Touring 2018 Thomas Wynn and The Believers

Touring 2018 Thomas Wynn and The Believers

Touring 2018 Thomas Wynn and The Believers

THOMAS WYNN AND THE BELIEVERS
Announce February/March UK & European Tour with The Temperance Movement
New Album ‘Wade Waist Deep’ out now via Mascot Records

 

Touring 2018 Thomas Wynn and The BelieversBluesdoodles is very excited about the tour we loved this 10 doodle paw album concluding with:-  I thoroughly recommend you immerse yourself and Wade Waist Deep into the musical waters that are Thomas Wynn and The Believers. Check out the rest of the review HERE

Bluesdoodles was not alone singing the praises of Wade Waist Deep:-

“Buy the record and see them live. Fantastic stuff.” Blues Matters
“A thrilling release…A sonic howl of talent” Fireworks
“Hypnotic dirty blues” Country Music Magazine
“Authentic modern Americana for grown-ups” Shindig

 

Orlando, Florida six-piece Thomas Wynn and The Believers have been announced as the support for British rockers The Temperance Movement on their ‘A Deeper Cut’ February/March 2018 UK & European Tour.

A formidable live act they are about to set off for their first ever trip to Europe. “We are so stoked to join The Temperance Movement on their upcoming U.K. And European tour,” says Thomas. “This will be our first tour overseas, and to be able to play in front of such a great band is a real honor. We hope to learn a lot, and meet a ton of new friends along the way…hopefully some folks who dig Southern Soul Rock and Roll!”

 

UK AND EUROPE 2018 – Tickets available from HERE

Feb. 19 – Brighton, UK – Concorde2
Feb. 20 – Cambridge, UK – Junction
Feb. 21 – Birmingham, UK – O2 Institute
Feb. 22 – Bristol, UK – O2 Academy
Feb. 24 – Poole, UK – Winter’s End Festival
Feb. 25 – Manchester, UK – O2 Ritz
Feb. 27 – Dublin, Ireland – Grand Social
Feb. 28 – Belfast, UK – Empire Music Hall
Mar. 02 – Aberdeen, UK – The Garage
Mar. 03 – Glasgow, UK – Barrowland
Mar. 04 – Newcastle, UK – Newcastle University
Mar. 05 – Sheffield, UK – O2 Academy
Mar. 07 – Portsmouth, UK – Pyramids
Mar. 08 – Nottingham, UK – Rock City
Mar. 09 – London, UK – O2 Forum Kentish Town
Mar. 18 – Munich, Germany – Backstage Werk
Mar. 19 – Vienna, Austria – Chelsea
Mar. 21 – Prague, Czech Republic – Futurum
Mar. 22 – Warsaw, Poland – Hydrozagadka
Mar. 24 – Berlin, Germany – Lido
Mar. 25 – Hamburg, Germany – Knust
Mar. 27 – Cologne, Germany – Buergerhaus
Mar. 28 – Amsterdam, Netherlands – Melkweg
Mar. 29 – Leffinge, Belgium – De Zwerver

Hearing the songs from Wade Waist Deep is an exciting prospect for early 2018, check out the dates and book your tickets HERE

 

 

 

 

Touring 2018 Thomas Wynn and The Believers

Debut Album A Rebel’s Story By Big Wolf Band

Debut Album A Rebel’s Story By Big Wolf Band

Debut Album A Rebel’s Story By Big Wolf Band

 

Debut Album A Rebel’s Story By Big Wolf Band. Out of Birmingham, the band have a big blues sound as Honky Tonk piano rocks out with deep vocals a swing guitar. The Blues Rock sound is strong as the quartet not from Birmingham Alabama but Birmingham West Midlands share over thirteen tracks blues that are spiced with rock.

The album has is easy on the blues ear and captivating with its controlled energy. A Rebel’s Story is an album that grows with every listen as you become acquainted with Big Wolf Band on their debut album. The quartet are guitarist & vocalist, Jonathan Earp, bassist Mick Jeynes, Drummer Tim Jones and on the keys Paul Bambani.  The foursome opens the album with Heaven’s Got The Blues. That may be true, the absolute truth is Big Wolf Band definitely have.  The sound has a distinctive mix as the keys lead into a huge guitar riff, laying down the scene for an album that will surprise as the hues of the blues are explored with a mix of the traditional that has been re-shaped but never loses its musical form into a contemporary sound. The foot-tapping rock’n’ roll is fused with a shuffle in Done Wrong By You. Earp’ s guitar work is fresh with the cadences that take you back deep into the seventies with more than a tipping of a hat to Gary Moore.

The tone changes with the Honky Tonk Piano leading the pack as we get to know Long Time Mary, Earp’s vocals pierce through the melody set down and links seamlessly in with the percussive drumming.  The vocals are intense but never overpower as they rest and the lead break is taken up by Bambani’s fingers caressing the keys. Intoxicating blues.

A debut album full of blues shades and hidden depths, never overproduced the warm live slightly dangerous sound is captured in the studio. You can expect a full-on live performance on the strength of A Rebel’s Story, Big Wolf Band’s debut album. The album never shocks but as A Rebel’s Story unfurl you are never left disappointed.

The title track in the middle of the album has a harder rockier edge. The title has a raw energy contained within the control of musicians in the studio. Live, it is easy to imagine the track stretched out with lead breaks that up the pace and leave you breathless as a rebel hound.

A quartet of songs with love in the title brings this stylish and enjoyable album to its close.  I Don’t Love You opens with a classic blues beat fast with an urgency and the vocals have an ear-pleasing tonal quality. You know exactly what is meant in a song about love ending it. There is no future for this love story. What is clear Big wolf Band have a future delivering blues that give a contemporary edge to the blues. They may not be shaking any Willow Tree or delivering the unexpected what they are delivering is blues with ear appeal.

EIGHTpawprint half inchdoodle paws out of TEN …

 

  1. Heaven’s Got The Blues
  2. Done Wrong By You
  3. Hot Blooded Woman
  4. Darkest Of My Days
  5. Long Time Mary
  6. Rolling With Thunder
  7. One More Time
  8. A Rebel’s Story
  9. Been Here Too Long
  10. Love That Hurts
  11. I Don’t Love
  12. Love Isn’t Free
  13. If I Ever Loved Another Woman

 

 

Alter Bridge Live and Rarities Combine To Delight

Alter Bridge Live and Rarities Combine To Delight

Alter Bridge Live and Rarities Combine To Delight. With three Cd’s we are immersed in the power and glory that has insured Alter Bridge success across the world. The Bridge created heavy, strong rising out of the fall of Creed. Live albums keep the memories alive, the energy and charismatic wizardry of Myles Kennedy and Mark Tremonti.

The first two albums recorded at The O2 Arena, London in November 2016 with the mix of nineteen songs in the set we see every side of Alter Bridge. This is a show that re-visited the back catalogue from across the years, the opportunity to play the hits whilst providing the audiences with a chance to hear tracks from the current album Last Heroes live.  One thing that cannot be argued the band and the audience were having the time of their lives. The clapping and cheering were not lukewarm but hot as molten metal.

Opening the nineteen strong set with The Writing on The Wall, from Last Heroes. Reworked and the stage performance gives the number a lift as the guitars drive the melody which has a heavy tone. We are up and running and the writing on the wall is live is the perfect arena for Alter Bridge. With the fiery energy of two M’s upfront Myles & Mark the timing and depth of sound from the rhythm section is imperative; tonight there is no doubt that bassist Brian Marshall and Scott Phillips on drums nailed it to perfection.

The crowd is warmed up and Myles’ voice is two as he asks the crowd to clap and participate in Ghosts Of Days Gone By, showing why Alter Bridge continue to please their phalanx of fans with music we all want to sing too.  With Water Rising giving Mark his voice the two vocal ranges work together and the emotion builds as the guitars take the lead breaks.  The tracks flow like a fever cascading wild and free, never curtailed by the audience the music is formed as the set unveils the rock energy that defines Alter Bridge. The band has the confidence to include as the first CD closes in an Arena setting the solo acoustic Watch Over You. How the audiences cheer that quietens captivated in the sound waves created by Myles’ vocals and guitar as he sings Watch Over You. A moment of gentleness that soothes the ears and soul the perfect counterbalance to the high octane driven songs played so far.  This is raw acoustic energy that moves the crowd as Myles asks them to join in ensuring the energy is never dampened whilst retaining the emotional outpouring and beauty of this acoustic number. The emotion is raw and personal as Myles sings and despite e the legion of fans around you it feels as if he is singing to you as he connects with his fans on an intimate level. For nearly seven minutes the audience is transfixed and then when asked to sing they give song and a rock communion is formed that is only experienced when a band playing live is in the zone and delivering music that connects on so many levels

With no album to flip CD 2 seamlessly flows from the speakers as at the live event. We are back heavy and driven by stinging guitar and driving beats of the drum as Myles’s voice takes up the melody with Isolation. With five albums under their belt, and audiences flocking to gigs across the world Alter Bridge will never be playing in Isolation.  With the throttle opened to full that band pulls back with Blackbird a firm favourite with the crowd and a number that always grabs my attention. A highlight when Bluesdoodles reviewed the Cardiff show.  Now we are taken back to the first album One Day remains with the swirling rocking heavy riff-laden Metalingus.  With Show Me Your Leader, the audience if asked in the moment would shout out Alter Bridge or Myles Kennedy or Mark Tremonti they are leading us into the wild frenzied uplifting joy of music played live. This part of the set includes the hit from Lost Heroes Poison In Your Vein and closing with the feel-good uplifting My Champion

For everyone, who experienced Alter Bridge Last Heroes tour during November 2016 and especially those at this special night in the O2 Arena, London the music was a reminder of the memories. Collectively for all listeners CD3 is an intriguing addition to the set Live at The O2 Arena + Rarities. The live segment of the album has been carefully produced ensuring the flow of the live performance is never lost

The third side is Eleven tracks, nine have only been released in Japan with Cruel Sun & Solace having never been released.  Opening with Breathe, the opening slower, gentler with a feeling that the band are in their own introspective place. The introspection is maintained with the tone and delivery of the lyrics by Myles as the instruments rise and fall around him.  Now for the two unreleased numbers, they are linked in the tone and pace of delivery again both are thoughtful. Another side of Alter Bridge, not heavy rock but crossing the Bridge towards Prog Rock. Interesting pairing and delicious listening. Zero opening fast and furious with drums and the swirl of guitar is the stand out track for me on this part of the album. The harmonization of vocals gives the number a positive direction full of hooks and riffs to catch your ear.  This part of the album is closed with Symphony Of Agony (The Last Of Our Kind).  Heavy ending that has a dark sentiment full of despair for the planet we are left with Alter Bridges beats and rocking power and the lyrics from Myles Kennedy whirling through our brains.  Alter Bridge a band that keeps on delivering rock that is relevant, powerful and music you want to keep listening too.

Live at the O2 Arena + Rarities is available as a 3-CD set, but there’s also a limited edition deluxe edition package that includes an exclusive documentary packed with interviews and a backstage look at preparations for the concert. Variety of Bundles Available HERE

 

TENpawprint half inchdoodle paws out of TEN …

CD1 (LIVE)

  1. The Writing On The Wall
  2. Come To Life
  3. Addicted To Pain
  4. Ghost Of Days Gone By
  5. Cry of Achilles
  6. The Otehr Side
  7. Farther Than The Sun
  8. Ties That Bind
  9. Water Rising
  10. Crows On A Wire
  11. Watch Over YOU (Solo Acoustic)

CD2 (LIVE)

  1. Isolation
  2. Blackbird
  3. Metalingus
  4. Open You Eyes
  5. Show Me A Leader
  6. Rise Today
  7. Poison In Your Veins
  8. My Champion

CD3 (RARITIES)

  1. Breathe
  2. Cruel Sun
  3. Solace
  4. New Way To Live
  5. Damage Done
  6. Zero
  7. Home
  8. Never Born To Follow
  9. Never Say Die (Outright)
  10. Symphony of Agony (The Last of OUr Kind)

Enjoy Taking Backroad Carnival With Cory Seznec

Enjoy Taking Backroad Carnival With Cory SeznecEnjoy Taking Backroad Carnival With Cory Seznec

Enjoy Taking Backroad Carnival With Cory Seznec.  After living in Ethiopia for over three years Cory’s second album, Backroad Carnival is released. Once again with the musicians, he has surrounded himself he has conjured up an array of songs reflecting the light and dark sides of Carnival. The album refuses to be ring-fenced into a marketing genre. This is music that flows over the ten tracks reflecting the breadth and depth of Cory’s talents.  The sound ebbs and flows with shards of brilliant sunshine countered by complexity of sounds and shapes hidden in the shadows.

Cory Seznec knows how to instil a feeling, capturing and freezing a moment in time in the beat and cadences captured in the percussive melodic forms that share sounds from mainstream through to alternative. Sounds of Africa melding with melodies from the streets of Paris. How has he retained the simplicity of roots music in the complex world we have created? Cory has gone analogue, recording the album mainly at Tonehouse Studios in Noisy-le-Roi, France on a Studer A80 24 track tape machine with old amps and other gear, the sound produced is warm and full. This approach combines the modernity of rock with music rooted in tradition melding but never obliterating the tonal shape each number has created.

If you expect the album to have an Ethiopian fuelled tone, then you will be disappointed the stories that fill the lyrics are shaped, honed and turned by experiences of his travels through Africa and beyond combined with modern events and Cory’s worldview in his bespoke and special world-music.

Opening with Picayune Baliverne, an instrumental number that invokes a carnival Carousel turning mixed with jazz, Eastern European beats fused together with hints of Cajun into a distinctive Seznec sound that defines Backroad  Carnival. The mood changes as we hear Sell My Soul.   The song inspired in Ethiopia when a young boy tried to sell him his two sisters! Here afrobeats morph into a blues-rock salvo that fits the story with the howl that curls around the melody hitting the mood now the backroad carnival is definitely on the move. Throughout the album, Cory’s distinctive vocals shape the story being told with artfulness and creativity so not a word or meaning is left. Hawk On  A Haystack opening with a banjo and reminiscent of the sound created with Groanbox yet totally fresh and new. Every track has a new angle and star turn on Pigeon Man it is the claps and slide guitar, as we learn about the man who feeds the pigeons in Paris.  With Zanzibar (Ebb & Flow) no words are required the percussive form and African guitar take us deep into the backstreets of a town scented with spice and mystery. Closing the album of many colours reflecting the movement of a backroad Carnival, we are left with The Parting Glass. The folk is traditional and a tear jerker as the timeless flow of Scots-Irish music is reflected in the African fingerstyle of the guitar.

This is an album of the expected and unexpected. The quality of lyrics and composition of melody is expected from Cory Seznec. The unexpected is the carefully crafted, mixed musical styles. Creating a musical cocktail of sounds that never clashes but enhance each other without ever losing their originality and authenticity.

Like any Carnival, we have that beguiling mix tasty and intriguing as we listen and travel with Cory Seznec on his Backroad Carnival once again.

Cory Seznec –  Backroad Carnival – Captain Pouch Records

TENpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Picayune Baliverne
  2. Sell You My Soul
  3. Hawk On A Haystack
  4. Tattered Flag
  5. Pigeon Man
  6. Let It All Go
  7. Zanzibar (Ebb & Flow)
  8. Colette Bar & Restaurant
  9. God Will Change Your Situation Barbershop
  10. The Parting Glass

Cory Seznec on tour check out dates HERE –  NOTE: Cory touring England March 2018

Musicians
Cory – vocals (2,3,4,5,6,8,9,10), guitars (1,2,3,4,5,7,8,9,10), bass (1,4), banjo (1,3,6), piano (1), claps (4,5,6), percussive noise 1
Kenny Allen – backing vocals 5, 8, 9
Benjamin Body – upright bass 2,9 electric bass 5
David Chalumeau – harmonica 1, 2, 3, 5, 6, 8, 9
Paolo Conti – pedal steel 3
Geoffroy Dauptain: claps 4, 5, 6
Thomas Garoche: upright bass 3, 6, 8
Patrick Gigon – drums 2, 5, 9
Albert Leroy Johnson – backing vocals 2,6
Jean-Etienne Loose: claps 4, 5, 6, Juno synth 4
Daniel Mizrahi – electric guitar 2, 5, 6, 8, 9
Renaud Ollivier – percussion/calabash 3, 4, 6, 7, 8, 9, drums 1,4,6
Joseph Parker: backing vocals 2, 6
John L. “Buster” Pickett Jr.: backing vocals 2, 6
Yann Seznec – Rhodes keys/Juno synth/piano 2, 3, 4, 6, 8, 9
Ronald T. Thornton Sr – backing vocals 2, 6, 9

Enjoy Taking Backroad Carnival With Cory Seznec

Ian Siegal All The Rage New Album plus Tour

Ian Siegal All The Rage New Album plus Tour

Ian Siegal All The Rage New Album plus Tour

 

IAN SIEGAL on his All The Rage tour With special guests DAWN BROTHERS

 

In April 2018 blues supremo Ian Siegal will tour a new album of original songs with his young band of ace musicians. 15 shows in England & Scotland.

In more than a quarter-century of touring Ian Siegal’s mission statement has barely changed: songs that are real, shows that resonate, vocals served raw. Today he is considered by many to be the most compelling British blues artiste since the great names of the sixties.

In 2018 he will be touring a new album, All The Rage his first studio recording of new songs in six years. Produced by American Jimbo Mathus, the album is classic Siegal: full of the dark and light, clever word play and rough-hewn voice box he is known for. It also marks the first studio recording with the band he hooked up with in 2013. Frequent touring has evolved a distinctive sound featuring Dusty Ciggaar’s tex-mex infused guitar licks.

Classic Rock tags Siegal “a national treasure,” America’s blues bible says “vast talent” and MOJO magazine ranks him “the cleverest writer and most magnetic blues performer in the UK.” He has taken his music to more than 45 countries and presided over a trophy haul that includes 10 British Blues Awards, four European Blues Awards, two Mojo Blues Albums Of The Year not to mention three US Blues Music Awards nominations – an unprecedented nod for a non-American.

Bluesdoodles. Liz Aiken a long time fan and follower of Ian Siegal says this is a MUST See Show of 2018 place the date in your diary and buy a ticket HERE

Adding to the excitement is a new studio album with his band so 2018 once again probably once again be ruled by an Ian Siegal Album being added to the collection.

 

Ian Siegal – Temporary Live @Bimhuis Amsterdam

 

 

Providing a high-energy opening segment on the tour will be DAWN BROTHERS, a young band out of Rotterdam that Ian Siegal has been raving about since seeing them live in 2017. Although these four young men are not related by blood, they most certainly share a genetic bond musically. Think Creedence Clearwater Revival, Otis Redding, The Band, and you’re in Dawn Brothers’ territory. As individual musicians they shine, collectively they are a force to be reckoned with.

The Dawn Brothers – Silver Spoon Live @DWDD

UK TOUR SCHEDULE – APRIL 2018

11th April – LONDON Jazz Café Camden
12th April – BRIGHTON Komedia
13th April – GODALMING W Noyce Centre
14th April – DEVIZES Long Street Blues
15th April – TEIGNMOUTH Pavilions
16th April – BRISTOL Tunnels
17th April – POOLE Mr Kyps
18th April – CHELTENHAM Vonnies
19th April – DERBY Flowerpot
20th April – MANCHESTER Ruby Lounge
21st April – EDINBURGH Voodoo Rooms
22nd April – NEWCASTLE Sage
24th April –  NORWICH Arts Centre
25th April –  HULL Fruit
26th April –  SHEFFIELD Greystones

Links for online ticketing are on Ian Siegal’s Web Site

Ian Siegal All The Rage New Album plus Tour

The Dark and Light Sides of Chantel McGregor

The Dark and Light Sides of Chantel McGregor

By Wes O’Neill

There simply is not enough women guitarists that get the same acclaim that their male counterparts do and even when it’s deserved. It’s a male-dominated world and something needs to change – doors need to be kicked in by ladies with amps cranked up and playing that can go from a scream to a whisper with just as much force and subtlety.

Fortunately, there are players that can hold their own with the “big boys” in Samantha Fish, Nita Strauss, Joanne Shaw Taylor, Orianthi and others…along with Chantel McGregor. There’s no top of the guitar magazine polls here, ladies doing their thing and damn well at that.

One of my guitar students, a young lady in fact, when I first asked her a couple of years ago what she wanted to get out of learning excitedly proclaimed “I wanna learn to shred and not just play to typecast in acoustic songs or on a fucking ukulele.”. That brought warm feelings to my heart and a sense of hope…

Chantel McGregor is such a lady to inspire such aspirations that are not beyond reach with self-belief and dedication. Ahead of playing a blistering show at The Tunnels Bristol, we sat down with Chantel for what’s been happening, her advice on being a woman in what some archaically view as a man’s world and what’s coming next. It’s about to get dark but with a light side also…

 

It’s been a couple of years since your last album “Lose Control” What have you been up to?

We’ve been on tour for 2 years since the release of “Lose Control”. It’s been constant, we’ve played in a whole load of countries in Europe, we’ve just got back from 3 weeks in Germany in fact, so it’s been tricky to get time to do another album. But…that’s now sort of in the process of coming to a head with writing nearly done and us heading into the studio in the next few months to get that down and releasing it hopefully next summer.

 

“Lose Control” was quite gothic, taking inspiration from a variety of sources you were in to at the time. What kind of musical direction are you taking this time?

It’s dark. Darker than before, in the way that it’s more personal than the last one. The last one was southern USA gothic themed, dark but not personal in any way that I wrote about dark things from my life – I’ve now been doing that. It’s a bit of a personal trip and a gamble as I’m really trying to dig deep with the emotions I have and stories to tell, it’s quite hard, to be honest with you.

 

Are you finding that’s helping you come to terms, and not to pry, with whatever has gone in your life?

No! Hahaha! No, it’s horrible! It’s like everything that I’ve put into a box, you know every bad relationship, every self-doubt, every moment that hasn’t been right all coming at me at once. Opening that box opens old wounds and it’s like ‘Oh my God, why I am trying to sing, play and write about this kind of stuff, why didn’t I just leave it be, why did I think of doing this?’.

 

In that case, what’s the idea behind putting yourself through that instead of writing in a third person or about other things?

As in taking the easy option? I don’t know, ‘cos I’m stupid or something! Seriously though, I think I’m at that point where I should really write about something that is really my own with my own feelings and emotions rather than relying upon other peoples. It’s easier to write songs about other things and other people than it is about yourself. When you’ve locked emotions away, revisiting them is hard but I did feel that I needed to do that as you know, we all have to do it at some point really. Either that or I’m just a bit sadistic, masochistic…or just weird!

 

How is this going to come through on the new album, in the guitar or in the lyrics?

Probably more towards in the lyrics as the music bit with the riffs, changes, grooves and all that isn’t really difficult for me to play. If I’m writing about a telly show, then it’s easy as you’re not digging deep, but when it comes to writing about how a relationship ended and how it’s made you feel then it’s really tricky.

 

As you mentioned, you’re looking at a summer release (it’ll be a dark summer by the sounds of it!), any specifics on production you have in mind that you can share with us?

Well, assuming everything runs to plan, but in my world, you never know, but yes, summer is slated for it. Production wise we’ll be down to London probably, the same producer that I use as it always seems to work out with him and he’s great…probably just that. We’ll have to see what we come out with when tracking, and that’s all you’re going to get on that for now!

 

Moving on from the new album, how important do you think music education is or are there other routes that you can take learning and playing?

I started playing when I was 3 and started having lessons when I was 7 until I was 16 and then I went on to do a degree in music a bit after that. To be honest with you, most of the things I have learnt, the really valuable and meaningful things have been from improvisation and jamming around with people more than the strict educational side of it. Lessons are good though, as long as you’re getting something out of it and always. It’s important to have the educational side of it in some ways but I don’t think it’s necessary for everyone.

 

Being a woman in the guitar world, what would be your advice be to other women playing guitar or thinking of doing so and to those in bands already?

For me, I think, and it’s taken me all this time to get to this point where I realise I’ve probably spent years wasting time being fragile and worrying about what people think…You know, all the stupid stuff like what do people think, how am I perceived, do they really care, do they like my playing, how I look, my singing, are they just here ‘cos I’m a girl, what are they saying in the bar after…all that rubbish. I’m now at a point where I can stop worrying about what other people think and for women that’s essential. Not that blokes don’t have feelings and all, but for women we can be a bit more sensitive than men and we do bother about what people think of us whether that’s image or musicianship, and we spend so much time thinking about it, tearing your life and thoughts up that you end up not concentrating on what you love doing. You need to get strong, really quickly and just sort of say “Stuff everyone else, I’m gonna do what I want to do and I’m going to enjoy it”. That’s the hardest bit – it’s not learning the scales, chords and how to play, it’s having strength in who you are and what you do being a female in the music industry.

 

Wes, thanks to Victoria Tyrer for helping put this together for Bluesdoodles

 

Bluesdoodles Review of Lose Control – HERE

 

ADVENT Mascot More Than A Glorious Dozen

ADVENT Mascot More Than A Glorious Dozen

ADVENT Mascot More Than A Glorious Dozen

Mascot Label Group once again building on the amazing year of 2016. Throughout 2017 from January to December the label keeps delivering albums from Artists & Bands Rocking the blues and more they excite the listening ear.

 

Beth Hart & Joe Bonamassa

 

Beth Hart

 

Beth Hart Vocal Power Captivates The Forum Tonight

Beth Hart’s music stripped back, with the lyrics laid bare was an emotional journey for everyone tears were shed on stage and in the auditorium tonight. This is music that connects a great performer with the audience.

READ MORE With PHOTOGRAPHS HERE

Beth Hart – back with her band touring the UK in 2018 check out Dates HERE

 

 

Joe Bonamassa

 

“The album, where nothing is overdone, acoustic authenticity maintained, Joe’s vocals the best I have heard. No theatrics,  music and the power of lyrics telling the story in perfect harmony”. Full Bluesdoodles Review of the Album Live At Carnegie Hall HERE

2018 UK our Dates HERE

 

Aaron Keylock

Full Bluesdoodles Review of the Album HERE

 

Big Boy Bloater

Full Bluesdoodles Review of the Album HERE

Live at The Louisiana Bristol HERE

Bootsy Collins

 

Black Country Communion

 

Full Bluesdoodles Review of the Album HERE

Black Stone Cherry

Full Bluesdoodles Review of the Album HERE

 

Eric Gales

Full Bluesdoodles Review of the Album HERE

Live Review The Robin 2 Bilston HERE

 

Jonny Lang

Full Bluesdoodles Review of the Album HERE

 

Kenny Wayne Shepherd

Full Bluesdoodles Review of the Album HERE

Live Review Tramshed Cardiff HERE

What we talked about when Bluesdoodles, Liz Aiken chatted to Kenny Wayne Shepherd? Check the conversation out HERE

Galactic Cowboys

 

Quinn Sullivan

Full Bluesdoodles Review of the Album HERE

 

Little Hurricane

 

Full Bluesdoodles Review of the Album HERE

 

Rock Candy Funk Party

 

Ronnie Baker Brooks

Full Bluesdoodles Review of the Album HERE

What we talked about when Bluesdoodles, Liz Aiken chatted to Ronnie Baker Brooks? Check the conversation out HERE

Sonny Landreth

 

Full Bluesdoodles Review of the Album HERE

What we talked about when Bluesdoodles, Liz Aiken chatted to Sonny Landreth? Check the conversation out HERE

SIMO

Full Bluesdoodles Review of the Album HERE

What we talked about when Bluesdoodles, Liz Aiken chatted to JD Simo? Check the conversation out HERE

 

Supersonic Blues Machine

Full Bluesdoodles Review of the Album HERE

What we talked about when Bluesdoodles, Liz Aiken chatted to Fabrizio Grossi? Check the conversation out HERE

Triggerfinger

Full Bluesdoodles Review of the Album HERE

 

Thomas Wynn & The Believers

Full Bluesdoodles Review of the Album HERE

 

Walter Trout

Full Bluesdoodles Review of the Album HERE

Live Review Muni, Pontypridd HERE

10 Years

 

Thank you, Mascot for the music Bluesdoodles is positive 2018 will continue to be fun with Mascot Label Group

 

ADVENT Mascot More Than A Glorious Dozen

 

 

 

Bad Touch Special Guests Skid Row Tour 2018

Bad Touch Special Guests Skid Row Tour 2018

Academy Events and VMS Live by arrangement with IAA and ITB present

Bad Touch Special Guests Skid Row Tour 2018

 

 

Book Tickets Online from  TicketmasterTicketwebSeetickets

*Supporting Skid Row and Toseland
**Supporting Skid Row, Night Ranger and Toseland

* Glasgow, O2 ABC – Monday 5th March 2018

Tickets: Ticketweb 

Facebook / Twitter / Instagram


*Inverness, Ironworks – Tuesday 6th March 2018

Tickets: Ticketmaster – Venue Box Office: 0871 789 4173
Facebook / Twitter 


*Newcastle, O2 Academy – Wednesday 7th March 2018

Tickets: Ticketmaster
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*Sheffield, Corporation – Friday 9th March 2018

Tickets: SeeTickets – Venue: 0114 276 0262 (9:30am – 4:30pm)
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**London, O2 Shepherd’s Bush Empire – Sunday 11th March 2018

Tickets: Ticketmaster
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*Hull, Welly – Monday 12th March 2018

Tickets: Ticketweb, Hull Box Office – Hull Box Office: 01482 221 113
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*Manchester, Academy 2 – Wednesday 14th March 2018

Tickets: TicketwebSeetickets Venue Box Office: 0161 832 1111
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*Cardiff, University Y Plas – Thursday 15th March 2018

Tickets: TicketmasterSeeticketsCardiff Box Office
Student Union: 029 2078 1400
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*Liverpool, Hanger 34 – Friday 16th March 2018

Tickets: TicketmasterTicketwebSeetickets
Venue Box Office:
 0151 703 0100
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*Coventry, Kasbah – Saturday 17th March 2018

Tickets: TicketwebKasbah Box Office
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*Norwich, Waterfront  – Monday 19th March 2018 

Tickets: TicketWebTicketmasterSeetickets
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*Bristol, O2 Academy – Tuesday 20th March 2018

Tickets: TicketmasterSeetickets  Box Office: 0117 927 9227
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*Brighton, Concorde 2 – Wednesday 21st March 2018

Tickets: TicketwebSeeticketsConcorde Box Office
Box Office: 01273 673311
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*Nottingham, Rock City  – Thursday 22nd March 2018

Tickets: TicketmasterSeeticketsAlttickets
Ticket Enquiries: 0115 896 4456
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Bad Touch’s current album, “Truth Be Told” celebrates classic rock with Southern boogie influences, with heavy guitar riffs and an iron-clad, tight rhythm section, in the great tradition of Black Crowes, Lynyrd Skynyrd and Led Zeppelin. The band have built up a formidable reputation as one of the UK’s premiere rock bands who consistently put on an energetic and compelling live show for their fans. Their commitment to their fans and their music not only reaches new heights but also connects with new fans who are discovering their music for the first time.

Bluesdoodles Thoughts:

Truth Be Told   – Bad Touch by the time the first guitar riff is played, the vocals growl you know this is going to be Classic Rock that will rock and roll your soul on a musical fairground ride of enchantment   -Read the rest HERE       

Tonight Bad Touch Headline The Tunnels Majestically The excitement fizzed like a can of shaken pop as Bad Touch exploded on the stage Read more HERE

In Conversation with Bad Touch before the headline tour – HERE

“Bad Touch know their music and their music knows no bounds.”
– Rush on Rock

“Strong and melodic…Bad Touch are infectious.”
– This Is Not A Scene

“Soaring riffs…powerful vocals…Bad Touch win over the crowd with ease, thanks to a refreshingly modern nd.”
– Unknown Press

“Bad Touch are growing into one of the UK’s best new bands.”
– Rock Gig Reviews

Brilliant as always… Bad Touch’s performance was
of headlining status.”

– Planet Mosh

 

 

 

 

 

Bad Touch Special Guests Skid Row Tour 2018

 

Laurence Jones Album Tells The Truth On Tour

Laurence Jones Album Tells The Truth On Tour

Laurence Jones Album Tells The Truth On Tour

 

Bluesdoodles rated the album when we listened & reviewed

Check out what we said HERE

25-year old British blues-rock guitarist and singer-songwriter, Laurence Jones, will release his new studio album The Truth on Friday 9th March 2018.  To dovetail the release of the album, Laurence will start his nationwide tour at London’s Borderline on Tuesday 23rd January. All tickets are £15 and available from www.thegigcartel.com and the 24 Hour Box Office 08444 790 898.

Laurence has also launched the pre-order store Check It Out that will feature a selection of bundles including the new album, vinyl, T-shirts, Ltd edition laminates and an exclusive pre-order poster.

Laurence is often labelled as “the future of the blues.” He’s won several major awards and accolades and has sold over 50,000 albums across four albums.  He’s supported the likes of Status Quo, Gary Clark Jr, Kenny Wayne Shepherd, James Bay, Van Morrison, Buddy Guy, Robert Cray, Joe Bonamassa Jools Holland, Eric Burdon, and many more.

Hailed as “one to watch” by all corners of the music industry, including press, concert and festival booking agents, blues fans and various musicians. Over the past five years, Laurence has really come into his own, and with his new album The Truth, he has now developed his own creative skin by writing and performing songs that are distinctive to his unique sound and identity.

Says Laurence, “The direction of this album is one I have always wanted to take and that’s crossover blues, just like my heroes John Mayer, Eric Clapton and even Jimi Hendrix. They managed to really bring the sound of the blues to the masses. This is definitely my favourite album that I have made to date. I can’t wait for people to hear The Truth.”

Laurence recorded the new album at the old Sony Studios in Miami. It proved to be an amazing opportunity when Top Stop Music, a Grammy award-winning record label, signed Laurence and proposed that he record the album in Florida.  “The studio has so much history,” says Laurence. “It has always been a dream of mine to record in America and I wanted this album to have that USA magic that a lot of my favourite records have.” 

With a strong new band, Laurence is breaking new territory as Bluesdoodles witness when he was the special guest of Kenny Wayne Shepherd at The Tramshed Cardiff.

Line-up touring  The Truth Tour 2018 is:-

Laurence Jones (Vocals, Guitar)

Bennett Holland (Keyboards, Backing Vocals)

Phil Wilson (Drums, Percussion)

Greg Smith (Bass Guitar)

Planet Rock presents

LAURENCE JONES

“THE TRUTH 2018 UK TOUR”
All Tickets: £15.00

 

London, Borderline – Tuesday 23 January

Book Online: Gig Cartel; See Tickets
24 HR Box Office: 0844 478 0898
Ticket Hotline: 0844 847 1678

Manchester, Band on the Wall – Thursday 3 May

Book Online:  GigCartel; Ticketline
24 HR Box Office: 0844 478 0898
Venue Tel: 0161 834 1786

Leamington Spa, Zephyr Lounge – Friday 4 May

24 HR Box Office: 0844 478 0898 – Venue Tel: 01926 311 311
Book Online: Gig Cartel or Eventbrite


Southampton Talking Heads – Saturday 5 May

Book Online: Gig Cartel  – Venue Tel: 02380 361 970


Birmingham, Hare & Hounds – Thursday 10 May

Book Online: Gig Cartel 24 HR Box Office: 0844 478 0898
Venue Tel: 0121 444 2081

Nottingham, The Bodega – Friday 11 May

Book Online: Gig Cartel or Alttickets

24 HR Box Office: 0844 478 0898 – Venue Box Office: 0115 896 4456

York, Fulford Arms – Saturday 12 May

Book Online: Gig Cartel 24 HR Box Office: 0844 478 0898
Venue Tel: 01904 620 410

Newcastle, The Cluny – Sunday 13 May

Book Online: Gig Cartel or See Tickets

24 HR Box Office: 0844 478 0898 – Venue Tel: 0191 230 4474


Laurence Jones has built his reputation in the studio and playing live check out his discography 

Albums in BOLD checkout Bluesdoodles review.

Discography

The Truth (2018)
Take Me High(2016)
What’s It Gonna Be (2015)
Temptation (2014)
Blues Caravan (2014)
Thunder In The Sky (2012)

 

Laurence Jones Album Tells The Truth On Tour

Pariah Brothers Never Exile Crow Black Chicken Music

Pariah Brothers Never Exile Crow Black Chicken Music on the latest album from the band that hails from the deepest South with their own distinctive blues-rock. The music feels homegrown deep southern America. Yes, the sound is true but the trio hail from the Deep South of Ireland.  Crow Black Chicken are a blues powerhouse live as the Clonmel based trio whirl the audience into a perfect maelstrom of excitement with their energized blues rock show. Christy O’Hanlon, the consummate entertainer with witty tales, stories to make the hair curl combined with his gravelled infused vocals and guitar leads the boys into music that cajoles and hits you straight in your music radar fair and square with a bullseye. Joining him providing deep, dark fulsome rhythms are Gev Barrett drumming and providing backing vocals and high-octane fueled riffs, the showman on bass Steven McGrath.  Will this sound be contained, dampened in the controlled atmosphere of the recording studio? The answer is an emphatic NO!  From the opening track, Jonestown through to the title track closing the album out you are captured in the mesmeric musical web of Crow Black Chicken.

 

The band weave their magic, they have thrown down the black chicken bones and weaving a dark alchemy of blues-infused rock, traditional yet absolutely contemporary. The opening track sets down a marker full of dark heavy blues and lyrics that take you to darkest Guyana, cults and mass suicide.  Followed by a groove-laden bass opening as the slide guitar wails and picks up the groove, we experience Justice Crow Black Chicken style. What a hefty start to the album can this momentum continue? No, we couldn’t take the pace.  Everyone has a semi-respite from intensity as we step up South Roman Street, the music curls around the greasy full licks from guitar and bass. The melodic laid-back approach captured in The Prophet now we have gained our breath the album builds and fires on all four cylinders once again. Exploring Deer Meat Unloaded a tale from a Spanish tour, writing songs from experiences on the road allows the guitar to whine and the bass to lay down the melody with attitude and cowbell is always a useful addition.

The beat is picking up as the album turns for home looking for the Pariah Brothers. A tribute to fellow Irishman Pat McManus, picks up the McManus groove. The guitar wails and squeals under Christy’s hand as his vocals unveil another tale gruff and full of emotional intent. Closing the album with the title track Pariah Brothers, Steven’s bass is deep dark and considered as he opens the number joined by a sharp bright guitar sound from Christy. The two sounds contradict but work perfectly well together as Brothers who are outsiders are introduced. Closing the album you are left with a greasy musical taste and the feeling that this is bluesy with rocking intent a band that will jam and change a song when played live. The songs may have been recorded in a studio but you know live they will retain the energy and intent and evolve as the band interact with the audience.  Across the dozen tracks Crow Black Chicken is definitely never curtailed by the studio walls as their brand of Southern bluesy rock is delivered. Pariah Brothers Never Exile Crow Black Chicken Music, Why? It will be often on the turntable, or whatever device you decide to use to get your Crow Black Chicken fix of the day.

 

Pariah Brothers – Crow Black Chicken

NINEpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Jonestown
  2. Justice
  3. Bleedin
  4. Calib
  5. South Roman Street
  6. The Prophet
  7. Panta Rhei
  8. Deer Meat Unloaded
  9. Ripples In The Sand
  10. Freedom
  11. Pat McManus
  12. Pariah Brothers

Check out the review of Crow Black Chicken Live in Bristol – HERE

 

Pariah Brothers Never Exile Crow Black Chicken Music