Joe Bonamassa Back On UK Tour March 2018

Joe Bonamassa Back On UK Tour March 2018

Joe Bonamassa Back On UK Tour March 2018

72 HOUR PLANET ROCK TICKET PRE-SALE
STARTS TUESDAY 11 JULY 2017
www.planetrock.com

 Following Joe Bonamassa’s successful tour including two sold out concerts at London’s Royal Albert Hall in April 2017, the celebrated blues-rock guitarist and singer-songwriter, is pleased to announce that he will return to the UK in March 2018 to perform seven concerts.

Joe Bonamassa Back On UK Tour March 2018

Dates include Cardiff Motorpoint Arena (March 9), Manchester Arena (March 10), Carlisle Sands Centre (March 11), Aberdeen GE Oil & Gas Centre (March 13), Gateshead Sage (March 14), Birmingham Genting Arena (March 16) and Brighton Centre (March 17).

Tickets will then go on general sale at 9am on Friday 14th July from TICKET MASTERS and JOE BONAMASSA 

Joe Bonamassa Back On UK Tour March 2018

 

The March 2018 UK tour will feature Joe alongside a hand-picked group of world-class musicians playing material from Blues of Desperation, plus classic Bonamassa fan favourites.

Bluesdoodles loved the album “This is the first time Bluesdoodles has given Joe Bonamassa a 10 this is an inspired album that hit my blues-spot. This is a new approach more muted deeper tones, the result a powerful statement an album with direction and purpose.” READ what we said in Full HERE

Joe Bonamassa Back On UK Tour March 2018
24 HOUR TICKET HOTLINE: 0844 844 0444
BOOK ONLINE: TICKET MASTERS and JOE BONAMASSA 

Cardiff, Motorpoint Arena                          Friday 9 March

Manchester, Arena                                         Saturday 10 March

Carlisle, Sands Centre                                   Sunday 11 March

Aberdeen, GE Oil & Gas Centre                Tuesday 13 March

Gateshead, Sage                                              Wednesday 14 March

Birmingham, Genting Arena                       Friday 16 March

Brighton, Centre                                              Saturday 17 March

Joe Bonamassa Vintage Extravaganza Enthralls Colston Hall

“I just wish we were standing as this was not music to sit to, as the show drew to the last three numbers Joe, simply signed for the crowded auditorium to stand. We did and then the music became even more scintillating and the energy rose to another level.”
 – Bluesdoodles

“An excellent set, featuring mostly self-penned compositions, but some covers thrown in including Led Zep’s Boogie with Stu and rock classic Hummingbird, made for a fantastic evening’s entertainment.”
– Sheffield Star

“His soloing was, as you would expect,
immaculate and his vocals right on the money.”

– Music-News.com

“Bonamassa has to be heard and seen to be believed.” 
– 
Bristol Post

 “The best guitarist on the planet at the very top of his game.”
– Liverpool Echo

“Bonamassa’s recorded output has been nothing short of extraordinary – there doesn’t seem to be anything he can’t handle … Hugely impressive.”
– Acoustic Magazine

 

Joe Bonamassa Back On UK Tour March 2018

Fish Outta Water not Karen Lovely Singing Blues

Fish Outta Water not Karen Lovely Singing Blues

Fish Outta Water not Karen Lovely Singing Blues

 

The cover is alluring, Karen’s bejewelled eyes inviting you to explore the dozen tracks that tell me once again the Karen is never a Fish Outta Water when singing the blues with soulful emotions.  Building on the power and impressions left from her acclaimed 2010 release Still The Rain. On Fish Outta Water, Karen has handed much of the song writing over to producer Eric Corne;  Five tracks have the Lovely  skills two co-written with her producer, two co-written with Mark Bowden her touring Guitarist.

At the heart of the album is the seductive vocals of Karen Lovely; the tones and textures bounce of the musicians who she has surrounded herself with on Fish Outta Water. Two guitarists are used across various tracks, either Rick Holmstrom  or Doug Pettibone with bassist Taras Prodaniuk and Drummer/percussionist Matt Tecu pulling in the deep driving rhythms that the heartbeat of the album. Other instruments blended in shaping of tracks, used as colourful punctuation.

The title track pulls you deep under the watery depths; as you listen you feel in the company of friends you can breathe; Fish Outta Water not Karen Lovely Singing Blues. The instrumentation syncopated to reflect and build on Karen’s powerful vocalization. R’n’B that draws on a moody vibe; lit up by the Skip Edwards mastery of the Hammond B3.

With a beat of the drum, the mood is change as we are sitting Under The Midnight Sun setting the pace and full of clever licks and the use of saxophone adding a soulful aire to the proceedings.  Having listened to the album a number of times I know that it is the variation that makes you sit up, listen and pay attention to every track. The words are there for a purpose as the story of the song is unveiled with a mix of tempos; we have a thread of continuity Karen Lovely’s vocals her understanding of the blues.

Looming with intent is countrified Big Black Cadillac, this is no city slicker leading into for me the song of the album Hades’ Bride (There Was A Time); a slow burner as Lovely explores domestic violence and sexual assault.  Opening with beautiful acoustic guitar tones from Al Bonhomme, the mournful tones picked up by the searing violin and deeper tone of cello creating the tonal palette of the track. The story is sung by Karen with thoughtful delivery of the prose as blues and country meld in a perfect flowing harmony across words of pain and control; as wings are clipped and punches thrown. Emotive words spun with shrewd connections.  Atlas, the world on his shoulders, Frazier’s punch and the use of being the Bride of Hades  heroes from myths pulled together with clever phrases creating the allusion that all is well whilst underneath living‘s hell. Hades Bride a love song, how it can be distorted turned hateful with the control and misuse of power creating a life full of hurt and pain feels like a true story from the past many have lived through. And sadly, many still living through. For Karen this is more than a song as she actively supports RAINN USA’s largest anti sexual violence organisation.

How to follow that opening to the second half of the album, with explosive upbeat sound of Molotov Cocktails. Doug Pettitone’s guitar is sharp underpinning the vocals. The tempo maybe upbeat there is a darker feel once again front the chords of the organ and guitar as Karen sings, “let’s have another round of Molotov Cocktails”.  The song as you would expect form Karen is not a girls night out in a cocktail bar having fun it is the darker underbelly of geo-politics of living in a world surrounded by social justice.

All change as we shuffle into Chicago for an optimistic number Next Time things will be better! Closing out the album we have a country fair vibe almost a jug band sound as  Punk Rock meets Johnny Cash. Vocals observe a busker playing for nickles and dimes in a subway. Once again gritty side of life is captured in a few words in a melodic cry as a picture of now is painted by Karen Lovely’s vocals and words. Closing with a The River’s Wide, we are back at the waters side. Down by the water with the Hammond Organ and Karen’s soulful vocals as once again we visit pain divisions widen.

Karen brings a fluidity to the album it flows and no track is a Fish Outta Water; this is an album that feels at home in any lover of modern blues infused with country and soul collections.  This is an album where the song is the key and every track tells a story you want to hear. Stupendous album of blues that demands you to listen to. With every play you hear another crafted lick; astute vocal phrasing. Fish Outta Water never when in the company of Karen Lovely. I recommend you explore the album it is full of hidden depths; no written review will ever be able to convey.

Karen Lovely – Fish Outta Water

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Fish Outta Water
  2. Under The Midnight Sun
  3. Twist My Fate
  4. Waking Up The Dead
  5. Big Black Cadillac
  6. Everything Means Nothing
  7. Hades Bride (There Was A Time)
  8. Molotov Cocktails
  9. Next Time
  10. Nice and Easy
  11. Punk Rock Johnny Cash
  12. The Rivers Wide

 

Fish Outta Water not Karen Lovely Singing Blues

 

Kenny Wayne Shepherd says Lay It On Down on New Album

Kenny Wayne Shepherd says Lay It On Down on New Album

Kenny Wayne Shepherd says Lay It On Down on New Album

 

Kenny Wayne Shepherd new album Lay It On Down; Bluesdoodles can sum up his eighth solo album as searingly confident modern blues.  You want to read a little bit more? Happy to oblige as I listen once again with intense pleasure to Lay It On Down.

Lay It On Down, on Mascot Group Label with a release date of 21st July 2017. The album was recorded in January as Shepherd and his band entered the Echophone Studios in Shreveport, Louisiana. New Year, New Project , with an ambitious mission statement: the greatest songs of Shepherd’s career. No more. No less. “The point of this album,” he says, “was that I wanted to put a heavy emphasis on the songs themselves and the writing behind them. I wanted each song to really stand on its own with the songwriting, the music, the words.” Having listened mission accomplished full of fresh vibes; strong lyrics surrounded with the brilliance of electric blues.

Throughout the album the guitar sizzles with a controlled intent. The shining Goldilocks never too hot, never too long and definitely not cold. Kenny always leaves you wondering as the voice is hooked in what guitar lick was left out for the main event the lyrics.  It is that feeling of intrigue, the notes that have not been played that leaves you not wanting more but satisfied, intrigued and with melodies and lines that flash into your head as the most welcomed of earworms. Lay It Down, the music has been laid down with thought, commitment and self-belief that less is often more when it comes to electric guitar lead breaks.

Opening the narrative that connects the album’s eleven tracks is Baby Got Gone; starting off at full throttle with rock that is full of attitude we know we are embarking on a musical journey that will take us around an interesting circuit of songs recorded in Nashville out of Louisiana as rocks in the road are explored.  Rock and romance in the air combine on romantic number Nothing But the Night. Diamonds & Gold is full of soulful luxuriousness, a cascade of notes on guitar, drum and horns the sound is funky, modern and energised. The title is two objects of desire signifying for many power, and wealth giving us our status and identity.  Shepherd manages through the lyrics to look beyond to bigger more meaningful and fulfilling things as the guitar squeals delivering a crescendo of sound more valuable to the listener than Diamonds & Gold.

With a floating, Americana feel of the title track, Lay It On Down takes the musical road in another direction. This light and fresh number has a darker lyric trapped in a gilded cage as Shepherd sings “Who broke your will now honey who stole your dreams like money who made you think you were keeping around”. The lyrics build the story, the guitar break fills in the gap as we travel the road knowing we need to look at the inner beauty to pass the self-doubts that we often show to the world. .

The lap-steel curls with a depth of tone on Hard Lesson Learned and the electric guitar adds a salty sharpness. Then into blues shuffling glory that is the signature of Kenny Wayne shepherd for many. Followed by another vintage bluesy number we are then showered with Louisiana Rain.  The acoustic guitar is gentle reflecting rain on a window, distorting the view with its shades of grey. A song sung with heartfelt personal emotions. As we are led to the final stop on the journey that is Ride Of Your Life.  The music hooks back to the driving rocky feel of the opener. This is as it says a Ride Of Your Life the guitar crackles with static electric power, the flashes of sparks are iridescent with every shade of blue from baby blue to darkest indigo.  The encore is an acoustic version of the title track; we revisit the bird in the gilded cage the lyrics suit the acoustic sound. Lay It On Down is an album that will grow with very outing and tracks will become live favourites..

By the eighth album an artist can become predictable, all feels like heard that before. DEFINITELY NOT with Lay It On Down, Kenny Wayne Sheppard, picking up on his other passion motor cars has given his music a complete overhaul, the guitar driven engine still has its power and integrity but added to the accelerator taking us on a journey are strong lyrics and modern Americana influence. As KWS said recently, “I feel like the band’s best days are still ahead of us. And the next album could be completely different…”  He has certainly succeeded as Kenny Wayne Shepherd says Lay It On Down on New Album. While we wait for the next re-vamp we can Lay It On Down with pleasure in the company of Kenny Wayne Shepherd and his band.

Kenny Wayne Shepherd – Lay It On Down – Mascot Label Group

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Baby Got Gone
  2. Diamonds & Gold
  3. Nothing But The Night
  4. Lay It On Down
  5. She’s $$$
  6. Hard Lesson Learned
  7. Down For Love
  8. How Low Can You Go
  9. Louisiana Rain
  10. Ride Of Your Life
  11. Lay It On Down (Acoustic)

 

Kenny Wayne Shepherd says Lay It On Down on New Album

 

Bluesdoodles Album Picks Second Quarter 2017

Bluesdoodles Album Picks Second Quarter 2017

Bluesdoodles Album Picks Second Quarter 2017

 

 

Bluesdoodles Album Picks Second Quarter 2017  the recorded music keeps arriving such diversity and quality the excitement of sound captured to be relived again & again. It is proving to be a bumper year for music from Blues to Americana – Rock to Prog Rock many intriguing albums and musicians skills that cross the genres merging styles, melding influences into  a diversity of sonic delights that intrigues and keeps your entertained. 2017 is going to have a overflowing memory box of special music as the cascade of albums arriving through the letterbox both the electronic format and the traditional front door.

Bluesdoodles Album Picks Second Quarter 2017Over the last thirteen weeks, I have listened to many and thirty-four reviewed by Bluesdoodles keyboard warrior, Liz Aiken loves the listening, enjoys the typing. The hard part is deciding the number of doodle paws for the superb musicianship and variety of styles we listen to. At the end of the second quarter of 2017 from the 1st of April through to 30th June 2017: TEN albums shone bright, thus ten doodle paws stamped on the cover.

Ever wonder about the doodle paws category?

All numbers given to artistry are subjective, mine are no different; they are indicative in relationship of previous music released by the musicians; also how the music compares to the current releases.  We rarely give below five as so many excellent albums below satisfactory rarely see the light of scrutiny.

Bluesdoodles Album Picks Second Quarter 2017

10 Doodle Paws Stupendous

9 Doodle Paws Exceptional

8 Doodle Paws Marvellous

7 Doodle Paws Splendid

6 Doodle Paws  Pleasing

5 Doodle Paws Satisfactory

Clicking the album cover takes you to the review:-

Bluesdoodles Album Picks Second Quarter 2017 Bluesdoodles Album Picks Second Quarter 2017Bluesdoodles Album Picks Second Quarter 2017Bluesdoodles Album Picks Second Quarter 2017

Bluesdoodles Album Picks Second Quarter 2017

Thomas Wynn and The Believers Album Wade Waist DeepBluesdoodles Album Picks Second Quarter 2017Bluesdoodles Album Picks Second Quarter 2017Bluesdoodles Album Picks Second Quarter 2017

Bluesdoodles Album Picks Second Quarter 2017

 

 

 

 

 

 

 

 

 

Check out the other albums reviewed they are an exciting mix of music many not to be missed and will become firm favourites.

All albums reviewed by Bluesdoodles can be found over at – Recorded Music Reviews

Big Daddy Wilson Album Neckbone Stew is Perfect

Big Daddy Wilson Album Neckbone Stew is Perfect

 

Big Daddy Wilson Album Neckbone Stew is Perfect

 

Bluesdoodles recommendation to you is, switch off the phone, lock the doors sit back in a comfortable chair press play and Big Daddy Wilson’s Neckbone Stew will warm you aural senses as you are drenched in the music of Southern States of America.

As we step into the musical journey we start off at Cross Creek Road, opening with a deep, tuneful acoustic number reminding me of Eric Bibb in tone and texture. The title track reflecting the gospel intoning with his soulful vocals, stepping back to a time when he sang in Church back in Edenton, North Carolina. Then with a stylish swirl the beat picks up with a reggae rhythm overlaying vocals sung in a traditional blues style, the musicianship from his trio and guests makes the whole album sizzle with music that is soul food for your ears. Big Daddy’s combination of vocals that cajole and percussive beats are joined by bassist and vocalist Paolo Legramandi; completing the threesome is multi-instrumentalist
Cesare Nolli, Guitar, Drums, Percussion, Keyboard and Vocals. This threesome delivers on every track. The piano introduces us to Tom Cat and guitar that pulls us into a holler, in homage to his father John Henry Wilson. The emotion is raw and genuine the tone full of mournful intricacies. Follow that! Easy when you are Big Daddy Wilson with a number he wrote with Eric Bibb He’ll Make Away. A number that would sit with ease on any Bibb album it shows the versatility and dexterity of delta inspired traditional southern music.

Now a cover, no it is a complete rearrangement as Tracy Chapman’s Give Me One Reason is re-shaped into a delta-blues number, with the winning combination of Big Daddy’s vocals and Ruthie Foster. This is a stew that is shaped by delicious sounding varied music. We visit the love of bad food, with Cookies Gonna Kill Me. A real change for whiskey going to kill me blues. Up beat country fair dance tempo as Eric Bibb joins him on guitar and must be the first tine sugar diabetes has been a line in a song.

Closing out with The River, full of evangelical fervour with Big Daddy Wilson imploring the preacher is this a sign, slow and with an emotive edge. Closing the album with Peanut Butter Pic; up beat country blues that gets your feet tapping and now you are relaxed replete with Neckbone Stew.

Big Daddy Wilson has created musical concoction the effortlessly with artistry and feel blends, blues, roots, country spiritual, soul and reggae; this is music that flows mighty fine on the ear. The spicing in the musical mix is just right, it is definitely a bowl of Neck Bone Stew served at the right musical temperature!

Big Daddy WilsonNeckbone StewRUF Records

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Cross Creek Road
  2. 7 Years
  3. Neckbone Stew
  4. I Just Need A Smile
  5. Tom Cat
  6. He’ll Make A Way
  7. Give Me One Reason
  8. Running Shoes
  9. My Babe
  10. Damn If I Do
  11. Cookies Gonna Kill Me
  12. The River

Musicians
Big Daddy Wilson – Percussions, Vocals
Paolo Legramandi – Bass, Vocals
Cesare Nolli – Guitar, Drums, Percussions, Keyboard, Vocals

Guest Musicians

Staffan Astner – Guitar
Eric Bibb – Guitar
Sven Lindvall – Tuba
Nik Taccori – Drums
Ruthie Foster – Vocals
Davide “Dave” Rossi – Keyboard
Alessandro Meroli – Horn, Flute
Paris Renita – Backing Vocals

Big Daddy Wilson Album Neckbone Stew is Perfect

La Vendore Rogue Live Album A Night In The North

La Vendore Rogue Live Album A Night In The North

La Vendore Rogue Live Album A Night In The North

What a winning and charismatic formula,  LaVendore Rogue captured live to be enjoyed in your front room. Turn the lights down low, the volume up to eleven and step aboard to immerse yourself in A Night In The North. Once again the quintet delivers music that is enthralling delving into the darkness with rocking majesty. Music that intrigues and refuses to be caught on a single genre coat peg this is inventive using the skills of every member of the band. Before getting down to the set-list of ten tracks, here is an introduction to the band, done by JoJo himself on the album. Upfront full of dramatic phrasing and vocal turns is JoJo Burgess; Joel Fisk brings in licks and riffs and tonal treats on his guitar combining his chords with those of Warren Lynn on the keys.  The flourishes of tonal delights continues deep into the rhythm section Rob ‘Tank’ Barry on Bass and the sticks of Stephen “Cupsey” Cutmore on the drums. That’s the personnel introduced now for the reason we all loved Hokie Joint and now LaVendore rogue, the wealth of music that mixes blues with good old rock n roll where the Rolling Stones collides with Charlie Patton.

Opening with Deadman’s Chest, from their debut album Light Up With. JoJo’s vocals are distinctive warm and he articulates every word adding dramatic emotions as the story unfolds with a bottle of rum and the harmonizing on the live version adding in intensity as the keys pull the cascade of sound that assaults you. We are now hooked in by the music.  Into the mix are two more tracks from the debut album, Honey Murder and A.S.A.D. Live these two tracks work so very well, the shredding of the six-strings by Joel imploring and demanding attention this is controlled playing with the guitar talking to you and then the deep velvet vocals this is a story that is full of Gothic intrigue.  On A.S. A.D is where Warren’s superb playing on the Hammond & Keyboard comes to the fore with an opening that has a fervor, JoJo’s vocals are quieter, sad reflective as he builds the debate about drugs and the power of money and then there is a death and the message changes what a powerful track redolent of so much in the news today.

Two survivors tonight of the Hokie Joint days is Chocolate Cake, as moist and tasty as any triple chocolate cake it is the equivalent of a calorific sugar overload in musical terms.  The number makes the transformation it is delicious displaying the prowess of their mercurial drummer at the back Steve Cutmore. The second is The Way It Goes….Sometimes with Joel’s guitar building the tension with judicious use of feedback and ripping chords that Warren picks up. This is popular music rock that rolls with the beat, never pure blues but has a magical air that connects us back to the days of the Delta, as  demonstrated by the inclusion of Charlie Patton’s Oh Death between these numbers.  Joel gives Charlie’s music a freshness and the lyrics re-interpreted and shaped around the velvet tongue of JoJo. Blues forever adaptable and the beat and rhythms remain strong and true.

The tracks so far are familiar is there something new on the album Oh! Yes there is! The Chemist, with a fresh melodic beat and a story that unfolds as ever with one of their original lyrics, as we met the industrial chemistry.  The number demonstrates the chemistry between the whole band with a Jaggeresque/Rolling Stones vibe this is the one-hundred percent LaVendore Rogue sound, layers of complexity an aural maze that enchants whether the guitar passion from Joel or the chords of the keys or the deep bass from Rob.  This is a band playing music they want to share. The second new number is Hikkomori which is Japanese for reclusive adolescents or adults who withdraw from social like.  Another darker subject, reflecting today’s complex society. The music is the opposite, bright, open and engaged, love the stick clicking from Stephen a clever sound that adds texture and interest during another superlative guitar solo from Joel.

The last two numbers bring us back to the familiar the second cover this time Rolling Stones, Get Off Of My Cloud pure energetic fun and then closing out we re-visit the debut album with Siesta Resistance about staying up all night and drinking perfect for the blues club the album was recorded at. Throughout the album the applause is warm and the audience appreciate the unique creativity that is La Vendore Rogue the band that understands how to entertain you. Definitely a keeper La Vendore Rogue Live Album A Night In The North.

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Dead Man’s Chest
  2. Honey Murder
  3. Chocolate Cake
  4. Oh Death
  5. The Way It Goes….Sometimes
  6. A.S.A.D.
  7. The Chemist
  8. Hikikomori
  9. Get Off My Cloud
  10. Siesta Resistance

La Vendore Rogue Live Album A Night In The North

Gov’t Mule New Album Revolution Come…Revolution Go

Gov't Mule New Album Revolution Come...Revolution Go

Gov’t Mule New Album Revolution Come…Revolution Go

 

The title is intriguing is this a politically fueled message or a reflection on the crazy merry ground life we are spinning through? Revolution Come…Revolution Go; is as diverse and exciting as Gov’t Mule can be; expect a musical exploration as roots music infused with all its off-shoots. The album’s cover a soldier atop a broken toy mule facing the wrong way as he yells through an orange street cone; is so retro and so modern just like the music. Unarguably Richard Borge’s artwork captures the concept and drive of an album reflecting a crazy moment in history.

This is a musical cocktail never shaken but careful turned with each revolution of the turntable a musical spice is added; jazz, rock, blues and country the sonic layers fuse together and then separated into the individual parts the result is a delicious Gov’t Mule experience. The album flows with an introspective feel, whilst full of angst and pain this is a revolution down a road of life worn and traveled with the undertow of the impact of politics of our lives. Opening with Stone Cold Rage and closing with Dark Was The Night, Cold Was The Ground this was never going to be a happy sunny uplands gentle lyrics driven melody. This is Gov’t Mule rocking it out with fiery riffs, cascading chords from the keys and riding through the middle of deep dark rhythms Warren Haynes’ vocals.

Gov't Mule New Album Revolution Come...Revolution Go

We are introduced to the latest offering from the Mule with a guitar sound that is huge, fast with an inner urgency as the keys join into the auditory playground. There is a primeval fear in the rhythms conjured by Matt Abts & Jorgen Carlssons Drum and Bass mix; with a funky sound that punctuates the power of the lyrics “Something Happened in The Back Woods… Stone Cold Rage in The Hinterland”.  The other two politically driven numbers are Pressure Under Fire and the title track. Reflecting the turmoil in the Country when the group started recording the album on Election Day November 2016.  The upsets and uncertainties continue throughout the world. Elections no longer have a certainty there is an undercurrent of rage and fear resulting in surprise. The line is Pressure Under Fire – We have to work together to get out of this mess; resonates throughout society. Warren’s vocals have an emotional edge the music builds and we want the lyrics to be a new truth a reality that is no longer based on falsehoods.

We turn in to ourselves with a country fueled Travelling Tune, haunting with the sharp simple melody that like a journey unfolding full of  shades and shadows pierced with the glimpse of sun.  The country feel flows through with Thorn of Light and onto the title track. Revolution Comes … Revolution Goes sparkles with intent. With the jam like feel of the multi-instrumental beaks this is a revolution of intent, considered with clear constructed argument, the fury is cold rather than hot and dragging and all the more dangerous for it.  The title track along with Sarah, Surrender are the two stand out tracks on an album that is compulsive listening from beginning to end. The keys from Danny Louis is full of funky tones, mixing in with a cocktail of sound as jazz and soul swirl through the melody, The guitar is sharp and determined and the drumming intense.  With the addition of Jimmy Vaughan’s guitar into the mix Burning Point is blues swirling in a psychedelic haze of deliciousness.

The album is a perfect set list and with the Deluxe version you hear some of the tracks recorded live. This is a journey through the wealthy golden rich seam of Gov’t Mule signature styles. As they close out with Carlsson’s arrangement of classic blues number from Blind Willie Johnson, Dark Was The Night Cold Was The Ground. This is a blues overload with a drone, moan and depth of blues textures that revitalise the music, the perfect ending to an album that owns so much to the traditions of roots music. Warren Haynes hollers the opening lines and the melody picks up the tone as the story unfolds.

With the concept of expect the unexpected, the certainty of Revolution Comes…Revolution Goes is the music is stunning, a ray of sparkling light, a shaft of hope this is a community of musicians communicating to a larger gathering of Mule fans everywhere.

 

Gov’t Mule – Revolution Comes…Revolution Go – Spinefarm Records

 

TENpawprint half inchdoodle paws out of TEN ….

Track Listing
Revolution Come…Revolution Go Standard Track-listing:

  1. Stone Cold Rage
  2. Drawn That Way
  3. Pressure Under Fire
  4. The Man I Want To Be
  5. Traveling Tune
  6. Thorns Of Life
  7. Dreams & Songs
  8. Sarah, Surrender
  9. Revolution Come, Revolution Go
  10. Burning Point (ft. Jimmie Vaughan)
  11. Easy Times
  12. Dark Was The Night, Cold Was The Ground

Deluxe Version – Bonus CD:

  1. What Fresh Hell
  2. Click-Track
  3. Outside Myself
  4. Revolution Come, Revolution Go (Alternate Version)
  5. The Man I Want To Be (Live In Studio Version)

Dark Was The Night, Cold Was The Ground (Live In Studio Version)

Gov't Mule New Album Revolution Come...Revolution Go

Beth Hart Announces Trio of Beautiful Solo Shows

Beth Hart Announces Trio of Beautiful Solo Shows

Beth Hart Announces Trio of Beautiful Solo Shows

 

24 HOUR TICKET PRE-SALE ON THURSDAY 1st JUNE
FROM ALT TICKETS 

TICKETS ON SALE FRIDAY 2nd JUNE
24 HOUR BOX OFFICE: 0844 871 8819
BOOK ONLINE: ALT TICKETS  or GIGANTIC
 

Beth Hart Touring With Fire On The Floor

Following her critically acclaimed Fire On The Floor UK tour in November 2016, Grammy nominated singer-songwriter, Beth Hart will perform three exclusive solo concerts in beautiful settings during October and November 2017.

The concerts will take place in Leeds Town Hall (Monday 30th October), The Forum, Bath (Wednesday 1st November) and Coventry Cathedral (Friday 3rd November).

 

Sultry blues, jazzy influences, rocking tunes and touching ballads; Beth Hart does it all!

Bluesdoodles said:-

Walking, Talking Singing Beth Hart Wins Colston Hall Hearts –  Tonight we were enchanted under the spell of Beth’s aural seduction her vocals purred, growled and beseeched as she filled the hall with warmth, sadness and hope.
Beth Hart tonight delivered more than a song, more than a show it was open, heart-rending connecting to us on an individual level. Tonight was music therapy for everyone.

Other plaudits include:-

“Beth Hart has a blues-rock voice so ballsy, it could pin you to the wall.”  The Times
“Beth Hart is a phenomenon.” Rockshot
“With Beth Hart, you get a versatile, genre-defying powerhouse of a vocalist and one of the great female singers of our time.” – National Rock Review

BETH HART – SOLO TOUR OCTOBER /NOVEMBER 2017

 Leeds, Town Hall                             Monday 30 October
Bath, The Forum                              Wednesday 1 November
Coventry, Cathedral                       Friday 3 November

 

Beth’s first solo gig at London’s Union Chapel (subsequently voted by fans as the venue’s gig of the year). “It was the most terrifying experience of my entire life,” she admits. “I got up there and I was so frickin’ scared. But then, halfway through the show, I just started to enjoy it. By the end, I felt so connected to the audience, and I really felt like they did that show with me. It was like we were all the band.” Her current acclaimed album, Fire On The Floor is sure to build on her breakneck momentum. The record gave her an emotional release following the bitter-sweet sessions for Better Than Home. Fire On The Floor is the album that Beth Hart needed to make. Likewise, it’s a record that you need to hear. “I’m so pleased with it,” she concludes. “I recently had to organise the sequence of the record, and while I was doing that, I was thinking to myself, ‘Y’know, this is pretty frickin’ good…!’” Everyone at Bluesdoodles thought the album was super – here is what we wrote follow the link HERE Bluesdoodles album of 2016 – Fire On The Floor.

 

Beth Hart Announces Trio of Beautiful Solo Shows

September 2017 Stolen Hearts Erja Lyytinen UK Tour

September 2017 Stolen Hearts Erja Lyytinen UK Tour

September 2017 Stolen Hearts Erja Lyytinen UK Tour

 

The tour follows hot on the heels of her critically acclaimed new album Stolen Hearts 
released on CD, 180 gram vinyl and digital download

Award-winning Finnish slide guitarist and singer-songwriter, Erja Lyytinen,  announcing her return to the UK for her Stolen Hearts” UK tour from September 20–26th.

 Dates include Sheffield Greystones (20 Sept), Edinburgh, The Caves (21 Sept), Nottingham Bodega (22 Sept), Chester Live Rooms (23 Sept), Manchester, Band on the Wall (24 Sept), London, Borderline (25 Sept) and Bristol, The Tunnels (26 Sept).

Tickets priced £12.50, can be ordered from the debit/credit card hotline number 01472 349 222 (between 9am-5pm), from Solid Entertainment, or booked directly at the venue box offices.

The tour will feature songs from her critically acclaimed album “Stolen Hearts” mixed by, and vocals recorded by the legendary Chris Kimsey (The Rolling Stones, Bad Company, Marillion, Peter Frampton).

 

September 2017 Stolen Hearts Erja Lyytinen UK Tour

 Sheffield, Greystones                                   Wednesday 20 September
Edinburgh, The Caves                                    Thursday 21 September
Nottingham, The Bodega                             Friday 22 September
Chester, Live Rooms                                      Saturday 23 September

Manchester, Band On The Wall                 Sunday 24 September
London, Borderline                                        Monday 25 September
Bristol, The Tunnels                                       Tuesday 26 September

 

Erja, always entertains and Bluesdoodles loves to having the opportunity to catch up with the sparkling sapphire Blues from Erja; at festivalsin conversation or recorded music.

The set from Erja at HRH Blues in Sheffield this Easter was a highlight of the festival “High class set from the renowned queen of the blues slide guitar. In the set is Black Ocean for me a highlight and favourite on the album now a live favourite as prog meets blues under the charms and skills of Erja.  We joined her on the rocking Chair, sang along with Stolen hearts. Then the trained steamed up the hill with her interpretation of Tina Turner’s Steamy windows. This was blues that sparkled as Erja smiled, played and won our hearts.”

 

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September 2017 Stolen Hearts Erja Lyytinen UK Tour

Thomas Wynn and The Believers Album Wade Waist Deep

Thomas Wynn and The Believers Album Wade Waist Deep

 

Thomas Wynn and The Believers Album Wade Waist Deep

Thomas Wynn and The Believers album Wade Waist Deep their third album and should get the name known far and wide with this cross over album that is not a road trip but the weaving of the lexicon of American music from roots to rock.  Labelled a Rock album Wade Waist Deep is so much more  exploring how we can build an open better world, not through preaching but a common understanding of tolerance and love. Wade Waist Deep moves beyond the confessional songwriting as he sought relief from heartbreak and addiction on the previous album and look beyond self to a collective conscience. The music is mature, thoughtful with strong lyrics, powerful harmonies and ear catching melodic rhythms. For Thomas Wynn, life & music have changed since the birth of his son Abel a year ago; “It’s that yearning, that longing for the person that you want to be,” says Wynn.

Joining Thomas as The believers are his sister Olivia, her vocals have a searing purity shaping harmonies that sing with an ethereal energy. With vintage Hammond sound from Colin Daniel Fei and wail of  the blues harmonica from Chris ‘Bell’ Antemesaris. The rhythm and deep grooves are laid down by  David Wagner and Ryan Miranda; on bass & drums respectively.  Enough of the background what about the music? It is superb from the first note to the last, clarion clear, gentle and urgent full of light and dark phrasing from every member of Thomas Wynn and the Believers.

Opening with a harmony of voices Man Out Of Time lets us step onto the spiritual musical journey this album will take us on over the dozen tracks. This is primeval, raw and full of growing tension as the blues captured and shaped the sound is hypnotic as we learn about Man Out Of Time. The chorus is melodic vocal wail no words required as the emotion unfurl, calling us to explore the music and lyrics.  ‘In The darkness light was mine’ intones Olivia as the music builds around her this is raw power energy that rocks.  Following on is the title track, the drums are hypnotic the guitar wields the power of the six-strings as Thomas’ voice implores  as we go down to the water and we are Waist Deep in the water.  A title track soaked in emotion the guitar weeps and Thomas finds the tonal texture to ‘wash my feet wash my soul… and I will find my Peace’. This is rock that is full of nuances and is not about the volume but tcomposition of melody and lyrics taking us out of ourselves to be part of the story that Thomas Wynn and The Believers are sharing.

Heartbreak Alley, the angst is raw, the organ swelling with emotion the singing from Olivia soulful and powerful. The album now has three different sounds and they are held together by a narrative that flows and the linking back to the wealth of music that has shaped modern America. If you are exploring life then Death cannot be ignored and with the powerful rhythms from David & Ryan shaping the emotional outpouring from Thomas’s vocals and the cascading harmonies as Olivia joins him on My Eyes Won’t Be Open; with the Hammond adding tonal depth after the chorus this is a song that remains long after the last note is sung.

The guitar opening of I Don’t Regret is sweet, with acoustic feel and adds another element to the yearning in Thomas’ vocal, simple with an inherent beauty.  As the guitar volume increases the music opens up like sun coming out from behind a cloud the music fills the room.  Gospel meets Country Rock and we realise that regretting what has been done is pointless it is the future that can be changed.

The rock in the band falls out of the speaker with the penultimate number We Could All Die Screaming; volume and intensity are raised but the clarity is never lost. This is Thomas with a determination in the delivery of the vocals, a tinge of anger and it builds throughout the four minutes. Closing with Turn It To Gold, the intensity is captured as the musicians bring an album to a climax.  The bass deep and with a drone like quality catches the ear with wonder a rock anthem that is so much more.

Wade Waist Deep has layers of complexity, thought-provoking vocals and a message never preaching it is about Country Rock from a band that has something to say connecting us all back to Orlando, Florida where they live. Through a to Sputnik Sound studio in Nashville, where the band recorded Wade Waist Deep with four-time Grammy award-winning producer, Vance Powell (The White Stripes, Jack White, Chris Stapleton). “I really wanted to do it outside of our hometown,” said Wynn. For the month of August 2016, Wynn and The Believers went on a journey to a sonic place that’s big, bright, and visionary.

If I had to describe the album full of complexity in a simple sentence.  Spiritual, Country Rock that has gathered into the music blues, soul; with the awakening hope brings when combined with the power of love. This is Life in Music, things can be different, it can be better.  I thoroughly recommend you immerse yourself and Wade Waist Deep in to the musical waters that are Thomas Wynn and The Believers.

Thomas Wynn and The Believers Wade- Waist Deep Mascot Group Label

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Man Out Of Time
  2. Wade Waist Deep
  3. Heartbreak Alley
  4. My Eyes Won’t Open
  5. Thin Love
  6. I Don’t Regret
  7. You Can’t Hurt Me
  8. Mountain Fog
  9. Burn As One
  10. Feel The Good
  11. We Could All Die Screaming
  12. Turn It Into Gold

Thomas Wynn and The Believers Album Wade Waist Deep