June 16, Friday, Worthenbury. Goin’ Up The Country Blues and Roots Club
June 17, Saturday, Durham. Durham Blues Festival
June 18, Sunday, Cleethorpes. Cleethorpes Blues Festival
June 22, Thursday, Coalville. Hardtail Blues Club
June 24, Saturday, Billericay. Blues at Barleylands
June 26, Monday, Cherington. Cherington Arms
June 28, Wednesday, Sevenoaks. Performing at the Stag Community Arts Centre as part of the Sevenoaks Summer Festival
July 1, Saturday, London. Brooks Blues Bar at the Sound Lounge
July 4, Tuesday, Worthing. Worthing Pier
July 5, Wednesday, Bristol. The Old Duke
July 8, Saturday, Wales. TBC
July 11,Tuesday, Hooley. Tuesday Night Music Club
July 14,Friday, Bridgend. Working Mens Hall, Blaengarw
July 15, Saturday, Marlborough. Marlborough International Jazz Festival.
July 16, Sunday, Marlborough. Jazz gospel service.
July 19,Wednesday, Northampton. The Malt Shovel.
July 21, Friday, Upton. Upton Blues Festival
July 24, Monday, Oxford. Famous Monday Blues at the Jericho Tavern
July 28, Friday, Lichfield. The Pokey Hole Blues Club
July 30, Sunday, Gloucester. Gloucester Rhythm & Blues Festival.
August 4, Friday, Luton. Bear Club / Mill Yard Jazz and Blues
August 6, Sunday, Bridgwater. Bar Brunel
August 10, Thursday, Cropredy. Cropredy Fringe Festival at the Brasenose Arms
August 13, Sunday, Penrith. Lowther Folk Roots Festival
August 17, Thursday, Bristol. The Bristol Fringe. August 20, Sunday, Stevenage. Blues at the Red at the Red Lion. August 24, Thursday, Tring. The Blues Bar Tring
August 25, Friday, Tunbridge Wells. The Cross Keys
August 27, Sunday, Market Rasen. Original Sunday Blues at the Hope Tavern
August 29, Tuesday, London (Oxford Street). The 100 Club.
Debbie Bond; always blows in the wind of Alabama blues with the combination of sweet and soulful vocals and the cascading keys from her partner Rick Asherson who also co-wrote ‘Winds Of Change’ a single that is powerful, political and perfect for the trouble times the world is navigating through at the moment. This is not the personal it is looking at the bigger picture, our precious delicate planet whose nature needs to be respected and nurtured so that balance is re-gained. The vocals howl with passion and rage. We need to listen and take action to hear the voices of the disposed, under-privileged and address climate change now before it is too late.
Once again Debbie has captured the spirit of the Blues and distilled the music to send our a message for today. This is not historical blues looking back but modern blues looking forward urging us to look, and take action for change. Winds of Change, passionate, relevant modern a blues holler demanding to be heard – make a date in your diary to see Debbie play live you will be delighted.
This is what Bluesdoodles said about Debbie & Rick at Blues On The Farm 2016 – With lots of bands for me to listen to I was not disappointed by Debbie Bond, from Alabama. She bought to the stage skillful guitar playing and a great array of songs from her current album. With Rick ‘Radiator’ on harp and keys playing a wonderful bass left hand. Augmented by Ray Carless on Sax and the re-appearance of Sam Kelly on drums. Debbie has a style of blues that makes you smile as she sings some great lyrics loved The Wishbone Song. In between the music talking in a friendly chatty way as we learnt about the strength and depth of Blues in Alabama, waving the flag for that state this year following on from Lisa Mills in 2014.
Watch the lyric Video below.
The single is available for download if you would like to buy a copy. We are donating proceeds to a number of environmental and social justice organisations.
Last year at Blues on The Farm Bluesdoodles caught up with Debbie for an interesting chat about music and life read what we talked about HERE.
Tonight, the blues was never going to be sitting in the Middle of The Road the music was going to fizz with energy and the crowded venue was ready to welcome Eric Gales and his band to their first visit to the U.K. and the West Midlands. As we waited for the venue to open, the difference tonight was every bag was searched a solemn reminder that going to a live music event is now overshadowed by the horrific bombing in Manchester arena just over a week ago. As many commented, this was good to see.
Before the main act of the night the Tom Walker Trioset the musical Barometer to high raising the temperature with a stylish and far too short set. With a new E.P. Into Space joining, as Tom said their other older CD, there was a good selection of the blues sound the band creates. This was Blues-Rock punctuated by funky rhythms from Deano on Bass; combined with artful drumming of Nate Barr creating the perfect musical landscape for Tom Walker to build with his guitar and vocals. The blues were at times swampy with great slide guitar as we Cross The Border with the trio off the new E.P. Blues is about timing and feel and this is a trio that has it in triplicate. Closing with a re-working of John Henry; from deep in American Folklore and early music covered by many and Tom made it his own tonight. Only, complaint I have, we wanted the impossible to hear more of Tom Walker Trio whilst at the same time we were impatient for the main act.
Short break, time to catch with friends and connect with new ones as people had traveled far what an opportunity to hear Eric Gales and his band tonight. With a fanfare and smile Eric strode on to the stage with his signature guitar held aloft. Starting the show with Silence for Manchester he commented that this was his first visit to the U.K. and genuinely overwhelmed by the crowds turning out for him and how scary it was arriving on the night the bomb went off. Like everyone he was still clearly affected by the senseless slaughter. Tonight, was about his music and we want to hear that guitar burn up the venue with his distillation of blues with funk, jazz and so much more as he connected with the audience through his music. The band tonight was more than a bedrock for his guitar to fly from they added another dimension with a wildness and stupendous musicianship this is freeform blues drenched in feeling and raw heartfelt emotions. Joining Eric on stage tonight were a double helping of percussive tones with drummer Nick Hayes and Eric’s wife LaDonna Gales and the energetic, deeply talented bassist Cody Wright.
The set was a skillful display of tracks from the past, his current superb album Middle Of The Road and covers given the Gale treatment blowing a breath of fresh air though every arrangement he delivered. With Change In Me – which Eric announced as track 2 introducing us to the album; this is more than a melody and lyrics, the number celebrates the rebirth of Eric Gales. His emergence from a dark place of addiction; now his focus is his guitar and the music he creates bringing smiles and joy to the audience tonight. Boogie Man, the Freddie King classic was then given it’s Robin 2 debut; this is music that is hot, and full of electric energy taking us on a journey that fills our ears and gladden the heart. The musicianship was stupendous as the guitar wept and joined the emotional outpouring of high-octane delights. We heard Buddy Guy, and got to know the man behind the six-strings. At one point Eric left the stage allowing Cody and Nick to have centre stage. The magic fingers of Cody made the bass buzz with tonal textures it was a music driven sculpturing of notes. Then it was the turn of Eric for a solo built around Blue Oyster Cult’s, Don’t Fear The Reaper, this was an impactive solo, with the prism of notes creating a rainbow of tones and sounds; spellbinding. The delivery of Swamp another instrumental and eleventh track from the album Middle of the Road; was a whirling dervish of tambourine from LaDonna and the music flowed in a heady free-form blues extravaganza. Wow! Finishing off with Catfish Blues and then the encore this was a night of musicianship, innovative blues. There is definitely nothing Middle of The Road or standard about any of the music played by Eric and the band tonight. This is excitement, hope and joy distilled into a night that was hot and will be a highlight of 2017 that is for sure.
If you missed out on seeing Eric Gales this time; he is planning to be back possibly as early as October this year. In th emeantime his latest album Middle Of The Road out on Mascot Label Group available HERE
The Tasmanian Devil, Rob Tognoni, will be back on tour in the UK and Ireland in August and September 2017. All dates feature Gaz Rackham on bass and Mike Hellier on drums. “From Australia & introduced to Europe by blues master Dave Hole in 1994, Rob Tognoni delivers a 100% powerfully charged experience with every performance. There is simply no compromise, which is strongly evident in his music. After 30 years his explosive guitar playing and unique songs are now being compared with the greats of his genre and have firmly established him in the European venues & festivals as well as gaining many fans of hard blues rock worldwide.“
Bluesdoodles thoroughly enjoyed Rob Tognoni at HRH Blues 2016 we said “Sunday Brunch, was hardcore not for the faint-hearted this was rock heavy blues from the Tasmanian Devil himself Rob Tognoni. He tore up the main stage what a start to the second day of HRH Blues.“
Tuesday Night Brighten with Devon Allman Playing Live in Bristol
Kick starting the evening loud, Mark Pontin Group who had traveled over the bridge to open for Devon Allman once again tonight. His set had a jam feel that didn’t showcase the music from his albums. Joined by Gwyn Ashton slide guitar was added to the rock-blues mix. They certainly got the crowd ready and impatient to hear Devon Allman in Bristol tonight.
Tuesday Night was definitely brightened with Devon Allman Band in town to play live music at The Tunnels. We were in for a guitar driven festival of music that hits all the right pleasure spots. Devon, jams, moulding the southern riffs and licks with vocals that have a tale to tell. Tonight Devon dipped into his back numbers from Honeytribe through to the last three superb albums.
The band that surrounded Devon, had a raw energy that bounced of the tone and textural delight that is the winning combination that sets Devon above many other troubadours of modern song; his and voice, he warms the room, engages the audience and leaves them wanting more of his music. This is why the atmosphere was electric, the audience surged forward as Devon played from the edge of the stage. Tonight, weaving the numbers together from his three Devon Allman Band albums on this Ride Or Die World Tour, with artful covers and a dip back into time to the Honeytribe his glorious licks from his Les Paul, a beautiful listening experience.
Following on from a favourite opening number Wash In A, we stepped on the Ragged & Dirty trail with Half The Truth, with that familiar yell of inclusion from Devon as he got the crowd clapping. Flowed by the distinctive open cascading of notes leads us into Can’t Lose ‘Em All leading us as the dance rhythm hits into Devon’s vocals, rich more and emotive. The room ant the The Tunnels was awash with the vibe of music that flows with an organic texture and form, not contrived this is music from the hearts, soul and talented fingers of every musician on stage. The interaction between Jackson Stokes animated playing and Devon was spellbinding it was music that you want every track to last longer. The rhythm section, powerhouse to any band did so much more that keep the beat. Between bassist Justin Corgan and drummer Anthony Steinhaur they shaped the music; providing the strong base for Devon to fly from.
From his time with Royal Southern Brotherhood, Left My Heart In Memphis joined the party, and it was a true Tuesday night party atmosphere as the wonderful lyrically driven Turn Off The World from Turquoise held us all in the hands of Devon’s guitar hands, with pick in his mouth and the fret board manipulated under his powerful direction.
Dipping into Honey tribe we heard Mahalo (Hawaiian for Thank you) from their debut album back in 2006, a wonderful instrumental that allows the instruments to communicate with you. The vibe is cool hints of Santana but one-hundred percent Allman a jam full of depth and wonder. We collectively thanked Devon for the music by loud cheers, clapping and dancing. We didn’t need any encouragement to participate in Bob Marley & The Wailers, No Woman No Cry. The Tunnels rocked on a Tuesday.
The music was an amalgamation that is all the strong with southern rock and the interpretations of the blues with Checking In On My Baby (Junior Wells); the music has a raw edge, slightly dangerous as Devon grins you are never sure what trickery will come out of the Les Paul. It always weaves its magic and tonight was no different.
Closing the set with Midnight Lake Michigan, we could not believe the time had flown by. The interludes and extras that Devon and the band blended into the set list let everyone shine a true celebration of music, live, dirty and energised. There had to be more in the bands tank of music. Yes, there was as they came back for a demanded encore. First, Devon teased us, with licks and riffs, named that tune. Before two numbers from Ride or Die Night Like This and Say Your Prayers. If we are good and say our prayers lets hope Devon Allman is back in Bristol real soon. As the last notes of the encore faded away with, we were all on a live music, Tuesdays just became a Saturday night as no-one was thinking about work the next day we had the uplifting melodies of live music, meeting of friends lingering in a haze of delights from Devon and the band.
You know it was a fabulous night when writing the review the music you choose has to be Turquoise, Ragged & Dirty & Ride or Die. However, good words can be let live music do the talking for you the energy s dramatic, uplifting and the perfect tonic for a Tuesday night in Bristol.
The Night Siren Steve Hackett Charms St David’s Hall Cardiff
Tonight the last Friday of April the packed St David’s Hall was treated to a programme of two halves. A musical programme of two movements. The first Prog Rock modern, progressive and pertinent as Steve Hackettunveiled live numbers from his stunning album The Night Siren and dipping onto four of his many solo albums. The second helping on this musical palette of delights was a revisiting of Genesis, the majority drawn from Wind and Wuthering celebrating forty years since its release.
For two hours, reality suspended as St David’s Hall was bathed in the multi-instrumental tones and textures created by Steve Hackett and the musicians that surround him. With an array of wind instruments including flute, penny whistle and soprano sax, keys, and a mixture of electronic wizardry, Rob Townsend; behind him surrounded by keys Roger King; the rhythm section of Gary O’Toole behind a sparkling shield of cymbals and bassist Nick Beggs with fretless and twin-necked instruments; and joining the stage for the second half vocalist Nad Sylvan.
With a discography full of depth and interest the night started with a dip into his third solo album Spectral Mornings and Every Day with the soprano sax adding brightness and colour we knew this wasn’t going to be an everyday performance we were in for something special. Gently easing us in with the familiar we were soon hearing the new album, the dramatic instrumental El Niňo so early on a number that was going to be one of the many highlights of the evening. The music from the instruments was woven in to a sonic technicolour coat of shape and form, prog rock that enthralled, informs and takes you deep within yourself. Three other tracks from the Night Siren were incorporated into the first set, as he stepped back into the past The Steppes fitted seamlessly into the collection with its Eastern feel.
The light show throughout added a sense of drama as the swirling patterns fell across the stage then up through the tiers that form the many faceted auditorium of St David’s Hall. As we stepped into The Skeleton Gallery the music live reinforcing the power of Steve Hackett’s latest recording and then to the album’s opening track Behind The Smoke. With a political comment about Brexit, an audience divided Steve reminded us that his lineage included Polish refugees. He sang the lyrics that explore the despair of the displaced and how borders contain. Whilst the music crossed all boundaries finding a common coming together through the power of the musical note tonight in Cardiff. This emotional masterpiece should be the earworm that dictates our walk through life and how we meet and greet strangers from a different place. Last visit to the album is Serpentine, dedicated to his father and gentler times. Inspired by his father selling paintings in Hyde Park, London. Closing out the set with Rise Again and Shadow Of The Hierophant; with Nick Beggs sitting on the floor using his bass pedals creating a spellbinding atmosphere. We had been on a voyage as acolytes and the feet of superb musicians who deliver prog rock that is mesmerizing, entertaining and often beautiful music, that cascades and falls away leaving a thoughtful phrase or question.
The Second set, was much anticipated with the Cardiff crowd looking forward to old favourites and hearing Wind & Wuthering tracks live once again. Opening with Eleventh Earl of Mar we were once again introduced to the vocals of Nad Sylvan. They are a beguiling mix of Peter Gabriel and Phil Collins yet never pale imitations Nad brings his own sonic quality and vocal interpretations to every number. The cheer for One For the Vine, when announced was loud and very happy. Cardiff prog rockers were delighted. Then the atmosphere changed as we were treated to an Acoustic Noodle, Steve on stage with acoustic guitar joined by the band at the end a quiet interlude, with classical guitar playing, hints of flamenco and a moment of reflection. The quiet was broken with Blood on the Rooftops, and with Inside Out written by Phil Collins, an early lyric that was left off the final cut of Wind And Wuthering; a Cinderella song quipped Hackett, included tonight as it fits in with the rest. Closing out the set that highlighted the power of Genesis was Musical Box, a wonderful atmospheric number, Nad, using the tambourine to great effect as he added drama to the lyrics. Tonight was a great nostalgic set of Genesis classics.
St David’s Hall was resplendent in the glow of Prog Rock from Steve Hackett and his band of musicians, we had been bathed in lights of every hue and taken on a journey through the power of lyrics and the complexities of multi-instruments exploring the notes of the octaves. The sound was superb, the audience attentive and as one rose as The Musical Box faded. The encore the perfect Genesis titled number Los Endos. This must not be the end, Steve Hackett and his Progressive Rock is welcome back in town anytime. For me I enjoyed the reminiscent quality of the Genesis numbers, they are familiar and safe, BUT the new solo numbers have an edge and intimacy they are modernity looking forward not back.
The tour continues check out dates and venues HERE A musical journey to be enjoyed and definitely not missed!
Back in the O2 Sheffield for the second year HRH Blues III promised with a deep blues infused line-up to be an Easter full of music. They certainly delivered across the two stages, as ever clashes were at times frustrating, demonstrating the wealth of blues in town this weekend.
HRH Blues once again created an ambience, professional on the outside, inside pure unadulterated fun of listening to live music. The two days had a mix of blues from heavy and raw through to delicate and everything in-between. More people this year stepping on the bright blue HRH Blues Train crammed with live music in Sheffield.
With two stages, we heard a total of twenty-two bands and for some Royalty Passes & Media an extra five acoustic acts early on Sunday morning. The one disappointment for many was the missing act. King King had to pull out at the last-minute – now we know it was due to Alan Nimmo having acute Laryngitis. With the number of King King T-shirts in the audience you could have expected annoyance, but all you heard and saw on social media was empathy, love and get well. The bands that did play filled the gap with extended sets from Simon McBride and Ten Years After and a slightly early Saturday.
Getting the Easter music fest started was Dani Wilde who set the scene with quality opening act it was going to be high quality blues form the first to last note. Highlights in the main stage on Saturday were…
For the vast majority that I spoke to the stand out band of the first day and the festival were Billy Walton Band, they bought fun, blues and music that just gets every one excited. Following on from the band that wowed the audience and were still being talked about as the festival closed. Why? A full on band who really get that good-time vibe flowing the boys from New Jersey bring that East Coast joie-de-vie. Billy and the band want you want to party all night. With a horn section adding texture and tone they are just very entertaining and totally enjoyable. They were ready to party with the festival a fan supplied an array of hats and they were delighted to play with the donated headgear. The atmosphere was now loud, electric with blues flowing through the O2.
Follow that, well this is HRH nothing safe, nothing out-of-bounds as The Graveltones, a duo took to the stage. Heavy, raucous, energetic and loud they divided the room just as Marmite on toast would! The guitar was raw and the drumming hard with splinters of wood being torn from the sticks. Heavy, hard with complex rhythms and bucket loads of feel, delivering a punchy set that re-defines duos and the blues.
All aboard the next station on the blues train journey to Finnish Blues with Erja Lyytinen and her band. For many of her fans the first time we have had the opportunity to listen to the music from her acclaimed album Stolen Hearts. I was definitely excited having given her the full 10-doodle paws. High class set from the renowned queen of the blues slide guitar. In the set is Black Ocean for me a highlight and favourite on the album now a live favourite as prog meets blues under the charms and skills of Erja. We joined her on the rocking Chair, sang along with Stolen hearts. Then the trained steamed up the hill with her interpretation of Tina Turner’s Steamy windows. This was blues that sparkled as Erja smiled, played and won our hearts.
This year with the addition of food stalls and coffee there was no need to leave the arena and miss a single note of blues that was weaving their magic over the audience. Now we had two stages running parallel always a conundrum what to stay and listen too. Quick run upstairs to catch some of Will Wilde, this was the decision of many as the second stage was rammed and Will’s harmonica playing won him many new fans. For some the band of the weekend having never heard him play before. Will delivers more ‘authentic’ blues almost a match for Erja, a shame about the clash of blues titans. Will is one of the best blues-harp players on the UK circuit. Now we had a festival exploding under the glories of blues in full flight.
Back downstairs for Pig Iron returning for the second year. Describing themselves as Blues Metal this was pounding heavy blues that incorporates some delicate harp playing. Upstairs was Troy Redfern, the Welsh slide guitar troubadour. With tracks from his current album Backdoor Hoodoo. His rendition of John The Revelator is always a crowd-pleasing winner as it was tonight in Sheffield. The HRH Blues train was now gathering speed and pulling in a wide variety of acts.
Now back to the main stage for Simon McBride and the headliners returning for the second year Ten Year After. First, a stunning blues rock guitarist Simon McBride. The set saturated with scintillating riffs and licks making Simon’s PRS guitar sing and squeal. An accomplished set strewn with covers to extend the time on stage and numbers from his last two albums. What a set it was a tone the festival wanted to hear that mix of SRV, Hendrix woven together with McBride magic. The dueling between bass and guitar was magnificent. As he played Good Times Roll, following a McBride favourite Down To The Wire we were definitely having a great Easter Saturday as he closed with Deadman Walking we were all alive with festival fever.
After fifty years of touring with Ten Years After Chick Churchill & Ric Lee are now joined by bassist Colin Hodgkinson and the charismatic Marcus Bonfanti. Marcus’ vocals are full of power, tonal texture, his guitar playing sharp and the harp adds another dimension to the Ten Year After sound of 2017. No Ten Year After set is complete without The Hobbit, Ric Lee and his drumming acrobatics. A wonderful set blending old stalwarts and new numbers from the forthcoming album A Sting In The Tale out later this year. The whole set is a perfect platform for showcasing what a great and oft underrated guitarist Marcus is. Wow moments of the festival with Love Like A Man and Good Morning Little Schoolgirl. Ten Years After strong after Fifty-years and the thrill of a new album. What a Saturday now for Sunday’s delights.
Sunday, started with a Smörgåsbord of acoustic showcases, including Chantel McGregor; Big Boy Bloater, Crow Black Chicken and Dan Patlansky who we would be hearing in full amplified glory during the day. The sets were chilled whilst also demonstrating the varied sounds achievable from the acoustic. This was personified by the difference between Big Boy Bloater and Dan Patlansky, same guitar totally different tone and approach. We heard hollers, blues and songs given new shapes a perfect slow wake up call to join the main blues train downstairs on stage one. Into the mix the wonderful vocals and charm of Jack Hutchinson a welcomed addition to any blues gathering, with a new band album, Set Your Heart For The Sun, let’s hope he is back electric in 2018.
What a stunning set once again from the mighty Sean Webster with his new band The Deadlines. Having heard Sean many times he never disappoints, unsurprisingly he was the find of the weekend for many. His rendition of I’d Rather Go Blind moved many to tears with the raw, intense emotion he puts into every word sung and note played. Sean has the winning combination of a superb blues voice and plays the guitar with lightning blue touch. Now living in Netherlands, Sean is the enigma of the British Blues scene never reaching the heights his playing should be taking him. Let’s hope the station stop on HRH Blues Train will be the launch pad for a renaissance of Sean the bluesman. Following on from Sean, in a bright red dress is Chantel McGregor always a firm favourite with her many fans. The set was a mix of favourites and her latest album. Anyone hoping for some new material would be disappointed, though there was a new drummer in the band. The set was safe, definitely rockier than the early days of Chantel. She still smiles with warmth and affection and Freefalling was a guitar blazing delight as were the other guitar improvisations. Her rhythm section gives her a solid platform, bassist Colin Sutton and Ollie Goss on Drums. The mischievous Chantel was ever present with ‘Aving A Giraffe a fun out take celebrating the April the Giraffe giving birth the story that Chantel has been following on Social media. The set overall felt a little flat, come on Chantel lets have some new McGregor gems soon. This is the nuances that makes live music fun a have to be there moment. British Blues celebration continues with Laurence Jones with his new band. Laurence is maturing the new band seems to fit his style and the addition of Bennet Holland on keys certainly adds some textures to the music complementing Laurence’s stinging guitar. We are enjoying this stop on the train. Yes, this is British blues-rock personified; what is great to see Laurence continuing to grow in stature, developing his sound and staying fresh. The longer lead breaks played with growing confidence adds interest and variance in the live sound. Fantastic audience participation during JJ Cale’s Cocaine, conducted with vigour and winning smile from Laurence more Cream and Clapton than Cale. That is no bad thing in a stalwart of the blues circuit who wins fans whenever he picks up his guitar and plays. .
Quick sojourn to Stage 2 for StoneWire a band from the South coast that I had heard about. This is a five-piece led by a big voice. Another great female vocalist out front shaping the StoneWire sound. Whilst on stage one, young gun Aaron Keylock, was completing the very British Blues opening to the day. Solid set as this man’s stage presence grows. He is full of potential and the setlist was a perfect showcasing opportunity for Across The Grain his debut album. The slide guitar was over loud and the vocals slurred but every time you hear him there is improvement, Spin The Bottle a set residence that suits this young man who is truly motivated and shaped by the blues. Not to be missed, if you get the opportunity another HRH Blues festival favourites are definitely Black Crow Chicken. The sound is earthy, dirty blues. Every song has a colourful story as they take the blues train down an Irish lane as roots blues collide with Irish Tradition through the amplifier. The humour is dry and all-encompassing that follows through into the strong lyrics. With Jonestown and a tribute to Pat McManus from Pariah Brothers, the latest album. This is a band I could have listened to for longer. A definite bring back next year request. With Big Boy Bloater following, his acoustic set was superb so we were looking forward to electric Luxury Hobo. The sound was too loud for the small stage area and that meant the music lost its edge. That said what a rendition of bloater blues pushing them to the limits and he knows how to entertain the crowds vital for any set and sometimes missing. The superb track from his album Luxury Hobo, It Came From The Swamp won him many fans another strong contender for stage one 2018.
Now back to Stage 1 for South African, Dan Patlansky who always delivers fireworks from his Strat. Tonight, with a band of session players from Germany we were treated to a stand out set of guitar acrobatics. Old Red is the signatures Strat of Dan, and is off for a refurb after this UK tour. With his latest single from Introvertigo, Sonova Faith given a live airing we hear the clever improvisation that is part of the live show. Never expect to hear the songs the same, chords and lyrics are a constant but the interpretation every time is a certainty. Dan can rock his blues, and then with an application of the blues breaks will slow it right down. Then you listen with care as it is as good as it gets. Dan Patlansky is a showman. He brings Laurence Jones back to play Bright Lights, Big City that sees a guitar dueling that sparked with jaw dropping intensity. Closing the set, instrumental My Chana is a majestic exploration of the every sound a strat can make. As he experiments with feedback, ringing single notes. The audience are spellbound, a collective holding of breath with wonderment. No one wanted the moment to end. Sadly, it did one more act Stan Webbs Chicken Shack and 2017 HRH Blues fell silent.
Easter Sunday, this year more music that chocolate. What a tasty day once again HRH train ride was full of blues hooks, licks and riffs, laughs and friends the perfect festival journey.
HRH Blues III blues train was full of exciting stops along the complex musical map that incorporates The Blues. The festival does not rely on have the same favourite acts returning each year. Weaving into the acts surprises and variance in the sound of blues.
With such an array of blues it is unsurprising, with not a single act announced HRH Blues IV; 14-15th April 2018is already over eighty percent sold. People want to come back, reserving there spot for when the HRH Blues train leaves the station once again in Sheffield 2018. HRH Blues a definite for Blues lovers diaries.
Dan Patlansky In Conversation
Touring 2017 and Beyond
BD: Morning Dan, great to see and catch up with you in Sheffield at HRH Blues and the opportunity to talk this morning
BD: Dan Patlansky,Back in UK and Europe for an exciting tour. Latest single Sonova Faith from the award-winning and acclaimed album Introvertigo.Returning to venues new and old favourites? With a new band tell us about your touring plan. Starting off at Mr Kyps with Ash Wilson opening and HRH festival you have hit the ground running
DP: Yes, back in UK and Europe with second round touring with Introvertigo. Following the achievement of Introvertigo being number 1 Blues Rock Album of 2016 by the influential American website Blues Rock Review. So we are back with a new band of session musicians from Germany bringing a different feel from my South African band. Part tour back at The Globe in Cardiff which will be such fun with Ash Wilson opening a great band, great songs the combination will be a good night of live music following on from Mr Kyps. HRH Blues was amazing great crowd and some amazing bands the atmosphere was really positive.
BD: Having heard your acoustic set at HRH which was wonderful, elegant, beautiful with lingering notes that I wanted to last forever; have you thought about doing more acoustic in the UK?
DP: Yes, it was fun. Acoustic is a different beast to playing electric. In some ways limiting with the change of guitar style. It is a challenge in the way you play and think about the music. As for playing acoustic in the UK; back in South Africa we often do the combination acting as our own support act. Yet to do that in the UK. Perhaps for the future; the logistic of travelling with an Acoustic rig as well as electric will be another travelling challenge. For acoustic at HRH I borrowed Big Boy Bloaters guitar, it was great to play and a big thank you to Big Boy Bloater’s loan of his lovely acoustic guitar. It was a different vibe when I played the guitar showing the power of acoustic.
BD: We all love to hear you get that special sound out of your Strat Old Red and is certainly how you continue to build your fan base. Tell us about strings, pickups and I believe you are retiring the beautiful guitar. How will you find a replacement?
DP: I play with twelve gauge strings, they are considered heavy, but I have always used them. I don’t just use them for the showmanship of the last number. I like the sound they produce. I use standard Fender pickup. For the last number, I turn my amp up to achieve sonic textures, feedback making it as musical as possible. I always have the amp fairly high, I play loud which is why I have speakers facing the wings and turn them up which can surprise front of house guys.
Old Red not being retired just refining parts of her. Just the neck is being overhauled. The neck has become a liability, 1960’s Fenders used Brazilian Rosewood, this is now a restricted wood and can cause a problem at customs in some countries. In addition, the neck is getting tired and twisted. When I get back home from this tour I’ll be getting a new neck for the guitar. A face-lift, not retirement.
BD: How do you keep the tracks we love to hear you play the sound is so fresh and vibrant when playing live? It is as if we are hearing the tracks for the first time as you add interest and surprises.
DP: This tour there is a new dynamic with the German musicians. It is though the nature of the music improvising. I may be playing the same song every night on tour, yes the melody, lyrics and chords stay the same but I go in different directions. Not always the way I expect, I grew up playing Jazz music the king of improvisation so every night has its own journey. Can be good or not that is the nature of the beast. It keeps the music exciting for us as musicians and puts a fresh breath into every night’s performance. We are definitely not playing by numbers, traditional blues is steeped in improvisation. I am just keeping that tradition alive and flourishing through my music.
BD: With a hectic touring schedule here, Europe and South Africa what are your plans for 2017 and beyond?
DP: Yes touring is hectic but always great to catch up with friends and fans we make on the tour. This will be the last UK tour focused on Introvertigo. I have dates in South Africa when I return. Then in June we go back in the studio with new songs, new ideas for my next album which will be released Spring 2018. Then back touring South Africa. We are also possibly back in the UK November 2017; where we could be previewing new tracks from the forthcoming album. So watch this space once dates finalized we will be letting the fans know.
BD: You are back in Cardiff at The Globe, what makes venues fun to return to? Is it building the fan base?
DP: Yes, excited to be playing back in Cardiff. I love the vibe of the venue. Why return to venues, it is a bit of both the venue and the audience is a big part of the show. The Globe is a great little venue, great audience who have such a positive response. I love the sound of the venue, the guitar always sounds good to me on stage which is really satisfying. The Globe is a loud room, lots hard surfaces. It is a venue I will always look forward to playing. The Cardiff crowd are always up for loud music and to enjoy the blues.
BD: Thank you for sharing with your growing group of fans. We have asked you your fantasy band, what you are listening to in previous interviews. So today who would you invite to play with Dan Patlansky band?
DP: Dream scenario would be David Gilmore from Pink Floyd. Gilmore got me into music generally and in particular the guitar.
BD: Thanks for taking the time out of your busy schedule and looking forward to seeing you play live in Cardiff on 4th May.
READ what Bluesdoodles said about the TEN Doodle paw album Introvertigo – We voted the album as the best Overseas album heard over at Bluesdoodles HQ.
Introvertigo with its carefully crafted lyrics that blend urbane wit and honest observation, this is blues pertinent to today’s lifestyles, not so much whisky and women more the corruption of power and social interaction. Ten tracks there are no fillers every number is full of strength and tonal power but there is not an off note or lyric.
Hayseed Dixie, French Hard Rock Excites The Globe Cardiff Tonight
With a sold out show, everyone was at The Globe to hear the unique Hayseed Dixie take on classic songs we love to hear. Before the main event up on stage was an unknown entity, on the second night of their first UK Tour, a young French band, Dätcha Mandala. The band met Hayseed Dixie when playing Las Pieds Dans La Vase last year. With 22 dates they will be reaching audiences who will be amazed by the hard rock energy with psychedelic overtones all to a backdrop of blues riffs. Tonight the energetic leg flying Nicolas Sauvey, Bassist who takes the lead vocals and adds the tone of Harmonica whilst guitarist Jérémy Saigne who kneels as the high-octane Gibson fills the air provided an energetic front for the band. With a stand-in drummer following the band’s drummer breaking his wrist we were treated to a warm-up act that certainly got the musical adrenalin running. This is hard rock colliding with Buddhist spirituality they are a band who entertain and certainly put on a show.
Hayseed Dixie has been a crowd-pleasing act since they formed in 2000; after fifteen albums ‘Rockgrass’ must be hitting the crowd-pleasing button. This is a band that despite having a brand new album Free Your Mind and Your Grass Will Follow did not provide a sales pitch it was about delivering songs, a mix of Dixie’s originals and their creative re-working of songs from across the genres of popular numbers. Not many set lists include War Pigs, Bohemian Rhapsody, Ace of Spades and Oliver’s Army. Hayseed Dixies DID! This Bluegrass ho down meets classic rock as the acoustic bass and guitar, fiddle, banjo and mandolin are on a collision course of rock & country creating a genre of their own grass rock it is music mayhem that works it is infectious. Sold out at The Globe means the venue is crammed with excited fans who just want to have fun, they did not need any encouragement from the foursome. The members may have changed but the music has stayed the same. Tonight, John Wheeler, Jake Bryers, Joe Hymas and Tim Carter came and conquered the capital city once again. As they explained, “we have playing this music longer than many marriages, must be doing something right as we explore Drinking, Cheating, Killing and Hell”. We all agreed in one very loud voice.
This is a band that does music their own way with its foot tapping, arms waving let’s dance to the beat and harmonies. They may not appear to be taking themselves too seriously. Do not let the jokes and wise cracks fool you; this is music that delivers in spades.
Tonight Liz from Bluesdoodles was tired post-festival fatigue was setting in having been in Sheffield all weekend. So Tuesday night more live music, but having missed seeing Hayseed Dixie too many times she wasn’t going to let sore feet get in her way. The music was fun, lively with a good time vibe so staying until the last note died away was a pleasure, not pain. Why? A set list that is a rollercoaster of hell raising mayhem that hits the spot all post bank holiday blues were blown away by Hayseed Dixie in Cardiff tonight.
Spring sunshine warmed the pavements as the crowds gathered on the street outside the O2 Academy Bristol. The draw tonight was a double hitting rocking with energy delight with Biters opening the cavalcade of music, culminating with Blackberry Smoke. The bands are both label mates and friends so the pairing made sense on many levels to the audience it was the music, quality.
There was a rock n’ roll, retro bite as the band kicked off the night it was full steam ahead for music fun and games. The quartet from Georgia, stepped onto the stage with a step back into the past Norman Greenbaum, Spirit In the Sky. This is a band that have both feet in the 1970’s including a number celebrating the golden age of rock 1975. With the task of warming the crowd, they immediately connected with the Bristol tonight, with a shout out for the gigging venue on a boat we all love where they have played. Thekla the venue where we hear first many a band that become firm favourites, demonstrating the importance of a vibrant and varied landscape of venues in a city. Cardiff, please take note; Womanby Street is a cultural asset!
Now, back to the music with influences flowing through the veins of the music but never clogging the artistry with hints of Cheap Trick, Thin Lizzie and a large helping of T-Rex. Biters, have a forthcoming album due out 19th May on EarAche records; The Future Aint’ What It Used To Be. The superb and ear-catching single from the forthcoming album Stone Cold Love full of T-Rex vibe was part of the opening numbers and we certainly were riding a retro rollercoaster of delight. Fitting in with the southern rock/country rocking vibe Georgia and Gypsy Rose fitted the starter menu perfectly. This is music that entertains. Energetic young band the perfect platform of hooks that caught the vocals and licks that made you shout with joy as the drums pulled the rhythm through every number.
The Bristol crowd was excited and ready for more rock in the form of Blackberry Smoke. Back in Bristol, a band they are road warriors getting their distinctive sound majestic Southern Rock, authentic. They are as they describe themselves Too Country for Rock; Too Rock for Country the sound is a collision of two genres into a crescendo of rock that is full of southern warmth and edgy charm. Tonight Like An Arrow Tour rolled into Bristol, the city music fans appreciated this as the venue was packed from top to bottom. Opening with Fire In The Hole we are ready to put reality on hold and be transported into the land of Blackberry Smoke with the setlist full of songs from the discography covering the whole of the twenty-first century. Yes, Blackberry Smoke are a millennium southern rocking explosion. This is good time rocking music with an edge, the sound permeated through the crowd creating an electric party atmosphere. With Waiting For Thunder from current album having the audience singing and this will be a keeper for a live set becoming a classic. The melding of American music is evident in a number that rocks and Charlie Starr, pulling on the tradition of the holler and the lead break from the keyboard under the guidance of Brandon Still is picked up by the guitar. What a number only five songs in and the venue is steaming with this heavy hollering delight. The music flows with an energy as the southern rock credentials pour through the O2, with Pretty Little Lie. The wonderful southern slide sound from Charlie’s Gibson 335 was a joy to behold, and the keys add that extra tonal layer we are all transported to a special place that live music takes you. There has to be the jam moment, tonight A Sleeping Dog, from The Whippoorwill album is segued with Your Time Is Gonna Come as Zeppelin and Allman’s sounds are pulled into the version tonight. This is the moment when time stands still as the audience is collectively transfixed by the music we are a single entity absorbed and re-vitalised by the cleansing sound of guitars washing the dust away.
Tonight, music is a celebration of the sound of Americana with a willing audience participating in Ain’t Got The Blues, no-one in the audience tonight had the blues the music was a celebration of the positive, feeling good was the result. Another number celebrating the sound of the Acoustic guitar was One Horse Town. All to soon time was catching up the encore left us with a trio of delights. We wanted more, tonight Blackberry Smoke were on top of the game. The guitar harmonies flawless, the percussive rhythm full of edge and the vocals poured out across the auditorium. Closing with Ain’t Much Left, the music had said it all. Live Music rocks with Blackberry Smoke and Biters tonight.
April Roadstars Are
Broken Witt Rebels and Bad Touch
Spring sunshine warming Cardiff pavements, but not as hot as The Globe scorching from the two rock n roll sets from rising British Bands 2017 Planet Rock Roadstars show; Broken Witt Rebels & Bad Touch. First up in a lava flow of Rock from the red hot Birmingham band Broken Witt Rebels. Many bands would leave the crowd-pleasing signature number that Low, from the acclaimed EP Georgia Pine, has become. BUT, not the rebels this is the opening track they are opening on a high. High flowing rock that rolls around The Globe the crowd are jumping with delight they want more and more of Danny’s power blazing vocals, they are howling so the next number is perfect for the atmosphere created on a Sunday night, live music that Is Howlin’ good. Broken Witt Rebels are tight, they are having a great time playing the music we want to hear. This is a band that will rise to the top as the music is hot, tasty and created by a volcanic amalgam of music that shaped the seventies into a creative free form delight of classic rock infused with soul and whisky flaming southern riffs. The beating, pulsing heart of the Rebels is front man Danny Core, his vocals and stage artfulness catapult the band to the top of the rock face of young bands with ambition. He makes every song distinctive, the phrasing shaping the lyrics and the rebels behind him provide him with a trampoline that bounces with musicianship that sparks with attitude and flair. The drumming is energetic full of dramatic beats and cooled with phrasing and cymbal work from James Dudley whose sticks rise high and create the percussive tone for every song. Adding to the rhythm is the bass work from Luke Davis whose deep notes give us tone that takes us deep into the crater of joy that is the BWR music. Up front and on lead guitar giving Danny structure and his own delicious lead breaks, riffs and the hooks for Danny’s rhythm guitar as he described his playing ‘I am just a chord monkey’, James Tranter is the guitar wizard. At times through the set Danny sinks to the floor kneeling full of emotion, this is not in praying but in victory as the songs leap from a title on a set sheet into full blazing live glory. There is another chilled side as Turn Me On demonstrated that new songs are being added to a catalogue that has depth and that makes a live band great. Closing out the brilliant sparkling volcanic rocking set was Guns, we all know this from radio play and the number of times they have played the back catalogue. The encore was Shake Me Down, Danny and the boys definitely gave everyone a demonstration of a rock n rolling shake down that made Sunday night fizz.
Short break and many of the crowd took time out to chat with the Rebels and buy some merchandise to take home. The Globe was on musical fire as the red lights reflected back the heat of energy generated by live music. With a young band from deepest Norfolk, there was nothing flat about the Southern rock infused quintet Bad Touch. The only task they had was following on from the dynamic crowd-pleasing Broken Witt Rebels to ensure the audience’s energy didn’t wane. Did they achieve this, Yes they did! How, Truth Be Tolda mix of showcasing their latest album and the combination of front man vocalist and tambourine man Stevie Westwood, and a trailblazing secret, well not so secret weapon the guitar playing of the latest member of the band Harry Slater. The shape and approach is different from BWR, so we all wanted to hear the harder edgier rock from Bad Touch. Opening with One Night More, technical gremlins attacked the drummer George Drewery, who continued playing his loud hard drumming despite not being able to hear the rest of the band. Once sorted the band were firing on all five cylinders again. Completing the Bad Touch sound is Daniel ‘seeks’ Seekings on guitar and bassist Michael Bailey who add such depth and tone to the Bad Touch Rock. Highlights of the set were Sweet Little Secret from their debut album that hit the mark and Half Way Home. Bad Touch are a sure touch that they will be making musical waves that purr with a lion’s roar of dominance. They have a sound that connects, heavy, hard and full of licks and vocal refrains that are earworms. We had cowboy refrains with Outlaw, softer with a sting in its musical tail. Stevie whirls and swirls tambourine held high but it is his vocals that gain your attention they have an attitude that makes them compelling on numbers such as Words I Never Say and then a different tone with radio friendly 99%. This is a number that has a little extra with its huge chorus and energy there is much more to be heard from these young guns of rock. Closing with The Mountain, we were left with Harry’s guitar fireworks and Stevie’s gritty vocals singing in our ears. Live music made Sunday sparkle with Rock n’ Roll.
Tonight, everyone at The Globe came to hear and see the Roadstars a duo of bands Broken Witt Rebels & Bad Touch. The reward was seeing to young bands creating a summit of rock numbers that will become classics of the future. The future of rock is bright strong and full of vigour with these young bands.