Debut Album A Rebel’s Story By Big Wolf Band

Debut Album A Rebel’s Story By Big Wolf Band

Debut Album A Rebel’s Story By Big Wolf Band

 

Debut Album A Rebel’s Story By Big Wolf Band. Out of Birmingham, the band have a big blues sound as Honky Tonk piano rocks out with deep vocals a swing guitar. The Blues Rock sound is strong as the quartet not from Birmingham Alabama but Birmingham West Midlands share over thirteen tracks blues that are spiced with rock.

The album has is easy on the blues ear and captivating with its controlled energy. A Rebel’s Story is an album that grows with every listen as you become acquainted with Big Wolf Band on their debut album. The quartet are guitarist & vocalist, Jonathan Earp, bassist Mick Jeynes, Drummer Tim Jones and on the keys Paul Bambani.  The foursome opens the album with Heaven’s Got The Blues. That may be true, the absolute truth is Big Wolf Band definitely have.  The sound has a distinctive mix as the keys lead into a huge guitar riff, laying down the scene for an album that will surprise as the hues of the blues are explored with a mix of the traditional that has been re-shaped but never loses its musical form into a contemporary sound. The foot-tapping rock’n’ roll is fused with a shuffle in Done Wrong By You. Earp’ s guitar work is fresh with the cadences that take you back deep into the seventies with more than a tipping of a hat to Gary Moore.

The tone changes with the Honky Tonk Piano leading the pack as we get to know Long Time Mary, Earp’s vocals pierce through the melody set down and links seamlessly in with the percussive drumming.  The vocals are intense but never overpower as they rest and the lead break is taken up by Bambani’s fingers caressing the keys. Intoxicating blues.

A debut album full of blues shades and hidden depths, never overproduced the warm live slightly dangerous sound is captured in the studio. You can expect a full-on live performance on the strength of A Rebel’s Story, Big Wolf Band’s debut album. The album never shocks but as A Rebel’s Story unfurl you are never left disappointed.

The title track in the middle of the album has a harder rockier edge. The title has a raw energy contained within the control of musicians in the studio. Live, it is easy to imagine the track stretched out with lead breaks that up the pace and leave you breathless as a rebel hound.

A quartet of songs with love in the title brings this stylish and enjoyable album to its close.  I Don’t Love You opens with a classic blues beat fast with an urgency and the vocals have an ear-pleasing tonal quality. You know exactly what is meant in a song about love ending it. There is no future for this love story. What is clear Big wolf Band have a future delivering blues that give a contemporary edge to the blues. They may not be shaking any Willow Tree or delivering the unexpected what they are delivering is blues with ear appeal.

EIGHTpawprint half inchdoodle paws out of TEN …

 

  1. Heaven’s Got The Blues
  2. Done Wrong By You
  3. Hot Blooded Woman
  4. Darkest Of My Days
  5. Long Time Mary
  6. Rolling With Thunder
  7. One More Time
  8. A Rebel’s Story
  9. Been Here Too Long
  10. Love That Hurts
  11. I Don’t Love
  12. Love Isn’t Free
  13. If I Ever Loved Another Woman

 

 

Enjoy Taking Backroad Carnival With Cory Seznec

Enjoy Taking Backroad Carnival With Cory SeznecEnjoy Taking Backroad Carnival With Cory Seznec

Enjoy Taking Backroad Carnival With Cory Seznec.  After living in Ethiopia for over three years Cory’s second album, Backroad Carnival is released. Once again with the musicians, he has surrounded himself he has conjured up an array of songs reflecting the light and dark sides of Carnival. The album refuses to be ring-fenced into a marketing genre. This is music that flows over the ten tracks reflecting the breadth and depth of Cory’s talents.  The sound ebbs and flows with shards of brilliant sunshine countered by complexity of sounds and shapes hidden in the shadows.

Cory Seznec knows how to instil a feeling, capturing and freezing a moment in time in the beat and cadences captured in the percussive melodic forms that share sounds from mainstream through to alternative. Sounds of Africa melding with melodies from the streets of Paris. How has he retained the simplicity of roots music in the complex world we have created? Cory has gone analogue, recording the album mainly at Tonehouse Studios in Noisy-le-Roi, France on a Studer A80 24 track tape machine with old amps and other gear, the sound produced is warm and full. This approach combines the modernity of rock with music rooted in tradition melding but never obliterating the tonal shape each number has created.

If you expect the album to have an Ethiopian fuelled tone, then you will be disappointed the stories that fill the lyrics are shaped, honed and turned by experiences of his travels through Africa and beyond combined with modern events and Cory’s worldview in his bespoke and special world-music.

Opening with Picayune Baliverne, an instrumental number that invokes a carnival Carousel turning mixed with jazz, Eastern European beats fused together with hints of Cajun into a distinctive Seznec sound that defines Backroad  Carnival. The mood changes as we hear Sell My Soul.   The song inspired in Ethiopia when a young boy tried to sell him his two sisters! Here afrobeats morph into a blues-rock salvo that fits the story with the howl that curls around the melody hitting the mood now the backroad carnival is definitely on the move. Throughout the album, Cory’s distinctive vocals shape the story being told with artfulness and creativity so not a word or meaning is left. Hawk On  A Haystack opening with a banjo and reminiscent of the sound created with Groanbox yet totally fresh and new. Every track has a new angle and star turn on Pigeon Man it is the claps and slide guitar, as we learn about the man who feeds the pigeons in Paris.  With Zanzibar (Ebb & Flow) no words are required the percussive form and African guitar take us deep into the backstreets of a town scented with spice and mystery. Closing the album of many colours reflecting the movement of a backroad Carnival, we are left with The Parting Glass. The folk is traditional and a tear jerker as the timeless flow of Scots-Irish music is reflected in the African fingerstyle of the guitar.

This is an album of the expected and unexpected. The quality of lyrics and composition of melody is expected from Cory Seznec. The unexpected is the carefully crafted, mixed musical styles. Creating a musical cocktail of sounds that never clashes but enhance each other without ever losing their originality and authenticity.

Like any Carnival, we have that beguiling mix tasty and intriguing as we listen and travel with Cory Seznec on his Backroad Carnival once again.

Cory Seznec –  Backroad Carnival – Captain Pouch Records

TENpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Picayune Baliverne
  2. Sell You My Soul
  3. Hawk On A Haystack
  4. Tattered Flag
  5. Pigeon Man
  6. Let It All Go
  7. Zanzibar (Ebb & Flow)
  8. Colette Bar & Restaurant
  9. God Will Change Your Situation Barbershop
  10. The Parting Glass

Cory Seznec on tour check out dates HERE –  NOTE: Cory touring England March 2018

Musicians
Cory – vocals (2,3,4,5,6,8,9,10), guitars (1,2,3,4,5,7,8,9,10), bass (1,4), banjo (1,3,6), piano (1), claps (4,5,6), percussive noise 1
Kenny Allen – backing vocals 5, 8, 9
Benjamin Body – upright bass 2,9 electric bass 5
David Chalumeau – harmonica 1, 2, 3, 5, 6, 8, 9
Paolo Conti – pedal steel 3
Geoffroy Dauptain: claps 4, 5, 6
Thomas Garoche: upright bass 3, 6, 8
Patrick Gigon – drums 2, 5, 9
Albert Leroy Johnson – backing vocals 2,6
Jean-Etienne Loose: claps 4, 5, 6, Juno synth 4
Daniel Mizrahi – electric guitar 2, 5, 6, 8, 9
Renaud Ollivier – percussion/calabash 3, 4, 6, 7, 8, 9, drums 1,4,6
Joseph Parker: backing vocals 2, 6
John L. “Buster” Pickett Jr.: backing vocals 2, 6
Yann Seznec – Rhodes keys/Juno synth/piano 2, 3, 4, 6, 8, 9
Ronald T. Thornton Sr – backing vocals 2, 6, 9

Enjoy Taking Backroad Carnival With Cory Seznec

The Dark and Light Sides of Chantel McGregor

The Dark and Light Sides of Chantel McGregor

By Wes O’Neill

There simply is not enough women guitarists that get the same acclaim that their male counterparts do and even when it’s deserved. It’s a male-dominated world and something needs to change – doors need to be kicked in by ladies with amps cranked up and playing that can go from a scream to a whisper with just as much force and subtlety.

Fortunately, there are players that can hold their own with the “big boys” in Samantha Fish, Nita Strauss, Joanne Shaw Taylor, Orianthi and others…along with Chantel McGregor. There’s no top of the guitar magazine polls here, ladies doing their thing and damn well at that.

One of my guitar students, a young lady in fact, when I first asked her a couple of years ago what she wanted to get out of learning excitedly proclaimed “I wanna learn to shred and not just play to typecast in acoustic songs or on a fucking ukulele.”. That brought warm feelings to my heart and a sense of hope…

Chantel McGregor is such a lady to inspire such aspirations that are not beyond reach with self-belief and dedication. Ahead of playing a blistering show at The Tunnels Bristol, we sat down with Chantel for what’s been happening, her advice on being a woman in what some archaically view as a man’s world and what’s coming next. It’s about to get dark but with a light side also…

 

It’s been a couple of years since your last album “Lose Control” What have you been up to?

We’ve been on tour for 2 years since the release of “Lose Control”. It’s been constant, we’ve played in a whole load of countries in Europe, we’ve just got back from 3 weeks in Germany in fact, so it’s been tricky to get time to do another album. But…that’s now sort of in the process of coming to a head with writing nearly done and us heading into the studio in the next few months to get that down and releasing it hopefully next summer.

 

“Lose Control” was quite gothic, taking inspiration from a variety of sources you were in to at the time. What kind of musical direction are you taking this time?

It’s dark. Darker than before, in the way that it’s more personal than the last one. The last one was southern USA gothic themed, dark but not personal in any way that I wrote about dark things from my life – I’ve now been doing that. It’s a bit of a personal trip and a gamble as I’m really trying to dig deep with the emotions I have and stories to tell, it’s quite hard, to be honest with you.

 

Are you finding that’s helping you come to terms, and not to pry, with whatever has gone in your life?

No! Hahaha! No, it’s horrible! It’s like everything that I’ve put into a box, you know every bad relationship, every self-doubt, every moment that hasn’t been right all coming at me at once. Opening that box opens old wounds and it’s like ‘Oh my God, why I am trying to sing, play and write about this kind of stuff, why didn’t I just leave it be, why did I think of doing this?’.

 

In that case, what’s the idea behind putting yourself through that instead of writing in a third person or about other things?

As in taking the easy option? I don’t know, ‘cos I’m stupid or something! Seriously though, I think I’m at that point where I should really write about something that is really my own with my own feelings and emotions rather than relying upon other peoples. It’s easier to write songs about other things and other people than it is about yourself. When you’ve locked emotions away, revisiting them is hard but I did feel that I needed to do that as you know, we all have to do it at some point really. Either that or I’m just a bit sadistic, masochistic…or just weird!

 

How is this going to come through on the new album, in the guitar or in the lyrics?

Probably more towards in the lyrics as the music bit with the riffs, changes, grooves and all that isn’t really difficult for me to play. If I’m writing about a telly show, then it’s easy as you’re not digging deep, but when it comes to writing about how a relationship ended and how it’s made you feel then it’s really tricky.

 

As you mentioned, you’re looking at a summer release (it’ll be a dark summer by the sounds of it!), any specifics on production you have in mind that you can share with us?

Well, assuming everything runs to plan, but in my world, you never know, but yes, summer is slated for it. Production wise we’ll be down to London probably, the same producer that I use as it always seems to work out with him and he’s great…probably just that. We’ll have to see what we come out with when tracking, and that’s all you’re going to get on that for now!

 

Moving on from the new album, how important do you think music education is or are there other routes that you can take learning and playing?

I started playing when I was 3 and started having lessons when I was 7 until I was 16 and then I went on to do a degree in music a bit after that. To be honest with you, most of the things I have learnt, the really valuable and meaningful things have been from improvisation and jamming around with people more than the strict educational side of it. Lessons are good though, as long as you’re getting something out of it and always. It’s important to have the educational side of it in some ways but I don’t think it’s necessary for everyone.

 

Being a woman in the guitar world, what would be your advice be to other women playing guitar or thinking of doing so and to those in bands already?

For me, I think, and it’s taken me all this time to get to this point where I realise I’ve probably spent years wasting time being fragile and worrying about what people think…You know, all the stupid stuff like what do people think, how am I perceived, do they really care, do they like my playing, how I look, my singing, are they just here ‘cos I’m a girl, what are they saying in the bar after…all that rubbish. I’m now at a point where I can stop worrying about what other people think and for women that’s essential. Not that blokes don’t have feelings and all, but for women we can be a bit more sensitive than men and we do bother about what people think of us whether that’s image or musicianship, and we spend so much time thinking about it, tearing your life and thoughts up that you end up not concentrating on what you love doing. You need to get strong, really quickly and just sort of say “Stuff everyone else, I’m gonna do what I want to do and I’m going to enjoy it”. That’s the hardest bit – it’s not learning the scales, chords and how to play, it’s having strength in who you are and what you do being a female in the music industry.

 

Wes, thanks to Victoria Tyrer for helping put this together for Bluesdoodles

 

Bluesdoodles Review of Lose Control – HERE

 

ADVENT Mascot More Than A Glorious Dozen

ADVENT Mascot More Than A Glorious Dozen

ADVENT Mascot More Than A Glorious Dozen

Mascot Label Group once again building on the amazing year of 2016. Throughout 2017 from January to December the label keeps delivering albums from Artists & Bands Rocking the blues and more they excite the listening ear.

 

Beth Hart & Joe Bonamassa

 

Beth Hart

 

Beth Hart Vocal Power Captivates The Forum Tonight

Beth Hart’s music stripped back, with the lyrics laid bare was an emotional journey for everyone tears were shed on stage and in the auditorium tonight. This is music that connects a great performer with the audience.

READ MORE With PHOTOGRAPHS HERE

Beth Hart – back with her band touring the UK in 2018 check out Dates HERE

 

 

Joe Bonamassa

 

“The album, where nothing is overdone, acoustic authenticity maintained, Joe’s vocals the best I have heard. No theatrics,  music and the power of lyrics telling the story in perfect harmony”. Full Bluesdoodles Review of the Album Live At Carnegie Hall HERE

2018 UK our Dates HERE

 

Aaron Keylock

Full Bluesdoodles Review of the Album HERE

 

Big Boy Bloater

Full Bluesdoodles Review of the Album HERE

Live at The Louisiana Bristol HERE

Bootsy Collins

 

Black Country Communion

 

Full Bluesdoodles Review of the Album HERE

Black Stone Cherry

Full Bluesdoodles Review of the Album HERE

 

Eric Gales

Full Bluesdoodles Review of the Album HERE

Live Review The Robin 2 Bilston HERE

 

Jonny Lang

Full Bluesdoodles Review of the Album HERE

 

Kenny Wayne Shepherd

Full Bluesdoodles Review of the Album HERE

Live Review Tramshed Cardiff HERE

What we talked about when Bluesdoodles, Liz Aiken chatted to Kenny Wayne Shepherd? Check the conversation out HERE

Galactic Cowboys

 

Quinn Sullivan

Full Bluesdoodles Review of the Album HERE

 

Little Hurricane

 

Full Bluesdoodles Review of the Album HERE

 

Rock Candy Funk Party

 

Ronnie Baker Brooks

Full Bluesdoodles Review of the Album HERE

What we talked about when Bluesdoodles, Liz Aiken chatted to Ronnie Baker Brooks? Check the conversation out HERE

Sonny Landreth

 

Full Bluesdoodles Review of the Album HERE

What we talked about when Bluesdoodles, Liz Aiken chatted to Sonny Landreth? Check the conversation out HERE

SIMO

Full Bluesdoodles Review of the Album HERE

What we talked about when Bluesdoodles, Liz Aiken chatted to JD Simo? Check the conversation out HERE

 

Supersonic Blues Machine

Full Bluesdoodles Review of the Album HERE

What we talked about when Bluesdoodles, Liz Aiken chatted to Fabrizio Grossi? Check the conversation out HERE

Triggerfinger

Full Bluesdoodles Review of the Album HERE

 

Thomas Wynn & The Believers

Full Bluesdoodles Review of the Album HERE

 

Walter Trout

Full Bluesdoodles Review of the Album HERE

Live Review Muni, Pontypridd HERE

10 Years

 

Thank you, Mascot for the music Bluesdoodles is positive 2018 will continue to be fun with Mascot Label Group

 

ADVENT Mascot More Than A Glorious Dozen

 

 

 

Bad Touch Special Guests Skid Row Tour 2018

Bad Touch Special Guests Skid Row Tour 2018

Academy Events and VMS Live by arrangement with IAA and ITB present

Bad Touch Special Guests Skid Row Tour 2018

 

 

Book Tickets Online from  TicketmasterTicketwebSeetickets

*Supporting Skid Row and Toseland
**Supporting Skid Row, Night Ranger and Toseland

* Glasgow, O2 ABC – Monday 5th March 2018

Tickets: Ticketweb 

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*Inverness, Ironworks – Tuesday 6th March 2018

Tickets: Ticketmaster – Venue Box Office: 0871 789 4173
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*Newcastle, O2 Academy – Wednesday 7th March 2018

Tickets: Ticketmaster
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*Sheffield, Corporation – Friday 9th March 2018

Tickets: SeeTickets – Venue: 0114 276 0262 (9:30am – 4:30pm)
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**London, O2 Shepherd’s Bush Empire – Sunday 11th March 2018

Tickets: Ticketmaster
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*Hull, Welly – Monday 12th March 2018

Tickets: Ticketweb, Hull Box Office – Hull Box Office: 01482 221 113
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*Manchester, Academy 2 – Wednesday 14th March 2018

Tickets: TicketwebSeetickets Venue Box Office: 0161 832 1111
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*Cardiff, University Y Plas – Thursday 15th March 2018

Tickets: TicketmasterSeeticketsCardiff Box Office
Student Union: 029 2078 1400
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*Liverpool, Hanger 34 – Friday 16th March 2018

Tickets: TicketmasterTicketwebSeetickets
Venue Box Office:
 0151 703 0100
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*Coventry, Kasbah – Saturday 17th March 2018

Tickets: TicketwebKasbah Box Office
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*Norwich, Waterfront  – Monday 19th March 2018 

Tickets: TicketWebTicketmasterSeetickets
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*Bristol, O2 Academy – Tuesday 20th March 2018

Tickets: TicketmasterSeetickets  Box Office: 0117 927 9227
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*Brighton, Concorde 2 – Wednesday 21st March 2018

Tickets: TicketwebSeeticketsConcorde Box Office
Box Office: 01273 673311
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*Nottingham, Rock City  – Thursday 22nd March 2018

Tickets: TicketmasterSeeticketsAlttickets
Ticket Enquiries: 0115 896 4456
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Bad Touch’s current album, “Truth Be Told” celebrates classic rock with Southern boogie influences, with heavy guitar riffs and an iron-clad, tight rhythm section, in the great tradition of Black Crowes, Lynyrd Skynyrd and Led Zeppelin. The band have built up a formidable reputation as one of the UK’s premiere rock bands who consistently put on an energetic and compelling live show for their fans. Their commitment to their fans and their music not only reaches new heights but also connects with new fans who are discovering their music for the first time.

Bluesdoodles Thoughts:

Truth Be Told   – Bad Touch by the time the first guitar riff is played, the vocals growl you know this is going to be Classic Rock that will rock and roll your soul on a musical fairground ride of enchantment   -Read the rest HERE       

Tonight Bad Touch Headline The Tunnels Majestically The excitement fizzed like a can of shaken pop as Bad Touch exploded on the stage Read more HERE

In Conversation with Bad Touch before the headline tour – HERE

“Bad Touch know their music and their music knows no bounds.”
– Rush on Rock

“Strong and melodic…Bad Touch are infectious.”
– This Is Not A Scene

“Soaring riffs…powerful vocals…Bad Touch win over the crowd with ease, thanks to a refreshingly modern nd.”
– Unknown Press

“Bad Touch are growing into one of the UK’s best new bands.”
– Rock Gig Reviews

Brilliant as always… Bad Touch’s performance was
of headlining status.”

– Planet Mosh

 

 

 

 

 

Bad Touch Special Guests Skid Row Tour 2018

 

Laurence Jones Album Tells The Truth On Tour

Laurence Jones Album Tells The Truth On Tour

Laurence Jones Album Tells The Truth On Tour

 

Bluesdoodles rated the album when we listened & reviewed

Check out what we said HERE

25-year old British blues-rock guitarist and singer-songwriter, Laurence Jones, will release his new studio album The Truth on Friday 9th March 2018.  To dovetail the release of the album, Laurence will start his nationwide tour at London’s Borderline on Tuesday 23rd January. All tickets are £15 and available from www.thegigcartel.com and the 24 Hour Box Office 08444 790 898.

Laurence has also launched the pre-order store Check It Out that will feature a selection of bundles including the new album, vinyl, T-shirts, Ltd edition laminates and an exclusive pre-order poster.

Laurence is often labelled as “the future of the blues.” He’s won several major awards and accolades and has sold over 50,000 albums across four albums.  He’s supported the likes of Status Quo, Gary Clark Jr, Kenny Wayne Shepherd, James Bay, Van Morrison, Buddy Guy, Robert Cray, Joe Bonamassa Jools Holland, Eric Burdon, and many more.

Hailed as “one to watch” by all corners of the music industry, including press, concert and festival booking agents, blues fans and various musicians. Over the past five years, Laurence has really come into his own, and with his new album The Truth, he has now developed his own creative skin by writing and performing songs that are distinctive to his unique sound and identity.

Says Laurence, “The direction of this album is one I have always wanted to take and that’s crossover blues, just like my heroes John Mayer, Eric Clapton and even Jimi Hendrix. They managed to really bring the sound of the blues to the masses. This is definitely my favourite album that I have made to date. I can’t wait for people to hear The Truth.”

Laurence recorded the new album at the old Sony Studios in Miami. It proved to be an amazing opportunity when Top Stop Music, a Grammy award-winning record label, signed Laurence and proposed that he record the album in Florida.  “The studio has so much history,” says Laurence. “It has always been a dream of mine to record in America and I wanted this album to have that USA magic that a lot of my favourite records have.” 

With a strong new band, Laurence is breaking new territory as Bluesdoodles witness when he was the special guest of Kenny Wayne Shepherd at The Tramshed Cardiff.

Line-up touring  The Truth Tour 2018 is:-

Laurence Jones (Vocals, Guitar)

Bennett Holland (Keyboards, Backing Vocals)

Phil Wilson (Drums, Percussion)

Greg Smith (Bass Guitar)

Planet Rock presents

LAURENCE JONES

“THE TRUTH 2018 UK TOUR”
All Tickets: £15.00

 

London, Borderline – Tuesday 23 January

Book Online: Gig Cartel; See Tickets
24 HR Box Office: 0844 478 0898
Ticket Hotline: 0844 847 1678

Manchester, Band on the Wall – Thursday 3 May

Book Online:  GigCartel; Ticketline
24 HR Box Office: 0844 478 0898
Venue Tel: 0161 834 1786

Leamington Spa, Zephyr Lounge – Friday 4 May

24 HR Box Office: 0844 478 0898 – Venue Tel: 01926 311 311
Book Online: Gig Cartel or Eventbrite


Southampton Talking Heads – Saturday 5 May

Book Online: Gig Cartel  – Venue Tel: 02380 361 970


Birmingham, Hare & Hounds – Thursday 10 May

Book Online: Gig Cartel 24 HR Box Office: 0844 478 0898
Venue Tel: 0121 444 2081

Nottingham, The Bodega – Friday 11 May

Book Online: Gig Cartel or Alttickets

24 HR Box Office: 0844 478 0898 – Venue Box Office: 0115 896 4456

York, Fulford Arms – Saturday 12 May

Book Online: Gig Cartel 24 HR Box Office: 0844 478 0898
Venue Tel: 01904 620 410

Newcastle, The Cluny – Sunday 13 May

Book Online: Gig Cartel or See Tickets

24 HR Box Office: 0844 478 0898 – Venue Tel: 0191 230 4474


Laurence Jones has built his reputation in the studio and playing live check out his discography 

Albums in BOLD checkout Bluesdoodles review.

Discography

The Truth (2018)
Take Me High(2016)
What’s It Gonna Be (2015)
Temptation (2014)
Blues Caravan (2014)
Thunder In The Sky (2012)

 

Laurence Jones Album Tells The Truth On Tour

Pariah Brothers Never Exile Crow Black Chicken Music

Pariah Brothers Never Exile Crow Black Chicken Music on the latest album from the band that hails from the deepest South with their own distinctive blues-rock. The music feels homegrown deep southern America. Yes, the sound is true but the trio hail from the Deep South of Ireland.  Crow Black Chicken are a blues powerhouse live as the Clonmel based trio whirl the audience into a perfect maelstrom of excitement with their energized blues rock show. Christy O’Hanlon, the consummate entertainer with witty tales, stories to make the hair curl combined with his gravelled infused vocals and guitar leads the boys into music that cajoles and hits you straight in your music radar fair and square with a bullseye. Joining him providing deep, dark fulsome rhythms are Gev Barrett drumming and providing backing vocals and high-octane fueled riffs, the showman on bass Steven McGrath.  Will this sound be contained, dampened in the controlled atmosphere of the recording studio? The answer is an emphatic NO!  From the opening track, Jonestown through to the title track closing the album out you are captured in the mesmeric musical web of Crow Black Chicken.

 

The band weave their magic, they have thrown down the black chicken bones and weaving a dark alchemy of blues-infused rock, traditional yet absolutely contemporary. The opening track sets down a marker full of dark heavy blues and lyrics that take you to darkest Guyana, cults and mass suicide.  Followed by a groove-laden bass opening as the slide guitar wails and picks up the groove, we experience Justice Crow Black Chicken style. What a hefty start to the album can this momentum continue? No, we couldn’t take the pace.  Everyone has a semi-respite from intensity as we step up South Roman Street, the music curls around the greasy full licks from guitar and bass. The melodic laid-back approach captured in The Prophet now we have gained our breath the album builds and fires on all four cylinders once again. Exploring Deer Meat Unloaded a tale from a Spanish tour, writing songs from experiences on the road allows the guitar to whine and the bass to lay down the melody with attitude and cowbell is always a useful addition.

The beat is picking up as the album turns for home looking for the Pariah Brothers. A tribute to fellow Irishman Pat McManus, picks up the McManus groove. The guitar wails and squeals under Christy’s hand as his vocals unveil another tale gruff and full of emotional intent. Closing the album with the title track Pariah Brothers, Steven’s bass is deep dark and considered as he opens the number joined by a sharp bright guitar sound from Christy. The two sounds contradict but work perfectly well together as Brothers who are outsiders are introduced. Closing the album you are left with a greasy musical taste and the feeling that this is bluesy with rocking intent a band that will jam and change a song when played live. The songs may have been recorded in a studio but you know live they will retain the energy and intent and evolve as the band interact with the audience.  Across the dozen tracks Crow Black Chicken is definitely never curtailed by the studio walls as their brand of Southern bluesy rock is delivered. Pariah Brothers Never Exile Crow Black Chicken Music, Why? It will be often on the turntable, or whatever device you decide to use to get your Crow Black Chicken fix of the day.

 

Pariah Brothers – Crow Black Chicken

NINEpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Jonestown
  2. Justice
  3. Bleedin
  4. Calib
  5. South Roman Street
  6. The Prophet
  7. Panta Rhei
  8. Deer Meat Unloaded
  9. Ripples In The Sand
  10. Freedom
  11. Pat McManus
  12. Pariah Brothers

Check out the review of Crow Black Chicken Live in Bristol – HERE

 

Pariah Brothers Never Exile Crow Black Chicken Music

Broken Witt Rebels Rocking Thekla Boat Tonight

Broken Witt Rebels Rocking Thekla Boat Tonight with their brand of rocking and rolling Music. Before the Rebels took to the stage the night opened with Sonia Leigh. Sonia’s band whilst she is over from Nashville Tennessee are The Healers with Katy Hurt on backing vocals. What an amazing voice is the first thing you notice about diminutive Sonia. Full of textured gravel swirling around melodic tones delivering songs full of emotional intent. Sonia is a rocked up Mary Gauthier. The set was shimmering with powerful intent as country rocked and rolled as her vocals were supported by the percussive rhythmic shaping and guitar playing from Steve, Ace & Gab who are the Healers. With her new album Mad Hatter we were treated to Jack Is Back, wow this is a band that wants you to have fun as the set included My Name is Mary, Rocking In The Moonlight and Shelter. Sonia and the band surrounding her tonight played music that warmed the venue and left a lasting impression. We all agreed the set was far too short as they closed with Alabama Band full of Southern Rock and energy. We were ready and waiting to shout Up The Rebels as the main band of the night set foot on a stage in Bristol for the second time. Short break and our wishes were granted, first time playing on a boat for the Rebels the third time this year Bluesdoodles were excited to once again be listening to Broken Witt Rebels. Tonight they hit the ground running with Low from their self-titled debut album. The crowd need no encouragement from Danny Core to join in they were soon singing along confirming this as a firm favourite when played live & loud. The set flowed warming the atmosphere, with Breathless one of the new numbers on the album, Bang Bang and Howlin. We were now deep in the zone that Broken Witt Rebels create when playing live, they have a special sound blending influences as this Midlands based band meld Southern Rock with country with the drive of Brit-Pop pulled together by the talented and ebullient energy of front man Danny Core whose vocals connect to the audience. His vocals, groan, cry, beseech and take you to a special place as the tonal depth sends shivers of pure delight down your spine. This is a quartet of musicians who understand the intricacies of the sound they create and love playing the music. Danny’s vocals will always gain your attention but without the soaring driving platform of the other musicians it would be a voice and nothing more. Tonight James Tranter’s backing vocals were smooth and his guitar playing clever with hooks that pulled Danny’s vocals in, and riffs that hit home with the audience that showed the clever use of his pedal board. Then the rhythm section never to be ignored when the Rebels play their brand of Rock as Luke Davis on bass and James Dudley’s drumming combine to give every number a percussive deeper growling force. With fabulous backing vocals from James and Luke the choruses build and connect the verses and how the audience loved to add their voice. With two new numbers inspired and reflecting on their recent US tour opening for Whiskey Myers. Fearless, this reflects the playing of a band that is fearless in their intention for the whole venue to have fun. We rocked long and hard and like the music the boat stayed steady in its delivery. Followed by Give It Up, from tonight’s performance, that is definitely not a consideration for a band on this form. The musicianship was top-notch. The current single now was played live, however good the music is on a radio, when played live it takes on a new deeper energy and that was the case tonight with Wait for You. Now let’s have some drama, as they continued putting a Spell on You a highlight that glimmered brightly in a set of seventeen songs that were glorious from the first note to the last note. An acoustic guitar was picked up by James, as he and Danny stepped off the stage as Danny explained ‘going to try something different’. Turn On me, performed pure acoustic in the heart of the crowd who were spellbound. For me once again the centre-piece of the night was Georgia Pine which they nailed tonight live and will always be that special song, the one that caught my attention when I heard the EP Georgia Pine for the first time. Every time you hear this young band play they just keep getting better, songs you know like the closing numbers Snake Eyes and Guns prove that. Always full of rebelling attitude now they have been shaped and honed into a pressure pack of controlled energy that bursts out of the blocks as the energy builds and grows to a thunderous climax. From the performance tonight and the length of the queue at the Merch desk Broken Witt Rebels are welcome to return to Bristol anytime and we say make that soon, your music rocked our boat tonight.Broken Witt Rebels Rocking Thekla Boat Tonight

Broken Witt Rebels Rocking Thekla Boat Tonight with their brand of rocking and rolling Music. Before the Rebels took to the stage the night opened with Sonia Leigh. Sonia’s band whilst she is over from Nashville Tennessee are The Healers with Katy Hurt on backing vocals. What an amazing voice is the first thing you notice about diminutive Sonia. Full of textured gravel swirling around melodic tones delivering songs full of emotional intent. Sonia is a rocked up Mary Gauthier. The set was shimmering with powerful intent as country rocked and rolled as her vocals were supported by the percussive rhythmic shaping and guitar playing from Steve, Ace & Gab who are the Healers. With her new album Mad Hatter we were treated to Jack Is Back, wow this is a band that wants you to have fun as the set included My Name is Mary, Rocking In The Moonlight and Shelter. Sonia and the band surrounding her tonight played music that warmed the venue and left a lasting impression. We all agreed the set was far too short as they closed with Alabama Band full of Southern Rock and energy. We were ready and waiting to shout Up The Rebels as the main band of the night set foot on a stage in Bristol for the second time. Short break and our wishes were granted, first time playing on a boat for the Rebels the third time this year Bluesdoodles were excited to once again be listening to Broken Witt Rebels. Tonight they hit the ground running with Low from their self-titled debut album. The crowd need no encouragement from Danny Core to join in they were soon singing along confirming this as a firm favourite when played live & loud. The set flowed warming the atmosphere, with Breathless one of the new numbers on the album, Bang Bang and Howlin. We were now deep in the zone that Broken Witt Rebels create when playing live, they have a special sound blending influences as this Midlands based band meld Southern Rock with country with the drive of Brit-Pop pulled together by the talented and ebullient energy of front man Danny Core whose vocals connect to the audience. His vocals, groan, cry, beseech and take you to a special place as the tonal depth sends shivers of pure delight down your spine. This is a quartet of musicians who understand the intricacies of the sound they create and love playing the music. Danny’s vocals will always gain your attention but without the soaring driving platform of the other musicians it would be a voice and nothing more. Tonight James Tranter’s backing vocals were smooth and his guitar playing clever with hooks that pulled Danny’s vocals in, and riffs that hit home with the audience that showed the clever use of his pedal board. Then the rhythm section never to be ignored when the Rebels play their brand of Rock as Luke Davis on bass and James Dudley’s drumming combine to give every number a percussive deeper growling force. With fabulous backing vocals from James and Luke the choruses build and connect the verses and how the audience loved to add their voice. With two new numbers inspired and reflecting on their recent US tour opening for Whiskey Myers. Fearless, this reflects the playing of a band that is fearless in their intention for the whole venue to have fun. We rocked long and hard and like the music the boat stayed steady in its delivery. Followed by Give It Up, from tonight’s performance, that is definitely not a consideration for a band on this form. The musicianship was top-notch. The current single now was played live, however good the music is on a radio, when played live it takes on a new deeper energy and that was the case tonight with Wait for You. Now let’s have some drama, as they continued putting a Spell on You a highlight that glimmered brightly in a set of seventeen songs that were glorious from the first note to the last note. An acoustic guitar was picked up by James, as he and Danny stepped off the stage as Danny explained ‘going to try something different’. Turn On me, performed pure acoustic in the heart of the crowd who were spellbound. For me once again the centre-piece of the night was Georgia Pine which they nailed tonight live and will always be that special song, the one that caught my attention when I heard the EP Georgia Pine for the first time. Every time you hear this young band play they just keep getting better, songs you know like the closing numbers Snake Eyes and Guns prove that. Always full of rebelling attitude now they have been shaped and honed into a pressure pack of controlled energy that bursts out of the blocks as the energy builds and grows to a thunderous climax. From the performance tonight and the length of the queue at the Merch desk Broken Witt Rebels are welcome to return to Bristol anytime and we say make that soon, your music rocked our boat tonight.Broken Witt Rebels Rocking Thekla Boat Tonight with their brand of rocking and rolling Music. Before the Rebels took to the stage the night opened with Sonia Leigh. Sonia’s band whilst she is over from Nashville Tennessee are U.K. based band The Healers with Katy Hurt on backing vocals. What an amazing voice is the first thing you notice about diminutive Sonia. Full of textured gravel swirling around melodic tones delivering songs full of emotional intent. Sonia is a rocked up Mary Gauthier.  The set was shimmering with powerful intent as country rocked and rolled as her vocals were supported by the percussive rhythmic shaping and guitar playing from Steve, Ace & Gab who are the Healers.  With her new album Mad Hatter we were treated to Jack Is Back, wow this is a band that wants you to have fun as the set included My Name is Mary, Rocking In The Moonlight and Shelter. Sonia and the band surrounding her tonight played music that warmed the venue and left a lasting impression. We all agreed the set was far too short as they closed with Alabama Band full of Southern Rock and energy. We were ready and waiting to shout Up The Rebels as the main band of the night set foot on a stage in Bristol for the second time.

 

 

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Broken Witt Rebels Rocking Thekla Boat Tonight with their brand of rocking and rolling Music. Before the Rebels took to the stage the night opened with Sonia Leigh. Sonia’s band whilst she is over from Nashville Tennessee are The Healers with Katy Hurt on backing vocals. What an amazing voice is the first thing you notice about diminutive Sonia. Full of textured gravel swirling around melodic tones delivering songs full of emotional intent. Sonia is a rocked up Mary Gauthier. The set was shimmering with powerful intent as country rocked and rolled as her vocals were supported by the percussive rhythmic shaping and guitar playing from Steve, Ace & Gab who are the Healers. With her new album Mad Hatter we were treated to Jack Is Back, wow this is a band that wants you to have fun as the set included My Name is Mary, Rocking In The Moonlight and Shelter. Sonia and the band surrounding her tonight played music that warmed the venue and left a lasting impression. We all agreed the set was far too short as they closed with Alabama Band full of Southern Rock and energy. We were ready and waiting to shout Up The Rebels as the main band of the night set foot on a stage in Bristol for the second time. Short break and our wishes were granted, first time playing on a boat for the Rebels the third time this year Bluesdoodles were excited to once again be listening to Broken Witt Rebels. Tonight they hit the ground running with Low from their self-titled debut album. The crowd need no encouragement from Danny Core to join in they were soon singing along confirming this as a firm favourite when played live & loud. The set flowed warming the atmosphere, with Breathless one of the new numbers on the album, Bang Bang and Howlin. We were now deep in the zone that Broken Witt Rebels create when playing live, they have a special sound blending influences as this Midlands based band meld Southern Rock with country with the drive of Brit-Pop pulled together by the talented and ebullient energy of front man Danny Core whose vocals connect to the audience. His vocals, groan, cry, beseech and take you to a special place as the tonal depth sends shivers of pure delight down your spine. This is a quartet of musicians who understand the intricacies of the sound they create and love playing the music. Danny’s vocals will always gain your attention but without the soaring driving platform of the other musicians it would be a voice and nothing more. Tonight James Tranter’s backing vocals were smooth and his guitar playing clever with hooks that pulled Danny’s vocals in, and riffs that hit home with the audience that showed the clever use of his pedal board. Then the rhythm section never to be ignored when the Rebels play their brand of Rock as Luke Davis on bass and James Dudley’s drumming combine to give every number a percussive deeper growling force. With fabulous backing vocals from James and Luke the choruses build and connect the verses and how the audience loved to add their voice. With two new numbers inspired and reflecting on their recent US tour opening for Whiskey Myers. Fearless, this reflects the playing of a band that is fearless in their intention for the whole venue to have fun. We rocked long and hard and like the music the boat stayed steady in its delivery. Followed by Give It Up, from tonight’s performance, that is definitely not a consideration for a band on this form. The musicianship was top-notch. The current single now was played live, however good the music is on a radio, when played live it takes on a new deeper energy and that was the case tonight with Wait for You. Now let’s have some drama, as they continued putting a Spell on You a highlight that glimmered brightly in a set of seventeen songs that were glorious from the first note to the last note. An acoustic guitar was picked up by James, as he and Danny stepped off the stage as Danny explained ‘going to try something different’. Turn On me, performed pure acoustic in the heart of the crowd who were spellbound. For me once again the centre-piece of the night was Georgia Pine which they nailed tonight live and will always be that special song, the one that caught my attention when I heard the EP Georgia Pine for the first time. Every time you hear this young band play they just keep getting better, songs you know like the closing numbers Snake Eyes and Guns prove that. Always full of rebelling attitude now they have been shaped and honed into a pressure pack of controlled energy that bursts out of the blocks as the energy builds and grows to a thunderous climax. From the performance tonight and the length of the queue at the Merch desk Broken Witt Rebels are welcome to return to Bristol anytime and we say make that soon, your music rocked our boat tonight.Short break and our wishes were granted, first time playing on a boat for the Rebels the third time this year Bluesdoodles were excited to once again be listening to Broken Witt Rebels. Tonight they hit the ground running with Low from their self-titled debut album. The crowd need no encouragement from Danny Core to join in they were soon singing along confirming this as a firm favourite when played live & loud. The set flowed warming the atmosphere, with Breathless one of the new numbers on the album, Bang Bang and Howlin. We were now deep in the zone that Broken Witt Rebels create when playing live, they have a special sound blending influences as this Midlands based band meld Southern Rock with country with the drive of Brit-Pop pulled together by the talented and ebullient energy of frontman Danny Core whose vocals connect to the audience. His vocals, groan, cry, beseech and take you to a special place as the tonal depth sends shivers of pure delight down your spine. This is a quartet of musicians who understand the intricacies of the sound they create and love playing the music. Danny’s vocals will always gain your attention but without the soaring driving platform of the other musicians, it would be a voice and nothing more. Tonight James Tranter’s backing vocals were smooth and his guitar playing cleverly with hooks that pulled Danny’s vocals in, and riffs that hit home with the audience that showed the clever use of his pedal board. Then the rhythm section never to be ignored when the Rebels play their brand of Rock as Luke Davis on bass and James Dudley’s drumming combine to give every number a percussive deeper growling force. With fabulous backing vocals from James and Luke, the choruses build and connect the verses and how the audience loved to add their voice.

Broken Witt Rebels Rocking Thekla Boat Tonight with their brand of rocking and rolling Music. Before the Rebels took to the stage the night opened with Sonia Leigh. Sonia’s band whilst she is over from Nashville Tennessee are The Healers with Katy Hurt on backing vocals. What an amazing voice is the first thing you notice about diminutive Sonia. Full of textured gravel swirling around melodic tones delivering songs full of emotional intent. Sonia is a rocked up Mary Gauthier. The set was shimmering with powerful intent as country rocked and rolled as her vocals were supported by the percussive rhythmic shaping and guitar playing from Steve, Ace & Gab who are the Healers. With her new album Mad Hatter we were treated to Jack Is Back, wow this is a band that wants you to have fun as the set included My Name is Mary, Rocking In The Moonlight and Shelter. Sonia and the band surrounding her tonight played music that warmed the venue and left a lasting impression. We all agreed the set was far too short as they closed with Alabama Band full of Southern Rock and energy. We were ready and waiting to shout Up The Rebels as the main band of the night set foot on a stage in Bristol for the second time. Short break and our wishes were granted, first time playing on a boat for the Rebels the third time this year Bluesdoodles were excited to once again be listening to Broken Witt Rebels. Tonight they hit the ground running with Low from their self-titled debut album. The crowd need no encouragement from Danny Core to join in they were soon singing along confirming this as a firm favourite when played live & loud. The set flowed warming the atmosphere, with Breathless one of the new numbers on the album, Bang Bang and Howlin. We were now deep in the zone that Broken Witt Rebels create when playing live, they have a special sound blending influences as this Midlands based band meld Southern Rock with country with the drive of Brit-Pop pulled together by the talented and ebullient energy of front man Danny Core whose vocals connect to the audience. His vocals, groan, cry, beseech and take you to a special place as the tonal depth sends shivers of pure delight down your spine. This is a quartet of musicians who understand the intricacies of the sound they create and love playing the music. Danny’s vocals will always gain your attention but without the soaring driving platform of the other musicians it would be a voice and nothing more. Tonight James Tranter’s backing vocals were smooth and his guitar playing clever with hooks that pulled Danny’s vocals in, and riffs that hit home with the audience that showed the clever use of his pedal board. Then the rhythm section never to be ignored when the Rebels play their brand of Rock as Luke Davis on bass and James Dudley’s drumming combine to give every number a percussive deeper growling force. With fabulous backing vocals from James and Luke the choruses build and connect the verses and how the audience loved to add their voice. With two new numbers inspired and reflecting on their recent US tour opening for Whiskey Myers. Fearless, this reflects the playing of a band that is fearless in their intention for the whole venue to have fun. We rocked long and hard and like the music the boat stayed steady in its delivery. Followed by Give It Up, from tonight’s performance, that is definitely not a consideration for a band on this form. The musicianship was top-notch. The current single now was played live, however good the music is on a radio, when played live it takes on a new deeper energy and that was the case tonight with Wait for You. Now let’s have some drama, as they continued putting a Spell on You a highlight that glimmered brightly in a set of seventeen songs that were glorious from the first note to the last note. An acoustic guitar was picked up by James, as he and Danny stepped off the stage as Danny explained ‘going to try something different’. Turn On me, performed pure acoustic in the heart of the crowd who were spellbound. For me once again the centre-piece of the night was Georgia Pine which they nailed tonight live and will always be that special song, the one that caught my attention when I heard the EP Georgia Pine for the first time. Every time you hear this young band play they just keep getting better, songs you know like the closing numbers Snake Eyes and Guns prove that. Always full of rebelling attitude now they have been shaped and honed into a pressure pack of controlled energy that bursts out of the blocks as the energy builds and grows to a thunderous climax. From the performance tonight and the length of the queue at the Merch desk Broken Witt Rebels are welcome to return to Bristol anytime and we say make that soon, your music rocked our boat tonight.With two new numbers inspired and reflecting on their recent US tour opening for Whiskey Myers. Fearless, this reflects the playing of a band that is fearless in their intention for the whole venue to have fun. We rocked long and hard and like the music, the boat stayed steady in its delivery.  Followed by Give It Up, from tonight’s performance, that is definitely not a consideration for a band on this form. The musicianship was top-notch.

The current single now was played live, however good the music is on a radio, when played live it takes on a new deeper energy and that was the case tonight with Wait for You. Now let’s have some drama, as they continued putting a Spell on You a highlight that glimmered brightly in a set of seventeen songs that were glorious from the first note to the last note.

 

Broken Witt Rebels Rocking Thekla Boat Tonight with their brand of rocking and rolling Music. Before the Rebels took to the stage the night opened with Sonia Leigh. Sonia’s band whilst she is over from Nashville Tennessee are The Healers with Katy Hurt on backing vocals. What an amazing voice is the first thing you notice about diminutive Sonia. Full of textured gravel swirling around melodic tones delivering songs full of emotional intent. Sonia is a rocked up Mary Gauthier. The set was shimmering with powerful intent as country rocked and rolled as her vocals were supported by the percussive rhythmic shaping and guitar playing from Steve, Ace & Gab who are the Healers. With her new album Mad Hatter we were treated to Jack Is Back, wow this is a band that wants you to have fun as the set included My Name is Mary, Rocking In The Moonlight and Shelter. Sonia and the band surrounding her tonight played music that warmed the venue and left a lasting impression. We all agreed the set was far too short as they closed with Alabama Band full of Southern Rock and energy. We were ready and waiting to shout Up The Rebels as the main band of the night set foot on a stage in Bristol for the second time. Short break and our wishes were granted, first time playing on a boat for the Rebels the third time this year Bluesdoodles were excited to once again be listening to Broken Witt Rebels. Tonight they hit the ground running with Low from their self-titled debut album. The crowd need no encouragement from Danny Core to join in they were soon singing along confirming this as a firm favourite when played live & loud. The set flowed warming the atmosphere, with Breathless one of the new numbers on the album, Bang Bang and Howlin. We were now deep in the zone that Broken Witt Rebels create when playing live, they have a special sound blending influences as this Midlands based band meld Southern Rock with country with the drive of Brit-Pop pulled together by the talented and ebullient energy of front man Danny Core whose vocals connect to the audience. His vocals, groan, cry, beseech and take you to a special place as the tonal depth sends shivers of pure delight down your spine. This is a quartet of musicians who understand the intricacies of the sound they create and love playing the music. Danny’s vocals will always gain your attention but without the soaring driving platform of the other musicians it would be a voice and nothing more. Tonight James Tranter’s backing vocals were smooth and his guitar playing clever with hooks that pulled Danny’s vocals in, and riffs that hit home with the audience that showed the clever use of his pedal board. Then the rhythm section never to be ignored when the Rebels play their brand of Rock as Luke Davis on bass and James Dudley’s drumming combine to give every number a percussive deeper growling force. With fabulous backing vocals from James and Luke the choruses build and connect the verses and how the audience loved to add their voice. With two new numbers inspired and reflecting on their recent US tour opening for Whiskey Myers. Fearless, this reflects the playing of a band that is fearless in their intention for the whole venue to have fun. We rocked long and hard and like the music the boat stayed steady in its delivery. Followed by Give It Up, from tonight’s performance, that is definitely not a consideration for a band on this form. The musicianship was top-notch. The current single now was played live, however good the music is on a radio, when played live it takes on a new deeper energy and that was the case tonight with Wait for You. Now let’s have some drama, as they continued putting a Spell on You a highlight that glimmered brightly in a set of seventeen songs that were glorious from the first note to the last note. An acoustic guitar was picked up by James, as he and Danny stepped off the stage as Danny explained ‘going to try something different’. Turn On me, performed pure acoustic in the heart of the crowd who were spellbound. For me once again the centre-piece of the night was Georgia Pine which they nailed tonight live and will always be that special song, the one that caught my attention when I heard the EP Georgia Pine for the first time. Every time you hear this young band play they just keep getting better, songs you know like the closing numbers Snake Eyes and Guns prove that. Always full of rebelling attitude now they have been shaped and honed into a pressure pack of controlled energy that bursts out of the blocks as the energy builds and grows to a thunderous climax. From the performance tonight and the length of the queue at the Merch desk Broken Witt Rebels are welcome to return to Bristol anytime and we say make that soon, your music rocked our boat tonight.An acoustic guitar was picked up by James, as he and Danny stepped off the stage as Danny explained ‘going to try something different’. Turn On me, performed pure acoustic in the heart of the crowd who were spellbound. For me once again the centre-piece of the night was Georgia Pine which they nailed tonight live and will always be that special song, the one that caught my attention when I heard the EP Georgia Pine for the first time.

Every time you hear this young band play they just keep getting better, songs you know like the closing numbers Snake Eyes and Guns prove that. Always full of rebelling attitude now they have been shaped and honed into a pressure pack of controlled energy that bursts out of the blocks as the energy builds and grows to a thunderous climax.

From the performance tonight and the length of the queue at the Merch desk Broken Witt Rebels are welcome to return to Bristol anytime and we say make that soon, your music rocked our boat tonight.

 

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Broken Witt Rebels Rocking Thekla Boat Tonight

Read Bluesdoodles review of Debut Album HERE

 

Broken Witt Rebels Rocking Thekla Boat Tonight with their brand of rocking and rolling Music. Before the Rebels took to the stage the night opened with Sonia Leigh. Sonia’s band whilst she is over from Nashville Tennessee are The Healers with Katy Hurt on backing vocals. What an amazing voice is the first thing you notice about diminutive Sonia. Full of textured gravel swirling around melodic tones delivering songs full of emotional intent. Sonia is a rocked up Mary Gauthier. The set was shimmering with powerful intent as country rocked and rolled as her vocals were supported by the percussive rhythmic shaping and guitar playing from Steve, Ace & Gab who are the Healers. With her new album Mad Hatter we were treated to Jack Is Back, wow this is a band that wants you to have fun as the set included My Name is Mary, Rocking In The Moonlight and Shelter. Sonia and the band surrounding her tonight played music that warmed the venue and left a lasting impression. We all agreed the set was far too short as they closed with Alabama Band full of Southern Rock and energy. We were ready and waiting to shout Up The Rebels as the main band of the night set foot on a stage in Bristol for the second time. Short break and our wishes were granted, first time playing on a boat for the Rebels the third time this year Bluesdoodles were excited to once again be listening to Broken Witt Rebels. Tonight they hit the ground running with Low from their self-titled debut album. The crowd need no encouragement from Danny Core to join in they were soon singing along confirming this as a firm favourite when played live & loud. The set flowed warming the atmosphere, with Breathless one of the new numbers on the album, Bang Bang and Howlin. We were now deep in the zone that Broken Witt Rebels create when playing live, they have a special sound blending influences as this Midlands based band meld Southern Rock with country with the drive of Brit-Pop pulled together by the talented and ebullient energy of front man Danny Core whose vocals connect to the audience. His vocals, groan, cry, beseech and take you to a special place as the tonal depth sends shivers of pure delight down your spine. This is a quartet of musicians who understand the intricacies of the sound they create and love playing the music. Danny’s vocals will always gain your attention but without the soaring driving platform of the other musicians it would be a voice and nothing more. Tonight James Tranter’s backing vocals were smooth and his guitar playing clever with hooks that pulled Danny’s vocals in, and riffs that hit home with the audience that showed the clever use of his pedal board. Then the rhythm section never to be ignored when the Rebels play their brand of Rock as Luke Davis on bass and James Dudley’s drumming combine to give every number a percussive deeper growling force. With fabulous backing vocals from James and Luke the choruses build and connect the verses and how the audience loved to add their voice. With two new numbers inspired and reflecting on their recent US tour opening for Whiskey Myers. Fearless, this reflects the playing of a band that is fearless in their intention for the whole venue to have fun. We rocked long and hard and like the music the boat stayed steady in its delivery. Followed by Give It Up, from tonight’s performance, that is definitely not a consideration for a band on this form. The musicianship was top-notch. The current single now was played live, however good the music is on a radio, when played live it takes on a new deeper energy and that was the case tonight with Wait for You. Now let’s have some drama, as they continued putting a Spell on You a highlight that glimmered brightly in a set of seventeen songs that were glorious from the first note to the last note. An acoustic guitar was picked up by James, as he and Danny stepped off the stage as Danny explained ‘going to try something different’. Turn On me, performed pure acoustic in the heart of the crowd who were spellbound. For me once again the centre-piece of the night was Georgia Pine which they nailed tonight live and will always be that special song, the one that caught my attention when I heard the EP Georgia Pine for the first time. Every time you hear this young band play they just keep getting better, songs you know like the closing numbers Snake Eyes and Guns prove that. Always full of rebelling attitude now they have been shaped and honed into a pressure pack of controlled energy that bursts out of the blocks as the energy builds and grows to a thunderous climax. From the performance tonight and the length of the queue at the Merch desk Broken Witt Rebels are welcome to return to Bristol anytime and we say make that soon, your music rocked our boat tonight.

UKBlues Awards Events Master of Ceremony Announced

UKBlues Awards Events Master of Ceremony Announced

UKBlues Awards Events Master of Ceremony Announced

The team at UKBlues Federation who are running the inaugural UKBlues Awards 2018 alluded in last weeks announcement that there was exciting news to follow.  They are thrilled and very honoured to announce that Ian Siegal has agreed to take on the role of Master of Ceremonies at the event.  The UKBlues Awards presentation event taking place at Worthing Pier Southern Pavilion on Saturday 19th May 2018, tickets for which will be available from 1st January 2018.

UKBlues Awards Events Master of Ceremony AnnouncedIan is considered by many to be the most compelling British blues artiste since the great names of the sixties.

Classic Rock tags Siegal “a national treasure,” America’s blues bible says “vast talent” and MOJO magazine ranks him “the cleverest writer and most magnetic blues performer in the UK.” In a career that spans more than 25 years he has taken his music to 45 countries and presided over a trophy haul that includes 14 Awards in various categories and two Mojo Blues Albums of The Year not to mention three US Blues Music Awards nominations – an unprecedented nod for a non-American.

And yet, for all the dizzying achievements in the rear-view mirror, the most important part of any Siegal chronology is always the next show, the next song and the next great record.

Talking about his involvement with the event Ian said: “I’m delighted to be asked to help the UKBlues Federation present the first edition of the UK Blues Awards. This is an important step towards making the awards an internationally recognised standard of excellence. I will see you in Worthing in May to celebrate the UK’s diverse blues talents.”

We are very pleased that Ian has agreed to come on board and his involvement can only help to make this event all the more special and one not to miss.

Keeping you up-to-date about the awards.

SPONSORSHIP UPDATE

Earlier this week the UKBlues Federation launched a sponsorship campaign for the Awards and we are very pleased with the response with 7 of the 17 categories already having been snapped up by sponsors.

Details of all the categories in the Awards can be seen at www.ukbluesawards.com/categories and the UKBlues Federation is keen to hear from anybody interested in becoming involved with the sponsorship of an individual award or of the event itself, there are a number of options available. To find out more, simply drop us a line at sponsorship@ukbluesawards.com and we will send you our sponsorship prospectus which gives you full details.

CLOSING DATE TO APPLY TO JOIN UKBLUES AWARDS NOMINATION PANEL DRAWS NEAR

The initial nomination process for the first UKBlues Awards starts in just over a week on 18th December 2017 and will run until 15th January 2018.

Whilst all members of the UKBlues Federation are automatically enrolled in the nomination panel, for non-members, it is not quite too late to seek to be included although the closing date is midnight 15th December 2017.

If anyone would like to be included in the extensive panel of people from across the blues spectrum in the UK involved in the initial nomination stage of the Awards process, they should e-mail us at  panel@ukbluesawards.com  giving us their name, full postal address, telephone number and the e-mail address with which they wish to register plus a brief outline (no more than 50 words) describing why they wish to join the panel and your background in the blues in the UK.

You don’t have to be a musician, a promoter, a writer, a radio presenter etc. If you love your blues and get out to see bands play whenever you can and buy CDs or downloads of bands’ albums etc. then that means you could be on the panel!

The UKBlues Federation does not undertake to accept every application and their decision will be final and they will not disclose our reasons for accepting or not accepting applications. All applications will be treated as confidential and all members of the nomination panel are required to keep their involvement in the panel confidential.



VOTING PROCESS AUDIT

Finally, as you will see from the Eligibility criteria and Rules that have been drafted to apply to the UKBlues Awards – www.ukbluesawards.com/rules – the UKBlues Federation has gone to great lengths to make sure the voting process for the Awards is robust, open, secure and having integrity.

It has already been advised that the process will be overseen and audited by a completely independent external scrutineer and we are very pleased to announce that a partner in KPMG, a major international professional service company and one of the Big Four auditors, has agreed to take on this role.

The UKBlues Federation would like to thank the partner concerned, whose identity must, for obvious reasons, remain confidential, for agreeing to take on this role.

 

About the UKBlues Federation

 

The UKBlues Federation is a pan-UK organisation that has been established to promote and support Blues in and from the United Kingdom in all its forms and styles.

The UKBlues Federation has created a not for profit federation of musicians, organisations, associations, groups, venues, companies, individuals and any other interested parties within the UK who already work to support, promote and encourage blues of all sorts within the UK, to work together to achieve UKBlues Federation’s aims.

The UKBlues Federation incorporates the British Blues Archive, the foremost historical resource for blues in the UK.

The UKBlues Federation has recently announced the UKBlues Awards which will recognise excellence across the genre in the UK.

 

 

UKBlues Awards Events Master of Ceremony Announced

Noble DAY EIGHT Bluesdoodles Advent Calendar

Noble DAY EIGHT Bluesdoodles Advent Calendar

Noble DAY EIGHT Bluesdoodles Advent Calendar

 

 

 

 

It is definitely a Noble DAY EIGHT Bluesdoodles Advent Calendar. This is a huge thank you for the music that has inspired and motivated Bluesdoodles, with exciting albums and tours that makes the music year speed by.

 

ALBUM REVIEWS – IN CONVERSATION WITH – BANDS ON TOUR

DAsh Wilson Broken Machine New Single & on TourAsh Wilson

Broken Machine Album Review HERE

In Conversation – This is what we Talked About HERE

Live Show in Bristol – What a night of live music HERE

 

Rainbreakers Talks About 2017 UK Blues ChallengeRainbreakers       

Rise Up Album Review HERE

In Conversation – This is what we Talked About HERE

 

 

Michael Schenker Live In Tokyo Rocks Your Socks OffMichael Schenker

Live In Tokyo Album Review HERE

 

 

Q&A with Erja Lytinnen Stolen Hearts Guitars and TouringErja Lyytinen

Stolen Hearts Album Review HERE

In Conversation – This is what we Talked About HERE

Live Show in Bristol – What a night of live music HERE

 

Joe Bonamassa Live at Carnegie Hall Acoustic Album

Joe Bonamassa

Live In Carnegie Hall Album Review HERE

 

 

Manhaton Records Delivering Quality BluesRobin Trower

Time and Emotion Album review HERE

 

 

High Temperature Conversation With JW Jones

JW Jones

High Temperature Album review HERE

In Conversation – This is what we Talked About HERE

Live Show in Bristol – What a night of live music HERE

 

Suzi Quatro The Best Is Legend Her New AlbumSuzi Quatro The Best Is Legend Her New AlbumSuzi Quatro The Best Is Legend Her New AlbumSuzi Quatro The Best Is Legend Her New AlbumSuzi Quatro The Best Is Legend Her New AlbumSuzi Quatro The Best Is Legend Her New AlbumSuzi Q

Legends Album review HERE

 

Wilko Johnson

In Conversation – This is what we Talked About HERE

Sari Schorr

In Conversation – This is what we Talked About HERE

Live Show in Bristol – What a night of live music HERE

Live Show in Pontypridd – What a night of live music HERE

As Mollie says Truth Is A Wolf on her Debut AlbumMollie Marriott

Truth Is A Wolf Album review HERE

In Conversation – This is what we Talked About HERE

Live Show in Bristol – What a night of live music HERE

 

Who will join Stone Broken on Probably The Tour 2018The Bad Flowers

Single review HERE

 

 

Manhaton Records Delivering Quality BluesKing King

Exile & Grace Album review HERE

In Conversation – This is what we Talked About HERE

Live Show in Bristol – What a night of live music HERE

 

Black Country Communion Marches In With Rock on BCCIVBlack Country Communion

BCCIV Album review HERE

 

 

Bad Touch

In Conversation – This is what we Talked About HERE

Live Show in Bristol – What a night of live music HERE

 

 

Samantha Fish the Belle of The West on this AlbumSamantha Fish

Belle Of The West Album review HERE

Live Show in Bristol – What a night of live music HERE

 

Dan Reed Network New Album Video plus Supporting ExtremeDan Reed

In Conversation – This is what we Talked About HERE

Live Show in Cardiff – What a night of live music HERE

 

 

Dan Patlansky Stunning Guitar Returns to The GlobeDan Patlansky

In Conversation – This is what we Talked About HERE

Live Show in Cardiff – What a night of live music HERE

 

 

Steelhouse 2017 Simply Marvellous Mud Music and MatesJared James Nichols

In Conversation – This is what we Talked About HERE

Festival Fun Steelhouse HERE

 

 

 

 

 

Read Why Tonight Glenn Hughes was pure Gold as he Resonated across The FleeceGlenn Hughes

Live Show in Bristol – What a night of live music HERE

 

 

 

 

Noble DAY EIGHT Bluesdoodles Advent Calendar