La Vendore Rogue Live Album A Night In The North

La Vendore Rogue Live Album A Night In The North

La Vendore Rogue Live Album A Night In The North

What a winning and charismatic formula,  LaVendore Rogue captured live to be enjoyed in your front room. Turn the lights down low, the volume up to eleven and step aboard to immerse yourself in A Night In The North. Once again the quintet delivers music that is enthralling delving into the darkness with rocking majesty. Music that intrigues and refuses to be caught on a single genre coat peg this is inventive using the skills of every member of the band. Before getting down to the set-list of ten tracks, here is an introduction to the band, done by JoJo himself on the album. Upfront full of dramatic phrasing and vocal turns is JoJo Burgess; Joel Fisk brings in licks and riffs and tonal treats on his guitar combining his chords with those of Warren Lynn on the keys.  The flourishes of tonal delights continues deep into the rhythm section Rob ‘Tank’ Barry on Bass and the sticks of Stephen “Cupsey” Cutmore on the drums. That’s the personnel introduced now for the reason we all loved Hokie Joint and now LaVendore rogue, the wealth of music that mixes blues with good old rock n roll where the Rolling Stones collides with Charlie Patton.

Opening with Deadman’s Chest, from their debut album Light Up With. JoJo’s vocals are distinctive warm and he articulates every word adding dramatic emotions as the story unfolds with a bottle of rum and the harmonizing on the live version adding in intensity as the keys pull the cascade of sound that assaults you. We are now hooked in by the music.  Into the mix are two more tracks from the debut album, Honey Murder and A.S.A.D. Live these two tracks work so very well, the shredding of the six-strings by Joel imploring and demanding attention this is controlled playing with the guitar talking to you and then the deep velvet vocals this is a story that is full of Gothic intrigue.  On A.S. A.D is where Warren’s superb playing on the Hammond & Keyboard comes to the fore with an opening that has a fervor, JoJo’s vocals are quieter, sad reflective as he builds the debate about drugs and the power of money and then there is a death and the message changes what a powerful track redolent of so much in the news today.

Two survivors tonight of the Hokie Joint days is Chocolate Cake, as moist and tasty as any triple chocolate cake it is the equivalent of a calorific sugar overload in musical terms.  The number makes the transformation it is delicious displaying the prowess of their mercurial drummer at the back Steve Cutmore. The second is The Way It Goes….Sometimes with Joel’s guitar building the tension with judicious use of feedback and ripping chords that Warren picks up. This is popular music rock that rolls with the beat, never pure blues but has a magical air that connects us back to the days of the Delta, as  demonstrated by the inclusion of Charlie Patton’s Oh Death between these numbers.  Joel gives Charlie’s music a freshness and the lyrics re-interpreted and shaped around the velvet tongue of JoJo. Blues forever adaptable and the beat and rhythms remain strong and true.

The tracks so far are familiar is there something new on the album Oh! Yes there is! The Chemist, with a fresh melodic beat and a story that unfolds as ever with one of their original lyrics, as we met the industrial chemistry.  The number demonstrates the chemistry between the whole band with a Jaggeresque/Rolling Stones vibe this is the one-hundred percent LaVendore Rogue sound, layers of complexity an aural maze that enchants whether the guitar passion from Joel or the chords of the keys or the deep bass from Rob.  This is a band playing music they want to share. The second new number is Hikkomori which is Japanese for reclusive adolescents or adults who withdraw from social like.  Another darker subject, reflecting today’s complex society. The music is the opposite, bright, open and engaged, love the stick clicking from Stephen a clever sound that adds texture and interest during another superlative guitar solo from Joel.

The last two numbers bring us back to the familiar the second cover this time Rolling Stones, Get Off Of My Cloud pure energetic fun and then closing out we re-visit the debut album with Siesta Resistance about staying up all night and drinking perfect for the blues club the album was recorded at. Throughout the album the applause is warm and the audience appreciate the unique creativity that is La Vendore Rogue the band that understands how to entertain you. Definitely a keeper La Vendore Rogue Live Album A Night In The North.

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Dead Man’s Chest
  2. Honey Murder
  3. Chocolate Cake
  4. Oh Death
  5. The Way It Goes….Sometimes
  6. A.S.A.D.
  7. The Chemist
  8. Hikikomori
  9. Get Off My Cloud
  10. Siesta Resistance

La Vendore Rogue Live Album A Night In The North

Gov’t Mule New Album Revolution Come…Revolution Go

Gov't Mule New Album Revolution Come...Revolution Go

Gov’t Mule New Album Revolution Come…Revolution Go

 

The title is intriguing is this a politically fueled message or a reflection on the crazy merry ground life we are spinning through? Revolution Come…Revolution Go; is as diverse and exciting as Gov’t Mule can be; expect a musical exploration as roots music infused with all its off-shoots. The album’s cover a soldier atop a broken toy mule facing the wrong way as he yells through an orange street cone; is so retro and so modern just like the music. Unarguably Richard Borge’s artwork captures the concept and drive of an album reflecting a crazy moment in history.

This is a musical cocktail never shaken but careful turned with each revolution of the turntable a musical spice is added; jazz, rock, blues and country the sonic layers fuse together and then separated into the individual parts the result is a delicious Gov’t Mule experience. The album flows with an introspective feel, whilst full of angst and pain this is a revolution down a road of life worn and traveled with the undertow of the impact of politics of our lives. Opening with Stone Cold Rage and closing with Dark Was The Night, Cold Was The Ground this was never going to be a happy sunny uplands gentle lyrics driven melody. This is Gov’t Mule rocking it out with fiery riffs, cascading chords from the keys and riding through the middle of deep dark rhythms Warren Haynes’ vocals.

Gov't Mule New Album Revolution Come...Revolution Go

We are introduced to the latest offering from the Mule with a guitar sound that is huge, fast with an inner urgency as the keys join into the auditory playground. There is a primeval fear in the rhythms conjured by Matt Abts & Jorgen Carlssons Drum and Bass mix; with a funky sound that punctuates the power of the lyrics “Something Happened in The Back Woods… Stone Cold Rage in The Hinterland”.  The other two politically driven numbers are Pressure Under Fire and the title track. Reflecting the turmoil in the Country when the group started recording the album on Election Day November 2016.  The upsets and uncertainties continue throughout the world. Elections no longer have a certainty there is an undercurrent of rage and fear resulting in surprise. The line is Pressure Under Fire – We have to work together to get out of this mess; resonates throughout society. Warren’s vocals have an emotional edge the music builds and we want the lyrics to be a new truth a reality that is no longer based on falsehoods.

We turn in to ourselves with a country fueled Travelling Tune, haunting with the sharp simple melody that like a journey unfolding full of  shades and shadows pierced with the glimpse of sun.  The country feel flows through with Thorn of Light and onto the title track. Revolution Comes … Revolution Goes sparkles with intent. With the jam like feel of the multi-instrumental beaks this is a revolution of intent, considered with clear constructed argument, the fury is cold rather than hot and dragging and all the more dangerous for it.  The title track along with Sarah, Surrender are the two stand out tracks on an album that is compulsive listening from beginning to end. The keys from Danny Louis is full of funky tones, mixing in with a cocktail of sound as jazz and soul swirl through the melody, The guitar is sharp and determined and the drumming intense.  With the addition of Jimmy Vaughan’s guitar into the mix Burning Point is blues swirling in a psychedelic haze of deliciousness.

The album is a perfect set list and with the Deluxe version you hear some of the tracks recorded live. This is a journey through the wealthy golden rich seam of Gov’t Mule signature styles. As they close out with Carlsson’s arrangement of classic blues number from Blind Willie Johnson, Dark Was The Night Cold Was The Ground. This is a blues overload with a drone, moan and depth of blues textures that revitalise the music, the perfect ending to an album that owns so much to the traditions of roots music. Warren Haynes hollers the opening lines and the melody picks up the tone as the story unfolds.

With the concept of expect the unexpected, the certainty of Revolution Comes…Revolution Goes is the music is stunning, a ray of sparkling light, a shaft of hope this is a community of musicians communicating to a larger gathering of Mule fans everywhere.

 

Gov’t Mule – Revolution Comes…Revolution Go – Spinefarm Records

 

TENpawprint half inchdoodle paws out of TEN ….

Track Listing
Revolution Come…Revolution Go Standard Track-listing:

  1. Stone Cold Rage
  2. Drawn That Way
  3. Pressure Under Fire
  4. The Man I Want To Be
  5. Traveling Tune
  6. Thorns Of Life
  7. Dreams & Songs
  8. Sarah, Surrender
  9. Revolution Come, Revolution Go
  10. Burning Point (ft. Jimmie Vaughan)
  11. Easy Times
  12. Dark Was The Night, Cold Was The Ground

Deluxe Version – Bonus CD:

  1. What Fresh Hell
  2. Click-Track
  3. Outside Myself
  4. Revolution Come, Revolution Go (Alternate Version)
  5. The Man I Want To Be (Live In Studio Version)

Dark Was The Night, Cold Was The Ground (Live In Studio Version)

Gov't Mule New Album Revolution Come...Revolution Go

Beth Hart Announces Trio of Beautiful Solo Shows

Beth Hart Announces Trio of Beautiful Solo Shows

Beth Hart Announces Trio of Beautiful Solo Shows

 

24 HOUR TICKET PRE-SALE ON THURSDAY 1st JUNE
FROM ALT TICKETS 

TICKETS ON SALE FRIDAY 2nd JUNE
24 HOUR BOX OFFICE: 0844 871 8819
BOOK ONLINE: ALT TICKETS  or GIGANTIC
 

Beth Hart Touring With Fire On The Floor

Following her critically acclaimed Fire On The Floor UK tour in November 2016, Grammy nominated singer-songwriter, Beth Hart will perform three exclusive solo concerts in beautiful settings during October and November 2017.

The concerts will take place in Leeds Town Hall (Monday 30th October), The Forum, Bath (Wednesday 1st November) and Coventry Cathedral (Friday 3rd November).

 

Sultry blues, jazzy influences, rocking tunes and touching ballads; Beth Hart does it all!

Bluesdoodles said:-

Walking, Talking Singing Beth Hart Wins Colston Hall Hearts –  Tonight we were enchanted under the spell of Beth’s aural seduction her vocals purred, growled and beseeched as she filled the hall with warmth, sadness and hope.
Beth Hart tonight delivered more than a song, more than a show it was open, heart-rending connecting to us on an individual level. Tonight was music therapy for everyone.

Other plaudits include:-

“Beth Hart has a blues-rock voice so ballsy, it could pin you to the wall.”  The Times
“Beth Hart is a phenomenon.” Rockshot
“With Beth Hart, you get a versatile, genre-defying powerhouse of a vocalist and one of the great female singers of our time.” – National Rock Review

BETH HART – SOLO TOUR OCTOBER /NOVEMBER 2017

 Leeds, Town Hall                             Monday 30 October
Bath, The Forum                              Wednesday 1 November
Coventry, Cathedral                       Friday 3 November

 

Beth’s first solo gig at London’s Union Chapel (subsequently voted by fans as the venue’s gig of the year). “It was the most terrifying experience of my entire life,” she admits. “I got up there and I was so frickin’ scared. But then, halfway through the show, I just started to enjoy it. By the end, I felt so connected to the audience, and I really felt like they did that show with me. It was like we were all the band.” Her current acclaimed album, Fire On The Floor is sure to build on her breakneck momentum. The record gave her an emotional release following the bitter-sweet sessions for Better Than Home. Fire On The Floor is the album that Beth Hart needed to make. Likewise, it’s a record that you need to hear. “I’m so pleased with it,” she concludes. “I recently had to organise the sequence of the record, and while I was doing that, I was thinking to myself, ‘Y’know, this is pretty frickin’ good…!’” Everyone at Bluesdoodles thought the album was super – here is what we wrote follow the link HERE Bluesdoodles album of 2016 – Fire On The Floor.

 

Beth Hart Announces Trio of Beautiful Solo Shows

September 2017 Stolen Hearts Erja Lyytinen UK Tour

September 2017 Stolen Hearts Erja Lyytinen UK Tour

September 2017 Stolen Hearts Erja Lyytinen UK Tour

 

The tour follows hot on the heels of her critically acclaimed new album Stolen Hearts 
released on CD, 180 gram vinyl and digital download

Award-winning Finnish slide guitarist and singer-songwriter, Erja Lyytinen,  announcing her return to the UK for her Stolen Hearts” UK tour from September 20–26th.

 Dates include Sheffield Greystones (20 Sept), Edinburgh, The Caves (21 Sept), Nottingham Bodega (22 Sept), Chester Live Rooms (23 Sept), Manchester, Band on the Wall (24 Sept), London, Borderline (25 Sept) and Bristol, The Tunnels (26 Sept).

Tickets priced £12.50, can be ordered from the debit/credit card hotline number 01472 349 222 (between 9am-5pm), from Solid Entertainment, or booked directly at the venue box offices.

The tour will feature songs from her critically acclaimed album “Stolen Hearts” mixed by, and vocals recorded by the legendary Chris Kimsey (The Rolling Stones, Bad Company, Marillion, Peter Frampton).

 

September 2017 Stolen Hearts Erja Lyytinen UK Tour

 Sheffield, Greystones                                   Wednesday 20 September
Edinburgh, The Caves                                    Thursday 21 September
Nottingham, The Bodega                             Friday 22 September
Chester, Live Rooms                                      Saturday 23 September

Manchester, Band On The Wall                 Sunday 24 September
London, Borderline                                        Monday 25 September
Bristol, The Tunnels                                       Tuesday 26 September

 

Erja, always entertains and Bluesdoodles loves to having the opportunity to catch up with the sparkling sapphire Blues from Erja; at festivalsin conversation or recorded music.

The set from Erja at HRH Blues in Sheffield this Easter was a highlight of the festival “High class set from the renowned queen of the blues slide guitar. In the set is Black Ocean for me a highlight and favourite on the album now a live favourite as prog meets blues under the charms and skills of Erja.  We joined her on the rocking Chair, sang along with Stolen hearts. Then the trained steamed up the hill with her interpretation of Tina Turner’s Steamy windows. This was blues that sparkled as Erja smiled, played and won our hearts.”

 

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September 2017 Stolen Hearts Erja Lyytinen UK Tour

Thomas Wynn and The Believers Album Wade Waist Deep

Thomas Wynn and The Believers Album Wade Waist Deep

 

Thomas Wynn and The Believers Album Wade Waist Deep

Thomas Wynn and The Believers album Wade Waist Deep their third album and should get the name known far and wide with this cross over album that is not a road trip but the weaving of the lexicon of American music from roots to rock.  Labelled a Rock album Wade Waist Deep is so much more  exploring how we can build an open better world, not through preaching but a common understanding of tolerance and love. Wade Waist Deep moves beyond the confessional songwriting as he sought relief from heartbreak and addiction on the previous album and look beyond self to a collective conscience. The music is mature, thoughtful with strong lyrics, powerful harmonies and ear catching melodic rhythms. For Thomas Wynn, life & music have changed since the birth of his son Abel a year ago; “It’s that yearning, that longing for the person that you want to be,” says Wynn.

Joining Thomas as The believers are his sister Olivia, her vocals have a searing purity shaping harmonies that sing with an ethereal energy. With vintage Hammond sound from Colin Daniel Fei and wail of  the blues harmonica from Chris ‘Bell’ Antemesaris. The rhythm and deep grooves are laid down by  David Wagner and Ryan Miranda; on bass & drums respectively.  Enough of the background what about the music? It is superb from the first note to the last, clarion clear, gentle and urgent full of light and dark phrasing from every member of Thomas Wynn and the Believers.

Opening with a harmony of voices Man Out Of Time lets us step onto the spiritual musical journey this album will take us on over the dozen tracks. This is primeval, raw and full of growing tension as the blues captured and shaped the sound is hypnotic as we learn about Man Out Of Time. The chorus is melodic vocal wail no words required as the emotion unfurl, calling us to explore the music and lyrics.  ‘In The darkness light was mine’ intones Olivia as the music builds around her this is raw power energy that rocks.  Following on is the title track, the drums are hypnotic the guitar wields the power of the six-strings as Thomas’ voice implores  as we go down to the water and we are Waist Deep in the water.  A title track soaked in emotion the guitar weeps and Thomas finds the tonal texture to ‘wash my feet wash my soul… and I will find my Peace’. This is rock that is full of nuances and is not about the volume but tcomposition of melody and lyrics taking us out of ourselves to be part of the story that Thomas Wynn and The Believers are sharing.

Heartbreak Alley, the angst is raw, the organ swelling with emotion the singing from Olivia soulful and powerful. The album now has three different sounds and they are held together by a narrative that flows and the linking back to the wealth of music that has shaped modern America. If you are exploring life then Death cannot be ignored and with the powerful rhythms from David & Ryan shaping the emotional outpouring from Thomas’s vocals and the cascading harmonies as Olivia joins him on My Eyes Won’t Be Open; with the Hammond adding tonal depth after the chorus this is a song that remains long after the last note is sung.

The guitar opening of I Don’t Regret is sweet, with acoustic feel and adds another element to the yearning in Thomas’ vocal, simple with an inherent beauty.  As the guitar volume increases the music opens up like sun coming out from behind a cloud the music fills the room.  Gospel meets Country Rock and we realise that regretting what has been done is pointless it is the future that can be changed.

The rock in the band falls out of the speaker with the penultimate number We Could All Die Screaming; volume and intensity are raised but the clarity is never lost. This is Thomas with a determination in the delivery of the vocals, a tinge of anger and it builds throughout the four minutes. Closing with Turn It To Gold, the intensity is captured as the musicians bring an album to a climax.  The bass deep and with a drone like quality catches the ear with wonder a rock anthem that is so much more.

Wade Waist Deep has layers of complexity, thought-provoking vocals and a message never preaching it is about Country Rock from a band that has something to say connecting us all back to Orlando, Florida where they live. Through a to Sputnik Sound studio in Nashville, where the band recorded Wade Waist Deep with four-time Grammy award-winning producer, Vance Powell (The White Stripes, Jack White, Chris Stapleton). “I really wanted to do it outside of our hometown,” said Wynn. For the month of August 2016, Wynn and The Believers went on a journey to a sonic place that’s big, bright, and visionary.

If I had to describe the album full of complexity in a simple sentence.  Spiritual, Country Rock that has gathered into the music blues, soul; with the awakening hope brings when combined with the power of love. This is Life in Music, things can be different, it can be better.  I thoroughly recommend you immerse yourself and Wade Waist Deep in to the musical waters that are Thomas Wynn and The Believers.

Thomas Wynn and The Believers Wade- Waist Deep Mascot Group Label

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Man Out Of Time
  2. Wade Waist Deep
  3. Heartbreak Alley
  4. My Eyes Won’t Open
  5. Thin Love
  6. I Don’t Regret
  7. You Can’t Hurt Me
  8. Mountain Fog
  9. Burn As One
  10. Feel The Good
  11. We Could All Die Screaming
  12. Turn It Into Gold

Thomas Wynn and The Believers Album Wade Waist Deep

Dan Patlansky Joins Joanne Shaw Taylor November Tour

Dan Patlansky Joins Joanne Shaw Taylor November Tour

Dan Patlansky Joins Joanne Shaw Taylor November Tour

The UK tour dates includes Gateshead Sage (Nov 7), Cambridge Corn Exchange (Nov 9), Manchester Bridgewater Hall (Nov 10), Glasgow Royal Concert Hall (Nov 12), Bristol Colston Hall (May Nov 14), London Royal Festival Hall (Nov 15), and Birmingham Symphony Hall (Nov 20). Tickets are available from the 24 hour box office 0844 478 0898 or The Gig Cartel  and Dan Patlansky  

Two of Bluesdoodles Favourite guitarist with 10 paws albums from 2016.

Pick of the Albums Reviewed - 2016: July - Sept 2016Joanne Shaw Taylor’s Wild 

We said: There is a ferocity in the delivery that makes this an album where you want to hear the music live, the tempo and a sense of purpose that has a wildness in its sense of freedom. Joanne Shaw Taylor’s mighty potential has been unleashed and set free resulting in a ride of musical delights that is compelling and Wild.

Our full review can be found HERE

 

Dan Patlansky In Conversation Touring 2017 and Beyond

Dan Patlansky’s Introvertigo

We said:  Introvertigo with its carefully crafted lyrics that blend urbane wit and honest observation, this is blues pertinent to today’s lifestyles, not so much whiskey and women more the corruption of power and social interaction. Ten tracks there are no fillers

Our full review can be found HERE

In the studio they are outstanding, live they take Blues-Rock to another level the shows are going to be a sparkling manipulation of the guitar. Joanne Shaw Taylor’s special guest  according to Music News “On record Dan Patlansky is quite superb but on stage, with a capacity crowd in his pocket from the off, he takes it to another level.”

 

Do not delay reserve you seat at shows that will heat up the coldest Winter Night

JOANNE SHAW TAYLOR NOVEMBER 2017 UK TOUR
WITH SPECIAL GUEST DAN PATLANSKY
TICKETS – 

24 HOUR BOX OFFICE – 0844 478 0898

BOOK ONLINE – The Gig Cartel or Dan Patlansky

 Gateshead, The Sage – Tuesday 7th November 2017

Tickets: £30, £27.30, £25.10, £21.80
Venue Box Office: 0191 443 4661 or Gig Cartel: 0844 478 0898
Book Online: The Sage  or The Gig Cartel

Cambridge, Corn Exchange – Thursday 9th November 2017

Venue Box Office: 01223 357 851 or Gig Cartel: 0844 478 0898
Book Online: Corn Exchange or  The Gig Cartel

Manchester, Bridgewater Hall – Friday 10th November 2017

 Venue Box Office: 0161 907 9000 or Gig Cartel: 0844 478 0898
Book Online: Bridgewater Hall or The Gig Cartel

Glasgow, Royal Concert Hall – Sunday 12th November 2017

Tickets: £27.50, £25.00, £23.50, £20.00
Venue Box Office: 0141 353 8000 or Gig Cartel: 0844 478 0898
Book Online: Glasgow Royal Concert Hall,  or The Gig Cartel

Bristol, Colston Hall – Tuesday 14th November 2017

Tickets: £21.50 to £29.56 incl. booking fee
Venue Box Office: 0117 203 4040 or Gig Cartel: 0844 478 0898
Book Online: Bristol Colston Hall or The Gig Cartel

London, Royal Festival Hall – Friday 15th November 2017

Tickets: £20 – £29.50 plus booking fee
Venue Box Office: 0844 875 0073 or Gig Cartel: 0844 478 0898
Book Online: Royal Festival Hall  or The Gig Cartel

Birmingham, Symphony Hall – Monday 20th November 2017

Tickets: £23 – £30.50 inc. booking fee
Venue Box Office: 0121 780 3333 or Gig Cartel: 0844 478 0898
Book Online: Birmingham Symphony Hall or The Gig Cartel

As we said when we recently heard Dan play live in Cardiff he is – “Majestic, scintillating jaw-dropping good.”

Dan Patlansky Joins Joanne Shaw Taylor November Tour
Photo Credit Edyta Kzesak

Entering The World of Classic Rock Inglorious II

Entering The World of Classic Rock Inglorious II

Entering The World of Classic Rock Inglorious II

 

When Nathan James stormed onto the stage at Planet Rockstock 2015 with Inglorious eighteen months ago the potential for something huge, replicating the rock bands of the past was written in the stars, as reflected in the crystal ball on the cover of their first self-titled album. From that point they have grown into the band they promised to be. The second album is always difficult. Not for Inglorious they didn’t waste time and effort on a title – it is simply Inglorious II. That is the only simply thing.

With a dozen original numbers written by the whole band the feeling of musicians working together creating an organic living musical identity from first to the last chords is evident. This is all underpinned by this studio album having the fluidity, driving energy of a live sound. Being on the road, receiving audience reactions have shaped and formed the sound as they recorded as they play live, with raw energy and the building of tones from the instruments and not trickery.  With the mixing done by  Kevin Shirley  the album has a the stamp of Classic Rock, not trapped in the past but as a sounding board for music you want to rock to.
The band wrote the whole album with no guest writers this time, they said “It came together very organically after spending time touring together and felt great. We knew we were making an album this time too! We focused on getting our sounds just right so we could get into the studio and out in the least time poss.”

The opening chords are full of controlled restraint, the feel of acoustic, building the suspense we have all been feeling since announcement date 12th May for the release of the album on Frontiers Records. The crash of cymbals the melodic howl of Nathan as we are off on an Inglorious rush of melodic rock, play it often and play it loud Nathan may sing I Don’t Need Your Loving! BUT! We need your heady rock fueled energy it is fresh, modern, created for the twenty-first century with a quality that is firmly stepping back in time.

Third track in and you know that this is an album that will perform superbly live, and in the meantime will stay on repeat. Tell Me Why; demonstrates that Nathan has the freedom to perform those toe curling with delight vocals because of the band. The four musicians throughout provide more than a solid platform they give the sound shape and form for the lyrics and vocals to curl round, whether in anger, love or for the pure joy of singing.  The drumming from Phil Beaver is rhythmically strong as we Read All About It and Andreas’ guitar work has a sting in its tail.  As the groove changes with Change Is Coming and its deep bass line from Colin Patterson. Inglorious are a band connected through the music they love to play.

The blistering guitar opening of No Good For You, they may sing and play like that every day for me and will definitely be good for lovers of rock. As the album reaches its finale, we have time to draw our breath, reset our energy levels with Faraway, simple, quieter, a controlled vocal delivery from Nathan full of delicate intricacies. Faraway is a beguiling track. Then the grand closing number with High Class Woman. High class certainly describes the album.

Do not expect surprises, this is a rock album and they deliver.  As ever Inglorious are being compared and contrasted to bands and singers of the past. For me that is a useful starting point, the reality is Nathan James and Inglorious on the second recorded offering are proving they are not pale imitations. The sound is Inglorious’ own, the sound is glorious.

Before, making albums Nathan thought to himself, “Why are those classic albums so awesome?” He realised it was because “the musicians were recording in an organic way; they could track it live and capture amazing energy.” He certainly has lived up to his observations on the whirlwind raw and tamed Inglorious II. Joining the charismatic front man and vocalist Nathan James are lead guitarist Andreas Eriksson, bassist Colin Parkinson, rhythm guitarist Wil Taylor, and drummer Phil Beaver.  With the departure of Wil from the band it is welcoming back former guitarist Drew Lowe.

Inglorious II is a mighty fine rock album with all the necessary components, but definitely not playing rock by numbers. This is modern rock with attitude, raw and at times a little bit dangerous. They want to thrill you through music and inglorious ii definitely thrills.

 

Inglorious – Inglorious II –  Frontiers Music Srl

on May 12, 2017.

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

    1. I Don’t Need Your Loving
    2. Taking The Blame
    3. Tell Me Why
    4. Read All About It
    5. Change Is Coming
    6. Making Me Pay
    7. Hell Or High Water
    8. No Good For You
    9. I Got A Feeling
    10. Black Magic
    11. Faraway
    12. High Class Woman

    Entering The World of Classic Rock Inglorious IIThe album will be released as a standard CD and also as a Deluxe CD/DVD edition. The DVD will feature a previously unavailable live performance from Download Festival 2016 plus extra bonus content, including videos for forthcoming singles “I Don’t Need Your Loving” and “Taking The Blame”.

    A vinyl release will also be made available through Frontiers Music Srl partners Soulfood.
    Inglorious II features
    Nathan James – vocals
    Andreas Eriksson – lead guitars
    Wil Taylor – guitars
    Colin Parkinson – bass guitar
    Phil Beaver – drums

    TOUR DATES

    2017  Dates announced so far are:

    19th May 2017- UK, London, Islington Assembly
    16th June 2017 – FRANCE, Clisson, Hellfest Festival
    18th June 2017 – BELGIUM, Dessel, Graspop Festival
    22nd June 2017 – DENMARK, Copenhagen Festival
    24th June 2017 – SPAIN, Vitoria, Azkena Rock Festival 2017
    19th August 2017 – UK, Tilford, Weyfest Festival

    Entering The World of Classic Rock Inglorious II

Steve Hackett Exploring The Night Siren on his latest Album

Steve Hackett Exploring The Night Siren on his latest Album

 

Steve Hackett Exploring The Night Siren on his latest Album

Steve Hackett Exploring The Night Siren on his latest Album, his twenty-fifth as a solo artist a silver landmark of a distinguished career. Sit back, and be taken on an extravaganza of musical experiences. The Night Siren has its own tuneful call, melding together modern rock instruments with sounds from the dawn of time as Persian Oud meets Andean Quena via the strings of the viola and bass clarinet. Incorporating tradition with contemporary sounds works as The Night Siren weaves musical tonal textures under the guidance and artistry of Steve Hackett. With the complexities of string, woodwind and percussive instrumentation building a landscape where there is no simple journey of going in a straight line to your destination. The music flows, creating eddies, swells and detours, taking your ear to places that are delightful as Progressive Rock fills the room with layers of interest. Never self-indulgent always with a purpose exploring peace, how light will stop the plunge into darkness and self-destruction.

Hackett has gathered around him a group of artists who develop the scope of the instrument that shapes the music without constraints. The album has a global vision, reflected as we travel from the cold to heat. Steve Hackett travelled around the planet working with Icelandic drummer Gunnlaugur Briem, Azerbaijan tar player Malik Mansurov, Israeli vocalist Kobi Farhi and Arabic singer Mira Awad, who represented Israel in the, Eurovision song contest.

Opening the epic musical journey we join the legendary prog-rock guitarist and vocalist as the veil is lifted and we see Behind The Smoke. Behind the smoke on this socio-political song exploring displaced refugees and leader’s own self-interest of protecting borders. This is an album of music without borders, inventive and without self-constraint. This is music that is both considered, intriguing and above all else exciting. My first experience of the stringed Persian instrument Tar; the mystical sound pulls in the guitar and the sultry Eastern vocals from Amanda. The instrumental breaks have a sense of purpose and inherent rhythm that says more than the words. The didgeridoo under Sara’s guidance is joined by her father, Ferenec Kovacs trumpet as we travel to Fifty Miles from the North Pole. The opening is quiet, the sound is cool creating a soundscape of a journey across a landscape cold, ‘’it can freeze your soul”

The dramatic opening of El Niño with drums and strings describes the power of this force of nature as the orchestra of sounds creates the soundscapes of nature’s fury. All the tracks are mesmerising, as we step to the Other Side of the Wall we enter a dream zone shaping a different hegemony one of peace, solution and tranquility refuting the way the world seems to be a head full of xenophobia, hatred and intolerance. The music is cathartic a window of hope and renewal.

Rock, rises above on Inca Terra and In Another Life. Civilizations from the past connect the two melodies and cascade through the middle of the album, revitalizing and shining light on mysteries. Instruments from previous times help in the linking of the world of the past and now as quena and Uilleann pipes are used to great effect in shaping the melodic mood.

As the album draws to its worldly conclusion West To East fate is explored as we are lead to ask why the birds have left the sky. It is a message that we need to look into the East not expect the traffic of understanding has to flow East to West. We need to find what we have in common and then Peace can be found. There is hope and this is the track that lightens the night siren with a message of renewal. Closing with The Gift the shortest track, we are under the spell of Steve Hackett’s guitar playing and the lusciousness of the strings picking up the melody. The instrumental pulls the themes together once more re-affirming the talent of Steve Hackett.

The Night Siren, is more than a collection of eleven tracks. The Night Siren a celebration of the depth of cultures throughout the world. The wealth of music, the wealth of tones, the wealth of what is good in humanity. The Night Siren is a call to action for a different world. Open, giving and tolerant. The Night Siren is composition that will on every listen enthrall and entrance. Prog-rock does not get better than this. Albums do not get better than this. The Night Siren is masterful and the best yet from the talented musical mind of Steve Hackett.

Steve Hackett – The Night Siren – Inside Out Music

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Behind the Smoke
  2. Martian Sea
  3. Fifty Miles From North Pole
  4. El Niño
  5. Other Side of the Wall
  6. Anything but Love
  7. Inca Terra
  8. In Another Life
  9. In the Skeleton Gallery
  10. West to East
  11. The Gift

 

Steve Hackett Exploring The Night Siren on his latest Album
Steve Hackett, Dec 2016. Photo by Tina Korhonen © 2016, all rights reserved.

 

The Night Siren  Lineup

Steve Hackett: electric & acoustic guitars, oud, charango, sitar guitar, harmonica, vocals (1-11)
Roger King: keyboards & programming (1-10)
Amanda Lehmann: vocals (1.2.3.6.7.9.10)
Christine Townsend: violin, viola (3,4,5,7,9,10)
Rob Townsend: baritone & soprano sax, flute, flageolet, quena, bass clarinet (1,4,7,9)
Gary O’Toole: drums (3,4,10)
Nick D’Virgilio: drums (2)
Guili Briem: drums, cajon, percussion (7,9)
Mira Awad: vocals (10)
Leslie-Miriam Bennett – keyboards (11)
Dick Driver: double bass (3,4,5,7)
Nad Sylvan: vocals (7)
Kobi Farhi: vocals (10)
Benedict Fenner: keyboards and programming (11)
Jo Hackett: vocals (10)
John Hackett: flute (2,10)
Ferenc Kovács: trumpet (3)
Sara Kovács: didgeridoo (3)
Malik Mansurov: tar (1)

 

Steve Hackett Exploring The Night Siren on his latest Album

Dan Patlansky In Conversation Touring 2017 and Beyond

Dan Patlansky In Conversation Touring 2017 and Beyond

Dan Patlansky In Conversation
Touring 2017 and Beyond

BD: Morning Dan, great to see and catch up with you in Sheffield at HRH Blues and the opportunity to talk this morning

 BD: Dan Patlansky, Back in UK and Europe for an exciting tour. Latest single Sonova Faith from the award-winning and acclaimed album Introvertigo.  Returning to venues new and old favourites? With a new band tell us about your touring plan. Starting off at Mr Kyps with Ash Wilson opening and HRH festival you have hit the ground running

DP: Yes, back in UK and Europe with second round touring with Introvertigo.  Following the achievement of Introvertigo being number 1 Blues Rock Album of 2016 by the influential American website Blues Rock Review.  So we are back with a new band of session musicians from Germany bringing a different feel from my South African band. Part tour back at The Globe in Cardiff which will be such fun with Ash Wilson opening a great band, great songs the combination will be a good night of live music following on from Mr Kyps. HRH Blues was amazing great crowd and some amazing bands the atmosphere was really positive.

BD: Having heard your acoustic set at HRH which was wonderful, elegant, beautiful with lingering notes that I wanted to last forever; have you thought about doing more acoustic in the UK?

DP: Yes, it was fun. Acoustic is a different beast to playing electric. In some ways limiting with the change of guitar style. It is a challenge in the way you play and think about the music. As for playing acoustic in the UK; back in South Africa we often do the combination acting as our own support act. Yet to do that in the UK. Perhaps for the future; the logistic of travelling with an Acoustic rig as well as electric will be another travelling challenge. For acoustic at HRH I borrowed Big Boy Bloaters guitar, it was great to play and a big thank you to Big Boy Bloater’s loan of his lovely acoustic guitar. It was a different vibe when I played the guitar showing the power of acoustic.

BD: We all love to hear you get that special sound out of your Strat Old Red and is certainly how you continue to build your fan base. Tell us about strings, pickups and I believe you are retiring the beautiful guitar. How will you find a replacement?

DP: I play with twelve gauge strings, they are considered heavy, but I have always used them. I don’t just use them for the showmanship of the last number. I like the sound they produce. I use standard Fender pickup. For the last number, I turn my amp up to achieve sonic textures, feedback making it as musical as possible.  I always have the amp fairly high, I play loud which is why I have speakers facing the wings and turn them up which can surprise front of house guys.

Old Red not being retired just refining parts of her. Just the neck is being overhauled. The neck has become a liability, 1960’s Fenders used Brazilian Rosewood, this is now a restricted wood and can cause a problem at customs in some countries. In addition, the neck is getting tired and twisted. When I get back home from this tour I’ll be getting a new neck for the guitar.  A face-lift, not retirement.

BD: How do you keep the tracks we love to hear you play the sound is so fresh and vibrant when playing live? It is as if we are hearing the tracks for the first time as you add interest and surprises.

DP: This tour there is a new dynamic with the German musicians. It is though the nature of the music improvising. I may be playing the same song every night on tour, yes the melody, lyrics and chords stay the same but I go in different directions. Not always the way I expect, I grew up playing Jazz music the king of improvisation so every night has its own journey. Can be good or not that is the nature of the beast. It keeps the music exciting for us as musicians and puts a fresh breath into every night’s performance. We are definitely not playing by numbers, traditional blues is steeped in improvisation. I am just keeping that tradition alive and flourishing through my music.

BD: With a hectic touring schedule here, Europe and South Africa what are your plans for 2017 and beyond?

DP: Yes touring is hectic but always great to catch up with friends and fans we make on the tour. This will be the last UK tour focused on Introvertigo. I have dates in South Africa when I return. Then in June we go back in the studio with new songs, new ideas for my next album which will be released Spring 2018. Then back touring South Africa. We are also possibly back in the UK November 2017; where we could be previewing new tracks from the forthcoming album. So watch this space once dates finalized we will be letting the fans know.

BD:  You are back in Cardiff at The Globe, what makes venues fun to return to? Is it building the fan base?

DP: Yes, excited to be playing back in Cardiff. I love the vibe of the venue. Why return to venues, it is a bit of both the venue and the audience is a big part of the show. The Globe is a great little venue, great audience who have such a positive response. I love the sound of the venue, the guitar always sounds good to me on stage which is really satisfying. The Globe is a loud room, lots hard surfaces. It is a venue I will always look forward to playing. The Cardiff crowd are always up for loud music and to enjoy the blues.

BD: Thank you for sharing with your growing group of fans. We have asked you your fantasy band, what you are listening to in previous interviews. So today who would you invite to play with Dan Patlansky band?

DP: Dream scenario would be David Gilmore from Pink Floyd. Gilmore got me into music generally and in particular the guitar.

BD: Thanks for taking the time out of your busy schedule and looking forward to seeing you play live in Cardiff on 4th May.

Dan Patlansky In Conversation Touring 2017 and Beyond

 

Dan Patlansky In Conversation Touring 2017 and Beyond

READ what Bluesdoodles said about the TEN Doodle paw album  Introvertigo – We voted the album as the best Overseas album heard over at Bluesdoodles HQ.

Introvertigo with its carefully crafted lyrics that blend urbane wit and honest observation, this is blues pertinent to today’s lifestyles, not so much whisky and women more the corruption of power and social interaction. Ten tracks there are no fillers every number is full of strength and tonal power but there is not an off note or lyric.  

FULL Review – HERE

Dan Patlansky In Conversation Touring 2017 and Beyond

Migration Blues the story unfolds under Eric Bibb Blues Mastery

Migration Blues
the story unfolds under Eric Bibb Blues Mastery

When you listen to a new Eric Bibb album you expect extraordinary blues, he is one of the best. Does Migration Blues reach my expectations? Yes, the album surpasses expectations.  The reason fo the album name, Migration Blues is the connectivity between now and the past. As Eric said “ Fleeing war & hardship is something people have been doing all over the world for millennia – nothing new … Whether you’re looking at a former sharecropper, hitchhiking from Clarksdale to Chicago in 1923, or an orphan from Aleppo, in a boat full of refugees in 2016 — it’s migration blues.”
On the album, Eric joined by JJ Millaeu with his harmonica and the multi–instrumentalist John Browne on guitar, fiddle and banjo. Also on the album are sympathetic drumming, at times harking back to the pain of slaves forced migration out of Africa from Olle Linder, Big Daddy Wilson and Ulrika Bibb’s backing vocals. It is Eric Bibb that drives the album directing tone and tempo as he emotionally sings the lyrics with strong and at times painful stories to tell. Bibb is the modern man of the blues he is the real deal.

The context of the album is Migration, the impact, hurt and pain of leaving home whether from Aleppo in 2016 or the migration from rural South to industrial North. Scratch the surface and we all have migrants in our ancestry, moving from home is a shared history. The parallels weave through the album from contemporary to historical migration.  Shaped and discussed on social media, and news stories, on migration blues the elegant simplicity tells the truth of the pain of migration.

Opening with Refugee Moan, the plucked strings deep and redolent of journeys yet to take and we board the train at the heart of many a blues song. Eric Bibb, implores to be able to ride the train, let me board the ship this is a song of the desperate need for deliverance into the great unknown. Powerful messages pen your minds and take the journey through the vocals and words of Bibb the bluesman for today. With simple arrangements acting as gentle punctuation and soundscapes for the power of the lyrics redolent with meaning and the human condition. Every track is special. Highlights for me are the prayerful intoning of Prayin’ For Shore, as you want to reach a stranger’s land unknowing if help or violence will greet you the harmonica cries in harmony with the lyrics. The deep southern blues of Migration Blues, an instrumental with the depth of his twelve string resonator and the imploring of the harp cries the pain that no words are needed to explain.  The stunning cover of Bob Dylan’s Masters of War fits perfectly in the track list of the album, as does Guthrie’s This Land Is Your Land. The hope of a better life is there with Brotherly Love and the closing Mornin’ Train. Once more Eric Bibb has captured today in the simplicity of his blues shining and pure.  This is an album that makes you think, feel the plight of others and be slower to condemn and quicker to find out the story behind the stranger in a strange land as Eric says Peace and Love.

Eric Bibb – Blues Migration – Dixiefrog Records

TENpawprint half inchdoodle paws out of TEN ….

Track Listing

  1. Refugee Moan
  2. Delta Giveaway
  3. Diego’s Blues – 01
  4. Prayin’ For Shore
  5. Migration Blues
  6. Four Years, No Rain
  7. We Had To Move
  8. Masters Of War
  9. Brotherly Love
  10. La Vie C’est Comme Un Oignon
  11. With A Dolla In my Pocket
  12. This Land Is Your Land
  13. Postcard From Brooker
  14. Blacktop
  15. Mornin’ Train

Migration Blues the story unfolds under Eric Bibb Blues Mastery