Lionize In The Studio Produces New Album Nuclear Soul

Lionize In The Studio Produces New Album Nuclear Soul

Lionize In The Studio Produces New Album Nuclear Soul

 

Lionize In The Studio Produces New Album Nuclear Soul. The Maryland rockers have captured maturity in sound; the lyrics are emotionally driven. Modern cutting rock for today as the genres are captured under the skilful direction of Clutch’s Jean Paul Gaster with J. Robbins and the band themselves. The album is an explosion of sounds and sonic shapes that hits the speakers with a blast of keys from Chris Brooks’ Hammond – what an intro. The opening track draws you into the music on their sixth album. This is classic rock bending and blending influences full of funky attitude. Darkest Timeline is a great introduction to the sound of rock for 2017 and beyond with lines including You know I’ve got American Blues”, We’re on the darkest timeline.  This theme is returned to. This is not a dark, discordant album it is one crafted with care pulling thoughts together through the medium of rock. Lionize entertains with the power of the quartet throughout Nuclear Soul.

The album flows with a passionate dexterity. What sets Nuclear Soul apart from the pack is the crafted blending into the rock beat, funk, jazz, blues at times the beat of heavy metal. This mix of influences packaged with a ribbon of grunge and sparkle of the energy of Rock n Roll labelled with lyrics that tell a story. Lyrics to reflect the times. Lionize on Nuclear Soul have captured the soul of our times. Nailed it across the eleven tracks.

The beauty, yes beauty, of Fire In Athena as they take the sound down the acoustic guitar is exquisite. Unexpected with the sound building an undercurrent of Thin Lizzie. This is a highlight only three tracks in. The band delivers energy and lyrics with a poignancy. The sound swells and fades. Nate Bergman sings fragile and alone Burning In The Streets … What was left ringing in our ears. Was a bell with a never-ending toll … then the power as we have a crescendo of sound riffy guitar from Nat, rhythmic beats from Hank’s bass & Chase’s Drums. Follow that. They do with Power Grid fast dirty greasy bluesy funk that excites.  Election Year, reflecting the time of recording the album. The phrase Don’t Trust The Government ring with a truth in your ears combined with we get what we deserve. There is a fearful driving urgency across the number as Lionize re-shape their sound and approach.

One track that perhaps doesn’t quite mesh in is aptly titled Let You Down. What it does do is showcasing Nate’s vocal versatility with its bluesy feel.  The title track is a humdinger as the quiet opening with the Brooks keys reflecting Nate’s vocals is counterintuitive to the lyrics. This is a drama of being cast into a post-apocalyptic wasteland. Reflecting the news headlines of impending disaster all around us from nuclear and environmental threats. A song for our times.

Lionize close out Nuclear Soul with a band member saying play it faster. Blindness to Danger is a fast furious up-tempo number. With the final chorus ringing in your ears. Lionize are a band on a crest of a wave of global success

Lionize throughout the album flaunt their immense collective talent. One listen and Lionize have their hooks into your ears. An album that will be played loud, with pleasure and often. A real go-to album when rock music is the order of the day.

Lionize –  Nuclear Soul – The End Records

NINEpawprint half inchdoodle paws out of TEN …

Track Listing

  1. Darkest Timeline
  2. Face Of Mars
  3. Fire In Athena
  4. Power Grid
  5. Aint It A Shame
  6. Election Year
  7. March Of The Clones
  8. Let You Down
  9. The Mad Scientist Of Sunshine
  10. Nuclear Soul

Lionize In The Studio Produces New Album Nuclear Soul

 

Do Not Hideaway as Dan Owen Is Back On Tour

Do Not Hideaway as Dan Owen Is Back On TourDo Not Hideaway as Dan Owen Is Back On Tour

Dan Owen has released his brand new single ‘Hideaway’ through Atlantic Records. The song finds the Shrewsbury singer at his most bold and determined yet, delivering an impressive statement as one of the most exciting new voices in the UK today.

Hideaway’ sees Dan enlisting huge blues riffs, which bolster the mighty soulful tones of his jaw-dropping vocal abilities. The song is currently gaining widespread exposure as it forms the soundtrack for the Boots No.7 televised and online advert.

Bluesdoodles has listened and approves of Hideaway the latest single from Dan Owen.  Dan’s vocals hit you in the solar plexus every time. He punches an emotional vocal punch full of emotions. Deep moving blues riffs drive Hideaway. A song that will live in the mind long after the last note fades away. Dan’s voice is glorious. Now let’s have a full album once we have all see you live on this winters Headline Tour.

Dan has gained attention and critical acclaim across the world following his debut release on Atlantic Records with ‘Moonlight’ earlier this year. He has become a big live draw across the UK and Europe and has sold out numerous headline tours. He’s also played a number of high-profile festivals this summer including Latitude and Barn On The Farm among many others.

Dan has announced a 16-date headline the UK and European tour in support of ‘Hideaway’. The eight-date UK leg kicks off at Leeds’ Brudenell Social Club on October 17th and finishes with a hometown show at Shrewsbury’s Theatre Seven on November 14th. Full Dan Owen tour dates can be found below:

DAN OWEN TOUR DATES
UK HEADLINE SHOWS
17/10 – Leeds, Brudenell Social Club
18/10 – Glasgow, King Tut’s Wah Wah Hut
19/10 – Manchester, Night And Day
21/10 – Birmingham, The Actress & Bishop
22/10 – Liverpool, Buyers Club
23/10 – Bristol, The Lantern
25/10 – London, Omeara
14/11 – Shrewsbury, Theatre Seven

EUROPEAN HEADLINE SHOWS
03/10 – Cologne, Studio 672
04/10 – Hamburg, Molotow
05/10 – Berlin, Badehaus
07/10 – Wiesbaden, Kesselhaus
08/10 – Nijmegen, Merleyn
09/10 – Paris, Les Étoiles
11/10 – Amsterdam, Bitterzoet
12/10 – Rotterdam, Rotown

 

ACCLAIM FOR DAN OWN

“Dan packs in more emotion, lyricism and the understanding through the medium of song that many achieve in a full album”
Bluesdoodles

“Dan Owen has a voice quite beyond his years, is a versatile guitarist and an electrifying live act as well”
The Independent

“Dan Owen has the voice from a soul who has lived a million years and experienced every element of life in its fullest”
TMRW

“Owen possesses one of the most arresting singing voices we’ve heard in a long time.”
Acoustic Magazine

“Dan straddles swooning soul and throaty blues”
Blues & Soul

“Singer-songwriter with a soaring high altitude voice”
Fred Perry Subculture

 

Do Not Hideaway as Dan Owen Is Back On Tour

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

 

 

Tonight The Tunnels welcomed Erja Lyytinen and her support band Red Butler to Bristol for the first and definitely not the last time. Tuesday night was blues night that filled the arches with music that was full of energy and played with style.

Erja Lyytinen brings the Warmth of Finnish Blues to Bristol TonightOpening tonight Red Butler with their new line-up that many in the audience had not had the opportunity to hear yet. Alex Butler, Mike Topp and Charlie Simpson are joined by Dan Spellman on vocals and guitar. With a change of vocalist, the dynamics of the band have definitely changed. The interactions between the four members on a cramped stage space was natural and full of energy that is the fuel for their rocky blues. With Dan as the vocalist adds a harder edge to their sound, which certainly suits the direction they took on Nothing To Loose. The set reflected this with the numbers taken predominately from the album. The new vitalized Red Butler tonight added to their skills some brilliant harmonization between Alex, Dan and Mike. The whole set was played with aplomb, the sound was very tight and the interplay between the guitarists was intuitive and worked well set against the rhythm section.

Calm Before The Storm was a highlight, they nailed it. Other highlights of a short set that showcased the band was Belly Of TheErja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight Blues, rearranged and sounds better with new vocalists adding a layer of drama. Crowd-pleasing cover of Bobby Bland’s Ain’t No Love In The Heart of the City. With the rocky edge more akin to Bernie Marsden/Whitesnake version and sounds wonderful and the audience gladly added their voice to the chorus. Mike took the role of the wolf, complete with a mask for Big Bad Wolf, combined with the music adding to the live experience. A great set, the only pity was not more people had turned out on a Tuesday to hear blues rock at The Tunnels.

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Short break, change of sound man, Mikko Kiviniemi takes charge of the desk as Erja Lyytinen and her band take control of The Tunnels. For those familiar with the queen of the slide guitar, already familiar with her new direction on Stolen Hearts her current album provided anticipation for a night of full-on blues that flexes its muscles. Her music explores and captures the vibes of funk, prog rock and more. The energy flowed from the stage and across the venue. The band was determined that everyone was going to have fun and be left with a memory of musicianship that brought music alive.

 

The band provided the cascading backdrop of sound from which Erja could fly with her vocals and guitar. Tonight in control of Hammond and keys from the magical energised fingers of Harri Taittonen. Whilst the deep and sometimes dark rhythms were delivered by bassist Juha Verona and Kai Jokiaho on drums. A powerhouse captured in a quartet.  Erja the flying Fin with her sparkling Sapphire blue guitar and glass slide set the second half of the evening into a tumultuous celebration of the blues, a theme she returned to throughout the evening.

Despite the disappointing turnout Erja did not disappoint with a wonderful balance of authentic Blues, Blues Rock and ‘ProggishErja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight Rock’ showcasing why she is so popular and is gaining a fan base whenever she plays in the UK.  Her guitar work is impeccable, full of grace and style and her interaction with the audience is warm Erja Is the real deal. The set delivered was storming as they played the last gig of the current UK tour.

With numbers from Stolen Hearts including the title track that was a highlight with lots of joyous interaction and community singing for the chorus. The centre piece and the absolute highlight of the evening was Black Ocean. With deep driving blues textures, heavy riffs and rhythms reflecting the ocean swell dark and dangerous. Erja tonight bought prog-blues to Bristol. We loved it. Showing the depth and breadth of style across the album we had slow blues a thing of beauty as Slowly Burning curled around the arches. Then Rocking Chair the interaction between guitar and bass is immense. As Juha, on bass reflects the rocking beat of the Rocking chair. Live musical magic.

With a Ko Ko Taylor cover, full of slide blues that is rooted firmly in the original African source; and delightful instrumental solo from Erja as she showed the styles of the greats. A medley full of subtle changes and interest that was delivered with fun as she asked the audience if they knew of BB King, Charlie Patton and many more.

With Cross Town Traffic given the Erja treatment along with her version of Steamy Windows an opportunity to be sexy with the audience and get close and personal with Juha on bass. All too soon it was time for the final numbers.  People get Ready where we were treated to guitar that resonated the tone and style of Jeff Beck. Erja tonight was Queen of the Blues. Her playing majestic, stylish with a hint of bedevilment and fun. Live music doesn’t get much better than this!

 

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Erja Lyytinen brings the Warmth of Finnish Blues to Bristol Tonight

Beth Hart plus Her Band Tours UK Spring 2018

Beth Hart plus Her Band Tours UK Spring 2018

If you are impatient then Beth Hart plays three solo shows late 2017.

EXCLUSIVE SOLO SHOWS IN BEAUTIFUL SETTINGSOCTOBER / NOVEMBER 2017

LEEDS TOWN HALL – 30th OCTOBER
BATH FORUM – 1st NOVEMBER
COVENTRY CATHEDRAL – 3rd NOVEMBER

24 HOUR TICKET PRE-SALE ON THURSDAY 1st JUNE
FROM www.alttickets.com/beth-hart-presale

TICKETS ON SALE FRIDAY 2nd JUNE
BOOK ONLINE: www.alttickets.com/beth-hart-tickets
www.gigantic.com

24 HOUR BOX OFFICE: 0844 871 8819

Beth Hart plus Her Band Tours UK Spring 2018

DUBLIN VICAR STREET  – TUESDAY 10th APRIL 2018
VENUE BOX OFFICE: +353 1 775 5800
BOOK ONLINE: Ticket Master or Beth Hart Website 

IPSWICH REGENT THEATRE – THURSDAY 12th APRIL 2018
VENUE BOX OFFICE: 01473 433 100
BOOK ONLINE: Alt Tickets or  Beth Hart Website 

BEXHILL DE LA WARR PAVILION – SATURDAY 14th APRIL 2018
VENUE BOX OFFICE: 01424 229 111
BOOK ONLINE: Alt Tickets or  Beth Hart Website 

NOTTINGHAM CONCERT HALL – SUNDAY 15th APRIL 2018
VENUE BOX OFFICE: 0115 989 5555
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

OXFORD NEW THEATRE – WEDNESDAY 18th APRIL 2018
VENUE BOX OFFICE: 0844 871 3020
BOOK ONLINE: Alt Tickets or  Beth Hart Website 

FOLKESTONE LEAS HALL – THURSDAY 19th APRIL 2018
VENUE BOX OFFICE: 01303 228 600
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

CARDIFF ST DAVIDS HALL – SATURDAY 21st APRIL 2018
VENUE BOX OFFICE: 0292 087 8444
BOOK ONLINE: Alt Tickets  or  Beth Hart Website  

CAMBRIDGE CORN EXCHANGE  – TUESDAY 24th APRIL 2018
VENUE BOX OFFICE: 01223 357 851
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

BLACKPOOL OPERA HOUSE – THURSDAY 26th APRIL 2018

VENUE BOX OFFICE: 01253 625 252
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

HULL CITY HALL – FRIDAY 27th APRIL 2018
VENUE BOX OFFICE: 01482 300300
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

READING HEXAGON – MONDAY 30th APRIL 2018
VENUE BOX OFFICE: 0118 960 6060
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

PORTSMOUTH GUILDHALL – TUESDAY 1st MAY 2018
VENUE BOX OFFICE: 023 9387 0200
BOOK ONLINE: Alt Tickets  or  Beth Hart Website 

SOLD OUT LONDON ROYAL ALBERT HALL SOLD OUT – FRIDAY 4th MAY 2018
PLUS SPECIAL GUEST
VENUE BOX OFFICE: 0207 589 8212
BOOK ONLINE: Alt Tickets  or Royal Albert Hall
or   Beth Hart Website 

CHELTENHAM JAZZ FESTIVAL – SATURDAY 5th MAY 2018
TICKETS GO ON SALE FRIDAY 3 NOVEMBER 
VENUE BOX OFFICE: 01242 850 270 
BOOK ONLINE: Cheltenham Jazz Festival or   Beth Hart Website 

Beth Hart plus Her Band Tours UK Spring 2018

Beth Hart plus Her Band Tours UK Spring 2018

Bluesdoodles Reviews Live Shows and Recorded Music:

Read about her live show at Colston Hall, Bristol HERE

Fire On The Floor Review – Bluesdoodles Album of 2016 Read Why HERE

Beth Hart plus Her Band Tours UK Spring 2018

UKBLUES ANNOUNCE AWARDS SCHEME FOR 2018

UKBLUES ANNOUNCE AWARDS SCHEME FOR 2018

UKBLUES ANNOUNCE AWARDS SCHEME FOR 2018

 

The UK Blues Federation is pleased to announce that they are putting in place the UKBlues Awards to commence in 2018 to give the blues community in the UK the opportunity to recognise and applaud those involved with the blues in the UK.

Many people have expressed the opinion that UKBlues is the ideal body to undertake the organising, running and overseeing of an annual awards process given that it is an Affiliate of the Blues Foundation and an Active Member of the European Blues Union as well as the organiser of the annual UK Blues Challenge. The UKBlues Awards is a natural next step for UKBlues and furthers its stated aim to support and promote the blues in the UK.

A new, dedicated website is in the process of being created and voting in the awards will take place over a four-week period in February with a high profile, high-quality awards presentation ceremony taking place later in the year.

For UKBlues, Ashwyn Smyth, Chair, said: ‘It is evident from discussions we have had that many people have missed there not being any blues awards this year and, after much discussion and thought, we have decided that UKBlues should look to fill that gap. We have a very clear idea of how we should proceed with these awards and will be looking to create something that will draw support from across the blues spectrum in the UK. Above all we want to see an Awards process that does justice to all the recipients and nominees and to all those involved with the blues in the UK. Other musical genres have high profile and successful Awards and we feel it is high time that the blues in the UK enjoyed something similar. It will not happen overnight and will take a great deal of commitment.

Above all we want to see an Awards process that does justice to all the recipients and nominees and to all those involved with the blues in the UK. Other musical genres have high profile and successful Awards and we feel it is high time that the blues in the UK enjoyed something similar. It will not happen overnight and will take a great deal of commitment.

It is clear that building the profile of these Awards will take time but with the support of all those involved with the blues in the UK, we believe we can create something of which the UK blues community can be proud.’

More information about the UKBlues Awards will become available over the next few months.

Bluesdoodles have covered the Blues Challenge Read what we said about the 4th Blues Challenge held at The Cavern Liverpool “The Winner is: …….. As Dave Raven and Ashwyn Smyth handed over the responsibility of presenting the trophy to last year’s Challenge winner Kaz Hawkins”.  Read More…..

UKBLUES ANNOUNCE AWARDS SCHEME FOR 2018

Kirk Fletcher and Friends turn The Tunnels Blue

Kirk Fletcher and Friends turn The Tunnels Blue

 

Kirk Fletcher and Friends turn The Tunnels Blue

Sunday night in Bristol. Kirk Fletcher and Friends turn The Tunnels Blue.  The Sunday night buzz was full of warmth as friends and lovers of live music came together. This was our Sunday experience of light, music and being uplifted.

 

With Ruzz Guitar’s Blues Revue opening the night there was a real feeling of Déjà vu.  Why? They opened for Kirk Fletcher at The Tunnels last year. The difference was that I was in the audience. Last year a series of road chaos and other unplanned issues meant we never got to see the show! This year we left in plenty of time. Curse of roadworks around Newport struck again. The minutes ticking by with no progress would we fail for the second year running? After an hour of stop/very slow-moving the road cleared. We arrived with minutes to spare. Result!

Tonight Ruzz Guitar’s Blues Revue, the trio that delights their many fans in Bristol, were joined by Phil Quinn on keys adding another dimension.  Ruzz, Zachery and Joe managed to find space on the stage ready and waiting for Kirk.  The crowded stage did nothing to curtail the steaming tempo from the band that plays foot tapping rock n’ roll the interest is maintained with Texas Blues, with some slower numbers mixed in. The guitar in Ruzz’s hand was on fire with the energy that was warming the audience with the love of live music and building the anticipation of Kirk Fletcher later in the evening. Closing out the accomplished, crowd-pleasing set making rocking fun the order of the day this Sunday evening.

Kirk Fletcher and Friends turn The Tunnels BlueNow for the Kirk Fletcher moment. His surname takes us back to an age when arrows were made by the fletcher. Tonight the arrow sharpness and direction took us deep into the Blues. Fletcher maker of arrow flights tonight Kirk took us on a flight of blues delight. What an evening it was full of glorious live music that moved you. Kirk has surrounded himself with some of the UK’s best. With Westley Johnstone on drums, Jonny Henderson in complete control of his Hammond and Dudley Ross adding to the guitar sound. Kirk plugged his guitar straight into the 633 amp. The sound was clean and bright. The tone that defines Kirk Fletcher. The set flowed with a freedom as he and the band hit the ground running with Hip Hugger through to the last notes of the encore Rock With Me. Kirk’s riffs and licks purr as he makes the music shimmer. When you go to Kirk Fletcher a night of blues quality is assured. Tonight he stepped up the tone, tempo and energy he was inspired. The instrumental version of I’d Rather Go Blind was simply sublime. What a beautiful interpretation. His guitar wept and Jonny’s Hammond delivered the anguish which was pulled together by Dudley’s guitar shaping the melody.

As Dudley took some time out we were treated to a jam full of jazz chords and blues licks as Denny Ilett stepped onto the stage. The interaction between Denny & Jonny was magical as Kirk filled in the spaces with licks of glorious definition and tone. Breath-taking live music.

Interspersed with funk and shuffles we were taken on a journey through the tonal textures and sonics that pulled the band together and the audience stepped on board with enthusiasm. Live music doesn’t get much better.  Tonight was a night that will remain etched in the memory. Glad you were there never to be repeated solid gold performance. A real privilege to have been in the audience. Kirk Fletcher just gets better and better every time I see him live I am left amazed. Blown away by the quality of the guitar. Kirk is still on tour I thoroughly recommend catch him before he returns to the USA.

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Tonight, was a celebration of the power of the guitar flexing its vocal depths as the six-strings celebrated the blues full of the complexity of tone, mood and emotional connection the audience tonight as Kirk Fletcher and Friends turn The Tunnels Blue.

 

Kirk Fletcher and Friends turn The Tunnels Blue

 

Kirk Fletcher and Friends turn The Tunnels Blue

 

As Mollie says Truth Is A Wolf on her Debut Album

As Mollie says Truth Is A Wolf on her Debut Album

As Mollie says Truth Is A Wolf on her Debut Album

 

 

Listen to the album in full, then again and then start to consider the review. Why? Get to know Mollie Marriott the musician, singer in her own right. Forever connected to her famous father. Judge the music for what it is, Mollie coming up front having been a backing singer. The album has a wolfish grin throughout, a little bit dark, a smidgen of hunger and a wildness that needs to be tamed as Mollie gets personal with the lyrics.

From the opening, this is a singer taking control of her destiny. Turning up the heat, beat and building from a rhythmic bass that lets the wolf in Mollie free grabbing control of her own destiny. The song co-written with Sam Tanner(Brother Strut) lays down the path Mollie wants to take, being her own person as she tames, shapes and most importantly is in control of her own music and artistry. This s the perfect show-stopping single to show to the world I want to be heard as I sing the music that moves me.

Mollie the songwriter and singer explores throughout the album the hurt and pain of loss and life’s bitter, sometimes dark experiences.  She empathises in vocal tone pulling on the hurt until scars are revealed. Importantly for the integrity of the music she never wallows or sinks into a pool of despair. Mollie is stronger and will Run With The Hounds fashioning her own distinctive creative pathway.

The vocals have an inner power that soars above the band’s melodic lines. They never dominate but always give Mollie a springboard to vocally soar from. The instrumentation and production are spot on. Thanks to the band who play with her live. This shines through with a mutual understanding an umbilical chord of understanding.  The title track Truth Is A Wolf is the perfect demonstration of this mutual harmonization between Mollie Marriott and her band, Johnson-Jay Medwik-Daley (guitar), Sam Tanner (keyboards), Henrik Irgens (bass), Alex Reeves (drums) and Izzy Chase-Phillmore (backing vocals). As her voice howls with crystal clarity that would be the envy of many a pop diva. She is no diva. The intricacy of the number written by Gary Nicholson defines her. There is an edge that has the swirl of rock a hook of grunge rooted in an authenticity of sound making this number catchy, bewitching and beguiling. The first three tracks lay down the gauntlet can the high standard be maintained? The answer is Yes & No, as she explores different styles and tempos.

The slow ballad, Give Me A Reason fails to ignite, it is too dreamy and wistful the number lacks that inner grit that pulls the lustrous pearl from the Oyster. Then it slowly picks up as we have the song Run With Hounds and the tempo builds again with Love Your Bones. A tribute to her friend who died the sadness is underlying emotion the power of loving your bones fulfilled by the strings of the cello. It is the power of love remaining and strangely uplifting forward moving number.

Then we turn the corner to the closing numbers many co-written. This strengthens the power in the numbers King Of Hearts, penultimate number co-penned with Judie Tzuke and Graham Kearns is full of the wolfish rock power of the earlier tracks. The number has a grungy edge that the guitar amplifies the sound that is built creating an electrofused crescendo that leads neatly into the closing number My Heaven Can Wait.  The number is full of epic proportions as the voice explores the lowest point of her emotional crash. Deeply personal the hurt can be experienced in the sonic ranges and shapes of the instruments as the last notes fade away.

Having explored the darker side of life. Truth Is A wolf surprisingly leaves you feeling content, uplifted with a spring in your step and ear-worm repeating guitar riffs.

Debut album that sets Mollie Marriott firmly on the road as a solo singer. The style that instantly identifies the voice still needs to be defined with a sharpness of direction. The second album will set this down. The melodic, crystal clear vocals that have the ability to shape the emotions suits the darker sound where her emotions can run with the pack of wolves. As Mollie says Truth Is A Wolf on her Debut Album.

Mollie Marriott – Truth Is A Wolf 

Release Date 3rd November 2017

EIGHTpawprint half inchdoodle paws out of TEN …

 

Track Listing

  1. Control
  2. Broken
  3. Truth Is A Wolf
  4. Give Me A Reason
  5. Run with The Hounds
  6. Love Your Bones
  7. Transformer
  8. Fortunate Fate
  9. King Of Hearts
  10. My Heaven Can Wait

    Pre-order Truth Is A Wolf TODAY 

 

As Mollie says Truth Is A Wolf on her Debut Album

Read what we talked about when we sat and talked about Music, touring, famous parents –  HERE

 

Mollie sets out on tour with Bad Touch in November.

In Conversation Believe What Rebecca Downes Says

In Conversation Believe What Rebecca Downes Says

In Conversation Believe What Rebecca Downes Says

 

 

BD: Hi Rebecca it is great to speak to you. So much has happened since the UKBlues Challenge last year. Live album and so much more.

RD: No problem life is busy and good.

BD: Lots of touring, the band has been busy off the road. Supporting King King and Magnum as well as headline shows and Festivals. So tell us about your experiences on the road.

RD: I love supporting King King. Being around the King King crowds we knew where we are with fans of their blues-infused rock music. I was much more worried about opening for Magnum.  Would the fans like us and go for our music. They loved our music it was the best gig of last year.  The reaction blew me away. I am always nervous when playing as the support band. Magnum must have approved as we are supporting their 2018 show.  Headlining is different. I still worry, always worrying about getting people to them, how to manage the PR. There is a big difference between Europe and UK. In Europe, people go out and see live music all the time whether in the week or weekends and is on later. Life on the road is a bit of a whirlwind really.  For me, I am anxious and nervous. That said I love what I am doing such a privilege to play music. It does have its ups and downs. Music is not the kindest industry in the world. I have to remember that I chose this and get it all into perspective, at the end of the day I am lucky to be doing it. I got great reviews in the early days; that was fab, it is my baby. Then I got one arsey review, it was quite bitchy, no need for that, reviewers can say they don’t like it, not my cup of tea that is fine. I had to learn to leave the negatives behind and move on.

BD: What were your first musical influences growing up in Wolverhampton?
RD:
Through my Mum & Dad, they were older parents and loved swing and jazz. The likes of Ella Fitzgerald; Frank Sinatra, Sarah Vaughan, Billie Holiday, Julie Covington, Sammy Davis Jnr, etc. Both of my parents had been to see Ella Fitzgerald before they met so had this is common. Especially female singers of this era were the best of the best. The Carpenters were the most pop Mum listened to. She said to me if you are going to be a singer be like them.  It is the notes, choice of melody, tone, and timing that sets them apart. I know how tricky they are. As a vocal coach people ask me all the time how can I sing like Ella. The key is to have your pitch right. What unbelievable changes she achieves with her voice. Her voice can mimic even the brass section.

BD: There has been lots of Rebecca news. Your exciting trip to the States; will you be touring over there next year.

RD: Firstly, didn’t say I was going being careful as previously had a similar opportunity and it fell through. We were over in the States pitching what we do to a record company, how we can work with them. Before we went out had all new songs demoed and properly recorded with video. Been speaking with them this week so it will be interesting how this pans out – definitely watch this space.  I do lots of the PR & Admin work myself working until 11 pm. Life for a musician isn’t all the fun stuff but have to keep on top of it. Facebook, people put on a comment and they like you to react to it and say something. That takes time. I now try to only open the messages when I have time to answer them.

BD: I have always been interested in the lyrics of a song. Where do you get your inspiration for your songwriting?

RD:  Steve Birkett and I work together we both crossover between lyrics and melodies. Sometimes lyrics come first other times basic riffs sometimes both together. I almost always have a hand in the finished song.  I owe my Ex’s most of my PRS statements much of my inspiration comes from past relationships. Think the new album will see a change. It is true – a happy song cannot be written when sad, you just want to wallow in your misery. Uplifting songs will be on the new album along with those inspired by life experiences.

Some songs write themselves Believe is one I just wrote. It was almost as if I was downloading and I was just the vessel that spat it out it was a bizarre experience.

BD:  You are also in the studio at the moment making a new album. Will Chris Kimsey be involved in the whole album or just the re-mix of Sailing In A Pool Of Tears?

RD: Chris Kimsey is mixing and helping record the new album along with Mark T Stuart who records all our stuff. He is the nicest person he gets what we do. It is not strictly blues he gets where we are going slightly darker, slightly rockier. He is an absolute joy to work with. The new album is going to be released early 2018, the tracks include those we took to the States. It is ready to go now working out the release time, PR loads of things that are all in the pipeline.

BD: What plans have you in the pipeline for rest of 2017 and into 2018??

RD: Rest 2017 we have a headline tour of Germany throughout November and a T.V. show over there. Then back in the U.K. Tenby Blues Festival and King King’s Christmas party which will be fun. Then for 2018 making a video, our own tour of Europe and UK; opening for Magnum and more. It is gigging that keeps me alive. Music is my drug.

BD: What are the Blues or how do you define the Blues the perennial debate?

RD: What does blues mean to me? It is music with an emotional depth. Real blues goes back to the acoustic guitar through to the clean sound of the electric guitar. Today it is more rock than blues. With blues-tinged vocals and guitar with its roots firmly in the blues with other influences layered on top.  Blues is 12-bars why do we want to do it still when the past masters have done it better, the likes of John Lee Hooker and the other greats. Now we take the elements and shaped differently. Norman Beaker once said blues is anything that has got emotional depth. A melody link and a bluesy hook. Sound and guitar doing them as well, like the Blues Band who do the originals so well.

BD: If you were putting together your perfect fantasy band with members from across the years (dead or alive) who would you have playing
RD:

Vocals: Aretha Franklin
Guitar: Bonnie Raitt
Drums: Dave Grohl
Bass: Kevin McCormick

BD: Thanks for your time Rebecca and in the meantime catch Rebecca Live check out her tour dates HERE and keep listening to her albums they are infectious and will pass the time until her new album in 2018

Bluesdoodles Reviews:-

Be Live – The Leopard says Be Live With Rebecca Downes Rebecca is not defined by the blues but shaped by them with a soulful voice and a stage presence that shines out as wide as her dazzling smile. Rebecca is a singer who loves the stage and the audience loves her back as the music flows and Be Live captures the essence of a Downes live show. Read MORE HERE

Believe  – Believe has Rebecca Downes Singing the Blues …… The album does that crossing genre and with tempos and beats that will appeal far beyond the confines of blues clubs and blues aficionados. Read MORE HERE………

In Conversation Believe What Rebecca Downes Says

 

Big Boy Bloater On Tour Arrives at The Louisiana Bristol

Big Boy Bloater On Tour Arrives at The Louisiana Bristol

Big Boy Bloater On Tour Arrives at The Louisiana Bristol

Some say he came out of the swamp. The truth is; the number is  It Came Outta The Swamp.  Check out this clever video below.  It Came Outta The Swamp is just one of the superb tracks on Big Boy Bloater & The Limits album Luxury Hobo. Bluesdoodles has listened and agrees this is a soundscape of what many of us feel but do not have the talent to encapsulate in a 4-minute display of blues that may not be pure but is definitely mean dirty and very good. Read more to find out why the album was a perfect TEN – HERE

 

Now you have read the review of the album, watched the video. Next move os to go and hear Big Boy Bloater and The Limits LIVE! The Band is out around the country September & October.

22nd September SHOREHAM Ropetackle Arts Centre
23rd September GRAVESEND: Bluesrock Fest, Red Lion
29th September BRISTOL: The Louisiana
30th September NEWBURY: Arlington Arts Centre
5th October NOTTINGHAM The Maze
6th October GLASGOW Stereo
7th October PRESTON The Continental 18th Beer Festival****
7th October BIRMINGHAM The Dark Horse
12th October SHEFFIELD The Greystones
13th October DARLINGTON The Forum
 
14th October HULL New Adelphi

**** Continental *** change of gig *** NOW headlining the Beer Fest – if you have a ticket already you will receive a refund of the difference on the door.

Looking forward to Big Boy Bloater at The Louisiana in Bristol on 29th September 2017 – Check out the Event, buy a ticket it will be so much fun – HERE

Bluesdoodles reviews & INterview with Big Boy Bloater:

Luxury Hobo CD review HERE

Interview with Big Bot Bloater HERE

 

Big Boy Bloater On Tour Arrives at The Louisiana Bristol

 

 

Joe Satriani Announcing New album For January 2018 What Happens Next

Joe Satriani Announcing New album For January 2018 What Happens Next

Joe Satriani Announcing New album For January 2018

What Happens Next

 

Joe Satriani Announcing New album For January 2018 What Happens Next

G3 U.S. TOUR SET TO LAUNCH ON JANUARY 11TH

Tour features Satriani, John Petrucci (Dream Theater) & Phil Collen (Def Leppard)

“Beyond the Supernova” Documentary by ZZ Satriani to Premiere at Mill Valley Film Festival – October 14th

 

Joe Satriani Announcing New album For January 2018 What Happens Next. World-renowned guitar virtuoso, JOE SATRIANI, announces the release of his 16th solo album, What Happens Next, set for release, January 12, 2018 on Sony/Legacy Recordings. Just a day prior to the album release, SATRIANI revives his G3 tour entity, inviting Dream Theater’s John Petrucci and Def Leppard lead guitarist, Phil Collen to join him. The G3 tour launches on January 11 in Seattle, WA and continues across the U.S. before winding up on February 25 in Milwaukee, WI. There is a special tour pre-sale promotion giving fans the opportunity to buy concert tickets with the new album as well as VIP packages.

The new, instrumentally electrifying album features a power trio of legendary status; SATRIANI on guitar and Rock and Roll Hall of Fame inductee bassist Glenn Hughes (Deep Purple/Black Country Communion) and drummer Chad Smith (Red Hot Chili Peppers), the latter reuniting with SATRIANI for the first time since their work in the supergroup Chickenfoot. SATRIANI is once again joined by producer/engineer/mixer Mike Fraser, his frequent collaborator over the last 20 years, on What Happens Next. Fraser is well-known for recording/mixing every AC/DC album since 1990’s The Razors Edge along with his classic works with SATRIANI going back to the release of Crystal Planet in 1998.

These new tracks literally vibrate the soul with an energy rarely found these days. From the dynamic opening track, “Energy”, to the majestic crunch of “Thunder High On The Mountain”, and the easy, sensual cords of “Smooth Soul”. This unparalleled rock-rhythm section gives What Happens Next a depth of groove that sets it apart from SATRIANI’s other work.

Since its debut in 1996, SATRIANI’s G3 tour has featured the world’s greatest guitarists (everyone from Steve Vai and Eric Johnson to Steve Lukather and Robert Fripp) and has become a consistent concert hall sell-out attraction in the U.S., South America, Europe, Australia, and Japan. “I could say that I’m surprised at the durability of G3 and how much it’s grown, but in a way I’m not,” SATRIANI says with a laugh, “I think part of its charm and its mojo is in the chemistry of having three top guitarists share what they do on stage. It’s fun, it’s unpredictable, it’s wild – it’s everything you could want in a show.”

In addition to this new album and exciting tour news, a new documentary “Beyond the Supernova” shot by SATRIANI’s filmmaker son, ZZ, makes its debut at the Mill Valley Film Festival this October. The tour documentary chronicles Joe, along with his band and crew, on their last “Shockwave Supernova” tour throughout Europe and Asia.

Satriani’s Strange Beautiful Music: A Musical Memoir first released in May 2014 will now be available in paperback. Pre-orders are available now with the official release on November 7, 2017. The paperback version includes a new chapter focusing on SATRIANI’s last album, Shockwave Supernova. Read an excerpt from the new chapter HERE.

For two decades, the guitar virtuoso has traveled the world, playing to sold-out crowds as both a headliner and as founder of the all-star “G3” guitar extravaganza. SATRIANI’s studio and live recordings have sold more than 10 million copies worldwide to date and of his many solo albums, two have gone platinum and four others went gold, with 15 Grammy nominations between them. His side project, Chickenfoot, featuring former Van Halen frontman Sammy Hagar, former bassist Michael Anthony, and Red Hot Chili Peppers’ drummer Chad Smith saw their debut album certified gold and their second studio album debuted at #9.

2018 G3 Tour featuring Joe Satriani, John Petrucci & Phil Collen itinerary:

January 11 – The Moore Theatre, Seattle, WA
January 12 – Historic Elsinore Theatre, Salem, OR
January 13 – Grand Sierra Theatre, Reno, NV
January 14 – Fox Theater, Oakland, CA
January 16 – Delta Hall at Eccles Theater, Salt Lake City, UT *
January 17 – Brooklyn Bowl, Las Vegas, NV
January 18 – Mesa Arts Center, Mesa, AZ *
January 19 – Orpheum Theatre, Los Angeles, CA
January 20 – Balboa Theatre, San Diego, CA
January 21 – Fox Tucson Theatre, Tucson, AZ *
January 24 – Historic Paramount Theatre, Denver, CO
January 26 – The Pavillion at The Toyota Music Factory, Irving, TX *
January 27 – Austin City Limits – Moody Theater, Austin, TX
January 28 – Hobby Center for the Performing Arts, Houston, TX *
January 30 – Hard Rock Live, Orlando, FL *
January 31 – Florida Theatre, Jacksonville, FL *
February 1 – Pompano Beach Amphitheatre, Pompano Beach, FL*
February 2 – Barbara B Mann Performing Arts Hall, Fort Myers, FL *
February 3 – Mahaffey Theater, St. Petersberg, FL *
February 6 – Raleigh Memorial Auditorium, Raleigh, NC
February 14 – Warner Theatre, Washington, DC *
February 15 – Orpheum Theatre, Boston, MA
February 16 – Beacon Theatre, New York, NY *
February 17 – Merriam Theater, Philadelphia, PA
February 18 – New Jersey Performing Arts Center, Newark, NJ *
February 20 – Auditorium Theatre, Rochester, NY *
February 21 – Massey Hall, Toronto, ONT
February 22 – Hard Rock Live, Northfield, OH
February 23 – Chicago Theatre, Chicago, IL *
February 24 – State Theatre, Minneapolis, MN
February 25 – Riverside Theater, Milwaukee, WI

(All dates on sale September 22nd except * on-sale October 6)

 

 

Joe Satriani Announcing New album For January 2018 What Happens Next

Pre-order HERE 

 

Joe Satriani Announcing New album For January 2018 What Happens Next

 

Joe Satriani Announcing New album For January 2018 What Happens Next