T had a huge hit in Scandinavia with the song “1000 Miles”. That same year the band’s second album “Freedom Rock” nominated as one of the Top 50 albums in 2010 by Classic Rock magazine UK. Since then, they’ve toured all over the world, blowing audiences away with their outstanding live concerts.

In a time when artists like Foreigner, Journey and Whitesnake are enjoying a resurgence, teenagers are re-discovering the melodic approach to hard rock. The kids are suddenly wearing their classic rock band logos on t-shirts. H.E.A.T is the beacon of light that many say will carry this tradition into the future. They’re young, ambitious and full of energy and ideas.

H.E.A.T don’t hide their love for their classic rock heroes, but don’t try to copy it, either. They just do it and they want to be the best at it. And they are one of the best – drawing both young and old to their mesmerising, freshly sounding, energetic classic rock and bombastic melodies.

HEAT New Album Takes Us Into The Great Unknown

H.E.A.T
Guitar: Sky Davis (aka Dave Dalone)
Bass: Jimmy Jay
Keyboard: Jona Tee
Drums & Percussion: Crash
Vocals: Erik Grönwall

All songs written by H.E.A.T

 

Into The Great Unknown” is a rock and roll journey into the great unknown. The album delivers everything H.E.A.T is loved for – front-man Erik Grönwall’s incredible vocal talent and the band’s traditional approach to melodic rock.

“During the making of this album, I think we all felt a little bit like astronauts going off to space for the first time,” says guitarist Dave Dalone (aka Sky Davis). “We set out on a journey not knowing what we would come back with, or if we’d even make it back. Somewhere along the way, the pieces began to fall into place. There’s just no point in doing the same album over and over again just because it works. When it all comes down to it, you want to make the songs shine to their full potential. If that includes bending the rules of the genre or crossing paths into unknown territory, so be it.” The title of the album Into The Great Unknown reflecting the content of the album. The melodies are huge as the band has focused on the song writing. For the first time there have been no live shows until the release of the new album. Once again the album cover has been created by Russian artist Vitaly S. Alexius inspired by Mystical Space.

 

Into The Great Unknown available for Pre-order  ORDER HERE then the countdown begins until release date on 22nd September 2017.

 

HEAT New Album Takes Us Into The Great Unknown

 

 

 

 

 

The Rolling Stones From The Vault Series Continues

The Rolling Stones From The Vault Series Continues

The Rolling Stones From The Vault Series Continues

– Sticky Fingers: Live At The Fonda Theatre 2015

 

 

The Rolling Stones From The Vault Series Continues with Sticky Fingers: Live At The Fonda Theatre 2015.  On 29 September 2017, Eagle Rock Entertainment release “From The Vault – Sticky Fingers: Live At The Fonda Theatre 2015” by The Rolling Stones. This is the fifth release “From The Vault”, a series of live concerts from The Rolling Stones archive which are getting their first official releases. This is a simultaneous release on DVD, Blu-ray, DVD+CD, DVD+3LP, and on Digital Video and Digital Audio.  This incredible release includes Stones classics like Brown Sugar, Wild Horses, Start Me Up, Jumpin’ Jack Flash, Bitch, Dead Flowers, When The Whip Comes Down and more.

This latest addition to the acclaimed “From The Vault” series captures a truly unique event in the long and eventful history of The Rolling Stones. On the 20thMay 2015 at the Fonda Theatre in Hollywood, California, the band performed the entire Sticky Fingers album live in concert for the first and so far only time in their career. The show celebrated the reissue of the Sticky Fingers album and was the opening night of The Rolling Stones Zip Code Tour of North America that would run over the next two months. The intimate setting of the Fonda Theatre was in contrast to the huge stadiums in which the band would perform for the rest of the tour and made this an incredibly special occasion for those fans lucky enough to get a ticket.

The DVD & Blu-ray include interviews with the band members intercut with full length performances. The CD and 3LP feature the full show as performed on the night.  As Bonus Features on DVD & Blu-ray we include tracks cut from the concert film: All Down The Line, When The Whip Comes Down, I Can’t Turn You Loose.

 

TRACKLISTING:

DVD: 1) Start Me Up   2) Sway   3) Dead Flowers   4) Wild Horses   5) Sister Morphine   6) You Gotta Move   7) Bitch   8) Can’t You Hear Me Knocking   9) I Got The Blues   10) Moonlight Mile   11) Brown Sugar    12) Rock Me Baby   13) Jumpin’ Jack Flash

CD: 1) Start Me Up   2) When The Whip Comes Down   3) All Down The Line   4) Sway   5) Dead Flowers   6) Wild Horses   7) Sister Morphine   8) You Gotta Move   9) Bitch   10) Can’t You Hear Me Knocking      11) I Got The Blues   12) Moonlight Mile   13) Brown Sugar   14) Rock Me Baby   15) Jumpin’ Jack Flash   16) I Can’t  Turn You Loose

3LP Side A: 1) Start Me Up   2) When The Whip Comes Down   3) All Down The Line   Side B: 1) Sway   2) Dead Flowers   3) Wild Horses   Side C: 1) Sister Morphine   2) You Gotta Move   3) Bitch

Side D: 1) Can’t You Hear Me Knocking   2) I Got The Blues   Side E: 1) Moonlight Mile   2) Brown Sugar   Side F: 1) Rock Me Baby   2) Jumpin’ Jack Flash   3) I Can’t  Turn You Loose

The Rolling Stones are a band like no other and “From The Vault – Sticky Fingers: Live At The Fonda Theatre 2015” shows just why; this full-blooded interpretation of one of their most loved works offers some of the best musical entertainment available anywhere.

The Rolling Stones From The Vault Series Continues