Four Excited Bands Talking About 4th UK Blues Challenge

Four Excited Bands Talking About 4th UK Blues Challenge

 

Four Excited Bands Talking About 4th UK Blues Challenge

 

 

Who are the four excited bands talking about 4th UK Blues Challenge? They are Zoe Schwarz Blue Commotion; LaVendore Rogue, The Rainbreakers and Elles Bailey. There will be a fifth band joining the quartet of superb bands. The fifth band will be announced shortly after the Great British Rhythm and Blues Festival taking place at Colne 25th-27th August. The Jessica Foxley Unsigned bands who will be playing on the main stages have now been selected. From these Eight bands one will be chosen to join the bands already announced to take part in the Challenge on the 10th September. Find out who the eight bands that are in with a chance HERE.   

While we all wait in anticipation as to which band are joining the four who have already been nominated read about the bands and what they said when Bluesdoodles spoke to them.

Four Excited Bands Talking About 4th UK Blues ChallengeFour Excited Bands Talking About 4th UK Blues ChallengeTell us what it means to Zoe Schwarz Blue Commotion to have been nominated to participate in the challenge with the chance of representing the UK in Hell, Norway and Memphis U.S.A in 2018?

 ZSBC: Firstly, the fact that the number of our peers nominating is so large gives real credibility to the artists involved, so we are also proud about that.    We are also proud to be nominated as we see it as a recognition of our original music, concept and style.  We don’t write the songs to any kind of formula or to fit in with any cliche or pre-conceived ideas of what defines blues in 2017. Read more…..

Four Excited Bands Talking About 4th UK Blues ChallengeFour Excited Bands Talking About 4th UK Blues Challenge

Tell us what it means to LaVendore Rogue to have been nominated to participate in the challenge with the chance of representing the UK in Hell, Norway and Memphis U.S.A in 2018?

LVR: We’ve been to hell and back a few times over the years, and playing in the states has to be a dream of any UK musician, so it’s an honour to be considered for the UK British Blues Challenge – we’ve been working hard over the last few years, and it’s great to see its been recognised by the UK Blues Federation. Read More …

Four Excited Bands Talking About 4th UK Blues ChallengeRainbreakers Talks About 2017 UK Blues Challenge

Tell us what it means to The Rainbreakers to have been nominated to participate in the challenge with the chance of representing the UK in Hell, Norway and Memphis U.S.A in 2018?

RB: We were overwhelmed to have been nominated, especially when we don’t really consider ourselves to be a blues band as such. We think it shows willingness from the scene to accept the new approach to the blues that some of the younger bands of today are displaying. Obviously we would be thrilled to go through to the European and American challenges especially as we are hugely influenced by a plethora of bands from the states! Read More….

 

Four Excited Bands Talking About 4th UK Blues Challenge

Four Excited Bands Talking About 4th UK Blues Challenge

Tell us what it means to Elles Bailey to have been nominated to participate in the challenge with the chance of representing the UK in Hell, Norway and Memphis U.S.A in 2018?

EB: Love the fact that European Challenge at Hell – didn’t know it existed on Earth. I am chuffed to bits to be performing in the Challenge this year. I am a newbie on the scene over the last twelve to eighteen months I have been quickly accepted in the Blues community. It has just exceed my expectations, definitely delighted to be performing in Liverpool and looking forward to seeing the other acts. It is definitely going to be a great night. Read More…

More about The UK Blues Challenge

What is the UK Blues Challenge (UKBC)?

An annual event organised by the UK Blues Federation (UKBlues) at a different location in the UK at which a number of bands/acts compete in front of a panel of judges drawn from across the blues spectrum. The winning band/act is invited to represent the UK at the following year’s International Blues Challenge (IBC) in Memphis and European Blues Challenge (EBC) which is held in a different European country each year.

The International and European Blues Challenges are organised by, respectively, the Blues Foundation  and the European Blues Union (EBU)

We are very pleased that this year’s event will take place at the legendary Cavern Club in Liverpool on Sunday 10th September 2017 starting at 16.00. More details can be found  and how to buy a ticket for the event HERE. UKBlues is excited to be bringing the blues back to the Cavern sixty years on!

How are the contestants in the UKBC chosen?

As an Active Member of the EBU meeting the EBU’s laid down criteria (see EBC rules here) and the sole UK Affiliate of the Blues Foundation, UKBlues are honoured to be invited to create and manage the selection process to choose the band or artist who will represent the UK at these prestigious events each year.
The first stage of the process this year saw a panel of more than 250 people from across the blues spectrum in the UK which included members of UKBlues, all UK based Active Members of the EBU, members of the Independent Blues Broadcasters Association, festival and gig promoters, writers (both online and print media), musicians, fans and blues supporters etc. being invited to submit the three UK acts that they felt would best represent the UK at the EBC and IBC.

Members of this panel were asked to place their choices in order (first, second, third) and points were awarded according to the position in which the acts are placed by you.

The 4 top scoring available acts after this process was complete were invited to participate in the UKBC where the contestants will perform in front of a panel of judges who will use the same criteria to award points to the contestants as are used at the EBC and IBC.
In a new departure this year, a fifth band will be invited to participate which will be selected from the bands who have been invited by Jessica Foxley Unsigned to play at the Great British Rhythm ‘n’ Blues Festival which takes place in Colne over the August Bank Holiday weekend –  These bands are, generally, under the radar and being selected to play at Colne is a big step up for them.

The band will be chosen by a panel of representatives of the Jessica Foxley Unsigned project and will be chosen on the strength of their performance at Colne.

The winner of the UKBC will be invited to represent the UK at both the 2018 EBC and IBC.

What are the selection and judging criteria?

When making their selections, the members of the panel are asked to bear in mind the following EBC rules which apply:

  • The leader of the band must have the nationality of the country he/she represents.
  • At least 50% of the members of the contestant bands must reside in the country they represent.
  • Acts who participated in a previous edition of the EBC, but did not win, may compete again after a period of 3 years.
  • Bands of which half or more of the musicians participated in a previous EBC with another band, may compete again after a period of 3 years.
  • Bands of which less than half of the musicians participated in a previous EBC with another band, may compete again after a period of 2 years.

Contestants at the UKBC, EBC and IBC are expected to perform at least 50% original music in their set and they are awarded points using the following criteria as laid down by the EBU:

  • Originality
  • Instrumental talent
  • Vocal talent
  • Stage presence
  • Blues content

You can read the full EBC rules here

This process is the same as that which has been used in previous years and is approved by the Blues Foundation and the European Blues Union

Four Excited Bands Talking About 4th UK Blues Challenge

News from Colne August Music Festival Jessica Foxley Bands Announced

News from Colne August Music Festival Jessica Foxley Bands AnnouncedNews from Colne August Music Festival Jessica Foxley Bands Announced

Unsigned Artist Competition – Winners Announced playing live on main  stage at Great British Rhythm & Blues Festival, Colne on Saturday & Sunday.

The festival requested unsigned acts… and received them by the bucket-load! Following an overwhelming response, The Jessica Foxley Unsigned judging panel chose 8 finalists to open the festival main stages this summer.

The finalists are:
Robert J Hunter Band
Tom McCartney
Tom Walker Trio
Lem And The White Fire
The Ragamuffins
Old Bohemia
The Greasy Slicks
The Joe Anderton Band

The eight bands all bring to the stage all the excitement of live music.  One of the eight will then be chosen toparticipate in the UK Blues Challenge on 10th September 2017 at the Iconic venue The Cavern Club in Liverpool.
 
Jessica Foxley Unsigned Band will be performing alongside the four bands, LaVendore Rogue; Elles Bailey; Zoe Schwarz & The Rainbreakers. The winning band will step into the shoes of Kaz Hawkins who in 2017 was semi-finalist at The International Blues Challenge in Memphis and Winner of the European Blues Challenge.
Read more about the 4th UK Blues Challenge and the UKBlues Federation who organise the event HERE


News from Colne August Music Festival Jessica Foxley Bands AnnouncedSeeking Festival Volunteers
The festival seek volunteers to help at the event.In return for skills, time and energy, volunteers receive free festival tickets, vouchers for food and refreshments, an exclusive crew t-shirt, plus of course, be part of what is shaping up to be one of the best blues-rock based event of the year.Colin Hill, the CEO of Colne Town Council comments “And… for any young person over 16, not yet experienced in the workplace and wanting to gain some hands-on experience of what running an event like this entails, this a great opportunity to be part of something exciting and challenging…”To register interest and for further information, here’s more…Festival ‘Headline’ Sponsors Announced
Colne Town Council are delighted to announce that Barnfield Construction Ltd and Roaming Roasters have kindly agreed to support the Town Council as main partners.


Barnfield Construction are based in Nelson and have been established for over 40 years. The family run contractors, developers and investors offer honest, thought-through and practical solutions to a diverse array of new and refurbishment building contracts ranging from industrial, commercial, retail, leisure, plus hospitality and residential schemes.

Roaming Roasters are a farm shop and deli on Barrowford Rd, Higham, and sell locally sourced, grass fed and free range meat, along with handmade pies and loads more tasty stuff.

Further information on the festival supporters is right here.

 

Main Stage Evening Line-ups:

_____________________________________________________________

News from Colne August Music Festival Jessica Foxley Bands AnnouncedHippodrome Theatre, Friday Evening, 25th August 

Ian Siegal & Band
 – celebrating 25 years of professional touring with his songs that are real, shows that resonate and vocals served raw + 

The Lachy Doley Group – “The Jimi Hendrix of the Hammond Organ” +
Tom Attah & The Bad Man Clan – A modern, living bluesman…

News from Colne August Music Festival Jessica Foxley Bands AnnouncedThe Muni, Friday Evening, 25th August 

Joanne Shaw Taylor
 – UK’s number one star in the blues rock world +
S
tevie Nimmo Trio – one half of Scotland’s highly respected ‘Nimmo Brothers’ +
The Revelator Band – unpredictable, fun festival-style blues.

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News from Colne August Music Festival Jessica Foxley Bands AnnouncedHippodrome Theatre, Saturday Evening, 26th August

Aynsley Lister When explosive natural ability collides with fiery, emotionally charged compositions, the result is Aynsley Lister… +
Rob Tognoni Explosive guitar playing and unique songs +
TJ & The Suitcase Vocal / Harmonica / Suitcase drum / Home made tambourine beater pedal… Its time to get packed!

 

News from Colne August Music Festival Jessica Foxley Bands AnnouncedThe Muni, Saturday Evening, 26th August

Grammy nominee Janiva Magness + the blues, soul, gospel of Jo Harman + The Kaz Hawkins Band – Northern Ireland’s fun, heartfelt, soulful rock ‘n’ roll-blues…, Lisa Mills

_____________________________________________________________
News from Colne August Music Festival Jessica Foxley Bands AnnouncedHippodrome Theatre, Sunday Evening, 26th August

Lucky Peterson –
Searing lead guitarist, fantastic organist, and first-rate vocalist
Clay Shelburn – 
Funk, rock, blues and country from this incredible self­taught multi­-talented artist
Michael Messer’s Mitra – A remarkable fusion of country blues with Hindustani music

News from Colne August Music Festival Jessica Foxley Bands AnnouncedThe Muni, Sunday Evening, 26th August

King King – Soulful, dynamic, blues-rock from Glasgow
John Fairhurst – The Wigan Jimi Hendrix
Gwyn Ashton – Solo, hardcore, 21st Century, alternative blues
_____________________________________________________________
This is just a snap shot of the array of music available at the Festival:-
The Great British Rhythm and Blues Festival:
3 Days
12 Official venues
100+ Acts
150+ Gigs
1 Great Festival
News from Colne August Music Festival Jessica Foxley Bands Announced

Ray Dorset aka Mungo Jerry Talking About Ealing, Festivals and Blues

Ray Dorset aka Mungo Jerry Talking About Ealing, Festivals and Blues

Ray Dorset aka Mungo Jerry Talking About Ealing, Festivals and Blues

In 1970, Mungo Jerry enjoyed world-wide fame with a song called “In The Summertime”. That song went to number three on the US chart and number one in England. Ray Dorset of Mungo Jerry talked with us about the history of the group. Now performing as Mungo Jerry and popular at Blues Festivals, performing this July at Ealing Blues Festival.

BD: I was delighted to have the opportunity to talk with you today, the writer of In The Summertime

BD: Lets start off with the here and Now. Mungo Jerry not in the 1970’s band format performing at Ealing Blues Festival July 2017.
RD: Mungo Jerry is me Ray Dorset. I am Mungo Jerry the artist performer. I have owned the name since 1972. Before I was even fired from the band. Once I was fired they considering the vocalist from the Strawbs to replace me it wouldn’t work. BD: Why? RD: They very quickly realised without Mungo there was no band called Mungo Jerry. In retrospect having the Mungo Jerry was a good move for me. Gives me an identity linking back to the band and suits the widespread music I play, African and world music rooted in the blues.

BD: Now playing in the Summertime in West London at Ealing’s Blues Festival what will you associated with 70’s pop bring to the Blues vibe?
RD: Mungo Jerry is not pop as it is known today. I will be playing In The Summertime it is expected. You can be assured I will not be doing what Shaggy did at Glastonbury with In The Summertime get crowds to wave arms in the air never expect a worldwide performer to keep asking people put arms in the air just can’t do it. The hit the band Mungo Jerry had with In The Summertime was one of many. Even then the essence of blues was present. BD: How? RD: We had no drummer; the percussion was from Cabasa combined with my foot stomping on the floor picking up from John Lee Hooker’s style..

BD: Back to Ealing Festival
RD: As I said I don’t do pop. I play some of my hits that is to be expected. Most importantly I play music I enjoy playing. I gauge the crowds reaction and what else is on the festival line-up. I am not there to educate or display a virtuoso performance. I am at a festival to entertain, hopefully the music will be a positive and therapeutic experience. I give something in my performance and get something back from the crowds it is karma. What will be fun at Ealing will be playing music the audience wants to hear. You have to remember the majority of the crowd what to be entertained on a summer’s day. They really do not care about the genre and if it is recorded music who produced it is of little importance. Music for them they either like or dislike. Hopefully they will like my music and I am really looking forward to playing Ealing this July and you never know there may even be schools mates from when I lived in West London.

BD: What were your introduction to music growing up in West London?
RD: I grew up in Ashford Middlesex in 1955 the population was approximately 16,500 the whole family was very, very musical. My Father played the harmonica and Mum the Piano and sang. On any occasion, Christmas, birthdays, family get-togethers we all did our turn playing and singing. I had no brothers or sisters so was taken by my Gran to lots of movies, particularly Ginger Rogers and Fred Astaire and especially musicals. Such as Annie Get Your Gun, The King & I, and Singin’ In The Rain. There was something in the rhythm and groove that had a therapeutic effect. When I was eight or nine my Great Uncle would take me to the local football club socials; I would sit as close to the band as possible I could feel what it would like to be the drummer. I started playing the washboard, then made a tea-chest bass and then saw it up to make a guitar. I had for Christmas a terrible plastic guitar and then when I was ten I got a proper guitar for Christmas. By the time I was eleven I was in my first skiffle band with friends from school, rehearsing around each other’s houses, yet never thought about being a professional musician.

I had an interest in electronics and had a crystal set for Christmas one year, build that and then investigated how it worked. A friend discovered transistors used to buy ex-government components and old radios and take them apart. Then I got a job in Timex in Brentford working in research drawing up quality control equipment. Hand –in-hand whilst I was playing in a band in the evenings and weekends. By the time I was fifteen I was playing in the White Hart and Red Lion in Sutton, on alternate Saturday evenings. The Rolling Stones played there on a Thursday evening. We were running out of repertoire from across various genres so started to write songs.

BD: You obviously loved playing music and the effect music had on yourself when listening and others when playing. Who influenced you?
RD: So many, from across the genres. From playing in the same venue as the Rolling Stones to when my band supported the Yardbirds, they were phenomenal, unique and real. Then bands like The Who created a fantastic groove the maximum R n’ B from three musicians; and rooted in the blues. From the British Blues Scene I explored the music that influenced them I have always been inquisitive and asked questions.
As I found music I explored the roots and the road led back to blues whether Bob Dylan or Woody Guthrie; who played a lot of Leadbelly. I listened to music from far and wide and continue to find new experiences like Daddy Long Legs based in America he does a great version of Bourgeoise Blues full of raw energy. Through discovering his music recorded in jail by Alan Lomax I found the other artist captured on Lomax’s tapes. Blues run deep from Robert Johnson through to Muddy Waters & BB King the list could go on they have been so influential.

BD: That leads us nicely to and linking back to Ealing Blues Festival. What does the Blues mean to you and can it be defined?
RD: Blues has a fundamental drive it is honest music. I have always listened to music associated with the blues, the old timers, British Jazz and my Mother loved Frankie & Johnny with Elvis Presley and I was paying in a Skiffle and Blues Band. Rock N Roll came to the fore with Bill Halley then Elvis Presley they go back to rural blues. Country and blues and of course Rockabilly white ghetto blues.
Enough people have defined the blues intellectually and socially for me it is about a feeling. There are so many different aspects of blues. There is an element of soul to it the feel is kind of rooted in the blues. The feel and soul reaches back to slavery, servitude working in the fields creating rural blues. Rising out of intense misery singing about the discontent, hurt complaining to a beat can be persuasive. Blues is about writing about what is happening and can be triggered by an event such as a hurricane or newspaper headline or a phrase overheard. You could say the roots of I Don’t Like Monday title and theme is a link in the chain of blues impacting popular music.
Blues is personified by for example, Sleepy John Estes, Married Women Blues electric guitar into a basic amp both bought from a department store yet created music that was timeless. The same goes for the legendary twelve-string played by Leadbelly both influential musicians over the decades. Stripped down to its basics it is guitar and foot stomping, from likes of John Lee Hooker as you get more excited the stomping gets harder creating a fundamental tempo. The instruments, lyrics and player meld into one delivering the blues. Blues has always been commercial once they sold records Howlin’ Wolf wanted to sell his records and was commercial and there is so much more than 12-bar blues it is a much more complex genre. It has to have an element of being unique not just replicated what has already been done and definitely for me in the blues less is more; I have definitely made that mistake. I find that today so many blues artists play the same style all the time reflecting what seems to be taught and the influence of X-factor type programmes. Take Joe Bonamassa he can play the guitar BUT it has all been done before.
I have written blues in various styles always been an influence. Looking to write and record in the future something that has not already been done in the past. It will definitely be influenced by all the soulful blues energy and hopefully create something unique. Music that isn’t just for a black guy to sing. American population is made up of immigrants from Europe, Asia and Africa. The music became the melting pot with influences from Eastern Europe, Germany, Ireland as they got together in homesteads and East met West. The instruments were mixed together whatever was available, parlour piano, banjo, harmonica, accordion all got mixed together as remembered folk music formed and re-formed into music we recognise today.

BD: During your long career, a jam with Peter Green & Vincent Crane resulted in the Katmandu Album, Case For The Blues
RD: I first met Peter Green when he was in Fleetwood Mac; he recommended a guitar shop to me. Then met him again when I was living in Grayshott Surrey where I lived for a while in a large house with a recording studio. Chris Hollands asked me if I fancied a jam with Peter Green I said yes, come round to my studio. Few days later another phone call Vincent Crane fancies a jam. So we got together with Peter Green, Vincent Crane(Keyboards), Len Surtees an old school friend on bass and cousin of motorbike racer John Surtees; Jeff Whittaker on percussion with sharp skills. We realised that we didn’t have a drummer so asked Jackie Lynton Band’s drummer Greg Terry to come round. So we had a big jam session, and thought possibly have a record from this so recorded on a cassette and 2” multi track.

BD: If you were putting together the perfect / fantasy band with members from across the years (dead or alive) who would you have playing
RD: No not doing that the past is the past only now. BUT I would love to have a jam with Bob Dylan; Bruce Springsteen and Eric Clapton. If I could bring someone back to play it would be Vincent Crane he was a genius the way he played, whether classical progressive or rock. There would have been no ELP or Crazy World of Arthur Brown without his influence and keyboard skills. So sad he committed suicide a real loss.

 

Thank you for your time, been wonderful chatting with you as we wondered around the world of music, Mungo Jerry and In The Summertime

 

 

Ealing Blues Festival Leads with The Blockheads and Mungo Jerry

 

Tickets on sale here.

 

Leading the line-up this year are The Blockheads, one of the most underrated British bands of all time. Since 2000, Derek Hussey has been fronting the band, adding 21st century bite to the everyday observations of their late frontman Ian Dury. They will be celebrating the 40th anniversary of their album ‘New Boots & Panties’ by bringing their witty lyrics to their biggest London show of the summer.

Joining them as headliners across the weekend are Mungo Jerry, the blues, jugband & skiffle influenced band whose frontman and founder Ray Dorset played a number of Ealing venues in his formative years. The group are famous for their feel good summer anthems and responsible for one of the best-selling singles of all time, “In The Summertime”, which has sold over 30 million copies.

As always, Ealing Blues Festival will present the artists at the heart of the British blues scene, with performances from 2016 British Blues Awards finalists Tim AvesNorthsydeSam Kelly & Laura Holland, 2016 Sky Arts Guitar Star series finalist Steve Morrison and Amy Mayes, who recently performed with Jools Holland’s band for his Radio Two show. It is also proud to champion a number of emerging blues artists, and will feature showcases from Winnie & The RockettesGeorgie ChappleDu BellowsAndy Twyman and Tom Walker.

Ealing Blues Festival began as an independently-sponsored ‘free’ event in 1987. Over the years, the festival has developed in partnership with Ealing Council & The Event Umbrella to become one of the biggest blues festivals in the UK, with almost 6,000 people attending last year alone. Acts will perform across three stages in Ealing’s beautiful Walpole Park.

Ealing Blues Festival is one of 2017’s Ealing Summer Festivals, a series of eight separate events taking place in the borough between July and September. Set in some of Ealing’s most beautiful parks, the festivals bring people together in a collective appreciation of exceptional local and international talent across a range of artistic disciplines.

 

The Line UP

Blockheads
Mungo Jerry
Tom Walker Band
Laura Holland Band
Bourbon Street Revival
Du Bellows
Greg Coulson
Amy Mayes Band
John Crampton
Northsyde
Georgie Chapple Band
Tim Aves & Wolfpack
Steve Morrison & Blues Abuse
Marky Dawson
Andy Twyman
Sam Kelly’s Station House
Dan Sowerby & Hugh Budden
Winnie & The Rockettes
Mumbo Jumbo
Geoff Garbow Band
Robert Hokum’s Blues Festival All Stars
Uncle Buck
Little Steam
Mack
King Buster Blues Band

Ealing Blues Festival details

22th – 23th July 2017

Walpole Park, London, W5 5HS

12pm – 11pm

Tickets available from here

Advance tickets: £5 per day or £10 for the weekend (plus booking fees)

 

Ray Dorset aka Mungo Jerry Talking About Ealing, Festivals and Blues

 

In Conversation with Kenny Wayne Shepherd

In Conversation with Kenny Wayne Shepherd

 

In Conversation with Kenny Wayne Shepherd

BD: I was delighted when I was sent your latest album Lay It On Down to review via Mascot Label Group. The album has a beguiling mix of complexity and simplicity. Before we talk about the album, Ramblin Man and UK Tour lets go back to the beginning

BD: What were your first musical influences growing up in Shreveport, Louisiana?
KWS:
It was the first concert I went to Muddy Waters & John Lee Hooker when I was three years old. What an introduction to the blues in anybody’s life. For me it was the start of a lifelong connection with the blues. I just gravitated to the blues, there is an honesty about the music. It is music played with heart and soul. Blues define lyrical content. Dad loved the blues and introduced me to the music. I was influenced by and love a wide spectrum of genres including country R’n’B; Rock’n’ Roll and Funk but it was Blues I naturally gravitated to.

BD: What was it about the guitar that made this the instrument of choice and music your passion.
KWS: I loved the guitar and taught myself. I also love the drums, but have never sat down and learnt them. Not sure my parents fancied a drum kit being practiced in the house. I was attracted to the kinda music that features the guitar. Rock/Blues and Country they all featured the instrument and a lead vocalist. Not sure if I chose the guitar or it chose me.

BD: During your long career leading up to the release of your 8th Kenny Wayne Shepherd studio album you have explored the blues. What does the blues mean to you and how would you define the blues?
KWS: Blues is a timeless genre, it addresses the ups and downs in life. Often about difficult subjects it is the feel you get as the music takes you beyond overcoming what is troubling you. I myself play the happy side of blues what makes life good, celebrating life.  Blues is timeless it speaks to people whatever their age, colour or background. Add into the mix all this and it has spawned every type of modern popular music; inevitably you find yourself back at the blues.

BD: Lay It On Down, your 8th solo album, focuses on the lyrics as you take the listener on a journey.  The guitar is ever present whilst often complex in the tones and shapes achieved and the lead breaks are curtailed giving a contemporary fresh feel.  Moving away from blues power what led you to this change in direction?
KWS: I always play to the opportunity to shape and show the musical image that I feel needs to be created. Some songs like Ride Of Your Life gives you the opportunity to lay it on down hard. It was not the intent to play one way or the other the guitar chords just used to showcase everything. Records should take people on a journey. I set out with the goal that this would be the best album of my career. You have to continually set the bar high if you want to accomplish anything.

BD: Where do you get your inspiration for your songwriting?
KWS: Historically I have always based my song writing on my life experiences; or when writing with someone else their experiences. Until now actually written from fiction. Ride for Your Life is definitely fiction definitely not literal. I haven’t and I am sure none of the band have experienced escaping capture from the law. The music has an outlaw on the edge vibe so we wrote the song. It was a lot of fun, whereas Louisiana Rain is very personal showing an appreciation of where I come from.  BD: Do you write the music or the lyrics first? KWS: Nine times out of ten starts with the tune and then the lyrics but there are exceptions.

BD: You are playing Ramblin Man on the Outlaw Country Stage & Holmfirth in July and then back in UK & Europe in October for a tour. Does a new album help keep touring with your music fresh and vibrant?
KWS: Yes, have asked but been assured that on that day it is the right stage as calling that, but same thing as the Blues stage.  Looking forward to being back in the UK and again later in the year. I love touring and playing my music have a large back catalogue to choose from with a career spanning twenty-five years. New album is good and brings its own challenges; new songs to learn outside of the studio and having to work them into the set list so they fit in. I have worked songs from the album into shows I was playing last week in America. Still work to do to ensure the songs make the biggest impact, it is often trial and error revising the set lists as a tour progresses. It definitely keeps it interesting and always gauging the reactions from the audiences that all have favourites they expect to be in the set list.  The expectation from the fans is inevitable with a career of twenty-five years, lots of records played on radio and in the charts. There is a group of songs fans expect and want to hear so you have to walk a fine line when introducing new stuff.

 BD: If you were putting together the perfect fantasy band with members from across the years (dead or alive) who would you have playing
KWS: Already have it with The Rides. Myself, Stephen Stills and Barry Goldberg.
Let me think

Drums: Chris Layton; my drummer, he is the best drummer for what I do

Bass: Danny McCormack No let’s put together a legendary group so have to be Willie Dixon he is so impactive on a song

Guitar: Albert King, Jimi Hendrix I would just love to have the opportunity to play alongside these guys.

Vocals: Muddy Waters

BD: Having mentioned The Rides, I loved the last album Pierced Arrow are you likely to tour in the UK with the band?  
KWS: We have toured in the States and have tried to put together a UK/European tour twice now just not come about.  We are planning a third album so hopefully a tour will come about.          

BD: Thank you for your time and insights into your music. Anything you would like to say to your many fans.
JWS: First I would like to say how much I appreciate the support I have ever since the first time I played when I opened for The Eagles in Wembly back in 1996 for a three night run. The loyalty of the fans once they find an artist they like they are a life-long fan. Secondly, I am really looking forward to playing UK & Europe again. I make a conscious decision to come back and tour Europe every couple of years whenever possible.  There has been a longer gap this time as been touring States with The Rides. I want to reach out to new fans of the blues, continuing to build a fan base for our brand of Blues and Rock n’ Roll.

In Conversation with Kenny Wayne Shepherd

Time And Emotion Guitar Gems From Robin Trower

Time And Emotion Guitar Gems From Robin Trower

Time And Emotion Guitar Gems From Robin Trower

 

 

Time And Emotion New Album of Guitar Gems From Robin Trower.  The gems are eleven tracks that define the guitar tone and textures of the vocals of Robin as he delivers blues dripping with blues powered emotional intent that are his trademark.  Time and Emotion, steps on his last album Know Where You Are Going To, why? The  journey we explore here has a sense of purpose and clear direction.

The opening tracks is sound are full, smoothed at the edges with the suggestion of a bountiful harvest under the glow of a harvest moon on the opening track of The Land Of Plenty. Nothing could be further from the truth this is blues not Americana. The lyrics add an edge to the guitar as being unsatisfied, not understanding when enough is enough. Blues delivered with classic certainty and assurance for modern times full of dis-contentment and uncertainty.  The question is will this quality be maintained across the album, yes it most definitely does as proved by What Was I Worth To You. Quickly followed by the shortest number I’m Gone. With a hardened edge this s the power trio working in short sharp bursts this is Trower showing us he can do modern he still is contemporary.

His timing is impeccable creating space and time, nothing is rushed there is time for the notes to be played and the sound is never cluttered with the need to squeeze in more notes than necessary. This approach from the trio is why on the longer tracks Returned In Kind & If You Believe In Me work, the interaction between Robin’s considered guitar work and the rhythms set down by the commanding combo of drummer Chris Taggart & Livingstone Brown on the bass works like a dream.

The blues light burns with an inner strength, Robin’s is the slow blues drawing out the classy power of the guitar.  The music at times appears to be sparse as the notes shine with individuality; this approach stops from being a self-indulgent exploration of the guitar by Trower’s innate ability, as the cool is brightened and burnished with the wah wah, and the deeper tonal chant of bass and the authoritative stick on skin from Taggart.

Immersed in after two lengthy tracks as you have been taken on an, at times, otherworldly journey of exploration is not the closing of the album it is just over half way through what can follow this? Never fear this guitar wizard has a trick up his sleeve as he states You’re The One.  The sound is full of percussive purpose and guitar work that flows with the certainty that this is the one. It is a track that stands out on its own in the Time and Emotion journey we are being taken on by the power trio.

The album is full of strong chords, interesting licks and deft hooks from the wizard of the six-strings; you would not expect any less into the mix as Robin’s passion and love for the music he plays and creates pulls deep into his playing soul to deliver the tone and makes every note and word count redolent with meaning.  The eleventh gem is the title track pulling the tracks together with Time and Emotion.  The Time is the length of time 72 year-old Robin has been playing music his fans adore and the emotion is the expressive energy that Robin instills into every note he plays and sings.

Once again, Robin Trower’s talents have been woven together to deliver an album full of hidden depths and mystery. Time and Emotion has this wizard of electric blues weaving his magic through the listener’s ears once again. Time And Emotion guitar gems from Robin Trower his guitar leading this blues powered trio eleven gems makes the album a killer there is no filler.

Time And Emotion Guitar Gems From Robin Trower

Robin TrowerTime and EmotionManhaton Records
Release Date 4th August 2017

NINEpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. The Land Of Plenty
  2. What Was I really Worth To You
  3. I’m Gone
  4. Bitten Buy The Snake
  5. Returned In Kind
  6. If You Believe In Me
  7. You’re The One
  8. Can’t Turn Back The Clock
  9. Make Up Your Mind
  10. Try Love
  11. Time and Emotion

Time And Emotion Guitar Gems From Robin Trower

TajMo Album of Blues Collaboration Taj Mahal and Keb Mo

TajMo Album of Blues Collaboration Taj Mahal and Keb Mo

TajMo Album of Blues Collaboration Taj Mahal and Keb Mo

 

Rooted in Delta tradition the first collaboration between bluesmen of different generations have delivered eleven tracks on TajMo that will surprise and entertain to a point.  “We wanted to do a real good record together, but we didn’t want to do the record that everyone expected us to do,” blues legend Taj Mahal says of TajMo, his historic collaboration with fellow true believer Keb’ Mo’.  The album is upbeat, the tracks have a happy vibe rather than hand ringing despair, yet with their two different personalities and vocal attributes there is nothing profound no depth of a great story telling number.

Let’s start off with the surprises. As ever sometimes a surprise can be a disappointment, and for me The Who’s Squeeze Box was a quirky inclusion that had no purpose on the album. Yes, the zydeco arrangement has syncopated flow that moves along and the accordion from Jeff Taylor picks up the mood; the childish lyrics mean that however inspired the re-arrangement nothing will uplift this number.  Closing out the album with a John Mayer cover, Waiting For The World To Change, with backing vocals from Bonnie Raitt I know this because it was in the press release her voice just doesn’t add to a closing number that misses the mark.

Now back to the rest of the album full of Delta Blues as Taj & Mo collaborate as they have in the past on stage and how the album over two years in the making has shaped up.  Opening with Don’t Leave Me Here, a strong track replete with horns and the flow if the Mississippi inspiring the music when stuck in Chicago.  The opening is easy on the ear with a promise that never really flies.  The percussive happy pop on one of the originals on the album means that it is full of hope grounded in fluffy lyrics there will be no need for blues… be love peace etc. All Around The World. The clarion call of the horns add a much-needed sharpness of tone on a number that leads nowhere. Then one of the stand out tracks on the album Om Sweet Om; the beat swells and rolls through the track augmented with Lizz Wright’s vocals that soothe the soul.   It is the guitar work from Joe Walsh and the keys that liven up Shake Me in Your Arms combined with the two vocal tones of Taj & Mo playing of each other with harmonization that is full of emotion, a track in which that lacks that missing zing absent form so much of an album.  The inclusion of Diving Duck Blues is no surprises as Taj Mahal revisits the Sleepy Joe Estes number he will be forever associated with after the release of his second album.

Soul, the penultimate track is a favourite. The African warmth in the rhythm adds some spice to the blues and a raw energy. Yes, the lyrics are a geography lesson as we move from city to town across the globe. The vibe is bright uplifting and there are layers of soul power. This feels like a beginning of a collaboration with some voodoo magic. The drumming inspired deep with the heat of Africa infused with the Blues of the Delta the music connects. Where was this bright freedom expression in the rest of the album?

They said they wanted to put a real  good record together; it is real good but just a little bit flat at times lacking that  spark that will ignite  a Delta blues inspired album into something that is stupendous.

 

TajMo Album of Blues Collaboration Taj Mahal and Keb Mo
©Jay Blakesberg

Taj Mahal & Keb’Mo‘ – TajMoConcord Records

EIGHTpawprint half inchdoodle paws out of TEN ….

 

 

Track Listing

  1. Don’t Leave Me Here
  2. She Know How To Rock
  3. All Around The World
  4. Om Sweet Om
  5. Shake Me In Your Arms
  6. That’s Who I Am
  7. Diving Duck Blues
  8. Squeeze Box
  9. Ain’t Nobody Talking
  10. Soul
  11. Waiting On The World To Change

TajMo Album of Blues Collaboration Taj Mahal and Keb Mo

 

Joe Bonamassa Back On UK Tour March 2018

Joe Bonamassa Back On UK Tour March 2018

Joe Bonamassa Back On UK Tour March 2018

72 HOUR PLANET ROCK TICKET PRE-SALE
STARTS TUESDAY 11 JULY 2017
www.planetrock.com

 Following Joe Bonamassa’s successful tour including two sold out concerts at London’s Royal Albert Hall in April 2017, the celebrated blues-rock guitarist and singer-songwriter, is pleased to announce that he will return to the UK in March 2018 to perform seven concerts.

Joe Bonamassa Back On UK Tour March 2018

Dates include Cardiff Motorpoint Arena (March 9), Manchester Arena (March 10), Carlisle Sands Centre (March 11), Aberdeen GE Oil & Gas Centre (March 13), Gateshead Sage (March 14), Birmingham Genting Arena (March 16) and Brighton Centre (March 17).

Tickets will then go on general sale at 9am on Friday 14th July from TICKET MASTERS and JOE BONAMASSA 

Joe Bonamassa Back On UK Tour March 2018

 

The March 2018 UK tour will feature Joe alongside a hand-picked group of world-class musicians playing material from Blues of Desperation, plus classic Bonamassa fan favourites.

Bluesdoodles loved the album “This is the first time Bluesdoodles has given Joe Bonamassa a 10 this is an inspired album that hit my blues-spot. This is a new approach more muted deeper tones, the result a powerful statement an album with direction and purpose.” READ what we said in Full HERE

Joe Bonamassa Back On UK Tour March 2018
24 HOUR TICKET HOTLINE: 0844 844 0444
BOOK ONLINE: TICKET MASTERS and JOE BONAMASSA 

Cardiff, Motorpoint Arena                          Friday 9 March

Manchester, Arena                                         Saturday 10 March

Carlisle, Sands Centre                                   Sunday 11 March

Aberdeen, GE Oil & Gas Centre                Tuesday 13 March

Gateshead, Sage                                              Wednesday 14 March

Birmingham, Genting Arena                       Friday 16 March

Brighton, Centre                                              Saturday 17 March

Joe Bonamassa Vintage Extravaganza Enthralls Colston Hall

“I just wish we were standing as this was not music to sit to, as the show drew to the last three numbers Joe, simply signed for the crowded auditorium to stand. We did and then the music became even more scintillating and the energy rose to another level.”
 – Bluesdoodles

“An excellent set, featuring mostly self-penned compositions, but some covers thrown in including Led Zep’s Boogie with Stu and rock classic Hummingbird, made for a fantastic evening’s entertainment.”
– Sheffield Star

“His soloing was, as you would expect,
immaculate and his vocals right on the money.”

– Music-News.com

“Bonamassa has to be heard and seen to be believed.” 
– 
Bristol Post

 “The best guitarist on the planet at the very top of his game.”
– Liverpool Echo

“Bonamassa’s recorded output has been nothing short of extraordinary – there doesn’t seem to be anything he can’t handle … Hugely impressive.”
– Acoustic Magazine

 

Joe Bonamassa Back On UK Tour March 2018

Fish Outta Water not Karen Lovely Singing Blues

Fish Outta Water not Karen Lovely Singing Blues

Fish Outta Water not Karen Lovely Singing Blues

 

The cover is alluring, Karen’s bejewelled eyes inviting you to explore the dozen tracks that tell me once again the Karen is never a Fish Outta Water when singing the blues with soulful emotions.  Building on the power and impressions left from her acclaimed 2010 release Still The Rain. On Fish Outta Water, Karen has handed much of the song writing over to producer Eric Corne;  Five tracks have the Lovely  skills two co-written with her producer, two co-written with Mark Bowden her touring Guitarist.

At the heart of the album is the seductive vocals of Karen Lovely; the tones and textures bounce of the musicians who she has surrounded herself with on Fish Outta Water. Two guitarists are used across various tracks, either Rick Holmstrom  or Doug Pettibone with bassist Taras Prodaniuk and Drummer/percussionist Matt Tecu pulling in the deep driving rhythms that the heartbeat of the album. Other instruments blended in shaping of tracks, used as colourful punctuation.

The title track pulls you deep under the watery depths; as you listen you feel in the company of friends you can breathe; Fish Outta Water not Karen Lovely Singing Blues. The instrumentation syncopated to reflect and build on Karen’s powerful vocalization. R’n’B that draws on a moody vibe; lit up by the Skip Edwards mastery of the Hammond B3.

With a beat of the drum, the mood is change as we are sitting Under The Midnight Sun setting the pace and full of clever licks and the use of saxophone adding a soulful aire to the proceedings.  Having listened to the album a number of times I know that it is the variation that makes you sit up, listen and pay attention to every track. The words are there for a purpose as the story of the song is unveiled with a mix of tempos; we have a thread of continuity Karen Lovely’s vocals her understanding of the blues.

Looming with intent is countrified Big Black Cadillac, this is no city slicker leading into for me the song of the album Hades’ Bride (There Was A Time); a slow burner as Lovely explores domestic violence and sexual assault.  Opening with beautiful acoustic guitar tones from Al Bonhomme, the mournful tones picked up by the searing violin and deeper tone of cello creating the tonal palette of the track. The story is sung by Karen with thoughtful delivery of the prose as blues and country meld in a perfect flowing harmony across words of pain and control; as wings are clipped and punches thrown. Emotive words spun with shrewd connections.  Atlas, the world on his shoulders, Frazier’s punch and the use of being the Bride of Hades  heroes from myths pulled together with clever phrases creating the allusion that all is well whilst underneath living‘s hell. Hades Bride a love song, how it can be distorted turned hateful with the control and misuse of power creating a life full of hurt and pain feels like a true story from the past many have lived through. And sadly, many still living through. For Karen this is more than a song as she actively supports RAINN USA’s largest anti sexual violence organisation.

How to follow that opening to the second half of the album, with explosive upbeat sound of Molotov Cocktails. Doug Pettitone’s guitar is sharp underpinning the vocals. The tempo maybe upbeat there is a darker feel once again front the chords of the organ and guitar as Karen sings, “let’s have another round of Molotov Cocktails”.  The song as you would expect form Karen is not a girls night out in a cocktail bar having fun it is the darker underbelly of geo-politics of living in a world surrounded by social justice.

All change as we shuffle into Chicago for an optimistic number Next Time things will be better! Closing out the album we have a country fair vibe almost a jug band sound as  Punk Rock meets Johnny Cash. Vocals observe a busker playing for nickles and dimes in a subway. Once again gritty side of life is captured in a few words in a melodic cry as a picture of now is painted by Karen Lovely’s vocals and words. Closing with a The River’s Wide, we are back at the waters side. Down by the water with the Hammond Organ and Karen’s soulful vocals as once again we visit pain divisions widen.

Karen brings a fluidity to the album it flows and no track is a Fish Outta Water; this is an album that feels at home in any lover of modern blues infused with country and soul collections.  This is an album where the song is the key and every track tells a story you want to hear. Stupendous album of blues that demands you to listen to. With every play you hear another crafted lick; astute vocal phrasing. Fish Outta Water never when in the company of Karen Lovely. I recommend you explore the album it is full of hidden depths; no written review will ever be able to convey.

Karen Lovely – Fish Outta Water

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Fish Outta Water
  2. Under The Midnight Sun
  3. Twist My Fate
  4. Waking Up The Dead
  5. Big Black Cadillac
  6. Everything Means Nothing
  7. Hades Bride (There Was A Time)
  8. Molotov Cocktails
  9. Next Time
  10. Nice and Easy
  11. Punk Rock Johnny Cash
  12. The Rivers Wide

 

Fish Outta Water not Karen Lovely Singing Blues

 

Kenny Wayne Shepherd says Lay It On Down on New Album

Kenny Wayne Shepherd says Lay It On Down on New Album

Kenny Wayne Shepherd says Lay It On Down on New Album

 

Kenny Wayne Shepherd new album Lay It On Down; Bluesdoodles can sum up his eighth solo album as searingly confident modern blues.  You want to read a little bit more? Happy to oblige as I listen once again with intense pleasure to Lay It On Down.

Lay It On Down, on Mascot Group Label with a release date of 21st July 2017. The album was recorded in January as Shepherd and his band entered the Echophone Studios in Shreveport, Louisiana. New Year, New Project , with an ambitious mission statement: the greatest songs of Shepherd’s career. No more. No less. “The point of this album,” he says, “was that I wanted to put a heavy emphasis on the songs themselves and the writing behind them. I wanted each song to really stand on its own with the songwriting, the music, the words.” Having listened mission accomplished full of fresh vibes; strong lyrics surrounded with the brilliance of electric blues.

Throughout the album the guitar sizzles with a controlled intent. The shining Goldilocks never too hot, never too long and definitely not cold. Kenny always leaves you wondering as the voice is hooked in what guitar lick was left out for the main event the lyrics.  It is that feeling of intrigue, the notes that have not been played that leaves you not wanting more but satisfied, intrigued and with melodies and lines that flash into your head as the most welcomed of earworms. Lay It Down, the music has been laid down with thought, commitment and self-belief that less is often more when it comes to electric guitar lead breaks.

Opening the narrative that connects the album’s eleven tracks is Baby Got Gone; starting off at full throttle with rock that is full of attitude we know we are embarking on a musical journey that will take us around an interesting circuit of songs recorded in Nashville out of Louisiana as rocks in the road are explored.  Rock and romance in the air combine on romantic number Nothing But the Night. Diamonds & Gold is full of soulful luxuriousness, a cascade of notes on guitar, drum and horns the sound is funky, modern and energised. The title is two objects of desire signifying for many power, and wealth giving us our status and identity.  Shepherd manages through the lyrics to look beyond to bigger more meaningful and fulfilling things as the guitar squeals delivering a crescendo of sound more valuable to the listener than Diamonds & Gold.

With a floating, Americana feel of the title track, Lay It On Down takes the musical road in another direction. This light and fresh number has a darker lyric trapped in a gilded cage as Shepherd sings “Who broke your will now honey who stole your dreams like money who made you think you were keeping around”. The lyrics build the story, the guitar break fills in the gap as we travel the road knowing we need to look at the inner beauty to pass the self-doubts that we often show to the world. .

The lap-steel curls with a depth of tone on Hard Lesson Learned and the electric guitar adds a salty sharpness. Then into blues shuffling glory that is the signature of Kenny Wayne shepherd for many. Followed by another vintage bluesy number we are then showered with Louisiana Rain.  The acoustic guitar is gentle reflecting rain on a window, distorting the view with its shades of grey. A song sung with heartfelt personal emotions. As we are led to the final stop on the journey that is Ride Of Your Life.  The music hooks back to the driving rocky feel of the opener. This is as it says a Ride Of Your Life the guitar crackles with static electric power, the flashes of sparks are iridescent with every shade of blue from baby blue to darkest indigo.  The encore is an acoustic version of the title track; we revisit the bird in the gilded cage the lyrics suit the acoustic sound. Lay It On Down is an album that will grow with very outing and tracks will become live favourites..

By the eighth album an artist can become predictable, all feels like heard that before. DEFINITELY NOT with Lay It On Down, Kenny Wayne Sheppard, picking up on his other passion motor cars has given his music a complete overhaul, the guitar driven engine still has its power and integrity but added to the accelerator taking us on a journey are strong lyrics and modern Americana influence. As KWS said recently, “I feel like the band’s best days are still ahead of us. And the next album could be completely different…”  He has certainly succeeded as Kenny Wayne Shepherd says Lay It On Down on New Album. While we wait for the next re-vamp we can Lay It On Down with pleasure in the company of Kenny Wayne Shepherd and his band.

Kenny Wayne Shepherd – Lay It On Down – Mascot Label Group

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Baby Got Gone
  2. Diamonds & Gold
  3. Nothing But The Night
  4. Lay It On Down
  5. She’s $$$
  6. Hard Lesson Learned
  7. Down For Love
  8. How Low Can You Go
  9. Louisiana Rain
  10. Ride Of Your Life
  11. Lay It On Down (Acoustic)

 

Kenny Wayne Shepherd says Lay It On Down on New Album

 

Simon McBride On Tour Across U.K. November 2017

Simon McBride On Tour Across U.K. November 2017

Simon McBride On Tour Across U.K. November 2017

 

 

Fast becoming the next Irish blues guitar hero in the footsteps of Rory Gallagher and Gary Moore, the Belfast-born guitarist has gained a pile of accolades. 

Here are the UK dates in November. You will find ticket links Simon McBride’s Website HERE

2 Nov WORCESTER: Huntingdon Hall  7.30pm  £16
Booking Office 01905 611427 – Online HERE

3 Nov ST HELENS: itadel 7.30pm  £15
Booking Office 01905 611427 – Online HERE

6 Nov BILSTON: Robin2  7.30pm  £14
Booking Office 01905 611427 – Online HERE

7 Nov HULL: Fruit 7.30pm  £15
Booking Office 01482 221113 – Online HERE

8 Nov LONDON: O2 Academy 7pm £16
0844 477 2000 – Online HERE

9 Nov SHEFFIELD: Greystones 7.30pm  £15
0114 266 5599 – Online HERE

11 Nov ILFRACOME BLUES FESTIVAL: Ilfracombe Holiday Park £119-£145
01472 349222  – Online HERE

13 Nov BRISTOL Tunnels 7.30pm  £15
0845 6050255  – Online HERE

 More news to follow about my European mainland tour in Sep/Oct Check out dates HERE

 

“The Holy Trinity of Belfast rock ‘n roll – Van Morrison, Rory Gallagher & Gary Moore – might just be on the verge of becoming a four-leaf clover.” PERFORMER MAGAZINE USA

Simon is a favourite of Bluesdoodles his live performances is a guitar workout full of entertainment and smoking blues rock. We saw him last at The Tunnels in Bristol and wrote; “Opening with Heartbreaker, from Crossing The Line Album we were off with the classy guitar we expect from the Irish guitar wizard.”  READ the review HERE

The end of 2016 saw McBride touring with Ian Gillan, filling the shoes of Ritchie Blackmore in a programme of Deep Purple songs that played across Europe. The first half of 2017 has him touring with uber-keyboardist Don Airey (another member of Deep Purple), followed by an outing with Whitesnake offshoot, Snakecharmer.

With his band of fellow Irishmen Marty McCloskey (drums) and Dave Marks (bass) Simon delivers his own distinctive songs (“Hugely accomplished” MOJO) along with crowd-pleasers from the likes of Hendrix and Free plus of course, explosive guitar playing!

Do not miss out on the opportunity to watch, listen and be mesmerised by the playing of Simon McBride and his Band  BOOK YOUR TICKET HERE NOW!

Simon McBride On Tour Across U.K. November 2017