Reality Hits as Jack J Hutchinson Paints No Fiction

Reality Hits as Jack J Hutchinson Paints No FictionReality Hits as Jack J Hutchinson Paints No Fiction

Jack J Hutchinson, causes a stir whenever and wherever he plays live. His music catches the ear and pulls you deep into his dirty interpretation of the blues. The hooks are deep in the roots and the riffs have the energy of the contemporary music. On Paint No Fiction Jack is joined on this twelve track album that was six months in the making by an intoxicating and exciting array of U.K Blues, Rock and Americana musicians. Genres reflected in an album redolent with raw and dirty dripping with genre-busting intrigue and excitement as he Paints No Fiction; the music is authentic 21st Century British blues-infused music.

Before you listen to a note, the artwork by Aaron Gardner has an inner power, capturing Jack’s personality in shades of brown and yellow. You want to hear the music from a man who dominates the front cover and reflects back images in his sunglasses. You want to uncover what makes the musician tick.

Opening with Deal With The Devil, you are assailed by full on rock crescendo. No traditional blues fuelled deal with the devil. The rock is countered by beats and textures that fall within Americana,  as we get to know the Paint No Fiction music of eleven self-penned numbers. The guitar is raw fuzzy energised with the fluidity of a jam captured and ordered in a studio. As Jack sings ‘The World Don’t Own You A Dime…. Deal With The Devil – The Devil Ain’t Mine’, your attention is truly captured. Moving swiftly into Written In Stone the tone changes as we have hints of dirty rawness inspired by Mississippi Hill Country with guitar work with its fuzzy tone that demands your ears take note whilst your feet just absorb the beat with pure delight.

Each number has its own clear texture tone and approach, Jack has chosen the group of musicians used on each track with care. On the slower Hold Me Close, the acoustic guitar picks out the melodic path and Hutchinson’s vocals still have the signature gruffness but delivered with a gentler cadence. The keys pick up the melodic flow building the tension and creating a soundscape of emotional tension as Jack yearns to be held close. As we Cut The Noose, the blues is strong and pure, considered and reflecting the lyrical depths.  Halfway through the album and we are still in reflective mood with Set Your Heart For The Sun. The percussive tones reflecting and adding shadows to the vocals from Jack that are at the heart of every number.

The tempo heats up the rawness is cutting through the beat on the first single from the album Rattlesnake Woman. This is blues that is mysterious and reflects the psychedelic elements of the cover. The guitar duelling is immense as Hutchinson and Ross battle it out with the six-strings – rather that than a six-shooter. The blues theme is picked up with a harmonica driven whip cracking Skin and Bone.  Jack may sing about Skin and Bone, the sound is full boned nuanced with sharp and sweet licks and melodies as we turn the corner into the last three tracks of the album.

The penultimate track is calmer with Send Me A Signal with a countryesque phrasing of the vocals contrasting with the guitar picked with precision.  The album closes with a full-on luscious sound that floats as we explore Hard Right In My Dreams. Jack Hutchinson and his myriad of guests have created an album that is a sonic exploration of music dipped in the wealth of roots music, shaken and stirred with flashes of modernity.   Every number is a chapter in the story Jack J Hutchinson is creating in Paint No Fiction. It is music genuine to the here and now. The lasting truth of this work of musical art is authenticity.

Hutchinson album launches Paint No Fiction with a special ‘Last Waltz’ style gig at Ain’t Nothing But, Soho London featuring all the musicians on the album.
A Date for your diaries that is a certainty – 8th December 2017.

Musicians:
Jack J. Hutchinson: Vocals and guitar
Mike Ross: Electric Bass and guitar
Alberto Manuzzi: Keyboards
Marc Burguera: Guitar
Tom Brundage: Harmonica
Stuart Moir: Violin & 8 string bass
Dani Rock: Double bass
Loris Peverani: Drums and percussion
Morgan Platt: Drums and percussion

Producer: Tony Perretta

Paint No Fiction – Jack J. Hutchinson

EIGHTpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Deal With The Devil
  2. Written In Stone
  3. Hip Slickin’
  4. Hold Me Close
  5. Cut The Noose
  6. Set Your Heart For The Sun
  7. Rattlesnake Woman
  8. Skin and Bone
  9. I Got Your Number
  10. Send Me A Signal
  11. Hard Right In My Dreams

UKBlues Federation Crowdfunding Campaign Update for LaVendore Rogue

UKBlues Federation Crowdfunding Campaign Update for LaVendore Rogue

UKBlues Federation Crowdfunding Campaign Update for LaVendore Rogue

 

 

 

The crowdfunding campaign set up by the UK Blues Federation (UKBF) to raise funds to help LaVendore Rogue, winners of the 4th UKBlues Challenge, with their costs representing the UK at the 34th International Blues Challenge in Memphis in January 2018 and the 8th European Blues Challenge in Hell, Norway in March 2018, has got off to a fantastic start with more than £4,200 having been raised in just over two weeks since the campaign started.

In addition to what has been raised so far by the crowdfunding campaign, UKBlues has donated directly to LaVendore Rogue the sum of £1,500 to give them some working capital to start booking accommodation in Memphis etc.

With this contribution from UKBF, the total pledged and/or received is just short of £6,000, nearly 75% of the initial crowdfunding target of £8,000.

The UK Blues Federation is delighted that there has been such a great response to date and urges everybody to visit the crowdfunding page – HERE  – where you can not only make a pledge to support LaVendore Rogue but also get your hands on some great, exclusive rewards for doing so!

For the UK Blues Federation, Dave Raven, Treasurer, said, ‘We are very pleased to be able to make this substantial contribution towards the significant costs that LaVendore Rogue face to get to and compete in both Challenges. It is yet another example of the UK Blues Federation ‘putting their money where their mouth is’ and supporting and promoting blues in the UK.’

Joel Fisk of LaVendore Rogue said: ‘We really appreciate this – it’ll be a massive help getting the ball rolling, so thank you so much to the UK Blues Federation!’

UKBlues Federation Crowdfunding Campaign Update for LaVendore Rogue

It is not too late to get involved and make your contribution by visiting our crowdfunding page so if you have not donated, please have a look and see what great rewards are on offer in return for your financial support! Being part of the adventure that will take LaVendore Rogue to Memphis and Hell is Just a Click Away – CLICK HERE

UKBlues Federation Crowdfunding Campaign Update for LaVendore Rogue

Here is a very special message from the Rogues themselves!

 

UKBlues Federation Crowdfunding Campaign Update for LaVendore Rogue

Kenny Wayne Shepherd plays a Halloween Treat at The Tramshed

Kenny Wayne Shepherd plays a Halloween Treat at The Tramshed

 

Kenny Wayne Shepherd plays a Halloween Treat at The TramshedKenny Wayne Shepherd plays a Halloween Treat at The Tramshed tonight. Opening the cauldron of fiery guitar curling around the blues, we have Laurence Jones Band. Tonight over six numbers Laurence and his new(ish) band demonstrated a maturity the love of rock infused with blues and so much more. Tonight his guitar cried and fought off any ghouls and demons in the room. This you have come to expect of this young British Gunslinger who has been wooing the crowds for many a year despite his youth. Tonight, at The Tramshed Laurence’s vocals came of age adding to the act as he played a mix of numbers, including two tracks from his latest album The Truth – Give Me Your Time & Never Good Enough, and they were definitely rawer rockier. The rhythm combination of Phil Wilson & Greg Smith works really well creating an imaginative and solid foundation for Laurence to soar from. The addition of Bennett Holland’s lively keys gives the band an additional range of tones and structure for the numbers. Closing with Hendrix’s version of Dylan’s Classic All Along The Watchtower. We had had a fizzing and bubbling helping of live music the band played tight and the music excited. This is modern melodic rock hardened blues this is a band that connects with the music and are enjoying playing for the audience. It was appreciated.

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Kenny Wayne Shepherd plays a Halloween Treat at The TramshedShort break as the stage was rearranged and the main event started as the stage darkened the band took their place to cheers of anticipation. The lights went up as the first of many sweet guitar chords was struck from Kenny Wayne Shepherd’s Stratocaster and resounded around the Tramshed. We were off on a journey of blues guitar extravaganza with some rock, hints of country and a very large swirling dollop of Kenny Wayne Shepherd magic.

The lead breaks were scintillating Kenny certainly makes the Strat bend to his fingers demands as it weeps, curls around tones of joy and pain. Tonight the setlist was a mix of old and new with six tracks from his current acclaimed album Lay It On Down. Of the six numbers, Diamonds and Gold stood out. It was a superb and stellar highlight among the many that the band shared with us tonight. The ballad Hard Lesson Learned with Noel’s vocals also caught the ear and raised the joy of the audience. SRV’s House Is  Rockin definitely got the Tramshed bouncing and rocking with pure delight.

Kenny Wayne Shepherd plays a Halloween Treat at The Tramshed

As Kenny introduces the band in the absence of Chris Clayton, for this tour sees the return of Sylvester “Sam” Bryant (toured with the band in the 1990’s); bassist Kevin McCormick, Joe Krown presiding over the keys and the mighty vocals of Noah Hunt. A marvellous live version of Baby Got Gone from his latest album, they really have this number captured for the energy of a live performance, with its emotional lead break simply breathtaking. Kenny inserted into the set a number from his side project The Rides from their 2013 album Can’t Get Enough; Talk To Me Baby a superb re-shaping of this Elmore James’ blues classic.

Kenny Wayne Shepherd plays a Halloween Treat at The TramshedKenny Wayne Shepherd closed the night with some blues, slow and full of authentic Chicago Blues with a medley of BB King numbers and then Shotgun Blues. What an evening full of exploration of the power of the six-stringed Stratocaster. Tonight we saw three forms including his signature guitar and what tone KWS pulled from the black beast. The lights dimmed, silence fell on the stage as the band left. The noise though was reaching crescendo point as they stamped their feet and demanded more. The band did not resist. Back on stage with two more numbers his signature tune Black on Blue followed by the second Hendrix of the night.  Both acts ended with Hendrix, and so appropriate for tonight we were entertained by KWS, Voodoo Chile and phenomenal playing.

From the first few notes the temperature in the Tramshed definitely rose, there was that feeling of electric joy and anticipation that only live music brings. When you hear a band you love to play in a venue near to where you live, welcome to Wales KWS; come back very soon there will always be a warm welcome for the band and the music that you showcased tonight. By the end of the evening, the cauldron was boiling with energised musical magic on Halloween in Cardiff.

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Kenny Wayne Shepherd plays a Halloween Treat at The Tramshed

New Album New style The Truth still Laurence Jones

New Album New style The Truth still Laurence Jones

New Album New style The Truth still Laurence Jones

How to get noticed in the world replete with Social Chatter?  As a Musician release a new album and change your style. Laurence Jones has done just that on The Truth. In an age where intro’s over 10 seconds are deemed too long, will fans of Laurence’s previous releases take the time to listen to the album a few times. As the truth is, it is still Laurence’s melodic vocals, his stinging guitar licks and timing. What has changed, the blues have been mellowed no rich veins of blues shuffles, riffs and hooks. The Truth is accomplished and more commercial. The album definitely has listenability appeal.

The opening track has grab appeal.  This is a different side of Laurence with the vocals strong and the guitar slinger is letting his voice be heard. The power of the chorus on What Would You Do will have audiences singing along. Echoes of Hamilton Loomis in tone and delivery.

The inner funkiness of the new Laurence glimmers on Don’t Look Back. That is what I advise listeners to do; don’t compare enjoy the album for what it has to offer. The guitar and vocals play off each other and the harmonies are sweet. Nothing on the album is overplayed. The drama builds and catches you unexpectedly. The album is not a set of ten tracks that are shaped by the guitar. The instruments are the base for the song. The slick and smooth blues licks are there, just not in your face.

The refrain throughout the album is relationships, love and how it makes you feel. The yearning to be loved is explored on Keep Me Up At Night. This is another cross-genre tracks, with radio play potential outside of the inner blues circuit. The sound of the album is mature, catchy and full of great tone with textures smoothed out and an understanding of what is pleasing on the ear.

We have a deep groove laid down by Greg Smith on Bass as Laurence asks you to Give Me Your Time, listening to The Truth is time well spent. Expect it to be different no longer guitar led blues. The replacement is subtle with the feel of blues ever present just under the dominant chorus and strong song.

The title track opens with mellow simple keys from Bennett Holland picked up by Laurence’s guitar with the sweetest refrain, with a beat of Phil Wilson’s drum heralding the vocals as Jones asks, ‘Do you ever wonder what It feels like?’ The tone is mellow, reflective the gentler side then the number builds and the old energy is once again glimpsed. Looking forward to hearing the numbers live under the heat of the lights.

The album livens up with a rocky beat on Gone Away. The instruments howl and wail once again his vocals have the strength to demand centre stage and the harmonizing of the chorus stands out then the guitar punches out the lick that curls and weaves itself around the vocals. The blues guitar is back on Can’t Go On Without You.  The timing is spot-on as it is throughout the album. Loving the way there is never a battle between guitar and voice both have their time and place to make a statement across The Truth.

The album is a crossroad moment for Laurence Jones. I am positive The Truth will win him many new fans. Recorded in Miami, produced by Gregory Elias and mixed by Juan Mario Aracil; The Truth hits the mark it is an album that will be returned to and explored with pleasure every time.

NINEpawprint half inchdoodle paws out of TEN …

Track Listing

  1. What Would You Do
  2. Don’t You Let Me Go
  3. Hold Me Close
  4. Keep Me Up At Night
  5. Give Me Your Time
  6. The Truth
  7. Take Me
  8. Gone Away
  9. Can’t Go On Without You
  10. Never Good Enough

 

New Album New style The Truth still Laurence Jones

Wonderful One-Man Band Steve Hill – Solo recordings Vol 3

Wonderful One-Man Band Steve Hill - Solo recordings Vol 3

Wonderful One-Man Band Steve Hill – Solo recordings Vol 3

 

 

Well, why have I not heard of Steve Hill? Why have I had to wait until Volume Three to discover Steve Hill as a Phenomenon? A One Man Band who is loud, bad and a little bit dangerous. His love of blues and rock spills out of every number he plays on the album Solo Recordings Vol 3. All the instruments are played to an incredibly high-standard live, vocals, guitar and kick drum creating a fluid and fluent sound that makes you want to drink and party. You can hear some amazing bass notes as well how? By feeding 3 strings through an octaver guitar pedal hooked up to a bass amp.  He is ready to amaze you on this album.

Steve is no longer one of Canada’s best-kept secrets. The cat is out of the bag, Steve has burst, with tone and attitude, onto the international stage an overnight sensation that’s 20 years in the making. He’s an ambitious and raucous force to be reckoned with on the Canadian blues-rock scene. Now, he’s ready to break out internationally

Steve Hill is a multi-instrumentalist with a shelf of awards including 2015 JUNO award winner for Blues Album of the Year. With Solo Recordings – Volume 3 more awards must be just following along…

The album has three distinct elements all portraying the depth of imagination of tone and power that defines Steve Hill One-Man band on Solo Recordings Volume 3. The first element is powered by rock, beats that are raw, raucous and exciting, there are six originals. Then we have a further two sets of three songs, stripped backed melodic acoustic and the re-imagined, mainstays of man tables band set list. There may be three styles and approaches but this is for certain they are equally exciting, colourful and brilliant.

Your first exclamation when Damned pours through your speakers. Is dam that must be a band who else is playing with Steve Hill?  The rock with influences that are mined deep in the heart of the blues is rich and multi-layered. How can one person make this sound as a one-man band?  This is an individual that wants to recreate the sound and energy of rock without bandmates.  He achieves that and as he proclaims on Rhythm all over. Joining guitar and his wonderful rich vocals is the harmonica as he is now a Smoking Hot Machine.

This is a one-band band that has a multitude of tonal facets that glisten and make your speakers purr with delight.  As he slots in through the album his solo renditions of blues with the deepest blue seas flowing through Still A Fool & A Rollin’ Stone. As he constructs the mood, it is deep, dark and there is a feeling that there is something lurking just out of eyesight. Is it the devil to see if Steve Hill should be down at his infamous crossroads? The guitar takes on new tonal cadence hard-hitting as we are Rollin and Tumblin with Hill’s solo experience he is sharing with us.  Lovers of music want to join Steve and be part of the moment he creates. The energy, authenticity and raw power make every track red hot. We definitely will not be Breaking Down in despair in front of the monstrous sound created by Hill.

Joining the blues to the rock and the rock to the blues are the trio of acoustic tracks Slowly Slipping Away, Troubled Times and Emily. The harmonica and the gentle punctuation of the guitar as the vocals become deep and personal singing the lyrics for you. One thing for certain no-one would be Slowly Slipping Away in Steve Hill’s company. Troubled Times a song with a gentle rendition of harsh and thoughtful lyrics with finger-picking showing another facet of his skills. The number flows into Emily and the beat picks up with a country vibe. The tone changes we are having fun.

Steve closes out the musical journey with a rocking original Walking Grave completing the circle of sound he began Damned. The album proving once again Steve Hill performs with his heart on his sleeve, using the textures and tones of all the instruments creating a mood. He plays with instinctive feel letting each part of his band have a voice. Throughout Steve Hill’s voice is in control commanding your attention.

 

Steve Hill – Solo Recordings: Volume 3 – No Label Records

NINEpawprint half inchdoodle paws out of TEN …

Track Listing

    1. Damned
    2. Dangerous
    3. Still A Fool & A Rollin Stone
    4. Slowly Slipping Away
    5. Rhythm All Over
    6. Smoking Hot Machine
    7. Troubled Times
    8. Emily
    9. Can’t Take It With You
    10. Rollin Tumblin / Stop Breaking Down
    11. Walking Grave

Wonderful One-Man Band Steve Hill - Solo recordings Vol 3

 

The Lantern Bristol Shines on Dan Owen’s Vocals

The Lantern Bristol Shines on Dan Owen’s Vocals.With a crowd full of anticipation to hear once again the vocals of Dan Owen with his twenty-first-century mix of singer-songwriter angst, blues and ‘modern man with a guitar’ sound. Before the main act of the night, the evening opened with a singer-songwriter behind the keyboards as Billy Lockett hit the stage. Billy set the scene for Dan with a set that may not have been exciting but was a solid start to the evening.  The set was full of romantic originals and into this indie mix, he covered Nirvana, definitely not Kurt Cobain but an interesting choice. Closing the short set the Northampton-born Billy Lockett with his easy smile finished off with Burn It Down.  The number that got him noticed when included on Made in Chelsea. Billy also has a full band which would pep up the numbers I am sure.

 

The Lantern Bristol Shines on Dan Owen’s Vocals.Short break and Dan stepped onto the stage in The Lantern, Colston Hall. Dan Owen has been touring and shaping his craft. The bluesman who captures the tones of the seventies all packaged in an Indie delight. This is solo music that hits the mark with all ages especially the young who connect with the angst, his tales and manner that connects with the audience. His voice has always demanded attention and he got it.  Tonight as a duet his music was up close and very personal. Dan has certainly ‘come of age’ since I saw him last. As he opened with Parachute we knew we were in the assured vocal glow of Dan. The voice now has real controlled power, with a clarity of tone and delivery of lyrics. We flew with Dan close to the sun as he played Icarus. Wow!! Joining Dan on stage tonight was Lewis Cooper on Keys which provided an extra depth of tone and great backing vocals.  Dan’s latest E.P. Open Hands and Enemies is a snippet of his talent and a full album is long overdue.  From the E.P. he played What Is A Man and Moonlight, a slow burner that lights the auditorium.  The tone changed with Splinter as Lewis swapped keys for electric guitar with a twang of Country-meets-Americana and curls into British Indie. With that Lewis left the stage for a couple of solo numbers from the past as Dan, his guitar and harmonica collided with Bob Dylan, Cohen and the seventies with a swirl of blues with the added power of the stompbox. No longer a biscuit tin with wires, now neat smart and full of drumming power.  We were treated to a beautiful new song Hand That You Hold as he explored emotions with skill and empathy. Lewis returned to the stage and the set continued. What was noticeable the songs all had short intros the hallmark of songs today.  Made To Love You, written about a friend who he had a drink with to make a plan about his relationship. The song Made to Love You was written about domestic abuse experienced at the hands of a woman his friend had experienced while still loving her.

The Lantern Bristol Shines on Dan Owen’s Vocals.Dan Owen left the stage and quickly returned with guitar and harp with a rousing rendition of Willie Dixon’s Little Red Rooster. Lifting the energy and ambience of the venue. Blues just suits Dan’s vocals.

 

The Lantern Bristol Shines on Dan Owen’s Vocals, the set was accomplished. But just far too short, I was left wanting to hear more, get to know the musician.  So with that, the stage darkened and it was an early night as we left Colston Hall.

 

The Lantern Bristol Shines on Dan Owen’s Vocals.

LaVendore Rogue Needs Your Help To Represent The UK

LaVendore Rogue Needs Your Help To Represent The UK

LaVendore Rogue Needs Your Help To Represent The UK. How can you help to get the UK Blues Challenge winners to Memphis, USA ad Hell, Norway? Easy! pop over to the Crowd Funding page and pledge your support. There are lots of fabulous rewards to choose from every time you pledge they will please all the rogues who love LaVendore Rogues interpretation of the Blues.

Raising funds to contribute towards the costs of LaVendore Rogue representing the UK at the 2018 International and European Blues Challenges. The band are looking to raise £8,000 Please NOTE: This project is using Flexible funding and will receive all pledges made by 12:00pm 18th December 2017

Announced recently, UK Blues Challenge winners LaVendore Rogue will be representing the UK when they join more than 250 other acts from all over the world at the 34th International Blues Challenge (IBC) in Memphis, USA organised by the Blues Foundation between 16th and 20th January 2018.

 LaVendore Rogue Needs Your Help To Represent The UK

They will also compete in the 8th European Blues Challenge (EBC) in Hell, Norway organised by the European Blues Union on 15th, 16th and 17th March 2018 in which 21 bands from across Europe will take part.

LaVendore Rogue Needs Your Help To Represent The UK

LaVendore Rogue Needs Your Help To Represent The UK

On the 23rd October 2017, as part of UKBlues Federation mission to support the Blues in the UK, we launched a Crowd Funding campaign to raise funds towards the considerable costs which will be incurred by the LaVendore Rogue representing the UK at the 2018 IBC & EBC.

As we as providing financial support to LaVendore Rogue the crowdfunding page also offers a huge range of rewards which you can get in return for your pledge.

 

LaVendore Rogue Needs Your Help To Represent The UK

So don’t delay, visit the Crowd Funding page today

HEAR FROM THE ROGUES THEMSELVES

LaVendore Rogue Needs Your Help To Represent The UK

 

 

Blues Flowed up the Taff with Walter Trout Tonight

Blues Flowed up the Taff with Walter Trout Tonight

Blues Flowed up the Taff with Walter Trout Tonight

 

The Muni is back open for gigs. The crowds outside just show how popular the venue still is and the two acts on tonight Sari Schorr and The Engine Room opening for the mighty Walter Trout.  Whenever Sari Schorr steps on a stage she brings a vibrant dramatic energy.  What a voice! What a band that surrounds her! As the Blues Flowed up the Taff with Walter Trout Tonight.

Blues Flowed up the Taff with Walter Trout TonightSari Schorr, the perfect act to warm up the crowded venue. Always a dramatic performer she delivered today with her unique interpretation of the blues.  The music and energy are modern the story behind the numbers is true to the traditions of the blues.  The set of eight tracks many from her critically acclaimed album Force of Nature combined with classy covers. Having the sensational Innes Sibun on guitar gives the band depth and feel. Tonight he was playing a Wudtone, a guitar made by a local company. He laid on every layer of tonal quality and texture from the innovative hand-built guitar.   As the crowds lapped up the virtuoso guitar playing The Engine Room ensure that Sari will always stand out from the crowd with her amazing vocal range and control. The inclusion of Led Zeppelin’s Rock and Roll gave Innes the chance to have lots of fun. This is blues jamming that will always animate an audience hungry for live music.

Blues Flowed up the Taff with Walter Trout TonightSari’s own numbers have deep lyrics reflecting her own experiences and hardships. She explores the love of her Pit Bulls. Numbers about the power of addiction, opening with Ain’t Got No Money about greed, addiction to money and later on Aunt Hazel and heroin addiction. Closing the set with the Leadbelly number she has made her signature song Black Betty. As the set closed the audience was left breathless, invigorated and the magic of live music bringing us all together.

 

Blues Flowed up the Taff with Walter Trout Tonight

 

Short break and the applause was rapturous before a note was played as Walter Trout stepped onto the stage. As ever Walter the great showman held the audience in the palm of his hand as his cream Fender Strat took us into the world of Walter’s Blues. Opening with the Johnny Winter classic I’m A Bluesman, the tone, mood and vibe were set. Walter can fit more notes into a crescendo with skill and timing to makes his guitar leap out and grab your ears.  Walter Trout is not about fast and furious for the sake of it. He plays with passion, control with changes in tempo and feel. He is from his heart and inner soul the consummate man of the blues. Demonstrated with a slow blues number in A minor. What a wonderful version of the mighty Albert Collin’s Cold Cold Feeling. Under Walter’s dexterous fingers he magic’s up a pure connection to the original whilst making this a pure gold classic Walter playing live moment.

Blues Flowed up the Taff with Walter Trout TonightBlues Flowed up the Taff with Walter Trout TonightWalter let the guitar do the talking as the band played, no set list this was going with the flow of the evening. With a short introduction about his latest album, We’re All In This Together with a phalanx of guest friends from the world of modern blues. Tonight the guest was Innes Sibun rather than stepping into Joe Bonamassa shoes. Now a five-piece with two lead guitarists fireworks were promised and delivered, with a waterfall of shimmering blues fire.  Trout & Sibun tonight gave a spirited battle of guitars which was absolutely captivating. Superb live music. The venue was now hot with blues. As Innes left the stage he was replaced by Sari. The obvious number was Walter Trout’s Work No More. The number was on Sari’s album with Walter guesting. The chemistry between the guitar and vocals was intense.  Once again Andrew Ent joined Walter on the stage the power of his vocals rocked the rafters of the Muni.

Blues Flowed up the Taff with Walter Trout TonightTwo of the numbers tonight were influenced by women in his life, His first wife with an old number as Walter explored the songs from his vast discography spanning twenty-eight albums.  The most moving number of the evening was Please Take me Home. The only number taken from Battle Scars. His heartfelt joy of being alive and how much he owes to the donor and the gritty determination of his wife Marie through the ordeal. The acoustic guitar from Andrew Elt made the number dramatic, poignant an emotional journey Walter and his family have been on.

Blues Flowed up the Taff with Walter Trout TonightHis band was not left out as drummer Micheal Leasure was given the spotlight demonstrating what a powerhouse he is behind the music. Stepping out front was keyboardist Sammy Avila and his son Danny on Bass. The bass was deep with the strings bending under his will the Muni was rocking.

Throughout the set on every number Walter Trout was on top form, he fed off the audience and the audience gave back. This is blues that stirs your heart as everyone connects through the sound of live music.

Blues Flowed up the Taff with Walter Trout TonightWalter loves playing in Wales, with a few Welsh words he had the crowd roaring as he said, Cymru am byth. ( Long Live Wales).  Once again as he did at the Tramshed last year he was fulsome in his praise for Wales’ forward thinking regarding Organ donation. In Wales, you have to opt out rather than opting into organ donation.

He left the stage the lights dimmed. The audience roared, taking up the chant Walter, Walter. In this heat, Walter returned to tumultuous applause for one more number. For me one of the many highlights of the evening was Prisoner of Dreams, capturing the life of a homeless woman and the words that have been washed away. No one wanted the night to end. Come back soon Walter, there will always be a warm welcome in the Valleys.

For many, the definition of Blues is playing with feeling. Tonight Walter, his band and guests all capture the feel. The River Taff flowed with the blues tonight in Pontypridd.

Blues Flowed up the Taff with Walter Trout Tonight

 

Kaz Hawkins Band Back On Tour Waving Goodbye

Kaz Hawkins Band Back On Tour Waving Goodbye

Kaz Hawkins Band Back On Tour Waving Goodbye

As many will have read with sadness Kaz Hawkins Band will be no more after the last tour. Kaz and her band, have entertained us in small venues, large venues, festivals and more. Kaz has the power and artistry so that her voice makes you laugh, sigh and cry. The band takes you on a rollercoaster ride always thrilling whenever and where ever she steps on the stage. Kaz may lead from the front with a swish of her skirts a flick of her hair none of the acclamations would be possible without her amazing band. The rhythm section are the brothers  Ján and  Peťo Uhrin joining the guitar, Nick McConkey,
This is your final chance to hear the band the won the 2017 European Blues challenge and semi-finalists at the International Blues Challenge in Memphis.  Kaz Hawkins Band will be talked about long after the final notes have faded away, whenever you meet up with lovers of blues people will say do you remember when Kaz sang at the festival or blues club.
These are the final few dates, Book Your Tickets show Kaz your love and support.
25/10/2017 WOLVERHAMPTON  The Robin 2  BOOK TICKETS
26/10/2017 CHELTENHAM   The Bacon Theatre     BOOK TICKETS
27/10/2017 SHEFFIELD        The Greystones BOOK TICKETS
28/10/2017 NOTTINGHAM  Farnsfield Village Hall     BOOK TICKETS
02/11/2017 BARNOLDSWICK  Music and Arts Centre       BOOK TICKETS
03/11/2017 AMSTERDAM   P&O Blues Cruise       BOOK TICKETS
08/11/2017 WORTHING   Worthing Pier    BOOK TICKETS
09/11/2017 MILTON KEYNES The Stables     BOOK TICKETS
10/11/2017  RUNCORN  Brindley Theatre      BOOK TICKETS
11/11/2017  OLDHAM  Playhouse 2            BOOK TICKETS
12/11/2017  BROADSTAIRS  Sarah Thorne Theatre      BOOK TICKETS
18/11/2017 SWITZERLAND Lucerne Blues Festival BOOK TICKETS
Kaz Hawkins voice will not fall silent as she will continue with her solo career after a short break from the toils of being on the road with her band.
Bluesdoodles has followed her career: here is a selection of reviews
Kaz Hawkins @ The Tunnels, Bristol HERE
European Challenge – HERE
Albums:
Don’t You Know (solo) HERE
Feelin’ Good HERE
Get Ready HERE
In Conversation:
Talking about Feelin’ Good and More – HERE

Stevie Westwood Talking About Bad Touch Headline Tour

Stevie Westwood Talking About Bad Touch Headline Tour

Stevie Westwood Talking About Bad Touch Headline Tour

 

 

BD: Thank you for taking time to talk to Bluesdoodles again before you head out on a headline tour with Mollie Marriott, Celebrating the tour you have just released a video with the download available from Monday 23rd October.  The number Baby Get It On sounds fab love the inclusion of Mollie’s vocals.  Let’s start off with how did you decide on this Tina Turner Classic?
SW: We wanted a new number to promote the tour for our first headline tour. Delighted to have the amazing Mollie Marriott as our special guest real privilege she has such an amazing voice. Seeks our guitarist said let’s try this one and he had a cracking arrangement. We demoed it and recorded the number and sent it to Mollie. Mollie liked it as so she came up to the studio and we recorded the video. The whole this was a quick turnaround from Seeks first suggesting Baby Get It On and then half day in the studio recording the number.

 


 

BD: Bad Touch has been touring with some great acts including King King and recently Kentucky Headhunters how does it feel to be Headliners?

SW:  Headlining, yes feel bizarre weird place excited nervous, a good nervous will give chance for fans a chance to come out and support us. We are planning to get everyone who has seen us play live out the nights will be good value for money. Good times to be had. The support from Mollie will be immense. So we are asking everyone who has heard a radio play or seen us supporting some amazing acts, come out and support live music.  We have as everyone keeps saying come a long way in a relatively short time we just now have to keep moving forward.
BD: How do you keep the music contemporary when the influences are clearly out of the 1970’s, that bluesy Southern Rock sound. How do you manage not to be a retro band, but one with a relevance for audiences here and now despite being compared to Black Crowes and others?

SW: Ha! Yes, we do keep getting compared to bands of the ‘70’s. We didn’t go out to do that. Yes, we are all fans of many bands from Lynyrd Skynyrd through to Led Zeppelin. The music we write is what we want to write the music we want to play to audiences. We are also influenced by contemporary bands, including Temperance Movement, The Answer, Rival Sons and Blackberry Smoke. Listening and absorbing music from a variety of bands keeps our finger on the pulse. The truth is Bad Touch sound is the one we have shaped by all the members of the band.  You have to keep going nowadays, writing the music you want to write, Bad Touch are creating a sound that is getting us heard.
BD: Your album Truth Be Told was out last year and has gained you lots of fans with radio airplay. Will we be hearing some new music in the Headline set list?

SW:  Yes thanks to stations like Planet Rock for the support. We have four new songs that will probably be on the new album which we are planning to release in the first half of 2018. It is good to play them live, can see what people think. How audience reacts to them and keeps the set list fresh.  So yes there will be some new music on the set list every night we play.

Check out Tour Venues, Dates and a click away from buying your Ticket  HERE

BD: For people who have missed out on seeing Bad Touch Live how would you describe your sound and live performance. What makes Bad Touch the band to see in 2017.
SW:  Mmmm… honestly that is hard to answer.  None of us has seen ourselves play live or reviewed our shows! What I can say is we play to make people feel good about themselves. We are a feel good Rock N’ Roll Band. We aim to break down the space between band and audiences we want to create that one good party feel. You have reviewed us what do you say?

BD: Ha! That is cheating turning the tables. Yes, feel good music that makes you smile. You certainly are a high energy performers that raise the temperature of any venue.
SW: Glad you have enjoyed the show.

BD: Stevie, you are the vocalist and frontman of Bad Touch share with our readers how you interact with the band.  From your performance on stage, it always appears that you are having fun.
SW:  Truthfully why would we be doing this, playing in a band, if we were not having fun? Without being too pessimistic it is certainly not for the money! As a band, we look at it as we are all brothers together. We all communicate on stage I find a raised eyebrow works well along with a quick word in ears. We do talk to each other between numbers. The fun is doing the numbers different to the studio version, keeping it fresh reacting to the audience building a conversation between the band and the audiences.

BD: Having seen you play live a few times, you always include a couple of covers how do you choose them. Also, will the new single Baby Get It On make an appearance in the forthcoming tour?
SW: Mmm…. playing number live, the stage could be cramped come to a show and find out. Would be fun Mollie is such a great singer full of talent. So may make an appearance. We always have a couple covers up our sleeves, audiences know these songs which is great if it is the first time they are seeing us live, Secondly used to feel up the time of the set if we have run ahead of ourselves, in fact, that is generally the reason why we add them into the set.

BD: The world of music is tough. Bad Touch seems to have an upward trajectory getting your music heard is a challenge and you have had lots of Radio Plays from the album. What impact both positive and negative is of downloads and streaming services such as YouTube, Sound Cloud, Spotify for Bad Touch’s music and getting the sound heard to a wide audience?
SW:
Music business is tough. Thank you, we like to think we are moving upwards long may that continue. I am old fashioned I like to buy the CD. I like building my collection and being able to browse and choose what I am going to play. I cherish what I have bought.  That said I am definitely not poo pooing anyone who listens to their music using streaming services. That said though I do feel that there has been a huge devaluation in the value of music now have the ability to have what you want without paying(or only paying minimal amount) for it. It is very hard, don’t know really we use YouTube and Sound Cloud for our music and it is a way to find music. I do though believe that streaming stops people from having to pay for music if you pay you put more value on the music you are listening to. BD: Read recently that people only listen to few seconds of intro before trying another track. SW: Yes, attention spans are now so short need to catch people attention in first few seconds or they move on. Technology is both amazing and scary everything is available in the instant which definitely has positives and negatives. I still like having my CD’s on a shelf they are always available even when Wi-Fi is down.

 BD: What other plans and excitements have you got planned for 2018 following a very busy 2017?

SW: Taking it as it comes. First priority is the new album follow-up to Truth Be Told. Bookings for 2018 are coming in so we will be keeping getting out there performing in front of audiences.
BD: What was the first album you bought and what is the most recent?

SW: Big Willie Style – Will Smith Like an Arrow by Blackberry Smoke
BD: We asked you your fantasy band when we talked last year so what are you listening to at the moment; whether on the tour bus or relaxing?

SW: Everything and anything. When out on tour we all bring the music we are listening to. We talk about it what we like about it.  All that we listen to sculpt the Bad Touch sound as we get down and write new stuff together. Currently, we have been listening to lots of Country having been on Tour with Kentucky Headhunters. Some great music out there to be discovered.

Bad Touch are:

Stevie Westwood
Rob Glendinning
Daniel ‘Seeks’ Seeking
George Dewry
Michael Bailey

BD: Once again thanks for your time and looking forward to seeing you with Bad Touch and Mollie Marriott at The Tunnels, Bristol